In its second week of release, the sophomore season of “Paradise” is already at its midpoint. And it just delivered one of the season’s shocking twists with the death of — don’t worry, we won’t spoil it for you.
The post-apocalyptic drama, which dropped its fourth episode this week, has ventured outside bunker life this season as our Secret Service protagonist Xavier (Sterling K. Brown) continues his journey through Atlanta to find his wife — and now, he’s got a baby to keep safe in the process. Meanwhile, back inside the idyllic simulated town in the depths of Colorado, which anchored the first season, things have started to unravel and the fight for control intensifies. And the mastermind behind it all — Samantha “Sinatra” Redmond (Julianne Nicholson), the tech billionaire who set up the bunker town after a massive catastrophe threatened the extinction of the human race — isn’t MIA anymore. Last seen unconscious in a hospital bed after being shot, she’s awake and ready to regain order and control. Nicholson stopped by Guest Spot to talk about what she finds intriguing about her character’s motivations.
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Also in this week’s Screen Gab, our recommendations include an ever timely reminder from Anthony Bourdain on the gift and privilege of discovering a new culture and engaging it without judgment, as well as a suburban noir starring a trio of TV heavyweights that spins middle-age malaise, swinging and murder into an addictive tale.
Read on. Then press play and give your thumb a break from all the fast-forwarding you did while watching the wedding episode of this season’s “Love is Blind.” See you next week.
— Yvonne Villarreal
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Recommendations from the film and TV experts at The Times
Anthony Bourdain visits Havana in 2015 for an episode of “Anthony Bourdain: Parts Unknown.”
(David Scott Holloway / CNN / Turner Entertainment)
“Anthony Bourdain: Parts Unknown” (HBO Max)
It was Bourdain’s masterpiece, the last and best of his several series, and arguably the greatest travel show ever. Bourdain will occasionally fetch up at some fancy eatery, but the heart of any cuisine is formed on the street, or in the country, or along the sea. As a story of how people live, with a good bit of historical context thrown in, the series is explicitly and implicitly political, philosophical and autobiographical; Bourdain has no time for bigots, fascists or bullies — or, one would imagine, McDonald’s cheeseburgers — but he revels in complexity and contradiction. (See Season 4, Episode 6, “Iran.”) The episode on Massachusetts encompasses clambakes and heroin. “I visited and learned to love many places not my own,” says the host, “cultures and beliefs very different from the Upper East Side of Manhattan.” They include, among many other places, Cuba, Ethiopia, Beirut, Buenos Aires, Hanoi, Sri Lanka, Puerto Rico, Scotland, Borneo, Los Angeles and Hanoi, where he sits down with then-president Barack Obama in a family-run noodle shop. Gorgeously filmed, the series can be heartbreakingly beautiful, and sometimes plain heartbreaking. There are 12 seasons running from 2014 to Bourdain’s death in 2018, and I can’t help but believe that anyone who watches them attentively will come out a better person. — Robert Lloyd
Jason Bateman, Linda Cardellini and David Harbour in “DTF St. Louis.”
(Tina Rowden / HBO)
“DTF St. Louis” (HBO Max)
The true-ish crime series about a deadly love triangle is so wonderfully twisted and unexpectedly deep, it’d be criminal to miss this dark comedy starring David Harbour, Jason Bateman and Linda Cardellini. Initially inspired by a real scandal (covered in the 2017 New Yorker article “My Dentist’s Murder Trial: Adultery, False Identities, and a Lethal Sedation”), it evolved into something else. Set in the suburbs of St. Louis, the seven-part series follows fastidious local news weatherman Clark (Bateman), the TV station’s guileless sign language interpreter Floyd (Harbour) and Floyd’s calculating wife, Carol (Cardellini), as each grapples with a middle-age identity crisis. Seeking to spice up their sex life, the men join the discreet, eponymous hook-up app, and one of them ends up dead. Solving this peculiar whodunit is anything but predictable, and the case consumes seasoned detective Homer (Richard Jenkins) as well as young crimes officer Jodie (Joy Sunday). But it’s the quest for connection among all these misfit characters, including Floyd and Carol’s troubled son Richard (Arlan Ruf ) and an unlikely hookup (Peter Sarsgaard), that makes this series so powerful. — Lorraine Ali
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Julianne Nicholson as Sinatra in a scene from Season 2 of “Paradise.”
(Ser Baffo / Disney)
If you see Nicholson on screen, you know things are about to get good. She consistently and compellingly delivers strong performances in some of your favorite films and TV shows, whether she’s expressing both quiet strength and palpable desperation as a mother in “Mare of Easttown” or bringing comedic pizzazz as a social media star in “Hacks.” Her latest captivating performance, in Hulu’s “Paradise,” brings power to a complicated character. She plays Samantha “Sinatra” Redmond, a deeply emotional and eerily ruthless billionaire mastermind responsible for the underground bunker city that grounds the series. Driven by the intense grief of losing a son and a desire to control her environment to protect her family, the character is faced with trying to regain order of the simulated utopia after tension and chaos erupts. Over email, Nicholson shared her thoughts on the morally ambiguous character and the Dustin Hoffman film that brings her comfort. — Yvonne Villarreal
Sinatra is not the usual “villain” in a post-apocalyptic story. Despite her approach, there is an altruistic motive, at least initially, that drives her actions. Which version of her fascinates you the most: pre-global disaster Samantha, who is trying to figure out a way to protect her remaining family, or post-apocalyptic Sinatra, who is closer to facing a reckoning in the aftermath of what she’s created?
I am especially interested in Sinatra after she wakes from the coma. Finding the balance between vulnerability and control. Taking back her power while also recognizing no amount of it or money will necessarily keep herself/her family safe. And then the idea that the bigger picture she’s been working towards the whole time may actually be coming true with the introduction of Link [Thomas Doherty], and who he may be to her, cracks her wide open.
There have been real-life assessments of the power billionaires wield and their influence in the White House — those figures are primarily men. How have those conversations shaped your performance or how you think about the power dynamics of “Paradise’s” fictional world?
I love that Dan Fogelman wrote the most powerful person in the room as a woman. Normalizing women in power can only be a good thing. Even if we don’t necessarily agree with her tactics, she sure is fun to play. I love her take no prisoners/no apologies attitude.
This season Sinatra wakes from her coma and faces a new obstacle in Jane (Nicole Brydon Bloom). What intrigues you about how they play off each other and how Sinatra is navigating the threat Jane may pose?
One of the most fun scenes to play in Season 2 was when Jane is trying to find out what Sinatra remembers of the shooting. The wonderful director, Ken Olin, really encouraged us to make a cat and mouse game of it with neither giving anything away. And I love we don’t ever find out what Sinatra remembers. I think it’s a real case of keep your friend close here. Sinatra realizes Jane is much more valuable as an ally than an adversary.
In “Paradise,” Sinatra (Julianne Nicholson), left, was last seen in a coma after being shot.
(Ser Baffo / Disney)
You delivered a brilliant performance in Season 4 of “Hacks” as TikTok sensation “Dance Mom.” What’s a memory that stands out from filming those scenes? And did you find yourself giving a dance lesson on the set of “Paradise”?
I loved every moment of working on “Hacks.” I loved having dance/choreography sessions with Cory Baker in the run up to filming and the utter absurdity of the “boofing” scene. I also almost lost it when DM was passed out on the stoop on Wisteria Lane and Jimmy [Paul W. Downs] and Kayla [Megan Stalter] come driving around in the golf cart looking for her and shouting, “Dance Mom!” That name alone is so funny to me. Alas, there were no dance lessons in “Paradise.”
What have you watched recently that you are recommending to everyone you know?
I was blown away this year by the film “Sirât.” I recommend but also warn as it is a deeply affecting, intense film and not for the faint of heart. I love its exploration of a world I know nothing about (a traveling rave culture set in Morocco), the humanity in it and the real faces and performances of the actors. [And] its originality and bravery.
What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?
“Tootsie” is one of my favorite films and I can watch that any time. It’s partially nostalgic as I remember watching it in the theater when it came out and I was so taken with NYC at that time. The tall buildings, yellow cabs and hustle and bustle. It’s such a smart comedy with brilliant performances across the board, starting with Dustin Hoffman but each actor is as perfect as the next! So much heart and depth without ever taking itself too seriously. And just very, very funny.
The cause of death for Peter Greene, a character actor known for playing villains in movies including “Pulp Fiction” and “The Mask,” has been revealed by New York City’s Office of Chief Medical Examiner.
Police found Greene, 60, dead in his apartment Dec. 12. They didn’t suspect foul play.
His death was ruled an accident, the M.E.’s office said via email. Greene died from a “gunshot wound of left axilla with injury of brachial artery,” the office said. In everyday English, that means he shot himself in his left underarm and injured a significant artery that starts in the shoulder and runs down to the elbow crease.
Police found the character actor in his Lower East Side apartment, Deadline reported, after neighbors heard Christmas music playing for days and one of them called authorities and the landlord for a wellness check.
Greene had a history of addiction, per the New York Post, and attempted suicide in the 1990s. He was scheduled to go in for a procedure to remove a benign tumor near his lung on the day he was found, the outlet said. His manager had talked to him two days before he was found.
“He sounded OK … It was just a totally normal conversation. He was a little nervous about the operation going in, but he said it wasn’t super serious,” manager Gregg Edwards told the Post in December. “He was talking about that and hoping that I was going to be OK and wishing me well as I was wishing him well. We’re good friends. I love the guy.”
Greene’s best-known role was the villain Zed, who was brought in to torture Bruce Willis and Ving Rhames’ characters in Quentin Tarantino’s 1994 classic “Pulp Fiction.” In “The Mask,” also released in 1994, he played mobster Dorian Tyrell, antagonist to Jim Carrey’s Stanley Ipkiss, a.k.a. the Mask.
Those roles came only a couple of years into Greene’s career, which per IMDb included nearly 100 TV and film credits from 1990 to 2026. His TV credits included episodes of “Chicago P.D.,” “Hawaii Five-0,” “Law & Order,” “Justified” and more.
He started out with parts in a couple of TV shows in the early 1990s before landing the lead role in “Laws of Gravity.” In 1995, Times movie critic Kenneth Turan called the 1992 film “independent American filmmaking at its best” and described Jimmy (Greene) as “a small-time street outlaw who, though horrified at the thought of actual work, is stable by local standards” in Brooklyn’s then crime-ridden Greenpoint neighborhood.
The New Jersey native, born Oct. 8, 1965, studied Method acting at the Lee Strasberg Theatre & Film Institute in New York City when he was in his 20s. He told Premiere magazine in 1996 that he ran away from home at age 15 and lived on the streets, using and dealing drugs and hiding from other dealers in theaters, where he got into acting. His drug use overlapped with his early success on screen.
After a 1996 suicide attempt, the actor said, he got treatment for addiction and sobered up.
Line of Duty is back for a new series – with Adrian Dunbar, Vicky McClure and Martin Compston all reprising their roles for the seventh series
05:55, 17 Feb 2026Updated 05:56, 17 Feb 2026
Line of Duty is back for a brand new series – with a plot twist being revealed(Image: BBC)
Line of Duty is back for a new series – and now a big plotline has been let slip ahead of the new episodes. The BBC show – featuring Adrian Dunbar, Vicky McClure and Martin Compston – ended four years ago but will make a return for a seventh series.
In a shocking turn of events, the fictional police anti-corruption unit AC-12, which investigates bent coppers, finally unmasked the mysterious ‘H’, who was unmasked as bumbling detective Ian Buckells.
Fans were left fuming by the big reveal – which had been years in the making – and begged for the show to continue. It is now back, with the unit having been ditched and rebranded as the Inspectorate of Police Standards.
In the story, Detective Inspector Dominic Gough, a charismatic officer winning plaudits for a string of takedowns of organised crime, is accused of abusing his position of trust to act as a sexual predator. But the team must work out whether Gough’s case is actually a deliberate distraction from a bigger threat.
Creator Jed Mercurio said of the upcoming new series: “Everyone involved in Line of Duty feels enormous gratitude to the show’s fans. We’re privileged to have had so many of you follow the ups and downs of AC-12 over six previous seasons, and we couldn’t be more delighted to be returning for a seventh.
“Corruption in this country is supposed to have come to an end while Line of Duty was off air so I’ve been forced to use my imagination.”
Martin Compston – who played Steve Arnott since its inception – added: “Line of Duty has been a job of a lifetime. Not only in terms of the show’s success but the people I’ve had the opportunity to work with I now call some of my closest friends. I can’t wait to pull the waistcoat on again and get the team back together.”
Vicky said: “It goes without saying I’m so excited Line of Duty is back – can’t wait to work with Jed, Martin and Adrian again. Belfast, we’ll see you soon!”
With Adrian adding: “As we count down the AC12 days of Christmas what a joy it is to know that the Three Amigos will be back filming together next year. Delighted with the news and looking forward to those mercurial twists and turns.”
Now, sources have claimed that there will be a revisit of the ‘H’ storyline in a shocking twist.
“There was genuine anger about the way series six ended and that was part of the reason that a seventh outing was ordered. But this is the first time that there’s been any news on whether they’ll bring back the ‘H’ storyline — and devotees will be thrilled to hear Jed will be giving them just what they want,” a source told The Sun.
“Although there is still likely to be a new villain introduced into the new season, just as there has been with every series since the show was launched. But the incoming baddie’s storyline is likely to be intertwined with that of ‘H’ in a sensational double-whammy.”
