white lotus

In an age of changing media consumption (and work-from-home) habits, the phrase “watercooler television” may be something of an anachronism. But as anyone following shows like “The White Lotus” can tell you, discussing, dissecting and debating hit series never goes out of style.

And of all networks, HBO knows how best to capitalize on such buzzed-about moments: The network’s “Inside the Episode” programs have long offered viewers the chance to process shocking plot twists and jaw-dropping deaths. That’s where viewers of Season 3 got to hear creator Mike White break down everything from Saxon and Lochlan’s drunken exploits to Chelsea and Rick’s doomed ending.

“Shows like this are the new watercooler moment,” says Emmy nominee Natalia Echeverria, a creative director at HBO and an executive producer of “The White Lotus: Unpacking The Episode.” “We try to anticipate what beats from the episode people will be talking about and then we dive in, giving audiences an inside peek only we can provide.”

Owing a debt to post-episode talk shows like “The Talking Dead” and podcasts like “Private Joke: The Official How I Met Your Mother Podcast” and “The Good Place: The Podcast,” such companion series, now commonplace across platforms, have risen in popularity in the last decade. This year, in fact, they make up the entirety of the short form nonfiction or reality series Emmy category.

Projects like “Making of: The Last of Us” and “Adolescence: The Making of Adolescence” (also nominated) necessarily straddle the line between creative and marketing. They’re meant to bridge the gap between a show and its fandom. But, in borrowing the familiar format of making-of documentaries, DVD bonus featurettes, even episodic reviews or recaps, they insist on a vision of television as an art worthy of discussion and dissection.

“I think of these pieces like the movie theater parking lot after a film,” says Badger Denehy, an Emmy-nominated executive producer of “Making of: The Last Of Us” and an HBO creative director. “They remind me of that moment when you turn to your friend and dive into all the biggest moments you just watched. It’s my favorite type of project because we get to create something for fans as huge fans of the programming ourselves.”

For Shannon Ryan, president of marketing for Disney Entertainment Television and an Emmy nominee for “Only Murders in the Building: Unlocking the Mystery,” the decision to produce the show was driven by a desire to better serve fans of the hit Hulu comedy.

“These short-form series offer fans a peek behind the curtain to hear directly from the talented people that bring the show to life,” she says. “And for our creators, this is a meaningful way to share more with the fans, give insight into their work, share some entertaining — and often hilarious — behind-the-scenes stories, and also spotlight some of the critical crew members that make every episode of the show so special.”

To “The Last of Us” viewers, there was likely no bigger moment this season than “Through the Valley,” the jaw-dropping second episode. Fans looking for insights on how that action-packed tragic set piece was orchestrated had to look no further than “Inside Episode 2,” where director Mark Mylod, co-creator Craig Mazin and star Pedro Pascal spoke about shooting Joel’s untimely and quite gruesome death.

Boasting more than 710,000 views on YouTube alone, that featurette showcased both the artistry behind such a high-octane hour of television (with talk of prosthetics and wintry shooting conditions) and candid reflections from cast members about the emotional fallout the episode would undoubtedly create.

The history of this Emmy category alone tracks the increased investment from streamers and networks in this kind of programming. Past nominees have included behind-the-scenes series tied to everything from “30 Rock” and “American Horror Story” to “RuPaul’s Drag Race” and “Pose.” And the last two winners (“Succession: Controlling the Narrative” and “Shōgun — The Making of Shōgun”) prove that the industry is similarly invested in (and impressed with) them, in turn.

John Wilhelmy, Emmy-nominated creative director of “Hacks: Bit by Bit,” notes that short-form projects now must be produced so they can exist across different platforms. “Certain stories within the conversation lend themselves well to TikTok and [Instagram] Reels, so we’ll pick those out and optimize them editorially,” he says. “They’re often funny outtakes or quick stories that we’ll post on those platforms alongside the full-length episodes hitting HBO Max and YouTube.”

In an era where fan-driven episode recaps, YouTube reaction videos and TikTok explainers contribute greatly to a show’s success in an increasingly fractured media ecosystem, these projects suggest a way to positively harness that engagement in a way that still puts TV creators front and center.

Echeverria puts it more simply: “Fan-made content has a huge place, but there’s nothing like seeing how the sauce is made from the chefs themselves.”

Emmy nominations arrived Tuesday morning, and if you made the list, it’s a “White Lotus” Full Moon Party vibe, full of celebratory cheers, toasts with your beverage of choice (it’s still early, maybe some of that Thai Red Bull?) and techno music playing loud enough to have Interpol banging on your door.

And if you didn’t hear your name called, well, you’re feeling like poor Pornchai watching Belinda sail away into the sunset. Or maybe you’re like Saxon, compartmentalizing the whole thing, pretending it never happened. We feel you.

With Emmy submissions down this year, there aren’t as many slots available to salute all the worthy work, leading to some sad omissions — which, for the sake of alliteration and search engine optimization, we’ll call “snubs.” There were also some surprises, some worthy, some about as welcome as one of those poison piña coladas Jason Isaacs blended up in the “White Lotus” finale.

Grab something to eat (maybe an item from the Old School Hollywood buffet table) while we run down the morning’s notables.

SURPRISE: The all-encompassing love for “The White Lotus”

Yes, as you could tell from my intro, the third season of Mike White’s deep dive into miserable white people and fabulous brand collaborations gave us much to discuss, even if discourse was often centered on complaining about the show’s slow pace and dearth of plot. I don’t begrudge some recognition for a series that dominated the pop culture landscape for its two-month run, but nominating seven of its regular cast members reveals a lack of imagination among voters. Pity the poor ensemble member not nominated. I’m not even going to name them and put that FOMO out into the universe.

SNUB: Any actor from “The Pitt” who wasn’t nominated

Conversely, just one nomination for the supporting crew at the Pittsburgh Trauma Medical Center — for Katherine LaNasa as charge nurse Dana Evans — is an act of voter negligence. I get it. There were a lot of interns and residents and nurses working that 15-hour shift. And just about every one of them was a more fully realized character than anyone on “The White Lotus.” Maybe voters had a hard time focusing their attention with so many choices. I’ll console myself with the knowledge that it’ll win the Screen Actors Guild drama ensemble award next year.

SURPRISE: “Paradise” (drama series)

The dystopian drama that asked the question, “Would you want to be trapped in an underground bunker with the likes of these people?” I can’t think of anything more frightening and enough Emmy voters agreed.

SNUB: “The Four Seasons” (comedy series)

You kind of hated these wealthy, entitled boneheads, and not in ways that were intended or even fun.

SURPRISE: Colman Domingo “The Four Seasons” (comedy supporting actor)

Because even if the show is mediocre, it’s impossible to ignore Domingo in any season.

SNUB: Natasha Lyonne, “Poker Face” (comedy actress)
To quote Lyonne’s human lie-detector Charlie Cale, that’s “bulls—.”

SNUB: “The Rehearsal” (comedy series)

How could a show about airline safety produce more laugh-out-loud moments than any other comedy series this year? How could a show so funny, insightful and, yes, occasionally terrifying not be nominated for comedy series? (Also, and not completely unrelated: How could it take this long for the TSA to let us keep our shoes on?)

SNUB: Selena Gomez, “Only Murders in the Building” (comedy actress)

Gomez earned her first Emmy acting nomination last year, but with the category trimmed to five nominees from six, something had to give. Detractors fault her flat, monotone delivery, though if you’re acting opposite Martin Short and Steve Martin, you need to find your own lane. Arguably, Gomez has. Look for that debate to continue next year when the show returns for a fifth season.

SNUB: Kate Hudson, “Running Point” (comedy actress)

The Lakers can’t win anywhere, can they?

SNUB: Bridget Everett, “Somebody Somewhere” (comedy actress)

Somebody, somewhere voted for Everett, so tender and vulnerable and utterly charming on this now-ended HBO series, one that seems destined for a long life of cult appreciation along the lines of “Enlightened,” created by (yes) Mike White.

SURPRISE: Kristen Bell, “Nobody Wants This” (comedy actress)

Not a surprise that’s she’s nominated — everyone watched this show in one sitting. But a surprise that this is her first nomination ever. Well-earned, even if I’m not convinced Adam Brody’s rabbi would throw everything away for her character.

SNUB: Steve Martin, “Only Murders in the Building” (comedy actor)

How do you nominate Martin Short and not Steve Martin? Big always wins over subtle. You have to wonder if voters forgot, or didn’t watch, the show’s last season — it has been awhile — which had Martin carrying the plot’s emotional weight as his character grieved the loss of longtime stunt double and friend, Sazz (played by Jane Lynch).

SNUB: Megan Stalter, “Hacks” (comedy supporting actress)

If her star turn in Lena Dunham’s “Too Much” had dropped during the voting window, Stalter might have secured her first Emmy nomination. Or maybe not. (Dunham is polarizing.) At any rate, Stalter might have two shots next year, provided “Hacks” premieres its next (and last) season in time.

SNUB: Meryl Streep, “Only Murders in the Building” (comedy supporting actress)

Only a “snub” because it’s Streep and she’s nominated for everything.

SNUB: “Your Friends and Neighbors” (limited series)

As the Jon Hamm series went along, it felt more like a Patek Philippe ad than any kind of comment on the empty lives of the wealthy. (Are there not any rich people out there leading fulfilling lives?) By the end of its run, we were checking our watches, and voters didn’t give it the time of day. (Sorry.)

SNUB: “Disclaimer” (limited series)

What a disappointment. Alfonso Cuarón’s highly anticipated seven-chapter psychological thriller premiered at the Venice Film Festival last August, screening four episodes over two nights. It then went to Telluride, Toronto and London. It was an event … until people saw it and were left baffled. How could the filmmaker behind “Children of Men,” “Gravity” and “Y tu mamá también” make something so dull that few people could to finish it?

SNUB: Renée Zellweger, “Bridget Jones: Mad About the Boy” (limited series/movie actress)

When “Love Island” defines romantic-comedy for a lot of people, she didn’t stand a chance.

Emmy nominations arrive Tuesday, and there will be plenty of time for us to argue about who should win (let’s start with “The Pitt”) and why this could be the year (though probably not) that we’ll have a surprise or two when the trophies are handed out on Sept. 14.

In the meantime, if you love “Severance,” “The White Lotus,” “The Pitt,” “The Studio,” “Hacks” and “Adolescence,” you will find plenty of reasons to smile. These are the shows that are going to steamroll through the nominations. If you belong to the “What We Do in the Shadows” cult and want a tip of the hat for its final season, you’re probably in luck. And if your comic taste embraces the absurd, and you have complicated feelings about air travel, you might be disappointed that Nathan Fielder’s “The Rehearsal” is left out of comedy series, though Fielder could earn a nod for his direction. Attaboy, Captain!

Who else will be flying high when nominations are announced? Let’s take a look.

COMEDY SERIES
“Abbott Elementary”
“The Bear”
“Hacks”
“Nobody Wants This”
“Only Murders in the Building”
“Shrinking”
“The Studio”
“What We Do in the Shadows”

Possible surprise: “The Four Seasons”
Possible “snub”: “What We Do in the Shadows”

“The Bear” won 11 Emmys last year, the most wins ever for a comedy series in a single ceremony. But that record was lost on viewers when “Hacks” won the final Emmy of the evening, besting “The Bear” for comedy series. “The Bear” has been sliding with critics, going from a 92 rating on review aggregator Metacritic for its second season to an 80 for its third and a 73 for its just-released fourth season. Sometimes I wonder if the naysayers are taking the time to consider the whole picture and the patient, deliberate way “The Bear” shows the difficulties in breaking free from addiction and familial dysfunction.

Because the show’s new seasons arrive in June, there’s some overlap between what voters are watching (the latest episodes) and what they’re supposed to be voting for (the episodes that came out a year ago). The new season was exceptional, ending in a showcase for its primary actors and providing well-earned catharsis for their characters. I don’t know if “The Bear” will win any Emmys this year, but the nominations will still be plentiful — and deserved.

COMEDY ACTRESS
Kristen Bell, “Nobody Wants This”
Quinta Brunson, “Abbott Elementary”
Ayo Edebiri, “The Bear”
Natasha Lyonne, “Poker Face”
Jean Smart, “Hacks”

Possible surprise: Selena Gomez, “Only Murders in the Building”
Possible “snub”: Lyonne

As always, it’s an honor to be nominated. And in a category that includes Smart, a nomination will be as far as it goes for the four women joining her. Edebiri and Brunson are sure bets to return. Bell has never been nominated, though she was a delight on “The Good Place.” She should break through for “Nobody Wants This,” the most easily binged contender this Emmy season. But voters could go any number of ways here, opting for past Emmy favorites like Tina Fey (“The Four Seasons”), Kathryn Hahn (“Agatha All Along”) or Uzo Aduba (“The Residence”). Or they could re-up Gomez, who received her first acting nomination last year, or Lyonne, recognized two years ago for the first season of “Poker Face.”

COMEDY ACTOR
Adam Brody, “Nobody Wants This”
Seth Rogen, “The Studio”
Jason Segel, “Shrinking”
Martin Short, “Only Murders in the Building”
Jeremy Allen White, “The Bear”

Possible surprise: Steve Martin, “Only Murders in the Building”
Possible “snub”: Segel

As with comedy actress, this category has one less nominee slot this year, which could be bad news for veterans Martin and Ted Danson (“A Man on the Inside”). If Bell earns a nomination for lead actress, how could you leave out Brody? And if you laud Short, how do you neglect Martin? (That happened two years ago, when the field was five.) But if Emmy voters were paying attention — and that is, admittedly, a big if — they’d remember that it’s Martin who carried the emotional weight of the past season of “Only Murders,” his character grieving the guilt from the loss of his longtime stunt double and friend (played by Jane Lynch).

COMEDY SUPPORTING ACTRESS
Liza Colón-Zayas, “The Bear”
Hannah Einbinder, “Hacks”
Kathryn Hahn, “The Studio”
Janelle James, “Abbott Elementary”
Catherine O’Hara, “The Studio”
Sheryl Lee Ralph, “Abbott Elementary”
Jessica Williams, “Shrinking”

Possible surprise: Megan Stalter, “Hacks”
Possible “snub”: Hahn

There’s more room in the supporting categories, which sport seven spots. That should be good news for Hahn, consistently the most delightful actor working in television today. She could well be a double nominee for her profane, force-of-nature marketing exec on “The Studio” and for her lead turn in the Marvel spinoff “Agatha All Along.” She could also somehow be shut out completely. (Let’s not go there.)

COMEDY SUPPORTING ACTOR
Ike Barinholtz, “The Studio”
Paul Downs, “Hacks”
Harrison Ford, “Shrinking”
Ebon Moss-Bachrach, “The Bear”
Tyler James Williams, “Abbott Elementary”
Michael Urie, “Shrinking”
Bowen Yang, “Saturday Night Live”

Possible surprise: Colman Domingo, “The Four Seasons”
Possible ”snub”: Urie

“The Four Seasons” was a bit of a snooze, but I was nudged awake every time Domingo came onscreen. Will older voters have a soft spot for this featherweight Gen X friends drama, or were they just watching to take notes on places to visit in upstate New York? Netflix campaigners excel at vacuuming up nominations, so it wouldn’t be surprising if “The Four Seasons” outperforms expectations.

DRAMA SERIES
“Andor”
“The Diplomat”
“The Last of Us”
“Paradise”
“The Pitt”
“Severance”
“Slow Horses”
“The White Lotus”

Possible surprise: “Squid Game”
Possible “snub”: “Paradise”

The first season of “Andor” earned 8 nominations and it could well surpass that for its second and final go-round, one that leaned into a pointed critique of authoritarianism, showing how easily a democracy can erode into fascism. The category’s last spot is a toss-up between the disappointing second season of “Squid Game,” which felt bloated even at just seven episodes, and “Paradise,” another dystopian drama, but a lot more fun, even with all the overwrought ’80s covers.

DRAMA ACTRESS
Kathy Bates, “Matlock”
Britt Lower, “Severance”
Elisabeth Moss, “The Handmaid’s Tale”
Bella Ramsey, “The Last of Us”
Keri Russell, “The Diplomat”

No “snubs.” No surprises. These are the nominees. And jumping ahead, to answer your question: Yes, Kathy Bates has won an Emmy — two, in fact. If you saw her on “American Horror Story: Coven” somehow making a serial killer and slave abuser almost sympathetic, you know that particular Emmy was earned. And I’m not sure if she had more than two minutes of running time for the guest turn on “Two and a Half Men,” for which she won her first Emmy, but watching her spot-on imitation of Charlie Sheen as the ghost of Charlie Harper, I can’t argue with the choice.

DRAMA ACTOR
Sterling K. Brown, “Paradise”
Gary Oldman, “Slow Horses”
Pedro Pascal, “The Last of Us”
Adam Scott, “Severance”
Noah Wyle, “The Pitt”

Again, no “snubs.” No surprises. Unless the nerds in the actors branch go all in for Diego Luna in “Andor.”

DRAMA SUPPORTING ACTRESS
Carrie Coon, “The White Lotus”
Taylor Dearden, “The Pitt”
Allison Janney, “The Diplomat”
Katherine LaNasa, “The Pitt”
Parker Posey, “The White Lotus”
Natasha Rothwell, “The White Lotus”
Aimee Lou Wood, “The White Lotus”

Possible surprise: Leslie Bibb, “The White Lotus”
Possible “snub”: Dearden

“The White Lotus” snagged four nominations in this category for its second season, with Jennifer Coolidge winning. I’d expect the widely seen third season to at least equal that and possibly exceed it if voters go with Bibb. Meanwhile, “The Pitt,” featuring an ensemble with more fully realized characters, will have to settle for a one or two nods. (I’ll need Dr. King’s calm, caring support if Dearden isn’t nominated.) What will it take to break through this two-show category blockade? Just an actor owning seven Emmys. Janney doesn’t need a spot on “The Pitt” or “The White Lotus” to make it in, though wouldn’t it be fun if she showed up on the next season of one of these shows?

DRAMA SUPPORTING ACTOR
Walton Goggins, “The White Lotus”
Jason Isaacs, “The White Lotus”
Jack Lowden, “Slow Horses”
Sam Rockwell, “The White Lotus”
Patrick Schwarzenegger, “The White Lotus”
Tramell Tillman, “Severance”
John Turturro, “Severance”

Possible surprise: Patrick Ball, “The Pitt”
Possible “snub”: Schwarzenegger

Do all the “White Lotus” men make the cut too? Possibly. Though, again, it’d be nice to even things out a bit and include Ball, so good as the troubled Dr. Langdon on “The Pitt.” Given the character’s ambiguous fate, this might be the only chance to nominate Ball. Lowden earned his first nomination last year, alongside “Slow Horses” castmate Jonathan Pryce. With the show’s latest season hinging on the emotional relationship between their characters, there’s a chance they both could return.

LIMITED SERIES
“Adolescence”
“Dying for Sex”
“Monsters: The Lyle and Erik Menendez Story”
“The Penguin”
“Say Nothing”

Possible surprise: “Disclaimer”
Possible “snub”: “Say Nothing”

Perhaps I’m underestimating “Disclaimer,” Alfonso Cuarón’s pulpy psychological thriller. Expectations were high; Apple TV+ had the chutzpah to show it at both the Venice and Telluride film festivals last year. But its pleasures and narrative momentum dissipated rather rapidly over the course of its seven episodes. I don’t know anyone who managed to finish it. Yet, in a weak year for limited series, it might make it in on name value alone.

LIMITED SERIES/MOVIE ACTRESS
Cate Blanchett, “Disclaimer”
Kaitlyn Dever, “Apple Cider Vinegar”
Cristin Milioti, “The Penguin”
Michelle Williams, “Dying for Sex”
Renée Zellweger, “Bridget Jones: Mad About the Boy”

Possible surprise: Ellen Pompeo, “Good American Family”
Possible “snub”: Dever

Zellweger won an Oscar for playing the plucky farmer in “Cold Mountain” and a deteriorating Judy Garland in “Judy.” And, given the film academy’s aversion to humor, it might surprise you to learn that she earned a lead actress nomination for the first “Bridget Jones” movie in 2002. Now, more than two decades later, Zellweger has a shot at her first Emmy nomination for the fourth film in the series. It’s her signature role. Give her the nod and the Emmy too.

LIMITED SERIES/MOVIE ACTOR
Colin Farrell, “The Penguin”
Stephen Graham, “Adolescence”
Brian Tyree Henry, “Dope Thief”
Kevin Kline, “Disclaimer”
Cooper Koch, “Monsters: The Lyle and Erik Menendez Story”

Graham figures to be nominated for “Adolescence” as a producer, actor and writer. (He wrote all four episodes with series co-creator Jack Thorne.) He’s excellent playing Eddie, the shell-shocked dad, particularly in the series’ final episode, which has his character dealing with the aftermath of his son’s arrest, trying to have normal life, a happy birthday, while plagued by doubts that what happened was somehow his fault. Graham deserves the Emmy for the last scene, where Eddie goes into his son’s room, tucks in his teddy bear and whispers, “I’m sorry, son. I should’ve done better.”

LIMITED SERIES/MOVIE SUPPORTING ACTRESS
Erin Doherty, “Adolescence”
Deirdre O’Connell, “The Penguin”
Imogen Faith Reid, “Good American Family”
Chloë Sevigny, “Monsters: The Lyle and Erik Menendez Story”
Jenny Slate, “Dying for Sex”
Christine Tremarco, “Adolescence”

Possible surprise: Lesley Manville, “Disclaimer”
Possible “snub”: Reid

Doherty will likely win for the series’ third episode, the taut two-hander with Owen Cooper. But, again, the fourth episode is just as good — maybe even better — featuring a heart-rending turn from Tremarco as the mom trying to hold it together.

LIMITED SERIES/MOVIE SUPPORTING ACTOR
Javier Bardem, “Monsters: The Lyle and Erik Menendez Story”
Owen Cooper, “Adolescence”
Rob Delaney, “Dying for Sex”
Rhenzy Feliz, “The Penguin”
Peter Sarsgaard, “Presumed Innocent”
Ashley Walters, “Adolescence”

Possible surprise: Clancy Brown, “The Penguin”
Possible “snub”: Sarsgaard

Cooper will soon become the fifth teen actor to win a Primetime Emmy. Next up: A juicy role in Emerald Fennell’s adaptation of “Wuthering Heights.”

July signals summer fun, Independence Day and … Emmy nominations.

Nominations for TV’s biggest awards show will be announced Tuesday. This year’s field of small-screen offerings includes returning favorites like HBO’s “The White Lotus” and breakout hits such as Apple TV+’s “The Studio.”

Here is everything you need to know about this year’s Emmy nominations.

When will Emmy nominations be announced?

The 77th Emmy Awards nominations will be revealed Tuesday beginning at 8:30 a.m. PT/11:30 a.m. ET. The nominees will be announced by Television Academy Chair Cris Abrego alongside “What We Do in the Shadows” star Harvey Guillén and “Running Point’s” Brenda Song.

How can I watch?

You can livestream the announcement on the TV Academy’s website or YouTube channel.

Who are the predicted nominees?

“Hacks” and “The Studio” are expected to lead the comedy pack. Other contenders include “The Bear,” “Only Murders in the Building,” “Abbott Elementary,” “Shrinking,” “What We Do in the Shadows” and “Nobody Wants This.”

Drama series nominees could include “Severance,” “The Pitt,” “The White Lotus” and “The Last of Us.” “Slow Horses,” “Andor,” “The Diplomat” and “Squid Game” are also in the running.

The limited series front-runners, meanwhile, include “Adolescence,” “The Penguin,” “Dying for Sex,” “Monsters: The Lyle and Erik Menendez Story” and “Disclaimer.”

After nominations are announced, final-round voting will commence Aug. 18 and conclude Aug. 27.

When are the 2025 Emmy Awards?

The 77th Emmy Awards will take place Sept. 14 at 5 p.m. PT/8 p.m. ET at downtown’s Peacock Theater in L.A. Live. The ceremony, hosted for the first time by Nate Bargatze, will air live on CBS and stream on Paramount+ the next day.

Jesse Collins Entertainment is producing the Emmy Awards for the third consecutive year.

The Creative Arts Emmys will be held Sept. 6 and 7.