Weekend

Animated movie “Zootopia 2” hopped to the top of the box office in a big weekend for family-friendly films.

The sequel to the 2016 film from Walt Disney Co. brought in $156 million in the U.S. and Canada over the five-day Thanksgiving weekend, according to studio estimates. The film’s production budget was estimated at $175 million to $200 million.

In total, “Zootopia 2” collected $556 million in global box office revenue, including $272 million in China, a once-massive market for Hollywood films that has cooled in recent years. The haul for “Zootopia 2” in China marked that country’s highest opening ever for a non-local, animated movie.

The movie likely benefited from its strong franchise recognition in China — Disney opened a “Zootopia”-themed land at Shanghai Disneyland in 2023 and embarked on an extensive marketing campaign before the film’s release. The original film had a total box office haul in China of $236 million.

Universal Pictures’ “Wicked: For Good” came in second at the domestic box office with a five-day total of $93 million.

The period between Thanksgiving and Christmas has traditionally been an important time for studios and theaters to attract moviegoers with family-friendly fare or big blockbusters, which can provide a big bulk of the year’s box office revenue.

“Zootopia 2” and “Wicked: For Good” were seen as two of the major films released toward the end of the year that could drive massive ticket sales. The third — Disney’s 20th Century Studios’ “Avatar: Fire and Ash” — will be released in theaters next month.

The reception for “Zootopia 2” and “Wicked: For Good” also points to the demand for family films. Though the overall box office has been uneven this year, films geared toward children and families have largely performed.

Disney’s live-action adaptation “Lilo & Stitch” brought in more than $1 billion in global box office revenue and Warner Bros.’ “A Minecraft Movie” wasn’t far behind, with nearly $958 million.

With Thanksgiving in the rearview mirror we are now hurtling toward Christmas, Hanukkah, Kwanzaa and the New Year. December can bring stress, but it also brings the feel-good holiday shows, including “Tinselcolor,” which opens Dec. 2 at CineVita, a 15,000-square-foot double-decker Belgian spiegeltent operated by For the Record, which stages live musical revues of well-known film soundtracks.

Joey McIntyre — the youngest member of the ultra ‘90s boy band, New Kids on the Block — signed on as host of the candy-colored world-premiere extravaganza, which features an eight-piece band and 14 singers performing holiday movie music from 25 film scores including “Home Alone,” “National Lampoon’s Christmas Vacation” and “White Christmas.”

For the Record has been putting on shows for more than 15 years, starting in a small bar and restaurant in Los Feliz and moving up to bigger venues leading to CineVita. Over the years, the company became known for attracting celebrity clientele. Quentin Tarantino and Rosario Dawson attended a performance based on Tarantino’s film scores, and Demi Moore’s daughter, Rumer Willis, once joined the troupe. Moore is now an investor.

In an email, McIntyre wrote that he saw the Tarantino show years ago and loved it.

“I knew the caliber of talent and production that this company puts up, and then I stepped foot into this unparalleled space and almost verbatim said ‘sign me up,’” he wrote. “I’m a theater kid. The venue was like Jessica Rabbit calling me in.”

The unparalleled space McIntyre is referring to contains 3,000 hand-beveled mirrors, hand-cut stained glass windows and carved wood ornamentation. It will be decorated with outsized holiday flair for “Tinselcolor,” but it will also feel cozy.

“The theater holds about 700, but it is so warm and intimate, like you’re in my living room for the holidays,” McIntyre wrote. “Our guests are going to feel that. Our director, Anderson Davis, and the creative team have been super open to making it feel authentic to me and showcasing what I bring to the table.”

Performers joining McIntyre onstage include Brian Justin Crum, who recently played the role of Annas alongside Cynthia Erivo and Adam Lambert in the Hollywood Bowl’s electrifying “Jesus Christ Superstar”; Vintage Trouble frontman Ty Taylor; Cheyenne Isabel Wells, who starred in “Grease: Rise of the Pink Ladies” on Paramount+; and Dionne Gipson from “Found” on NBC and “Haus of Vicious” on BET.

McIntyre noted that he gets to sing the Andy Williams classic, “It’s the Most Wonderful Time of the Year” in full holiday regalia. His favorite holiday movie song of all time, however, is not in the show. That would be “A Brand New Christmas,” which he co-wrote for last year’s Roku Original “Jingle Bell Love.”

His favorite Christmas carol of all time? “O Holy Night.”

“It sits right in my wheelhouse vocally, and it checks all the boxes: heartfelt, classic melody with a pop bluesy accessibility. And you get to ‘fall on your knees’ when you’re performing it,” he wrote.

“Tinselcolor” runs through Dec. 30. After that, McIntyre will head back to Las Vegas to continue the New Kids on the Block residency at Dolby Live at Park MGM, which was extended through 2026 due to high demand.

“We just announced 3 more stints for 2026. We are a blessed bunch of guys. We’ve been able to keep it fresh and exciting over all these years, and the fact that we still had Vegas on the table was something we have really taken advantage of,” McIntyre wrote about the residency. “Our diehards are genuinely blown away, and Vegas is yet another hook for folks who haven’t seen us in a while. And those newbies are loving it too. It feels like a slam dunk all around.”

I’m arts and culture writer Jessica Gelt wishing you a very happy holiday season filled with love, kindness, health and hope. Here’s your arts and culture news for the week.

On our radar

Clockwise from bottom left: Grand Kiev Ballet, American Ballet Theatre and Inland Pacific Ballet.

(Los Angeles Times photo collage; illustrations by Katie Smith / For The Times; photographs from Grand Kyiv Ballet, Cheryl Mann and Marsha McNeely Photography)

Nutcracker roundup
The season of Sugar Plum Fairies is upon us. In last weekend’s holiday preview, Ashley Lee did the legwork gathering intel on productions of the holiday perennial that will be dancing their way across Southern California stages in the coming weeks. From downtown L.A. to the South Bay, Orange County and the Inland Empire, the variety of imaginative interpretations offer something for almost everybody. This week alone sees the openings of Anaheim Ballet’s “Nutcracker” (Friday and Saturday. City National Grove of Anaheim, 2200 E. Katella Ave. anaheimballet.org); American Contemporary Ballet’s “The Nutcracker Suite” (Saturday through Dec. 24. Bank of America Plaza, 333 S. Hope St., downtown L.A. acbdances.com); “Bob Baker’s Nutcracker,” a marionette version of the show (Saturday through Jan. 4. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org); and Debbie Allen Dance Academy’s “The Hot Chocolate Nutcracker,” which subs Mariah Carey and other contemporary artists for Tchaikovsky (Thursday through Dec. 14. Redondo Beach Performing Arts Center, 1935 Manhattan Beach Blvd. debbieallendanceacademy.com).

What the Dickens!

The cast of “A Christmas Carol” at A Noise Within.

(Craig Schwartz)

Like “The Nutcracker,” the holidays are heavy with varied interpretations of Charles Dickens’ “A Christmas Carol.” Friday night in Anaheim, Chance Theater opens Leslie Bricusse’s “Scrooge! The Musical” (Through Dec. 21. Bette Aitken Theater Arts Center, 5522 E. La Palma Ave. chancetheater.com). Saturday night, two long-standing productions of “A Christmas Carol” make their traditional returns. In Pasadena, Geoff Elliott (who also adapted and co-directs with Julia Rodriguez-Elliott) once again steps into Ebenezer’s slippers for a night of ghostly visitations (Through Dec. 4. A Noise Within, 3352 E. Foothill Blvd. anoisewithin.org).

Richard Doyle in “A Christmas Carol” at South Coast Repertory.

(Robert Huskey)

Meanwhile, down in Orange County, South Coast Repertory celebrates the 45th anniversary of resident dramaturg Jerry Patch’s adaptation (Through Dec. 28. Emmes/Benson Theatre Center, 655 Town Center Drive, Costa Mesa. scr.org). And on Dec. 5, Independent Shakespeare Co.‘s David Melville plays not Scrooge, but the author himself in “A Christmas Carol With Charles Dickens,” a solo storytelling tour-de-force (Through Dec. 22. ISC Studio, Atwater Crossing, 3191 Casitas Ave., Suite 130, Atwater Village. iscla.org).

The week ahead: A curated calendar

FRIDAY
Heisenberg
Paul Eiding and Juls Hoover star in Simon Stephens’ drama about a middle-woman and an older man who meet in a London railway station. Directed by Cameron Watson.
8 p.m. Friday and Saturday; 2 p.m. Sunday, through Dec. 22. Additional show 8 p.m. Dec. 18. Skylight Theatre, 1816 1/2 N. Vermont Ave., Los Feliz. skylighttheatre.org

SATURDAY

Artist Drew Struzan signs his Oscar poster in 2008.

(Mark Mainz / Getty Images)

Drew Struzan Tribute
The American Cinematheque salutes the artist, illustrator and designer who died in October with a triple-feature of films for which he designed the posters: “Back to the Future,” “The Goonies” and “E.T.” Struzan also designed iconic one-sheets for such films as “Star Wars,” “Raiders of the Lost Ark” and “Blade Runner.”
11 a.m. Saturday. Egyptian Theatre, 6712 Hollywood Blvd. americancinematheque.com

TUESDAY

Tom Morello at South by Southwest in Austin in 2025.

(Jack Plunkett / Invision / Associated Press)

The REVOLUTION(S) will be Amplified
Musician/activist Tom Morello joins curator Douglas Fogle for a discussion about art, activism, creativity and resistance on the occasion of the exhibition “Corita Kent: The Sorcery of Images.”
7 p.m. Marciano Art Foundation, 4357 Wilshire Blvd. marcianoartfoundation.org

THURSDAY
Children of the Winter Kingdom
Orphaned twins escape a circus and encounter a king and his dragon, a wild girl, a crow, a sorceress and an ice spider in a holiday adventure filled with music and puppetry. Written by Adam Dugas & Mary Eileen O’Donnell, directed by Adam Dugas.
8 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through Dec. 20. The Actors’ Gang at the Ivy Substation, 9070 Venice Blvd., Culver City. theactorsgang.com

‘Die Heart’
Yippee-ki-yay, Heart lovers! Troubadour Theater Co. revives its holiday musical-comedy synergism of the 1988 Bruce Willis action movie “Die Hard” with the songs of the Wilson sisters. Don’t even think about asking if it’s really a Christmas movie.
Dec. 4 to 21. Colony Theatre, 555 N. Third St., Burbank. troubie.com

A scene from “Putney Swope,” directed by Robert Downey Sr.

(Cinema 5 / Photofest)

Putney Swope
The Academy Museum’s celebration of film preservation kicks off with the world premiere of a new 35mm print of Robert Downey Sr.’s 1969 social satire.
7:30 p.m. Thursday Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Tchaikovsky’s Swan Lake
The Pacific Symphony and pianist Alexandra Dariescu, conducted by Tianyi Liu, perform works by Cassandra Miller, Maurice Ravel and Pyotr Ilyich Tchaikovsky.
8 p.m. Thursday, Friday and Saturday. Renée and Henry Segerstrom Concert Hall, 600 Town Center Drive, Costa Mesa. scfta.org/events

Dispatch: The Butterfly Effect

Liviera Lim as Vivian Fang in “The Butterfly Effect.”

(Charly Charney Cohen)

Young local theater troupe Last Call Theater specializes in interactive, participatory productions, and its latest, “The Butterfly Effect,” is an intimate affair that encourages one-to-one and small group pairings with actors. The show examines past choices and the consequences of changing them. There’s a fantastical bent, as it’s set in a cafe that promises the ability to time travel. The decade-hopping coffee shop backdrop gives the company a chance to play with multiple storylines that touch on L.A. history, from immigrant tales of a family-run business to those often overlooked by our city’s emphasis on celebrity. The production, which opened in mid-November, runs Thursday through Saturday at Stella Coffee and closes Dec 6. ticketleap.events
— Todd Martens

Culture news and the SoCal scene

Robert Therrien‘s “No title (red chapel relief),” 1991, enamel on paper and wood.

(Christopher Knight / Los Angeles Times)

A place at the (big) table
If you’ve ever visited the Broad, you’re quite familiar with the large table and chairs in its permanent collection that dwarf even the tallest viewer. Times art critic Christopher Knight (who is retiring as of today) calls the Broad’s new exhibition, “Robert Therrien: This Is a Story,” a “smashing retrospective” and one of the year’s best museum solo shows. Therrien, who died at 71 in 2019, was a unique talent who sits comfortably among the most significant L.A. artists since the ‘60s and ‘70s. “Whether he was making a 3D sculpture to stand on the floor, a 2D painting to hang on the wall, or a 3D sculpture attached to a wall like an ancient frieze,” writes Knight, “he managed the same uncanny result — objects where the purely visual and the utterly physical demand equal time.”

Maya Keleher in the national tour of the musical “Suffs.”

(Joan Marcus)

Suffragette City
An all-female and nonbinary cast dramatizes the inspiring story of American women fighting for the right to vote in the musical “Suffs,” playing at the Hollywood Pantages through Dec. 7. Shaina Taub won Tony Awards for its book and score, while also starring as suffragette leader Alice Paul in the Broadway run. In L.A., the national tour’s Maya Keleher “lends alluring warmth to the role,” writes Times theater critic Charles McNulty in his review. “The teamwork of the performers honors the messy yet undeniably effective cooperation of Alice and her freedom fighters — women who changed the world by not staying silent in their prescribed place.”

Viola time
Times music critic Mark Swed noted a recent “fall-harvesting viola bandwagon,” with multiple ensembles spotlighting the humble middle child of stringed instruments played with a bow. “The L.A. Phil began viola week with a Tuesday evening program, ‘Brahms Strings,’ as part of the orchestra’s chamber music series at Walt Disney Concert Hall that included the blazing early First Sextet and late, luminously serene Second Quintet,” wrote Swed. “As part of its chamber music series across the street in the Colburn School’s Zipper Hall, Saturday, [the Los Angeles Chamber Orchestra] coincidentally held ‘A Brahmsian Affair,’ in this case featuring both the sextets.” On Saturday, recent Colburn graduate Lan Cao and current conservatory student Ran Tae performed Korean composer Isang Yun’s 1988 “Contemplation,” for two violas, “played with gripping meditative intensity” during a day-long MOCA seminar on South Korean artist Haegue Yang.

Ray Ushikubo will play a rare 1741 Guarneri “del Gesù” violin at a free concert at the Colburn School on Dec. 3.

(Robert Gauthier / Los Angeles Times)

History in his hands
Ray Ushikubo of San Gabriel, a 24-year-old virtuoso musician, has been selected to play the Playfair violin, an ultra-rare model crafted by the famed luthier Guarneri “del Gesù.” “I’m only 24,” Ushikubo told reporter Emma Madden. “This instrument is from 1741. It’s older than the United States. I can barely comprehend that amount of history. But mostly I feel happiness. And honor. It sounds better than any violin that’s ever been made.” The musician will debut the instrument in a free concert at the Colburn School’s Zipper Hall on Dec. 3.

East L.A. Youth Orchestra gets a reprieve
“After recently announcing major cuts to its youth orchestra, the L.A. Phil has secured additional donor funding to ensure the East L.A. branch of the Youth Orchestra Los Angeles (YOLA) program will continue at full capacity until the end of the school year,” reports The Times’ Cerys Davies. The initial cuts to the programming at the Esteban E. Torres High School site included laying off teaching artists, gutting programs for younger students and reduced practices for older students. The parents of students and members of the local community responded to the cuts by organizing an Instagram campaign and town hall meeting, imploring the L.A. Phil to temporarily preserve the Torres site.

An architectural whodunit
In 2013, Robert Mosher, one of San Diego’s most respected architects, called Keith York, founder of Modern San Diego, a digital archive devoted to the region’s mid-century design, asking to meet for lunch. “I have something I need to tell you,” he said. A revelation at that meeting led York and fellow architecture buff Stephen Buck to investigate the provenance of Balboa Park’s Timken Museum of Art, which opened in 1965. Did two of the biggest names in American design have a hand in it? Sam Lubell has the details on the decades-old mystery.

— Kevin Crust

And last but not least

I give you the 2025 Times holiday gift guide. Even if you don’t see anything on these carefully curated lists that you like, it’s a great inspiration starter.

— Jessica Gelt

Welcome to Screen Gab, the newsletter for everyone who needs zone-out time while spending the holiday with family.

Whether you’re planning to get lazy on the couch together to alleviate your food coma, need to escape the latest round of anxiety-inducing conversation at the dinner table, or just want a streaming companion while feasting on leftovers in the days that follow the holiday, this special Thanksgiving edition of The Times’ weekly guide to at-home viewing has you covered. Just be warned: You must provide your own stretchy waistbands.

Below, find 12ish films and TV shows released this year that our pop culture experts at The Times are looking forward to catching up on this weekend. Gobble, gobble.

“Being Eddie” (Netflix)

A still of Eddie Murphy with his brothers, Vernon Lynch Jr. and Charlie Murphy, in Netflix’s “Being Eddie.”

(Eddie Murphy / Netflix)

For anyone who came of age in the ’80s inhaling comedy, Netflix’s new Eddie Murphy documentary hits a very particular nostalgia vein. Murphy wasn’t just another comedian; he was part of the glue that held Gen X together, the soundtrack to sleepovers, school hallways, summer camps and every half-rewound tape in the house. You passed around VHS copies of “Delirious” and “Raw,” their very pre-PC bits the kind of thing you quoted under your breath in class. You watched “48 Hrs.,” “Trading Places,” “Beverly Hills Cop” and “Coming to America” on a loop, and you mimicked his “Saturday Night Live” creations — Gumby, Mr. Robinson, Buckwheat — on playgrounds, at bus stops, anywhere kids gathered long enough to goof off. Murphy’s magnetism, timing and swagger helped turn him into a new kind of Black Hollywood superstar, and even with the inevitable peaks (“Shrek,” “The Nutty Professor,” “Bowfinger,” “Dreamgirls”) and valleys (“The Adventures of Pluto Nash,” “Norbit”), he carried that stardom across decades. This is more of a victory-lap retrospective than a warts-and-all documentary, and now 64, the famously private Murphy has never been one to reveal much anyway. But when I spoke with him nearly a decade ago while he was promoting the drama “Mr. Church” — candid, funny and strikingly self-aware about fame and longevity — it was a reminder that when he does open the door a bit, he can be as compelling offstage as on. If even a bit of that Murphy turns up here, “Being Eddie” might give us something we rarely get: Eddie talking like Eddie. — Josh Rottenberg

“Eddington” (HBO Max)

Joaquin Phoenix and Pedro Pascal in a scene from “Eddington.”

(A24)

Few films are as purpose-built to start arguments within a family as Ari Aster’s “Eddington.” (And even if you already saw the movie when it was released earlier in the year, it bears repeat viewing, especially in the context of the holidays.) Part contemporary Western, part social satire, the film will bring out PTSD vibes for its heightened, tense reenactment of the very specific mania of the early months of the COVID-19 pandemic. The mayor (Pedro Pascal) and sheriff (Joaquin Phoenix) of a small New Mexico town find themselves at odds over a variety of issues, as a tech company’s push to build a data center in the area looms over everything. If you think your weird relative has some strange ideas about the way the world works, fire up “Eddington” to really put them through their paces, as the film’s “everybody’s wrong” mindset is designed to expose the madness within us all. — Mark Olsen

“Nouvelle Vague” (Netflix), Directed by Jacques Rozier collection (The Criterion Channel)

Zoey Deutch as actress Jean Seberg in “Nouvelle Vague.”

(Photo from Netflix)

I’m not one for biopics, but as a person who owns “Slacker” on Blu-ray and has worn out a 1998 special issue of Cahiers du Cinéma focusing on the French New Wave, I was excited by the notion of Richard Linklater, the most European of American directors, re-creating the creation of Jean-Luc Godard’s 1960 breakthrough film “Breathless.” Appropriately presented in French, in period black-and-white and in the 4:3 aspect ratio, with look-alike stand-ins for Godard (Guillaume Marbeck) and stars Jean Seberg (Zoey Deutch) and Jean-Paul Belmondo (Aubry Dullin), “Nouvelle Vague” looks like a cinephile’s dream. I’ll watch it as a curtain raiser for my continuing exploration of the Criterion Channel’s celebration of director Jacques Rozier, whose long-form fictional films feel like cinéma vérité and whose 1963 “Paparazzi” documents the making of Godard’s “Contempt” and the news photographers fighting to get a shot of Brigitte Bardot. — Robert Lloyd

“KPop Demon Hunters” (Netflix)

Netflix and Sony Pictures Animation’s hit movie “KPop Demon Hunters” has gained a massive following since it was released in June.

(Netflix)

Is this the weekend I finally watch? That would be smart. I’ve already been berated by several scowling tweens, not to mention a few Oscar prognosticators, serene in their conviction that Netflix’s massive viral hit will leave the ceremony golden. Four of the animated movie’s earworms have cracked the Billboard Top 10 at the same time, a feat that could make a Gibb brother green with envy. In preparation for voting in some critics’ organizations, I’ll stream the movie at home, though I’m already wishing I’d gone to one of the film’s many sing-along screenings, just to feel the phenomenon firsthand. If you no longer recognize me on the other side, call it an occupational hazard. I’m done hiding, now I’m shining, like I’m born to be. — Joshua Rothkopf

“Billy Joel: And So It Goes” (HBO Max)

Billy Joel in concert circa 1977 as seen in “Billy Joel: And So It Goes.”

(HBO)

I have caught a few bits and pieces of this documentary while flipping channels, and always quickly switch it off. I’ve been a huge Billy Joel fan since “The Stranger” album and have seen him in concert a few times, including the show when he ripped up the Los Angeles Times’ review by music critic Robert Hilburn. The documentary is two parts and nearly five hours long, so I was determined to give it my full attention. Billy Joel is one of pop music’s treasures, and the ups and downs of his personal life should make for fascinating viewing. The bonus will be diving into the 155-track (!!!) playlist on Spotify that is a companion to the documentary. (HBO Max) — Greg Braxton

“Pluribus” (Apple TV)

Rhea Seehorn in “Pluribus.”

(Apple TV+)

Rhea Seehorn as a cranky, cynical, misanthropic writer who remains mysteriously immune, and super-angry, when an alien-generated RNA virus turns the world into one huge seemingly calm and helpful collective consciousness? Sign me right up. As Robert Lloyd points out in his excellent review, the hive mind is the most terrifying of all the sci-fi premises. The universal niceness that results here also seems very much at odds with it being a melting pot of all human experience so I can’t wait to see what creator Vince Gilligan (“Breaking Bad”) is going to do with that. But early glimpses of Seehorn’s Carol fighting for her, and humanity’s, right to be prickly and pissed off promises all kinds of insights into the difference between empathy and sedation, not to mention a fabulous chance to watch Seehorn shine as one of many women on TV today who are willing to state the obvious even when it appears no one is listening. — Mary McNamara

“Paradise” (Hulu, Disney +)

James Marsden and Sterling K. Brown in a scene from “Paradise.”

(Brian Roedel / Disney)

This Hulu drama caught my attention when it hit the streamer early this year, but at the time, I was already knee-deep in theories about Lumon as I dove into the second season of “Severance.” I couldn’t handle a political conspiracy thriller on top of that. Created by Dan Fogelman (“This Is Us,” “Crazy, Stupid, Love”), the series stars Sterling K. Brown as Xavier Collins, a secret service agent accused of killing the president, Cal Bradford (James Marsden). The murder and the search for the true killer unfold inside an underground community after a massive catastrophe threatens the extinction of the human race. So, that’s obviously a lot. But I’m never one to turn down a series that keeps you guessing — and my colleague Robert Lloyd confirmed in his review that this one does just that. I’ve also had enough people whose taste I trust recommend “Paradise” to me that I think it’s time to tune in. And it’s getting a second season that’s expected to arrive sometime in 2026. If anything, I’m just curious to see Fogelman’s take on this genre. Plus, I’ll watch anything Marsden or Brown are in. — Kaitlyn Huamani

“Adventure Time: Fionna and Cake” (HBO Max)

A still from Season 2 of “Adventure Time: Fionna and Cake.”

(HBO)

What’s Friendsgiving if not a time to reconnect with longtime pals who you might not get to see as often as you like? That’s why I’ll be spending my long weekend catching up on Season 2 of “Adventure Time: Fionna and Cake.” This spinoff of the acclaimed Cartoon Network series features gender-swapped versions of beloved “Adventure Time” characters — Finn and Jake — who are endearing in their own right. The first season of the show involved Fionna, a young woman with an unfulfilling job living paycheck to paycheck along with her pet cat, Cake, discovering that her world was an unauthorized creation of a cosmic entity. The pair then set off on a magical, multiversal journey to save it. There’s admittedly quite a bit of “Adventure Time” lore involved, but yearning for a fantastic escape from the daily stresses of a fairly mundane life is pretty relatable even if you aren’t personally acquainted with recovering ice wizards. The show is charming and weird and all about friendship — a cozy comfort I am definitely looking forward to getting wrapped up in again. — Tracy Brown

“Companion” (HBO Max, Prime Video)

Sophie Thatcher in the sci-fi thriller “Companion.”

(Warner Bros. Pictures)

The poster for “Companion” put me off due to a personal jinx: I don’t trust horror movies where the heroine has perfect hair. Usually, I dodge some dreck. But all year long, people have elbowed me to catch up with Drew Hancock’s debut about a nervous beauty (“Yellowjackets’” Sophie Thatcher) stuck in a vacation house with her newish boyfriend (Jack Quaid) and his cruel and snobby best pals. Produced by Zach Cregger of “Barbarian” and “Weapons,” it’s apparently an energetic, empathetic thriller packed with twists. If you like watching movies blank (as I do), don’t Google it. Spoilers abound. But “Companion” is streaming, and has been on every in-flight entertainment system I’ve come across since May. Assuming it lives up to the buzz, I may have to rewire my own codes. — Amy Nicholson

“All Her Fault” (Peacock)

In the series, Dakota Fanning and Sarah Snook play working mothers Jenny and Marissa.

(Peacock)

Upper-class mess is my favorite genre of TV. So I’ve been desperate to dig into this series that people in my orbit promise is one of this year’s most addicting shows. Based on a novel by Andrea Mara, the psychological thriller stars Sarah Snook as a mom who goes to pick up her son from a play date, only to be greeted by a stranger who claims there is no one there by that name. Uh, what? Twists and turns ensue from there in this deep dive of what it’s like being a working mother. Spoiler alert: It apparently gives a striking portrayal of male ego and incompetence, and how that shapes the lives of women around them. Gee, wonder what that’s like. The series also stars Dakota Fanning, Jake Lacy and Jay Ellis. — Yvonne Villarreal

“The Chair Company” (HBO Max)

Tim Robinson stars in HBO’s “The Chair Company.”

(Sarah Shatz / HBO)

Have you ever been slighted at work? Did you ever think it was part of a conspiracy to take you down? If the answer is no, you might be a normal person and this show may not be for you. But if you’ve ever wondered if something small could be much bigger, and if you get some sick satisfaction from going down rabbit holes on the internet to find answers to your questions, then this show is for you. “The Chair Company” is the latest series to come from comedic writers Zach Kanin and Tim Robinson, who stars as Ron, a man who becomes obsessed with reaching the manufacturer of the office chair he unexpectedly broke, leading him down a bizarre path involving an empty warehouse, a giant red ball and Jeeps. With the finale airing Sunday, it’s the perfect time to catch up on the show (episodes are only a half hour each). It’s already been renewed for a second season, which makes me wonder if we’ll get to the bottom of Ron’s mystery or if the chair will be pulled out from under us. — Maira Garcia

RAIL passengers travelling on a major route can expect delays as planned engineering work gets underway.

Commuters are being advised to plan ahead of the partial line closure, which will affect a busy UK airport.

Essential engineering work is due to be carried out on the Brighton Main Line south of Gatwick Airport on Sunday, November 30.

The scheduled maintenance means no trains will be running between Gatwick, Brighton, Hove, Lewes or Horsham.

Passengers are advised to plan ahead, with buses set to replace services on the closed part of the route.

Planned works

All four tracks in this section are due to be closed as major work gets underway.

FARE PLAY

Major Budget change set to save commuters £100s in first move of kind in 30 YEARS

RIGHT ON TRACK

One of the world’s most beautiful UK train routes is getting a £15m upgrade

Among Network Rail’s major package of works is the replacement of sections of the track.

This will take place at Tinsley Green Junction near Crawley, at Three Bridges, and between Copyhold Junction and the Ouse Valley viaduct.

Meanwhile, drainage systems at Wivelsfield station will also be renewed and maintenance will also take place at Keymer level crossing and other locations.

According to Network Rail, these improvements are vital to keep services safe and reliable.

Lucy McAuliffe, Network Rail’s Sussex route director spoke to Sussex Express about the planned works.

“We know closing the railway is frustrating, and we are sorry for the disruption this causes,” she said.

“This work is essential for us as we try and prevent speed restrictions or emergency closures occurring in the future, which would cause even bigger delays at these locations and on the wider rail network.”

She went on to thank passengers for their understanding, and advised them to “plan ahead and check before you travel if you are travelling on Sunday, November 30, as your journey will take longer”.

Alternative routes

As well as replacement buses, a diverted Southern train service will run between Brighton and London Victoria calling at Hove, Shoreham-by-Sea, Worthing, Angmering, Littlehampton, Horsham, and Clapham Junction.

Anyone travelling between Brighton and London on the affected date is strongly advised to use this train service rather than the limited replacement bus service.

Passengers are also reminded that travelling by replacement buses on routes between Brighton, Lewes, Haywards Heath, or and Gatwick Airport, they will require a transfer.

Commuters will need to change buses at Three Bridges for a separate shuttle bus service between Three Bridges and Gatwick Airport.

This is due to insufficient space at Gatwick Airport for the required temporary queuing systems.

The Three Bridges station car park will be converted into a temporary bus hub with different queues for buses serving various destinations.

To facilitate this bus hub, the station car park at Three Bridges will be closed from the evening of Saturday, November 29 until early morning Monday, December 1.

Jenny Saunders, customer services director for Govia Thameslink Railway, advised passengers to plan ahead.

“Any of our customers travelling between the coast and Gatwick this Sunday should please take note that this essential work is going to extend their journeys considerably,” she said.

“Please plan ahead at nationalrail.co.uk and check live running information online before you leave for the station.”

Further major works will also take place on the Brighton Main Line over three weekends in January, between Gatwick Airport and Purley and East Croydon.

Branch lines between Reigate and Redhill and Redhill to Tonbridge will also be affected by this work.

And there will be a closure between Three Bridges and Brighton on Sunday, February 1.

Replacement buses will run where trains are not operating, and detailed travel advice about those closures will be shared in December.

More on travel disruptions

Meanwhile, Christmas chaos is expected as train workers announce wave of strikes on four key dates.

British Airways and Ryanair have been forced to cancel flights to two major airports.

And Ryanair is also set to axe all flights to European islands often compared to Hawaii.

LAVALEY VIEW

Huge volcanic eruption sends ash 6 miles high & poisonous gas toward villages

TRAITORS CHAOS

Bombshell evidence that proves Traitors star ISN’T dad to Charlotte’s baby

A massive UK train station is shutting for nine days as part of an £8 million “once-in-a-generation” overhaul.

Plus, the UK’s busiest train station will shut for a week over Christmas causing chaos for millions.

It’s been a while since I’ve struggled into damp neoprene of a morning. It’s the second day of a wintry weekend in Croyde, north-west Devon; I’m stiff from an hour in the sea the previous afternoon, and the upper part of the super-thick wetsuit won’t budge past my elbows. Together, my husband, Mark, and I jiggle and pull and yank it over my limbs. Finally, five minutes later, I am in a silver-blue sea, entirely empty, save for us. White-crested waves roll in, broiling and foaming, rocketing us forward towards the empty swathe of sand. For once there are no other boarders to dodge, no surfers whisking past: it’s exhilarating, extraordinary and … really rather cold.

Croyde has long been a family favourite, but visiting in November does feel a bit of a gamble. It has a reputation as something of a ghost town in the off-season, with a large number of second homes and rentals that stay dark from October to April. But when an unexpected email landed from Endless Summer Beach House offering a 20% discount on winter stays, it seemed the ideal 30th birthday treat for my nephew, Ben. So, together with his girlfriend, Tasha, best mate, Rob, and my sister Caroline, we decided to take the plunge and find out what off-season Croyde is actually like.

When Mark and I arrive, the sky is unexpectedly blue, and we pull on our wetsuits and head straight for the sea. One of the joys of Croyde is that it doesn’t really change: the dunes that separate the beach from the village are strictly protected, saving both from the development that has scarred nearby resorts such as Westward Ho! and Woolacombe. Instead, the fields that flank the dunes are alive with rabbits grazing quietly, scampering away in white-tailed flashes as we pass.

At first, it feels strange to find the beach so deserted, but seeing it free of windbreaks, ballgames and pop-up tents renders its raw, natural beauty even more dramatic. It’s no wonder the place gets overrun in the summer months, when the sea froths with hundreds of bodyboarders and surfers, red and yellow lifeguard flags billowing in the breeze. Today there is nothing but sky and sea: a jagged patch of blue above the long curve of Hartland Point, a curtain of misty rain slowly dissipating Lundy island into the flint-grey wash of the ocean.

Later, when I nip into the village to pick up some bread, the narrow main street is almost as deserted as the beach. The Saltrock surfwear shop is open, as is The Hub, beloved by Ben for its lemon crunch ice-cream (and all of us for the pasties). The Post Office shows distinct signs of life, as does The Thatch pub, but otherwise most places are closed until spring. As I stroll back, I think about how it takes 15 minutes to queue for an ice-cream in summer, with the Post Office out of anything fresh by about 9.30am.

Not everything is shrouded in silence. When we head to The Thatch for dinner on Friday night, the place is packed and buzzy (I had feared it might just be us), although I suspect almost everyone else is local. As ever, the food is fantastic: crisp salt and pepper squid and a Balinese seafood curry, tangy with lemongrass and galangal, served with a heap of coconut sambal that adds up to the best dish I’ve eaten out all year. The boys find room for banoffee pie and apple tart.

There are plenty of other signs of life, too. On Saturday, we head to Braunton (15 minutes’ drive) for the annual firework display, heading down pretty lanes we didn’t even know existed – we never usually get much further than the car park and the Co-op. It’s lovely to get a sense of the place as it really is, with all the flummery and frenetic pace of summer stripped away. On the walk to the beach, the few people we pass are smiley and friendly – a shared delight at having Croyde’s gorgeous dunes and coastline pretty much to ourselves.

Coming away out of season has other benefits too: we don’t expect good weather, so a sunny Saturday is an absolute boon. When it rains all day Sunday, we pull on wet weather gear and stride out around Baggy Point, where the sea – now a palette of steel, platinum and foaming white – is just as spectacular as under blue skies. Once it’s dark, we play board-games, watch old films, eat hearty curries and bolognese – with no squabbling over why the barbecue won’t light and whether the sausages are cooked through.

The problem with tagging places such as Croyde as “ghost towns” in the off-season is that it deters people from visiting – the very thing our seaside resorts need most. The village was quiet, but far from dead – and, frankly, if you go with a group, you make your own atmosphere anyway. By the time we were packing the cars on Monday lunchtime (another off-season bonus is that accommodation owners are often more flexible about arrival and departure times), we were already talking about booking a return visit next November. Some might call Croyde a ghost town, but it had all the spirit we needed for an early winter break.

Endless Summer Beach House, sleeps 10, from £920 for a three-night break. For a 15% discount on four-night stays or longer, until March 2026, use the code EndlessSummer15

“With memories still fresh of an unforgettable occasion for the Ashes Test, we’re delighted to be able to confirm a return to Hill Dickinson Stadium for the 2026 Super League Magic Weekend,” Rhodri Jones, Rugby League Commercial managing director, said.

“This will be the seventh venue to stage Magic since it was introduced as a new concept for sport in 2007 and our clubs, players and supporters are in for a treat.

“It’s a stunning stadium with outstanding facilities at all levels and also superbly located for summer on the waterfront, and with the many and varied attractions of Liverpool within easy reach.

“We continue to work with the Dragons and Toulouse on the feasibility of delivering a very special event in France too and we hope to be able to announce something in the near future on this.”

The Huntington has acquired a rare Civil War-era painting by American master Winslow Homer. “The Sutler’s Tent” was made in 1863 when Homer was traveling with the Union Army as an illustrator for Harper’s Weekly. The title refers to a type of transitory store that sold goods to soldiers when they were out in the field, and the canvas shows a soldier eating bread and cheese while another soldier rests beside him.

The acquisition is the Huntington’s first oil painting by Homer. The museum’s other holdings include his watercolor, “Indians Making Canoes (Montagnais Indians)” (1895), and several prints, including “The Life Line” (1887). The pieces show the artist’s journey from commercial illustrator to celebrated painter.

“The Sutler’s Tent” will be unveiled to the public on Dec. 7 in the Huntington’s Virginia Steele Scott Galleries of American Art. It was acquired through a partnership with the Ahmanson Foundation — which seeks to help boost the notable holdings of the museum — and marks the fifth major acquisition made through the program.

The gift is intended to honor the country’s upcoming semiquincentennial, and will anchor an ongoing reinstallation of the galleries as the Huntington seeks to expand the multicultural narrative of American art. It will also be integral to the Huntington’s “This Land Is …” initiative, which works to examine the country’s history through its metaphorical and literal landscapes as it approaches the 250th anniversary of its founding.

“The Sutler’s Tent” will be placed in conversation with works about the Civil War and Reconstruction, including Eastman Johnson’s “Sugaring Off” (1865), Jean-Baptiste Carpeaux’s “Why Born Enslaved? “(1868, cast 1872), and a signed copy of the Emancipation Proclamation.

“The Ahmanson Foundation’s partnership with The Huntington has allowed us to bring works of profound artistic and historical resonance into our collections and into public view,” said Huntington President Karen R. Lawrence, in a statement. “Winslow Homer’s ‘The Sutler’s Tent’ — a meditation on the experience of war — embodies our mission to connect art, history, and literature in ways that deepen understanding of the American story.”

The Huntington Library is known for its vast scholarly trove of Civil War ephemera. Its United States Military Telegraph archive includes ciphered communications between Abraham Lincoln and the Army command, and soldiers’ letters and diaries. It also holds the James E. Taylor Collection of scrapbooks documenting the war through photographs and newspaper clippings, and two of the most significant known Lincoln archives.

The art museum’s director, Christina Nielsen, said in a statement that the acquisition of “The Sutler’s Tent,” “deepens our representation of the Civil War era and expands the dialogue between our art and library collections. As we look toward the 250th anniversary of the United States, the painting invites reflection on a pivotal chapter in our nation’s history — one that continues to shape the American experience.”

I’m arts and culture writer Jessica Gelt, looking forward to taking a deep dive into all that can be learned about our present from our past. Here’s your arts and culture news for the week.

Dispatch: Pulitzer Prize-winning Times art critic Christopher Knight to retire

Times art critic Christopher Knight.

(Ricardo DeAratanha / Los Angeles Times)

After 45 years, 36 of them at The Times, art critic Christopher Knight is retiring from daily journalism. His final day at The Times is Nov. 28. In 2020, Knight won the Pulitzer Prize for criticism, and was also honored with a Lifetime Achievement Award for Art Journalism from the Dorothea and Leo Rabkin Foundation.

It’s impossible to overstate the loss Knight’s departure represents for the paper and Los Angeles, or what a tireless, generous, inspiring colleague he is. He possesses a quiet, encyclopedic knowledge of art, and in column after column he connected the dots of culture, history, folklore, civics and psychology in razor-sharp assessments of what a piece of art really means, or how a particular exhibition is poised to change the narrative around a longstanding or misguided idea. In short, he is everything a truly excellent critic should be.

He is also endlessly supportive of arts writers like me who look up to him — will always look up to him.

Thank you, Christopher, for all your words.

On our radar

Janai Brugger as Mimi and Oreste Cosimo as Rodolfo in L.A. Opera’s 2025 production of “La Bohème.”

(Cory Weaver)

La Bohème
Giacomo Puccini’s 1896 opera remains one of the most popular works in the Italian canon. Its doomed romanticism among struggling artists in 1830s Paris has a particular appeal to young people and became the inspiration for Jonathan Larson’s musical “Rent.” Lina González-Granados conducts the L.A. Opera orchestra. Brenna Corner directs this revival of the late Herbert Ross’ enduring production.
Saturday through Dec. 14. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org

Roberto González-Monjas conducts the L.A. Phil this weekend at Walt Disney Concert Hall.

(L.A. Phil)

Elgar’s Enigma
Roberto González-Monjas conducts the Los Angeles Philharmonic in a program featuring Erich Wolfgang Korngold’s “Themes and Variations, Op. 42,” Edwin Elgar’s “Enigma Variations, Op. 36,” and cellist Sheku Kanneh-Mason’s performance of the world premiere of an Edmund Finnis concerto. 
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Robert Therrien, “No title (plaster snowman),” 1982-98, plaster

(Douglas M. Parker Studio)

Robert Therrien: This Is a Story
A quintessential artist’s artist, internationally admired Los Angeles sculptor Robert Therrien (1947-2019) made eccentric objects in two and three dimensions that seem strangely familiar when they are wholly abstract, and strangely abstract when they are instantly recognizable as representations of known things — a tall pillar of giant dinner plates, for example, or a simple little snowman. Often the materials are unusual, like zinc over bronze, buffed plaster or tempera on silver, adding to the sense of mysterious specificity. With more than 120 works spanning five decades, this should be the most compelling museum solo show of the season.
— Christopher Knight
Saturday through April 5, 2026. The Broad, 221 S. Grand Ave., downtown L.A. thebroad.org

The week ahead: A curated calendar

FRIDAY
Fall of Freedom
In a unified act of creative resistance, hundreds of galleries, museums, libraries, comedy clubs, theaters, concert halls and individuals across the nation will host exhibitions, performances and public events, asserting the power of free expression to mount a response to escalating authoritarian threats and censorship in the U.S.
Friday and Saturday. There are dozens of local events in Southern California, please check the website for details. falloffreedom.com

¡Cómo el Grinch robó la Navidad!
The Old Globe Theatre will present two performances of the world premiere of a new version of the Dr. Seuss classic with your favorite songs in Spanish. And for the 28th year, the Old Globe will also be doing its traditional holiday musical of “Dr. Seuss’s How the Grinch Stole Christmas!” Nov. 21-28.
7 p.m. Friday; 10 a.m. Saturday. Old Globe Theatre, 1363 Old Globe Way, San Diego. theoldglobe.org

From “The Dying World” by Lauren Tsai.

(Josh White)

The Dying World
Lauren Tsai’s solo exhibition, an installation utilizing drawing, painting, sculpture, puppets and projected stop motion imagery, explores the liminal space between worlds: subject and object, fiction and maker. Final two nights.
6-10 p.m. Friday and Saturday. Hollywood Forever, the Cathedral Mausoleum Courtyard, 6000 Santa Monica Blvd. hollywoodforever.com

Amy Engelhardt in “Impact,” a solo one-act at the Fountain.

(Peter Serocki/peterserockivisuals.com)

Impact
Composer/lyricist/performer Amy Engelhardt’s one-act solo show (with musical accompaniment) probes the 1988 terrorist attack on Pan Am Flight 103 over Lockerbie, Scotland.
8 p.m. Friday and Saturday; 2 p.m. Sunday. The Fountain Theatre, 5060 Fountain Ave., Los Angeles. fountaintheatre.com

SATURDAY
Animal Instinct
Chinese American artist Kristen Liu-Wong’s solo exhibition of vibrant paintings with slightly macabre narratives highlights her varied influences from American folk art, the cartoons she watched as a kid, Japanese erotic art and an appreciation for architecture.
Opening reception, 7-11 p.m. Saturday; noon-6 p.m. Tuesday-Saturday, through Jan. 3, 2026. Corey Helford Gallery, 571 S. Anderson St., Los Angeles. coreyhelfordgallery.com

A Brahmsian Affair
The Los Angeles Chamber Orchestra presents a program featuring two sextets by Brahms, plus the world premiere of Julia Moss’ “(Please Don’t) Look Away.”
7:30 p.m. Saturday. Zipper Hall, 200 S. Grand Ave., downtown L.A.; 4 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org

Corita Day
Corita Art Center celebrates L.A.’s favorite artist/nun with an afternoon of art activities for all ages, live screen printing by Self Help Graphics, holiday shopping, food, music by KCRW, and a performance by Bob Baker Marionette Theater at 2 p.m. Visitors can also reserve spots from 11 a.m.-6 p.m. to see the exhibitions “Corita Kent: The Sorcery of Images” and “Irregularity: Corita and Immaculate Heart College’s Rule Breaking Designs.”
1-4 p.m. Marciano Art Foundation, 4357 Wilshire Blvd., L.A. marcianoartfoundation.org

Grief Bacon and Other Holiday Treats
Melanie Mayron and Sandra Tsing Loh deliver “old and new humor for trying times.” Part of the Odyssey’s “Thresholds of Invention” series.
8 p.m. Saturday. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

Tom Wesselman, “Bedroom Face,” 1977, color aquatint

(Palm Springs Art Museum)

Mapping the Female Body: Tom Wesselmann and Mickalene Thomas
An unexpected juxtaposition of two very different painters from the end of one century and the beginning of the next is set to consider dissimilar representations of the contemporary female nude. In the 1960s, the famous “Great American Nude” series by Tom Wesselmann (1931-2004) applied commercial advertising techniques to painterly traditions in Western art familiar since the Renaissance. Fifty years later, Mickalene Thomas applies commercial craft techniques to vibrant paintings of queer Black women — a subject previously absent from Western art history. Questions of gender, sexuality and their depictions are the exhibition’s focus.
— Christopher Knight
Through April 6, 2026. Palm Springs Art Museum, 101 Museum Drive. psmuseum.org

Venice Winter Fest
Chill out SoCal-style with artisan markets, hot cocoa, live music, festive bites and interactive winter-themed activities for all ages.
10 a.m.-6 p.m. 12257 Venice Blvd. thevenicefest.com

SUNDAY
Habsburg Harmonies: Haydn, Ligeti, and Brahms
Violinist Martin Beaver, flutist Demarre McGill, cellist Clive Greensmith and pianist Fabio Bidini team up for an evening rooted in Austro-Hungarian musical tradition.
4 p.m. Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu

TUESDAY
Dungeons & Dragons: The Twenty-Sided Tavern
Three adventurers need your help on an epic quest to save the world in this interactive fantasy inspired by the immensely popular role-playing game.
Through Jan. 4, 2026. The Montálban, 1615 Vine St., Hollywood. broadwayinhollywood.com

Culture news and the SoCal scene

The Palm Springs Art Museum, founded in 1938, has a small board of 22 trustees.

(Lance Gerber / Palm Springs Art Museum)

Speaking of Christopher Knight’s tremendous skills as a critic, did I mention he’s also a phenomenal reporter? In one of his final columns, Knight chronicles the many financial travails of the Palm Springs Art Museum based on internal documents obtained by The Times. “Recent developments have opened a Pandora’s box,” Knight writes of an accounting firm’s annual audit of the museum’s 2024 books. The audit revealed that there is a “reasonable possibility that [the museum’s] internal financial statements are significantly out of whack,” Knight wrote before detailing the fallout leading to a trustees revolt.

Knight also delighted us with a list of “22 essential works of art at the Huntington and the surprising stories behind them.” No one can highlight what should be considered essential viewing at a museum quite like Knight, who takes readers on a virtual tour of the storied San Marino museum and its exquisite holdings, including Sir Joshua Reynolds’ “Portrait of Samuel Johnson (‘Blinking Sam’),” which Knight writes was not favored by its famous subject.

Times theater critic Charles McNulty once again checks in on Broadway, this time with a review of Robert Icke’s “Oedipus,” a modern retelling of Sophocles’ “Oedipus the King.” McNulty notes that the play “must be the buzziest, if not the chicest, Broadway offering of the fall season.”

Cher Alvarez, who reprises her role at the Ahmanson, in “Paranormal Activity” at Chicago Shakespeare Theater.

(Kyle Flubacker)

Closer to home, McNulty reserved high praise for the spooky “Paranormal Activity,” now playing at the Ahmanson Theatre. “I caught myself wondering during the first act, ‘Is this the best staged production of the year?’,” McNulty writes of the show, which is based on the horror film franchise of the same name and just completed a run at Chicago Shakespeare Theater. Director Felix Barrett, playwright Levi Holloway and Tony Award-winning illusion designer Chris Fisher are “masters of misdirection,” McNulty concludes.

McNulty also wrote a news dispatch that Jessica Stone, “a Tony-nominated director (‘Kimberly Akimbo,’ ‘Water for Elephants’), has been named the new artistic director of La Jolla Playhouse, succeeding Christopher Ashley at the helm of one of the nation’s preeminent regional theaters.”

I had a great Zoom call with Shaina Taub about the inspiration behind her musical, “Suffs.” Taub is only the second woman, after Micki Grant, to star in a Broadway musical for which she also wrote the book, music and lyrics. The show is about the women’s suffrage movement leading up to the ratification of the 19th Amendment. It opened earlier this week at the Hollywood Pantages Theatre as part of the show’s inaugural national tour.

Daniel T. Gaitor-Lomack in his studio.

(Daniel Tyree Gaitor-Lomack / Night Gallery, Los Angeles. Photo by Tomasa Calvo.)

Interdisciplinary Los Angeles–based artist Daniel T. Gaitor-Lomack is staging a solo exhibition, “You Can Hate Me Now,” at Night Gallery. This marks the artist’s second solo show at the space. Much of the new work was informed by Gaitor-Lomack’s life in his MacArthur Park neighborhood. A rep for the gallery wrote in an email that Gaitor-Lomack describes the exhibition “as a kind of ceremony, a gathering of ideas and emotions that have been unfolding across his work over the past three years. Guided by intuition and lived experience, he continues to use found and everyday materials to reflect on the innumerable systems of the world around. The exhibition’s title, long held in his mind, frames the presentation as a meditation on anticipation, transformation, and resilience.” The show will be at Night Gallery through Feb. 14.

The Museum of Fine Arts, Boston, has made what it is calling the first-ever restitution of artwork to the descendants of an enslaved artist. The artist, David Drake, was born around 1800 in Edgefield, S.C. He is known for signing his vessels and inscribing them with poetic verses, including one that read, “I wonder where is all my relations.” Fifteen of Drake’s descendants recently traveled to Boston from various states for a ceremony during which MFA returned one of Drake’s stoneware jars to them, and purchased a second back. An L.A.-based attorney named George Fatheree represents Drake’s family and help shepherd the transaction. “This is a day we hoped and prayed for,” said Pauline Baker, the third great-granddaughter of Drake, in a news release. “To see it realized is almost overwhelming. On behalf of our family, we express our deepest gratitude to the Museum of Fine Arts for its courage and integrity. Most importantly, this ceremony restores not just his work, but his humanity.”

A Gustav Klimt painting, “Portrait of Elisabeth Lederer,” recently sold for $236.4 million, including fees, making it the most expensive modern work to be sold at auction. The 71-by-51-inch painting, created between 1914 and 1916, portrays the 20-year-old daughter of the Viennese art collectors who commissioned the work. The portrait was sold during a Sotheby’s auction in New York and was part of the private collection of cosmetics heir Leonard Lauder, who died in June. According to the Washington Post, a 19-minute bidding battle catapulted the painting “far beyond its $150 million estimate, with two bidders competing over the phone via their auction representatives.”

— Jessica Gelt

And last but not least

The unfettered, stand-up kindness of Keanu Reeves has become the stuff of legend thanks to legions of fans who faithfully recount the actor’s good deeds on social media. Most recently, Reeves penned a handwritten letter of gratitude to the FBI after it recovered a stolen Rolex watch used in “John Wick.”

Elphaba and Glinda have changed the box office, at least for this weekend.

“Wicked: For Good” — the conclusion to Universal Pictures’ two-part film franchise — hauled in an estimated $150 million in the U.S. and Canada this weekend, marking the second-highest domestic opening this year, trailing only blockbuster hit “A Minecraft Movie.” Globally, the film grossed about $226 million.

The opening weekend audience for “Wicked: For Good” skewed even more female (69%) than the first film, which counted 61% of its viewers as women, according to data from EntTelligence.

Lionsgate’s “Now You See Me: Now You Don’t” came in a distant second at the domestic box office with $9.1 million. The third installment of the illusionist franchise has now brought in a cumulative $36.8 million in the U.S. and Canada and a total of $109.4 million globally across its two weekends.

Disney’s 20th Century Studios’ “Predator: Badlands,” Paramount Pictures’ “The Running Man” and “Rental Family” from Searchlight Pictures rounded out this weekend’s top five.

The Cynthia Erivo and Ariana Grande-led film was bolstered by a massive marketing push that began early last year before the first “Wicked” movie debuted. Though the films are based on the hit Broadway play, Universal wanted to expand awareness of the story to markets that had been less exposed to the theatrical show.

As a result, the franchise has partnered with more than 100 brands, including toy companies like Lego and Mattel as well as more unexpected firms such as household goods giant P&G and online Asian supermarket Weee!, where director Jon M. Chu serves as chief creative officer.

The film’s opening weekend success also points to a demand for female-focused franchises.

After 2023’s “Barbie” grossed $1.4 billion at the global box office, there were countless calls for more films geared toward women. But this year, many of the big-budget movies were male-leaning, and the narrower returns at the box office have prompted questions about whether films were reaching all possible demographics.

“Women continue to be a really underserved audience,” said Shawn Robbins, director of movie analytics at Fandango and founder of the website Box Office Theory. “In terms of large blockbusters, it’s been a minute since there’s been a female-skewing movie on the scale of ‘Wicked’ or ‘Lilo & Stitch.’”

THIS former pub has had a serious glow-up, says Senior Writer Donna Smiley.

Spa stays for two cost from £270 B&B (Ffolkes.org.uk).

THE LOWDOWN

Set in the sleepy village of Hillingdon, Ffolkespa, at former coaching inn Ffolkes, is a vibe and a half.

Think bold splashes of colour, neon lights, disco balls and graffiti-decorated crazy golf.

Want Ibiza feels? You’ve got them.

WHAT WE LOVED

Aside from the super-king beds, a smart TV that swivels from bed to bath tub (which is big enough for two, btw), home-made shortbread cookies, a drench shower and Templespa toiletries, our fave thing was our room’s door straight into the spa, which gave us Narnia feels, too.

WAIL OF A TIME

I drove Irish Route 66 with deserted golden beaches and pirate-like islands

TEMPTED?

Tiny ‘Bali of Europe’ town with stunning beaches, €3 cocktails and £20 flights

Talking of the spa, the giant hot tub complete with a bar made us feel like we were on our hols while sipping Revitalise smoothies of avocado, mango, spinach, broccoli, coconut, lime and ginger, £5.50, quickly followed by Hugo Spritzes, £10.

We were also big fans of the aroma steam room and the pre-steam salt scrubs, which left us with baby-soft skin for days.

Group sauna rituals featuring storytelling and scents hosted by a “sauna master” are quirky, £10 per person, and the “disco” toilets, where a smoke machine, flashing lights and loud tunes turn on at the press of a button are also very fun.

Most importantly, the My Kinda Skin facial, £80 for 45 minutes, left me glowing, and the afternoon street tea, £27.50 per person, is legendary, too, with cheeseburger sausage rolls, choc-chip scones, plus jalapeño and cheese scones with chilli butter.

Street-food traders take over come evening – we tucked into outstanding (and huge) onion, potato and kale bhajis topped with yoghurt, tamarind and pomegranate, £8, and beef keema roti kebabs with masala fries and a dal dip, £16.50.

WHAT WE DIDN’T LOVE

The coffee pod machines at breakfast were disappointing when all we craved was a proper barista hit.

What’s more, the poached eggs were made to order, but still a bit rubbery.

OUT & ABOUT

Blow away any hangovers with a walk on nearby Snettisham Beach, which is a natural haven for an array of wading birds (Rspb.org.uk/days-out/reserves/snettisham).

Follow it up with a chip butty at Snettisham Beach Fish And Chip Shop, £2.70.

Or hand-feed the beautiful red deer on a safari among the herd of more than 60 at lush Snettisham Park.

There are plenty of farm animals to visit on the 329-acre site, too.

Tickets cost £21 (Snettishampark.co.uk).

Norfolk Lavender in Heacham is equally close, with around 100 acres of peaceful gardens, not forgetting a cracking lavender sponge cake, £4.95 a slice (Norfolk-lavender.co.uk).

As is the historic town of King’s Lynn – follow its Maritime Trail from cobbled lanes to the Great Ouse river.

After working up an appetite, Mem’s Kitchen on Market Place serves delicious spinach and feta filo parcels, £7.95, and a super seafood casserole with calamari, mussels, king prawns, baby prawns and salmon, £20.95.

jungle rumble

I’m A Celeb star Ruby Wax’s secret feud with TV rival who ‘stole her career’

XMAS SPIRIT

Town goes wild celebrating ‘Xmas for alcoholics’ as girls faceplant in street

Don’t miss the apricot, apple and almond crumble, £7.95 (Memskitchen.co.uk).

THE DAMAGE?

Spa stays for two cost from £270 B&B (Ffolkes.org.uk).

OUR Spotlight On column rounds up the best things to see and do in top holiday destinations – and shines a light on some lesser-known spots too.

This week we’re spotlighting Belfast – the Northern Irish capital bursting with charm, heritage and plenty of good craic!

Travel Writer Jenna Stevens recently spent a weekend in the city centre, and is wondering why she didn’t visit sooner.

She said: “Belfast wasn’t on my bucket list, but after going I can’t believe I overlooked it. I’m convinced it’ll be the next go-to city for weekend breaks.

“Flights only cost £15 with Ryanair, and they’re so quick you barely have time to have a drink and stretch your legs before you’re landing again.

“The city’s got some amazing architecture, like the grand city hall and cathedral that watches over the city with its signature spire poking out.

DINE OUT

One of Europe’s prettiest cities to ban restaurants & bars having outdoor tables

SPORT ON

I tried the brand new golf attraction in major UK city

“The food scene in Belfast is criminally underrated too – local pubs served up some of the best seafood I’ve ever had.

“The Afternoon Tea at the Grand Central Hotel was miles better than The Shard.

“It had loads of unique tea flavours such as lemon smoothie, and plenty of well-stuffed sandwiches to go round.

“Plus, the Causeway Coast is breath-taking and under an hour’s drive from Belfast.

“It’s worth extending your trip, hiring a car and driving up the entire coast to see dramatic cliffs and Game of Thrones filming locations – not just a day trip to the Giant’s Causeway.

Must see and do

Head to McConnell’s Whiskey Distillery for a tour that blends history, culture and some fantastic local flavours.

Housed in the former Crumlin Road Gaol, the £25 experience begins with a welcome drink and a guided tasting of three spirits.

You’ll get to walk over the eerie markings of old prison cells, whilst seeing how whiskey is crafted from grain to glass.

The most memorable part of my visit, however, was the black cab tour.

Our cab driver, Billy, gave us a comprehensive overview of the city’s history, and drove us through a series of murals and past the Peace Walls.

It’s an excellent way to learn more about the city through the eyes of a local.

Else, take a stroll through the Cathedral Quarter, where cobbled streets buzz with street art and live music.

Hidden gem

Belfast lies partly in County Antrim, home to the stunning Causeway Coast.

In an hour’s drive you can discover the breath-taking coastline: from the dramatic rope bridge at Carrick-a-Rede to the sweeping sands of White Park Bay.

Head to Glenariff Forest Park for panoramic landscapes and an enchanting waterfall walk.

You can even book a tour with a forest guide, who will tell you all about the area and its wildlife.

And if hiking’s not your thing, you can simply sit in the park’s cafe with a cup of tea to soak up the emerald green landscape.

Best view

For a striking view that makes you think, visit Titanic Belfast.

From here, you can look out over the historic slipways and docks where the liner was built and launched – a backdrop that transports you back in time.

After taking in the sheer scale of the ship from the slipway markings, the attraction itself becomes even more meaningful.

Here you can even step aboard the SS Nomadic – the White Star Line ship that ferried passengers to the Titanic itself.

The walk through takes a couple of hours, and is fascinating, immersive and deeply moving.

Rated restaurant

Mourne Seafood Bar is renowned for its ultra-fresh, locally sourced fish.

From seafood casserole to creamy mussels with crusty bread, the menu champions seasonal flavours.

Casual, welcoming and full of maritime charm, it’s the go-to spot for seafood lovers in Belfast.

If seafood’s not your thing, I recommend heading to Amelia Hall for delicious and generous portions of creamy pasta and freshly made pizza.

Best bar

Ask anyone in Belfast and they’ll say it’s hard to find a bad pint – and they’re right.

But the name that continually crops up the most amongst locals is Kelly’s Cellars.

One of the oldest pubs in Belfast, the low-beamed interior is warm and welcoming, alive with chatter and perfectly-poured pints.

Hotel pick

The Grand Central is Belfast’s showstopper hotel.

Once hosting icons from Churchill to the Beatles, today it continues to impress the modern guest with sleek rooms and city views.

Head to The Observatory, Ireland’s tallest bar, for cocktails or afternoon tea with the skyline shimmering below.

Classic Rooms at the Grand Central start from £220 per night, including breakfast. See www.hastingshotels.com/grand-central.

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Northern Ireland is part of the common travel area, meaning there are no travel restrictions for British travellers.

For more information visit: Ireland.com/northernireland.

After a surge in Border Patrol activity in North Carolina’s largest city over the weekend, including dozens of arrests, Gov. Josh Stein said the effort is “stoking fear,” not making Charlotte safer.

The Trump administration has made the Democratic city of about 950,000 people its latest target for an immigration enforcement surge it says will combat crime, despite fierce objections from local leaders and downtrending crime rates. Charlotte residents reported encounters with federal immigration agents near churches, apartment complexes and stores.

“We’ve seen masked, heavily armed agents in paramilitary garb driving unmarked cars, targeting American citizens based on their skin color, racially profiling, and picking up random people in parking lots and off of our sidewalks,” Stein said in a video statement late Sunday. “This is not making us safer. It’s stoking fear and dividing our community.”

Stein acknowledged that it was a stressful time, but he called on residents to stay peaceful. If people see something wrong, he said they should record it and report it to local law enforcement.

The Department of Homeland Security, which oversees CBP, has said it was focusing on North Carolina because of so-called sanctuary policies, which limit cooperation between local authorities and immigration agents.

Several county jails house immigrant arrestees and honor detainers, which allow jails to hold detainees for immigration officers to pick them up. But Mecklenburg County, where Charlotte is located, does not. Also, the city’s police department does not help with immigration enforcement. DHS alleged that about 1,400 detainers across North Carolina had not been honored, putting the public at risk.

Gregory Bovino, who led hundreds of U.S. Customs and Border Protection agents in a similar effort in Chicago, documented some of the more than 80 arrests he said agents had made in social media posts on Sunday. He posted pictures of people the Trump administration commonly dubs “criminal illegal aliens,” meaning people living in the U.S. without legal permission who allegedly have criminal records. That included one of a man with an alleged history of drunk driving convictions.

The activity has prompted fear and questions, including where detainees would be held, how long the operation would last and what agents’ tactics — criticized elsewhere as aggressive and racist — would look like in North Carolina.

However, some welcomed the effort, including Mecklenburg County Republican Party Chairman Kyle Kirby, who said in a post Saturday that the county GOP “stands with the rule of law — and with every Charlottean’s safety first.”

Bovino’s operations in Chicago and Los Angeles triggered lawsuits over the use of force, including widespread deployment of chemical agents. Democratic leaders in both cities accused agents of inflaming community tensions. Federal agents fatally shot one suburban Chicago man during a traffic stop.

Bovino, head of a Border Patrol sector in El Centro, California, and other Trump administration officials have called their tactics appropriate for growing threats on agents.

Tareen, Witte and Dale write for the Associated Press. Tareen and Dale reported from Chicago. Witte reported from Annapolis, Md.

Stenciled on sidewalks, projected on buildings and tweeted in hashtags, a one-word message will greet California Democrats as they arrive in Sacramento for their party convention this weekend: Persist.

It’s not a guerrilla marketing campaign for a politician or a product. It’s the brainchild of a crew of top Democratic strategists — all women — who were seeking a cathartic way to channel their grief over the outcome of the 2016 presidential election.

What started as an internal support group has become a multi-pronged effort to promote female empowerment, capped off by a 5-foot-8, 400-pound bronze figure of a defiant young girl perched on the roof of the Democratic Party headquarters in downtown Sacramento — the West Coast’s own version of the Wall Street “Fearless” statue.

Here’s how the effort evolved:

Democratic strategists commissioned their own version of the Wall Street “Fearless” statue. (Melanie Mason / Los Angeles Times)

(Melanie Mason / Los Angeles Times)

The inspiration

The word “persist” took on new political meaning in February, when GOP Senate Majority Leader Mitch McConnell cut Massachusetts Sen. Elizabeth Warren off from speaking, offering as an explanation, “She was warned. She was given an explanation. Nevertheless she persisted.”

But it was a month later, when a statue of an assured girl facing down the iconic Charging Bull statue appeared on Wall Street, when Angie Tate decided to act.

The “Fearless Girl” statue stands facing the Charging Bull statue as tourists take pictures in New York on April 12. (Jewel Samad / AFP/Getty Images)

(JEWEL SAMAD / AFP/Getty Images)

Tate, chief fundraiser for the California Democratic party, saw a picture of the “Fearless” statue before her morning walk to the office. By the time she arrived, she had the makings of a plan — and was quickly drafting friends to join.

“There was a morning when there were a lot of texts from Angie,” recalled Robin Swanson, a veteran Democratic communications consultant.

Tate’s idea was to make their own version of “Fearless” for the West Coast. Within weeks, they had found a model for the statue — the 5-year-old daughter of Democratic strategist Dana Williamson — and two anonymous donors to cover the $16,000 tab.

The message

The organizers of the campaign have their own definitions of what it means to persist.

“It’s a symbol that we can all choose our own path if we continue to stand, even when it’s really hard,” Tate said.

For Swanson, the word carries a political connotation after last year’s presidential election.

“For me, I am inspired by Hillary Clinton — inspired that every day she gets out bed and has something to say,” Swanson said.

Children of the “Persist” campaigners pose at the California Democratic Party headquarters. (Jeff Walters)

But she and her colleagues hastened to make clear that their message was not limited to partisan politics.

“I was picturing a little girl in a classroom afraid to raise her hand,” said Williamson, who is an advisor to Gov. Jerry Brown. “We want this next generation to see powerful images of strong women and girls so that they believe very early on that [they] not only can they speak up, but that they should.”

The clues

A completed stencil in Sacramento. (Melanie Mason / Los Angeles Times)

Robin Swanson stencils “persist.” (Melanie Mason / Los Angeles Times)

In the run-up to this weekend’s party convention, the Persist campaign planners steadily dropped hints about their effort. They launched a website and encouraged women to share their own stories about persistence on social media. They recruited heavy-hitter friends in California politics — including former First Lady Maria Shriver, Brown’s top aide Nancy McFadden, influential labor and Democratic Party figures, even Colusa, the governor’s dog — to reference the campaign on their Twitter feeds.

The big reveal

Finally, on Friday morning, the “persist” statue was installed on top of the Democratic Party headquarters in Sacramento — which had its roof reinforced to accommodate the new addition.

The references to the campaign will crop up throughout the convention, including on fliers slipped in delegate goody bags and in planned mentions in speeches by Lt. Gov. Gavin Newsom and Sen. Kamala Harris.. But organizers are hoping the campaign endures beyond the weekend; they’ll continue to collect stories on their website and have discussed potential for other art installations across the state.

For now, their statue now peers out from the corner of the building to passersby.

“Little girls need something to look up to,” Swanson said. “They can literally look up at the statue of ‘persist’ and say ‘I can persist.’ Frankly, we all need a little reassurance ourselves.”

UPDATES:

1:30 p.m. This article was updated to include planned references to “persist” in convention speeches by Lt. Gov. Gavin Newsom and Sen. Kamala Harris.

This article was originally published at 1:20 p.m.

Camp Flog Gnaw is being postponed because of the rain in Los Angeles.

The annual music festival presented by Tyler, the Creator — which was supposed to take place this weekend on the grounds surrounding Dodger Stadium — will now happen Nov. 22 and 23 in the same location.

“Due to the fact this storm became an atmospheric rain torrential downpour we had 2 choices — cancel or move to next weekend,” Tyler said in a post on Instagram. “We chose the latter.”

The rapper, who last week was nominated for five Grammy Awards including album of the year for “Chromakopia,” added, “We understand this is not ideal so we will offer refunds.”

The show as rescheduled will feature a slightly pared-down lineup that includes performances by Tyler, ASAP Rocky, Doechii, Clipse, Childish Gambino, Earl Sweatshirt, T-Pain and others. Among the acts who dropped off the bill are Tems, Clairo, Sombr and Don Toliver.

Tyler launched Camp Flog Gnaw in 2012 as a one-day event at downtown’s Club Nokia (now known as the Novo). The festival expanded to two days in 2016 and moved to Dodger Stadium in 2018. Flog Gnaw is known for its eclectic booking and a carnival-like atmosphere complete with games, rides and funnel cakes. Performers at the festival’s 2024 edition included Tyler, Playboi Carti, Doechii, Vince Staples, Omar Apollo and André 3000.

This weekend’s storm is expected to bring heavy rain to Southern California and has triggered fears about flooding and mudslides, particularly in areas burned in this year’s destructive wildfires. A live taping of Will Arnett, Jason Bateman and Sean Hayes’ ”SmartLess” podcast scheduled for Saturday night at the Hollywood Bowl was also called off because of weather.

THOUSANDS of travellers are being warned to brace for major disruption this weekend as engineering works are set to cause significant delays at the UK’s busiest airport.

Heathrow, which is set to handle around 84 million passengers this year, has announced that major rail connections to and from the airport will be closed this weekend while essential maintenance work is carried out.

The disruption will affect travellers using the Heathrow Express and Elizabeth line on Saturday November 15 and Sunday November 15, prompting airport officials to advise passengers to plan ahead and allow extra time for their journeys.

Heathrow Airport announced the closure on X, formerly Twitter, warning: “Due to planned engineering works, there will be no Heathrow Express or Elizabeth line train services to/from Heathrow on Sat 15 & Sun 16 November 2025.

“Piccadilly Line services to/from #Heathrow will be running as normal. Please plan your journey in advance as other services will be busier than normal.”

The engineering works are taking place between Hayes & Harlington and Heathrow Airport stations, and according to National Rail, “all lines” on the route will be closed during the two-day period.

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The National Rail website also states: “No trains to / from London Heathrow Airport from Saturday 15 to Sunday 16 November.”

This means that both the Heathrow Express and Elizabeth line will be completely out of service over the weekend, affecting thousands of passengers travelling to or from the airport.

Routes listed as affected include the Elizabeth line between Shenfield and Heathrow Airport and the Heathrow Express between London Paddington and Heathrow Airport.

To help travellers plan ahead, Heathrow has released the times of the final trains before the closures begin.

The last Heathrow Express service from Terminal 5 will leave at 11.57pm on Friday, while the final train from Terminals 2 and 3 will depart at 12.03am.

From London Paddington, the final Heathrow Express departs at 11.25pm.

As for the Elizabeth line, the final service to central London will depart Terminal 5 at 12.07am, Terminals 2 and 3 at 12.12am, and Terminal 4 at 11.37pm.

The last Elizabeth line train from Paddington will leave at 11.24pm.

Those travelling from Terminals 2 and 3 to Terminal 5 can catch the final Elizabeth line service at 11.37pm, while the last train from Terminal 4 to Terminals 2 and 3 departs at 11.52pm.

Despite the disruption, the Piccadilly line will continue to operate as normal, providing the only direct underground connection to Heathrow throughout the weekend.

Travellers are being urged to consider alternative routes, including TfL Rail replacement buses, coach services, and taxis, which are likely to experience increased demand.

A Heathrow spokesperson reminded passengers: “We encourage everyone travelling on 15 and 16 November to check before they travel and allow extra time for their journey.

“With trains not running, roads and alternative transport will be busier than usual.”

The works form part of ongoing infrastructure improvements aimed at maintaining safety and reliability on the network.

However, the timing has sparked frustration among passengers planning half-term holidays and weekend getaways.

Experts have also warned that disruption could spill over into Monday morning as services return to normal and trains are repositioned.

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For up-to-date travel information, passengers are being advised to check the Heathrow Express, Elizabeth line, and National Rail websites before setting off.

The Sun has approached Heathrow for comment.

Democratic and Republican senators in the United States are working through the weekend to find a compromise and end the longest government shutdown in the country’s history.

But the bipartisan talks yielded few signs of progress on Saturday as the workday ended without a deal on reopening the government.

The Senate is set to try again with a rare Sunday session.

The impasse has now lasted 39 days and is taking an increasing toll on the country as federal workers go unpaid, airlines cancel flights, and food aid has been delayed for millions of Americans.

Saturday’s session got off to a rough start when President Donald Trump made clear he is unlikely to compromise any time soon with Democrats, who are seeking a one-year extension on an expiring health insurance subsidy under the Affordable Care Act (ACA), also known as Obamacare.

Trump urged Republican senators on social media to redirect federal money used to subsidise health insurance premiums towards direct payments to individuals.

“I am recommending to Senate Republicans that the Hundreds of Billions of Dollars currently being sent to money sucking Insurance Companies in order to save the bad Healthcare provided by ObamaCare, BE SENT DIRECTLY TO THE PEOPLE SO THAT THEY CAN PURCHASE THEIR OWN, MUCH BETTER, HEALTHCARE, and have money left over,” Trump wrote on his Truth Social platform, without offering details.

The ACA marketplaces allow people to buy policies directly from health insurers and mainly serve people who do not have coverage through employers or the Medicare and Medicaid government programmes.

Some 24 million people in the US use those subsidies.

For those enrolled in ACA exchanges, premiums, on average, are expected to more than double next year if Congress allows the enhanced subsidies to lapse.

Democrats demand that Republicans agree to negotiate an extension of federal healthcare subsidies before reopening the government. Republicans say the government must reopen first.

‘Another path forward’

Senator Jeanne Shaheen, a Democrat from New Hampshire, who is leading the talks among moderates, said on Friday evening that Democrats “need another path forward” after Republicans rejected the offer from Senate Democratic Leader Chuck Schumer of New York to reopen the government and extend the subsidies for a year.

Shaheen and others, negotiating among themselves and with some rank-and-file Republicans, have been discussing bills that would pay for parts of government – food aid, veterans programmes and the legislative branch, among other things – and extend funding for everything else until December or January.

The agreement would only come with the promise of a future healthcare vote, rather than a guarantee of extended subsidies.

It was unclear whether enough Democrats would support such a plan. Even with a deal, Trump appears unlikely to support an extension of the health benefits. House of Representatives Speaker Mike Johnson also said this week that he would not commit to a health vote.

Republicans hold a 53-47 majority but need 60 votes to reopen the government.

Al Jazeera’s Mike Hanna, reporting from Washington, DC, described the Senate’s weekend session as “very unusual”.

“But no vote was taken in the course of the day. The Republicans are not wanting to hold a vote unless they are certain that they can get those 60 votes needed to pass a legislation or change the procedure,” Hanna said.

Trump, for his part, has once again urged the Republicans to end the filibuster, which requires agreement by 60 of the Senate’s 100 members to pass most legislation.

“The Republicans could do this with a simple majority,” Hanna said. “However, Republicans are concerned about doing this because they feared that the lack of an investor would act against them, if… the Democrats take power in the Senate.”

With the Republicans rejecting Trump’s call, Senate Republican Leader John Thune is eyeing a bipartisan package that mirrors the proposal the moderate Democrats have been sketching out. What Thune, who has refused to negotiate, might promise on healthcare is unknown.

The package would replace the House-passed legislation that the Democrats have rejected 14 times since the shutdown began on October 1. The current bill would only extend government funding until November 21.

A test vote on new legislation could come in the next few days if Thune decides to move forward.

Then the Democrats would have a crucial choice: Keep fighting for a meaningful deal on extending the subsidies that expire in January, while prolonging the pain of the shutdown; or vote to reopen the government and hope for the best, as Republicans promise an eventual healthcare vote but not a guaranteed outcome.

Schumer on Saturday persisted in arguing that Republicans should accept a one-year extension of the subsidies before negotiating the future of the tax credits.

“Doing nothing is derelict because people will go bankrupt, people will lose insurance, people will get sicker,” Schumer said in a floor speech. “That’s what will happen if this Congress fails to act.”

WASHINGTON — Senators are working through the weekend for the first time since the government shutdown began more than a month ago, hoping to find a bipartisan resolution that has eluded them as federal workers have gone unpaid, airlines have been forced to cancel flights and SNAP benefits have been delayed for millions of Americans.

As the weekend session was set to begin Saturday, it was uncertain whether Republicans and Democrats could make any headway toward reopening the government and breaking a partisan impasse that had lasted 39 days.

President Trump made clear Saturday that he is unlikely to compromise anytime soon with Democrats, who are demanding an extension of the Affordable Care Act tax credits. He posted on social media that the ACA is “the worst Healthcare anywhere in the world” and suggested Congress send money directly to people to buy insurance.

Senate Republican leaders have signaled an openness to an emerging proposal from a small group of moderate Democrats to end the shutdown in exchange for a later vote on the ACA subsidies.

Sen. Jeanne Shaheen (D-N.H.), who is leading the talks among moderates, said Friday evening that Democrats “need another path forward” after Republicans rejected an offer from Democratic leader Chuck Schumer of New York to reopen the government and extend the subsidies for a year. “We’re working on it,” she said.

Moderates continue to negotiate

Shaheen and others, negotiating among themselves and with some rank-and-file Republicans, have been discussing bills that would pay for parts of government — food aid, veterans programs and the legislative branch, among other things — and extend funding for everything else until December or January. The agreement would only come with the promise of a future healthcare vote rather than a guarantee of extended subsidies.

It was unclear whether enough Democrats would support such a plan. Even with a deal, Trump appears unlikely to support an extension of the health benefits. House Speaker Mike Johnson (R-La.) also said this week that he would not commit to a healthcare vote.

Republican leaders need only five additional votes to fund the government, and the group involved in the talks has ranged from 10 to 12 Democratic senators.

Some Republicans have said they are open to extending the COVID-19 tax credits as premiums could skyrocket for millions of people, but they want new limits on who can receive the subsidies.

“We have had really good discussions with a lot of the Democrats,” said Sen. Mike Rounds (R-S.D.).

Republicans eye new package of bills

Trump wants Republicans to end the shutdown quickly and scrap the filibuster, which requires 60 Senate votes for most legislation, so they can bypass Democrats altogether. Vice President JD Vance, a former Ohio senator, endorsed the idea in an online post Saturday, saying Republicans who want to keep the filibuster are “wrong.”

Republicans have rejected Trump’s call, and Senate Majority Leader John Thune (R-S.D.) is eyeing a bipartisan package that mirrors the proposal the moderate Democrats have been sketching out. What Thune might promise on healthcare is unknown; he has refused to negotiate thus far.

The package would replace the House-passed legislation that the Democrats have rejected 14 times since the shutdown began Oct. 1. The current bill would extend government funding only until Nov. 21.

A choice for Democrats

A test vote on new legislation could come in the next few days if Thune decides to move forward.

Then Democrats would have a crucial choice: Keep fighting for a meaningful deal on extending the subsidies that expire in January, while prolonging the pain of the shutdown? Or vote to reopen the government and hope for the best as Republicans promise an eventual healthcare vote — but not a guaranteed outcome.

After a caucus meeting Thursday, most Democrats suggested they would continue to hold out for Trump and Republican leaders to agree to negotiations.

Sen. Brian Schatz (D-Hawaii) said Democrats are “obviously not unanimous” but “without something on healthcare, the vote is very unlikely to succeed.”

Vermont Sen. Bernie Sanders, an independent who caucuses with the Democrats, said they need to stand strong after overwhelming Democratic victories on election day this week and demand an extension of the subsidies.

Jalonick and Freking write for the Associated Press. AP writers Seung Min Kim, Joey Cappelletti, Stephen Groves and Lisa Mascaro contributed to this report.

OVER 1,700 flights have already been canceled across the country this weekend as officials warn Thanksgiving will be hit by travel chaos.

It comes as the US endures its longest government shutdown in history and federal aviation officials order 40 major airports to slash services due to staffing shortages.

Transportation Secretary Sean Duffy has vowed on X to “keep the skies safe” by using every tactic at his disposal, which he said will see travelers increasingly hit with delays and cancelations.

On Friday he warned that even if the government shutdown ended now, Thanksgiving air travel would still be impacted.

“So if the government opens on Day 1, will I see an immediate response from controllers? No, the union is telling me it’s going to take time to get them all back in,” Duffy told CNN.

At the time of writing, the number of canceled flights for today alone already stands at 957, according to FlightAware, and at least 8,442 are delayed.

Sunday already has at least 838 flight cancelations and 213 delays.

Duffy confirmed in a joint statement with the Federal Aviation Administration on Friday that cuts to services will increase across this weekend and into next week.

“We are seeing signs of stress in the system, so we are proactively reducing the number of flights to make sure the American people continue to fly safely,” FAA Administrator Bryan Bedford said.

“The FAA will continue to closely monitor operations, and we will not hesitate to take further action to make sure air travel remains safe.”

The statement noted a 4% cut in operations on Friday, “ramping up to 6% by November 11, 8% by November 13, and 10% by November 14”.

This percentage of cuts could rise to 15% or 20% if the government shutdown does not end “relatively soon,” Duffy warned when speaking to Fox News.

Major airlines have already tried to do damage control by announcing cancelations ahead of time.

On Friday, American Airlines told CNN it would cut 220 flights from its Saturday services.

United Airlines confirmed hundreds of cuts across the weekend through to Tuesday, and Southwest has axed approximately 100 flights on Saturday and 150 on Sunday.

Travelers caught up in the chaos have described the carnage awaiting them at the airports with people lying on floors and sleeping where they can while hoping to hear news of their flights.

Travelers should check with their airline for the latest updates on their flights.

Meanwhile, tourism officials are urging both Republicans and Democrats to end the stalemate that began on October 1 as they fear catastrophic economic blows.

Hawaii in particular is in danger of unique harm, officials have warned Duffy, as the islands are hit with the enforced cuts but with little alternative for health care, commerce, or security.

“We strongly urge federal leaders to reach an immediate resolution,” Hawaiian Airlines said while thanking the air traffic controllers and TSA officers keeping airports running without pay.

And officials in Las Vegas, which is already suffering from a tourism hole, have warned that the shutdown and airport cuts have happened at the worst possible time.

The U.S. Travel Association joined by MGM Resorts, Caesars Entertainment, The Venetian, and the Las Vegas Convention and Visitors Authority wrote a letter urging Congress to take action now to end the shutdown.

They warned that the travel industry has already lost $4 billion and that the economic situation will only worsen as Americans and travelers from abroad rethink their trips.

Retailers are also preparing to feel the impact just as holiday season hits as supply chain officials warn that a large amount of cargo is carried on commercial flights.

“Forty percent to 50% of all air freight is shipped in the belly of passenger planes,” Patrick Penfield, a Syracuse University professor of supply chain practice told NBC News.

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“If you eliminate 10% of airline capacity, air freight prices will rise, and we could see delays in getting materials via air.”

The shutdown has entered its 38th day and no end is in sight after Senate Republicans rejected an offer by the Democrats on Friday to reopen with a health care deal.

EVERY year an enormous – and free – parade takes place in London with floats and live bands – and something new is launching this year.

The Lord or Lady Mayor’s Show dates back to the 13^th century and is full of of celebratory entertainment, and this year is a very special one.

Dame Susan Langley DBE will be appointed as the Lady Mayor, which makes her only the third woman to hold the post in over 800 years, and the 697th Mayor of the City of London.

She will also be the first ever to be titled the ‘Lady Mayor of London‘.

To celebrate her inauguration, there will be a traditional parade of bands and 50 floats throughout the city.

Over 7,000 people take part in the event from all over the world – and the procession is over three miles long, which is longer than the actual route.

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The event is completely free and you’ll get to see marching bands, a huge Cinderella carriage, dancers, even a resorted Bluebird K7 (a hydroplane) will make an appearance.

There are representatives of all three armed forces there too, Taiko drummers and mounted knights.

This year, the Lady Mayor’s Show will be held on November Saturday 8, 2025 between 11AM and 2.30PM.

Roads will be closed as people line up in the streets to see the event underway – so don’t travel by car as you’ll meet lots of no entry signs.

In the morning, the Lady Mayor’s Show will begin at Mansion House and go towards the Royal Courts through St Paul’s.

In the afternoon, the parade will come back through Embankment and Victoria Street.

The official website suggests for a ‘full experience’, to watch the outward procession between 11AM and 12PM between Bank and St Paul’s.

For a quieter experience with fewer crowds, watch the parade on its return to Mansion House between 1.15PM and 2.30PM around Embankment.

Historically, the Lord Mayor’s Show is the oldest and longest civic procession in the world.

It started as early as the 13th century when King John granted that the City of London could appoint its own Mayor.

The condition being that each new Mayor would have to pledge loyalty to the Crown.

The journey then became a huge event that has been held for around 800 years and was eventually named the Lord Mayor’s Show.

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For more free events in London, check out the full list of London’s best Christmas lights and when they will be switched on this year.

Plus, is this England’s most beautiful Christmas market? The 100-stall festive event in the middle of a palace courtyard.

From gorgeous Getxo to the City of Love, you won’t want to come home from these mint mini-breaks

SPAIN – Palacio Arriluce Hotel, Getxo

Commissioning Editor Martha Cliff and fiancée Lauren found foodie heaven near Bilbao.

THE PAD

Perched on a striking cliffside overlooking the Bay of Abra in Getxo and with a beauty of an outdoor pool, this 18th-century boutique gem sits in a palatial setting and offers the perfect blend of historical charm and contemporary elegance.

Craving vistas of the rolling Basque mountains? You’ve got it. Want to gaze at boats bobbing in the harbour? No problem. A city view more your vibe? It’s got that, too.

Be sure to eat breakfast – think other-worldly Spanish tortilla and Iberico ham – on the terrace to take full advantage.

Meanwhile, come dinner at Delaunay, try local specialities such as grilled kokotxas (hake chin) on stewed spider crab, £35, and Iberian pork shoulder with passionfruit, £31.

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Eye-squintingly-rich chocolate mousse and pumpkin ice cream, £15, will seal the deal.

Return to your room – one of just 49 – and find home-made chocolates and lavender spray to aid a sublime slumber.

EXPLORE

The bustling city of Bilbao is a 20-minute metro ride away.

Join a three-hour walking tour with guide Saioa to learn about the history and architecture, £21 per person (Smartinbilbao.com).

Before you leave, head to Gran Vía, Bilbao’s shopping hub, and sample the famous butter buns, £2.75, at Pastelería Arrese.

Back in Getxo, stop by Bizkaia Bridge – the oldest transporter bridge in the world – and enjoy views of Bilbao from the 45-metre-high walkway.

Entry costs £9 per person (Puente-colgante.com).

REFUEL

Make sure you’re there on a Thursday to join locals in Getxo for “pintxo pote”, a foodie’s dream bar crawl and Basque country tradition.

Restaurante Ixta Bide offers four pintxos (small savoury snacks) – our fave was pintxo de txaka, akin to a mini crab sandwich – and two vinos for a mere £9.

Just don’t expect to bag a seat! Wind your way up the steps of Algorta to reach Arrantzale and finish on its perfectly salted pork belly (Arrantzale.com).

While day-tripping, step into one of Bilbao’s oldest bars, Café Iruña, just a hop from Arbando metro station.

Dating back to 1903, the beautiful tiling is reason enough to visit, but coffee for just £1.75, is a big pull, too.

Or opt for a glass of the local txakoli white wine, £2.70, instead (Cafeirunabilbao.com).

DON’T MISS

The works inside Bilbao’s Guggenheim Museum are, of course, breathtaking, but the building itself and its surrounding sculptures – including Puppy, a massive dog made of flowers by American artist Jeff Koons – are worth the trip alone.

Entry costs £13 (Guggenheim-bilbao.eus).

BOOK IT

Double rooms at Palacio Arriluce Hotel cost from £249 B&B (Palacioarrilucehotel.com).

Fly to Bilbao from London Gatwick and Heathrow with Vueling from £56 return (Vueling.com).

FRANCE – Hôtel Dame des Arts, Paris

Creative Director Mark Hayman and wife Margaret fell for cocktails and culture in the French capital.

THE PAD

This sleek bolt-hole in the city’s Latin Quarter has shaken off its Holiday Inn past to channel full Hollywood glamour.

Think rich woods, bamboo accents and pretty palms, with rooms that feel like film sets, thanks to glass dividers, velvet finishes and luxe bathrooms made for long soaks.

Downstairs, Pimpan serves up bold Franco-Mexican fusions on a leafy terrace – highlights include beef tartare with piquillos, £12.50, lamb shoulder with harissa, £25, and hibiscus-poached pear, £11.

But the real scene-stealer is the rooftop bar, where 360-degree skyline views stretch from the Eiffel Tower to Sacré Cœur – even locals come here for the vistas.

Order a Spritz del Arte (Aperol, mango liqueur, rum and prosecco), £17, or the punchy Uno Mas margarita, £14, pop on your biggest sunglasses and watch the city turn blush at sunset.

There’s also a sauna and a gym kitted out with sculptural wooden equipment for those partial to a designer workout.

EXPLORE

First time in Paris? Glide down the Seine aboard the Batobus – this hop-on-hop-off riverboat is a relaxing (and photogenic) way to tick off major sights like the Musée d’Orsay and the Louvre.

A day pass costs £17.50 (Batobus.com).

Once on dry land, seek out legendary bookshop Shakespeare And Company – get lost in the maze of tomes and grab an iconic tote, £13 (Shakespeareandcompany.com).

For more treasure-hunting, swing by the flea market off Rue du Faubourg Saint-Antoine – a weekend haven of vintage mirrors, mid-century ceramics and nostalgic postcards.

There’s no entry fee, just bring cash and your best haggling game.

Then head to the Panthéon, a neoclassical gem where Voltaire, Rousseau and Marie Curie lie in dramatic crypts beneath a rooftop dome offering jaw-dropping views.

Entry costs £10 per person (Paris-pantheon.fr).

REFUEL

Lively, retro-chic Brasserie Dubillot’s espresso martinis, £10.50, are a must, but equally good is the sausage and mash with truffle sauce, £16, steak-frites, £21, and the perfect crème brûlée, £8 (Lanouvellegarde.com/brasserie-dubillot).

Craving something casual? PNY serves next-level burgers with aged beef, brioche buns and toppings like smoked cheddar and pickled jalapeños, from £11.50 (Pnyburger.com).

Or just nab a pavement perch at Café Saint-André for a croque monsieur, £10.50, a glass of sancerre, £7, and some world-class people-watching.

DON’T MISS

Notre-Dame cathedral is one of Paris’ most iconic buildings for good reason.

Step inside to take in its Gothic arches, stained glass, and newly restored grandeur.

Entry is free, but book a time slot (Notredamedeparis.fr).

BOOK IT

Double rooms at Hôtel Dame des Arts cost from £226 per night (Damedesarts.com).

Psst…

Fancy something a little more party? Rixos Premium Dubai JBR sits in one of the UAE city’s buzziest neighbourhoods, with captivating views of Ain Dubai, the world’s biggest ferris wheel.

Suave rooms come with huge tubs, rain showers and espresso machines, from £304 per night (Rixos.com).

Downstairs is Azure Beach Club with its large pool, pumping soundtrack, outdoor gym and private beach (Azure-beach.com/dubai).

The breakfast buffet is, in true Dubai style, eye-poppingly big – you can even blend your own fresh peanut butter.

COST CUTTER

John Lewis launches early Black Friday sale a MONTH early with up to £300 off

SPY STORY

Telltale clues CHEATERS use to spot you secretly reading their dodgy texts & pics

Plus, you’re half an hour’s cab ride from the world’s tallest building, the Burj Khalifa, for that classic Dubai selfie – viewing platform visits cost from £37 per person (Burjkhalifa.ae).

When you’re craving a chilled day, head to Aussie beach club Byron Bathers for lobster linguine, £37, and burrata pizza, £17, with excellent Whitsunday spritzes – an exquisite blend of grapefruit bitters, strawberry shrub, pink grapefruit, citrus vodka, Aperol and prosecco, £14 (Byronbathers.com).

Transport for London (TfL) has announced a number of closures and service changes across the network in November, including the London Underground, London Overground and Elizabeth line

There’s set to be a month of travel chaos as Transport for London (TfL) announces a series of closures across its network for maintenance work. The disruptions will mostly take place over the weekends, with some starting from today (1 November), while others will affect late-night weekday commuters.

The Elizabeth line will face 11 disruptions throughout November, while services on the Mildmay line in East and North London will be altered. The DLR timetable will also be changed, with trains halted at various locations almost every weekend, reports My London.

Passengers are being urged to plan their journeys in advance and use the TfL journey planner to avoid confusion. Here’s the full list of planned track closures, including those set to cause disruption this weekend.

READ MORE: New Ryanair route to destination that’s 21C in NovemberREAD MORE: ‘I went skiing for the first time – one piece of advice proved to be useless’

London Underground closures

Bakerloo line

• Sunday, 9 November: No service from Stonebridge Park to Harrow & Wealdstone until 7.45am.
• Saturday, 29 November: Sunday, November 30: No service from Queen’s Park to Harrow & Wealdstone.

Metropolitan line

• Saturday, 15 November:Sunday, November 16: No service from Harrow-on-the-Hill to Uxbridge.

Northern line

• Saturday, 8 November – Sunday, 9 November: Trains will not stop at Angel station.
• Friday, 28 November – Saturday, 29 November: No service from Hampstead to Edgware during Friday Night Tube.
• Saturday, 29 November – Sunday, 30 November: No service from Golders Green to Edgware, including during Saturday Night Tube.

Piccadilly line

• Saturday, 1 November – Sunday, 2 November: No service from Acton Town to Heathrow, including during Saturday Night Tube.
• Saturday, 1 November – Sunday, 2 November: No service from Rayners Lane to Uxbridge.
• Saturday, 15 November – Sunday, 16 November: No service from Acton Town to Uxbridge.

London Overground closures

Liberty line

• Sunday, 23 November: No service from Romford to Upminster

Lioness line

• Sunday, 9 November: No service from Willesden Junction to Watford Junction until 7.45am.
• Saturday, 29 November – Sunday, 30 November: No service from Euston to Watford Junction.

Mildmay line

• Sunday, 2 November: No service from Willesden Junction to Richmond all day.
• Sunday, 2 November: No service from Willesden Junction to Clapham Junction until 9.30pm.
• Sunday, 9 November: No service Willesden Junction to Clapham Junction.
• Saturday, 15 November – Sunday, 16 November: No service from Gospel Oak to Richmond and Shepherd’s Bush.
• Sunday, 16 November: No service from Camden Road to Stratford after 10.15pm.
• Saturday, 22 November – Sunday, 23 November: No service from Gospel Oak to Richmond and Shepherd’s Bush.
• Monday, 24 November – Thursday, 27 November: No service from Stratford to Camden Road westbound after 11.45pm.
• Wednesday, 26 November – Thursday, 27 November: No service from Willesden Junction to Stratford eastbound after 11pm.

Weaver line

• Sunday, 9 November: No service from Liverpool Street to Enfield Town, Cheshunt and Chingford until 10.15am.
• Monday, 10 November – Thursday, 13 November: No service from Hackney Downs to Enfield Town and Cheshunt after 10.45pm.

Windrush line

• Monday, 3 November – Thursday, 6 November: No service from Highbury & Islington to New Cross, New Cross Gate and Clapham Junction after 9.15pm.
• Sunday, 16 November: No service from Surrey Quays to Clapham Junction.
• Sunday, 16 November: No service from Highbury & Islington to Dalston Junction after 10.15pm.
• Monday, 24 November – Thursday, 27 November: No service from New Cross Gate to Crystal Palace and West Croydon after 11.30pm.
• Sunday, 30 November: No service from Surrey Quays to Clapham Junction.

Elizabeth line closures

• Monday, 3 November – Wednesday, 5 November: Reduced service between Paddington and Maidenhead and at Heathrow Terminal 4 after 10pm.
• Monday, 3 November – Wednesday, 5 November: Trains will not stop at Acton Main Line, Hanwell and West Ealing after 10.30pm.
• Sunday, 9 November: Reduced service between Paddington and Maidenhead and at Heathrow Terminal 4.
• Saturday, 15 November – Sunday, 16 November: No service from Paddington to Abbey Wood and Stratford.
• Saturday, 15 November – Sunday, 16 November: No service from Hayes & Harlington to Heathrow.
• Saturday, 15 November – Sunday, 16 November: Reduced service between Paddington and Maidenhead.
• Sunday, 23 November: No service from Liverpool Street (National Rail platforms) and Whitechapel to Shenfield
• Sunday, 23 November: No service from Paddington to Ealing Broadway until 7.45am.
• Sunday, 30 November: No service from Paddington to Ealing Broadway until 7.45am.
• Sunday, 30 November: Trains will not stop at Woolwich until 10am.
• Sunday, 30 November: Reduced service between Paddington and Maidenhead and at Heathrow Terminal 4.

DLR closures

• Saturday, 1 November – Sunday, 2 November: No service from Tower Gateway to Shadwell
• Saturday, 1 November – Sunday, 2 November: No service from Canning Town to Beckton
• Saturday, 15 November – Sunday, 16 November: No service from Canning Town to Stratford International.
• Saturday, 22 November: No service from Stratford International to Woolwich Arsenal.
• Saturday, 22 November: No service from Poplar to Beckton.
• Saturday, 22 November – Sunday, 23 November: No service from Tower Gateway to Shadwell.
• Saturday, 29 November – Sunday, 30 November: No service from Bank/Tower Gateway to Canning Town/Lewisham
• Saturday, 29 November – Sunday, 30 November: No service from Canary Wharf to Stratford.

Tram closures

• Saturday, 1 November – Sunday, 2 November No service from Wimbledon to Therapia Lane