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Top global arms producers’ revenues surge as major wars rage: SIPRI report | Weapons News

Revenues from sales of weapons and military services by the 100 largest global arms-producing companies reached a record $679bn in 2024, according to new data released by the Stockholm International Peace Research Institute (SIPRI).

The Gaza and Ukraine wars, as well as global and regional geopolitical tensions and ever-higher military expenditures, increased revenues generated by the companies from sales of military goods and services to customers domestic and abroad by 5.9 percent compared to the year before, the organisation said in a report published on Monday.

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The bulk of the global rise was attributed to companies based in Europe and the United States, but there were year-on-year increases in all regions except for Asia and Oceania, where issues within the Chinese arms industry drove down the regional total.

Lockheed Martin, Northrop Grumman and General Dynamics led the pack in the US, where the combined arms revenues of arms companies in the top 100 grew by 3.8 percent in 2024 to reach $334bn, with 30 out of the 39 US companies in the ranking increasing their revenues.

However, SIPRI said widespread delays and budget overruns continue to plague key projects such as the F-35 fighter jet, the Columbia and Virginia-class submarines, and the Sentinel intercontinental ballistic missile.

KIEL, GERMANY - SEPTEMBER 4: Soldiers standing guard in front of a IRIS-T SLM air defence system prior to the arrival of German Chancellor Olaf Scholz, Defence Minister Boris Pistorius and Lt. General Ingo Gerhartz, commander of the German air force (Inspekteur der Luftwaffe) during the operative launch of the Bundeswehr's first IRIS-T SLM air defence system at the Todendorf military base on September 4, 2024 in Panker, Germany. IRIS-T SLM, developed by Diehl Defence, is a medium-range system capable of bringing down drones, aircraft and missiles. Germany has already supplied Ukraine with at least three of the systems. (Photo by Gregor Fischer/Getty Images)
Soldiers stand guard in front of an IRIS-T SLM air defence system prior to the arrival of former German Chancellor Olaf Scholz and top military commanders at the Todendorf military base on September 4, 2024 in Panker, Germany [File: Gregor Fischer/Getty Images]

Elon Musk’s SpaceX appeared in the list of top global military manufacturers for the first time, after its arms revenues more than doubled compared with 2023 to reach $1.8bn.

Excluding Russia, there were 26 arms companies in the top 100 based in Europe, and 23 of them recorded increases in revenues from sales of weapons and equipment. Their aggregate arms revenues grew by 13 percent to $151bn.

After boosting revenues by 193 percent to reach $3.6bn through making artillery shells for Ukraine, Czech company Czechoslovak Group recorded the sharpest percentage increase in arms revenues of any top 100 company in 2024.

As Ukraine faces a relentless Russian offensive in its eastern regions, the country’s JSC Ukrainian Defense Industry increased its arms revenues by 41 percent to $3bn.

European arms companies have been investing in new production capacity to fight off Russia, the SIPRI report said, but it cautioned that sourcing materials – particularly in the case of dependence on critical minerals – could pose a “growing challenge” as China also tightens export controls.

Rostec and United Shipbuilding Corporation are the only two Russian arms companies in the ranking, and they also increased their combined arms revenues by 23 percent to $31.2bn despite being hit by Western-led sanctions over the Ukraine war.

Last year, weapons makers in Asia and Oceania still registered $130bn in revenues after a 1.2 percent decline compared to 2023.

The regional drop was due to a combined 10 percent decline in arms revenues among the eight Chinese arms companies in the ranking, most prominently the 31 percent fall in the arms revenues of NORINCO, China’s primary producer of land systems.

“A host of corruption allegations in Chinese arms procurement led to major arms contracts being postponed or cancelled in 2024,” said Nan Tian, Director of the SIPRI Military Expenditure and Arms Production Programme. “This deepens uncertainty around the status of China’s military modernisation efforts and when new capabilities will materialise.”

AT SEA, AUSTRALIA - MARCH 16: The USS Minnesota (SSN-783) Virginia-class fast attack submarine sails in the waters off the West Australian coast on March 16, 2025 in at sea, West Australian coast. The submarine was on a port visit. (Photo by Colin Murty-Pool/Getty Images)
The USS Minnesota (SSN-783) fast-attack submarine sails off the coast of Western Australia on March 16, 2025 [Colin Murty-Pool/Getty Images]

But Japanese and South Korean arms manufacturers’ sales surged on the back of strong demand from European as well as domestic customers amid simmering tensions over Taiwan and North Korea.

Five Japanese companies in the ranking increased their combined arms revenues by 40 percent to $13.3bn, while four South Korean producers saw a 31 percent jump to $14.1bn in revenue. South Korea’s largest arms company, Hanwha Group, recorded a 42 percent surge in 2024, with more than half coming from arms exports.

Israel reaps profits of Gaza genocide

For the first time, nine of the top 100 arms companies were based in the Middle East, according to SIPRI. The nine companies racked up a combined $31bn in revenue in 2024, showing a regional increase of 14 percent.

As the United Arab Emirates continues to face international allegations of arming the devastating war in Sudan, the institute noted its regional figure excludes Emirati-based EDGE Group due to a lack of revenue data for 2023. The UAE rejects the accusations.

The three Israeli arms companies in the ranking increased their combined arms revenues by 16 percent to $16.2bn amid the ongoing genocidal war on Gaza, which has killed nearly 70,000 Palestinians and destroyed most of the besieged enclave.

Elbit Systems pocketed $6.28bn in profits, followed by Israel Aerospace Industries with $5.19bn and Rafael Advanced Defense Systems with $4.7bn.

SIPRI said there was an international surge in interest in Israeli unmanned aerial vehicles and counter-drone systems. Rafael’s surge was tied to Iran, as demand for the company’s air defence systems rose to “unprecedented levels” after Iran’s large-scale retaliatory strikes against Israel in April and October 2024 that used ballistic missiles and drones.

Five Turkish companies were in the top 100 – also a record. Their combined arms revenues amounted to $10.1bn, showing an 11 percent increase.

Baykar, which makes, among other things, advanced drones most recently sold to Ukraine, saw 95 percent of its $1.9bn in arms revenue in 2024 come from exports to other countries.

Military companies from the United Kingdom, France, Germany, Italy, India, Taiwan, Norway, Canada, Spain, Poland and Indonesia were in the ranking as well.

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I trekked through epic Star Wars filming location – one thing caught me offguard

The beautiful national park boasts monkeys, jaguars and dense rainforest – and it may look familiar to Star Wars fans as it was a filming location in A New Hope

If you like monkeys as much as ancient history then Tikal National Park’s entrance fee may well just be the best £15 you spend on an adventure.

After around 10 minutes of walking with an umbrella in hand in the Guatemalan jungle, the forest opened up to the most important of 3,000 buildings spread over 16 square kilometres.

My imagination ran wild at each ruin we stumbled upon. I practically chanted ‘just one step after another’ as we trudged our way up an ancient pyramid for a view once reserved for Mayan royalty chasing the heavens. Whether it was taking the steps of the structure itself or an adjacent staircase fitted far more recently, the cardio to reward ratio was much the same – well worth it.

A bit further off the beaten track in Peten is Yaxha National Park, offering the same leg-burning pyramid climbs and awe-inspiring views with even fewer visitors for company. Close to the Belize border, Tikal and Yaxha are windows into the thriving cities of the Mayan people – a civilisation that stretched across central America, or as our guide Camillo called it, Meso-America.

READ MORE: ‘I used holidays to help me beat the menopause – it’s taken 70 trips’

The respective sites date as far back as 900BC but most of the immense structures we saw in Tikal were built almost 2,000 years later making it the Mayan place to be. Then Tikal met its mysterious decline in the ninth century and the site was soon abandoned. Countless palaces and temples were swallowed up by jungle in the millennia that followed.

A government-backed expedition in 1848 set the wheels in motion to unearth the secrets and legends buried with the city in the forest floor.

The parks are now fascinating rainforests as rich in nature as they are history. A massive band of coatimundis fearlessly played around us on the ground as spider monkeys swung across some of the 200 tree species up above. More than a dozen jaguars even call Tikal home, our guide Camillo told us.

READ MORE: I’ve been everywhere twice – avoid these three European cities where locals hate you

I was quick to dismiss the Mayan belief that ascending such a structure brought their god-like rulers closer to their immortal peers in the sky. That was until I made the climb myself and I understood just how spiritual an experience such elevation must have been. Standing above a vast green canopy broken up only by the odd ancient tower was an otherworldly sight, amplified by the soundtrack of roaring howler monkeys.

Star Wars fans will recognise certain shots or Tikal from Episode IV: A New Hope as the UNESCO site set the scene for the Rebel Alliance base.

At the end of an hour’s rural drive from Flores, sheltered open-air gift shops and a model-sized version of the city welcome visitors, although rainy season meant the area felt eerily deserted.

To avoid the fleeting downpours we were caught up in, it is probably best to stick to the months between November and April…

For more information see visitguatemala.gt.

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How ‘Stranger Things’ became Netflix’s ‘Star Wars,’ propelling it into Hollywood’s stratosphere

Before the sci-fi series “Stranger Things” premiered on Netflix, several traditional studios had already passed on it. Its creators were first-time show runners, unknown young actors were cast in lead roles, and even though the show starred kids, it was not for children.

That was nine years ago.

The 1980s-set show about a monster that wreaks havoc on fictional Hawkins, Ind., hit a chord with Netflix’s global subscribers. “Stranger Things” has since become one of the streamer’s most culturally significant shows, with its fourth season garnering 140.7 million views in its first three months and ranking third among its top English-language series. It was instrumental in growing new branches of business for Netflix, including live events, a Broadway production and inspired brands eager to partner on licensed merchandise. It became a major franchise for the platform, a chance to build a universe around its central characters and create its own version of “Star Wars.”

Rayna Lynn Chacon, 26, from Los Angeles dresses as Eleven from "Stranger Things" during the Netflix x CicLAvia event.

Rayna Lynn Chacon, 26, from Los Angeles dresses as Eleven from “Stranger Things” during the Netflix x CicLAvia event.

(Kayla Bartkowski / Los Angeles Times)

The show helped build Netflix’s reputation as a place that makes big bets on original ideas and, if it’s a hit, can build a large fandom for such programs with its worldwide subscriber base.

Netflix took a chance on show runner brothers Matt and Ross Duffer. The pair never imagined the series, which held its first premiere in Silver Lake at Mack Sennett Studios, would take off the way it did.

That wasn’t lost on Matt Duffer, who stood on stage at the final season premiere inside the historic TCL Chinese Theatre in Hollywood earlier this month. It was the same place “Star Wars” premiered in 1977.

“For me, as a nerd, this is a dream come true,” Duffer told the audience.

In an interview, Bela Bajaria, the chief content officer at Netflix, lauded the success of the series: “You could take a bet on an original story, and grow it to a major franchise that has massive global appeal.”

Other Netflix shows, like “House of Cards,” have certainly captured the zeitgeist before, but co-CEO Ted Sarandos said he believes “Stranger Things” stands above some previous hits.

This was a lot closer to a ‘Star Wars’ moment,” Sarandos said speaking on stage at the “Stranger Things” final season premiere in Hollywood earlier this month. “This is a show, and these are characters that move the culture, that spawned live events and consumer products and spinoffs and sequels … Everything from the first episode of the first season to ‘The First Shadow,’ the Broadway show, the origin story of the Upside Down, it has been and continues to be a remarkable addition to entertainment culture.”

The four past seasons of “Stranger Things” made it into Netflix’s Top 10 this past week, Netflix said. From 2020 to the second quarter of 2025, “Stranger Things” earned more than $1 billion in global streaming revenue for Netflix and was responsible for more than 2 million new subscriber acquisitions, according to estimates from Parrot Analytics, which tracks streaming data. Netflix declined to comment on Parrot’s estimates.

“Every single streaming service needs that anchor series that drives customer acquisition and helps define the original programming,” said Brandon Katz, director of insights and content strategy at Greenlight Analytics, adding for Hulu it was “The Handmaid’s Tale” and for Disney+, “The Mandalorian.” “’Stranger Things’ has undoubtedly been that for Netflix. Every few years that it does air, Netflix knows there is a guaranteed high ceiling of acquisition, retention and viewership power,” Katz said.

Participants bike past a "Demogorgon sleigh"

Participants bike past a Demogorgon sleigh during the Netflix x CicLAvia event.

(Kayla Bartkowski / Los Angeles Times)

“Stranger Things” also helped Netflix expand into licensed goods, with brands eager to partner with the platform. There are themed Eggo breakfast foods, Lego sets and clothing.

The series “has been a catalyst for Netflix to explore all of the ways in which a single entertainment property can be turned into an entire global lifestyle,” said Robert Thompson, director of the Bleier Center for Television and Popular Culture at Syracuse University.

Its popularity has helped other creative collaborators as well.

Artists whose songs were featured on the show climbed the charts. Kate Bush’s “Running Up That Hill” was featured in Season 4 and reached No. 1 on the Billboard Global 200 and No. 4 on the Billboard Hot 100, 37 years after its original release, Netflix said. Metallica’s 1986 song “Master of Puppets” also broke the U.K. Top 30 for the first time after it played during the Season 4 finale, the streamer added.

The series has been recognized with more than 65 awards and 175 nominations. Netflix estimates “Stranger Things” has helped create 8,000 production-related jobs in the U.S. over its five seasons and, since 2015, contributed more than $1.4 billion to U.S. GDP. In California, Netflix estimates the series contributed more than $500 million of GDP.

Netflix is doing a large marketing push with fan events in 28 cities and 21 countries as the series draws to a close. On Sunday, the streamer hosted a bike ride on a stretch of Melrose Avenue in partnership with CicLAvia where 50,000 fans were encouraged to dress in ’80s attire, or as a “Stranger Things” character. On Thursday, a “Stranger Things” float appeared in the Macy’s Thanksgiving Day parade.

The company began a phased release of the final season with four episodes that debuted Wednesday. Another three episodes will land on Christmas Day and a two-hour finale Dec. 31 on Netflix. The finale will also play in more than 350 movie theaters in the U.S. and Canada on Dec. 31 and Jan. 1.

“Stranger Things” fans Kelly Audrain and Jason Serstock said they have been rewatching the show from the beginning to refresh their memories on the whole tale, and were still on Season 2 as of earlier this month. The couple attended the premiere of the last season in Hollywood.

“The whole costuming and everything was so perfect that you just feel like you’re taken back to the ’80s,” 29-year-old Audrain said, who was dressed as “Stranger Things” character Eleven in a pink dress and sporting a mock bloody nose.

People pose for a photograph with a "Stranger Things" backdrop.

Lilia Lupercio, 53, left, Audrey Haluska, 15, center, and Janet Lupercio, 45, right, from Downey pose for a photograph with a “Stranger Things” backdrop.

(Kayla Bartkowski / Los Angeles Times)

Netflix is expanding the show’s universe with the animated series “Stranger Things: Tales from ‘85” next year. In April, Netflix’s “Stranger Things: The First Shadow” stage play hit Broadway. The company has also opened “Stranger Things” pop-up stores, held live experiences and will feature immersive experiences at its Netflix House locations, including “Stranger Things: Escape the Dark” in Dallas. In Las Vegas, Netflix will offer themed foods like Surfer Boy Pizza at its Netflix Bites restaurant.

The Duffers recently told Deadline a spinoff is in the works at Netflix. Bajaria declined to share anything about that but said, “I think the world is really rich and there’s still a lot of story in there.”

But there are challenges ahead. Netflix, seen as the leader in subscription streaming, has had two major flagship series end this year — “Stranger Things” and Korean-language drama “Squid Game.” Analysts say the company will need to keep pumping out popular shows and movies to keep subscribers coming back.

Netflix has successfully expanded its “Squid Game” franchise to include reality competition series “Squid Game: The Challenge,” where more than 95% of watchers also tuned into the scripted series. Other popular franchises like Addams family series “Wednesday,” pirates tale “One Piece” and Regency-era romance “Bridgerton” are ongoing. Netflix’s hit animated movie “KPop Demon Hunters” will get a sequel.

Separately, Netflix placed a bid on parts of Warner Bros. Discovery, with interest in Warner’s Burbank studios and HBO, according to people familiar with the matter. If the acquisition is successful, it would greatly expand Netflix’s library of titles and intellectual property.

While the Duffer brothers still have projects with Netflix, they recently signed a four-year exclusive deal with Paramount for feature films, TV and streaming projects. Some industry observers viewed that as a loss for Netflix.

Omar Chavez, 42, left, and Jenna Chavez, 28, right, from West Hollywood walk past a poster.

Omar Chavez, 42, left, and Jenna Chavez, 28, right, from West Hollywood walk past a poster during the Netflix x CicLAvia event.

(Kayla Bartkowski / Los Angeles Times)

“The Duffers are so young, and they’re just really beginning their journey,” said Tom Nunan, a former studio and network executive. “I have no doubt they’ll be pushing out more hits and more of a variety of successes in the future,” he said, adding that the brothers’ work at Paramount could compete with Netflix.

But Bajaria noted that the Duffers still have some projects in the works at Netflix, including sci-fi series “The Boroughs” and horror series “Something Very Bad Is Going to Happen.”

“They’re always gonna be part of the Netflix family and I’m excited we still have more things with them,” Bajaria said.

Times staff writer Meg James contributed to this article.

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Oscar Isaac would return to ‘Star Wars’ under one condition

Don’t expect to see Oscar Isaac reprise his role as hot-shot pilot Poe Dameron in the “Star Wars” franchise any time soon.

The “Frankenstein” star admitted in a GQ interview released Monday that he’s not interested in working for the media company given its acquiescence to the Trump administration.

“I’d be open to [returning to ‘Star Wars’], although right now I’m not so open to working with Disney,” Isaac said. “But if they can kinda figure it out and, you know, not succumb to fascism, that would be great.”

The interview, while released this week, was conducted in the days immediately following the shooting death of conservative influencer Charlie Kirk and Walt Disney Co.-owned broadcaster ABC saying it was pulling “Jimmy Kimmel Live!” indefinitely following sharp backlash over the host’s remarks about Kirk’s death. Kimmel’s program ultimately returned to ABC on Sept. 23, after nearly a full week off air.

“But if that happens, then yeah, I’d be open to having a conversation about a galaxy far away. Or any number of other things,” Isaac continued.

The 46-year-old actor was also the lead in the 2022 Disney+ original series “Moon Knight,” based on the Marvel superhero of the same name who first appeared in print in 1975.

In a 2020 interview with Deadline, Isaac voiced hesitation about returning to the “Star Wars” franchise following 2019’s “The Rise of Skywalker.”

“I enjoyed the challenge of those films and working with a very large group of incredible artists and actors, prop makers, set designers and all that was really fun,” he said five years ago. “It’s not really what I set out to do. What I set out to do was to make handmade movies, and to work with people that inspire me.”

When asked point blank if he would accept a “Star Wars” role again, Isaac blankly answered in 2020, “Probably, but who knows. If I need another house or something.”

Responding to the flippant nature of his previous response, Isaac noted how seemingly obnoxious that quote sounded.

“Yeah. That was a real likable quote. Jesus Christ,” the “Dune” actor said in the recent GQ interview. “Y’know, people ask you things, you say stuff, you don’t really think about it that much. I said a slightly d— thing.”

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Dick Cheney, former vice president who unapologetically supported wars in Iraq, Afghanistan, dies at 84

Richard B. Cheney, the former vice president of the United States who was the architect of the nation’s longest war as he plotted President George W. Bush’s thunderous global response to the 9/11 terror attacks, has died.

Vexed by heart trouble for much of his adult life, Cheney died Monday night due to complications of pneumonia and cardiac and vascular disease, according to a statement from his family. He was 84.

“For decades, Dick Cheney served our nation, including as White House Chief of Staff, Wyoming’s Congressman, Secretary of Defense, and Vice President of the United States,” the statement said. “Dick Cheney was a great and good man who taught his children and grandchildren to love our country, and to live lives of courage, honor, love, kindness, and fly fishing. We are grateful beyond measure for all Dick Cheney did for our country. And we are blessed beyond measure to have loved and been loved by this noble giant of a man.”

To supporters and detractors alike, Cheney was widely viewed as the engine that drove the Bush White House. His two-term tenure capped a lifetime of public service, both in Congress and on behalf of four Republican presidents.

It often fell to Cheney, not President Bush, to make an assertive, unapologetic case for the American-led wars in Afghanistan and Iraq and for the controversial antiterrorism measures such as the Guantánamo Bay prison. And after the election of President Obama, it was once again Cheney, not Bush, who stood among the new president’s fiercest critics on national security.

In an October 2009 speech — one emblematic of the role he embraced after leaving the White House — Cheney blasted the Obama administration for opening a probe of “enhanced” interrogations of suspected terrorists conducted during the Bush years.

“We cannot protect this country by putting politics over security, and turning the guns on our own guys,” he said. The rhetoric was textbook Cheney: blunt, unvarnished, delivered with authority.

While Cheney at the time was attempting to occupy the leadership vacuum in the GOP in the age of Obama, there was little doubt that he also was motivated to preserve a legacy that appears to be as much his as former President Bush‘s. For eight years, Cheney redrew the lines that defined the vice presidency in a way no predecessor had. His office enjoyed greater autonomy than others before it, while working to keep much of his influence from plain sight. That way of operating led to a challenge before the Supreme Court as well as a criminal investigation over a leak of classified information.

Moreover, the image of a powerful backroom operator managing the Bush administration’s “war on terror,” combined with his service as Defense secretary during the Persian Gulf War and his stint as a chairman of defense contracting giant Halliburton, made Cheney a towering bête noire to liberals worldwide. To them, he embodied a dangerous fusion of politics and the military-industrial complex — and they viewed his every move with deep suspicion.

To his champions, however, he was the firm-jawed, hulking, resolute defender of American interests.

Standing with the administration was more than a duty to Cheney; it was an article of faith. The invasion of Iraq “was the right thing to do, and if we had to do it over again, we’d do exactly the same thing,” Cheney said in a 2006 interview, even as the nation slowly learned that U.S. intelligence suggesting Saddam Hussein’s regime possessed weapons of mass destruction was simply not true.

Three years earlier, Cheney had pledged that the U.S. would be greeted in Iraq as “liberators” — a comment that haunted him as insurgents in the country gained strength, killed thousands of allied troops and extended the conflict for years. The war in Afghanistan would drag on for 20 years, ending in 2021 as it had begun, with the Taliban back in control.

While Cheney will largely be remembered for his leading role in the response to the 9/11 terror attacks, he had long worked the corridors of power in Washington. He was a White House aide to President Nixon and later chief of staff to President Ford. As a member of the House from Wyoming, he rose quickly to become part of the Republican leadership during the 1980s. In the early ’90s, he ran the Pentagon during the Gulf War.

Richard Bruce “Dick” Cheney was born in Lincoln, Neb., on Jan. 30, 1941, and spent much of his teenage years in Casper, Wyo. His father worked for the U.S. Soil Conservation Service.

As a young man, he was more interested in hunting, fishing and sports than in academics, and a stint at Yale University was short-lived. He eventually obtained bachelor’s and master’s degrees from the University of Wyoming and studied toward a doctorate at the University of Wisconsin.

In 1964, he married Lynne Ann Vincent, who became a lifelong political partner while strongly influencing Cheney’s conservatism. Daughter Elizabeth, who was elected to Congress in 2017, was born in 1966 and her sister, Mary, arrived three years later. The sisters became embittered years later when Elizabeth — who preferred Liz — took a stance opposing same-sex marriage, which seemed a slap to Mary and her wife. Cheney, however, offered his support for such unions, an early GOP voice for same-sex marriage. Years later, he came to Liz’s defense when she broke with fellow Republicans and voted to impeach President Trump following the Jan. 6, 2021 attack on the U.S. Capitol. In addition to his wife and daughters, Cheney is survived by seven grandchildren.

A fellowship sent Cheney to Washington, where he soon began working for a politically shrewd House member who also was a lifetime influence, Donald H. Rumsfeld. When Rumsfeld joined the Nixon administration, Cheney followed.

After Ford succeeded Nixon in the wake of Watergate, Rumsfeld served as chief of staff, with Cheney at his side. Ford eventually appointed Rumsfeld secretary of Defense, and Cheney, at 34, ran the White House. Even then, his calm reserve was a hallmark.

Although nearly everyone working for him was older, “He was very self-assured,” James Cannon, a member of Ford’s White House team, said years later. “It didn’t faze him a bit to be chief of staff.”

Ford lost a narrow election to Jimmy Carter in 1976, but Cheney’s Washington career was just getting underway. He headed back to Casper and in little more than a year was running for Congress.

His health, though, already was a factor. In 1978, at age 37 and in the midst of a primary election campaign, he had a heart attack, the first of several. He would undergo multiple surgeries, including a quadruple bypass, two angioplasties, installation of a heart pump and — in 2012 — a transplant. His frequent trips to the hospital and seeming indestructibility provided fodder for late-night talk show hosts during Cheney’s vice presidency.

With the help of television ads reminding voters that Dwight D. Eisenhower and Lyndon B. Johnson had served full White House terms despite having had heart attacks, he narrowly won the Republican nomination and, in November 1978, secured election to the House of Representatives from Wyoming’s single district.

In Congress, he was known as a listener more interested in problem-solving than conservative demagoguery, even as he quietly built a voting record that left no doubt about where he stood on the political spectrum. He quickly moved into the ranks of GOP leadership.

Cheney stepped into the public spotlight after he was named Defense secretary by President George H.W. Bush in 1989. As the Berlin Wall fell and the Cold War cooled, Cheney was charged with overseeing a Pentagon that was more fractious than usual. In a test of political and managerial will, he oversaw major reductions in the Defense budget, a profound downsizing of forces and the closing of obsolete military bases. He helped implement the U.S. invasion of Panama in 1989 to oust the country’s leader, Manuel Noriega, for drug trafficking and racketeering.

But Cheney — along with his hand-picked chairman of the Joint Chiefs of Staff, Colin Powell — made his mark in the American response to the Iraqi invasion of Kuwait in 1990. Cheney played a key role in persuading the Saudi royal family to allow American troops to be stationed in Saudi Arabia to defend against a looming attack from Hussein’s forces.

The Cheney-led Pentagon then shifted to offense in 1991, amassing an enormous American force that totaled more than 500,000 soldiers, nearly twice the number employed in the 2003 U.S. invasion of Iraq. The U.S. military, with help from allied countries, overwhelmed the Iraqi forces in Kuwait in only 43 days and easily entered Iraq.

Characteristically, Cheney would defend the then-controversial decision to halt the U.S. advance toward Baghdad, which left Hussein in power. “I would guess if we had gone in there, we would still have forces in Baghdad today. We’d be running the country,” he said in a 1992 speech. “We would not have been able to get everybody out and bring everybody home.”

Cheney’s efforts to station U.S. troops in Saudi Arabia, considered critical to the push to repel Iraq, would have unforeseen ramifications. The military presence there helped radicalize young Islamic militants such as Osama bin Laden.

After President Clinton’s victory in 1992, Cheney left government service. Three years later, he assumed the helm of Halliburton, one of the world’s leading oil field companies and a prominent military contractor. The company thrived under Cheney’s leadership: Its relationship with the Pentagon flourished, its international operations expanded and Cheney grew wealthy.

In 2000, then-Texas Gov. George W. Bush, the Republican nominee for president, asked Cheney to head up the search for his running mate, then ultimately chose Cheney for the job instead. He brought to the ticket an element of maturity and Washington gravitas that the inexperienced Bush did not possess.

Cheney’s lack of design on the presidency, and his willingness to return to government 10 days shy of his 60th birthday, seemingly gave Bush the benefit of his experience and earned Cheney a measure of trust — and thus authority — commanded by few presidential advisors.

Once in office, Cheney, mindful of lessons learned in the Ford White House, sought to revitalize an executive office he believed had become too hemmed in by Congress and the courts. He termed it a “restoration.”

“After Watergate, President Ford said there was an imperiled president, not an imperial presidency,” said presidential historian Robert Dallek. Cheney, he said, felt “he badly needed to expand the powers of the presidency to assure the national security.”

In office barely a week, Cheney created a national energy policy task force in response to rising gasoline prices. A series of meetings with top officials from the oil, natural gas, electricity and nuclear industries were closed to the public, and Cheney refused to reveal the names of the participants. Cheney would exert similar influence over environmental policy and, with an office on Capitol Hill, forcefully advance the president’s legislative agenda.

A lawsuit seeking information about the task force made its way to the Supreme Court, which ruled in the vice president’s favor in 2004. One of the justices in the majority was Antonin Scalia, who was a friend and, it was later revealed, had recently gone duck hunting with the vice president.

Another hunting trip gone awry earned Cheney embarrassing headlines in 2006 when he accidentally shot and wounded a member of the party with a round of birdshot while quail hunting on a Texas ranch.

More troubling to Cheney was a federal criminal probe in connection with the 2003 leak of the identity of covert CIA operative Valerie Plame Wilson. The investigation resulted in the conviction four years later of Cheney aide I. Lewis “Scooter” Libby for perjury and obstruction of justice. Libby was later pardoned by President Trump.

Cheney, however, will be largely remembered for his unwavering belief that the U.S. invasions of Afghanistan and Iraq — especially the latter — were essential, a stance he maintained even as the missions in both theaters evolved from rooting out suspected terrorists to nation-building, and even as the casualties skyrocketed and it became clear the 20-year mission was doomed.

When U.S. troops and civilians were pulled out of Afghanistan in a fraught and fatal departure in 2021, it was Cheney’s daughter who spoke up.

“We’ve now created a situation where as we get to the 20th anniversary of 9/11, we are surrendering Afghanistan to the very terrorist organization that housed al Qaeda when they plotted and planned the attacks against us,” Rep. Liz Cheney (R.-Wyo.) said.

The former vice president’s steely resolve was captured years later in “Vice,” a 2018 biographical drama in which Christian Bale portrayed Cheney as a brainy yet uncompromisingly uncharismatic leader.

It was Cheney who insisted early on that Hussein possessed weapons of mass destruction. “There is no doubt he is amassing them to use against our friends, against our allies, and against us,” Cheney said in August 2002. The U.S. eventually determined that Iraq had no such weapons.

He argued forcefully that Hussein was linked to the 2001 terror attacks. When other administration officials fell silent, Cheney continued to make the connections even though no shred of proof was ever found. In a 2005 speech, he called the Democrats who accused the administration of manipulating intelligence to justify the war “opportunists” who peddled “cynical and pernicious falsehoods” to gain political advantage.

Cheney also frequently defended the use of so-called extreme interrogation methods, such as waterboarding, on al Qaeda operatives. He did so in the final months of the Bush administration, as both the president’s and Cheney’s public approval ratings plunged.

“It’s a good thing we had them in custody and it’s a good thing we found out what they knew,” he said in a 2008 speech to a friendly crowd at the Conservative Political Action Conference.

“I’ve been proud to stand by him, the decisions he made,” Cheney said of Bush. “And would I support those same decisions today? You’re damn right I would.”

Oliphant and Gerstenzang are former Times staff writers.

Staff writer Steve Marble contributed to this story.

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‘Star Wars: Visions’: 11 anime shows to watch next

After going global for its second volume, “Star Wars: Visions” Volume 3 brings the anthology series back to its roots with a new slate of shorts all created by Japanese anime studios.

Each season of the Disney+ series, which launched in 2021, has infused fresh creative energy into the galaxy far, far away by giving international animation houses the freedom to explore ideas about the Force, the factions of the Galactic War and brand new planets and cultures outside of the constraints of the long-running franchise’s canon.

And while Volume 3, which premiered last week, revisits some characters that were introduced in Volume 1, it also shows how anime is a medium with range. From the gritty installment that explores the complexity of the dark sides of the Force through a battle between former Sith and Jedi (“The Duel: Payback”) to a more heartwarming story about a pair of resourceful orphans who decide to become family (“Yuko’s Treasure”), there are different types of anime for everyone.

a woman holding a lightsaber with a red blade

Anée-san in “The Duel: Payback,” one of the shorts in “Star Wars: Visions” Volume 3.

(Lucasfilm Ltd.)

With movies like “Demon Slayer: Kimetsu no Yaiba Infinity Castle” and “Chainsaw Man — The Movie: Reze Arc” making waves at the box office, anime’s growing popularity is undeniable and its availability on major streamers has also made anime series and movies more accessible than ever. So for those whose curiosity about the medium has been piqued by “Star Wars: Visions,” here are some titles to check out based on the themes and stories of the nine shorts that comprise Volume 3.

Stunning fights (with some moral ambiguity)

a woman holds a sword at a person's neck

Sagiri in an episode of “Hell’s Paradise.”

(©Yuji Kaku/Shueisha, Twin Engine, Mappa / Crunchyroll)

Let’s be honest: Lightsaber duels are awesome. So it’s no surprise that a number of shorts in “Star Wars: Visions” Volume 3 leaned into stories involving Jedi and/or the Sith, including “The Duel: Payback,” “The Lost Ones” and “The Bird of Paradise.”

For those who are looking for anime featuring stylish and stunning sword-fighting scenes, the ever popular “Demon Slayer” (Netflix, Disney+/Hulu, Crunchyroll), featuring a secret organization fighting to protect humans from demons, is an obvious choice. Another show featuring stylish combat between skilled warriors and supernatural monsters is “Hell’s Paradise” (Netflix, Disney+/Hulu, Crunchyroll). The series follows a ninja who is recruited by an executioner to join a party of death row inmates on a quest to find the elixir of life on a mythical island populated with mysterious deadly threats. The successful convict will be pardoned for all of their past crimes. The premise may remind some of the supervillain team-up “The Suicide Squad,” but the fighting scenes — and the island’s inhabitants — stand alone.

Master and apprentice dynamics

two women reading a book

Frieren, left, and Fern from “Frieren: Beyond Journey’s End.”

(Crunchyroll)

Speaking of Jedi, “The Lost Ones” and “The Bird of Paradise” also touch on the relationship between a Jedi master and their padawan apprentice. If a story involving a lineage of student-teacher dynamics that’s about friendship, human connection, memory, mortality and legacy sounds intriguing, consider checking out “Frieren: Beyond Journey’s End” (Netflix, Disney+/Hulu, Crunchyroll). The fantasy series follows an elven mage, her young human apprentice and others they pick up along their years-long journey to visit the spirits of old friends. The show is part travelogue, part adventure quest with monsters, magic battles and dungeon exploration.

Lovable scoundrels

a young girl flanked by two men in a waiting room

Kazuki, left, Miri and Rei in an episode of “Buddy Daddies.”

(©KRM’s Home / Buddy Daddies Committee / Crunchyroll)

The world of “Star Wars” is full of scoundrels that fans can’t help but love for their swagger and independent moral code, and “Visions” installments “The Smuggler” and “The Bounty Hunters” add to that legacy.

Well-known classics like “Cowboy Bebop” (Crunchyroll) and “Lupin the Third” (Tubi, Crunchyroll) and the long-running “One Piece” (Netflix, Disney+/Hulu, Crunchyroll) are good starting points for those first dipping their toes into anime and are interested in the adventures of a ragtag group of bounty hunters, thieves and/or pirates. For those looking for something new, consider “Buddy Daddies” (Crunchyroll), which follows a pair of assassin roommates who form a makeshift family after taking in a 4-year-old they encounter while out on a job. Think of it like “The Mandalorian,” if Mando had a recluse gamer co-parent and Grogu was a picky eater.

Political space wars and mech suits

a girl in a spacesuit

Suletta Mercury in an episode of “Mobile Suit Gundam: The Witch from Mercury.”

(©Sotsu, Sunrise, MBS / Crunchyroll)

Some film and TV shows set in the galaxy far, far away are more political than others, but aspects of the conflict involving the Galactic Empire, Rebel forces and stray Jedi are touched on in a few of the shorts in “Visions” Volume 3 like “The Lost Ones,” “The Smuggler,” “Black” and “The Song of Four Wings,” with the latter featuring a young protagonist that dons a snazzy flying mech suit.

The mecha franchise “Gundam” is best known for its giant robots, but it’s a sprawling space opera that touches on political themes including the horrors of corruption, inequity and war. A recent standout is newcomer-friendly “Mobile Suit Gundam: The Witch From Mercury” (Crunchyroll). The show follows a shy new transfer student at a corporate military school where recruits train and settle disputes in giant mech suit combat. The series uses school drama and a budding teen romance as a backdrop to touch on themes such as class strife and prejudice, corporate greed and personal vengeance.

Emotionally resonant robots

a boy looking into a box

Atom in an episode of “Pluto.”

(Netflix)

From the Skywalkers’ fussy protocol droid C-3PO to Hera Syndulla’s cranky astromech Chopper, lovable androids are a “Star Wars” signature. “Visions” Volume 3 installments “The Ninth Jedi: Child of Hope” and “Yuko’s Treasure” each introduce loyal droids that tug viewers’ heartstrings.

The title androids in “Astro Boy” (also known as Atom) and “Doraemon” are kid-friendly household names in Japan akin to Mickey Mouse and Snoopy, but a more mature option is “Pluto” (Netflix). The gritty, sci-fi murder mystery series is based on a reimagining of a story arc from the “Astro Boy” manga, and is set in a world where humans live alongside robots — though the dynamic is a bit different than in “Star Wars.” The story follows a robot detective who is investigating a string of robot and human killings, and, like many sci-fi stories about androids and artificial intelligence, touches on themes like what makes humans human.

a large teddy-bear-like droid walking around town

A scene from “Yuko’s Treasure,” one of the shorts in “Star Wars: Visions” Volume 3.

(Lucasfilm Ltd.)

Rambunctious kids

Plenty of “Star Wars” media is made with younger audiences in mind, but not many are about the adventures of children in the galaxy far, far away. “Vision” Volume 3’s “Yuko’s Treasure” puts a couple of orphan kids in the forefront — along with an adorable bear-like droid.

There’s no shortage of anime series about the (mis)adventures of rambunctious kids and one of the more heartwarming involves a “fake” family. “Spy x Family” (Disney+/Hulu, Crunchyroll) follows a secret agent working to maintain the fragile peace between neighboring nations and the faux happy family he constructed for his latest undercover mission. Unbeknownst to him, his adopted daughter is secretly a telepath and his fake wife is an assassin. As one might expect, a telepathic first grader with a wild imagination who lives with a spy and an assassin can get caught up in plenty of shenanigans. Bonus: The family also adopts a cute massive dog.

a young child holding a rolling suitcase

Kotaro in an episode of “Kotaro Lives Alone.”

(Netflix)

On the opposite end of the spectrum is “Kotaro Lives Alone” (Netflix), a more grounded show with just as outlandish a premise. The series follows a 4-year-old who moves into a rundown apartment complex alone — for reasons that are eventually revealed as his neighbors get to know him. The boy is unusually self-reliant and mature but also childish and understandably vulnerable. As viewers might assume, there are not many happy circumstances that could possibly lead to a 4-year-old child living on his own, but there’s more warmth than tragedy.

Musical, visual spectacle

One of the standouts in “Star Wars: Visions” Volume 3 is “Black,” a jazz-fueled, mind-bending fever dream of a Stormtrooper during a battle. The bold, music-driven 13-minute short is a visual spectacle that challenges viewers and there’s not much else out there that compares. Though it has a more structured narrative, the anime film “Inu-Oh” (Netflix) is a psychedelic rock opera that might scratch the same itch. Set in 14th century Japan, the film follows two young artists who forge a friendship because they are both outcasts — the musician is blind, and the dancer was born with monstrous deformities — and their dazzling performances drive the story.

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