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Fifth in a series of stories profiling top high school football players by position. Today, Vincent Shields, Murrieta Valley offensive lineman.

For those who love dogs, offensive tackle Vincent Shields of Murrieta Valley High needs to be on your must-invite list. His mother and father run a dog training business. There are five dogs living at their home. All the female dogs are named after Disney characters. Vincent swears dogs can be trained to do anything, like open the refrigerator.

He just got a golden retriever puppy named Nala, the wife of Simba from “The Lion King.” The question is will Shields train her to rush the passer so he can practice his blocking techniques against someone with agility and a hunger to do anything for biscuits?

“That would be a good challenge,” he said.

The football journey of the 6-foot-6, 285-pound junior involves a change of positions, a change in eating habits and a recognition he has found his calling.

“He’s a freak athlete,” former Murrieta Valley offensive line coach Alex Rosenblum said. “That kid has had an amazing offseason.”

Teammates share a laugh with Vincent Shields as he engages in a power lifting exercise.

(Sandy Huffaker / For The Times)

By the end of the summer, Shields was nearing 20 scholarship offers after just one season as an offensive lineman. That’s what happens when college recruiters discover someone with size, good footwork and the ability to improve.

He started at right tackle last season for a school that has been producing outstanding linemen.

“We love to run the ball,” Shields said.

He was a defensive end as a freshman before Rosenblum convinced him to become a blocker. It opened a path that Shields has embraced.

“He told me at the end of my freshman year, ‘You’re going to start and if you make a mistake, it’s OK. Everything is a learning experience.’ I made mistakes and he was supportive,” Shields said.

He has been receiving private instruction to understand his role of blocking specific defenders and adjusting when linebackers blitz. All that was thrown at him as a sophomore, so it was no surprise he had some offside penalties. A year later, there’s no telling how dominant he can become.

“It takes a different person to play O-line,” he said. “It’s violent and that takes a special person. Not everyone is meant for the mental part and physical part. Are you going to take another man against his will and drive him down the field?”

Murrieta Valley offensive tackle Vincent Shields, center, does exercises during practice.

(Sandy Huffaker / For The Times)

Shields said he has been playing tackle football since he was 11. He was primarily a linebacker to take advantage of his athleticism. Then he started to grow and eat and eat.

Those were the days he loved French fries, chips, hamburgers and anything fried. He once ordered three 4×4 burgers from In-N-Out, which is four beef patties and four slices of cheese. He used to order from Chick-fil-A two chicken sandwiches, four chicken strips and 10 chicken nuggets.

Then he learned about nutrition and choices. He’s been eating steak and grilled chicken lately.

“I’ve done a good job shedding the bad weight,” he said.

His father, a former Marine, likes to cook, so everyone is watching Shields’ eating habits. He’s 17 with an appetite like a dog.

And speaking of dogs, the family has Shields’ golden retriever, a Rottweiler named Fancy, a giant schnauzer named Goose and two Belgian Malinois named Hero and Baymax.

That’s enough dogs to form a starting offensive line. But one of them has to beat out Shields, who intends to cause a whole lot of trouble blocking opponents over the next two seasons.

“I can’t wait,” he said. “You’re going to see a jump and a lot of people are going to wonder how it happened.”

Sunday: Godschoice Eboigbodin, JSerra defensive lineman

Offensive linemen to watch

Austin Attalah, Orange Lutheran, 6-8, 270, Jr.: His size alone makes him a can’t-miss prospect

Amaziah Siale, Mission Viejo, 6-7, 360, Sr.: Louisiana State commit can take on sumo wrestlers

Lance Ciechanowski, Sierra Canyon, 6-6, 275, Jr.: Let’s see who gets by him on pass plays

Drew Fielder, Servite, 6-6, 270, Sr.: USC commit is a former tight end who should dominate

Jackson Hill, Chaminade, 6-6, 300, Sr.: Notre Dame commit keeps getting bigger and stronger

Vincent Shields, Murrieta Valley, 6-6, 285, Jr.: Moves to left tackle as his blocking skills progress rapidly

Lex Mailangi, Mater Dei, 6-3, 350, Sr.: Oregon commit was a much-desired college recruit

Elisha Mueller, St. John Bosco, 6-4, 295, Jr.: Braves’ best blocker since Wyatt Davis

Lucas Rhoa, Orange Lutheran, 6-5, 305, Sr.: Texas commit has been a standout since his sophomore year

Jack Schein, JSerra, 6-6, 290, Sr.: Colorado State commit comes from a program that develops linemen

Richard Montoya of Culture Clash doesn’t mince words when it comes to politics, current events or the state of mainstream Hollywood. But he does sugarcoat his technological limitations as a 67-year-old comic in the dreaded age of video calls with a punchy Chicano twist.

“I’m a low-tech Aztec,” he writes via email when requesting a Zoom link to our Monday interview.

Culture Clash — which includes members Montoya, Ric Salinas and Herbert Sigüenza — arrived on the scene as a guerrilla sketch theater group from the San Francisco Mission District in 1984. By that time, the Chicano movement had reached its peak, thanks to the United Farm Workers labor movement, as well as student activist organizations like Movimiento Estudiantil Chicano de Aztlán (MEChA), which advocated for Chicano unity, political empowerment and educational access.

Luis Valdez, founder of El Teatro Campesino — who began putting on social justice-oriented plays for the striking Delano farmworkers in 1965 — backed the slapstick satire troupe, considering the trio “the cutting edge of fresh, new Latino comic genius.”

Culture Clash stood out in a time when Chicanos became more vocal and visible — and its members challenged an entertainment industry that has historically lacked Latino representation. Between 1993 and 1996, Culture Clash hosted its own self-titled TV show on the syndicated Fox network. The show, which was filmed at the Mayan Theater in downtown Los Angeles, is widely considered the first Latino sketch comedy to air on American television.

Throughout the last four decades, Culture Clash has parodied nearly every prominent Latino figure in history, including Che Guevara, Frida Kahlo, Ritchie Valens, Rita Moreno, Edward James Olmos and others. Its members have mocked hard-shell cholos and gangsters, often by placing them in funny scenarios. For instance, take this clip, in which the trio take on cholo characters and reimagine what it would be like to surf on the Southern California shore.

But they’ve also taken on more serious topics in their classic “Chavez Ravine” play, which looks into one of the darkest chapters in L.A. history: the forceful removal and displacement of families, mostly Mexican, in the 1950s under eminent domain. Recently Montoya attended a live reading adapted by Somos El Teatro, led by Xolo Maridueña, Mariana da Silva and Angel Villalobos at Elysian Park.

“It gives us so much life that people are finding the issues of swindlers, whether it’s gentrification, the taking over of settlements,” says Montoya. “The generational trauma of losing your home in L.A. has never gone away.”

But not every Culture Clash joke or skit has been safe from criticism. Montoya still remembers how a conservative pundit chastised the group for using light humor to discuss the 1992 riots, when LAPD officers were acquitted for using excessive force in the arrest and beating of Rodney King.

“By looking at it and treating it as dynamite, exploding it and then by bringing some levity and a whole lot of seriousness to the Rodney King matter allows us a moment, a fraction of time to look at the issues a little bit differently,” says Montoya. “That laugh allows us a moment to examine it differently.”

On June 27, Culture Clash will return to Grand Performances, a free summer concert series at California Plaza in downtown L.A., with comedic sketches colored by political and social satire. The show, titled “American Payasos! Culture Clash’s End Times Cabaret” will be co-presented with De Los.

While their 40-year-plus legacy might merit a show reminiscent of old goofball skits — like their early 1989 show “The Mission” that poked fun at the problematic Spanish Franciscan missionary Junipero Serra — this will not be an “oldies but goodies show,” as Montoya put it. “We are highly pissed off about a lot of stuff right now.”

“ We’re thinking a lot about the Mexican American patriarchy, Cesar Chavez, Dolores Huerta and it’s time to address some of these things,” says Montoya. “ We want to look at the service workers of Los Angeles, the people that sell cotton candy in MacArthur Park, the people that sell ice cream in Echo Park and the people working the World Cup.”

For the veteran comic, son of the late Chicano poet Jose Montoya, it is also impossible to ignore the immigration enforcement raids that have rattled Los Angeles communities in recent years.

“This is a very strange moment for satirists,” says Montoya. “We have a responsibility to use those tools to say what’s going on in our city and country and provide these moments where we can do a little bit closer examination because the people in power aren’t telling us what’s going on.”

In the last five years, Montoya has fiddled around with digital media, creating sporadic videos featuring old clips of the troupe, as well as videos of Latino media, to connect with technologically diverse audiences of all ages. (One example is a video calling on people to get out the vote, that features clips of Speedy Gonzales and honors political figures like Huerta.)

Although Montoya believes Culture Clash is nearing the end of its career, there’s a question lingering inside his mind: What does a graceful exit look like for a group like Culture Clash, which has never been fully integrated into mainstream Hollywood and still left such a profound legacy in the world of Latino entertainment?

The answer to that might still be unknown, but like any Culture Clash project, it will likely be wickedly satirical and punchy. Says Montoya: “We’re ready to go out with a huge, loud bang that can say something against the power structure.”

Culture Clash will take center stage on June 27 at Grand Performances, in partnership with De Los. Also performing is the retro cumbia-quebradita musician É Arenas (bassist of Chicano Batman), the cumbia-fusion, luchador-masked cumbia group La Nueva Ola de Cumbia, as well as DJ Dali.