Sirens blared in several cities in Jordan as Iranian missiles were intercepted. Jordanian Armed Forces confirmed at least eight missiles were intercepted.
Prime Video’s It’s Not Like That ended on the ultimate cliffhanger and fans are keen to know what happens next.
The series ended on a frustrating cliffhanger(Image: PRIME VIDEO)
Prime Video has left viewers with plenty to say following the latest news about It’s Not Like That.
Streaming giant Prime Video has quietly axed a drama that fans hailed as an “emotional rollercoaster” after just a single season. Deadline reported that the eight-episode series, which follows a newly-divorced woman and a recently widowed man as they explore the possibility of a romantic future together, has been shelved.
The show only made its debut at the start of 2026, yet it has been widely reported that it will not be returning for a second run, leaving the couple’s fate hanging in the air. It’s Not Like That is the series in question, sitting alongside major hits such as Clarkson’s Farm.
Deadline noted: “The cancellation of It’s Not Like That is somewhat surprising. In addition to its strong reviews, it seems to have been doing well. Prime Video is not releasing viewership numbers, but it started putting out weekly Top 10 rankings, and the first one, which came out June 3, featured It’s Not Like That at No. 9 on the global series list.”
The Mirror has reached out to Prime Video seeking clarification on the cancellation, which has left devoted fans absolutely furious.
On X, formerly Twitter, one viewer raged: “@PrimeVideo what is this you are doing, cancelling #ItsNotLikeThat?! Great TV. Great writing! Great talent! We have loved this. Why are you doing this? ! Bring it back! Bring it back!”
Over on Reddit, another viewer added: “I actually found it charming and was hoping for more. It was extremely corny, though.”
The finale saw recently widowed minister Malcolm (played by Scott Foley) finally confessing his feelings for Lori (Erinn Hayes), though it emerged this was merely happening inside his own head.
Viewers will now never discover whether Malcolm ultimately chose to share his true emotions with Lori.
Prior to the programme’s axing, one fan wrote on IMDb reviews that they would be “absolutely devastated” if it wasn’t brought back. They said: “I love everything about this show, and will be absolutely devastated if it’s not renewed! It was a beautiful ride through faith, family, friendship, love, relationships.”
Another viewer remarked: “It’s not overly dramatised and doesn’t give you that feeling that the producers are trying too hard for ratings.
“Character development met with healthy emotional moments had me reflecting on my own life and really connecting with the families and their circumstances.
“It was a breath of fresh air in the sense that families of all ages could watch this together without having any inappropriate content to worry about.”
A final fan pleaded: “Please renew this! This show is so raw and emotional and everything I didn’t know that I needed right now. I cried, I laughed, I felt all the emotions with these 2 families.”
Netflix is going bite-sized. In a pivot toward the short-form content dominating TikTok and YouTube, the streaming giant announced it will start hosting three- to 20-minute videos from top digital publishers right on its homepage starting Aug. 3.
The streamer said U.S. customers will see “fan-favorite videos” from brands run by digital publishers, including BuzzFeed Studios, Condé Nast, Hearst Magazines, PMX (a subdivision of Penske Media), People Inc. and Tastemade. The videos will cover a variety of topics, including gardening tips, travel and celebrity profiles.
The rollout comes as Netflix competes for audience time from YouTube and social media platforms such as TikTok that have viral videos that can occupy users for hours. By bringing series such as BuzzFeed Celeb’s “30 Questions,” on which celebrities provide answers, or Vanity Fair’s “Lie Detector,” on which celebrities are hooked up to polygraph machines, Netflix users can learn more information about the people they already watch on the streamer, but in shorter videos.
“Members don’t just want to watch a show or film and move on. They want to keep exploring the stories and personalities they love long after the final credits roll,” said John Derderian, a Netflix vice president overseeing the initiative. “These partnerships help us deepen fandom and create more ways for members to carry those stories with them throughout their day.”
Netflix said it will offer licensed archival and ongoing series, including Harper’s Bazaar’s “Burning Questions,” Billboard’s “24 Hrs With” and People’s “My Life in Pictures” that provide an inside look at celebrities.
The videos from digital publishers will also be available to Netflix customers in Canada, the United Kingdom, Ireland, Australia and New Zealand on Aug. 3.
The Los Gatos, Calif., streamer over time has been expanding its library of content, adding games, live programming such as boxing matches and football games, alongside movies and TV shows.
Videos show Israeli settlers, protected by Israeli soldiers, trying to seize a house under construction on the outskirts of the town of Qabalan, just south of Nablus, in the occupied West Bank.
Beneath azure skies and fluffy white clouds, three giggling toddlers and their mothers arrive at a candy-colored water park in the town of CoComelon.
It’s the opening of “Fast Little Fishy Splash Water Park Adventure,” a three-minute episode of “CoComelon,” the popular children’s cartoon series that is perhaps as controversial as it is appealing to young children.
Moonbug Entertainment, the studio behind “CoComelon,” says the episode, which debuted on YouTube in May, is the result of a years-long collaboration with a UCLA think tank.
In an unconventional move for a privately held entertainment company, the studio released its child development guidelines on its website Tuesday. Moonbug’s head of communications Bao Nguyen said the company began to incorporate findings from the research into its creative process in late 2025.
“It’s a great example of what we’ve been trying to do,” said Rich Hickey, Moonbug’s chief creative officer, referring to the episode. “Inclusive storytelling and learning through play — they’re all evident within that episode.”
Nina and Cody, ecstatic about visiting their neighborhood splash pad, run through fountains and hop in kiddie pools, but protagonist JJ is a bit more skeptical.
With support from his friends and his mother, who offers him goggles and a pair of orange arm floaties, JJ decides to face his fears. He joins his friends under a tipping bucket, and — spoiler alert — realizes that he actually enjoys playing in water. (“I just love to swim, swim, swim,” he sings.)
The guidelines, called the “Moonbug Learning Principles Framework,” are informed by academic research and advise that Moonbug shows should help young viewers navigate “real life moments” and “model positive relationships among children and their friends and caregivers.”
Other priorities include creating shows that encourage kids to learn through play, as this helps them develop their imagination and creativity, and featuring characters from diverse backgrounds (“CoComelon’s” Nina is Mexican American, Cece is Korean American and Cody is Black) — and giving said characters depth — across all Moonbug shows.
“We’re a digital-first company and we realized that there may be some … hesitation to sharing online content with children,” Hickey said. “This is really to keep building on the trust we think we’ve built.”
“CoComelon” is Moonbug’s flagship preschool show, and the series’ origins date back to 2006 when commercial director Jay Jeon shared a YouTube video of an alphabet cartoon set to music. The videos began to revolve around toddler JJ in 2017.
By 2020, “CoComelon” was the most-watched YouTube channel in the world, averaging 3.5 billion monthly views. That year, the show made its streaming debut on Netflix — where it broke ratings records — and was bought by London-based entertainment company Moonbug.
Moonbug was then acquired by Candle Media, a firm led by ex-Disney execs Kevin Mayer and Tom Staggs, for a reported $3 billion. Disney+ has since obtained the exclusive streaming rights to “CoCoMelon.”
“CoComelon‘s” image woes aren’t new. The series has developed a reputation for keeping children glued to the screen, as seen in videos that have gone viral on social media of babies bolting to the television upon hearing the marimba theme song.
In 2020, a Guardian columnist wrote that “CoComelon” was “like crack” for a preschool child. A New York Times report in 2022 gave the public more insight into Moonbug’s audience development process, which included testing “CoComelon” videos on young children to make its shows as attention-grabbing as possible.
The program has been a hot topic on parentingforums. The exchange typically goes something like this: Someone asks if “CoComelon” is “bad” and a gaggle of parents weigh in. “Very overstimulating,” said a user in one Reddit thread. “It moves too fast for kids’ brains to process, which can cause a speech delay,” wrote another.
Asked to respond to the criticism, Hickey said he believes Moonbug makes “age-appropriate content” and produces a range of videos to cater to different moments throughout a child’s day, from slow bedtime videos to faster-paced ones meant to encourage movement, Hickey said.
In 2023, Moonbug recruited the Center for Scholars and Storytellers, a think tank at UCLA that bridges entertainment media and psychology research, to “create the best possible product” for its audience, Hickey said.
The center was tasked with analyzing Moonbug’s content and crafting the learning principles to guide the studio’s future preschool programming, which also includes the “Blippi” and “Little Angel” franchises.
A scene from Moonbug Entertainment’s “Blippi’s Job Show.”
(Jessica Perez / Moonbug)
Moonbug also asked the center to determine if there was research showing that audiovisual content could be addicting for preschoolers, said Yalda T. Uhls, an assistant adjunct professor of psychology at UCLA and executive director of the Center for Scholars and Storytellers. Uhls said the center’s review of existing peer-reviewed research found that there was no such evidence.
And despite oft-repeated claims that long-form content is better for kids than short-form content, “there isn’t really actually any evidence for that,” Uhls said. “It’s very inconclusive.”
The center found that preschool children struggle to learn as much from content with frequent cuts, though consuming it doesn’t impact their attention span negatively, Uhls said.
As such, the principles the center crafted recommend Moonbug “minimize distractions and tangential songs or storylines” when characters are navigating real-life situations to make sure it does not interfere with preschool children’s ability to learn lessons.
The center interviewed members of Moonbug’s creative teams and formed an advisory council of academic experts in child development to evaluate a selection of Moonbug’s episodes, assess the quality of socio-emotional learning and find areas for improvement, Uhls said.
“The content certainly had a lot of places where it could improve, but it wasn’t horrible,” Uhls said. “There was some learning within the episodes. … It wasn’t all good, it wasn’t all bad.”
Uhls said she recalled several instances of episodes modeling unsafe behavior, but declined to share specifics.
The center plans to continue to work with Moonbug to integrate child development research much earlier in the studio’s creative process and aid with the integration of the learning principles into its content slate, Uhls said.
Iranian media has released video showing missiles being launched towards Israel, while videos captured incoming missiles making impact in northern Israel. Iran says it’s a response to Israel attacking Beirut in violation of a US-brokered ceasefire in Lebanon.
Now we know exactly where and when all 32 teams will play every week this fall.
That’s pretty exciting, right?
Oh, and all 32 teams also dropped schedule release videos, with all the Easter eggs, inside jokes, pop culture references and head-scratching moments you can handle.
Now that is exciting.
As always, the teams have given us a wide variety of visual experiences to enjoy. There are spoofs galore (the Rams adapted the “Napoleon Dynamite” opening credits and even included a newspaper called the Los Angeles Hard Times; the Las Vegas Raiders produced a new version of “Step Brothers” starring quarterbacks Fernando Mendoza and Kirk Cousins; the Kansas City Chiefs took on the QVC shopping network).
Some videos were clearly meant to appeal strictly to that team’s fanbase, such as the Philadelphia Eagles’ 14-minute (by far the longest of the bunch) offering of five players giving their “unfiltered reactions” to every game on their schedule and the Pittsburgh Steelers’ piece that pokes loving fun at local fans with many references only true Yinzers would understand.
While many of the videos were high-tech and well-rehearsed, a handful featured unscripted fun, like New York Giants quarterback Jameis Winston drawing pictures to help fans guess the opposing teams and Baltimore Ravens receiver Zay Flowers surprising a couple of super fans at their wedding.
Here are five of our favorites from this year’s crop of videos. It’s an extremely subjective list, but the stakes could be high — the Seattle Seahawks had our No. 1 video last May and went on to win the Super Bowl nine months later.
