wild

On a January morning in 1938, Pitmiddle’s last resident, James Gillies, closed the door to his cottage for the final time and walked away through the snow. High on the south-facing slopes of the Sidlaw Hills in Perthshire, the village is now little more than a jumble of half-ruined walls gradually being reclaimed by the land.

My children pick around the overgrown stones like explorers discovering a lost civilisation, before scampering back through the gate and over the grass to our cabin in a neighbouring field. Called the Pitmiddle Hut, it’s the latest addition to Guardswell Farm, which spans 81 hectares (200 acres) of countryside halfway between Perth and Dundee (an hour and a half from Glasgow or Edinburgh). “People gradually moved away from Pitmiddle’s way of life,” says Anna Lamotte, who runs Guardswell with her husband, Digby Legge, often aided by their four-year-old daughter and a smiley 10-month-old in a vintage pram. “Villagers each had a pendicle, the small area they could farm, a system of outfields, infields and ‘kailyards’ – a Scots word for a kitchen garden.” Anna and Digby grew up on farms and small-holdings nearby, and today they rear cattle, sheep, goats and chickens and tend to the vegetable gardens, alongside welcoming guests to stay.

The Pitmiddle Hut sits in the old village’s pendicle field and the slim volume Pitmiddle Village and Elcho Nunnery in our cabin inspired the names of Guardswell’s huts: the Pendicle with its wildflower roof, the Infield with a stargazing window above the bed and shepherd’s hut the Kailyard. They can be rented alongside two cottages and a large farmhouse, all clustered around the Steading, once a dilapidated barn that is now a smart events space for weddings, craft and cuisine classes including cheese-making, and a popular monthly market. It’s also home to a small shop (stocked with the farm’s meat, eggs and Diggers cider), smart washrooms and a cosy room filled with games and wellies.

All the existing cabins were made for two, but as Anna and Digby’s family grew, and couples who married at Guardswell returned with first a dog then a baby, a bigger hideout made sense. The Pitmiddle Hut is a 10-minute stomp uphill and has a mezzanine bed up above the kitchen for grownups and a second bedroom for children to pile into the set of bunks and a double bed. The two are linked by a central indoor-outdoor space, with sliding doors for sunnier days. It’s the end of March when we stay, and the thick blankets (made with wool from Digby’s parents’ farm) and douglas fir planks lining the cabin give it a deep cosiness.

As a somewhat reluctant camper in a tent-loving family, it’s an ideal balance. We build fires in the Esse Bakeheart stove to cook dinner and keep the wool-insulated cabin toasty (there’ll soon be an outside kitchen and a firepit for toasting marshmallows too). My son dashes in and out fetching ingredients from the giant coolbox on the deck. The hut is off-grid, but uses solar-power for lights and the single induction hob. There’s a proper loo, but it’s a walk down to the Steading in the morning for a shower. It quickly becomes our favourite part of the day, saying good morning to fluffy Shetland cows, dinky Hebridean sheep, donkeys Ollie and Hugo, and cheeky pygmy goat Jimmy, who once escaped his pen and crashed a wedding. It feels as though we have the farm to ourselves.

There’s no wifi, no TV and, on my phone at least, blissfully little phone signal. Instead, a basket beside the kindling is filled with Uno, playing cards, drawing pencils and a watercolour set. My daughter washes a page with streaks of blue sky and green fields that are framed by the hut’s huge picture window, before taking a nature scavenger hunt sheet around the farm, checking off pine cones and primroses.

It would be easy to simply roam here for a couple of days, foraging for wild garlic, helping feed the animals and exploring the Big Wood at the bottom of the farm, counting the 198 steps cut into the hillside among the trees. But with all of Perthshire on the other side of the Sidlaws and Fife across the River Tay there’s plenty to get stuck into, from sandy beaches at East Neuk to Highlands hills just beyond the foodie town of Dunkeld, where the Taybank pub and Aran Bakery make a delicious detour. We swerve the Munros and instead stride out on the nearby Scone circular, starting at Old Scone Church, rebuilt stone by stone in 1805 when the village moved a couple of miles east from its original site next to Scone Palace, and climbing through gorse-thick moorland to MacDuff’s Monument and the Lynedoch Obelisk with their sweeping views to Perth beyond.

We get back to the farm just as some wet weather blows in and hole up in the boat-turned-bothy called Girl Linda’s cabin at the top of a field. Scooping up a bottle of Diggers cider and apple juice from the hut, we run for it, the kids screaming into the wind. We light candles and the tiniest wood-burning stove – the valley below now so lost in mist that it feels like the River Tay might rise up and sweep us out to sea. We play Monopoly Deal as the rain whips against the portholes, before rousing a sing-song with the boat’s motley crew of instruments – bongos, guitar, glockenspiel and a giant metal triangle. “Let it go, let it go, I am one with the wind and sky …” My daughter’s favourite, suddenly apt.

We wake on the final morning to milk-glass skies and the rhythmic whirl of two woodpeckers in the trees as the sun rises through a fringe of woodland below us. There are recorded Guardswell morning meditations to start the day, a gentle prompt to pause. But stillness is low on my children’s agenda, so we throw on boots and fleeces over pyjamas and head for the swings on the hill above the hut. Pitmiddle’s simple way of life might not have survived against the advances of the modern world, but for a few days its slower rhythm feels within reach.

Accommodation was provided by Guardswell Farm. The Pitmiddle Hut sleeps six (two adults and up to four children) from £220 a night (two-night minimum), guardswell.co.uk

Brian Lindstrom, a filmmaker whose documentaries shined a light on society’s underdogs and inspired social change, has died. He was 65.

Lindstrom’s wife, author Cheryl Strayed, confirmed the news on Instagram Friday.

“Brian Lindstrom died this morning the way he lived — with gentleness and courage, grace and gratitude for his beautiful life,” she wrote. “Our children, Carver and Bobbi, and I held him as he took his last breath and we will hold him forever in our hearts. The only thing more immense than our sorrow that Progressive Supranuclear Palsy took our beloved Brian from us is the endless love we have for him.”

According to the National Institute of Neurological Disorders and Stroke, PSP is caused by damage to nerve cells in areas of the brain that control thinking and body movements. The rare neurological disease progresses rapidly.

Strayed, who penned the bestselling memoir “Wild,” which was later adapted for the big screen and starred Reese Witherspoon, announced just weeks ago that Lindstrom had been diagnosed “with a serious, fatal illness.”

Lindstrom was born Feb. 12, 1961. The son of a bartender and a liquor salesman, he was raised in Portland, Ore. — which he and his family still called home.

He was the first member of his family to attend college, which he paid for by taking out student loans, landing work-study jobs and working summers in a salmon cannery in Cordova, Alaska. During a 2013 TEDx Talk, Lindstrom said that after he’d exhausted all the video production classes at Portland’s Lewis & Clark College, his professor Stuart Kaplan gave him a gift certificate to a class at the Northwest Film Center. There, Lindstrom made a short film about his grandpa that landed him a spot in the MFA program at Columbia University.

It was a train trip with his grandpa that inspired Lindstrom to tackle challenging topics with a lens that restored dignity to his subjects. His grandpa was a binge-drinker, and on day three of the trip, he woke up with a hangover and was missing his dentures. Lindstrom, only 5 at the time, noticed the way other passengers treated him and his grandpa differently.

“I think what my films are about is that search for my grandfather’s dentures, the humanizing narrative that bridges the gap between us and them and arrives at we,” he said.

Lindstrom said he returned to Portland after film school and “did several projects with the Northwest Film Center that had me putting a camera in the hands of kids on probation, homeless teens, newly recovering addicts, hard-hit people who had hard-hitting stories to share.”

“Those projects taught me so much about the transformative power of art, and they gave me permission I felt in my personal films to ask people if I might follow them, so that an audience could better understand what they were going through, and by extension, better understand themselves,” he said.

Lindstrom’s 2007 award-winning cinéma-vérité-style film, “Finding Normal,” followed long-term drug addicts as they left prison or detox and tried to rebuild their lives with the help of a recovery mentor.

“What I’m most proud about is that ‘Finding Normal’ is the only film to ever be shown to inmates in solitary confinement at Oregon State Penitentiary, and not, I might add, as a punishment,” Lindstrom said.

In 2013, he released “Alien Boy: The Life and Death of James Chasse,” a documentary that illuminated the life of a man who grappled with schizophrenia and examined his death, which happened in police custody. Discussing the film with LA Progressive in 2018, Lindstrom said that he doesn’t make films for audiences.

“I make them for the people in the film. It is my small way of honoring them,” he told the outlet. “That doesn’t mean I don’t delve into dark areas or that I ignore that person’s struggles. I’m much more concerned with trying to achieve an honest depiction of that person’s life than I am with any potential audience reaction.”

Lindstrom’s work aimed to inspire empathy and humanize those suffering in the margins of society, but it also catalyzed policy change. His acclaimed 2015 documentary, “Mothering Inside,” followed participants in the Family Preservation Project (FPP), an initiative helping incarnated moms establish and maintain bonds with their children.

Midway through filming the documentary, the Oregon Department of Corrections announced it planned to nix funding for the FPP. Lindstrom hosted early screenings of the film, which inspired grassroots advocacy that reached then-Gov. Kate Brown, who subsequently signed legislation that restored funding. The film’s release also helped make Oregon the first state in the U.S. to pass a bill of rights for children of incarcerated parents.

Partnering with Strayed, Lindstrom made the documentary short, “I Am Not Untouchable. I Just Have My Period,” for the New York Times in 2019. The film highlighted the experience of teen girls in Surkhet, Nepal, and the menstrual stigma they faced. Most recently, the filmmaker released, “Lost Angel: The Genius of Judee Sill,” which examined the folk-rock singer’s life from her traumatic childhood and drug-addled adolescence through her rise in the Laurel Canyon music scene and untimely death.

Lindstrom, discussing “Judee Sill” and his style as a filmmaker, told Oregon ArtsWatch, “It’s the chance to kind of focus on the question: What does it mean to be human? The person that the film is about, what can they teach us, what can we learn from them? What can they learn from themselves?”

In 2017, Lindstrom received the Civil Liberties Award from the American Civil Liberties Union of Oregon for his work advancing civil rights and liberties. That same year, he received the Distinguished Alumni Award from Lewis & Clark College.

In Strayed’s post announcing Lindstrom’s death, she described their more than 30-year partnership as a stroke of “tremendous luck.”

“We loved each other and our kids with deep devotion and true delight. He was a stellar husband. He was the most magnificent dad. He was a man whose every word and deed was driven by kindness, compassion, and generosity,” she wrote. “He saw the goodness in everyone. He believed that we are all sacred and redeemable.

“His work as a documentary filmmaker was dedicated to telling stories of people who, as he put it, ‘society puts an X through.’ He erased that X with his camera and his astonishing heart.”

Strayed’s memoir — which followed her as she hiked 1,100 miles along the Pacific Crest Trail in the wake of her mother’s death, a battle with drug addiction and divorce from her first husband — concludes with a happy ending. She finished the months-long hike and sat on a white bench near the Bridge of the Gods, a stone’s throw from the spot where, she writes, she’d marry Lindstrom four years later.

“His greatest legacy is Carver and Bobbi, who embody everything good and true about their father. Their extraordinary grace, courage, and fortitude during this harrowing time was unfaltering and grounded in the undying love Brian poured into them every day of their lives,” she wrote. “We do not know how we will live without him. We’re utterly bereft. We can only walk this dark path and search for the beauty Brian knew was there. It will be his eternal light that guides us.”

AKON and Ne-Yo have been the soundtrack of our lives for the past two decades.

Between them, they have sold more than 55million records worldwide, thanks to a series of high-profile collaborations including Rihanna, Mariah Carey, Gewn Stefani and David Guetta.

In 2008, Akon teamed up with Michael Jackson to rework the King of Pop’s 1982 smash Wanna Be Startin’ Somethin’.

Now he tells Bizarre that he’s got his sights on teaming up with Princess of Pop Britney Spears.

Speaking to Bizarre’s Jack backstage at The O2 as he and Ne-Yo team up for a massive UK arena tour, Akon said: “Yeah, I would f***ing kill that record with Britney. I’m obsessed with her.

“I have some songs lined up, but I can’t even explain it. As for the sound, I think it needs to reflect where she’s at in her life.”

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He added: “That thing is beyond Britney. I can’t think of anyone that I haven’t worked with.

“So this is why I do a lot of collaborations with new artists, because that is what inspires me now.”

The duo have played just about every big arena in the country, including multiple nights at Manchester’s Co-Op Live Arena and four nights at London’s O2.

And fans there for their last night at the capital’s venue this Thursday are in for a treat as the show is nothing short of bonkers in the best way, with Akon crowd-surfing on a pimped-out table.

The hitmaker had kicked off the tour Zorbing over the crowd — but UK health and safety rules forced him to rethink his plans.

Akon said: “Yeah, the inflatable ball was my idea. I’ve been doing it at other places since about 2008, but the UK has got too many restrictions.”

Videos of Akon crowd-surfing have gone viral on social media, with overjoyed fans baffled and stunned at the singer’s ­daring display.

In one clip, the superstar can be heard telling ­security not to worry and to get out of the way, as his fans love him and won’t hurt him.

Admitting he has zero fears when it comes to entering the crowd, Akon said: “No, I’m not nervous about falling off at all.

“You have got to have balance, though.”

After we tell him we would need a vodka before hitting the stage, the teetotal star laughs: “That’s why you could never do it. You couldn’t balance on there.

“You would be wobbly the moment you get on top.”

In fact, the sober star says all he needs is a can of Coca-Cola and some jelly beans to get him pumped up for the two-and-a-half-hour show.

Akon said: “Back in the day I used to work out before a show, but now it comes so second nature, I just chill and relax until it’s time for me to get on. I literally have no rituals.

“I love jelly beans. I have them before my show every day. I like Coke as a nice refreshing drink, and I make fruit juices as well. Just the basic stuff — ginger and lemon teas.

“But for the show itself, it’s totally different. I turn into the Incredible Hulk. I just change when the lights come on. I turn into somebody totally different.

“I’m not exhausted by the end. I’m fully energised and ready to go again.”

While Akon is powered by jelly beans, it seems his co-headliner Ne-Yo gets his energy from Scampi Fries.

Bizarre are led through the rabbit warren of corridors in The O2, passing racks of diamond- encrusted clothes to meet the star ahead of the gig.

And when he emerges from his dressing room, he holds up two packs of the savoury snack, which can be found in most old boozers.

Clearly impressed and baffled by the quintessentially British treat, Ne-Yo says: “I’ve just discovered scampi snacks — I love them.”

Rather than bringing them with him on the road, bosses at The O2 have stocked his dressing room minibar with a ­plentiful supply.

We tell Ne-Yo that if he pops to the pub for a post-show pint, he will be able to ask for a bag of Scampi Fries alongside his Stella.

Ne-Yo, who has clocked up 20 UK Top 40 singles and five UK No1s, jokingly replies: “I’m going to invest in the company.”

Judging by their high-energy set, it seems jelly beans and Scampi Fries really are the way forward.

ZENDAYA: MY BALANCING  ACT

THEY are two of the biggest showbiz names on the planet.

But despite regularly being seen out and about together, Tom Holland and Zendaya are notoriously private when it comes to their relationship.

Now the Dune actress has revealed why she holds things back from fans – describing how she is locked in a daily battle over how much of her private life to share.

Zendaya said: “It’s a complex thing. It’s a balance of how to figure out how much to give of yourself, because I wouldn’t be in this position without the people who support me, and I want to be able to show them how thankful I am for their support.

“But then on the flip side, it is important to pour into yourself as well and hold things sacred to yourself and to your loved ones – to have those moments too and create that little healthy boundary.”

Zendaya and Tom married in secret this year after meeting on the set of Spider-Man: Homecoming in 2016.

She added: “At the end of the day, you have to fill your cup too.

“I try to find that balance. There’s really no blueprint. There’s no road map.

“We don’t know what we’re doing. We’re just figuring this out every day.”

A $570m JACKO THRILLER

THE MICHAEL JACKSON biopic, Michael, has only been out for three weeks but is already breaking records.

The film has surpassed $570million (£420m) at the global box office – making it the No1 music biopic of all time in North America.

It is only the second music biopic ever to earn more than $500million at the box office, following in the footsteps of Bohemian Rhapsody.

Released in 2018, that film saw Rami Malek play the late Freddie Mercury, while former EastEnders actor turned X-Men hunk Ben Hardy played drummer Roger Taylor.

Meanwhile, in Michael, the late King of Pop is played by his real-life nephew, Jaafar Jackson.

Michael’s daughter, Paris Jackson, has distanced herself from the project, accusing bosses of creating a “fantasy” with “full-blown lies”.

ARIANA: NEW LIFE BUDS IN PETALS

ARIANA GRANDE has continued to tease her upcoming eighth album, Petal.

The We Can’t Be Friends singer has insisted the new collection isn’t like her X-rated 2021 record Positions – despite previously referring to it as “a bit feral”.

Asked if the records will be similar, Ari simply replied: “No, but I love her [Positions] . . . I just enjoy evolving.”

The album’s lead ­single, Hate That I Made You Love Me, drops in just over a fortnight, with Petal released on July 31.

Ari’s previous album, 2024’s Eternal ­Sunshine, was all about her split from ­Dalton Gomez after three years of ­marriage, and finding love once more with her Wicked co-star Ethan Slater.

Insisting Petal will be far more uplifting than her last offering, Ariana added: “Basically, it’s about something that is full of life growing through the cracks of something cold and hard and challenging.”

Doja’s frilled to hit  town  

LOOKS like less is more for Doja Cat.

The Paint The Town Red rapper clearly doesn’t feel the cold as she steps out in New York in this tiny outfit.

Looking ready to party into the night, Doja opted for a purple metallic crop-top and a tiny frilly brown skirt – which barely measures more than some of the belts I own.

Doja completed her look with an equally minuscule pink handbag, which looks like it would only be able to fit an iPhone and a ­single lighter.

She may be from Los ­Angeles, but Doja clearly has some northern grit in her.

HELLO JAMES – WHO’S THE LITTLE GUY ON YOUR KNEE?

I’VE posed for my fair share of unflattering pictures with stars over the years.

But James Martin may have just taken the crown when it comes to photographic oddities.

The TV chef shared this picture of himself with presenter Guy Martin after he appeared on James Martin’s Saturday Morning cookery show.

Due to the angle, James appears five times the size of Guy, who is perched next to him like a ­ventriloquist’s dummy.

The Instagram comments section was ­immediately filled with fans of the duo giving them a good old-fashioned ribbing.

One wrote: “Did you have him on a boil wash?” Another added: “Love Guy. I didn’t realise he was only 2ft tall though.”

A third teased: “Faith in the British sense of humour restored by reading this ­comment section.”

Seemingly oblivious to the epic fail, James gushed over his bromance with Guy, with the caption: “I’ve interviewed many people but Guy was a top one . . .fascinating man and a massive eater. Top show – hope you liked it.”

DANCEFLOOR legend Martin Garrix has confirmed my tale that his single with Ed Sheeran is just around the corner.

Over the weekend, a billboard with a message from Martin popped up in the Dominican Republic, where Shape Of You singer Ed has just played a show.

It read: “Hi Ed. Can we please release our song? Xx Marty.”

I told last month how the duo will be releasing Repeat It.

Show support

LEWIS CAPALDI has added some huge support acts to his BST Hyde Park shows in London.

The singer will be supported by a string of top names including The Vaccines for his July 11 gig and Alessi Rose for his July 12 date.

Before he reaches the capital, Lewis will also play the brand-new Roundhay Festival in Leeds on July 4.

Jessie Murph, Kerr Mercer and Nieve Ella have all been announced to support him at the show.

Going all out

WE can always count on Rita Ora to go all out when it comes to weird and wonderful outfit choices.

The singer and actress looks like she stepped straight off the runway in this quirky blue-striped co-ord on Sunday in London.

Rita was in high spirits as she headed to the Royal Albert Hall to rehearse for tonight’s special King’s Trust Celebration concert there.

Bizarre will be backstage to bring you all the gossip from the VIP-packed night.

OLIVIA Attwood is certainly embracing the luxury lifestyle after forking out for a handbag worth close to what many Brits take home in a year.

The bag, equivalent to around eight months’ pay for the average worker, was bought by Olivia a few months before turning 35.

Sharing snaps online, Olivia wrote: “I got this baby in Paris in Jan and today is her first day out,” before adding: “Taking her on an adventure.”

The former Love Island star is continuing her celebrations by jetting off to the US – taking her new handbag with her.

The £26k Hermès Birkin Olivia was travelling with appears to be a Birkin 30 in Rouge H leather with palladium hardware – one of the fashion house’s most sought-after styles.

Birkin bags are famously difficult to buy, with shoppers often facing years-long waiting lists and needing a strong purchase history with Hermès before being offered one.

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The stunning star celebrated her birthday over the weekend as she hosted what she called “Olivia’s Birthday Bender” with pals.

The TV favourite was all smiles in green as she was presented with a birthday cake featuring the message “Another year around the pole” alongside a naked Barbie doll.

There was no sign of rumoured boyfriend Pete Wicks in the official snaps shared by Olivia.

However, eagle-eyed fans spotted him in Olivia’s vlog from the night where he was seen smiling in the reflection of a mirror.

Longtime friends and radio co-hosts Olivia and Pete were caught snogging in a popular bar in Soho earlier this year before jetting off to France on a secret holiday last month.

A source close to the pair previously told us they were “dating and enjoying their time together.”

Writer Octavia Lillywhite discovered the latest ‘moorcore’ trend with a wild and windswept escape in Bronte country, West Yorkshire

“Wuthering” is a Northern English term for a strong, roaring wind or a storm-lashed place, which is highly appropriate for Emily Brönte’s only novel – Cathy and Healthcliff’s tempestuous story of passion and revenge. It’s a harder sell for a holiday.

That hasn’t stopped ‘Moorcore’ from becoming the latest trend in UK breaks. And what is Moorcore? It’s a move-on from the cutesy cottagecore vibe (all roses round the windows, thatched roofs and cats curled by the fire). It’s wild and free. The feeling of standing atop a gritstone edge, a heathery moorland vista stretching to the horizon, tumbling waterfalls, fairy glens, fresh air in your lungs.

READ MORE: I found the perfect Tuscany Hotel for a week of incredible food and wine in Italy

There’s no better place to channel moorcore than on Haworth Moor – whose wild, heather-strews footpaths were well-traipsed by the Brontës. Two miles from their parsonage, Royds Hall Cottage is marked on maps from 1847, the very year Wuthering Heights published, and it’s likely it was a familiar sight for the sisters on their rambles. As we arrive, the breeze tusseling daffodils along the embankment and a buzzard hovering above, it feels magical.

Stay in the heart of the Yorkshire moors… near the pub

The kitchen is panelled on two sides with windows – a 180º view. There’s Ponden Reservoir shimmering, purple hills rising beyond and, in front, the owner’s horses tearing up the grass. The view changes moment to moment, as clouds scud across the sky, rolling shadows over the dale. You can watch the weather curl in from the east, like two days visible from the same window. I could marvel at it all day.

Just the right mix of old and new, the cottage sleeps four in two cosy rooms upstairs. Downstairs, the living room has the same vast view as the kitchen, exposed oak beams, a woodburner and sofas for cosying up in. And there’s a copy of Wuthering Heights if you forgot yours.

I’d had some concerns that wilderness could feel remote, but from the cottage’s kitchen window I could see the comforting sign of the nearest pub, and two more are a 10-minute walk away, in the village.

Walking in the footsteps of Wuthering Heights

On an energetic five-and-a-half mile loop from the cottage front door, we took in the waterfall at Lumb Beck (detailed in Charlotte’s letters to her friend, Ellen) and the desolate farmhouse at Top Withens – said to be the setting for Cathy and Healthcliff’s home. From there, across the moorland paths we discovered the Fairy Kirk at Ponden Clough (‘Penistone Crags’ in the novel), and beautiful Ponden Hall, which Emily Brontë used as Edgar Linton’s Thrushcross Grange and where her sister Anne set The Tenant of Wildfell Hall.

Around Top Withens and the waterfall, there were scores of walkers admiring the famous views but, only a crow-call beyond, we saw barely a soul – just swooping curlews with their strange warbling cries and a roe deer bouncing off into the distance. It’s easy to find both wild inspiration and, afterwards, scones and clotted cream at Ponden Mill.

In the other direction, Haworth village was less than an hour’s stroll. It’s the focal point of Brontë pilgrimage, so it was busy – yet still so beguiling, with a sense of the sisters at every turn. Visiting on foot meant we could skip the car park and enter the village – just as they would have – from the footpath at the end of Church Street.

Their house (now an unmissable museum) is the first you come to on the cobbled street. From the parlour table, the one Emily and her sisters worked at, you can still look out at the graveyard with its overcrowded, flat-lying gravestones.

The best places to eat and shop near Stanbury and Haworth

In Stanbury village, a 10-minute walk from the house, we found the Wuthering Heights Inn serves excellent pub food classics, is family and dog friendly and didn’t bat an eyelid at our muddy boots.

If you prefer to eat in, don’t miss Robertshaw’s Farm Shop at Thornton, 20 minutes by car. It’s packed to the rafters with local meats, dairy, vegetables and baked goods plus wine and Yorkshire ales. We loved it so much we stopped there again on the way home to pack the car with extras.

How to book this Yorkshire Moors cottage stay

Royds Hall Cottage sleeps four (a double room and a twin) and is available to book through booking.com or cottages.com, from £370 for 3 nights.

More ‘moorcore’ destinations to try in the UK, with great literary links

The wild places of Britain have been inspiring literary classics for generations, and Haworth is not the only place to find it.

Lorna Doone

Where to find it: Riverside Cottage overlooks dappling Badgeworthy Water, the river where John and Lorna meet, just at the ford in Malmesmead. In a seven-ish mile walk you can head up into their moorland valley among the rolling hills, or a 3-mile loop takes in the 13th-century church at Oare. Either way, you end back at your cottage, next door to The Buttery café. Further afield, don’t miss Tarr Steps (about 35 minutes by car) where a 1000-year old clapper bridge spans the river, and in summer families picnic on the grassy meadow before heading to Liscombe Dairy for the best ice creams.

How much? Riverside Cottage sleeps four from £699 for 7 nights, see nationaltrust.org.uk/holidays

The Secret Garden

Where to find it: Wood Cottage nestles in the rugged North York Moors, circled almost entirely by wild uplands with footpaths in any direction. One of the area’s most inspiring views, The Wainstones, is a 3-mile hike, and on the way back you can drop by The Buck Inn. The cottage is 200 years old but recently – and so prettily refurbished – with the living room upstairs for the best light and views. It’s set on a working sheep farm, so expect fluffy Herdwick lambs to visit at the back gate for your very own Dicken moment from the patio. Twenty minutes drive away, Hemsley Walled Garden could rival the garden Mary Lennox found, while right next door, Dunscombe Park served as Misselthwaite Manor in the 2020 Secret Garden film.

How much? Wood Cottage sleeps four from £697 for 7 nights, see sykescottages.co.uk

RIHANNA looked sensational as she stripped to a racy cherry bra for a sizzling new shoot. 

The pop superstar, 38, was the perfect model for the newest release from her Savage X Fenty lingerie brand, the Cherry Nouveau collection. 

Umbrella hitmaker Rihanna, who shares three children with her rapper partner A$AP Rocky, expertly worked the camera while posing for the sexy snaps. 

One showed her gazing off camera while seductively poking her tongue out, teaming the bra with a pink gingham shirt worn off the shoulders and some chunky gold necklaces. 

In another image, Rihanna turned things up a notch by perching on the edge of a cabinet with her legs parted. 

She finished the sizzling look with a pair of strappy red heels, proving that sometimes less is definitely more. 

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Rihanna and Rocky, 37, are parents to sons RZA, four, and Riot, two, and seven-month-old daughter Rocki. 

And the singer recently teased that she’s already thinking about baby number four. 

She chatted to British Love Island star Montana Brown, 30, who shot to fame in 2017 on the UK version of the show, underneath an Instagram video she posted.

Montana, who shares two children with her fiancé, said in the clip, “Deciding to get hot and sexy or get pregnant in 2026.

Rihanna took to the comment section and added: ‘Wait! So I’m not crazy then? Bet!”

Fans of Rihanna’s quickly responded to her comment.

Loyal supporters are desperate for Rihanna to finally release the follow-up to her 2016 album Anti rather than welcome a fourth baby.

One person replied: “Girl the only thing you need to be popping out is that album PLZZZZZZ.”

Hunter Haight got his first career goal and rookie Jesper Wallstedt auditioned for action in the playoffs with 35 saves as the Minnesota Wild finished their regular season by beating the Ducks 3-2 on Tuesday night.

Danila Yurov and Robby Fabbri also scored for the playoff-bound Wild, who have won 21 of their last 22 games against the Ducks, including eight in a row.

Wallstedt, who is second in the NHL in save percentage, went 18-9-6 in his debut and has given the Wild plenty to consider for a potential postseason goalie rotation with Filip Gustavsson. Wallstedt allowed only 12 goals over his last six starts.

Mason McTavish scored on a power play in the first period and again on a tip-in with 45 seconds left for the Ducks, who clinched their first spot in the playoffs since 2018 during an off night on Monday when Nashville lost to San José.

The Ducks, who have 90 points with one game left, are 1-6-2 in their last eight games. They can no longer win the Pacific Division and could still fall to the second wild-card spot, which would match up with Presidents’ Trophy winner Colorado in the first round.

The Ducks haven’t won a playoff series since a second round victory over Edmonton in 2017, though that’s two years more recent than Minnesota’s last postseason advancement.

The Wild, who rested 10 regular skaters, giving Haight, the team’s 2022 second-round draft pick, an opportunity as the second line center in his eighth NHL game. He ripped a shot from the slot in the second period to get on the board.