venue

Silver Lake earned the “hipster” handle long before Spaceland opened its doors. But when the club threw its first show in March 1995 at the venue formerly known as Dreams of L.A., it marked a notable energy shift that made everyone take notice, establishing the neighborhood as a trendsetter and hub for creative talent. The live music space was the right idea, in the right place, at the right time.

Atmospheric dive bars, funky/punky mom-and-pop shops and reasonable rents began attracting artists, musicians and bohemian slackers and scenesters as residents in the early ’90s. They joined its vibrant queer community and multigenerational familial (mostly Latino) populace, which combined to make it one of the coolest places to live in L.A. It still is, albeit pricier and more pretentious, if you ask those who grew up there.

But 30 years ago things were different — the area was hip, but it also felt effortlessly eccentric. The annual Sunset Junction Street Fair, which closed off Sunset Boulevard between Fountain and Edgecliffe Drive beginning in the ’80s, started booking more legacy bands and hot new groups, broadening the cultural consciousness of the city and bringing Angelenos from all over town to the area until it ceased in 2010.

Silver Lake’s music mecca status was ultimately cemented when promoter Mitchell Frank decided to turn his weekly live music night at Dreams called Pan into a bona fide rock venue, taking what was bubbling in the streets, at house parties in the hills and at nearby rehearsal spaces and providing a singular home for music makers to nurture and grow their followings.

Opening night marked a benefit for quirky noise rockers Lutefisk, who lived in the area and, like many there, rehearsed at Hully Gully on Fletcher Drive. After their equipment was stolen, they put together a bill of buzzy local artists to raise funds, including headliner Beck, who got his start at the artsy coffeehouse called the Onyx next to the Vista Theatre, and later on Vermont Avenue in Los Feliz Village.

Rob Zabreckyn of Possom Dixon

(Arlen Hem)

Coupled with the darkly melodic alt-rock of Possum Dixon as openers, the show was a hot ticket. As last-minute luck would have it, the night became even more monumental with an early show addition — the debut of Dave Grohl’s new project called the Foo Fighters.

“It was just crazy. That night it was raining and both shows sold out,” recalls Lutefisk drummer Brandon Jay. “It was that lovely moment in time when KBLT started broadcasting and there was a growing scene in Silver Lake when everyone was like, ‘Oh, Silver Lake is the new Seattle’ — only it was more diverse.”

Jay, who went on to play with other bands like the 88 and Gwendolyn and the Good Time Gang, hopes to remind local music fans about the seminal scene at the Regent this Saturday, where Lutefisk reunites alongside Dixon’s Rob Zabrecky (playing with various luminaries from the club) and Spaceland favorites Touchcandy, the Centimeters, Jon Wahl (Claw Hammer), Sissy Bar, W.A.C.O. and more.

“This show is as close as you’re gonna get to a real ’90s Spaceland night,” assures Frank. “Touchcandy, Lutefisk, Centimeters, Rob from Possum Dixon and Sissy Bar … this is the exact kind of beautiful symphonic chaos that defined that ’90s era. Nights like this are what propelled a fractured Eastside music scene into becoming a full-fledged scene.”

Indeed, gathering disparate genres, styles and niches in one place was what made this scene unique. “There were so many wonderful, eclectic bands,” Jay adds. “A bunch got signed, but you know, fame is a fickle thing, and you never know what might get played on the radio.”

Plenty who played at the club did. In addition to Beck and the Foos, local acts who broke after playing there include Silversun Pickups (named after a nearby liquor store), Rilo Kiley and the Airborne Toxic Event, while touring indie artists also earned their stripes in front of the mylar curtain-backdropped stage, namely the White Stripes, Arcade Fire, Arctic Monkeys, Jet, Ween, Cold War Kids, Death Cab for Cutie, Amy Winehouse … and the list goes on and on.

“There was a point in time where bands were coming through town on tour and playing L.A. for the first time and their agents all wanted them to play Spaceland’s Monday residency,” remembers former head booker Jennifer Tefft of the no-cover event, which became legendary by the early 2000s. “They played for free, but it allowed them to be seen. Everyone wanted to play there and not just on a local level, but on an international level. NME in the U.K. were giving the club so much press, so all these bands wanted to come to L.A. for it … Bloc Party, the Killers and My Morning Jacket all made their debuts at the club.”

Tefft went on to book the Bootleg Theater, but later returned to work with the building’s owner, Jeff Wolfram, to breathe new life into the Silver Lake space under the name the Satellite. It closed due to pandemic struggles in March 2020 and remains shuttered. Meanwhile, Frank, along with booker Liz Garo, left the venue — which was technically still called Dreams, to focus on his new space, the Echo and its later addition, the Echoplex.

He sold the Echo Park complex, along with the Regent, to Live Nation in 2019, but still remains involved in booking and other club business dealings. All three figures deserve credit for the cosmic alchemy and community spirit that made Spaceland and the world it created so game-changing. They really cared about the people who played there and would often champion their favorites and help build their followings through promotion and advertising, namely in the free print edition of LA Weekly.

“We all had the same sort of passion and curiosity about music and supporting locals,” shares Garo, who booked at Spaceland when Tefft left, and really made her name at the Echo. “I think that’s why it kept that integrity.”

There is no shortage of fond, slightly fuzzy memories at Spaceland. There were also many games of pool in their infamous upper-level smoking room (which puffed on even after the ’98 bar smoking ban due to a loophole).

Free Monday promotions were nothing new — Club Lingerie in Hollywood had been doing them for years — but Spaceland’s were magical for both the bands and the fans because of the monthlong residency model. Besides being budget-friendly and clearly well-curated, boasting up-and-comers and offering big-name surprises, it was a place to meet like-minded alternative types who fancied the same fashions, art and pop culture references.

Most of the local musicians who played there seemed to know each other simply from hanging out so much and those who proved themselves on stage were rewarded with new followings that got bigger each week.

The Centimeters perform at Spaceland

(Wild Don Lewis)

“Jen had a really good formula — you would do your residency, then you would not do another show for six weeks or so, and then you’d come back and do a ticketed show,” Garo explains. “Ideally that worked and kind of helped establish that bands could sell tickets. You know, when bands start off, they’re playing to their friends in the audience. When they get to that point where they don’t know anybody in the audience, that’s kind of a big deal.”

Beyond exposure and local notoriety, for Zabrecky, Jay and countless musicians who had residencies — many of whom will be seeing each other for the first time in years at the Regent show — Spaceland was formative not only for their music but also for their life trajectories.

“Playing Spaceland with Possum Dixon was always unpredictable,” recalls Zabrecky, who went on to become a revered magician and performer. “We never knew which direction a show might go. Every band was different, yet everyone was accepted and celebrated for what they were. Groups like Glue, Spindle, W.A.C.O. and the Abe Lincoln Story couldn’t have been more different from each other, and that made every lineup exciting. And, of course, we were all just making it up as we went along, buoyed by the support of our peers.”

The transitional period between Spaceland and the Satellite is marked by the band who helped put it on the map and unintentionally kicked off the fervor to begin with. The Foo Fighters chose the locale for their series of surprise pop-up shows debuting new material in 2011, right before the venue was renamed.

The next year, Forbes dubbed Silver Lake “America’s Hippest Hipster Neighborhood,” which meant it was no longer … that. American Apparel stores had infiltrated, corporate coffee was everywhere and artists were getting priced out, heading East into Echo Park, Mt. Washington, Highland Park and downtown too, with many of the bars and clubs in those regions seeking to capture the old Spaceland vibes. They still do.

Brian Wilson onstage with the Wondermints at Spaceland

(Courtesy of Brandon Jay)

In this way, Spaceland’s legacy has lasted beyond Gen X nostalgia for the good old days. Inspired by the fervent framework for music discovery and social connection of the past, new bands now showcase their stuff at the Echo, Regent, Zebulon, Redwood Bar and many more, eschewing Hollywood and the Sunset Strip for more laid-back environments.

Frank continues to lend his expertise to Live Nation; Garo is planning events and working with venues, from acoustic sets at her book shop Stories in Echo Park to her just-announced gig booking for Grand Performances downtown; and Jay, who lost his home in the California wildfires, turned the tragedy into a beautiful music exchange program called Altadena Musicians. He’s also involved in a new all-ages music venue called the Backyard Party in Pasadena, noting that a new generation of art-minded music rebels continues to thrive just like they did at Spaceland three decades ago.

Jay is also helping with the Regent show planning, and put in the call to Touchcandy’s David Willis, who’ll be flying into town from the U.K. just for the show. Word has also been put out to Beck and Grohl (though no commitments have been made), and the pirate radio station KBLT, whose documentary “40 Watts from Nowhere” counts Jay and Jack Black as producers, will offer sets from its deejays in between the live sounds.

The lineup listed on the event flier is meant to evoke the original benefit promo from ’95, and it represents the magnificent music mix all on its own, flashing back to an exciting era that L.A. music lovers who experienced it will never forget, a time when the scene was “young and free,” as Zabrecky remembers, and those lucky enough to be on the marquee played what he dubs “the best club at the best moment on Earth.”

“These bands were messy, loud, indie, real and somehow still innovative,” Frank adds of the 30th anniversary show, which is being touted as a Vol. 1, suggesting more to come. “Shows like this are the reason any of it mattered.”

The women’s national soccer team will return to Carson in 2026 for the first time in nearly two years for its annual January training camp, U.S. Soccer will announce Thursday.

The 10-day camp will run from Jan. 17-27 and will conclude with two international matches. The first, on Jan. 24 against Paraguay, will be played at Dignity Health Sports Park and will include a tribute to two-time World Cup champion Christen Press, who announced her retirement this fall.

The venue and opponent for the second match on Jan. 27 has not been finalized.

“January camp is a vitally important part of our yearly schedule, especially with 2026 being a year that will host World Cup qualifying,” USWNT coach Emma Hayes said in a statement. “We don’t get many training days together during any given year, so there is a high value in getting a whole week of training as well as two matches.

“I was pleased with the progress we made as a team in 2025, but we still have a ways to go to get to where we want to be heading into the CONCACAF W Championship in the fall.”

Press, who was born and raised in Palos Verdes Estates, about 10 miles from Dignity Health Sports Park, scored 64 goals for the USWNT, ninth-most in team history. She helped the U.S. to back-to-back Women’s World Cup titles in 2015 and 2019 and played the final four years of her professional club career for her hometown Angel City FC.

The first 2,000 fans through the gates on Jan. 24 will receive a commemorative Christen Press bobblehead.

No venue has played host to more USWNT matches than Dignity Health Sports Park which, under various names, has been the site of 21 games for the U.S., dating to 2003, soon after the stadium opened. The U.S. went 20 games unbeaten at the venue (19 wins and one tie) before losing its most recent match there, a 2-0 upset to Mexico on Feb. 26, 2024, in the CONCACAF W Gold Cup, a tournament the U.S. would go on
win.

The USWNT was scheduled to hold its January training camp in Carson last year, but the deadly Southern California wildfires forced U.S. Soccer to move the camp to Fort Lauderdale, Fla.

Presale tickets for the January matches will be available for purchase from 10 a.m. PST Friday through 8 a.m. PST Monday.

Tickets for both matches will go on sale to the public on Tuesday at 10 a.m. PST.

As the sun begins to set over the San Gabriel Mountains, a group of people runs across a vibrant turf soccer field, passing a ball through the air. They’re surrounded by the glow of the downtown Glendale cityscape — in view are tree-lined streets, handsome civic architecture and an Eiffel Tower-esque structure.

It’s easy to forget you’re atop a parking structure at a mall.

Skyline Pitch is a 25,000-square-foot open-air sports facility that’s taken over the top level of the Americana at Brand, turning what was once a block of concrete into a playground for soccer lovers of all ages and skill levels.

Pickup games start at $15 at the open-air venue.

(Jason Armond / Los Angeles Times)

Created by Chicago-based marketing agency Elemento L2, the complex opened its L.A. location this fall with two rooftop soccer fields, a panna cage (basically a small enclosed area for 1-on-1 or 2-on-2 speed-focused games), a fut tennis court (a small rectangular court with a net dividing it), a soccer golf section and other interactive play zones — offering players 15 ways to engage with the sport. The venue also boasts sleek lounge areas where patrons can hang out, order food, sip on mocktails, watch games on flat-screen TVs and dance to music spun by live DJs on special nights.

Skyline Pitch follows a trend of athletic clubs moving into shopping centers as retail leaders try to tap into customers’ desire for communal experiences and new activities. In the past couple years, indoor pickleball venue Pickle Pop debuted in Santa Monica, in part to try to revive the ailing Third Street Promenade, and Padel Up (dedicated to the sport of padel) entered Westfield Century City. Also this past summer, a social club for racquet sports announced that it would be taking over the defunct Macy’s building at The Bloc in Downtown L.A.

In the world of recreational soccer, converting a portion of a parking structure to create Skyline Pitch is a welcomed move, helping alleviate one of the constant barriers for players in L.A.: a shortage of fields.

A view from the soccer field to downtown L.A.

(Jason Armond / Los Angeles Times)

“Finding somewhere to play is the hardest thing,” says Matthew Bambrick, founder of SoCal Youth Sports, one of the local organizations that’s partnered with Skyline Pitch to host youth training camps and other programming. “So finding underutilized spaces or space that can be revitalized in different ways is really, really clever. This should be the blueprint.”

For Ivan Lopez, co-founder of elemento L2, it made sense to open the second Skyline Pitch location in L.A. — the first was in Chicago — not only because it’s home to three professional teams and will host the FIFA World Cup next summer but also because of the city’s rich soccer culture.

People enjoy an evening playing soccer.

(Jason Armond / Los Angeles Times)

“The stadiums are jam-packed whether it’s [the] Gold Cup, World Cup, [UEFA] Nations League, and we celebrate the game in so many ways,” says Lopez, who’s been traveling to L.A. for years to build soccer activations for brands like Target and Coca Cola. “This is where the game is alive and well.”

Anyone wanting to play at Skyline Pitch can sign up for pickup games starting at $15, rent an entire field starting at $150 or buy a $20 activity pass, which grants you access for two hours. The venue is also available for private events and birthday parties. Along with SoCal Youth Sports, other local partners include Cal South Soccer and Soccer Stars Los Angeles.

Jimmy Conrad, who played for the national soccer team for five years and 12 years for Major League Soccer, became a brand ambassador for Skyline Pitch and says he would’ve loved to have a space like Skyline Pitch when he was growing up in L.A., a place where people are “encouraged to play soccer.”

“It just didn’t exist in my generation,” he says. Although the street and local parks [offer] more than enough room to play, he says, having a dedicated venue with the proper goals and lines “just raises the cool factor.”