viewers

Viewers of ITV’s new true crime drama The Lady, starring Natalie Dormer as Sarah Ferguson, have voiced concerns about the timing of the series amid ongoing royal controversy

ITV’s The Lady debuted this evening, prompting immediate reaction from viewers just minutes into the Sarah Ferguson drama.

The four-part true crime series chronicles the devastating story of Sarah Ferguson’s royal assistant, Jane Andrews, whose trajectory from humble beginnings to palace life ended with her being convicted of murdering her partner, Thomas Cressman, in 2000.

According to the opening episode’s description, “Working-class woman Jane Andrews wants more for her life and is unlucky in love.”

It continues: “On the brink of losing all hope, she receives a letter inviting her to interview for a job with Sarah, Duchess of York, at Buckingham Palace. Securing the job, she moves to London – but life in the palace is gruelling, and Jane struggles to fit in, but she and Sarah find common ground in their experiences of love and betrayal.”

Mia McKenna-Bruce portrays Jane Andrews in the ITV production, whilst Natalie Dormer underwent a transformation to embody Sarah Ferguson, Duchess of York, reports the Express.

Within minutes of broadcast, audiences flocked to social media to voice their opinions, with numerous commenters branding it “poor taste” and “bad timing”.

One viewer declared: “Quite possibly, the worst-timed launch of a TV series, ever. #thelady,” whilst another questioned: “Was it the best time to show #TheLady, considering all the controversy around Andrew Windsor and Sarah Ferguson?”

However, a third viewer observed: “ITV couldn’t have timed this any better. It’s pretty good too #TheLady.”

Other viewers concurred, with one stating, “Bad taste at the moment showing anything to do with Sarah Ferguson,” whilst another remarked, “I don’t think this drama could have been timed any better #TheLady.”

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The production also garnered widespread acclaim, with one fan writing, “Ok tunes have me hooked already…..”

Another viewer shared their enthusiasm: “#thelady ok 15 mins in, and I’m hooked! Quality-made drama.”

Tomorrow evening’s second episode, which can be streamed on ITVX, promises: ” Jane meets dashing businessman Luis Castillo, and the two begin a relationship, but tensions soon erupt on a holiday in Greece and she becomes increasingly unstable.”

The synopsis continues: “As Jane’s carefully constructed composure starts to fracture and puts her position with the duchess at risk, a lifeline appears in the shape of the charismatic Tommy Cressman.”

The third episode will subsequently be broadcast next Sunday at 9pm on ITV.

The Lady continues tomorrow evening at 9pm on ITV, with episodes currently available to stream on ITVX.

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Britain’s Got Talent viewers were left divided by the drone performance featuring King Charles’ voice that closed the first episode of the ITV series

Britain’s Got Talent viewers were left split over one particular act that brought the curtain down on the opening episode of the ITV programme.

This year, hundreds of hopefuls will be greeted by award-winning presenters Ant and Dec before showcasing their abilities to judges Simon Cowell, Amanda Holden, Alesha Dixon, and newcomer KSI.

Performers from every corner of the UK and across the globe will be taking to the stage, hoping not only to impress the judging panel but also the voting public, in a bid to scoop the life-changing prize of £250,000 and a coveted spot at the legendary Royal Variety Performance.

Fans were quick to voice their opinions after Somerset act Celestial closed the show with a spectacular mega-drone display. As the judges and audience filed outside, Celestial put on a breathtaking show combining drones and lights.

Towards the finale of the performance, King Charles‘ voice was heard in a poignant tribute, leaving some viewers feeling it “couldn’t have come at a worse time”, reports Belfast Live.

The voice said: “Wherever you may live in the United Kingdom, I shall endeavour to serve you with loyalty, respect and love.

“Our nation and the wider family of realms, of whose talents, traditions and achievements, I am so inexpressibly proud. Have prospered and flourished, which makes us great as a nation.”

Amanda Holden remarked, “I am going to start crying.”

Responding to the act, one viewer wrote: “An act with the King’s voiceover could not have come at a worse time!”

“This is kinda sick #BGT,” wrote one viewer, whilst another chimed in with, “Not good timing but wow this is cool.”

One sharp-eyed fan noted, “Celestial- very cool very different I love it but I can’t see the King going outside to watch it that’s the only thing #BGT.”

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Another raised a valid point, asking: “How is a drone act going to work on the stage at The Royal Variety Show?”

Heaping praise on the heartfelt performance, one devoted viewer declared, “Celestial, best act of the Night #BGT.”

“Well, wasn’t that brilliant? Brought a wee tear to my eye #BGT,” gushed yet another fan.

Britain’s Got Talent is available to watch on ITVX.

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The new Channel 5 programme follows the lives of working surgeons and left viewers moved

Channel 5 viewers were emotional as a doctor battled to save an elderly lady in new series The Surgeon.

The TV series, which started on Channel 5 on Wednesday (February 18), shines a spotlight on doctors, with episode one focusing on bowel cancer surgeon Daren Francis. His first patient was a retired nurse named Doris, who worked for the NHS for over 50 years, with the narrator explaining that it was a “life-threatening emergency” after a blockage was discovered in her bowel.

The doctor had to operate before the bowel ruptured, admitting it was “a major operation” with increased risks given that Doris was 88.

Doris had said that she was in “excruciating” pain, with her daughter explaining further: “Mum was very sick and we weren’t sure whether to come or not because mum doesn’t like to be a nuisance. She doesn’t like, you know, I think being a retired nurse, I think she just doesn’t want to be a bother.”

Dr Francis told her: “It looks like the bowel’s blocked with a growth or a little lump. And that, we’ve got to consider is potentially a malignant or a cancerous growth.

“The plan is to take you to the operating theatre, general anaesthetic, you’ll be asleep, and make a cut in your tummy up and down. And then remove that piece of bowel, which is blocking the rest of the bowel.”

He continued: “So if we leave it there, the bowel can get stretched and stretched, and then eventually it could pop. Time is of essence. So we need to get on and do this. Otherwise, we’ll be in trouble.”

The programme then documented the successful operation, with viewers impressed by the surgeon’s skill. At the end of the episode, it was announced that Doris was recovering at home.

One viewer posted on X, which was formerly Twitter: “3 mins in and I am crying already! surgeons are so compassionate, skilled and amazing!”

Another shared a crying emoji as they posted “What a bloke. Skill and perfect bedside manner with patients.”

Someone else remarked: “”The Surgeon on 5 is phenomenal TV. Daren is an incredible human being. Amazing.”

Another impressed viewer said the surgeon was “fantastic”, as somebody else commented: “People talk about miracles but people like Daren create them here and now for people using his phenomenal surgery skills. Awe inspiring.”

“Never get tired of watching programmes like The Surgeon,” posted another viewer. “Skills beyond belief.”

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The Surgeon airs on Channel 5.

Silent Witness viewers spotted a “huge flaw” just minutes into Tuesday’s episode

Viewers of Silent Witness believed they’d identified a “huge flaw” just moments into Tuesday’s (February 17) pulled episode.

The 29th series of the enduring BBC crime drama premiered earlier this month, with Emilia Fox and David Caves returning as Dr Nikki Alexander and Jack Hodgson, joined by Maggie Steed and Fran Mills as Harriet Maven and Kit Brooks.

The programme has now relocated to Birmingham, delivering five compelling new investigations across ten instalments. Silent Witness has recently experienced multiple schedule changes, after this evening’s episode was withdrawn from broadcast last week in light of a horrific incident that occurred in Birmingham.

A BBC representative informed TV Guide at the time: “Due to the attack in Birmingham over the weekend, this week’s episodes of Silent Witness will not transmit as planned and instead they have been replaced with two episodes from later on in the series,” reports the Express.

Just a week after the adjustments, the programme made its comeback to BBC One this evening, airing the opening chapter of The Enemy Within.

During the episode, the forensic specialists were tasked with examining a fatal knife attack in Birmingham. Initially, the incident seemed to bear the hallmarks of racial motivation, but as enquiries progressed, the team gradually discovered evidence suggesting a probable perpetrator.

As the team persisted in pursuing clues, racial tensions rapidly intensified throughout the city. At the same time, Jack discovered that his new gym mates weren’t who he thought they were, whilst Kit started having second thoughts about her relationship with DC Jonno Magath (Gerard Kearns).

The episode boasted a star-studded cast list, with guest appearances including Chris Reilly (Slow Horses), Selin Hizli (Am I Being Unreasonable?), and Phaldut Sharma (EastEnders).

However, just moments into the episode, BBC viewers spotted a “huge flaw”. Many fans believe that the episode was originally intended to be the series opener, after Nikki was shown cheerfully walking through the new Bowman Centre, whilst Harriet kept getting lost on her way to work.

“Does anyone actually know which order the episodes are actually supposed to run in because I assumed this one was just swapped out for Creekwood last week but seems to make more sense as the first episode of the series before Alice Hill?” one person wrote on X (formerly Twitter).

Another added: “So we can all agree this was originally meant to be episode one, right?” whilst a third said: “I’m sorry but where did all these people working there suddenly come from.”

A fourth fan echoed the sentiment, saying: “I’m so confused by the order of these eps. This looks like the first ep not last week’s. Huge airing flaw or what?”

Silent Witness is available to stream on BBC iPlayer

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Silent Witness fans should watch another crime drama set in Scotland.

The alternative forensic drama for Silent Witness fans is the perfect binge.

Devotees of Silent Witness are being encouraged to discover another forensic drama that debuted on the BBC in 2021, following recent scheduling adjustments to the latest instalments.

The crime thriller centres on three female forensic experts – Emma Hedges (portrayed by Molly Windsor), Sarah Gordon (Laura Fraser) and Kathy Torrance (Jennifer Spence) as they piece together evidence in a murder investigation and secure a conviction.

Traces unfolds in and around Dundee, though viewers might find it intriguing that most of the BBC production was actually shot in Bolton, Manchester.

Created by Val McDermid and Amelia Bullmore, the drama tracks Emma Hedges, a laboratory technician returning to her native Dundee for a fresh position.

Beyond her professional duties, she harbours a personal quest to uncover the truth surrounding her mother’s killing.

Initially broadcast on Alibi, both series subsequently transferred to BBC One, with the final episode of the 12-part run transmitted in 2024.

Fraser portrays Sarah Gordon, a Chemistry professor at the University of Tayside who becomes Emma’s superior at SIFA.

Spence takes on the role of Kathy Torrence, a forensic anthropology professor at the University of Tayside and fellow SIFA colleague.

Viewers flocked to IMDb to express their opinions on the programme, with craigpetterson noting: “Set in Dundee, Scotland, great performances by the cast. Keeps the viewer hooked until the end.”

They added: “Congratulations to Alibi for commissioning and producing such a high quality production in Scotland.”

Barryrd enthused: “I was glued to Britbox watching the first season of this highly enjoyable show. This great drama consisted of several episodes and showed how a young woman, who lost her mother as a child, struggled valiantly to find out the truth of her mother’s death.

“The story had me transfixed to my screen and highlighted the science of forensics which is such a fascinating part of solving crimes in the 21st century.”

Bella-10103 praised the series as “addictive”, adding: “Binged watched this over a couple of days, absolutely loved Traces.”

Lyninbyron summed up: “I binge watched in one day. I had to! Riveting story, great cast but missed quite a bit of the dialogue due to fast, garbled lines.

“That said, I rate it a 10 for being excellently written. Series two please, can’t wait. Congratulations to all involved.”

Traces is currently airing on NOW.

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We’ve seen animated animals belt out tunes in the “Sing” movies. We’ve learned about “The Secret Life of Pets” (twice). And we’ve visited them in “Zootopia” (also on two occasions). Now we get to see them play basketball. “Goat,” produced by Golden State Warriors prodigy Stephen Curry, is yet another underdog story about following your dreams wrapped in a by-the-numbers sports movie. It feels utterly unoriginal on multiple fronts.

Taking the popular acronym GOAT (Greatest of All Time) to its most literal form, the first feature by TV animation veteran Tyree Dillihay — from a screenplay by Aaron Buchsbaum and Teddy Riley — follows an anthropomorphic young goat who aspires to become the GOAT.

A lifelong fan of roarball (this film’s version of basketball), Will, who is voiced by Caleb McLaughlin, dreams of playing for his hometown team, Vineland. His admiration for the sport is embodied by Jett Fillmore (Gabrielle Union), Vineland’s most accomplished player, who carries the entire team on her back — she wants all the glory of victory for herself.

The world of “Goat” is divided between “smalls” and “bigs” (unlike “Zootopia” where the separation is between predators and prey). Will considers himself a “medium” but in the eyes of professional roarball players, he’s tiny. Still, after going viral for bravely challenging Mane Attraction (Aaron Pierre), one of the sport’s major stars who is double his size, Will lands a chance to play in the big leagues.

To the credit of the writers, roarball is a rather inclusive sport. There are no gendered teams, nor any discrimination based on species. Will might be the first “small” to make it big, but that stems from the public’s prejudice, not from rules that ban animals like him from playing.

Desperate for instant relevancy (like plenty of animated features these days), “Goat” is steeped in vapid internet references, from crypto to online memes. Sports fans, however, will find specific allusions, like contentious press conferences and even the kiss cam. Rowdy and kinetic from start to finish, “Goat” does in fact reflect the fast-paced dynamism of basketball, but it soon reveals itself a sugar rush without much substance.

Once Will joins the team, a “never meet your heroes” lesson ensues, since Jett feels like he’s usurping her position. Animosity on her part creates tension until Will opens up about his personal reason for playing. The emotions are not complex here, but they are heartfelt, thanks to how McLaughlin and Union conjure up larger-than-life personalities via their voice performances.

Meanwhile, Will’s other teammates — a rhinoceros, a giraffe (played by Curry himself), an ostrich and a Komodo dragon — don’t feel distinct enough from the ensemble casts of other animated projects like “Sing.” Each member of the assortment has their quirks, some of which occasionally yield a chuckle: Archie (David Harbour), the rhino, has two comically violent kid daughters.

There’s no denying “Goat” has a vibrant aesthetic, but that alone can’t overwrite its defects. Back in 2018, Sony Pictures Animation dazzled the industry when “Spider-Man: Into the Spider-Verse” introduced an approach that mixed 3D CGI with traditional hand-drawn animation. This combination of techniques doesn’t make “Goat” particularly unique anymore.

What’s most impressive, visually, about “Goat” is the way the natural world blends with the urban settings. Vineland, Will’s neighborhood, is indeed covered in vines and yet the vegetation appears organically integrated into the infrastructure. Each game takes place in a different ecosystem. The finale, for example, unfolds amid cracked volcanic rocks and lava. There’s visible handcraft and care in creating these backdrops for the action.

A mixed bag of eye-catching imagery and formulaic writing, “Goat” disappoints because it follows every expected path toward a triumphant conclusion. Its premise could have offered up a kid-friendly reading on failure that doesn’t simplify a way out of adversity. If talking animals will continue to be used as surrogates for human experiences — especially for young viewers — some nuance would be appreciated.

Defense wins championships and Super Bowl LX showed it can get ratings too.

NBC’s Sunday telecast of the Seattle Seahawks’ 29-13 win over the New England Patriots averaged 124.9 million viewers according to Nielsen data, falling short of the record of 127.7 million set last year on Fox.

Seattle’s smothering defense preventing New England from ever getting on track in the game at Levi Stadium in Santa Clara, Calif., was more appreciated by serious football fans than casual watchers. But the controversy surrounding the event with halftime performer Bad Bunny likely stoked additional interest.

Bad Bunny’s halftime show averaged 128.2 million viewers, higher than the game overall. The performance aired after the second quarter, when the game was still close and hit a peak of 137.8 million viewers.

The NFL’s selection of Bad Bunny riled up right-wing commentators who objected to having an artist singing only in Spanish performing at the premier U.S. sporting event of the year. Bad Bunny has also been outspoken over the Trump administration’s aggressive tactics in removing undocumented immigrants. He skipped the mainland U.S. on his last tour, citing fears that his fans would be targeted by Immigration and Customs Enforcement.

Right-wing activist group Turning Point USA presented an alternative halftime show on YouTube, which topped 6 million viewers, a surprisingly high number considering details of the program were not revealed until days before game day. A concert featuring Kid Rock and several lesser-known country artists did not get a strong critical reception on social media.

But the audience size showed that a hot musical act could attract a significant chunk of the audience already gathered to watch the game.

“More bands should go head to head with the halftime show and not in a political way,” said one rival network executive not authorized to comment publicly. “It would be a good stunt for HBO Max or some other company that’s not an NFL rights holder.”

Nielsen’s improvement to its measurement of viewing through internet connections and set-top boxes — which boosted NFL TV ratings throughout the season, also likely helped the Super Bowl LX number. The additional data was incorporated into TV ratings starting in September.

Another 3.3 million watched the Spanish-language broadcast on Telemundo. NBC did not release data for viewing on its Peacock, saying only that it was the biggest day ever for the streaming platform.

NBC sold out the commercial time for the game at an average price of $8 million for a 30-second spot, with some going for $10 million. USA Today’s annual “Ad Meter” panel chose Budweiser’s “American Icons” as its favorite commercial on the telecast.

Lord of the Flies fans were left less than impressed with the BBC’s adaptation of the classic novel with some viewers even “switching off” just minutes into the thriller.

Lord of the Flies fans are united in their reaction as William Golding’s 1954 masterpiece receives its first television adaptation on BBC One.

Fans of the classic novel have been anticipating the BBC’s interpretation of this survival story, particularly given the screenplay comes from Jack Thorne, co-creator of Adolescence.

Following a plane crash on an uninhabited island, a band of schoolboys must fend for themselves and maintain civilisation, but when Jack (portrayed by Lox Pratt) develops a bloodlust for hunting, order descends into brutality and disorder.

Whilst anticipation ran high for Lord of the Flies’ debut on BBC One, numerous viewers were swift to criticise the programme’s distinctive cinematography.

One person wrote on X, formerly Twitter: “I love the Lord of the Flies book but this filmmaking style is horrific. This is too ‘cinematic’. It’s only bleedin’ TV!”

Another remarked: “Nope. Can’t watch this fish eye lens car crash”, whilst a second viewer agreed: “Something not quite right about this – but gonna give it a chance.”

They added: “Feels off – is it the weird colours, fisheye lenses shots, kid actors or general vibe. Not sure.”

Someone else complained: “Really *not* a fan of the fisheye lens they’re using on Lord Of The Flies and blurred distorted periphery.”

They continued: “Look at me screams the cinematographer – takes you out of the film and gives a surreal disorienting feel we don’t need.”

Another viewer queried: “What’s going on with the camera work, why is the cameraman in the sea? Did someone get a fish eye lens for Christmas?

“Sorry, the BBC’s Lord Of The Flies is proving to be a hot mess”, another viewer remarked.

“Everything from unmotivated shots and cinematography to performances, casting, delivery, music score and tone.

“Could never do justice to the book but was hoping for something more than this.”

One more chimed in: “This is unwatchable, terrible cinematography, someone’s dialled up the ‘Vivid’ filter to 100.”

Additional critics complained the adaptation was “boring” and “awful”, with someone else declaring: “While everyone is raving about Lord of the Flies on BBC, I’m not, I’m switching off…it’s c***.”

However, not all reactions have been negative, with one supporter noting: “Very impressed by the new adaptation of Lord of the Flies so far”, whilst another stated: “Enjoying it so far, what fantastic actors.”

Lord of the Flies comprises four episodes, with each instalment presented through a different character’s viewpoint.

The opening episode unfolded through Piggy’s (David McKenna) perspective as the youngsters adjusted to their island existence, though the episode concluded dramatically with them accidentally starting a devastating blaze that engulfed the surrounding trees.

The question remains: how will the group cope following this traumatising event?

Lord of the Flies airs every Sunday on BBC One and BBC iPlayer.

Even the Harry Potter star in the cast failed to save this 1990s film from ridicule

A forgotten period drama based that was slated by viewers has just been made available for free streaming.

Emily Bronte’s classic and controversial novel Wuthering Heights has inspired countless film and TV adaptations, with the most recent starring Margot Robbie and Jacob Elordi hitting cinema screens in a matter of days.

However, years before Emerald Fennell adapted the page-turner for the big-screen in 2026, there was another that released back in the nineties. It starred Ralph Fiennes as the brooding Heathcliff opposite Juliette Binoche as Catherine Earnshaw, while Peter Kosminsky sat in the director’s chair.

Despite the starry cast, the 1992 release struggled to win over critics in particular with one calling it a “failed” adaptation. Meanwhile another described Fiennes’ take on Heathcliff as “demonic”.

“Peter Kosminsky’s Wuthering Heights is a drone, depressing, and exhaustively revolting excuse for entertainment,” another peeved critic penned.

At time of writing, it has a measly 33 per cent critics’ score on review site Rotten Tomatoes, while audiences gave it a more optimistic 66 per cent.

One fan described it as a “masterpiece”, adding: “Very well put together and the chemistry between the actor was awesome!” while another said it was their “favourite adaptation.”

Meanwhile a third shared: “Not a single adaption has ever truly done it justice – but this is my favourite of the adaptions for two reasons. 1) Ralph Fiennes manages to capture the essence of Heathcliff better than any other actor ever has and 2) Ryuichi Sakamoto’s soaring score together with the authentic filming locations really do bring the book’s atmosphere to life.”

A fourth, not convinced by the film, said: “Absolutely unwatchable. Could not make it 20 minutes in, terrible acting, strange casting. Don’t waste your time.”

Fans wanting to give it a go can now do so entirely for free, as the film has just been added to Pluto TV. The streaming service has also added three extra adaptations of the story to its library if the nineties flick doesn’t hit the spot.

Wuthering Heights (1970) starring Timothy Dalton and Anna Calder-Marshall; Wuthering Heights (1998) starring Robert Cavanah, Orla Brady, and Sarah Smart; and Wuthering Heights (2011) starring James Howson and Kaya Scodelario are all available to watch now.

Wuthering Heights (1992) is now streaming for free on Pluto TV. For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.