walk

The crunch of frost underfoot, lungfuls of crisp fresh air, landscapes sparkling in shafts of sunlight; a good winter walk is one of life’s simple pleasures. We want to hear about where you love to walk at this time of year in the UK. Perhaps it’s a bracing coastal path, a meandering woodland hike or a riverside trail. If there’s a lovely pub or cafe on the route so much the better!

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JENNIFER Lopez and Sydney Sweeney lead the star-studded glamour at last night’s Governors Awards in Los Angeles.

The Hunger Games actress Jennifer Lawrence also turned heads at the 16th annual bash, held at the Ray Dolby Ballroom.

It honours achievements recognised by the Board of Governors of the Academy of Motion Picture Arts and Sciences.

Jenny from the Block hitmaker JLo, 56, stunned in a grey and black ball gown ensemble with a plunging neckline, elevated with black velvet opera gloves.

Euphoria’s Sweeney, 28, kept the glam going in a glittering sleeveless gown, leaving little to the imagination with her gorgeous getup.

Also, American Hustle star Lawrence, 35, showed off her legs wearing an off-the-shoulder cream number, with a thigh-high slit, by Dior.

Ariana Grande, 32, was also in attendance, taking a pastel route in a pale pink vintage Dior one-shoulder gown by John Galliano.

The Wicked star styled her hair in a clean, elegant updo.

She was joined on the red carpet by her co-star Cynthia Erivo, 38, after being grabbed at their premiere event in Singapore.

Erivo went more avant-garde in a Givenchy coat dress that swung with movement.

Also in attendance was Elle Fanning, 27, wearing a soft pink sleeveless gown, while Anya Taylor-Joy, 29, sported a white Maison Margiela look.

Zoey Deutch, 31, chose a crisp white buttoned dress finished with a sweeping black train, while Natalie Portman, 44, opted for a pale blue mini dress.

Dakota Johnson, 36, also chose blue, wearing a simple fitted gown in an icy shade.

Mia Goth, 32, joined them in the colour theme with a pale blue dress of her own as Emma Stone, 37, stayed understated in an off-the-shoulder black Louis Vuitton dress with subtle sparkle.

Gwyneth Paltrow, 53, and Kristen Stewart, 35, both appeared in unconventional black outfits as Kate Winslet, 50, kept things sleek in a tailored black suit.

Regina Hall, 54, flashed her toned pins in a daring black gown, and Rita Wilson, 69, shone in metallic green.

Octavia Spencer, 55, went feminine with a floral dress as Kate Hudson, 46, brought a pop of colour in a slinky green silk number with cutouts, arriving with Hugh Jackman.

As for the men, The Bear favorite Jeremy Allen White, 34, wore one of the more unusual menswear looks: an unbuttoned white shirt tucked into high-waisted black trousers.

Leonardo DiCaprio, 51, and Brendan Fraser, 56, arrived in classic black suits, as did Austin Butler, 34, Joe Alwyn, 34, Benicio del Toro, 58, Colin Farrell, 49, and Jason Bateman, 56.

Rami Malek, 44, mixed things up with a red velvet blazer, while Jacob Elordi, 28, leaned into a retro vibe with a vintage-inspired suit.

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Adam Sandler, 59, made a rare appearance in a proper suit alongside wife Jackie, and Jeremy Strong, 46, paired a brown suit with trainers and a bowtie.

Blake Slatkin and Ed Sheeran posed together on arrival.

Stories will long be told about what Gazans have endured these last couple of years, and movies will be part of that unburdening. This spring, Iranian filmmaker Sepideh Farsi believed she would be unveiling a uniquely dignified portrait of one Palestinian woman’s experience when the Cannes Film Festival accepted her documentary “Put Your Soul on Your Hand and Walk,” which comprised her year of spirited video chats with positive-minded 25-year-old photojournalist and poet Fatma Hassona. The day after the Cannes news, Hassona and her family were killed by an Israeli missile.

It’s not unheard of for a completed movie to become something entirely different overnight. But what’s quietly miraculous about “Put Your Soul on Your Hand and Walk,” considering its added tragic weight, is what the force of Hassona’s personality and Farsi’s filmmaking choices still manage to do: speak to what’s ineffably beautiful about our human capacity for hope and connection.

In her opening narration, Farsi explains how she’d been looking for a way into Gaza to understand it beyond the media reports. Physically, that proved impossible, but through a refugee friend, she was connected to Hassona in April 2024. In their first video call, which Farsi, then in Cairo, recorded with a separate smartphone, Hassona’s beaming face immediately dispels any notion that all Palestinians must exist in a defeated state amid relentless bombing. Asked how she feels, Hassona — who had just witnessed a huge explosion the day prior — says, “I feel proud.” With unforced lightness, she assures Farsi that they will continue to live their lives and laugh, that they are “special people.” She knows every day is about actively not letting themselves get used to it. The documentary’s title is Hassona’s description of what she does when she leaves her house.

You believe her. That high-wattage smile registers as whatever the opposite of a bomb is. But it’s also easy to notice Farsi’s ingrained cynicism about the state of things, having once been imprisoned as a teenage dissident during the years following her country’s Islamic Revolution, now in exile. In her voice-over, Farsi describes meeting Hassona as if encountering a mirror, realizing “how much both our lives are conditioned by walls and wars.”

Farsi threads in many of Hassona’s photographs. The images of daily life amid destruction and rubble — children, bicyclists, workers, laundry drying from high floors in a half-destroyed building — hint at an inextinguishable flame carrying on through a campaign of death.

Though Farsi knows how to ask for details about her life in Gaza, the vibe isn’t one of interviews conducted to make a film, but a genuine curiosity and warmth, the ebb and flow of real interaction captured whenever possible. Meanwhile, war, politics and failed leadership can be glimpsed in brief interludes of news reports on Farsi’s television. But they’re always cut short, as if to say: I’d rather hear from my friend who’s living it.

Hassona’s face becomes so familiar to us, we can tell when her cheery disposition is hard to maintain. But her energy and hope never feel like depletable resources. “I want to be in a normal place!” she blurts out in one of their last conversations, almost as if she were a musical protagonist about to break into song. But Hassona never got more than a first act.

Farsi doesn’t draw the ending out: just sparsely worded text after witnessing their final chat, followed by a video Hassona had taken rolling through her devastated city, somehow grounded in a palpable, undying everydayness. You’ll feel loss, but the afterimage of this singular woman’s belief in finding light is what will burn.

When it comes to knowing his way around Los Angeles, actor Martin Starr is an expert. Born in Santa Monica, Starr says his family moved around the region often. ”I lived in the Valley, Hollywood, Hancock Park, and ended up in Santa Monica again when I was 15,” Starr says.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Today, the actor known for his role in the HBO comedy “Silicon Valley” and films like “Knocked Up” and the “Spider-Man” franchise, lives in Miracle Mile. His latest television role is on Paramount+’s crime drama “Tulsa King,” where he plays Bodhi, a weed store owner who has become a trusted member of a mobster’s (Sylvester Stallone) crew. The show’s third season finale airs Nov. 23.

“What I love most about L.A. is the people and the friends I’ve made over the years,” Starr says. “Aside from that, L.A. has some of the best food in the world. There’s plenty of fancy, Michelin-star restaurants, but there are so many delicious, moderately-priced places in L.A., and those are my favorites.”

Starr, a foodie who co-founded the candy company Sweet Stash with musicians Ezra and Adeev Potash (The Potash Twins), says his ideal Sunday includes a walk on the beach, eating enchiladas and playing video games or reading at home.

9:30 a.m.: Sleep in, then hydrate

I’m a lazy weekend guy. I often have to wake up early for work so it’s nice to take a little time for myself on a Sunday. After we wake up, my wife (Alex Gehring, bassist of the band Ringo Deathstarr) makes coffee for herself. I start the day with a glass of water or a matcha, then we’ll probably roll to a restaurant for breakfast.

10:30 a.m.: Get some really good pancakes

One of my favorite breakfast places is John O’Groats on West Pico. They don’t just do a side of fruit. They do cantaloupe, specifically, and I’ve grown to love it. I wouldn’t have chosen cantaloupe as the fruit to go to in my morning, but it turns out cantaloupe is pretty darn good. They make their own biscuits, which are delicious. They have a variety of really good pancakes. They do a seven-grain granola pancake that I really like.

If we don’t go there, we’d go to another great breakfast spot called Met Her at a Bar. That place is really tasty. The guy who opened it met his wife at a bar. They’ve got great French toast, and they do a Thai-style fried chicken and waffles. I just love the fresh-squeezed orange juice in both places.

Noon: Take a walk with Betty White

After breakfast, we’d go on a walk with our dog and have a lazy stroll around the neighborhood. Our dog is an all-white pit bull and her name is Betty White. We’d walk up through Hancock Park. There are some really pretty houses there, and it’s nice to just walk around. I grew up in that neighborhood for a bit too. I went to Third Street [Elementary] School so I’m pretty familiar with the area.

1 p.m.: Devour enchiladas by the beach

Then we’d go down to the beach. It’s a bit of a drive, but one of my favorite restaurants is there because I spent so much of my time as a youth in Santa Monica and Venice. It’s called Cha Cha Chicken, and is by far, my favorite restaurant in L.A. It’s in Santa Monica, one block east from the water, where Pico dead ends into the beach. I’d order the jerk chicken enchiladas, which comes with a side of rice and beans, mixed together. There’s a little chopped salad that comes on the side, too, and I love the dressing. The enchiladas have a sweet and spicy combo of sauces on top that are so good. And then I get the spicy Cuban fries. I always ask for them extra crispy, and they put a little spicy salt on top. I went there so much as a kid that I became friends with the owner, Ricky Prado. He inherited the place from his parents and took over. He and I took a trip once to Florida, where he met my dad, as I’ve met his whole family because they all worked at the restaurant.

2:30 p.m.: Stroll on Santa Monica State Beach

Next, we’d go for a walk on the beach to enjoy the beauty and fresh ocean air. There’s a little road that veers off from Cha Cha Chicken, and the Marvin Braude Bike Trail is right there. The Santa Monica Pier is north of there, and going south is the shopping area of Venice Beach. You can see sidewalk shows and all the fun performers when you go.

4:30 p.m.: Post-traffic puzzles and video games

The traffic to get back home would probably be an hour. There, Alex would probably do some crossword puzzles while I read or play video games for a bit. We’d put on some jazz music in the background. Or maybe we’d just go hang out on the porch and enjoy the day. We’re lounge folk. So when we have the opportunity, we just enjoy reading and crossword puzzles. It’s a simple life. We brought the Midwest to Los Angeles. All I need is a rocking chair.

6 p.m.: Happy Hour calls

After that, we might hit Happy Hour at Uchi West Hollywood. My wife is from Austin and her favorite restaurant opened up a place in L.A., so we go there every once in a while for a nice meal. It’s Japanese, but focused on sushi. If you sit at the bar, you can get happy hour all night.

7:30 p.m.: Keep the happy hour going into dinner

We’d eat some of our favorite food. My wife loves a particular sake and I love Mitsu Mitsu, which has ritual zero proof gin, rosemary and yuzu honey. Our favorite dish is called hama chill. It’s got little slices of Mandarin orange over yellowtail fish, with a little bit of Thai chill on top, and sits in a ponzu sauce. My wife loves edamame and I don’t. But this place has the best edamame so I can’t help but enjoy it. Some of them are a bit crisp, and there’s lemon juice and salt on it. It is so tasty. They course things out so you can really take your time and enjoy everything.

9 p.m.: Dessert on and off screen

We’d probably come back home, have a little dessert and watch either “The Great British Baking Show” or “Below Deck,” a drama-packed look inside the world of private yachting. You also get a good view of the interesting people who rent these yachts, and whether they’re good tippers or not.

11 p.m.: Go to bed, after a laugh

We’d go to bed but probably stay up for an hour just talking and laughing before we actually fall asleep. That would be a perfect Sunday.

A MOVIE star from a hit 80s box office smash looks so different from his hunky role.

At 79 years of age, the actor headed out on a walk in Los Angeles last week while looking unrecognizable from his heyday when he wore his hair in brown curls.

Sporting a full head of white hair – which is a far cry from his curls when he took on his starring role – the acting sensation looked casual as he walked his dog in some laidback attire.

The actor, who starred in Flashdance back in the 1980s, rocked a navy blue fleece with some denim shorts, blue socks and a pair of loafers.

Concealing his identity with a pair of sunglasses, the movie star smiled as he walked his dog around LA.

He starred opposite Jennifer Beals in 1983 before taking on roles in The O.C., Yellowstone, and many more. 

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Have you guessed who he is?

It’s Michael Nouri who played the iconic role of hunky Nick Hurley in Flashdance.

But despite his huge role in the box office smash hit, Michael has revealed his career stalled after his next movie Sea Trial was shelved indefinitely.

Speaking out on the Still Here podcast last year, Michael said: “After Flashdance, that was the time to strike while the iron was hot.”

He went on: “Billy Friedkin got in touch with me and told me he wanted me to be in his new movie with Barbara Hershey.

“It was called Sea Trial, and it was going to be done at 20th Century Fox, and Fox wanted to turn around and that movie was shelved, so the momentum from Flashdance was dissipated.”

After his career stalled, he landed a role in Bay City Blues alongside Basic Instinct star Sharon Stone. 

“But while I was in Tokyo promoting Flashdance I got a call from my agent who said that Steven Bochco was interested in having me be in a series of his called Bay City Blues, and Bay City Blues lasted for 13 episodes,” he explained. 

Michael went on: “It had an unknown, wonderful actors, including an unknown actor named Sharon Stone.

“So my point is that the momentum, the huge momentum, that Flashdance created, just you want to keep the momentum going.

“Hopefully, when you have one big hit, you want to follow it up with something else, something equally good or better, just to keep you out there.

“And that did not happen.

“So I went from Bay City Blues to a succession of TV shows, independent movies, and so on, but nothing of the magnitude of Flashdance.”

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Though he has had little success with finding another huge role like in Flashdance, he has still been successful.

He has starred in The Proposal, The Watcher and NCIS, as well as Kim Kardashian’s recent Hulu hit All’s Fair.

VOV 130: The Long Walk to Survival | RSS.com

You are nine months pregnant, barefoot, and running through thorns, dust, and fear. For nearly a decade, Ya Busam Ali has lived in displacement, walking miles each season to farm land controlled by terrorists, just to keep her and her children alive.

This episode of VOV follows the story of her survival, resilience, and the loud strength that keeps her moving forward.

Reported and scripted by Sabiqah Bello

Voice acting by Azara Tswanya

Multimedia editor is Anthony Asemota

Executive producer is Ahmad Salkida