EVERY year an enormous – and free – parade takes place in London with floats and live bands – and something new is launching this year.
The Lord or Lady Mayor’s Show dates back to the 13th century and is full of of celebratory entertainment, and this year is a very special one.
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The Lord Mayor’s Show, or Lady’s Show, is being held this weekendCredit: AlamyDame Susan Langley DBE has been elected as the 697th Lord Mayor of the City of LondonCredit: Alamy
Dame Susan Langley DBE will be appointed as the Lady Mayor, which makes her only the third woman to hold the post in over 800 years, and the 697th Mayor of the City of London.
She will also be the first ever to be titled the ‘Lady Mayor of London‘.
To celebrate her inauguration, there will be a traditional parade of bands and 50 floats throughout the city.
Over 7,000 people take part in the event from all over the world – and the procession is over three miles long, which is longer than the actual route.
The event is completely free and you’ll get to see marching bands, a huge Cinderella carriage, dancers, even a resorted Bluebird K7 (a hydroplane) will make an appearance.
There are representatives of all three armed forces there too, Taiko drummers and mounted knights.
This year, the Lady Mayor’s Show will be held on November Saturday 8, 2025 between 11AM and 2.30PM.
Roads will be closed as people line up in the streets to see the event underway – so don’t travel by car as you’ll meet lots of no entry signs.
In the morning, the Lady Mayor’s Show will begin at Mansion House and go towards the Royal Courts through St Paul’s.
In the afternoon, the parade will come back through Embankment and Victoria Street.
There are around 16 marching bands expected to perform this yearCredit: GettyYou’ll also see vintage vehicles heading through London roadsCredit: Getty
The official website suggests for a ‘full experience’, to watch the outward procession between 11AM and 12PM between Bank and St Paul’s.
For a quieter experience with fewer crowds, watch the parade on its return to Mansion House between 1.15PM and 2.30PM around Embankment.
Historically, the Lord Mayor’s Show is the oldest and longest civic procession in the world.
It started as early as the 13th century when King John granted that the City of London could appoint its own Mayor.
There will be 7,000 people taking part in the processionCredit: SOPA Images/LightRocket via Getty Images
The condition being that each new Mayor would have to pledge loyalty to the Crown.
The journey then became a huge event that has been held for around 800 years and was eventually named the Lord Mayor’s Show.
From gorgeous Getxo to the City of Love, you won’t want to come home from these mint mini-breaks
Find foodie heaven near BilbaoCredit: Supplied by PR
SPAIN – Palacio Arriluce Hotel, Getxo
Commissioning Editor Martha Cliff and fiancée Lauren found foodie heaven near Bilbao.
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THE PAD
Check in and zone out at the Palacio Arriluce
Perched on a striking cliffside overlooking the Bay of Abra in Getxo and with a beauty of an outdoor pool, this 18th-century boutique gem sits in a palatial setting and offers the perfect blend of historical charm and contemporary elegance.
Craving vistas of the rolling Basque mountains? You’ve got it. Want to gaze at boats bobbing in the harbour? No problem. A city view more your vibe? It’s got that, too.
Be sure to eat breakfast – think other-worldly Spanish tortilla and Iberico ham – on the terrace to take full advantage.
Meanwhile, come dinner at Delaunay, try local specialities such as grilled kokotxas (hake chin) on stewed spider crab, £35, and Iberian pork shoulder with passionfruit, £31.
Make sure you’re there on a Thursday to join locals in Getxo for “pintxo pote”, a foodie’s dream bar crawl and Basque country tradition.
Restaurante Ixta Bide offers four pintxos (small savoury snacks) – our fave was pintxo de txaka, akin to a mini crab sandwich – and two vinos for a mere £9.
Just don’t expect to bag a seat! Wind your way up the steps of Algorta to reach Arrantzale and finish on its perfectly salted pork belly (Arrantzale.com).
While day-tripping, step into one of Bilbao’s oldest bars, Café Iruña, just a hop from Arbando metro station.
Dating back to 1903, the beautiful tiling is reason enough to visit, but coffee for just £1.75, is a big pull, too.
Or opt for a glass of the local txakoli white wine, £2.70, instead (Cafeirunabilbao.com).
DON’T MISS
The works inside Bilbao’s Guggenheim Museum are, of course, breathtaking, but the building itself and its surrounding sculptures – including Puppy, a massive dog made of flowers by American artist Jeff Koons – are worth the trip alone.
Fly to Bilbao from London Gatwick and Heathrow with Vueling from £56 return (Vueling.com).
FRANCE – Hôtel Dame des Arts, Paris
Creative Director Mark Hayman and wife Margaret fell for cocktails and culture in the French capital.
Fall for cocktails and culture in the French capitalCredit: Getty Images
THE PAD
Rest easy at Hôtel Dame des ArtsCredit: LUDOVIC BALAY
This sleek bolt-hole in the city’s Latin Quarter has shaken off its Holiday Inn past to channel full Hollywood glamour.
Think rich woods, bamboo accents and pretty palms, with rooms that feel like film sets, thanks to glass dividers, velvet finishes and luxe bathrooms made for long soaks.
Downstairs, Pimpan serves up bold Franco-Mexican fusions on a leafy terrace – highlights include beef tartare with piquillos, £12.50, lamb shoulder with harissa, £25, and hibiscus-poached pear, £11.
But the real scene-stealer is the rooftop bar, where 360-degree skyline views stretch from the Eiffel Tower to Sacré Cœur – even locals come here for the vistas.
Order a Spritz del Arte (Aperol, mango liqueur, rum and prosecco), £17, or the punchy Uno Mas margarita, £14, pop on your biggest sunglasses and watch the city turn blush at sunset.
There’s also a sauna and a gym kitted out with sculptural wooden equipment for those partial to a designer workout.
EXPLORE
Explore the history of Notre-DameCredit: Getty Images
First time in Paris? Glide down the Seine aboard the Batobus – this hop-on-hop-off riverboat is a relaxing (and photogenic) way to tick off major sights like the Musée d’Orsay and the Louvre.
For more treasure-hunting, swing by the flea market off Rue du Faubourg Saint-Antoine – a weekend haven of vintage mirrors, mid-century ceramics and nostalgic postcards.
There’s no entry fee, just bring cash and your best haggling game.
Then head to the Panthéon, a neoclassical gem where Voltaire, Rousseau and Marie Curie lie in dramatic crypts beneath a rooftop dome offering jaw-dropping views.
Lively, retro-chic Brasserie Dubillot’s espresso martinis, £10.50, are a must, but equally good is the sausage and mash with truffle sauce, £16, steak-frites, £21, and the perfect crème brûlée, £8 (Lanouvellegarde.com/brasserie-dubillot).
Craving something casual? PNY serves next-level burgers with aged beef, brioche buns and toppings like smoked cheddar and pickled jalapeños, from £11.50 (Pnyburger.com).
Or just nab a pavement perch at Café Saint-André for a croque monsieur, £10.50, a glass of sancerre, £7, and some world-class people-watching.
Double rooms at Hôtel Dame des Arts cost from £226 per night (Damedesarts.com).
Psst…
Fancy something a little more party? Rixos Premium Dubai JBR sits in one of the UAE city’s buzziest neighbourhoods, with captivating views of Ain Dubai, the world’s biggest ferris wheel.
Suave rooms come with huge tubs, rain showers and espresso machines, from £304 per night (Rixos.com).
Rixos Premium Dubai JBR sits in one of the UAE city’s buzziest neighbourhoodsCredit: SuppliedThe suave rooms have captivating views of Ain Dubai, the world’s biggest ferris wheelCredit: SuppliedHead to Aussie beach club Byron Bathers for great foodCredit: Byron Bathers Club/Instagram
Downstairs is Azure Beach Club with its large pool, pumping soundtrack, outdoor gym and private beach (Azure-beach.com/dubai).
The breakfast buffet is, in true Dubai style, eye-poppingly big – you can even blend your own fresh peanut butter.
Plus, you’re half an hour’s cab ride from the world’s tallest building, the Burj Khalifa, for that classic Dubai selfie – viewing platform visits cost from £37 per person (Burjkhalifa.ae).
When you’re craving a chilled day, head to Aussie beach club Byron Bathers for lobster linguine, £37, and burrata pizza, £17, with excellent Whitsunday spritzes – an exquisite blend of grapefruit bitters, strawberry shrub, pink grapefruit, citrus vodka, Aperol and prosecco, £14 (Byronbathers.com).
Transport for London (TfL) has announced a number of closures and service changes across the network in November, including the London Underground, London Overground and Elizabeth line
Amy Jones Lifestyle & Features Writer and Rebecca McCulloch
12:35, 01 Nov 2025Updated 12:36, 01 Nov 2025
There’s disruption on the London Underground, Overground and DLR services this weekend (1 November)(Image: Getty Images)
There’s set to be a month of travel chaos as Transport for London (TfL) announces a series of closures across its network for maintenance work. The disruptions will mostly take place over the weekends, with some starting from today (1 November), while others will affect late-night weekday commuters.
The Elizabeth line will face 11 disruptions throughout November, while services on the Mildmay line in East and North London will be altered. The DLR timetable will also be changed, with trains halted at various locations almost every weekend, reports My London.
Passengers are being urged to plan their journeys in advance and use the TfL journey planner to avoid confusion. Here’s the full list of planned track closures, including those set to cause disruption this weekend.
BBC Breakfast returned once again on Saturday 1 November
BBC Breakfast host Naga Munchetty quipped ‘what’s going on this weekend’ during Saturday’s show(Image: BBC)
BBC Breakfast host Naga Munchetty quipped ‘what’s going on this weekend’ during Saturday’s show.
During the latest instalment, Naga, 50, and co-host Charlie Stayt reported on the world’s largest cake decorating show in Birmingham called Cake International.
Naga and Charlie, 63, were shown a series of creations from the event, which included a Jim Carrey inspired cake, a troll cake and some Halloween inspired creations.
However, Naga didn’t find the Halloween creations too appetising as she admitted: “I don’t want to eat that character’s teeth!”
To which Charlie responded: “It would be so wrong to slice into something created… they’re basically works of art, aren’t they? I do not know how they make those cakes like that!”
Naga then asked Charlie of the Halloween cake creation: “Would you eat the teeth or the eyeballs of that cake?”
To which Charlie admitted: “I think I’d choose to just leave it there and not touch it. I’d make a separate cake for eating and just have that one to look at.”
Yet weather presenter Louise Lear was quick to join in as she admitted over the creation: “I’d eat anything at the moment, I’m starving!”
To which a horrified Naga asked: “Would you eat the teeth on that one?” with Louise joking: “I haven’t had breakfast, anything, Naga, particularly if the icing is good!
“I mean, I’m one of those people. I’m a bit of a grazer, so I might just kind of, you know, have a little bit and then keep going back to it, yeah.
“But I’d have gone for the troll’s head straight away. Chopped it off. What does that say about me?”
To which an animated Naga joked: “Even more brutal. There’s no messing with you two. What’s going on this weekend?”
Cake International is the biggest cake decorating and baking event in the world.
It runs for three full days at National Exhibition Centre (NEC) in Birmingham. It opened on Friday the 31st of October and ends on Sunday the 2nd of November.
BBC Breakfast continues every day at 6am on both BBC One and BBC iPlayer.
TORONTO — As soon as Blake Treinen entered for the ninth inning of Game 5 of the World Series on Wednesday night, Clayton Kershaw dropped his guard and began to look around.
For the previous three hours, the future Hall of Fame pitcher had been locked in on the game, mentally preparing for a potential relief appearance from out in the bullpen.
But when that didn’t come, the 37-year-old Kershaw then let himself relax, took in the scene of an October night at Chavez Ravine, and soaked up the final moments of what was his final game ever at Dodger Stadium.
“It’s a weird thought, of like, ‘This is your last game ever there,’” said Kershaw, who announced last month he will retire at the end of this season. “And not a sad thought. Honestly, just a grateful thought. Just like, ‘Man, we spent a lot of great times here.’”
Win or lose in Games 6 and 7 of this World Series, Kershaw’s overall career will end this weekend at Rogers Centre in Toronto. But on Wednesday night, he closed the book on the ballpark he has called home for all 18 seasons of his illustrious MLB career.
Dodger Stadium is where Kershaw first made his big-league debut back in May 2008, as a highly anticipated left-handed prospect with a big curveball and quiet demeanor. It was the stage for his rise to stardom over the nearly two decades that followed, as he went on to capture three Cy Young Awards, 2014 National League MVP honors and a career 2.53 ERA that ranks as the best among pitchers with 1,000 innings in the live ball era.
It is where he experienced some of the most defining moments of his career, including a no-hitter in 2014 and his 3,000th strikeout earlier this year. It’s also where he suffered repeated October disappointments, none bigger than the back-to-back home runs he gave up in Game 5 of the 2019 National League Division Series.
In other words, it was always home for Kershaw, the place he would return to day after day, year after year, season after season — no matter the highs or lows, aches and pains, successes or failures.
“I just started thinking about it when the game ended,” said Kershaw, who elected to traverse the field to get back to the clubhouse after Wednesday’s game instead of the connected bullpen tunnel. “I was like, ‘Man, I might as well walk across this thing one more time.’”
About an hour later, Kershaw would linger on the field a little longer, joined for an impromptu gathering by his wife, Ellen; their four children; and other family and friends in attendance for his last home game.
“Ellen just texted after and was like, ‘Hey, we got a big crew,’” Kershaw said. “So I was, ‘Well, just go to the field. I’ll try to shower fast so we can hang out.’”
Television cameras caught Kershaw laughing as his kids ran the bases, tried to throw baseballs at a hovering drone and enjoyed a diamond that had become their own personal childhood playground over the years.
At one point, Kershaw posed with the Dodger Stadium grounds crew for a picture — standing on a mound they had manicured for all of his 228 career starts in the stadium.
“Honestly, it was awesome,” Kershaw said. “It was the perfect way to do it. Just have everybody out there, running around … It was unplanned, unprompted, but a great memory.”
Kershaw, of course, is hoping to add one more Dodger Stadium memory next week. If the team can reverse its three-games-to-two deficit in the World Series this weekend in Toronto, it would return to Chavez Ravine for a championship celebration.
If not, though, he’ll have a couple parting moments to cherish, from Wednesday’s postgame scene down on the field, to his final career Dodger Stadium outing back in Game 4 in which he stranded the bases loaded in the 12th for one of the biggest outs in his entire career.
“I’m super grateful with how that went, as opposed to the last time before that,” he quipped, having given up five runs in his only other Dodger Stadium appearance this postseason. “You can’t plan any of that stuff. Who knows if it ever works out. But yeah, to get that one last out was pretty cool.”
Oct. 31 (UPI) — The FBI announced Friday that it had thwarted a terrorist attack in Michigan that was supposed to happen this weekend.
“This morning the FBI thwarted a potential terrorist attack and arrested multiple subjects in Michigan who were allegedly plotting a violent attack over Halloween weekend,” said FBI Director Kash Patel on X. “More details to come. Thanks to the men and women of FBI and law enforcement everywhere standing guard 24/7 and crushing our mission to defend the homeland.”
A spokesperson for the FBI Detroit field office confirmed to ABC News that there was law enforcement activity in Dearborn and Inkster on Friday. “There is no current threat to public safety,” the spokesperson added.
Four senior law enforcement officials familiar with the case told NBC News that the FBI in Detroit arrested a group of young people today who were plotting an attack with a possible reference to Halloween.
They said the group has some ties to foreign extremism but didn’t say which ones. Police were able to monitor the group in the greater Detroit area in the past several days to make sure no attack happened, the officials told NBC.
The Frankfurt Christmas Market is in popular UK city will be back this weekend and will run for just over seven weeks, offering amazing shopping, twinkling lights and Christmas trees
Birmingham’s Frankfurt Christmas Market is set to return this weekend(Image: Darren Quinton)
A UK Christmas market rivalling Germany’s festive celebrations is set to make a comeback this weekend, running for just over seven weeks. Kicking off this Saturday, November 1, Birmingham’s yuletide market promises fantastic shopping, sparkling lights and Christmas trees, along with mouth-watering Frankfurt-style meats.
Birmingham’s Frankfurt Christmas Market, held in the city’s Victoria Square, will feature over 100 stalls for visitors to explore as the entire area buzzes with “something for everyone”. A hit with locals and tourists alike, the festive market will “tempt your tastebuds” with schnitzels, bratwursts, pretzels, and roasted almonds.
Live music and fabulous Christmas shopping opportunities, with stalls spilling from the square into New Street, are guaranteed to get anyone visiting into the holiday spirit this winter, reports the Express.
The Visit Birmingham website painted a vivid picture of the festive event : “Birmingham comes alive every winter with the arrival of the market, a clear sign that Christmas is just around the corner. The stalls on Victoria Square and along New Street offer something for everyone.
“The largest authentic German Christmas market outside of Germany or Austria, Birmingham’s Frankfurt Christmas Market offers a wide range of traditional goods and gifts and a selection of tempting food and drink.”
“Pretzels, schnitzels, bratwursts, and roasted almonds will tempt your tastebuds, all of which can be washed down with gluhwein, weissbier (wheat beer), or tasty hot chocolate.”
Visit Birmingham described the Frankfurt Christmas Market as the ideal spot to gather with loved ones and “enjoy the live music programme on Victoria Square”.
Shoppers are bound to find “presents for your family and friends” in a festive winter setting, with stalls offering “everything from handcrafted wooden decorations and delicate glass baubles to in the form of the ever-favourite crystal lamps, Sounds of Nature, hand-crafted leatherwork, toys, jewellery” and more besides.
During 2024, guests hailed the market as a “joyful winter wonderland” that turns Birmingham into a hub of “festive magic”.
A couple who visited in December 2024 shared their experience on TripAdvisor, noting: “From the moment you arrive, you’re greeted by the cosy scent of bratwurst, roasted nuts, and mulled wine. The market stalls are full of festive charm, offering handcrafted gifts, ornaments, and traditional treats that make for perfect stocking fillers or souvenirs.”
They continued: “The food and drink options are a real highlight – expect hearty German fare, rich hot chocolate, sweet churros, and of course, classic glühwein served in collectable mugs.
“Whether you’re visiting with friends, on a romantic winter date, or enjoying a family day out, there’s a warm, communal atmosphere that makes it all the more special.
“The lights, music, and joyful energy throughout the city centre make this more than just a market – it’s a full festive experience. While it can get very busy at peak times, it’s well worth braving the crowds for the atmosphere alone.”
The Frankfurt Birmingham Christmas Market is renowned for its enchanting ambience – and as the “largest authentic German Christmas market outside of Germany and Austria”, previous visitors describe it as a “must-visit” destination.
The venue buzzes with festive cheer and a traditional magical atmosphere that’s “not to be missed”, bringing the “spirit of Christmas to life in the heart of the Midlands”.
CHICAGO — A judge on Tuesday ordered a senior U.S. Border Patrol official to meet her each evening to discuss the government’s immigration crackdown in the Chicago area, an extraordinary step following weeks of street confrontations, tear gas volleys and complaints of excessive force.
“Yes, ma’am,” responded Greg Bovino, who has become the face of the Trump administration’s immigration sweeps in America’s big cities.
Bovino got an earful from U.S. District Judge Sara Ellis as soon as he settled into the witness chair in his green uniform.
Ellis quickly expressed concerns about video and other images from an illegal immigration drive that has produced more than 1,800 arrests since September. The hearing is the latest in a lawsuit by news outlets and protesters who say agents have used too much force, including tear gas, during demonstrations.
“My role is not to tell you that you can or cannot enforce validly passed laws by Congress. … My role is simply to see that in the enforcement of those laws, the agents are acting in a manner that is consistent with the Constitution,” the judge said.
Bovino is chief of the Border Patrol sector in El Centro, Calif., one of nine sectors on the Mexican border.
The judge wants him to meet her in person daily at 6 p.m. “to hear about how the day went.”
“I suspect, that now knowing where we are and that he understands what I expect, I don’t know that we’re going to see a whole lot of tear gas deployed in the next week,” Ellis said.
Ellis zeroed in on reports that Border Patrol agents disrupted a children’s Halloween parade with tear gas on the city’s Northwest Side over the weekend. Neighbors had gathered in the street as someone was arrested.
“Those kids were tear-gassed on their way to celebrate Halloween in their local school parking lot,” Ellis said. “And I can only imagine how terrified they were. These kids, you can imagine, their sense of safety was shattered on Saturday. And it’s going to take a long time for that to come back, if ever.”
Ellis ordered Bovino to produce all use-of-force reports since Sept. 2 from agents involved in Operation Midway Blitz. She first demanded them by the end of Tuesday, but Bovino said it would be “physically impossible” because of the “sheer amount.”
Lawyers for the government have repeatedly defended the actions of agents, including those from U.S. Immigration and Customs Enforcement, and told the judge that videos and other portrayals have been one-sided.
Besides his court appearance, Bovino still must sit for a deposition, an interview in private, with lawyers from both sides.
The judge has already ordered agents to wear badges, and she’s banned them from using certain riot control techniques against peaceful protesters and journalists. She subsequently required body cameras after the use of tear gas raised concerns that agents were not following her initial order.
Ellis set a Friday deadline for Bovino to get a camera and to complete training.
Attorneys representing a coalition of news outlets and protesters claim he violated the judge’s use-of-force order in Little Village, a Mexican enclave in Chicago, and they filed an image of him allegedly “throwing tear gas into a crowd without justification.”
Over the weekend, masked agents and unmarked SUVs were seen on Chicago’s wealthier, predominantly white North Side, where video showed chemical agents deployed in a street. Agents have been recorded using tear gas several times over the past few weeks.
Bovino also led the immigration operation in Los Angeles in recent months, leading to thousands of arrests. Agents smashed car windows, blew open a door to a house and patrolled MacArthur Park on horseback.
“Chainsaw Man — The Movie: Reze Arc,” the Japanese anime from Crunchyroll and Sony, claimed the top spot at the domestic box office this weekend, taking in an estimated $17.25 million, according to Comscore.
The R-rated movie, based on Tatsuki Fujimoto’s popular manga series, follows teen demon hunter Denji, who is betrayed by the yakuza and killed as he attempts to pay off the debts he inherited from his parents. His beloved chainsaw-powered dog Pochita makes a deal and sacrifices his life, fusing with Denji who is reborn with the ability to transform parts of his body into chainsaws.
“Chainsaw Man,” already a global hit, delivered a blow to Disney and 20th Century’s biopic “Springsteen: Deliver Me From Nowhere,” starring Jeremy Allen White, which came in a disappointing fourth place with an estimated $9.1 million.
Based on the 2023 Warren Zanes book of the same name, the film plumbs Springsteen’s life and career through the creative process, during the making of his 1982 acoustic album “Nebraska.”
The Times described the movie as a “thoughtful exploration of the creative process” that runs out of steam by the end, “meandering aimlessly into a depressive period of Springsteen’s, and it never quite regains its footing.”
In its second week out, the horror sequel “Black Phone 2” took the No. 2 slot, earning an estimated $13 million over the weekend, giving the Universal and Blumhouse movie a domestic total of $49.1 million.
Rounding out the third spot is Paramount’s romantic drama “Regretting You,” the latest film adaptation of novelist Colleen Hoover (“It Ends With Us”). Starring Allison Williams and Dave Franco, it opened to an estimated $12.5 million domestically.
1 of 2 | Tropical Storm Melissa was nearing Caribbean islands. Photo courtesy of NOAA
Oct. 24 (UPI) — Melissa intensified into near-hurricane strength and is forecast to rapidly increase this weekend into a possible Category 5 storm with life-threatening and catastrophic flash flooding and landslides through portions of southern Hispaniola and Jamaica.
Melissa rose to maximum sustained winds of 70 mph and was moving east-southeast at 1 mph, the National Hurricane Center said in its 11 a.m. EDT update. Melisa would be designated as a hurricane with winds of at least 74 mph
Melissa was about 155 miles southeast of Kingston, Jamaica, and about 235 miles southwest of Port-au-Prince, Haiti.
“The exceptionally warm waters, reaching hundreds of feet deep, will act like jet fuel – providing extra energy for Melissa,” AccuWeather Lead Hurricane Expert Alex DaSilva said about Melissa. “The warmest water in the Atlantic basin is in the central Caribbean, in the direct path of this storm. Rapid intensification into a Category 5 hurricane is not out of the question this weekend.”
A hurricane warning was in effect for Jamaica and a hurricane watch for the southwestern peninsula of Haiti from the border with the Dominican Republic to Port-Au-Prince.
“Melissa is still expected to make landfall in Jamaica as an upper-end Category 4 hurricane, which could be the strongest direct landfall for the island in since tropical cyclone record keeping has been made in the Atlantic Basin,” NHC forecaster Philippe said in a discussion.
A turn to the north and northeast is forecast on Monday and Tuesday.
Melissa is forecast to become a hurricane later Saturday and a major hurricane by Sunday.
On the forecast track, Melissa is expected to move near or over Jamaica through early next week, and it could be near or over eastern Cuba by the middle of next week.
“Unfortunately, a large majority of the latest reliable track models show Melissa making landfall on Jamaica in about 72 hours,” NHC forecaster Robbie Berg said. “What’s most concerning here is that the island is likely to experience a couple of days of heavy rainfall and tropical-storm-force winds before the core — and strongest winds — even reach the coast.”
Berg said major hurricane strength is likely when it reaches eastern Cuba “but increased shear should lead to weakening below major hurricane strength by day 5.”
Tropical-force winds stretch outward to 115 mph from the center.
Rainfall of 15 to 25 inches through Sunday is forecast to portions of southern Hispaniola and Jamaica through Tuesday with local maximum 35 inches possible across the Tiburon Peninsula of Haiti, the NHC said.
Eastern Cuba is expected to receive rainfall of 4 to 8 inches, with local amounts up to 12 into Tuesday.
Additional rainfall is likely beyond Tuesday in all the areas, NHC said.
Minor coastal flooding is likely along the south coast of Jamaica later in the weekend or early next week, NHC said. Peak storm surge could reach 5 to 10 feet above ground level near and to the east of where Melissa makes landfall, NHC said.
“This storm surge will be accompanied by large and destructive waves,” NHC said.
Swells are also expected to affect portions of Hispaniola, Jamaica and eastern Cuba during the next several days.
Melissa is the 13th named storm of the season, and it’s the first in the Caribbean.
This season has seen few storms, which have warmed the Caribbean Sea, and the warm water is potential fuel for stronger and more dangerous storms.
I can’t think of another time that I was quite as terrified as when I walked alone into an interactive horror maze called “Feast” at a chilling carnival-like event called “The Queen Mary’s Dark Harbor: Summoned by the Seas,” which takes place in the parking lot in front of the famously haunted ship, and also in the creepy bowels of its engine rooms, through Nov. 2.
“Dark Harbor,” is the scarier sister event to Griffith Park’s famous “Haunted Hayride.” Both Halloween season fright fests are produced by Thirteenth Floor Entertainment Group, which specializes in seasonal terror. The highlight of the nightly carnivals — which include food and drink booths, bars and rides — are a series of interactive mazes populated by bloody monsters, drooling ghouls, murderous clowns, spectral ghosts and maniacal serial killers.
The spooks are largely played by local actors — many of whom come back year after year for a guaranteed paycheck while pursuing a profession that is anything but financially sound. It is to these hardworking artists that the events owe their success. I was struck by just how dedicated the actors were to scaring us mere mortals out of our pants.
The masks, elaborate makeup and props, including butcher knives and bats, surely help the players stay in character— but this is not easy work. The actors must contend with aggressive guests who try to get in their faces (this is against the rules), as well as shrill, shrieking patrons who jump and run as they approach (guilty!).
But the actors are specially trained to handle these reactions and more.
“Each fall, Queen Mary’s Dark Harbor and Los Angeles Haunted Hayride hire a few hundred performers, most of our cast are locals who come back year after year. We hold open calls in the summer and focus on energy, movement, and presence more than traditional acting experience,” wrote “Dark Harbor‘s” general manager, Star Romano, in an email.
After the performers are hired, Romano explained, they attend orientation, safety training and rehearsals leading into opening weekend.
“It’s a huge community effort, part performance, part team reunion, and one of my favorite things about the season,” Romano wrote.
The result of those efforts led to me sleeping with the lights on for two nights straight.
“Get away from me! I’m too scared!” I shouted at one Leatherface-type character as he approached me with a chain saw.
“That’s the whole point,” he growled under his breath before obeying my wishes and lurching off toward another fear-stricken guest.
(NOTE: For a kid-friendly immersive Halloween experience, you can head to the company’s “Magic of the Jack O’Lanterns,” which features 5,000 hand-carved pumpkins on-site at South Coast Botanic Garden.)
I’m arts and culture writer Jessica Gelt, inviting you to sink into spooky season with me. Here’s your weekly arts and culture news.
On our radar
Benjamin Millepied’s L.A. Dance Project performs “On the Other Side.”
(Laurent Philippe)
L.A. Dance Project Renowned choreographer Benjamin Millepied continues his exploration of the intersection of dance and visual art with the ballet triptych “Gems,” featuring artwork by collaborators Barbara Kruger, Liam Gillick, Mark Bradford and others. The performance is composed of three contemporary ballets inspired by precious stones: “Reflections” (2013), “Hearts & Arrows” (2014) and “On the Other Side” (2016). The show — with music by David Lang and Philip Glass — marks the first time these pieces have been staged together. — Jessica Gelt 7:30 p.m. Thursday through Oct. 25. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. https://thewallis.org/show-details/la-dance-project-gems
New York artist Jon Henry stages photographs that reflect on reports of Black men killed by police.
(The Brick)
Monuments The most eagerly anticipated theme exhibition this fall is reflected in the emphatic title, pointedly written all in caps. “MONUMENTS” was inspired by the wave of revulsion following the violent 2017 white supremacist Unite the Right rally in Charlottesville, Va. — a deadly riot opposing the proposed removal of a local statue of Confederate Gen. Robert E. Lee. That statue is now gone, torn down along with some 200 other tributes across the country to American turncoats who supported chattel slavery. (The last known Confederate monument in Southern California was removed in 2020.) A selection of decommissioned Confederate statues will be shown at MOCA and alternative space the Brick, joint organizers of the exhibition; they’ll be paired with contemporary work by Bethany Collins, Stan Douglas, Leonardo Drew, Jon Henry, Martin Puryear, Hank Willis Thomas, Kara Walker and a dozen other artists, borrowed and commissioned for the occasion. — Christopher Knight Thursday through May 3, 2026. Geffen Contemporary at Museum of Contemporary Art, 152 N. Central Ave., Little Tokyo; The Brick, 518 N. Western Ave. moca.org
Vikingur Olafsson will perform with conductor Santtu-Matias and Philharmonia.
(Timothy Norris / Los Angeles Philharmonic)
Santtu-Matias Rouvali and Vikingur Ólafsson join the Philharmonia Orchestra It’s been almost a decade since Finnish conductor Santtu-Matias Rouvali, a former Dudamel Fellow at the L.A. Phil, last returned to Southern California as a guest conductor of the L.A. Phil. In the meantime, though, he’s been busily attracting attention in London as principal conductor of the Philharmonia Orchestra (having succeeded Esa-Pekka Salonen in 2021). For his first local appearance with the Philharmonia, he is joined by the stellar Icelandic pianist Vikingur Ólafsson in Ravel’s Piano Concerto in G. The program also includes the local premiere of a new score meant to awaken environmental awareness, popular Mexican composer Gabriela Ortiz’s “Si el Oxígeno Fuera Verde” (If Oxygen Were Green), along with Shostakovich‘s Fifth Symphony. Shortly after fall, Ólafsson heads back to Disney in January as soloist with the L.A. Phil for John Adams’ latest piano concerto, “After the Fall.” — Mark Swed 8 p.m. Tuesday. Renée & Henry Segerstrom Concert Hall, 615 Town Center Drive, Costa Mesa. philharmonicsociety.org
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The week ahead: A curated calendar
FRIDAY
Ethan Remez-Cott, left, and Matthew Goodrich in the play “Amerika or, The Man Who Disappeared.”
(Amanda Weier)
Amerika or, The Man Who Disappeared There’s Kafkaesque and then there’s the genuine article. Open Fist Theatre Company presents the world premiere of Dietrich Smith’s adaptation of the Franz Kafka novel that details the strange experiences of a 17-year-old European immigrant after he arrives in New York City aboard a steamer. 7:30 p.m. Friday; 7 p.m. Saturday; 2 p.m. Sunday; and 7:30 p.m. Monday, Oct. 20; through Nov. 22. Atwater Village Theatre, 3269 Casitas Ave. openfist.org
Ms. Holmes & Ms. Watson–Apt. 2B Two free-spirited roommates embrace mystery and adventure in the L.A. premiere of Kate Hamill’s dark modern comedy, a gender-bent spin on Sir Arthur Conan Doyle directed by Amie Farrell. 7:30 p.m. Thursday-Saturday; 2 p.m. Sunday through Nov. 2. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org
नेहा & Neel Asian American theater collective Artists at Play and Latino Theater Company collaborate for the world premiere of Ankita Raturi’s new comedy about an Indian immigrant and single mom on a cross-country college tour with her 17-year-old American-born son. Directed by East West Players artistic director Lily Tung Crystal. Through Nov. 16. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org
17th OC Japan Fair Japanese culture festival featuring food, shopping, a cosplay show, a tuna cutting show, popular Japanese entertainers, traditional instrument performances, games, kimono models meet and greet, and more. 4 p.m.-10 p.m. Friday; noon-10 p.m. Saturday; 11 a.m.-7 p.m. Sunday. OC Fair & Event Center, 88 Fair Drive, Costa Mesa. oc-japanfair.com
David Roussève will perform “Becoming Daddy AF” Friday and Saturday at the Nimoy.
(Rachel Keane)
Becoming Daddy AF Renowned dance-theater artist David Roussève presents the West Coast premiere of his experimental movement journey “Becoming Daddy AF.” The piece marks Roussève’s first full-length solo performance in more than two decades and explores themes that have touched and shaped his life, including HIV, genealogy and the loss of his husband of 26 years. (Jessica Gelt) 8 p.m. Friday and Saturday. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Unravelled The story of Canadian biologist Dr. Anne Adams, who turned to painting at age 53, and her remarkable connection to French composer Maurice Ravel, with whom she shared the same rare brain disease. A play infused with music and visual art, written by Jake Broder and directed by James Bonas. 7:30 p.m. Friday and Saturday; 2 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
SATURDAY
British artist Edmund de Waal will install new work in three sites at the Huntington, including the Chinese garden.
(Linnea Stephan)
The Eight Directions of the Wind British artist, potter and writer Edmund de Waal is obsessed with archives, which he describes as “places, streets, hillsides as much as card indexes.” For a body of new work, he once traveled to the place in China where the clay used to make porcelain was discovered — and then on to Dresden, Germany; Cornwall, U.K.; and the Appalachian Mountains, where subsequent cultures reinvented it. De Waal’s three site-specific, yearlong installations will be in the Huntington’s cultural and natural “archives” that are its art gallery and Chinese and Japanese gardens. (Christopher Knight) Through Oct. 26, 2026. The Huntington, 1151 Oxford Road, San Marino. huntington.org
Lorde performs Saturday at the Kia Forum.
(Scott A Garfitt / Invision/AP)
Lorde Just as her generation has, by all accounts, sobered up and gone sexless, Lorde returned this year with a defiant album about the giddy rush of partying and the frightening ramifications of a body in search of pleasure. “Virgin” pulls her back to the experimental electro-pop many fans were hoping for after the relatively complacent “Solar Power,” and the album is brimming with startling meditations on pregnancy scares, familial inheritance and the malleability of gender. (August Brown) 7 p.m. Kia Forum, 3900 W. Manchester Blvd., Inglewood. thekiaforum.com
Orchidées Cellist Kate Ellis performs composer Nick Roth’s cello étude — which traces the 100‑million‑year evolution of orchids by translating their DNA sequences into music — accompanied by time‑lapse footage of blooming specimens from the Huntington’s orchid collection. Also available to livestream. 7 p.m. The Huntington, 1151 Oxford Road, San Marino. huntington.org
Tortoise The lauded post-punk band performs “Touch,” their first new album in nine years with opening sets from local duo Jeremiah Chiu & Marta Sofia Honer and KCRW DJ Ale Cohen. 8 p.m. Saturday. The Broad, outdoor East West Bank Plaza, 221 S. Grand Ave., downtown L.A. thebroad.org
TUESDAY A Concert for Lowell A memorial tribute to Lowell Hill, one of the great patrons of new music in L.A., featuring many of the city’s top local artists, including Wild Up, MicroFest, Piano Spheres, the Industry, Partch Ensemble, Monday Evening Concerts, Long Beach Opera and People Inside Electronics. 8 p.m. Monk Space, 4414 W. 2nd Street. brightworknewmusic.com
Morgan Siobhan Green as Eurydice and Nicholas Barasch as Orpheus in the 2022 “Hadestown” North American Tour.
(T Charles Erickson)
Hadestown The Tony and Grammy Award-winning musical that reimagines the myth of Orpheus and Eurydice as a New Orleans-style folk opera returns on its latest national tour. “Born out of a concept album by Anaïs Mitchell, who wrote the book, lyrics and music, the show travels to the underworld and back again with liquified grace,” wrote Times theater critic Charles McNulty in a 2022 review. “Developed by Rachel Chavkin, the resourceful director who won a Tony for her staging, ‘Hadestown’ achieves a fluidity of musical theater storytelling that makes an old tale seem startlingly new.” Through Nov. 2. Hollywood Pantages Theatre, 6233 Hollywood Blvd., Hollywood. broadwayinhollywood.com
Learning to Draw The exhibition traces a 300-year evolution of artistic training and the mastery of drawing in Europe from about 1550 to 1850. Bringing together the physical control of the hand and the concentration of the mind, the foundational artistic act became essential to exploring, inventing and communicating visual ideas in the modern world. Through Jan. 25, 2026. Getty Museum, 1200 Getty Center Drive. getty.edu
Dispatch: Ben Platt: Live at the Ahmanson
Actor, singer and songwriter Ben Platt stands for a portrait at the Bernard B. Jacobs Theatre in New York on Thursday, April 20, 2023.
(Justin Jun Lee / For The Times)
Breaking news sure to make L.A. musical theater fans swoon: Center Theatre Group announced Friday that Broadway superstar Ben Platt will be in residency for two weeks and 10 shows at the Ahmanson Theatre , Dec. 12–21. Two-time Tony Award-winning director Michael Arden is set to direct the the residency, appropriately titled, “Ben Platt: Live at the Ahmanson.” Platt’s appearance comes a year after he staged a wildly successful three-week residency at Broadway’s Palace Theatre, which included a cornucopia of famous special guests including Cynthia Erivo, Nicole Scherzinger, Jennifer Hudson, Kacey Musgraves, Sam Smith, Micaela Diamond and Shoshana Bean. The production is staying mum on who might appear onstage alongside Platt during his L.A. run, but it’s safe to expect more big names.
“When you think of the very best in musical theatre, it simply doesn’t get any better than Ben Platt, whose stage presence and charisma make him one of the seminal performers of his generation,” said CTG’s artistic director, Snehal Desai, in a news release that promised “the holiday event of the season.”
Bassist Tonya Sweets, from left, Marlon Alexander Vargas and drummer Dee Simone in “littleboy/littleman,” directed by Nancy Medina, at Geffen Playhouse.
(Jeff Lorch)
A tale from a land of immigrants Rudi Goblen’s “littleboy/littleman” is in the midst of its world premiere at the Geffen Playhouse. The two-person show about two Nicaragua-born brothers is much like a performance piece, writes Times theater critic Charles McNulty in his review. It’s also a deeply American story. “Lest we forget our past, America is the great democratic experiment precisely because it’s a land of immigrants. Out of many, one — as our national motto, E pluribus unum, has it. How have we lost sight of this basic tenet of high school social studies?” McNulty writes.
Les Miz at 40 I went backstage at the Pantages for the opening night of “Les Misérables,” which happened to coincide with the 40th anniversary of the legendary musical. The mood was euphoric and everyone in the cast and crew seemed to have a story about a formative connection to the show. Stage manager Ken Davis walked me through the maze-like wings and filled me in on what it takes to tour a show of this scale. Of particular note: The touring production travels with 11 tractor trailers containing over 1,000 costumes, 120 wigs and hundreds of props.
Patrick Martinez, “Fallen Empire,” 2018, mixed media
(Michael Underwood)
When the sum is less than the whole Times art critic Christopher Knight was not impressed by “Grounded,” a newly opened exhibition at the Los Angeles County Museum of Art. The show’s theme, rooted in recent acquisitions of contemporary art, is promising, but ultimately falls apart. Viewed as a whole, “the 39 assembled contemporary paintings, sculptures, photographs, textiles and videos by 35 artists based in the Americas and areas of the Pacific underperform,” writes Knight. “Sometimes that’s because the individual work is bland, while elsewhere its pertinence to the shambling theme is stretched to the breaking point,” Knight writes.
Remembering Bernstein Tuesday marked the 35th anniversary of Leonard Bernstein’s death, and reminders of the great composer’s tributes to John F. Kennedy abound, writes Times classical music critic Mark Swed. In a piece of commentary about what Bernstein’s work can teach us about memorials, Swed examines multiple L.A. productions rooted in that work, including L.A. Opera’s “West Side Story” and Martha Graham Dance Company’s “En Masse” at the Soraya. Swed also wonders whether those important pieces will reach the Trump administration’s newly configured Kennedy Center in the spring.
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Guests attend the K.A.M.P. family fundraiser at the Hammer Museum on Oct. 12, 2025, in Los Angeles.
(Stefanie Keenan / Getty Images for Hammer Museum)
Everyone went home happy UCLA’s Hammer Museum raised nearly $200,000 last weekend with its 16th annual K.A.M.P. (Kids Art Museum Project) fundraiser. More than 700 excited parents and children showed up at the gloriously messy event co-chaired by Aurele Danoff Pelaia and Talia Friedman. Kids roamed the courtyard over the course of four hours, creating art at stations set up and manned by participating artists including Daniel Gibson; Sharon Johnston and Mark Lee of the Johnston Marklee architecture firm; Annie Lapin; Ryan Preciado; Rob Reynolds; Jennifer Rochlin; Mindy Shapero; Brooklin A. Soumahoro; and Christopher Suarez. Fairy Gardens were constructed of thick clay and foraged leaves; cardboard boxes were painted with rollers; plates were spray-painted and affixed with knickknacks and jewelry; and geometric shapes were glued to canvases and painted an array of bright colors. Children went home with their art, and parents left knowing they supported a host of free Hammer Kids programs that serve thousands of children and families annually.
Fair wages on Broadway Musicians working on Broadway, represented by AFM Local 802, voted to authorize a strike earlier this week — with 98% in favor. The nearly 1,200 musicians have been working without a contract since Aug. 31. According to an open letter the musicians sent to the Broadway League on Oct. 1, their demands include: “Fair wages that reflect Broadway’s success. Stable health coverage to allow musicians and their families to enjoy the health benefits that all workers deserve. Employment and income security so that hardworking freelance musicians have some assurance of job security. This includes not eliminating current jobs on Broadway.” Bargaining talks are ongoing.
Gene Hackman co-stars in “Bonnie and Clyde,” alongside Warren Beatty and Faye Dunaway.
(Associated Press)
Gene Hackman, art collector The late actor Gene Hackman’s art collection will go up for auction through Bonhams in November. Highlights of the 13-piece collection — which is being offered as a single-owner sale — include works by Milton Avery, Auguste Rodin and Richard Diebenkorn. Hackman was passionate about art throughout his life, and took an extra-special interest in it after he stopped acting. During that time he dedicated himself to taking classes and art-making. He even kept a journal of everything he learned, according to Bonhams.
Historic homes tour Paging architecture fans: It’s not too late to reserve a spot in Dwell’s open-house event, back in L.A. for its second year. Tours of three historically significant Eastside homes are on offer during the day-long event, which launches from Frank Lloyd Wright’s Hollyhock House in Barnsdall Art Park. The three additional houses in the tour are: Richard Stampton’s Descanso House in Silver Lake; Taalman Architecture, Terremoto, and interior designer Kathryn McCullough’s Lark House in Mount Washington; and Fung + Blatt’s San Marino House in — you guessed it — San Marino.
— Jessica Gelt
And last but not least
Still feeling sad about losing Diane Keaton? Me too. Here’s a list I put together of her 10 most important films. Watch one you haven’t seen — if that’s possible.
A recent study has revealed the most affordable weekend staycation for autumn – and it will only set you back 74 for two. Here’s everything you need to know about the relaxing seaside town
Travellers have found Torquay to be great for just relaxing(Image: Getty)
As travel habits evolve during the autumn months, an increasing number of Britons are opting for the convenience of budget-friendly staycations rather than pricier overseas breaks.
If you’re looking for your next holiday, keep reading. Research by credit card provider Aqua examined multiple elements including lodging expenses, online search activity, and weather patterns – with one coastal destination emerging victorious.
Leading the rankings ahead of Blackpool and Portsmouth, which secured second and third positions respectively, is Torquay. The 2024 study revealed that a weekend escape to this beloved seaside town costs merely £74 for two people.
A total bargain you shouldn’t be missing on. This might not come as a shock, given that autumn in Torquay brings pleasant temperatures, creating ideal conditions for outdoor pursuits and sightseeing minus the summer throngs, reports the Express.
The breathtaking coastal routes, including the South West Coast Path, provide perfect opportunities for lengthy strolls, allowing guests to savour the crisp air and magnificent scenery.
The autumn season in this region proves excellent for nature lovers, presenting chances to observe migrating birds and appreciate the regional wildlife in more tranquil surroundings.
Holiday-makers have discovered this location to be perfect for simply unwinding and savouring the regional food offerings, with TripAdvisor users posting their positive experiences on the review platform.
Milo Boyd
Arabinda-Ghosh commented: “A beautiful small place where every spot is welcoming and you will feel relaxed and cool. A whole day spending is not enough to quench the thirst for peace and beauty.”
“I found Happy faces everywhere and there is family get-together like feeling. An ideal place for relaxation with nice food and drink.”
Regarding the harbour, Ann M shared: “Just love this area. Loads of quality pubs, restaurants, nightlife, most being fairly priced. It’s lovely to just sit outside one of the bars and watch the world go by. Very relaxing, whatever the weather.”
Annie chimed in: “We had a walk around the harbour and watched the boats for a while. Peaceful and beautiful views. Clean and tidy harbour, we found it very relaxing.”
After last week’s worrisome Season 51 debut with Bad Bunny, it seemed like a 50/50 chance on whether the second episode of the season with guest host and beloved “Saturday Night Live” alum Amy Poehler would turn things around. Would the writing feel sharper and less obvious in the hands of a veteran sketch performer?
Poehler, host of the popular podcast “Good Hang,” made all the right moves and may have even overextended herself, appearing in almost every sketch, including the cold open and “Weekend Update” for a joke-off. You could (and should) give Poehler lots of credit for her boundless energy, which lifted weaker sketches, like one about a menopausal mom who goes goth and one where Poehler and Bowen Yang are the composers of the “Severance” opening theme (the joke is that their theme songs always start with a “Fresh Prince of Bel-Air”-like rap as their first draft).
Poehler also got a little help from some long-time friends and alums, including Tina Fey, appearing as Homeland Security Secretary Kristi Noem in the cold open, and Seth Meyers, returning to the “Weekend Update” desk with Poehler and Fey.
Maybe podcasting has allowed Poehler to store some stage energy to burst-fire on “SNL”; she put in a great performance for a solid episode overall.
Musical guests Role Model performed “Sally, When The Wine Runs Out,” with a surprise appearance from Charli XCX as Sally, and “Some Protector.” Before the close, “SNL” memorialized Diane Keaton, whose death was announced Saturday, in a title card. She never hosted “Saturday Night Live” but was portrayed on the show multiple times.
The cold open this week parodied Atty. Gen. Pam Bondi’s contentious meeting this week with the U.S. Senate Judiciary Committee. Poehler appeared as Bondi and responded to questions from Democratic senators with a series of withering insults she described as “roast-style burns I have on this piece of paper.” After mocking them and avoiding questions about the indictment of James Comey and the Jeffrey Epstein files, Bondi makes way for Noem (Fey, returning to “SNL” cold open politics), who joins in the mocking, telling one senator, “That makes me laugh more than the end of ‘Old Yeller.’ ” After being reminded that a dog gets shot at the end of that film, she responds, “Dogs don’t just get shot. Heroes shoot them.” While the first half of the cold open was shaky, with insults that weren’t landing despite Poehler’s forceful delivery, Fey’s appearance livened things up and ended strong with a call-and-response between Fey and Poehler that made fun of ICE recruitment ads. “Do you take supplements that you bought at a gas station?” Noem asked, “buckle up and slap on some Oakleys, big boy, and welcome to ICE!”
Poehler’s monologue was sweet, wistful and self-deprecating. “I found my first love here,” she said, “being famous.” She went on to describe her life now, saying, “I am a podcaster. If that’s not a recession indicator, I don’t know what is.” She also pointed out that this episode marked the actual 50-year anniversary of “SNL,” which first aired on Oct. 11, 1975. “Just like (host) George Carlin, I am extremely high,” she said. Poehler poked fun at AI actors who’ve been in the news and might want to take her job. “You’ll never be able to write a joke, and I am willing to do full frontal, but nobody’s asked me, OK?” she concluded defiantly.
Best sketch of the night: The thigh squeezes are bigger in Texas, too
It may be a little late to the party (the show came out in July), but this mock trailer for Netflix’s “The Hunting Wives” hits all the right notes with Poehler as frequently topless Margo and Chloe Fineman as Sophie (Malin Ackerman and Brittany Snow, respectively, on the series). The trailer promises that as the women get hornier and drunker, thighs will be squeezed and guns will be drawn. Aubrey Plaza appears as a new wife from California and soon she’s being caressed by all the other women in the cast as they make mimosas. A few great lines from this one: “It’s like ‘Call Me By Your Name’ for women who shop at Bass Pro Shop,” and “Don’t watch it on a plane.”
Also good: Don’t settle for just 100 years of legal experience
Pohler’s character in the Psychic Talk Show sketch was very funny, but the sketch about one-upping lawyers edges it out only because it goes to some extremely weird and dumb places for much longer than needed and incorporates what looked like the entire cast. What starts as a basic personal injury lawyer commercial explaining how the firm has 50 years of combined experience ends up including long-living turtles, Sarah Sherman as a vampire attorney named Dracu-Law, and an ageless tree, Yggdrasil (Yang), who once represented Zeus.
‘Weekend Update’ winner: Someday, that 13-pound baby is going to watch this
On a packed “Weekend Update,” Sherman debuted over-caffeinated Long Islander Rhonda LaCenzo, who rails against New York City mayoral candidate Zohran Mamdani. And Marcello Hernández and Jane Wickline returned as a seemingly mismatched couple discussing their Halloween plans. But it was an epic joke-off featuring past “Update” anchors Poehler, Fey and Meyers facing off against current ones Colin Jost and Michael Che to make fun of the birth of a nearly 13-pound baby born in Tennessee. “It was so big that he slapped the doctor on his ass!” Poehler began. Some of the better jokes: “The woman zipped around the room like a deflated balloon.” “Did she give birth or did it drive out?” “The baby’s name is AHHHHH!” Poehler rounded out the contest by declaring, “The record was for loosest vagina and the previous held… by me!”
FROM October 12, 2025, British travellers could be hit with delays thanks to the introduction of the new EU Entry-Exit System.
The use of EES will begin this weekend for the very first time, and holidaymakers believe they’ll be facing longer wait times as a result.
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The EU Entry-Exit System for travellers will start on Sunday October 12Credit: Getty
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Some travellers are worried about delays to their journeys this weekendCredit: Getty
When you use EES, the first time you travel you’ll need to register at a special machine called a kiosk where you will scan your passport.
The machine will then take your fingerprints and a photo – children under 12 will not need to give fingerprints.
You will also answer four quick questions on the screen about your trip, such as where you are staying and confirming you have enough money for your holiday.
The EES checks will happen when you arrive at your destination airport in the Schengen area – but not all of them.
Madrid will be registering arrivals from a single, early-morning flight on October 12, 2025.
In Germany, Dusseldorf Airport will have EES, but will only a small proportion of travellers will be required to go through the new system.
Depending on where British travellers fly into, will depend on whether or not they have an EES check, or continue with a passport stamp.
While EES is ready in certain places now, it’s a gradual process and is being rolled out over the course of 180 days, from October 12, 2025 to April 9, 2026.
But as it’s the first time the EES has been used for travellers, experts have warned there could eb “delays”.
US travelers will be fingerprinted before flights in new October 12 ‘border’ law hitting 29 countries
Abta chief executive Mark Tanzer said: “I reckon there will be delays” while Tom Jenkins, chief executive of European travel association Etoa said it’s “a complete muddle”.
Tom Jenkins added: “If it all goes haywire, they can revert to inspecting passports.
“I don’t think it will be catastrophic because of that, it will just be tiresome.”
However, managers at the Port of Dover have insisted there will not be delays on Sunday, as traffic levels will be “manageable”, as reported by the BBC.
A government spokesperson said: “We are supporting ports and carriers to ensure EES registration is simple for anyone travelling to the Schengen area.”
For the first few weeks, only lorry drivers and coach passengers will have to register with EES at Dover.
Other traffic, including the thousands of car passengers who use the crossings, will be subject to the new system from November 1, 2025.
The same goes for those travelling through the Eurotunnel.
At the Eurostar entrance in St Pancras, EES registration will take place upon departure, overseen by French border officials.
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Brits will need to have biometric checks instead of having their passports stampedCredit: AFP
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Only certain passengers travelling on the Eurostar will be checked in through EESCredit: PA
And from October 12, only passengers travelling in business and premium class will be subject to EES checks – for other passengers, they will begin in January 2026.
Minister for Border Security and Asylum, Alex Norris, said: “We recognise that EES checks will be a significant change for British travellers, which is why we have worked closely with our European partners to ensure the rollout goes as smoothly as possible.
“The UK and EU have a shared objective of securing our borders and these modernisation measures will help us protect our citizens and prevent illegal migration.”
For more on EES and ETIAS, one travel expert revealed what to expect.
Travellers to Europe, including Brits, will be subject to new entry registrations from Sunday October 12, 2025 under a phased implementation of the EU’s new digital border system.
The Entry Exit System (EES) requires non-EU citizens to register at the EU border by scanning their passport and having their fingerprints and photograph taken.
Travellers do not need to take any action before travelling and the process is free.
Registration will take place upon arrival at the EU border and may take slightly longer than previous border checks.
Checks should only take 1-2 minutes for each person, but may lead to longer wait times at border control upon arrival in the Schengen area.
In places where registration will be completed in the UK prior to departure, there may be longer waits at busy times.
The scheme is being introduced to digitise border crossings across the Schengen area and collate the information into a central database to more closely monitor the movements of non-EU citizens.
EES will also help to identify any suspected criminals and to limit travellers to 90 days of stays, in any 180 day period.
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EES is being introduced in certain places from October 12, 2025Credit: Reuters
Thirty paintings by the late artist — and PBS staple — Bob Ross are heading for auction beginning Nov. 11. American Public Television, which syndicates programming to public stations across the country, is staging the auction in Los Angeles through Bonhams. APT has pledged to donate 100% of the profits to beleaguered public television stations nationwide.
“Bonhams holds the world record for Bob Ross, and with his market continuing to climb, proceeds benefiting American Public Television, and many of the paintings created live on air — a major draw for collectors — we expect spirited bidding and results that could surpass previous records,” said Robin Starr, general manager, Bonhams Skinner, in a statement.
The auction house established its record in August when it sold two of Ross’ mountain-and-lake scenes from the early 1990s for $114,800 and $95,750, respectively. Bonhams said it could not yet provide an estimate on the worth of the 30 works coming up for auction.
The first three paintings will go on the block at Bonhams in Los Angeles as part of its California & Western Art auction. The remaining 27 will be sold throughout 2026 at Bonhams salesrooms in New York, Boston and L.A.
The news comes as public broadcasting faces unprecedented challenges to its survival. In July, Congress voted to cut $1.1 billion in federal funding for the Corp. for Public Broadcasting, which was founded in 1968 and helps fund PBS, NPR, as well as 1,500 local radio and television stations. The cuts were encouraged by President Trump, who derided the organization for spreading “woke” propaganda.
The private, nonprofit corporation soon after announced that it would close. The majority of its staff was dismissed at the end of last month, and a bare-bones transition team remains through January to wrap up unfinished work.
Without CPB, educational programming like “The Joy of Painting” with Bob Ross will have an uphill battle finding the support it needs.
Known for his cloudlike halo of curly brown hair, soothing voice and infectious love of the art form as shown on his signature show, the artist became a mainstay in American households across 400-plus episodes and more than a decade on the air.
With its wholesome content and relaxed pace, his was the kind of show that defined PBS. Hopefully, his work can help keep the lights on at the stations that helped gain him a cultlike following.
I’m arts and culture writer Jessica Gelt, and I’m the proud owner of a Bob Ross Chia Pet head. Here’s your arts and culture news for the week.
On our radar
Kai A. Ealy stars in “Joe Turner’s Come and Gone” at A Noise Within
(Daniel Reichert)
Joe Turner’s Come And Gone Gregg T. Daniel continues his reinvestigation of August Wilson’s American Century Cycle with a production of what is arguably the finest work in the playwright’s 10-play series. Set in a Pittsburgh boardinghouse in 1911 during the Great Migration, “Joe Turner’s Come and Gone” focuses on the spiritual crossroads of Black Americans who are being reminded at every turn that their freedom comes with a prohibitive cost. The sixth Wilson production at A Noise Within in this seasons-long retrospective should be a standout: It’s one of the great American plays of the 20th century. — Charles McNulty Previews, 2 p.m. Sunday; 7:30 p.m. Wednesday-Oct. 17; opening night, 7:30 p.m. Oct. 18; through Nov. 9. A Noise Within, 3352 E. Foothill Blvd., Pasadena. anoisewithin.org
Tavares Strachan, “Six Thousand Years,” and “The Encyclopedia of Invisibility,” 2018, mixed media
Tavares Strachan: The Day Tomorrow Began Bahamian-born New York artist, whose immersive solo exhibition “Magnificent Darkness” filled the Hollywood branch of Marian Goodman Gallery last year, makes multidisciplinary art that seeks to amplify notable events and people — especially related to exploration, from deep-sea diving to outer space — that are often sidelined in standard cultural histories. Strachan, a 2022 MacArthur Foundation fellow, once shipped a 4.5-ton block of ice from the Arctic to the Bahamas via FedEx. We’ll see what might arrive at Wilshire Boulevard. — Christopher Knight 11 a.m.-6 p.m. Monday, Tuesday and Thursday; 11 a.m.-8 p.m. Friday; 10 a.m.-7 p.m. Saturday; closed Wednesday; through March 29, 2026. Los Angeles County Museum of Art, BCAM Level 2, 5905 Wilshire Blvd. lacma.org
Alexander Shelley conducts the Pacific Symphony Friday-Sunday in Costa Mesa.
(Curtis Perry)
Alexander Shelley conducts the Pacific Symphony At 45, the British conductor has a seemingly full and far-fledged plate: music director of the National Arts Center Orchestra in Ottawa; principal associate conductor of the Royal Philharmonic Orchestra in London; and artistic and music director of Artis-Naples and the Naples Philharmonic in Florida. Next year, the plate becomes fuller and further-fledged when he becomes music director of the Pacific Symphony. This fall, however, Shelley makes his debut as music director designate by showcasing works bursting with color — Mongomery’s “Starburst”; Arturo Márquez’s “Concert for Guitar Mystical and Profane” with Pablo Sáinz-Villegas as soloist; and Rimsky Korsakov’s “Scheherazade.” Shelley returns in November with Ravel’s glorious ballet score “Daphnis and Chloe,” the perfect enchanting complement to San Diego Symphony’s “L’Enfant,” for wrapping up the Ravel year, the 150th anniversary of the French composer’s birth having been in March. — Mark Swed 8 p.m. Thursday-Oct. 18. Renée and Henry Segerstrom Concert Hall, 600 Town Center Drive, Costa Mesa. pacificsymphony.org
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The week ahead: A curated calendar
FRIDAY
The American Contemporary Ballet dances to Shubert’s score for “Death & the Maiden.”
(Victor Demarchelier)
Death and the Maiden American Contemporary Ballet, under the direction of Lincoln Jones, dances to a live performance of Schubert’s score, complete with opera singers; plus “Burlesque: Variation IX.” 8 p.m. Friday and Saturday; Thursday performances Oct. 23 and 30; through Nov. 1. ACB, Bank of America Plaza, 330 S. Hope St. #150, downtown L.A. acbdances.com
Nightsong Times video intern Quincy Bowie Jr. recently visited artist Derek Fordjour’s sensorial experience at Mid-City’s David Kordansky Gallery. “In a time where many feel silenced, and afraid to speak up, Fordjour creates a space of darkness where truth can be revealed, heard and felt,” wrote Bowie. “‘Nightsong’ creates a unique space where the Black voice and its many songs are centered.” The free exhibit closes tonight. 6-10 p.m. David Kordansky Gallery, 5130 W. Edgewood Place. davidkordanskygallery.com
Mexican singer Lucía performs Friday at the Nimoy.
(Shervin Lainez)
Lucía The enchanting Mexican singer mixes traditional American jazz and Latin folk in her eponymous debut album, released earlier this year. 8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Mascogos Jose Luis Valenzuela directs the world premiere of playwright Miranda González’s drama revealing the untold stories of Mexico’s Underground Railroad. Final preview, 8 p.m. Friday; opening night, 8 p.m. Saturday; 8 p.m. Thursday-Saturday; 4 p.m. Sunday, through Nov. 9. Los Angeles Theatre Center, 514 S. Spring St., downtown L.A. latinotheaterco.org
People in the Dark: An Immersive Ghost Story A Lost Legends Ghost Tour goes frighteningly awry, placing the audience face-to-face with Hollywood’s haunted past in this enveloping theatrical experience from Drowned Out Productions. 7-11:40 p.m., with start times every 20 mins. Friday; 6-10:40 p.m., with start times every 20 mins. Saturday and Sunday (also Thursday, Oct. 16), through Oct. 31. 1035 S. Olive St., downtown L.A. tickettailor.com
Grand Kyiv Ballet performs “Swan Lake” Friday at the Ebell Wilshire.
Grand Kyiv Ballet This touring company of Ukrainian dancers is temporarily based out of the International Ballet Academy in Bellevue, Wash., while Russia continues its war with Ukraine. The troupe brings Tchaikovsky’s timeless ballet “Swan Lake” to Mid-City in a graceful performance sure to soothe even the most restless soul. (Jessica Gelt) 7 p.m. Wilshire Ebell Theatre, 4401 W 8th St, Los Angeles. ebellofla.org
SATURDAY Corey Helford Gallery A trio of strikingly distinct shows with a global sweep opens Friday. In the main gallery, “The Weight of Us,” a duo exhibition featuring solo works from Nigerian artists Arinze Stanley and Oscar Ukonu explores interconnectedness, and the complex interplay of individual and collective narratives. “Where Petals Dance,” features the work of Japanese artist aica in Gallery 2. The major exhibition featuring Latvian-born contemporary surrealist painter Jana Brike, “When I Was a River,” debuts in Gallery 3. Noon-6 p.m. Tuesday-Saturday, through Nov. 15. Corey Helford Gallery, 571 S. Anderson St. #1, Los Angeles. https://coreyhelfordgallery.com/
Vicky Chow CAP UCLA and Piano Spheres present new music pianist Vicky Chow performing the West Coast premiere of Tristan Perich’s “Surface Image.” 8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Gracias Gustavo Community Block Party Hosted by Aundrae Russell of KJLH, this outdoor celebration features performances by DJ Aye Jaye, live art by Hannah Edmonds and Israel “Seaweed” Batiz, Mariachi Tierra Mia, poet Aletha Metcalf-Evans, Versa-Style Street Dance Company, YOLA at Inglewood Jazz Ensemble, Sherie, muralist ShowzArt — “The Art Jedi,” D Smoke and the Inglewood High School Marching Band, plus activities, food trucks and more. 10 a.m.-4 p.m. Judith and Thomas L. Beckmen YOLA Center, 101 S. La Brea Ave., Inglewood. laphil.com
Institute of Contemporary Art, Los Angeles An open house kicks off four new exhibitions: Sandra Vásquez de la Horra, “The Awake Volcanoes”; Samar Al Summary, “Excavating the Sky”; Liz Hernández, “Donde piso, crecen cosas (Where I step, things grow)”; and AoA x IAO, “I Smell LA.”
4-8 p.m. Friday. Noon-6 p.m. Wednesday; Noon-7 p.m. Thursday; Noon-6 p.m. Friday; 11 a.m.-6 p.m. Saturday-Sunday; closed Mondays, Tuesdays and public holidays. Institute of Contemporary Art, Los Angeles, 1717 E. 7th St., Arts District, downtown L.A. theicala.org
Sleep Token performs at the Reading Music Festival, England, in 2023.
(Scott Garfitt / Invision / Associated Press)
Sleep Token Sleep Token is by some measures the biggest heavy-rock band in the world right now. Its 2025 LP, “Even in Arcadia,” demolished streaming records for a metal act, reaching well beyond the genre’s cantankerous core fan base, which has mixed feelings about Sleep Token’s pop chart success, to say the least. (No one is more skeptical about the band’s new fame than its cryptically anonymous front person Vessel: “Right foot in the roses, left foot on a landmine,” he sings in “Caramel,” “They can sing the words while I cry into the bass line.”) The band’s high-drama live shows are where Sleep Token really shines, though, as in this return to L.A. for a set that finally provides the scale its runic masks, robes and necrotic body paint have always called for. (August Brown) 8 p.m. Crypto.com Arena, 1111 S. Figueroa St., downtown L.A. cryptoarena.com
SUNDAY Paul Jacobs The Grammy-winning organist performs Bach’s “The Art of Fugue.” 7:30 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Julie Andrews, Christopher Plummer and the Von Trapp family in a scene from the 1965 film “The Sound of Music.”
(20th Century Fox)
The Sound of Music A 70mm screening of the 1965 Robert Wise-directed movie musical starring Julie Andrews and Christopher Plummer that won five Oscars, including best picture. 3 p.m. Sunday. Academy Museum, David Geffen Theater, 6067 Wilshire Blvd., Los Angeles. academymuseum.org
TUESDAY L.A. Phil Gala: Gustavo’s Fiesta Gustavo Dudamel conducts the orchestra in a few of his favorite things: De Falla’s “Three-Cornered Hat,” selections from Dvořák’s “New World” Symphony (featuring musicians from YOLA, Youth Orchestra Los Angeles), Beethoven’s Seventh, “Fairy Garden” from Ravel’s Mother Goose Suite and Revueltas’ “Night of Enchantment.” 7 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
THURSDAY Draw Them In, Paint Them Out Trenton Doyle Hancock confronts the work of painter Philip Guston in this dual exhibition that examines the role the artist plays in the pursuit of social justice. Noon-5 p.m. Tuesday–Friday; 10 a.m.-5 p.m. Saturday–Sunday. Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. skirball.org
Yunchan Lim For his Disney Hall debut, the youngest-ever winner of the Van Cliburn International Piano Competition performs Bach’s “Goldberg Variations,” alongside “…Round and velvety-smooth blend…,” a new piece, written especially for the pianist, by Korean composer Hanurij Lee. 8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
San Cha, photographed in 2020, performs Thursday-Saturday at REDCAT.
(Mel Melcon / Los Angeles Times)
San Cha The L.A.-based composer, musician and performance artist presents “Inebria Me,” a new experimental opera that reimagines the melodrama of telenovelas through a queer, genre-bending lens as adapted from her 2019 album, “La Luz de la Esperanza.” In Spanish with English supertitles. Postshow Q&A with San Cha on Oct 17. 8 p.m. Thursday, Oct.18. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org
Culture news and the SoCal scene
Bisserat Tseggai, Claudia Logan, Victoire Charles and Jordan Rice, clockwise from top left, of “Jaja’s African Hair Braiding.”
(Christina House / Los Angeles Times)
Jaja’s African Hair Braiding Currently staging its L.A. premiere at Center Theatre Group’s Mark Taper Forum, “Jaja’s” is an uproarious workplace comedy that packs a serious political punch. I had the pleasure of interviewing four of the lead actors during a roundtable at a downtown rehearsal room a few days before the run started. The women talked about their love of the show and of the playwright, Jocelyn Bioh. They also discussed the country’s fraught political climate and how it’s laying waste to the idea of the American Dream — the one that has attracted immigrants seeking a better life for their families for hundreds of years. Their thoughts have a direct throughline to the show, which takes place on a single hot day at a West African salon in Harlem.
Times theater critic Charles McNulty caught the opening Sunday night and wrote a glowing review of the touring production, which he noted was “bursting with gossip, petty fights, audacious fashion, dazzling hair styles, full-body dancing and uncensored truth about the vulnerable lives of immigrant workers.”
Hammer biennial Made in L.A. 2025 has officially opened at UCLA’s Hammer Museum and I recently toured the highly anticipated seventh edition of the biennial exhibition in the company of curators Essence Harden and Paulina Pobocha. The pair told me interesting backstories about the 28 participating artists, including that the four large sculptures of doors made by Amanda Ross-Ho represent a door at the nursing home where her father lived.
Artist Alake Shilling stands in front of a 25-foot inflatable psychedelic bear driving a convertible titled “Buggy Bear Crashes Made in L.A,” at the Hammer Museum in Westwood.
(Genaro Molina / Los Angeles Times)
I also ate lunch with the charming and kind artist Alake Shilling, whose adorable sculptures of cuddly animals featuring melancholy faces are part of the show. I trailed Shilling as she watched a test inflation of a 25-foot sculpture titled “Buggy Bear Crashes Made in L.A.,” which will be on display on an outdoor pedestal on Wilshire Boulevard through March. I made this fun video with the help of video editor Mark Potts.
LACMA Gifts Big news keeps coming out of the Los Angeles County Museum of Art, which announced Wednesday that it had been gifted more than 100 works of Austrian Expressionism worth “well over” $60 million by the family of Otto Kallir, a renowned art dealer who immigrated to America in 1938 after the German Reich annexed Austria. The art will be transferred to the museum over the next several years and includes the museum’s first paintings by Gustav Klimt, Egon Schiele and Richard Gerstl. The exciting news comes two months after LACMA was gifted its first paintings by Vincent van Gogh and Édouard Manet by the Pearlman Foundation.
Best Friends Forever Finally, I got an update from the “satirical activist” artists with the Secret Handshake. They told me they had once again received a permit to reinstall their controversial Trump-Epstein statue (dubbed “Best Friends Forever”) on the National Mall. “Just like a toppled Confederate general forced back onto a public square, the Donald Trump Jeffrey Epstein statue has risen from the rubble to stand gloriously on the National Mall once again,” a rep for the Secret Handshake wrote in an email.
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“Arabesque over the Right Leg,Left Arm in Front,” by Edgar Degas
(Norton Simon Museum)
Norton Simon acquires sculpture The Pasadena museum announced the acquisition of a bronze sculpture by Edgar Degas titled “Arabesque over the Right Leg, Left Arm in Front.” The museum already holds more than 100 pieces by Degas in its collection, which is known as one of the largest public collection’s of the artist’s work in the world. “This significant acquisition, long sought after, completes a critical gap in the Museum’s renowned Degas collection,” a rep for the museum wrote in an email. The sculpture went on view in the museum’s 19th century wing late last week.
Mushroom Boat Ever heard of a boat made out of mushrooms? Neither had I until someone told me about an exhibition at Fulcrum Arts in Pasadena called, “Sam Shoemaker: Mushroom Boat.” As the title implies, the artist built a kayak out of mushroom mycelium. He then proceeded to use the unusual vessel to cross the Catalina Channel — a total of 26 nautical miles. He chronicled his journey the whole way, and the results of that work are on display alongside the boat. It includes large-scale projections, time-lapse videos, and soundscapes from his sometimes wild and turbulent journey.
Los Angeles Ballet dancers in pointe shoes stretch before beginning rehearsals in 2015.
(Los Angeles Times)
An anniversary for Los Angeles Ballet Los Angeles Ballet announced its 2025-26 season, which also happens to mark the company’s 20th anniversary, and its Music Center debut — “Giselle” at the Ahmanson Theatre in the spring. The season launches in December with LAB’s acclaimed annual presentation of “The Nutcracker” at Royce Hall and the Dolby Theatre. This season the company continues its residency at the Wallis Annenberg Center for the Performing Arts, and is set to stage a triple-bill anniversary production, “20 Years of Los Angeles Ballet,” featuring George Balanchine’s “Rubies,” Hans van Manen’s “Frank Bridge Variations,” and a third new work by Artistic Director Melissa Barak, who assumed her position in 2022.
K.A.M.P. fundraiser The Hammer Museum is back this Sunday with its annual fundraiser — Kids Art Museum Project, better known as K.A.M.P. Tickets support the Hammer’s free year-round family programming. Each year, the museum shuts down on a Sunday and presents an art-filled wonderland for children and families, with interactive art stations created and helmed by participating L.A. artists, as well as a special reading room featuring well-known actors. This year’s readers will be actor Justine Lupe and baseball star Chris Taylor. Artists include Daniel Gibson, Sharon Johnston & Mark Lee, Annie Lapin, Ryan Preciado, Rob Reynolds, Jennifer Rochlin, Mindy Shapero, Brooklin A. Soumahoro and Christopher Suarez.
— Jessica Gelt
And last but not least
Everybody, it seems, loves Cyndi Lauper. Readers have been going absolutely bananas for Times pop music critic Mikael Wood’s engaging profile on the iconic, red-haired pop star in advance of her induction in the Rock & Roll Hall of Fame.
President Trump has often locked horns with the 9th Circuit Court of Appeals, with the once left-leaning court putting a persistent drag on his first-term agenda.
And now, even after remaking the bench with his own appointees, the president is still tangling with the West Coast’s federal appellate court — a situation poised to boil over as the circuit juggles multiple challenges to his use of the National Guard to police American streets.
“I appointed the judge and he goes like that — I wasn’t served well,” Trump told reporters Sunday, lashing out at U.S. District Judge Karin Immergut of Portland after she temporarily blocked the deployment federalized troops.
“To have a judge like that, that judge ought to be ashamed of himself,” Trump said, referring to Immergut, who is a woman.
The president has long railed against judges who rule against him, calling them “monsters,” “deranged,” and “radical” at various points in the past.
Trump has also occasionally sniped at conservative jurists, including U.S. Supreme Court Chief Justice John Roberts, whom he called “disgraceful” after the court rejected his bid to overturn the 2020 election.
But this weekend’s spat marked a shift in his willingness to go after his own appointees — a turn experts say could become much sharper as his picks to the appellate bench test his ambition to put boots on the ground in major cities across the U.S.
“The fact that a pretty conservative judge ruled the way she did is an indication that some conservative judges would rule similarly,” said Ilya Somin, a law professor at George Mason University and a constitutional scholar at the Cato Institute.
The 9th Circuit handed the administration an early victory in the troop fight this spring, finding that courts must give “a great level of deference” to the president to decide whether facts on the ground warrant military intervention.
That ruling is set to be reviewed by a larger appellate panel, and could ultimately be reversed. The circuit is also now set to review a September decision barring federalized troops in California from aiding in civilian law enforcement, as well as Immergut’s temporary restraining order blocking the deployment over the weekend.
In the meantime, the 9th Circuit’s June decision has served as a guidepost for states seeking to limit what Oregon called a “nationwide campaign to assimilate the military into civilian law enforcement.”
“That decision is binding, and it does require a substantial degree of deference on the factual issues,” Somin said. “[But] when what the president does is totally divorced from reality, that limit is breached.”
Immergut appeared to agree, saying in her ruling that circumstances in Portland this fall were significantly different than those in L.A. in the spring. While some earlier protests did turn violent, she wrote, recent pickets outside Portland’s ICE headquarters have featured lawn chairs and low energy.
“Violence elsewhere cannot support troop deployments here, and concern about hypothetical future conduct does not demonstrate a present inability to execute the laws using nonmilitary federal law enforcement,” the judge wrote, addressing the 9th Circuit decision.
“The President is certainly entitled ‘a great level of deference,’” Immergut continued. “But ‘a great level of deference’ is not equivalent to ignoring the facts on the ground. … The President’s determination was simply untethered to the facts.”
But exactly where the appellate court may draw the line on presidential fact-finding is tricky, experts said.
“How much deference is owed to the president? That’s something we’re all talking about,” said John C. Dehn, a professor at Loyola University Chicago School of Law.
Whether courts can review the president’s judgment at all is a matter that splits even some of the president’s most conservative judicial picks from his current justice department attorneys.
So far, Trump has relied on an esoteric subsection of the U.S. Code for the authority to send soldiers on immigration raids and to control crowds of protesters.
Dehn and others have characterized that reading of the code as semantic and divorced from its legal context.
“They’re looking at the words in a vacuum and arguing the broadest possible meaning they could can think of,” Dehn said. “The administration is not engaged in good faith statutory interpretation — they’re engaged in linguistic manipulation of these statues.”
Immegur agreed, quoting Supreme Court precedent saying “[i]nterpretation of a word or phrase depends upon reading the whole statutory text.”
For some conservative legal scholars, Trump appointees’ willingness to push back on repeated deployments could signal a limit — or a dangerous new escalation in the administration’s attacks on jurists who defy them.
“It’s obvious the administration is trying to do this on a bigger scale,” Somin said. “Ideally we would not rely on litigation alone to deal with it.”
Taylor Swift is “shockingly” offended by the idea that “The Life of a Showgirl” could be — given her recent engagement to Travis Kelce — her final album.
“It is not the last album. That’s not why people get married,” the singer told BBC Radio 2 on Monday.
“They love to panic sometimes,” she said, talking about conspiracy theorists in the Swifty-verse, “but it’s like, I love the person I am with because he loves what I do and he loves how much I am fulfilled by making art and making music.”
Rumors started to make their rounds after the couple announced their engagement in August through a joint Instagram post. Fans speculated that after she said “I do,” she would have children and move on from music — or so BBC host Scott Mills had informed his guest.
Wait, mothers can’t have careers? Swift called that a “shockingly offensive thing to say.”
Weeks earlier, the Grammy-winning singer announced the impending arrival of her 12th album, “The Life of a Showgirl,” on her now-fiancé’s podcast hosted along with brother Jason Kelce. Since the release last week, the rumors grew louder and louder, with some fans predicting this album would be it for the pop artist.
To which Swift pushed back:
“That’s the coolest thing about Travis, he is so passionate about what he does that me being passionate about what I do, it connects us,” Swift said.
Their passions in life aren’t so different, according to the singer.
“We both, as a living, as a job, as a passion, perform for 3½ hours in NFL stadiums,” the showgirl said. “We both do 3½-hour shows to entertain people.”
When she’s touring, she gets a dressing room, Swift said, but when he’s playing in the same space, they call it a locker room.
“It’s a very similar thing and we’re both competitive in fun ways, not in ways that eat away at us,” she added.
Over the weekend, while Kelce prepared for the Kansas City Chiefs’ “Monday Night Football” game against the Jacksonville Jaguars, the future Mrs. Tight End released “Taylor Swift: The Official Release Party of a Showgirl” in theaters. The experience earned $33 million over the weekend, topping the box office, according to Box Office Mojo.
The music video for the album’s opening track, “The Fate of Ophelia,” premiered along with the release-party movie. Swift wrote and directed it.
“[The music video] is very, like, big and glitzy and it’s so fun and it’s supposed to be like the day in the life of a showgirl,” she said.
Multitasking has become a norm for the “Cruel Summer” singer, who juggled her last tour with the recording of the album.
Swift said she flew to Sweden on multiple occasions during the Eras Tour to record the album. Her loyal inner circle did not leak any information.
“My friends don’t rat, they do not rat and you can tell by the amount of stories about me that are out there that are absolutely not true,” she said.
OK, Swifties, you can breathe now. You can stop looking for clues into whether this is it for Tay-tay’s music career. Shake it off until her next release.
UC Irvine has officially acquired Orange County Museum of Art, bringing the two organizations together under a new name: UC Irvine Langson Orange County Museum of Art. I first reported on the possibility of the merger in June when the two entities first signed a nonbinding letter of intent that needed approval by the University of California Board of Regents.
With the legal details now set, UC Irvine is absorbing OCMA’s 53,000-square-foot, $98-million Morphosis-designed building on the eastern edge of the Segerstrom Center for the Arts campus. According to UC Irvine, no money changed hands in the acquisition, which also finds the university taking over OCMA’s assets, employees and debt.
Just how much debt the Costa Mesa-based museum was in has not been disclosed by either organization, and a rep for UC Irvine declined to comment on that number.
OCMA’s board has been dissolved, and CEO Heidi Zuckerman, who announced her intention to step down in December, vacated her role. She had been planning to stay until her successor was found, but UC Irvine is now that successor and has launched a search for a new leader to take over the merged museums. A rep for the university said it is hoping to announce a candidate by early next year.
UC Irvine had long planned to build a museum for its California art collection, including its celebrated Gerald Buck Collection, but it now intends to move it to OCMA when the lease on its current off-campus space, on Von Karman Avenue, expires in late 2026. The Buck Collection, bequeathed to UC Irvine by Gerald Buck when he died in 2017, is the museum’s crown jewel, consisting of more than 3,200 paintings, sculptures and works on paper by some of the state’s most championed artists, including Joan Brown, Jay DeFeo, Richard Diebenkorn, David Hockney and Ed Ruscha.
OCMA opened to much fanfare in 2022 and its expansive contemporary art collection drew museum-goers from across the country. More than 10,000 visitors arrived in its first 24 hours, and admission was to remain free for the first decade of operation thanks to a grant from Newport Beach’s Lugano Diamonds.
All did not seem well at the new museum, however. Times art critic Christopher Knight and former Times architecture columnist Carolina Miranda wrote that the highly touted building remained oddly unfinished. Murmurs about the museum’s financial problems persisted when Zuckerman announced her departure three years later.
According to a rep for OCMA, the museum had a $7.7-million annual budget and had attracted 600,000 visitors since 2022, which is a healthy number by industry standards. Still, questions circulated among museum insiders about what OCMA’s long-term financial plan was, and how much it might have been struggling toward the end.
A rep for UC Irvine would say only that the museum had done its due diligence before the acquisition.
“UC Irvine is committed to ensuring that the region benefits from a world-class art museum that enriches the cultural fabric of Orange County, advances groundbreaking scholarship, nurtures the next generation of creators and thinkers, and inspires curiosity and connection across diverse audiences,” said Chancellor Howard Gillman in a news release.
I’m arts and culture writer Jessica Gelt, looking to acquire a healthy breakfast in a few minutes. Here’s your arts news for the week.
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Martha Graham Dance Company performs “Night Journey” and other works Saturday at the Soraya.
(Brigid Pierce)
Martha Graham Dance Company Centennial The Soraya continues its celebration with Graham’s 1947 ballet “Night Journey,” which is based on the Oedipus myth and has not been widely performed; a 2024 piece titled “We the People,” featuring folk music by Rhiannon Giddens; and the world premiere of “En Masse,” which builds on the Soraya’s exploration of Graham’s collaborations with various composers. The last — a new commission choreographed by Hope Boykin — marks the first time Graham’s work has been paired with the music of Leonard Bernstein. The posthumous partnership was inspired by a musical excerpt that was found in correspondence between the two arts legends. Christopher Rountree’s experimental classical ensemble Wild Up will perform a new arrangement of Bernstein, as well as William Schuman’s score for “Night Journey.” — Jessica Gelt 8 p.m. Saturday. The Saroya, 18111 Nordhoff St., Northridge. thesoraya.org
Dua Lipa’s Radical Optimism tour hits town for five shows at the Forum in Inglewood.
(Katja Ogrin / Getty Images)
Dua Lipa Lipa has found a formidable second life as a public intellectual with her fantastic book club, Service95. (This month’s suggestion: David Szalay’s novel “Flesh.”) But on the heels of last year’s (unfairly!) slept-on “Radical Optimism,” the singer returns to SoCal for five nights at the Forum, where that record’s exquisite catalog of disco-funk effervescence will hopefully get its due on the dance floor. — August Brown 7:30 p.m. Saturday, Sunday, Tuesday. Wednesday and Thursday. Forum, 3900 W. Manchester Blvd., Inglewood. thekiaforum.com
Pat O’Neill, “Los Angeles — From Cars and Other Problems,” 1960s, gelatin silver print
(Graham Howe)
Made in L.A. 2025 UCLA Hammer Museum’s seventh biennial survey of mostly recent art from the sprawling region will include 28 artists and collectives — including influential elder statesman Pat O’Neill, 86. The artists work in every imaginable medium, from traditional painting and sculpture to theater and choreography. The always much-discussed result will reflect the diverse artistic interests of the changing curatorial team, which this time is composed of independent curator Essence Harden, Art Institute of Chicago (and former Hammer) curator Paulina Pobocha and Hammer curatorial assistant Jennifer Buonocore-Nedrelow. — Christopher Knight Sunday through March 1, 2026. Closed Mondays. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. hammer.ucla.edu
The week ahead: A curated calendar
FRIDAY 🎭 Family Meal A famous chef serves his last meal, and you’re invited to this immersive theatrical experience that seats the audience at the dinner table for a round of foodie “Succession.” 7 p.m. Friday-Sunday; Oct. 10-12; Nov. 7-9; 14-16. Rita House, 5971 W. 3rd St. speakeasysociety.com
🎶 🎤 Ledisi: For Dinah The Grammy-winning singer’s new album pays tribute to Dinah Washington, “The Queen of the Blues.” 8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Untitled, 2025, by Calvin Marcus. Oil on linen, 48 by 72 inches, 49 by 73 inches framed.
(Karma)
🎨 Calvin Marcus Building on a coat of deep umber, the artist adds layers of lime, Kelly, forest and other shades of green to mimic the growth cycle of his subject in the Grass Paintings. This isn’t the type of nature you can touch, but the vivid compositions of the series may offer their own sense of the sublime to the viewer. 10 a.m.–6 p.m. Tuesday–Saturday through Nov. 1. Karma, 7351 Santa Monica Blvd., Los Angeles. karmakarma.org
🎹 🎺 🎶Arturo O’Farrill and the Afro Latin Jazz Ensemble UCLA’s Center for the Art of Performance presents an evening with the Grammy-winning octet, featuring pianist and composer O’Farrill, son of the late Cuban jazz pioneer Chico O’Farrill. 8 p.m. Friday, Oct. 3, UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Music director Rafael Payare and the San Diego Symphony open their new season Friday.
(Courtesy of Gary Payne)
🎼 French Fairytales: Ravel and Debussy San Diego Symphony music director Rafael Payare opens his orchestra’s second season in the brilliantly renovated Jacobs Music Center by staging Ravel’s one-act opera, “The Child and the Magical Spells” (commonly known by its French title, “L’enfant et les sortileges”). A kind of French “Alice Wonderland,” this is the most enchanted work by a composer for whom enchantment was bedazzling second nature. The stellar cast is headed by mezzo-soprano Isabel Leonard and soprano Liv Redpath. The stage director is by the orchestra’s creative consultant, Gerard McBurney, who recently created for Esa-Pekka Salonen a new version of Mussorgsky’s “Khovanshchina,” which was the hit of this year’s Salzburg Easter Festival. Plus Debussy’s “The Joyful Isle (L’isle joyeuse)” and “The Box of Toys (La boîte à joujoux).” (Mark Swed) 7:30 p.m. Friday; 2 p.m. Sunday. Jacobs Music Center, 1245 Seventh Ave, San Diego. sandiegosymphony.org
SATURDAY 🎼 🎤 Current: Reflections in Song Countertenor John Holiday, pianist Lara Downes and an 18-piece Los Angeles Chamber Orchestra lineup glide through Chris Walde’s arrangements of Gershwin, Ellington, Strayhorn, Korngold, Chaplin and more in a program that unites cinematic romance with the elegance of jazz. 7:30 p.m. Saturday, Cicada Restaurant and Lounge 617 S Olive St., downtown L.A. laco.org
🎨 The HWY 62 Open Studio Art Tours For a 24th year, High Desert artists open their studios and share their work for three weekends of free self-guided tours. 10 a.m.-5 p.m. Saturday and Sunday; Oct. 11-12 and 18-19. Yucca Valley, Joshua Tree, Twentynine Palms and surrounding areas. hwy62arttours.org
🎭 Public Assembly’s Soirée “Everything Everywhere All At Once” director Daniel Scheinert, actor Jena Malone and other celebrities gather for this fundraiser for the non-profit theater company featuring staged readings of the group’s earlier works. 6 p.m. VIP-only cocktail party; 7:30 p.m. staged readings. Eagle Rock (location to be sent along with ticket purchase). publicassembly.us
📚Rare Books LA Union Station This year’s fair features antiquarian books, maps, fine prints and book arts, while celebrates Guillermo Del Toro’s new film adaptation of “Frankenstein,” streaming on Netflix this November. (A Frankenstein Fundraiser, hosted by Netflix in association with Rare Books LA and the Library Foundation of Los Angeles, is scheduled Friday night in Hollywood). 10 a.m.-6 p.m. Saturday; 11 a.m.-4 p.m. Sunday. Union Station, 800 N. Alameda Street. rarebooksla.com
🎨 🚘 🎶 Venice Afterburn This official Burning Man Regional brings art cars, installations, theme camps and music to the beach. Noon-10 p.m. Saturday and Sunday. Windward Plaza, Venice Beach. veniceafterburn.com
SUNDAY
Jiji performs Sunday at BroadStage.
(BroadStage)
🎼 🎸 Jiji: ‘Classical Goes Electric’ The Korean guitarist and composer who goes by Jiji Guitar and is a member of the L.A. new music collective Wild Up exchanges her acoustic guitar for electric in a solo recital program that ranges across centuries as part of the endearing Sunday morning series at BroadStage (bagels and cream cheese included). Jiji begins with an arrangement of a vocal piece by the mystical 12th century abbess Hildegard von Bingen, who happens to be the subject of Sarah Kirkland Snider’s new opera, “Hildegard,” that L.A. Opera presents Nov. 5-9 at the Wallis. Elsewhere on the program, the guitarist electrifies a neglected Baroque composer, Claudia Sessa (all women Baroque composers suffer obscurity), with Max Richter and new music including neglected electronic music pioneer Laurie Spiegel. (Mark Swed) 11 a.m. Sunday. Broad Stage, Santa Monica College Performing Arts Center, 1310 11th St. broadstage.org
🎼 Two Titans: The Music of Beethoven and Verdi The Los Angeles Master Chorale performs the epic works “Mass in C” and “Four Sacred Pieces” by Ludwig Van Beethoven and Giusseppe Verdi, respectively. 7 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. lamasterchorale.org
Claude Monet, “The Water Lily Pond (Clouds),” 1903, oil on canvas
(Brad Flowers/Dallas Museum of Art)
🎨 The Impressionist Revolution: Monet to Matisse Is there anyone who doesn’t like Impressionist paintings and sculptures? As the Dallas Museum of Art renovates and expands its building, a selection of 50 Impressionist and early Modern works from its permanent collection, dating from the 1870s to 1925, has embarked on a three-year, five-city tour. Six paintings by Claude Monet and four by Piet Mondrian are featured. (Christopher Knight) 11 a.m.-5 p.m. Tuesday-Sunday; Oct. 5 through Jan. 25, 2026. Santa Barbara Museum of Art, 1130 State St. sbma.net
TUESDAY 🎨 Glass Sukkah: This Home Is Not a House Sukkot, an ancient Jewish harvest festival, and its messages of the temporary nature of shelter, the value of welcome and belonging, the importance of honoring ancestors and the preciousness of the natural world are themes of artist Therman Statom’s work, including glass face jugs and paintings. Noon-5 p.m. Tuesday–Friday; 10 a.m.-5 p.m. Saturday-Sunday, ongoing. Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. skirball.org
🎵 🎭 Les Misérables Cameron Mackintosh’s evergreen production of Boublil and Schönberg’s Tony Award- winning musical – billed as “the world’s most popular” – arrives for a two-week run. 7:30 p.m. Tuesday-Thursday; 8 p.m. Friday; 2 and 8 p.m. Saturday; 1 and 6:30 p.m. Sunday, through Oct 19. Hollywood Pantages Theatre, 6233 Hollywood Blvd. broadwayinhollywood.com
🎼 Strauss, Pärt & Glass Members of the Los Angeles Philharmonic perform 20th century chamber music. 8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
THURSDAY 🎼 Mahler’s ‘Resurrection’ The conductor’s “Second Symphony” is performed by Soprano Chen Reiss, mezzo-soprano Beth Taylor, the Los Angeles Master Chorale and the L.A. Phil, under the direction of Gustavo Dudamel, for only the second time in the maestro’s tenure. 8 p.m. Thursday; 11 a.m. Oct. 10; 8 p.m. Oct. 11; 2 p.m. Oct. 12. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
🎭 Paranormal Inside Playwright Prince Gomolvilas’ latest is a sequel to “The Brothers Paranormal,” which had its Los Angeles premiere at East West Players in 2022. In returning to the ghost-hunting business launched by two Thai American brothers, the author continues his examination of intergenerational trauma through the lens of the occult. Jeff Liu directs what sounds like a wild ride into the Freudian uncanny, where the repressed makes a startling return. (Charles McNulty) 8 p.m. Thursday, through Nov. 2; check days and times. David Henry Hwang Theater, 120 N Judge John Aiso Street, Little Tokyo. eastwestplayers.org
Culture news and the SoCal scene
Francesca Zambello’s staging of “West Side Story.”
(Todd Rosenberg / Lyric Opera of Chicago)
The legendary Broadway musical “West Side Story” is getting the L.A. Opera treatment as it opens the company’s 40th anniversary season at the Dorothy Chandler Pavilion. Times classical music critic Mark Swed caught a show and gives a bit of history in his review — namely that when choreographer Jerome Robbins talked with Leonard Bernstein in 1949 about the idea of updating ‘Romeo and Juliet’ into a contemporary musical, “Robbins didn’t know what it would be, but he knew what it wouldn’t be: An opera!” Nonetheless, the show is operatic, Swed notes, and redoing it as an opera means one important thing: more attention is given to the music.
Gustavo Dudamel is currently straddling two worlds as he kicks off his final season at the Los Angeles Philharmonic while at the same time assuming the role of music director designate at the New York Philharmonic, prior to becoming the orchestra’s artistic director in 2026. The opening concerts for both orchestras were a mere two weeks apart, with New York coming first. Swed invokes Charles Dickens’ “A Tale of Two Cities” to explore the new state of affairs that finds one city losing a beloved figurehead to another. In both cities, however, Dudamel is making superb music.
I spoke with a member of the anonymous “satirical activist” group the Secret Handshake, which recently installed a 12-foot-tall statue of President Trump holding hands with convicted sex offender Jeffrey Epstein on the National Mall in Washington, D.C. The statue was removed less than 24 hours later by the National Park Service despite having a permit. The NPS claimed the statue had violated height restrictions, but the Secret Handshake rep said that it should have been given 24 hours to fix the problem before the statue was removed. The following day the group again tried to get a permit to reinstall the statue, and was denied without explanation. On Thursday afternoon, however, the statue was reinstalled for a limited time. Stay tuned.
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A brand new mural of ballet star Misty Copeland by the artist El Mac is being unveiled on Oct. 5 in San Pedro. The colorful painting takes up an entire outside wall of San Pedro City Ballet at 13th Street and Pacific Avenue, and was made possible by Arts United San Pedro. The unveiling also includes the renaming of the building in homage to donor Dr. Joseph A. Adan. “I’m incredibly honored to be featured in this stunning mural by El Mac at San Pedro City Ballet, my very first ballet studio and a place that will always feel like home,” Copeland said in a news release. “What he’s captured through my image is so much bigger than me, it represents every young person from this community and beyond who deserves access to the arts. This is such a beautiful tribute to where it all began for me.”
Long Beach Opera has named former L.A. Opera Production Director Michelle Magaldi its new chief executive officer. While at L.A. Opera, Magaldi oversaw the company’s popular Santa Monica Pier simulcasts; helped guide operations for L.A. Opera Off Grand; was responsible for hiring and training various producers and technical staff and also helped spearhead the world-premiere production of Ellen Reid’s “Prism,” which later won a Pulitzer Prize. Magaldi has a long working history with LBO’s Chief Creative Officer and Artistic Director James Darrah. Magaldi succeeds Marjorie Beale, who served as interim managing director since 2024.
Doja Cat will be the musical guest for Los Angeles County Museum of Art’s Art+Film Gala, the museum announced earlier this week. The always glitzy soiree is set to take place on Saturday, Nov. 1, and will honor artist Mary Corse and filmmaker RyanCoogler. It’s co-chaired by LACMA trustee Eva Chow and Leonardo DiCaprio.
Christine Vendredi has been apponted Palm Springs Art Museum’s new executive director, the board of trustees announced Monday. It’s a role Vendredi has occupied on an interim basis since April 2025. Prior to that she served as chief curator — a role she took on after serving as global director of art, culture and heritage at Louis Vuitton.
— Jessica Gelt
And last but not least
Join me in a moment of silence for Jane Goodall. She communicated across species, showing the world that we have more in common with all living creatures than we think. It’s a lesson we would do well to remember in these trying times.
Right above the shores of Huntington Beach, a retired American subsonic T-33 fighter jet darted across the blue canvas of a clear afternoon sky, leaving a spiraling plume of smoke in its wake.
The aeronautical scene is a familiar sight in the coastal city this time of year. The Pacific Airshow, an annual three-day civilian and military aerobatic display that touts advanced maneuvers and aerial military might, has drawn thousands of aviation enthusiasts to Huntington Beach and the Australian Gold Coast since its inception in 2016.
Janet Cardena, who has attended every Pacific Airshow, said experiencing the raw physical power of the planes keeps her coming back.
“I’m down by the water and I feel the jets while they do their flyover, and the rumble — your body shakes like a building when there’s an earthquake,” Cardena said. “Then the smell of the gas. …It’s amazing for me.”
However, this year, there was a notable force of nature and technology missing from the spectacle.
Due to the congressional deadlock over the budget and subsequent federal shutdown, the U.S. military — perhaps the most prominent Pacific Airshow draw — would not be in attendance over the October 3-5 weekend.
“We have been advised that U.S. military assets will not be able to participate in this year’s event,” Airshow Director Kevin Elliott said in a statement. “While this is certainly disappointing news, we are excited to share that Pacific Airshow Huntington Beach will continue as scheduled.”
People line the beach to watch the Grumman Albatross Water Landing aircraft during the Pacific Airshow.
(Allen J. Schaben/Los Angeles Times)
To some, the sky might as well have fallen.
“When we’re trying to bring our kids out here to have fun, and I’m like, ‘well, sorry, no Marine Corps planes,’ it’s pretty disappointing,” said Ryan, a former Marine who chose not to share his last name out of privacy concerns. “I was in the invasion of Iraq, and so we had a lot of fixed wings coming over, dropping bombs, so I tend to get kind of emotional.”
The Pacific Airshow has had its fair share of hitches before — many outside of organizer’s control. Last year, viewers were subject to a thick marine layer that clouded the skies and nearly obstructed the view of the few planes that still went up. In 2021, an oil spill off the coast of Huntington Beach forced a cancellation of the last day of the weekend.
This year, the show went on, though without what many believe is the main attraction. There was still a beachful of attendees, staring at the sky in anxious anticipation of the intestine-rattling blast of plane engines from not-so-far above.
The Canadian Forces Snowbirds fly in formation over the Huntington Beach Pier on Friday.
(Allen J. Schaben/Los Angeles Times)
The British Royal Air Force and Canadian Armed Forces acted as substitutes for the U.S. Air Force, some members of which strolled around the event uniformed and at booths hosting pull-up challenges and recruitment efforts near the food vendors.
“That’s one thing I do miss, is the scene where the F-35s and the Thunderbirds play,” said Janet Kondos, an Air Force veteran. “It is what it is, they got to do what they have to do.”
Royal Air Force paratroopers drew a grand applause after a coordinated display of parachute work that saw them float down to the shores. After a Red Bull aerobatic helicopter improbably flipped over its rotor and pulled itself out of a dive at the last second, a group of children near the shore started imitating the maneuver in somersaults.
Emma McDonald, an Australian pilot who flew a petite Extra 300L aerobatics plane, darted directly into the sky at a near-90-degree angle about midway through the program, which caused the audience to hold their collective breath as the aircraft plateaued. McDonald yanked the plane from an upright position and tumbled over into a glide, drawing gasps that transformed into cheers.
“That’s it!” one attendee shouted. “Keep it up!”
A crowd formed on the beach to watch the Pacific Airshow on the first day Friday.
(Allen J. Schaben/Los Angeles Times)
Although there was little American military spirit in the sky, the patriotic spirit on the ground was indelible, reminiscent of a Fourth of July celebration. Children ran and played in the water, couples with full beach setups caught a slight buzz in the sweltering heat and American flags decorated the sands like a planet conquered.
“We did the Miramar Air Show before and they had a whole Marine Corps infantry display where they get off the helicopters and then they do the whole attack,” Ryan said. “It would be pretty cool with our equipment here, as opposed to the Royal Air Force.”
Despite not having the most current U.S. fleets, crowds were still privy to a history lesson in American aviationthroughout the program. A World War II B-29 Superfortress, a B-25 Mitchell bomber and Vietnam-era Grumman Albatross all made impressionable appearances.
A helicopter flown by Aaron Fitzgerald flips during the Pacific Airshow on Friday. .
(Allen J. Schaben/Los Angeles Times)
To some, the opportunity to be so close to some of the crowning achievements in aeronautics was personal.
“Out of all the dreams that I had as a kid, that’s the one thing I wanted to do, like I want to fly an Apache, I wanted to fly a jet,” said Cardena. “But growing up, there weren’t women that were pilots and so this is as good as it gets for me — this is as close as I can get to them.”
Cardena still found herself slightly disappointed with the consequences of a federal shutdown. She had looked forward to seeing the planes and helicopters she grew up wishing she could fly, but unfortunately, it was not her year.
As Cardena reflected, a Royal Air Force C-17 temporarily blotted out the sun and covered the beachgoers with a gargantuan shadow as it passed over Huntington.
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