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Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

The 13th edition of Beyond Fest at American Cinematheque has already begun but lasts until Oct. 8, so there is still plenty of excitement on the way.

Japanese icon Meiko Kaji will make a series of appearances during her first time visiting the U.S. A double-bill of 1973’s “Lady Snowblood” and 1974’s “Lady Snowblood: Love Song of Vengeance” will feature a Q&A with the actor moderated by Jen Yamato, while another Q&A will be moderated by “Anora” Oscar winner Sean Baker.

Other upcoming screenings include “The Testament of Ann Lee” in 70mm, “The Secret Agent” with filmmaker Kleber Mendonça Filho, “It Was Just an Accident” with filmmaker Jafar Panahi, a Guillermo del Toro retrospective, Mike Nichols’ 1973 sci-fi thriller “The Day of the Dolphin” in 4K and a 10th anniversary screening of “The Invitation” with filmmaker Karyn Kusama, screenwriters Phil Hay and Matt Manfredi and actor Logan Marshall-Green.

Meiko Kaji in the movie “Female Prisoner 701: Scorpion.”

(Arrow Films / Beyond Fest at American Cinematheque)

Saturday will see screenings of “Manhunter” and “To Live and Die in L.A.” with star William Petersen in attendance. I spoke to Petersen this week about going from being a Chicago theater actor to starring in two now-classic ’80s crime thrillers in the span of one year.

“It was never my intention to make any movies, it wasn’t like I was seeking them out,” Petersen said. “They kind of just came and found me.”

I also spoke to some of the team behind the festival about how they manage to harness the energy of L.A’s rep-house scene and point it toward an eclectic mix of new and old titles that increasingly includes legitimate prestige titles, including awards winners from the international festival circuit.

“It’s not just all about the films — it’s about the theatrical experience, seeing it all together,” said Grant Moninger, co-founder of Beyond Fest and artistic director of the American Cinematheque. “This does not happen online. You’re not watching a screener with a watermark at your house. You’re all together, you’re just celebrating cinema and going through all the emotions together. We put on a show every year at all these theaters because we’re thankful that everyone’s coming together and we’re going to try to give them as much as we can give them.”

‘The Rocky Horror Picture Show’ at 50

Tim Curry, center, as Frank-N-Furter in the movie “The Rocky Horror Picture Show.”

(20th Century Fox)

Tonight the 50th anniversary of “The Rocky Horror Picture Show” will be celebrated at the Academy Museum with a screening of new 4K restoration and an appearance by star Tim Curry. The screening will include “a full-blown audience participation and shadow cast experience,” capturing some the feeling of the riotous fan-fueled midnight shows that made the film a sensation over decades. There will be additional screenings of the film Oct. 4 at Hollywood Forever Cemetery and Oct. 15 at the Grammy Museum.

Directed by Jim Sharman, who also mounted the original stage show, from a story and songs by Richard O’Brien (who also plays Riff-Raff), the film is said to have the longest theatrical release in cinema history, thanks to its ongoing life as a cult object.

Steve Appleford interviewed the film’s star, Tim Curry at the Roxy, where the original stage show was first performed in L.A. In the film, Curry’s character, Dr. Frank-N-Furter, is a singing scientist in fishnets and high heels who introduces a young couple (Susan Sarandon and Barry Bostwick) to a world of new experiences.

“It was part of the sexual revolution, really,” said Curry. “Experiment was in the air and it was palpable. I gave them permission to be who they discovered they wanted to be. I’m proud of that.”

Susan Sarandon and Barry Bostwick do “The Time Warp” (again) in “The Rocky Horror Picture Show.”

(John Jay / Disney)

The Times identified the “Rocky Horror” phenomenon from the very start. Gregg Kilday interviewed Curry for an article published in March 1974 as the stage show transferred from London to L.A. The feature follows Curry, then only 27, from the Roxy to Musso & Frank and on to the Chateau Marmont, a pretty enviable tour of the city.

Curry described the character at the time by saying, “He says he’s a transvestite transexual, whatever that means. I don’t play him as a transexual. But he’s a fairly complex guy. He just takes anything he can get. He’s not fussy, really. Though I think he’s something of a wham-bam-thank-you-ma’am.”

In his original review of the film from Sept. 26, 1975, critic Kevin Thomas (of course, it was reviewed by Kevin Thomas) said, “All of this plays less depraved than it sounds. … This Richard O’Brien musical is simply too exuberant and too funny to be seriously decadent. Indeed, there’s an underlying quality of tenderness and even innocence in this loving send-up of horror and sci-fi flicks and celebration of post-graduate sexuality.”

The format wars of ‘One Battle After Another’

Teyana Taylor in the movie “One Battle After Another.”

(Warner Bros. Pictures)

The new film from Paul Thomas Anderson, “One Battle After Another,” features another of the filmmaker’s impressive ensembles, one that includes Leonardo DiCaprio, Teyana Taylor, Regina Hall, Alana Haim, Sean Penn, newcomer Chase Infiniti and Benicio del Toro.

The film is playing in a variety of film formats, and Los Angeles is lucky to be one of only four cities in the world to be screening the movie in VistaVision. (Appropriately enough, it will be at the Vista.) The film is also in Imax 70mm at the Universal Citywalk and in Imax at multiple locations including the TCL Chinese and in 70mm at the CGV by Regency in Buena Park. (Plus, it’ll be in more conventional digital formats at many other theaters.)

A politically minded action-comedy based loosely on Thomas Pynchon’s novel “Vineland,” the film stars DiCaprio as a former bomb-making revolutionary who has gone underground to protect his daughter (Infiniti). When a power-mad military man (Penn) comes after them, Bob must spring into action in ways he is not ready for.

Leonardo DiCaprio in the movie “One Battle After Another.”

(Warner Bros. Pictures)

In her review, Amy Nicholson wrote, “Paul Thomas Anderson’s fun and fizzy adaptation views its Molotov cocktail as half-full. Yes, it says, the struggle for liberation continues: ideologues versus toadies, radicals versus conservatives, loyalists versus rats. But isn’t it inspiring that there are still people willing to fight?”

Glenn Whipp spoke to Anderson in his first solo interview for the film. Despite the fact that the movie opens with a raid on a government immigration detention center, Anderson was reluctant to directly connect it to the current political moment.

“The biggest mistake I could make in a story like this is to put politics up in the front,” Anderson said. “That has a short shelf life. To sustain a story over two hours and 40 minutes, you have to care about the characters and take those big swings in terms of the emotional arcs of people and their pursuits and why you love that person and why you hate this person. That’s not a thing that ever goes out of fashion. But neither does fascism and neither does people doing bad s— to other people. Unfortunately, that doesn’t go out of style, either. That’s just how we humans are.”

Points of interest

‘A Scanner Darkly’ in 35mm

Keanu Reeves and Winona Ryder in director Richard Linklater’s “A Scanner Darkly,” based on the Philip K. Dick novel.

(Warner Independent Pictures)

On Friday night, Brain Dead Studios will host a 35mm screening of Richard Linklater’s 2006 animated adaptation of Philip K. Dick’s “A Scanner Darkly.” A comic, deeply paranoid tale of identity, the rotoscoped film features a cast that includes Keanu Reeves, Winona Ryder, Woody Harrelson and Robert Downey Jr.

Reviewing the film, Carino Chocano wrote, “As the saying goes, just because you’re paranoid doesn’t mean that everybody isn’t out to get you. In the dismal near-future of the film, when large-scale government spying has taken the next logical step into thought-surveillance, questioning the effect of shadowy forces no longer requires an overactive imagination. It doesn’t even require a drug habit (though, of course, it helps to have one). The dropouts and burnouts of ‘Scanner’ don’t have to wonder if they’re being watched; they are in every sense part of the program. … The brilliance of ‘A Scanner Darkly’ is how it suggests, without bombast or fanfare, the ways in which the real world has come to resemble the dark world of comic books.”

Much as Linklater has recently made “Blue Moon” and “Nouvelle Vague” in short order, in 2006 he had both “A Scanner Darkly” and “Fast Food Nation,” a fictional adaptation of Eric Schlosser’s nonfiction book.

“I make the joke that I’m like that British bus,” Linklater said at the time. “You wait forever and then two show up at the same time.”

Terence Stamp x2

Terence Stamp in Pier Paolo Pasolini’s “Teorema.”

(Criterion Collection)

The Eastwood Performing Arts Center will feature a program of two films starring Terence Stamp on Friday and Saturday, with “Teorema” and “Toby Dammit.”

Directed by Pier Paolo Pasolini, “Teorema” captures Stamp’s otherworldly beauty as a mysterious stranger who seduces all the members of a wealthy family in Milan (played by Massimo Girotti, Silvana Mangano, Laura Betti and Anne Wiazemsky) and then disappears from their lives as suddenly as he appeared, leaving them all in spiritual crisis.

“Toby Dammit,” directed by Federico Fellini, was one section of the anthology film “Spirits of the Dead,” with the other sections directed by Roger Vadim and Louis Malle. Stamp plays a fading alcoholic actor who makes a deal to shoot a film in Rome in exchange for a new Ferrari. He begins to suffer from terrifying visions.

Writing about the anthology in 1969, Kevin Thomas noted the film’s “swirling, shimmering worlds of fantasy populated by decadent Roman society,” adding that they only paled in comparison to Fellini’s previous triumphs “La Docle Vita,” “8½” and “Juliet of the Spirits.”

In other news

Henry Jaglom dead at 87

Henry Jaglom, arriving at a premiere in Los Angeles in 2009.

(Chris Pizzello / Associated Press)

An insistently independent filmmaker, Henry Jaglom died this week at age 87. His deep love of actors led him to a loose, improvisatory style that gave freedom to his performers. Often drawing story ideas from his own life (and casts from his wide circle of friends), his films included 1976’s “Tracks,” 1985’s “Always,” 1994’s “Babyfever” and 2007’s “Hollywood Dreams.” A new restoration of Jaglom’s 1983 film “Can She Bake a Cherry Pie?” is premiering this weekend as part of the New York Film Festival.

I visited with Jaglom once at the offices he long kept on Sunset Boulevard, a warren of rooms stuffed with the accumulated memorabilia of a life dedicated to movies. In a corner was an editing machine he said belonged to John Cassavetes.

Jaglom well understood his own privilege in life and equally understood that there were those who would not respond to his work.

“I enjoy, even if I’m being attacked, knowing I’ve had an impact,” Jaglom told me. “People are looking at it, talking about it, thinking about it. And that some people are moved, feel better. It’s reaching out and trying to touch people. It’s what film can do. I wouldn’t have it any other way.”

Hardcover fiction

1. The Secret of Secrets by Dan Brown (Doubleday: $38) Symbologist Robert Langdon takes on a mystery involving human consciousness and ancient mythology.

2. My Friends by Fredrik Backman (Atria Books: $30) The bond between a group of teenagers 25 years earlier has a powerful effect on a budding artist.

3. Katabasis by R. F. Kuang (Harper Voyager: $35) The deluxe limited edition of a dark academia fantasy about two rival graduate students’ descent into hell.

4. The Academy by Elin Hilderbrand and Shelby Cunningham (Little, Brown &. Co.: $30) Scandal and drama unfold at a New England boarding school.

5. Culpability by Bruce Holsinger (Spiegel & Grau: $30) A suspenseful family drama about moral responsibility in the age of artificial intelligence.

6. Among the Burning Flowers by Samantha Shannon (Bloomsbury Publishing: $30) Long-slumbering dragons awaken in a prequel to fantasy bestseller “The Priory of The Orange Tree.”

7. Clown Town by Mick Herron (Soho Crime: $30) The disgraced spies of Slough House are caught between MI5’s secret past and its murky future.

8. The Shattering Peace by John Scalzi (Tor Books: $30) A return to the galaxy of the Old Man’s War series.

9. Wild Dark Shore by Charlotte McConaghy (Flatiron Books: $29) As sea levels rise, a family on a remote island rescues a mysterious woman.

10. The Emperor of Gladness by Ocean Vuong (Penguin Press: $30) An unlikely pair develops a life-altering bond.

…

Hardcover nonfiction

1. All the Way to the River by Elizabeth Gilbert (Riverhead Books: $35) The bestselling author’s memoir about an intense and ultimately tragic love.

2. The Book of Sheen by Charlie Sheen (Gallery Books: $35) The movie and TV star reflects on his turbulent life.

3. Good Things by Samin Nosrat (Random House: $45) The celebrated chef shares 125 meticulously tested recipes.

4. We the People by Jill Lepore (Liveright: $40) The historian offers a wholly new history of the Constitution.

5. Art Work by Sally Mann (Abrams Press: $35) The artist explores the challenges and pleasures of the creative process.

6. The Let Them Theory by Mel Robbins (Hay House: $30) How to stop wasting energy on things you can’t control.

7. Night People by Mark Ronson (Grand Central Publishing: $29) The Grammy-winning record producer chronicles his early DJ days.

8. Mother Mary Comes to Me by Arundhati Roy (Scribner: $30) The acclaimed novelist’s first memoir takes on the complex relationship with her mother.

9. Coming Up Short by Robert B. Reich (Knopf: $30) A memoir by the political commentator of growing up in a baby-boom America.

10. Poems & Prayers by Matthew McConaughey (Crown: $29) The Oscar-winning actor shares his writings and reflections.

…

Paperback fiction

1. The Ministry of Time by Kaliane Bradley (Avid Reader Press/Simon & Schuster: $19)

2. Project Hail Mary by Andy Weir (Ballantine: $20)

3. The Frozen River by Ariel Lawhon (Vintage: $18)

4. The City and Its Uncertain Walls by Haruki Murakami (Vintage: $19)

5. Tell Me Everything by Elizabeth Strout (Random House Trade Paperbacks: $18)

6. The Safekeep by Yael van der Wouden (Avid Reader Press/Simon & Schuster: $19)

7. Martyr! by Kaveh Akbar (Vintage: $18)

8. Red Rising by Pierce Brown (Del Rey: $18)

9. The Lion Women of Tehran by Marjan Kamali (Gallery Books: $19)

10. Starter Villain by John Scalzi (Tor Books: $19)

…

Paperback nonfiction

1. All the Beauty in the World by Patrick Bringley (Simon & Schuster: $19)

2. On Tyranny by Timothy Snyder (Crown: $12)

3. Nexus by Yuval Noah Harari (Random House Trade Paperbacks: $25)

4. The Art Thief by Michael Finkel (Vintage: $18)

5. Autocracy, Inc. by Anne Applebaum (Vintage: $18)

6. The Friday Afternoon Club by Griffin Dunne (Penguin Books: $21)

7. Catching the Big Fish by David Lynch (Tarcher: $20)

8. Braiding Sweetgrass by Robin Wall Kimmerer (Milkweed Editions: $22)

9. The Wager by David Grann (Vintage: $21)

10. How to Dream by Thich Nhat Hanh (Parallax Press: $11)

Arsenal expect Noni Madueke to miss six to eight weeks with the knee injury sustained in the 1-1 draw with Manchester City on Sunday.

However, the 23-year-old England winger is not believed to have suffered an anterior cruciate ligament (ACL) injury.

The summer signing from Chelsea was substituted at half-time of the Premier League match with City and has been having tests to discover the severity of the problem.

“It looks like Noni is going to be out for a few weeks, but we don’t really know yet, we will have to scan him next week again,” said Arsenal manager Mikel Arteta on Tuesday.

“He felt something at the beginning of the match and tried to carry on but it was too sore, so let’s see.”

Asked to confirm whether Madueke will be out for weeks rather than months, Arteta replied: “We hope so. Like I said, we need to scan him again to see the extent of the injury but it doesn’t look too bad.”

Arsenal face Port Vale in the third round of the Carabao Cup on Wednesday.

Earlier, sources indicated medics were waiting for the swelling to subside before making a definitive diagnosis on the injury, but it is understood that Madueke will be sidelined for a minimum of six weeks, though that timescale is thought to be the best-case scenario.

The news is a major blow to Arteta and England head coach Thomas Tuchel given Madueke’s promising start to the season.

If the initial prognosis is confirmed, Madueke will not return to action until November at the earliest, ruling him out of a clutch of key domestic and European games for the Gunners.

The attacker is set to miss England’s forthcoming games against Wales and Latvia, while also making him a doubt for World Cup qualifiers against Serbia and Albania in mid-November.

Arsenal face Sunderland on 8 November in the Premier League. If Madueke is unavailable for that game and the international break, he could return for the north London derby versus Tottenham on 23 November.

For the uninitiated, the Ryder Cup is not something from which you drink coffee in your rental truck. As a matter of fact, 15 years ago, this golfing classic was proclaimed by the locals to be the biggest sporting event ever in the country of Wales.

The newest edition of the Ryder Cup will find your TV screen Friday through Monday. It will be contested on Long Island on a torture-chamber called Bethpage Black. They played the U.S. Open there in 2009 and it rained so hard and so often that there were rumors Noah was getting another Ark ready. Lucas Glover didn’t win that one. He survived it.

To be clear, this will not be the biggest sporting event in the New York area. Thursday afternoon Mets’ games create more stomach aches and fist pumps.

But it should not be dismissed or greeted by yawns.

U.S. Ryder Cup golf team captain Keegan Bradley, left, and Team Europe captain Luke Donald, right, will face off this week.

(Heather Khalifa / Associated Press)

This every-other-year, alternating-home-course event that matches the best golfers in the United States against the best in Europe, creates as much emotion as you can find in a sport that preaches controlling that.

Recently, British golfer Matt Wallace shed tears on camera after falling just short of qualifying. “I will never give up on the Ryder Cup,” he sobbed.

Rory McIlroy of Northern Ireland, one of the best players ever in the sport, made the mistake years ago of calling the Ryder Cup “mostly an exhibition.” He has been apologizing for that ever since.

Spain’s Sergio Garcia, a former Masters champion and an emotional leader of many past European teams, pulled out of a European tournament immediately after he learned he would not be on this year’s Ryder Cup team. He said he needed to get away for a while.

Keegan Bradley was on U.S. teams that lost both the 2012 and 2014 Cups, and he has spoken of the still-unpacked and logoed Ryder Cup backpack that he brought back after 2012. He has vowed to never unpack it until he is part of a winning Ryder Cup team.

If you think that golf and its top players are the living definition of a sports metronome (tick-tock boring), it is not so with the Ryder Cup.

The event keeps sneaking up on people. McIlroy was right, just not up to date. By 2010, the U.S. had started to lose Ryder Cup matches, and that suddenly made them important. U.S. sports fans like a little agony and drama before celebrating winning moments. Losing is not acceptable. From 1959 through 1983, the U.S. had won every Ryder Cup. Then, in 1985, Europe won and held the cup for eight of the next 11 meetings.

Now, it was game on.

Europe’s Rory McIlroy celebrates after winning his singles match against American Sam Burns at the Ryder Cup played at the Marco Simone Golf Club in Guidonia Montecelio, Italy, on Oct. 1, 2023.

(Gregorio Borgia / Associated Press)

The U.S. won in 2008, but this time, for 2010, the Europeans were ready. They even had a special course built, clearly with one thing in mind. It was in Newport, Wales, the club was named Celtic Manor and the course was called the Twenty Ten.

They held a huge pre-celebration dinner and by the time it started, they had sold out the six-day package (three practice rounds and three competition rounds) to 45,000 people at $660 each. That $29.7 million paid nicely for the big party.

Big profits haven’t seemed to be the driving force yet in the Ryder Cup, but like everything else in sports, that is likely to change. This year’s Ryder Cup will be its most extensively televised one to date in the U.S.

Bradley, the guy with a 13-year-old unpacked suitcase, will be the U.S. captain. He has played on two Ryder Cup teams, both defeats, and lost the deciding match to Jamie Donaldson in 2014 in Scotland. The suitcase remains unpacked.

He is still one of the top players in golf, good enough to be a player on this year’s team, but chose not to choose himself and will be a traditional non-playing captain. He was also high enough in the rankings to be considered for a spot on the ’23 U.S. team that lost in Rome. He later said that, when ’23 U.S. captain Zack Johnson passed him over, “It broke my heart.”

Luke Donald of England, who played his golf at Northwestern, was good enough to be No. 1 on the PGA Tour for 56 weeks and was the first golfer to top season money-winning lists on the PGA and European tours in the same year, will be the European captain. He has played on four Ryder Cup teams, all European victories. He was also the captain in Rome.

Donald was a member of that 2010 team in Wales. The U.S. lost by a point and Donald won three of the Europeans 14½.

Celtic Manor was more than just a European win. It was a rub-your-face-in-it win, a remember-who-invented-this-game moment. It was more than winner-take-all. It was winner-celebrate-all-night and-be-smug-about-it-all-next-year.

The setting helps to understand all this.

American Phil Mickelson plays a shot from the rough during the 2010 Ryder Cup at the Celtic Manor Resort on Oct. 1, 2010, in Newport, Wales.

(Ross Kinnaird / Getty Images)

The Twenty Ten course was surprisingly not a classic European links course. Much was made of that in the run-up. Why give the Americans a golf course type that they were used to — soft, grassy fairways and smooth-rolling greens — when the links courses usually drove them nuts. Then it started to rain and seemed as if it would never stop. Twenty Ten became Twenty Thousand Puddles. It was so bad that the final day of concluding singles match-play was contested on a Monday, a first for a Ryder Cup. The U.S. team was ready, with nicely logoed rain suits. Except they leaked.

Amid one particularly drenching downpour, U.S. star Phil Mickelson spotted a reporter he knew walking the sidelines. He sauntered over, soaked and dripping, eyed the reporter’s rain gear and said, “Wanna trade?”

The next day, the U.S. team got replacement rain gear from the same gift shop that the reporter had purchased his.

Such nuances are the responsibility of team captains. The Europeans, whose rain suits stayed sealed, were led by longtime tour pro Colin Montgomerie, a great player who never won a major and who many feel was the model for the Pillsbury Dough Boy. The U.S. captain was Corey Pavin, who not only won a U.S. Open in 1995 with his famous four-wood to the green on No. 18, but also was a Gutty Little Bruin, a pride of UCLA golf.

U.S. Ryder Cup captain Corey Pavin holds a flag stick during a practice round prior in 2010 at the Celtic Manor Resort in Newport, Wales.

(Andy Lyons / Getty Images)

The match, eventually won by Europe, came down to the final singles pairing on Monday. Graeme McDowell of Northern Ireland, who had won that year’s U.S. Open at Pebble Beach, was matched by Montgomerie against Pavin’s Hunter Mahan, a Texan who had been the No. 2 Ryder Cup qualifier behind Mickelson.

McDowell took a two-up lead on No. 16, making a sliding, curling 15-foot downhill putt for birdie that left him two up with two holes to play. Then, on the par three 17th — Mahan had to win this hole and the next to keep the U.S. hopes alive — Mahan chunked his second shot, a chip, short of the green. The Euro fans went wild. Mahan walked to McDowell, whose ball rested in easy two-putt, par territory, and shook his hand in concession.

Europe had won, 14½-13½, and the champagne began to flow.

The Celtic Manor clubhouse was on a hill, with a long balcony overlooking the 18th green. Within minutes, the European players were up there, shaking huge bottles of champagne and spraying them all over each other and the thousands of fans below. It went on and on. It was a post-Super Bowl-in- Philadelphia celebration, minus the bent traffic lights; a post-Lakers-win-the-NBA-title-at Staples celebration, minus the burning police cars. It produced photos that dominated every major European newspaper and TV broadcast for the next several days.

Eventually, the U.S. team shuffled into an interview room. There was not a smile to be found. All were there, a unit to the end, sitting at a long table. Quickly, a question went to Mahan about his gagged chip shot. He looked like a man who had just watched his dog get hit by a car. Before he could conjure up much of an answer, two of the three main veterans on the team ran interference. Both Mickelson and Jim Furyk jumped in to answer, saying basically, that none of the people asking the questions could have any idea of the pressure involved in a Ryder Cup situation like that. Of course, none of the people asking the questions had ever aspired to that pressure.

Tiger Woods remained silent.

American Tiger Woods attends a tense news conference after Europe’s 14.5 to 13.5 victory over the U.S. at the 2010 Ryder Cup at the Celtic Manor Resort in Newport, Wales.

(Sam Greenwood / Getty Images)

At a press gathering before the event, he had fielded a question from a member of the British press. If there was a moment that set a tone of animosity for the event, it was right there.

Reporter: “You don’t win majors any more, you don’t win regular tournaments. Where is the Ryder Cup on your agenda, now that you are an ordinary golfer?”

Woods, the ordinary golfer: “I hope you are having a good week.”

The captains’ comparisons are fun, but probably not meaningful. Bradley has won a major, the 2011 PGA, and was ranked as high as No. 7 in the world. His Ryder Cup playing record is 4-3-0. Donald never won a major, but was World No. 1. His Ryder Cup record is 10-4-1. He was Ryder Cup captain in 2023 in Paris. He has never been on a losing Ryder Cup team, as a player or captain. Bradley’s Ryder team record is 0-2.

The only playing returnee from 2010 at Celtic Manor — Donald was also on the team — is McIlroy, who once called this whole thing an “exhibition.” That was before he stood on a balcony in Wales, 15 years ago, and looked below to a mass of idolizing golf fans, begging to be sprayed with champagne.

In that moment, the Ryder Cup became a huge deal for McIlroy. The rest of the sports world now follows.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Robert Redford died this week at age 89 at his home outside Provo, Utah. The actor, producer and director had been a star for more than 60 years, going back to the 1963 comedy “Barefoot in the Park” and covering an enormously long list of performances in films such as “Butch Cassidy and the Sundance Kid,” “The Hot Rock,” “Downhill Racer,” “The Way We Were,” “The Candidate,” “The Sting,” “Three Days of the Condor,” “All the President’s Men,” “The Electric Horseman,” “The Natural” and many more.

Redford was also an accomplished director, winning an Oscar for his debut “Ordinary People” and going on to make films such as “A River Runs Through It,” “Quiz Show,” “The Horse Whisperer,” “The Conspirator” and others.

In a survey of his career, Amy Nicholson wrote, “To appreciate Redford fully, we have to applaud not only the work he did but the simple, feel-good roles he rejected. He could have become a celebrity without breaking a sweat as the war hero, the jock, the husband, the cowboy, the American ideal made incarnate. Yet, he had the rare ability to sidestep what audiences thought we wanted from him to instead give us something we didn’t know we needed: selfish victors (‘Downhill Racer’), self-destructive veterans (‘The Great Waldo Pepper’) and tragic men who did everything right and still failed (2013’s ‘All Is Lost’).”

Robert Redford at the Film Society of Lincoln Center in New York in 2015.

(Evan Agostini / Invision / AP)

Nicholson added, “Lately, the Redford roles I’ve been thinking about are the ones where his all-American appeal makes us examine all of America, good and bad. The two that instantly jump to mind are his pair of political thrillers: ‘Three Days of the Condor,’ in which he plays a CIA agent on the run from his own co-workers, and ‘All the President’s Men,’ in which he doggedly uncovers the Watergate scandal. Both films believe in the power of getting the truth out to the press; neither is so naive as to think the truth alone will save the day.”

And then there is a whole other side to Redford: his extensive work as an activist on behalf of environmental causes and his founding of the Sundance Institute, which lead to the creation of the Sundance Film Festival.

I took a look at Redford’s work with Sundance and how he did nothing less than transform Hollywood, carving out a space for independent artists and opening doors for those who had been previously shut out by the industry.

“Mr. Redford was a shining example of how to leverage success into community building, discovery and empowerment,” filmmaker Ryan Coogler said in a statement. Coogler’s own career was launched via Sundance.

“In these trying times it hurts to lose an elder like Mr. Redford, someone who through their words, their actions and their commitment left their industry in a better place than they found it.”

Robert Redford and Lauren Hutton in 1970’s “Little Fauss and Big Halsy.”

(Steve Schapiro / Fahey / Klein Gallery)

I personally met Redford only once, when I moderated a Q&A in 2013 for “The Company You Keep,” in which he starred as a former ’60s radical. It would be the last feature film he directed. I was introduced to him shortly before we were to go in front of an audience together and he wanted to sit and talk for a moment. He immediately asked me about myself, where I was from and how long I had been a journalist.

It was thoroughly disarming to have someone so famous engage with me in a way that felt so genuine. Suddenly he was not a movie star, though he did indeed possess an otherworldly grace, charm and rugged beauty, but rather something even larger, someone who engaged with the world from a place of true curiosity. He leaves a lasting legacy, having touched countless lives.

There will surely be many more tributes and events to come, but Vidiots has already announced a screening of Alan J. Pakula’s 1976 “All the President’s Men,” starring Redford and Dustin Hoffman, on 35mm for Friday, Oct. 3.

‘Mysterious Skin’ in 4K

Joseph Gordon-Levitt, left, and Brady Corbet in the movie “Mysterious Skin.”

(Tartan Films)

Seeing the ongoing revival of Gregg Araki’s filmography in restored versions as fans wait for his upcoming film, “I Want Your Sex,” has been very gratifying. Tonight, the Academy Museum will present Araki’s 2004 “Mysterious Skin” in a new 4K restoration followed by a conversation with Araki, actor Joseph Gordon-Levitt and novelist Scott Heim, moderated by “Anora” filmmaker Sean Baker.

“Mysterious Skin” is a delicately told, crushingly disturbing tale of two young men (played by Gordon-Levitt and future “The Brutalist” director Brady Corbet) who each process an incident of sexual abuse from their childhood in different ways. The cast also includes Elisabeth Shue, Mary Lynn Rajskub and Michelle Trachtenberg, who died earlier this year.

Reviewing the film at the time, Kevin Thomas wrote, “The most mature work by the idiosyncratic and gifted Araki, ‘Mysterious Skin,’ based on the book by Scott Heim, highlights the director’s talent for inspiring the most demanding of portrayals from actors and for richly evoking the world his characters inhabit. The film has a mesmerizing floating quality, heightened by Harold Budd and Robin Guthrie’s deceptively serene score, and it has considerable offbeat, deadpan humor to offset its dark undertow. … it’s hard to imagine a more serious or persuasive indictment of the horrors inflicted on children by sexual abuse than ‘Mysterious Skin.’”

I spoke to Araki at the time about the perception that the film was a step toward a new-found maturity following the bratty punk charm of his earlier work.

“I like that it was a real departure for me and that people didn’t expect it,” said Araki. “I really appreciate that aspect of it, that I’ve never done a serious drama before. I do think that the film totally makes sense with all my other movies. There is a thematic similarity and the sensibilities of Scott [Heim] and myself are really attuned to each other. It’s not as if I’ve directed ‘Chicago.’”

J. Hoberman’s avant-garde NYC

An image from Ken Jacobs’ 1961 “The Whirled (aka Four Shorts of Jack Smith).”

(The Film-makers’ Coop)

On Thursday at 2220 Arts + Archives, Acropolis will present an evening in celebration of J. Hoberman’s inspiring and vivid recent book, “Everything Is Now: The 1960s New York Avant-Garde — Primal Happenings, Underground Movies, Radical Pop.”

Hoberman, formerly the longtime film critic for the Village Voice and an insightful cultural chronicler, will be present for a signing and Q&A along with a program of short films from the era surveyed by the book, when New York was a bubbling cauldron of creativity and restless energy. Titles screening will include Ken Jacobs’ 1961 “The Whirled (aka Four Shorts of Jack Smith),” Ron Rice’s 1962 “Senseless,” Michael Snow’s 1964 “New York Eye and Ear Control” and Jud Yalkut’s 1966 “D.M.T.”

In the introduction to his book, Hoberman explains his thesis of creating a snapshot of a time and place — he pays incredible attention to actual addresses, mapping out what was happening where — by saying, “Cultural innovation comes from the margins and is essentially collective. … New York City in the 1960s was one such cradle of artistic innovation. Boundaries were transgressed, new forms created. A collective drama played out in coffeehouses and bars, at openings and readings, in lofts and storefront theaters and ultimately in the streets.”

Points of interest

Joe Dante’s ‘Pirahna’

A scene from the 1978 movie “Piranha.”

(New World Pictures)

It is always heartening to see longtime local hero Joe Dante celebrated. He will be appearing at Vidiots on Friday, this time with his 1978 film, “Piranha.” Made for producer Roger Corman, the movie was obviously one in a series of films intended to capture the excitement and scares generated by “Jaws,” and it certainly accomplishes that, but it is also so much more.

From a screenplay written by John Sayles, who would go on to an illustrious career as a director himself, and with sharp, smart direction by Dante, “Piranha” is about a mutant strain of killer fish engineered by the military and accidentally released into a small community’s waterways.

Writing about the film in 1978, Charles Champlin said, “‘Piranha’ is what it is: a swift, efficient program picture which squeezes the most out of its dollars to squeeze delicious chills from the audience. But it also plays to the attitudes as well as the emotional needs of its young customers. The bad guys are scientists, the military, the police, the politicians (what were we doing in Vietnam?), authority in almost any uniform.”

Writing about the film in 2012, Dennis Lim added, “This was Dante’s first solo directorial outing after several years at Corman’s New World Pictures, where he got his start editing trailers, and it establishes a distinctive tone that he has sustained throughout his career, right on the line between homage and parody. The actors — several, including [Dick] Miller and [Kevin] McCarthy, who would go on to become frequent Dante collaborators — give performances that are once committed and tongue-in-cheek and the effects, in contrast to the sophisticated animatronics of ‘Jaws,’ are charmingly rough and ready.”

Aaliyah x2

Jet Li and Aaliyah star in “Romeo Must Die.”

(Kharen Hill / Warner Bros. Pictures)

As part of an ongoing Y2K Fridays series, the Gardena Cinema is showing a double-bill of movies starring the late singer and actor Aaliyah, with Andrzej Bartkowiak’s 2000 “Romeo Must Die” and Michael Rymer’s 2002 “Queen of the Damned.”

Riffing on “Romeo and Juliet,” the story of “Romeo Must Die” revolves around Jet Li and Aaliyah as members of warring crime families in Oakland who fall for each other.

Kevin Thomas wrote, “Body counts run high in this genre, but ‘Romeo Must Die,’ which marks Li’s first English-language starring role, tries for some depth and sophistication. … The film is a new step for both Li, who hopes to break out with it, and for recording star Aaliyah, in an accomplished film debut.”

Stuart Townsend and Aaliyah in “Queen of the Damned.”

(Jim Sheldon / Warner Bros. Pictures)

Based on one of the novels from Anne Rice’s popular “Vampire Chronicles,” “Queen of the Damned” stars Stuart Townsend as the vampire Lestat, here taking on the guise of a rock star, and Aaliyah as Akasha, the first vampire.

In his review at the time, Kenneth Turan wrote, “As directed by Michael Rymer and with the late rock star Aaliyah in the title role, ‘Queen of the Damned’ turns out to be a muddled limp biscuit of a movie, a vampire soap opera that doesn’t make much sense even on its own terms. Though the previous film based on Anne Rice’s popular novels, the Tom Cruise-starring ‘Interview With the Vampire,’ was far from a success, this brain-dead venture makes it look like a masterwork by comparison.”

COPS are desperately hunting a woman and an eight-year-old girl who vanished more than three weeks ago.

Sally-Jean, 37, was last seen with eight-year-old Ava in Tilehurst, Reading on August 25.

The pair were reported missing on Monday with a frantic search for them launched immediately.

Police said they are “extremely concerned” for the safety of the woman and the youngster and are appealing for the public’s help finding them.

Ava is described as black with an afro hairstyle while Sally-Jean is white, about 5ft 4in tall, with long brown hair, green eyes and tattoos.

Sally-Jean has links to Reading, Caversham and Tilehurst and has one large and distinctive tattoo on her right lower arm, cops said.

Anyone with information on the whereabouts of either Sally-Jean or Ava is asked to contact Thames Valley Police as a matter of urgency.

Inspector Iain Watkinson said: “We are extremely concerned for the welfare of Sally-Jean and Ava and we have been working hard to find them since they were reported missing on Monday.

“We are now appealing for the public’s help.

“Anyone with information on their whereabouts should call 101 or make a report on our website.”

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A DJ and reality TV star has paid tribute to his late friend – champion Ricky Hatton.

The music producer – who is best known for his songs Darlin’ and You Want Me – shared a sentimental snap with boxer Ricky taken just weeks before his shock death.

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Former Celebs Go Dating star Tom Zanetti posted the picture alongside his friend and wrote a touching tribute.

He penned: “So horrible. I was with him two weeks ago and speaking on Insta just recently.

“What a nice talented man, a natural comedian and obvs huge legend in boxing.

“So sad. Love and strength to Ricky’s family and friends.

“We never know what’s round the corner. We have to enjoy every day, take care of ourselves and each other.”

It comes after Ricky, 46, was found dead at his home over the weekend.

It’s thought pals called the police after they were unable to contact him.

Friends were ‘initially worried’ after The Hitman missed a gym session on Friday and was absent for an event in Bolton on Saturday, featuring one of his young boxers.

They then made a “concern for welfare” call to the police.

Cops discovered Ricky’s body at his £1.75million mansion in Hyde, Gtr Manchester, just before 7am.

Police yesterday said that the death was not being treated as suspicious.

Friend DJ Tom found love earlier this year with model Hope Phillips after being single for four years.

He was last in a relationship with Made In Chelsea star Sophie Hermann.

Tom last dated Sophie after meeting her on Celebs Go Dating: The Mansion in early 2021.

Fans watched them fall for each other, with Tom joining her show Made In Chelsea that year.

However, just six months after they got together The Sun exclusively revealed how the couple had split up.

In the past, Tom has been open and honest about the tragic death of his girlfriend when he was in his early 20s.

He previously admitted to The Sun how he had spent years “trying to replace” his late girlfriend Lizzie.

The star’s world was rocked in 2010, aged 21, when his girlfriend of three years died in a car crash.

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SAN FRANCISCO — This is the time to bring on the rivals. The Dodgers are used to taking on challengers down the pennant stretch: the San Francisco Giants and San Diego Padres — and, in a previous version of the National League West, the Atlanta Braves and Cincinnati Reds.

The final two weeks of the regular season are upon us. The Dodgers have one remaining head-to-head matchup that really matters — and that series starts Monday at Dodger Stadium, against the Philadelphia Phillies.

The Phillies?

The Phillies have not been realigned into the NL West. However, although the three division champions automatically qualify for the playoffs, the two with the best records earn a bye into the division series. The division champion with the third-best record — right now, that would be the Dodgers — must play in the first round.

The Milwaukee Brewers, the presumed champions of the NL Central, boast the best record in baseball. The Phillies, the presumed champions of the NL East, lead the Dodgers by 4 ½ games. The Dodgers have 13 games to play.

The Dodgers got a bye and lost in the division series in 2022. They got a bye and lost in the division series in 2023. They got a bye and came within one game of elimination in the division series in 2024. Would they be better off not getting a bye and playing in the first round?

“There is not a question in my mind that that does not make sense,” Andrew Friedman, the Dodgers’ president of baseball operations, told me last week. “It is better for your World Series odds to not play those three games.”

The five days off that come with a bye can disrupt the timing of hitters. They also can allow time for injured and weary players to recover — that could be critical for Dodgers catcher Will Smith, in particular — and for the Dodgers to arrange their starting rotation just the way they might like it. And, of course, you can’t be eliminated in the first round if you don’t play in it.

“We have made our life more difficult to this point,” Friedman said, “but I still think we have a really good run in us, and we’ll make it competitive. So obviously these three games against Philly are really important in that.”

What if the three games against the Phillies go poorly?

Even if they don’t, the Dodgers might not win the division. The Padres are closer to the Dodgers than the Dodgers are to the Phillies.

San Diego trails the Dodgers by 2½ games in the NL West.

If the Padres win the NL West, how much would that hurt the Dodgers’ chances of a lengthy postseason run?

Not much, if at all. Both teams almost certainly would end up in the wild-card round.

The NL West champion would play the last team into the NL field, most likely the Giants or New York Mets and maybe even the Reds or Arizona Diamondbacks, with the chance the opponent exhausted its pitching just to get into the playoffs. The other team would play the Chicago Cubs, and would avoid the possibility of facing the surging Phillies until the NLCS.

If the NL West comes down to the last day or two, the Dodgers would have to determine whether to use their best starters on that final weekend or line them up for the wild-card series.

In that scenario, what might be the decisive factor in the Dodgers’ calculus?

The NL West champion would play all three games of the wild-card round at home; the runner-up likely would play all three games on the road. The Dodgers are 48-26 at home, 36-39 on the road. (The Padres are 47-28 at home, 35-40 on the road.)

Would there be any precedent for the Dodgers not minding if the Padres won the NL West?

In 1996, the Dodgers and Padres were tied for the NL West lead heading into the final day of the regular season, with the two teams facing one another. Both teams were guaranteed a playoff spot.

In Game 162, the Dodgers started Ramon Martinez — undefeated in his previous nine starts — then removed him after one inning.

The Padres won the game, and with it the division. The Dodgers started Martinez in their playoff opener three days later. They lost that game, and they were swept in the series by the Braves. The winning pitchers in that series, in order: John Smoltz, Greg Maddux and Tom Glavine.

How many games are the Dodgers on pace to win?

Ninety-one.

In Friedman’s previous 10 seasons running the Dodgers, what is the fewest number of games they have won?

Ninety-one, in 2016.

How did the Dodgers do that October?

They earned a bye into the division series, in which they beat the Washington Nationals. They lost to the Chicago Cubs in the league championship series.

BANK branches across the UK continue to close at pace as Lloyds and NatWest confirm more branches are to shut for good in the coming weeks.

Hundreds have already shut so far this year with a staggering 163 more closures in the pipeline for the coming months.

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Banks are set to close a slew of their stores over the coming weeks and months.

In September alone, a total of 26 NatWest branches and 13 Halifax branches will pull down the shutters for good.

The closures are set to extend into October and November as banks grapple with the customer turn toward online and mobile banking.

And banks including NatWest and Lloyds have confirmed even more closures too with some now earmarked for 2026.

Banks and building societies have closed a whopping 6,443 branches since January 2015 equating to 53 closures every month, according to to consumer champion Which?

Sam Richardson, Which?’s deputy editor, said that the closures represent a “seismic shift” in how Brits bank.

NatWest

NatWest is just one of the major banks to be closing a swathe of its sites throughout the UK.

According to the Metro, a NatWest spokesperson said that more than 80% of its current account holders use digital services, and over 97% of retail accounts are opened online.

A total of 54 branches will be pulling the shutters down this year and since 2015, the NatWest Group — which also includes Royal Bank of Scotland and Ulster Bank — has shut 1,409 branches.

Full list of NatWest closures

NatWest are closing a huge number of bank branches in the coming weeks and months.

• Abingdon, September 24
• Birmingham (Acocks Green), September 16
• Birmingham (Edgbaston), September 11
• Birmingham (Shirley), October 1
• Birmingham (Smethwick), September 25
• Bicester, September 30
• Bridgwater, October 27
• Bridport, October 29
• Bristol (Fishponds), September 4
• Cardiff (Canton), September 16
• Cardiff (Llanishen), September 11
• Chippenham, October 15
• Cirencester, September 17
• Cwmbran, September 1
• Dorchester, October 22
• Ely, September 10
• Halesowen, September 3
• Hinckley, September 17
• Honiton, October 21
• Luton (Leagrave), September 15
• Leicester (Melton Road), September 2
• Leicester (Oadby), September 10
• Leighton Buzzard, October 28
• Llangefni, September 4
• Lowestoft, October 15
• Melton Mowbray, September 29
• Midsomer Norton, October 8
• Mold, October 21
• Neath, October 13
• Newmarket (Suffolk), September 24
• Northampton (Weston Favell Shopping Centre), September 15
• Paignton, October 2
• Rayleigh, September 2
• Redditch, October 14
• Ringwood, October 1
• Romsey, October 13
• Leamington Spa, October 1
• Stevenage, October 7
• Stratford-upon-Avon, October 8
• Sudbury, September 30
• Trowbridge, October 16
• Wellingborough, October 7
• Wickford, September 18
• Willerby, September 22
• Wisbech, September 1
• Yate, September 25

Expected to be confirmed later:

• Ashby-de-la-Zouch
• Cromer
• Evesham
• Launceston
• Portishead
• Torquay

Lloyds

Lloyds will close a number of its branches for good in the coming weeks with more closures announced for March 2026.

While four branches will shut in September, a further 23 will close for the final time in October and November while 13 more are due to wind down in March next year.

The bank says they assess “impact on customers” when it comes to shutting its branches.

Full list of Lloyds closures

Lloyds are set to close a number of branches before the year is out with 13 also confirmed for 2026.

• Biggleswade, November 5
• Blandford Forum, November 10
• Bristol Bishopsworth (Church Road), November 6
• Bury, October 21
• Chard, November 11
• Coventry (Foleshill), November 4
• Debden, November 12
• Dunstable, November 4
• East Grinstead, November 12
• Feltham, November 4
• Ferndown, November 17
• Hexham, November 5
• Hornchurch, September 11
• Kidderminster, October 16
• Leeds (Armley), September 22
• Loughton, November 12
• London (Tooting), October 8
• London (Walthamstow), October 22
• Manchester (Newton Heath), November 5
• Monmouth, September 12
• Plymstock, November 4
• Pontardawe, November 20
• Sheffield (Woodhouse), November 11
• Shipston-on-Stour, November 11
• Southall, October 15
• Stoke-on-Trent (Trent), October 10
• Thetford, September 12

Those due to close in March 2026 are:

• Briggs, March 3, 2026
• Catheram, March 5, 2026
• Falmouth, March 5, 2026
• Glossop, March 9, 2026
• Houghton-le-Spring, March 10, 2026
• Hucknall, March 4, 2026
• Leominster, March 3, 2026
• Peterlee Yoden Way, March 3, 2026
• Seaton, March 11, 2026
• Sleaford, March 12, 2026
• Thornbury Avon, February 26, 2026
• Tunstall, March 9, 2026
• Wymondham, March 12, 2026

Halifax

Halifax is another bank that have now announced closures for next year.

Lytham Road is due to close in February 2026 while four more will shut the following month.

The bank has previously reported a 48 per cent drop in face-to-face transaction at their branches in the last five years.

Because customers are using branches less, the brand has closed an enormous number in an effort to cut costs.

Full list of Halifax closures

Halifax will close a number of its branches from now through to November and have also earmarked several for closure next year.

• Barrow-in-Furness, September 10
• Bexleyheath, October 23
• Blackpool (Lytham Road), October 29
• Bolton, November 25
• Brentwood, September 10
• Bristol (Kingswood), October 8
• Carmarthen, October 6
• Castleford, September 8
• Cirencester, September 25
• Crewe, October 14
• Derby, October 23
• Eltham, October 29
• Epsom, September 15
• Erdington, September 24
• Folkestone, October 9
• Hayes (Hillingdon), October 6
• Hexham, November 11
• Hove, October 20
• London (Clapham Junction), September 23
• London (Woolwich), October 1
• Long Eaton, September 18
• Mold, October 16
• Monmouth, September 30
• Morecambe, September 29
• Northwich, September 3
• Rhyl, September 23
• Richmond (Surrey), September 16
• Sittingbourne, October 15
• Skegness, September 3
• Southport, October 7
• Stevenage, October 23
• Stretford, October 15
• Telford, October 22
• Thetford, October 1
• Walkden, September 25
• Wallasey, September 4
• Wickford, November 10

Those due to close in 2026 are:

• Birmingham (Beardwood), March 2, 2026
• Lytham Road, February 24, 2026
• Nelson, March 4, 2026
• Peterlee, March 3, 2026
• Sleaford, March 12, 2026

Santander

Santander will be closing a fifth of its branches in a major cost-cutting mission. 

The brand have confirmed 19 branch closures after 14 shut up shop for good in August.

Surrey Quays branch will shut on November 10 while the remaining branches are yet to have a confirmed closure date.

Santander has confirmed previously that 93% of the UK population will still be within 10 miles of a branch

Full list of Santander closures

Santander will close 19 branches but only one has a confirmed date for closure.

• Surrey Quays, November 10
• Bexhill, TBC
• Billericay, TBC
• Dover, TBC
• Droitwich, TBC
• Dunstable, TBC
• East Grinstead, TBC
• Holyhead, TBC
• Ilkley, TBC
• Larne, TBC
• Lytham St Annes, TBC
• Maldon, TBC
• Morley, TBC
• North Walsham, TBC
• Redcar, TBC
• Saffron Walden, TBC
• Turriff, TBC
• Uckfield, TBC
• Urmston, TBC

Bank of Scotland

Bank of Scotland is closing five of its branches in the remaining months of 2025.

As with Lloyds and Halifax, closures have now been confirmed for next year too.

Wider trends

As of last December, 64% of the branches that were open at the start of 2015 are now closed.

Branch closures peaked in 2017, when 867 sites closed across the UK, more than 70 each month, followed closely by 792 closures in 2018.

But community groups and campaigners point out that the closures are a concern for older people who are less comfortable with digital technology.

Research shows 39 per cent of people aged over 65 do not use online banking, putting them at high risk of financial exclusion.

Kings forward Corey Perry will be sidelined for six to eight weeks after undergoing knee surgery.

The 40-year-old Perry was injured Friday while skating at his new team’s training complex, the team announced Saturday. The Kings will report for training camp in less than a week, and their season opener is Oct. 7 against Colorado.

Perry agreed to a one-year, $2-million contract laden with incentives to join the Kings this summer for his 21st NHL season. The 2011 NHL MVP spent his first 14 seasons with the Kings’ archrivals, the Anaheim Ducks, before moving on to Dallas, Montreal, Tampa Bay, Chicago and Edmonton.

Perry has played in the Stanley Cup Final in five of the last six seasons — but his team lost each time, including back-to-back losses with the Oilers to the Florida Panthers. He won a Stanley Cup title with the Ducks back in 2007.

Perry recorded 448 goals and 487 assists during his first 20 seasons, and he begins the new season 121st on the NHL’s career scoring list. He had 19 goals and 11 assists in 81 regular-season games for Edmonton last season before adding 10 goals and four assists in the playoffs.

This week’s top high school football games in the Southland:

FRIDAY

Mater Dei (2-0) at Corona Centennial (2-1), 7 p.m.

This is the third Trinity League team the Huskies have played in their tough nonleague schedule. They’ve beaten Servite and lost to Santa Margarita. They have a history playing Mater Dei and must find a way to run the ball effectively. Mater Dei has been surprisingly inconsistent on offense. New quarterback Ryan Hopkins has a great group of receivers but the Monarchs need improvement with a game against Bishop Gorman looming next week. The pick: Mater Dei.

Mission Viejo (3-0) at San Diego Lincoln (3-0), 7 p.m.

Prepare for an offensive shootout on Lincoln’s new turf field. Lincoln has scored 57, 36 and 50 points. Mission Viejo has scored 58 and 53 points in its last two games. Lincoln is the best team in San Diego. Mission Viejo, led by quarterback Luke Fahey, could complete one of the best starts in school history with a victory considering it already owns wins over Santa Margarita and Folsom. The pick: Mission Viejo.

Seoul, South Korea – Go Kyoung-min, 34, a nurse at Severance Hospital in Seoul, found a new sense of balance in her life during the first half of this year.

As the mother of twin daughters born in 2021, Go often felt guilty about not spending enough time with her children because of work.

But after opting into the four-day workweek offered by her workplace, Go was able to spend more time with her family, attending daycare events she had previously missed and relying less on her in-laws for childcare.

Severance is the first hospital in South Korea to trial a four-day workweek, aiming to improve the work-life balance of its staff.

Under the program, introduced in 2023 following an agreement between labour and management, some hospital employees are allowed to take three days off per week in exchange for a 10 percent reduction in salary.

Staff take turns participating in six-month rotations, after which they return to a five-day week.

The program appears to have improved nurses’ health and wellbeing, enhanced the quality of medical services, boosted organisational efficiency, and reduced turnover rates, the Korea Worker Institute-Union Center said in a report about the trial released last month.

According to the report, turnover among participating nurses with less than three years’ experience fell from 19.5 percent to 7 percent.

Average sick leave per employee also fell by one day during the trial, while it increased by 0.7 days in wards on five-day weeks.

Go said the four-day workweek not only improved her work-life balance but helped her be more focused and kinder to her patients.

“I work in the pancreatobiliary ward, where many patients face critical situations. This makes the workload heavier. With a four-day workweek, I feel I can take more time to listen to patients and care for them with greater responsibility,” she told Al Jazeera.

“My children used to be happy when their grandparents picked them up from daycare, taking it for granted. But once I did it more often, they expected me to be there.”

Go’s experience is unusual in South Korea, a country notorious for its long working hours, where staying late is often seen as a mark of a good employee.

South Korean workers logged an average of 1,865 hours in 2024, according to the Organisation for Economic Co-operation and Development (OECD), the sixth-highest among developed countries and well above the OECD average of 1,736 hours.

They worked 248 hours more than their counterparts in neighbouring Japan.

While long workdays are still the norm, shorter work arrangements are gradually spreading in the private sector.

Some companies, particularly IT firms and startups, have been experimenting with four-day or four-and-a-half-day workweeks for several years.

South Korea’s major conglomerates have also shown interest in more flexible work arrangements, with Samsung Electronics, SK Group, and Kakao introducing programmes offering employees periodic breaks of a full or half-day.

Lee Jae-ho, 42, a father of two who works at sports and health technology company Kakao VX, has benefitted from one such program, getting one Friday off each month and working 1.5 hours less on the remaining Fridays.

Lee said working fewer days does not necessarily reduce efficiency.

“When I have a Friday off or shorter hours, I adjust my schedule in advance, so the reduced workdays have little impact on productivity,” Lee told Al Jazeera.

“I have more time to have dinner with my family, recharge, and pursue my hobbies and growth.”

The push to reform South Korea’s work culture has gained momentum since the election of left-leaning President Lee Jae-myung in June.

During his campaign, Lee pledged to cut working hours below the OECD average by 2030 and introduce a four-and-a-half-day workweek.

At a July news conference, Lee reiterated that South Koreans needed to work less, suggesting that a system of long hours with low productivity was unsustainable.

“We have competed more on quantity than on quality,” Lee said.

Cafe24, South Korea’s leading e-commerce solutions provider, implemented a full four-day workweek in July, after previously offering workers every other Friday off, while maintaining employees’ salaries and overall hours.

In June, Gyeonggi Province, which surrounds Seoul, launched the country’s first pilot project of a four-and-a-half-day workweek without wage cuts among local governments, set to run until 2027.

The programme, running until 2027, encourages small and midsize businesses and public institutions in the province to experiment with reduced working hours by providing financial support to cover the increased labour costs.

Some experts and business leaders have expressed concerns about the moves to cut the working week.

Kwon Young-sik, director of human resources at Yonsei University Health System, the parent organisation of Severance, has said permanently shifting to a four-day workweek would cost about 100 million won ($720) per ward in labour costs alone.

“Over the past three years, about 1.2 billion won has been spent on labour costs,” Kwon said last month at an event where Severance’s labour union presented the results of the pilot programme.

At the same event, Lee Kang-young, general director of Severance, said institutional and financial support would be “absolutely necessary” for a four-day workweek to be sustainable.

Park Nam-gyoo, a business professor at Seoul National University, said he would be concerned about productivity and disparities in the labour market if a four-and-a-half-day workweek became the norm.

“South Korea is an export-led economy. It faces an uncertain future if it fails to remain competitive globally,” Park told Al Jazeera.

He said the country needed to consider its low birthrate, sluggish economy, and challenges to its global competitiveness.

But workers like Go and Lee hope more people can experience the benefits they have enjoyed.

“There were absolutely no drawbacks. The only downside in my case was that, as it is a pilot programme, only a few could participate, so I feel sorry for my colleagues who couldn’t. Other than that, it ran smoothly without any operational issues,” Go said.

“Just as the five-day workweek was initially met with concern but eventually settled in, a four-day workweek is expected to gradually bring positive changes to society,” Lee said.

A look at this week’s top high school football games in the Southland.

FRIDAY

Baltimore St. Frances (1-0) at St. John Bosco (2-0), 7 p.m.

Two nationally ranked powerhouses meet to keep their mythical national championship hopes alive. St. John Bosco coach Jason Negro said St. Frances has as much talent as any team in the country. The Braves have an impressive group of six linebackers that willl try to use their speed to deal with St. Frances’ big-play weapons. It’s another opportunity for sophomore quarterback Koa Malau’ulu to get the ball to his prolific group of receivers. The pick: St. John Bosco.

Folsom (2-0) at Mission Viejo (2-0), 7 p.m.

One of Northern California’s top teams is led by Brigham Young-bound quarterback Ryder Lyons. Mission Viejo counters with Ohio State-bound quarterback Luke Fahey. It should be an offensive slugfest. The pick: Mission Viejo.

A CONTROVERSIAL Love Island bombshell is in talks for the Games spin-off series – just weeks after causing chaos in the villa. 

Remell Mullins was dumped from the Love Island villa after furious Alima Gagigo discovered he’d snogged Poppy Harrison during the sleepover. 

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But The Sun can reveal fans may soon get to see him back on TV as he’s in the running to appear on Love Island Games when it returns later this year. 

An insider said: “Remell has had talks about heading over to Fiji to film the popular US spin-off. He is well up for it. 

“There are said to be around eight British islanders heading over and the final cast hasn’t been fully confirmed yet but he is a definite contender. 

“He proved very controversial on Love Island UK over the way he treated Alima and Poppy and bosses really want a few bad boys in the mix.”

And Remell has also hinted at something big coming up for him.

He shared a snap taken during a gym session and teased: “Just know I have been preparing for more than the gym.”

After being dumped alongside Megan Forte Clarke when they were voted the least favourite boy and girl by the public, Remell assured fans he wouldn’t be gone for long.

He wrote on Instagram: “And just like that… I’m officially out of the love island villa. What a mad, unforgettable ride.

“First off, thank you to every single one of you who’s supported me—whether you were backing me to find love, keeping up with the show, or just curious from what you’ve seen online—I’m genuinely grateful.

“My journey might’ve been shorter than expected, but I walked in as me and walked out as me. No regrets,” he continued.

“I got to meet some incredible people, make real bonds and live out something most only dream about.

“Seeing my name in headlines has been surreal to say the least—but trust, this is just the beginning.”

“I’m walking out with my head high and my heart full. Can’t wait to show you lot what’s next.”

SUMMER is fully upon us, bringing with it holidays abroad, trips to the beach, dips in the pool – and, of course, bare legs.

I’ve grappled with various razors, at-home waxing kits and painful trips to the salon for years, which only leave me dreading the next time my leg hair is ripped from the root, before it grows back and I have to endure it all over again.

Keskine IPL Hair Removal Handset, £299 £159.20 with code THESUN20

That was until I decided to take the plunge, listen to my mates, and join the at-home IPL brigade.

Instead of spending hundreds (thousands in the long run) on salon hair removal, I opted to try an at-home hair removal solution that would last — a Keskine IPL Hair Removal Handset.

IPL (Intense Pulsed Light) uses a combination of targeted light and heat that is absorbed by the melanin found in hair follicles, essentially disabling and damaging them, which, in turn, stops the hair from growing back.

The highly rated Keskine handset boasts an impressive 4.9-star rating from almost 4,000 reviews, and one of its most notable features is the built-in ice-cooling technology, setting it apart from competitors.

This promises to soothe the skin and alleviate the biggest complaint people have about hair removal: pain.

So, I put the Keskine IPL Hair Removal Handset to the test for six weeks to see what results I could achieve while the sun is still shining.

Pros

• Financially worth it in the long run 
• Portable
• Effective
• Works on a range of hair types and skin tones 
• Built-in cooling technology

Cons

• It can feel like a big cash injection
• Have to remain consistent with your sessions
• Slightly noisy (although worth it for the cooling option)

Rating: 8/10

How I tested the Keskine IPL Hair Removal Handset

Keskine IPL Hair Removal Handset, £299 £159.20 with code THESUN20

Keskine promises visible results within one to four weeks, with optimal results appearing between six and twelve weeks.

I decided to track the effects on my hair over six weeks, assessing every week..

As part of the Sun Shopping team, I’ve tested a range of beauty tech, including the best LED face masks, the best Dyson dupes, and more, so I’m well-versed in what makes a product worth your pennies, even if it’s at the higher end of the price spectrum.

I used the product the recommended number of times: up to three times a week for the first month and then twice a week for weeks four to six.

For some context, I have naturally fair and soft hair on my head, but my leg and armpit hair is thick and stubborn after years of shaving abuse, so my main goal was to see if the IPL would thin the hairs out before removing them completely.

Keskine IPL Hair Removal Handset review: The Nitty Gritty

First impressions

I won’t lie to you, I often find myself sceptical about any at-home treatment that imitates salon visits, such as laser hair removal or at-home LED facial treatments.

Keskine IPL Hair Removal Handset, £299 £159.20 with code THESUN20

However, always open to having my opinion changed, I unboxed the Keskine to discover a very easy-to-use handheld IPL, which came with a razor and a pair of protective sunglasses.

The device itself is extremely lightweight and compact, with a lovely white and rose gold colour scheme.

Its small size means you can take it on holiday with you, ensuring you never have to miss a session.

Setting it up proved to be an easy task. All you need to do is clean your chosen treatment area and shave off any hair using the razor provided, before patting the area completely dry.

Once you’ve connected the power cord to the adapter and plugged it into a power outlet, all you need to do is turn it on and choose one of the five built-in smart modes.

Don’t be alarmed by the loud whirring noise that comes from the device; that’s just an indication that the cooling capabilities are working.

You can select which part of your body you will be targeting with the IPL — face, armpit, body, bikini or beauty.

Keskine IPL Hair Removal Handset, £299 £159.20 with code THESUN20

Although it’ll make you look like a member of the Blues Brothers every time you use it, you will need to wear the protective sunglasses provided to shield your eyes from the effects of the light.

Does it deliver?

My hair has definitely become much finer and completely disappeared in places since I started using the Keskine.

When speaking to friends who go for professional laser removal treatments in a salon, our results were very similar at the four-week and six-week mark.

I saw most results at six weeks, but noticed that even at the four-week mark, after using the device appropriately and consistently, there were areas where the hair had disappeared, and surrounding areas were extremely wispy where it once was coarse.

I will say that this product is best suited if you already have body hair on the finer side and definitely on the darker side.

As per the Keskine colour chart, the tool is ineffective on darker skin tones and lighter hair types.

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I found the best results were on intimate areas and my armpits, where I saw a massive improvement on darker, coarser hair.

The product is very simple to use, and the cooling sensation that Keskine offers is a standout feature, contributing to a pain-free experience.

The five adjustment levels are also a nice touch to reduce the pain in more sensitive areas.

How much is the Keskine IPL?

One thing that always used to put me off IPLs and at-home treatments was the hefty price tag that often accompanies them.

However, when you compare the cost of the Keskine – usually £299 but currently on sale for £199.99 (or just £159.20 with exclusive code THESUN20) — to just one session at a popular high street therapy clinic, it suddenly feels worthwhile, especially with very similar results on offer.

When compared to other IPLs, such as Braun or Philips, which offer the same level of settings and features, the Keskine IPL stands out financially, making it well worth the investment.

Where to buy the Keskine IPL?

The IPL can be purchased directly from the Keskine site, which often runs offers.

Additionally, Keskine have provided an exclusive 20% discount code for Sun readers, bringing the price down even further to £159.20; however, you may have to act fast as the code is only valid until July 31st at midnight!

There are also sign-up offers that allow 10% off across the site on your first order, as well as Clearpay being available as a payment plan, along with fast, free tracked shipping.

Keskine IPL alternatives

If you’re looking for the same level of quality as the Keskine IPL, with cooling technologies and adjustable power settings, here are some alternatives:

• Braun Silk Expert Pro 5 PL5124 Corded IPL Hair Removal, £425 £300 – buy here
• Ulike Air 3, £319.99 £279 – buy here
• FOREO Peach 2 Device, £369 – buy here

After his short tenure at Bayer Leverkusen, Erik ten Hag is being dubbed Erik Ten Weeks by some critics.

Ten weeks is an exaggeration – his reign was actually one day short of nine weeks, clocking in at 62 days. He lasted just two Bundesliga games.

He was sacked after Leverkusen threw away a 3-1 lead against 10-man Werder Bremen on Saturday, to draw 3-3.

That disappointing result came one week after Leverkusen lost to Hoffenheim in their season opener at home. Ten Hag only won one competitive game – a German Cup tie against a fourth-division side.

The experienced Dutchman was appointed in late May to replace title-winning coach Xabi Alonso, who departed for Real Madrid, but he did not begin work until 1 July.

At first, Leverkusen seemed to be convinced he could lead a partial rebuild, as the Werkself were losing a number of key players, including Florian Wirtz and Jonathan Tah.

But while early results this season were disappointing, they were not the sole reason – or even the main reason – for Ten Hag’s dismissal.

Almost from the start, Ten Hag caused irritation with his decisions and behaviour.

For instance, he rescheduled a friendly against Flamengo’s under-20s team during Leverkusen’s training camp in Brazil. The game was played four days earlier than initially planned and Leverkusen lost 5-1 in quite an upset.

Around the same time, Ten Hag took a stance against Granit Xhaka’s departure, saying the midfield leader ought to stay and that Leverkusen had lost enough key players already.

However, Leverkusen had made it known that Xhaka could leave if the right offer came in. He went to Sunderland.

In addition, Ten Hag criticised his players for not being fit enough, even though he and his staff had overseen pre-season.

And he has been accused of lacking the kind of charisma necessary to lead any ambitious top-flight team, but especially a newly assembled group of players. He seemed to struggle with convincing players of his ideas. Sources close to the club suggest he gave lacklustre pre-match talks.

Before the season opener against Hoffenheim, it has been said Ten Hag didn’t even give a pre-match talk.

In contrast, Spaniard Alonso tried his best to improve his German and his leadership skills as a manager during his tenure at Leverkusen.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

The Venice Film Festival is already underway and next week I will be part of The Times’ team heading to Toronto. The Telluride Film Festival starts today and our own Joshua Rothkopf, Josh Rottenberg and Glenn Whipp are there covering the action.

Many of the season’s most anticipated films will be playing over the next few days. Among world premieres at Telluride are Scott Cooper’s “Springsteen: Deliver Me From Nowhere,” starring Jeremy Allen White as the acclaimed singer-songwriter; Chloé Zhao’s “Hamnet,” with Jessie Buckley and Paul Mescal in an adaptation of Maggie O’Farrell’s popular novel; and Edward Berger’s “Ballad of a Small Player,” with Colin Farrell as a down-on-his-luck international gambler.

Laura Dern, George Clooney and Adam Sandler in the movie “Jay Kelly.”

(Peter Mountain / Netflix)

Among the titles making their North American premieres after premiering at European festivals will be Noah Baumbach’s “Jay Kelly,” Yorgos Lanthimos’ “Bugonia,” Richard Linklater’s two films “Blue Moon” and “Nouvelle Vague,” Joachim Trier’s “Sentimental Value,” Rebecca Zlotowski’s “A Private Life,” Kelly Reichardt’s “The Mastermind” and Kleber Mendonça Filho’s “The Secret Agent.” Mary Bronstein’s “If I Had Legs I’d Kick You” premiered earlier this year at Sundance.

This week, Rottenberg spoke to Telluride’s festival director, Julie Huntsinger, who said, “The devotion people have to this weekend makes me think there’s hope. They’re not coming here for anything but film-loving. To hear people say, ‘I would not miss this for the world’ makes me really proud and hopeful. After everything we’ve all been through, I think we still have reason to keep doing this crazy little picnic.”

Even with so much happening elsewhere, there are still plenty of great events happening closer to home right here in L.A. On Wednesday, the Armenian Film Festival begins in Glendale, celebrating the 10-year anniversary of the Armenian Film Society with the Los Angeles premiere of Mehdi Idir and Grand Corps Malade’s “Monsieur Aznavour,” starring Tahar Rahim as legendary French-Armenian singer Charles Aznavour.

The highlight of the festival will likely come on Sept. 7 with a conversation between “Sinners” producer Sev Ohanian and writer-director Ryan Coogler about their ongoing creative collaboration. That night will also see an awards gala honoring Ohanian along with actors Madeline Sharafian (“Elio”) and Karren Karagulian, best known for his work in Sean Baker’s films, including “Anora.”

James Brolin on ‘Night of the Juggler’

James Brolin, left, and Mandy Patinkin in the movie “Night of the Juggler.”

(Kino Lorber)

“Night of the Juggler,” directed by Robert Butler and adapted from a novel by William P. McGivern, has been little seen for years, only released on VHS and rarely seen in theaters or on TV. Shot on the streets of late-1970s New York City and released in 1980, the movie captures the grime and sweat of the city, making for a vividly authentic action thriller.

That should all change shortly, as a new 4K restoration distributed by Kino Lorber is playing at the Aero on Sept. 4 with star James Brolin in person for a Q&A. Then the film will get a limited run at the Los Feliz 3 on Sept. 18, 20 and 22.

In the film, Brolin plays Sean Boyd, a former NYC cop now working as truck driver. His adolescent daughter, Cathy, is abducted by the psychotic Gus Soltic (Cliff Gorman), who mistakes her for the daughter of a wealthy real-estate developer. This sets Boyd of on a frantic chase across the city to save Cathy before it is too late.

One dazzling early sequence begins as a chase on foot, finds both Soltic and Boyd stealing vehicles to make it a car chase and ends up with them hopping between cars on a moving subway train. There is a relentlessness to Brolin’s performance that is countered by the creepy, disturbing undertones of Gorman.

Brolin, 85, was on a Zoom call recently from the home in Point Dume he shares with his wife, Barbra Streisand. Turning his computer around to share a distinctly spectacular view of the ocean, Brolin said with a laugh, “I’m a lucky boy.”

Brolin began his career as a contract player at Fox and then Universal, winning an Emmy in 1970 for the first season of the hit TV show “Marcus Welby, M.D.” Among his film credits was 1976’s “Gable and Lombard,” which saw him playing Clark Gable opposite Jill Clayburgh as Carole Lombard for director Sidney J. Furie.

Furie was the original director on “Juggler.” A few weeks into shooting, Brolin broke his foot doing one of the chase scenes. In the time it took to heal, Furie left the project to be replaced by Butler.

James Brolin in the movie “Night of the Juggler.”

(Kino Lorber)

Besides his flowing hair, healthy beard and generously unbuttoned shirt, Brolin acknowledged “Juggler” was a different kind of role and a different kind of movie for him — a grittier project removed from the stalwart fare he was often known for.

“I felt released,” he said. “I felt this is what I’ve always wanted to do.”

Remembering a scene in which he bitterly argues with his ex-wife in the film (played by Linda Miller), Brolin added, “I’ve been married 30 years now, but it’s my third one. The first two were maybe kind of like that. So I was able to unleash on film some of my old nasty feelings.”

Besides Gorman, a Tony winner for his performance in “Lenny,” the cast also featured a young Dan Hedaya as a crooked cop holding a grudge against Brolin’s Boyd and a then little-known Mandy Patinkin as a Puerto Rican cab driver who has no reservations about racing through traffic and provides a running commentary along the way.

“He was like a puppy in those days: ‘Where are you guys going to eat? Can I go with you?’” recalls Brolin of Patinkin. “But for him to get in that car — so fun. He made whatever might have been repetitious about that sequence just full of fire. And right up until the cab crash, which was full-on.”

In his original May 1980 review of the film, Times critic Charles Champlin wrote, “Of its kind, the police-action thriller ‘Night of the Juggler’ is a superior piece of work. The action is non-stop, the dialogue is tough and authentic, the characters major and minor are vivid and credible as the form allows. The people and the New York world in which they movie and work are as real as muggings and racial tension.”

Brolin is happy to see the movie revived. “I’m so proud,” he told me. “It was such a wonderful experience.”

And in case anyone was wondering, yes, Barbra Streisand has seen “Night of the Juggler.”

“She saw it two weeks ago and she said ‘I’m in love all over again,’” said Brolin. “Which made me feel quite good. She thinks it’s a wonderful movie and she loved what I did in it. Because I’m a bore at home.”

Owen Kline on ‘Who Killed Teddy Bear’

Sal Mineo in the movie “Who Killed Teddy Bear.”

(Cinématographe)

Owen Kline was 7 years old when his grandfather, Joseph Cates, died. Though he knew of his grandfather’s career in show business, working on Broadway and in television, it was not until Kline became a teenage film fan, scouring movie guides and video stores in his native New York City that he discovered Cates had also directed a notorious cult film, “Who Killed Teddy Bear.”

“I’ve collected the receipts on this movie and tried to piece its history together since I was 14,” said Kline, whose parents are the actors Phoebe Cates and Kevin Kline, during a recent phone call from New York. “Because there’s not much out there.”

A newly struck 35mm print of the film — in a director’s cut including some five minutes of footage removed from the film’s initial 1965 release — is playing at the Los Feliz 3 on Sept. 2, 6 and 7. The film was restored and scanned by the boutique video label Cinématographe, who have released a 4K disc set loaded with extras.

“Teddy Bear’s” cult reputation has grown over the years as a startlingly lurid artifact taking place in some of the seedier corners of New York City. Sal Mineo plays a young man of ambiguous sexuality who becomes increasingly obsessed with a female bartender (played by Juliet Prowse) at the nightclub where he is a busboy. Elaine Stritch plays the club’s boss.

Elaine Stritch, center, in the movie “Who Killed Teddy Bear.”

(Cinématographe)

“Every video store in New York, in the cult section, would have a bootleg copy of this movie because for years, until recently, the copyright was just murky,” said Kline. “So that did a great service to its unseemly reputation, as if it was one of the dirty paperbacks you’d smuggle out of one of these adult bookstores in the film.”

As those video stores around New York City began closing, Kline, now 33, would buy up their copies, taking note of the different covers and cuts of the film that were circulating.

Kline noted that within the additional footage in the director’s cut is a moment where Mineo thumbs through a paperback called “Beach Stud” in an adult bookstore, adding to the ambiguity of his character’s sexuality. (And also perhaps a nod to Mineo’s own bisexuality, rumored at the time but not yet public.) There’s also a moment in the new scenes in which a killer kisses the cheek of his dead victim.

“On a film with a laundry list of taboos, suggested necrophilia is a new one,” says Kline. “It does really feel like a throwback film to the pre-Code era. It’s almost like they compiled a gigantic list of these taboos. There’s some really shocking stuff.”

The original Dec. 1965 review in The Times by Margaret Harford called the film “a grim commentary,” while also noting, “No doubt about it, there are a lot of sick people walking around.” The review concludes with the line, “The trend now is never knowing when to stop.”

In a 1996 interview with NPR’s Terry Gross, Cates downplayed the film’s more shocking elements, while admitting, “Ours was a slightly sleazy film.”

“We didn’t set out about and say to ourselves, ‘Gee, let’s connive to do these things that are tasteless in the movie,’” said Cates. “There was a story and we had to figure out a way to do it.”

Kline’s own feature film, 2022’s “Funny Pages,” will be playing on a double bill with Andrew DeYoung’s recent “Friendship” at the New Beverly on Sept. 16 and 17.

Points of interest

‘52 Pick-Up’ in 35mm

Roy Scheider, left, and John Glover in the movie “52 Pick-Up.”

(American Cinematheque)

As if to prove that NYC does not corner the market on scuzzy depictions of an urban underbelly, Cinematic Void will be screening John Frankenheimer’s L.A.-set “52 Pick-Up” in 35mm on Monday.

A 1986 portrait of the sleazy glory of our city and an adaptation of a novel by Elmore Leonard, the film follows a successful businessman (Roy Scheider) who is caught up in a blackmail scheme when he is videotaped with his mistress. Desperate to keep things quiet so as not to damage the local political aspirations of his wife (Ann-Margret), he finds things escalate quickly and he sets out for revenge. The cast also includes a terrifying Clarence Williams III, Vanity, Kelly Preston and actual members of the adult film demimonde.

Actor John Glover, who plays the deranged lead blackmailer in the film, will be at Monday’s screening for a Q&A. In his original review of the film, Patrick Goldstein noted, “‘52 Pick-Up’ features a couple of stylish performances, especially by John Glover, who brings a flaky intensity to his role as extortionist leader.”

‘Barry Lyndon’ in 4K

Ryan O’Neal, right, and James Magee in the movie “Barry Lyndon.”

(Warner Bros. Pictures)

On Saturday, the American Cinematheque at the Egyptian Theatre will host the Los Angeles premiere of a new 4K restoration of Stanley Kubrick’s 1975 “Barry Lyndon.” The film will also be shown in 35mm at the New Beverly on Sept. 5, 6 and 7.

An adaptation of the novel by William Makepeace Thackeray, the film brings the world of the late 1700s to astonishingly vivid life in telling the story of the wayward adventures of Redmond Barry (Ryan O’Neal), who eventually marries Lady Lyndon (Marisa Berenson).

The film won four Academy Awards and has over time seen its esteem only rise; now many consider it to be Kubrick’s greatest achievement. Yet, upon release, it confounded viewers, who found its pacing and picturesque imagery to be impenetrable.

Reviewing the film in Dec. 1975, The Times’ Charles Champlin said, “It is ravishingly beautiful and incredibly tedious in about equal doses.” He added, “Kubrick is at once the most zealous and monastic of present film-makers, living in reclusive independence from the larger world of movies, setting himself each time a quite different kind of challenge and then meticulously solving it.”

A January 1974 Times story by Thomas Wood as the film was in production was filled with thwarted attempts to get around the protective veil of secrecy Kubrick designed around it. One frustrated member of the Warner Bros. press team was exasperated by the lack of details about the movie that the studio had, noting, “What can you do with a man who is both a critic’s darling and a box-office winner? You let him pick his own game and make up his own rules.”

‘Sign O’ the Times’ in Imax

Prince performs his “Sign O’ the Times” concert in Paris in 1987.

(FG / Bauer-Griffin / Getty Images)

Starting Friday, Prince’s 1987 concert film “Sign O’ the Times” is getting a one-week run in Imax theaters. Directed by Prince himself, the film is a document of the stage show he created to tour the album of the same name, combining concerts filmed in Europe with footage created on his own Paisley Park soundstages in Minnesota. Seeing Prince’s mastery of performance at Imax scale may actually be too much for a brain to handle.

In Michael Wilmington’s original review he wrote, “‘Sign ‘O’ the Times’ shows him seemingly as much influenced by Martin Scorsese and ‘The Last Waltz’ — with its smokey, absolute lyricism — as was by Fellini and Dick Lester in ‘Under the Cherry Moon.’ And since the movie is predominately concert footage of his stage show, he’s in greater control here; singer-composer Prince is at the peak of his form. … So as a concert film, judge from the music, ‘Sign ‘O’ the Times is near the top. As a movie – carrying inside it the embryo of other movies – it’s not fully satisfying. But you sense it could be; however he stumbles, Prince gives you the impression he’ll always, catlike, leap back.”