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3 itineraries for the perfect Los Angeles girls’ staycation

Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations in our new series, L.A. Times Concierge.

I want to plan a weekend “staycation” with two of my girlfriends. They have kids, I don’t. This weekend would be adults-only. We are longtime friends who thought about getting out of town, but now feel that option is too expensive. We’re not heavy drinkers, but do like cocktails and good food. One of us doesn’t eat meat. We all love the outside, but would prefer to sit in the shade (to protect our skin and to be outside longer). We love dancing and live music. One of us is an avid walker.

Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.

Can you suggest some things to do to have a restful, relaxing and energizing weekend that is affordable and can help make unique memories? — Stephanie Perea

Here’s what we suggest:

I love your idea of doing a staycation as opposed to going out of town. It’s definitely cheaper and easier to plan (especially for moms). Plus, it’s fun to play tourist in your own city. I’ve put together three mini itineraries in different areas to give you some options. All of the hotels mentioned have rooms with double beds at rates under $250 a night (before taxes and fees).

The first place I usually recommend to visitors is the Line in Koreatown because it’s centrally located and there are loads of things to do nearby. The aesthetically pleasing hotel has a rooftop pool, a highly Instagrammed greenhouse restaurant and the ’80s-themed speakeasy with karaoke suites. Within walking distance — because you’d easily waste an hour trying to find parking — there are also several yummy restaurants. In this guide to Koreatown, Jeong Park recommends Sun Nong Dan for a delicious Korean breakfast (“get there before 10:30 a.m.,” he notes) and Guelaguetza for Oaxacan staples. If you’re a fan of Sundubu-jjigae (spicy tofu stew), my personal favorite is BCD Tofu House, which is a short walk from the hotel and stays open until 3 a.m. on most nights. It’d be criminal to not visit a Korean spa while you’re there, so check out Olympic Spa. I recently got a massage there after a stressful week and it brought me back to life — no exaggeration. For fun activities, you can take your pick from the many karaoke bars in the area, go dancing at Apt 503, take a virtual swing at W Screen Golf or bowl a strike at Shatto 39 Lanes.

For a Westside option, my colleague Christopher Reynolds suggests the lively Hotel Erwin in Venice, which “has a rooftop bar, hip vibe and a location close to the boardwalk,” he says. Some standout restaurants in the area, according to senior food writer Danielle Dorsey, are Si! Mon, Dudley Market and Wallflower (which is vegan, vegetarian and gluten free-friendly). She also suggests taking “a stroll through the Venice Canals, which is decorated during the holidays.” Take a short drive to Santa Monica for a pastry and coffee at Bread and Butter, which you can enjoy as you walk along the beach. My colleague Hanna Sender, who lives in the area, says, “I also love taking visitors to Bergamot Station for comedy at the Crow and food at Le Great Outdoor.” To achieve the ultimate relaxation, visit Tikkun Holistic Spa, featured in our Times guide to under-the-radar spas. Writers Elisa Parhad and Danielle Roderick noted that it garnered notoriety when Goop reported on its ancient vaginal steam therapy, but that its services are beloved for having “a more holistic bent than straightforward body scrubs.”

Another neighborhood that would be fun to explore during a staycation is Culver City. The Hilton has affordable rooms, but if you don’t mind splurging a bit, the charming Culver City Hotel is a great option. It’s located downtown, which is also home to an array of restaurants and shops including the infamous Erewhon. Start your day with a short hike at the Baldwin Hills Scenic Overlook, which offers a breathtaking view of the city. (If you’re feeling extra adventurous, you can even challenge yourself to the 282-step staircase.) Dorsey also recommends Destroyer for brunch and Merka Saltao for an affordable lunch. I recently tried the Japan-born ramen shop Mensho Tokyo and I haven’t stopped thinking about it since. For a relaxing activity, get a facial at Formula Fig, but when you’re ready to dance, head over to Blind Barber, a speakeasy that has live DJs throughout the week.

I hope these suggestions help you plan your relaxing staycation. If you’re anything like me, simply being with your girlfriends — no matter where you end up — is always a good time and a necessary recharge. *Cues the “Girlfriends” theme song by Angie Stone.*



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‘The Man in the Tuskhut’ leans into the bizarre, campy

Two years ago, at Jason Woliner’s birthday party, there was a strange guest in attendance. Mysterious, wise, uncanny — it was an animatronic robot cowboy named Dale. In the years prior, Woliner had become transfixed by immersive theater and animatronics, prompting him to purchase Dale. Woliner’s obsession with him became akin to Frankenstein and his monster.

Dale’s presence was a triumph. Using a complex software system, Woliner made the animatronic conversational. “I set him up in my garage. People came in and asked him questions, and he gave advice on relationships,” Woliner says.

A disquieting collection of animatronics became fixtures in the director’s life. More encounters ensued. Dale hosted an event at the Dynasty Typewriter theater in place of Woliner. Later, another one of his animatronics had campfire-side chats with audiences at the Overlook Film Festival in New Orleans. Woliner’s creative partner of 15 years, Eric Notarnicola, joined the endeavor as well.

Notarnicola and Woliner, known for comedy projects like “Nathan for You,” “The Rehearsal,” “Paul T. Goldman” and “Borat Subsequent Moviefilm,” found that animatronics aligned with their body of work — absurd, amusing and occasionally devastating explorations of truth and vulnerability.

Dale — now better known as “the man” — this month will host guests at the Velaslavasay Panorama in a show called “The Man in the Tuskhut.” The Nova Tuskhut is a space within the venue designed like an Arctic trading post. For the show, attendees have a one-on-one encounter with the man in the Tuskhut. That’s after watching a documentary about frontiersman Henry James Entrikin, enjoying a drink at a saloon and grilling hot dogs.

“We started experimenting with this weird, interactive, intimate conversation with an animatronic and building it into a story that is surprising and maybe funny and maybe unsettling — something that leaves you with an unusual experience,” Woliner says.

Three people stand behind a bar with two animatronics at a table before them.

From left to right, Ruby Carlson Bedirian, Eric Notarnicola and Jason Woliner, who collaborated on “The Man in the Tuskhut,” stand behind the saloon with animatronic skeletons.

(Carlin Stiehl / For The Times)

The animatronic improvises in conversation based on a story outline written by Woliner and Notarnicola. Inside the Tuskhut, the animatronic spurs surprising encounters with guests, Notarnicola says. “Some people come in and play a character. If they’re interested in role-playing, then they get to do that. Other people play it a lot more straight,” he says.

The buzzy show, not advertised on social media, has been gaining popularity through word of mouth. “We haven’t spent a penny on marketing,” says Woliner. The collaborators have sold out 200 encounters with the animatronic, hosting 20 encounters per day.

In the Ken Burns–style sepia-stained historical documentary, visitors learn that the man was killed by “Arctic cold that was both his companion and his adversary.” His travels include encounters with Inuit people, snow blindness and a stinging need for solitude that leads him to abandon his family for a life in the Arctic trading post. The documentary echoes the protagonists of Jack London novels — men up against the wild, grappling for survival — a trope Woliner enjoys.

“We’ve done a few things with those kinds of lonesome, filthy men,” Woliner says with a laugh.

Once inside the Tuskhut, visitors sit across from the man in a dimly lighted room. Hooks line the walls. Medicine cabinets collect dust on bookshelves — ones with “remedies for ailments, some imagined, some real.” Later, the man muses: “Real medicine is having something to believe in.” A radio buzzes in the background with static and news of “that Hitler fella,” as the man says. The bizarre encounter is different for each visitor who sits in his haunting gaze.

“Some people have had experiences that seem similar to going to a confessional or to a therapy session because some of the prompts and questions are open,” says Sara Velas, founder of the Velaslavasay Panorama and collaborator on the project. “People say: ‘I hadn’t heard someone talk to me in that tone of voice since my grandfather was alive.’ It’s a framework with many different outcomes, and it has been really special to observe.”

Three peole sit in blue theater chairs next to an animatronic skeleton.

From left to right, Jason Woliner, Ruby Carlson Bedirian and Eric Notarnicola next to an animatronic skeleton.

(Carlin Stiehl / For The Times)

Notarnicola says the scope of animatronic entertainment technology is far-reaching across language and culture. “We’re able to run the experience in over 30 different languages. We’ve run the experience in Spanish, Slovak, Polish and Chinese,” he says. “It removes this boundary of communication where anyone, anywhere can experience it and communicate.”

Ruby Carlson Bedirian, head of engineering and enrichment at the theater and collaborator, says many visitors try to stump the animatronic or break it. “Many of the people coming are, proportionally, insiders — they’re interested in this form,” Carlson Bedirian says. “There have been so many artists and technicians and specialized artisans who have had really amazing interactions.”

The animatronic had a storied history before joining Woliner and Notarnicola’s world. As they discovered, the robot was manufactured as part of a U.S. military operation. It was used in an immersive training facility at Camp Pendleton to prepare soldiers for the war in Afghanistan. By a bizarre twist of fate, it ended up in the filmmakers’ possession through eBay, after a man named Juju kept the animatronic in his living room in Florida.

“We found them through Reddit — there’s an animatronics-for-sale Reddit — and a guy had posted that he was trying to unload them,” Woliner says. Woliner spends time on the animatronic Reddit alongside Disneyland and Chuck E. Cheese enthusiasts.

One of the animatronics even appeared in the most recent season of “The Rehearsal.” “We’re trying to use them for good,” Woliner says.

“The Man in the Tuskhut”

When: Dec. 11-14 and Dec 19-20 with more dates to be announced next year

Where: The Velaslavasay Panorama, 1122 W. 24th St. in Los Angeles

Tickets: $45 at Ticket Tailor

For Woliner and Notarnicola, “The Man in the Tuskhut” is only the beginning of their venture with animatronics. “We have other shows in development, and other things we want to do that are bigger — multiple characters. This is just the beginning of where this form of interaction and entertainment is headed,” Notarnicola says. The creative duo recently launched Incident, a new experimental entertainment company dedicated to these otherworldly projects.

Woliner is enthusiastic about being part of a growing community of interactive experiences in Los Angeles. “I’m most excited about being part of the offbeat L.A. community,” he says.

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