Venice

TORONTO — Greetings from the Great White North, where the Toronto International Film Festival rolls to the end of its first weekend.

As packed as our viewing schedules have been, Amy Nicholson notices something lacking at this year’s festival: big Hollywood. In her first critical dispatch, she sees no “Frankenstein” or “Wake Up Dead Man” in the lineup.

Toronto has even resorted to rebooking the under-the-radar smash “Obsession,” the little movie that grew from a 2025 midnight TIFF launch into a global phenomenon.

Director Curry Barker and star Inde Navarrette delighted festgoers who lined up around the block to watch a special conversation.

There’s still plenty of time left. Amy is finding indies to like. Some of her early recommendations are here.

Our portrait studio is heating up

Cynthia Erivo of the film “Prima Facie,” photographed in the Los Angeles Times Studio at RBC House during the 2026 Toronto International Film Festival.

(Jason Armond / Los Angeles Times)

Cynthia Erivo stunned us in our studio space, looking fierce in a dark ensemble and scary nails. We also saw the likes of the luminous Laura Linney and the dapper Korean cast of “Possible Love.” Click through for more celebrity photos and daily surprises.

And do we have video interviews? Do we.

Sarah Paulson, Naomi Watts, and director Cody Fern discuss their new film, “Closing Night.” Chase Infiniti of “One Battle After Another,” Jason Isaacs and more talk “The Julia Set.”

And only minutes after they won the grand jury prize at Venice, we were speaking to the cast of “Possible Love.”

What are we watching tonight?

‘Club Kid’

Jordan Firstman, center, in the movie “Club Kid.”

(A24)

It takes thermonuclear moxie to write, direct and star in your debut feature — and cast yourself as the cad. No wonder Jordan Firstman‘s uproarious dramedy “Club Kid” blew away expectations at Cannes and has landed in Toronto ready to shake up awards season.

Firstman plays Peter, an aging New York City party promoter whose scene-y shindigs and subsequent hangovers are starting to feel old.

Enter Arlo (a self-possessed Reggie Absolom) the 9-year-old kid he never knew he had and never fathomed he would have, given that women aren’t his thing (except for that one drug-fueled night with a British girl he barely remembers).

You may think you know where the story is headed and you aren’t entirely wrong, but the route there is a riot. — Amy Nicholson

‘Alpha Gang’

A scene from the movie “Alpha Gang.”

(TIFF)

The latest from filmmaking siblings Nathan and David Zellner rolls into Toronto after having just had its world premiere at Telluride.

Their oddball sensibilities and elastic imagination means that you never quite know what to expect from one of their films and this is no exception: a wholly unpredictable story of an alien invasion told from the aliens’ point-of-view that is inscrutably absurd and touched by a startling romantic fatalism.

Two alien cadres, having assumed the looks of 1950s biker gang members, bicker and fight with one another even as they largely overlook their common enemy, the humans.

The cast is likewise a preposterous mash-up of performers you would not wholly expect to see together, including Cate Blanchett, Kelvin Harrison Jr, Léa Seydoux, Riley Keough, Chris Pine, Dave Bautista and others, making the film’s very existence seem like something dropped from outer space. — Mark Olsen

‘The Spiral’

A scene from the movie “The Spiral.”

(TIFF)

Italian horror is my happy place and this is where I’ll be tonight at midnight, sopping up what many early viewers have already described as stylish and vicious.

Director Paolo Strippoli’s domestic drama got sharp reviews out of Venice; it sounds like a cross between a Bava film and “Parasite.” I’ll investigate. — Joshua Rothkopf

DUBAI: French actress Melanie Laurent made a dramatic red-carpet statement in an Elie Saab Haute Couture Fall/Winter 2025–26 gown at the Venice Film Festival.

The sculptural black creation from the Lebanese couturier hugged her silhouette before cascading into a floor-skimming skirt, while intricate silver embellishments illuminated the bodice and skirt with a liquid-metal effect.

Meanwhile, the Venice Film Festival awarded its top prize on Saturday to a drama directed by Danish-Egyptian filmmaker May El-Toukhy about a woman trying to hide a wartime relationship with a Nazi — the only feature film with a female director in the competition.

“Woman Unknown” was a major talking point at the festival because of its subject matter, which has rarely been explored in film, and because El-Toukhy was one of only two female directors in the event.

Only one other woman — Israel’s Rachel Szor, co-director of the chilling documentary “NAZA” about Israel’s war on Gaza — was behind the 21 films vying for prizes at the star-studded closing ceremony in Venice.

“‘Woman Unknown’ is about the female body as a battleground and a public matter. And at the same time, the film tells the tale of women who are invisible, unseen and voiceless,” El-Toukhy, who grew up in Denmark with a Danish mother and Egyptian father, told the ceremony.

The head of this year’s jury, American actor-director Maggie Gyllenhaal, had questioned the dearth of women-directed films on the opening day, but she declined to discuss the issue further at a final press conference.

“I think I’m tired of talking about this same subject over and over,” she said. “I just want to celebrate a brilliantly made movie that I felt was like a laser beam.”

The second-place Silver Lion went to “Possible Love,” a poignant relationship study by South Korean auteur Lee Chang-dong that was one of the most highly praised movies of the festival.

The best director prize went to Russian-born Ilya Khrzhanovsky for his vast, riotous and experimental cinema project “DAU,” which chronicles the life of the troubled father of the Soviet nuclear program, Lev Landau.

VENICE, Italy: “Woman Unknown,” a drama about Denmark in the aftermath of the Nazi occupation directed by May el-Toukhy, won the prestigious Golden Lion at the 83rd Venice Film Festival on Saturday.

The Maggie Gyllenhaal -led jury announced the winners, which included a best actor prize for John Malkovich for his performance in the dark CIA comedy “Wild Horse Nine.”

Malkovich was not in attendance at the ceremony, but he sent a video message, explaining that he is shooting in Montreal.

“I am humbled to be chosen for this award which has been given to so many wonderful actors,” Malkovich said.

Only 8 women have won a Golden Lion

El-Toukhy, who was the only woman to have solely directed a film in the main competition this year, is the eighth woman to have won the festival’s top prize.

“To me personally, ‘Woman Unknown’ is about the female body as a battleground,” el-Toukhy said. “At the same time the film tells the tale of women who are unseen, invisible and voiceless.”

She thanked Gyllenhaal for using her voice to shine a light on unequal opportunities for women in moviemaking.

The film, which does not yet have distribution in North America, is centered on a young nanny and housemaid who is about to marry her wealthy employer in the immediate aftermath of the war. But she harbors a secret past intimate relationship with a German soldier that threatens to upend her reputation. The lead, Mathilde Arcel, won the festival’s best actress prize.

Arcel was visibly emotional as she accepted the award, which she placed on the floor as she spoke as she said it was very heavy.

“This is my first lead role in a movie and my first time at a film festival,” she said. “I’m extremely honored.”

South Korean auteur Lee Chang-dong’s poetic portrait of class and labor, “Possible Love,” won the Silver Lion grand jury prize. “Possible Love” is Lee’s first film in eight years, following his acclaimed “Burning.”

“We are living in an era where the meaning of labor is fading and human connections are increasingly becoming severed,” Lee said through a translator. “I made this film to ask what cinema can and should do in times like these. I take this award as a sign that you want me to keep asking these questions.”

Gaza documentary takes special jury prize

“NAZA,” a harrowing documentary about military strategies employed in the war in Gaza from Israeli filmmakers Yuval Abraham and Rachel Szor, was awarded a special jury prize.

“It’s honestly not very easy to stand here, thinking of all the people, the Israeli politicians, the journalists back home who are attacking this film, denying it without even seeing it,” Abraham said. “It is really, really especially important to us that Israelis watch this film.”

The was added to the main competition late — at the request of the filmmakers — and debuted late in the schedule as well, but its impact was felt as it received a record-breaking standing ovation, lasting some 25 minutes, after its premiere.

Shot on the rooftops of Tel Aviv at night in extreme secrecy over three years, “NAZA” features testimony from 24 Israeli military insiders including intelligence officers and soldiers give who insight into the war in Gaza and what they say is the systemic killing of Palestinian civilians.

The jury gave the Silver Lion for directing to Ilya Krzhanovsky for his film “Dau,” a project about the Soviet physicists who built the atomic bomb that has taken over 20 years to make. Krzhanovsky, who renounced his Russian citizenship in protest of the war in Ukraine, dedicated the prize to Ukrainians, including his mother who was born there.

French director Stéphane Brizé’s won the screenplay prize for his corporate drama “A Good Little Soldier.” Malou Khebizi was given the Marcello Mastroianni award for emerging actor for her role in Cédric Kahn’s “A Place to Heal,” which is set in an adolescent psychiatric ward in a public hospital.

The jury this year included “The Voice of Hind Rajab” director Kaouther Ben Hania, English composer Daniel Blumberg, French filmmaker Xavier Giannoli, Afghan filmmaker Shahrbanoo Sadat and Hong Kong filmmaker Johnnie To.

Malkovich’s Oscar chances just went up

Aside from Malkovich’s win, the starrier, Hollywood films playing in competition were shut out of the awards, including “Primetime,” “Bunker” and “Ink.”

Some look to the Venice Film Festival awards for early indications of who might be in with a shot at Oscar nominations and wins. In recent years, Venice has launched winning best actor campaigns for people like Brendan Fraser and Adrien Brody.

Malkovich has yet to win an Oscar.

The historic English city with Roman roots was crowned the world’s most beautiful city according to research

Sitting in northwest England close to the Welsh border, this historic city is steeped in centuries of history. Chester’s story stretches back almost 2,000 years.

The city was founded as Deva Victrix, a major Roman fortress, around AD 79. Today, traces of its Roman past can still be found throughout Chester, including the remains of its impressive amphitheatre and parts of the original fortress.

One of Chester’s biggest attractions is its remarkably well-preserved city walls. The roughly two-mile circuit follows the route of the city’s historic defences and offers a unique way to explore Chester, taking in many of its best-known landmarks along the way.

‘Most beautiful’ city

Chester has been previously crowned the most beautiful city in the world. Taking the top spot with an impressive 83.7% “beauty score” based on the “golden ratio”, Chester had seen off fierce competition from Edinburgh, Bristol, Prague, Venice and even Rome to claim the coveted title.

The research, carried out by Online Mortgage Advisor, used Google Street View to assess the architectural grandeur of thousands of homes, landmarks and streets from across the globe.

While the study ranked cities on their built environment, its foundations are firmly rooted in the world of art.

Explaining the significance of the golden ratio in the art world, it noted: “Artists over the last few centuries have incorporated the golden ratio into their work, believing it to be a gold standard in natural aesthetic perfection,” reports the Express.

Perhaps nothing gives Chester its distinctive character quite like The Rows.

These unusual two-level, covered walkways run through the heart of the city centre, with shops, cafés and restaurants lining the galleries.

The medieval structures are among Chester’s most recognisable features and give the city centre an atmosphere unlike many other places in England.

Meanwhile, the magnificent Chester Cathedral is another highlight, with a history spanning centuries and architecture ranging from the Norman period through to the Victorian era.

The Eastgate Clock has also become one of the city’s most recognisable landmarks. Perched above the Eastgate section of the city walls, it is an especially popular spot for photographs.

Walkable city

Despite officially being a city, Chester’s compact historic centre has a distinctly smaller-town feel.

Visitors can wander between independent shops, pubs, cafés and restaurants while surrounded by timber-framed, black-and-white buildings that give parts of the city an almost storybook appearance.

Beyond the centre, the surrounding Cheshire countryside provides plenty of opportunities to escape the bustle.

Chester’s location also makes it a convenient base for exploring North Wales, while Liverpool and Manchester are both within easy reach.

It is no wonder that Chester draws visitors from across the globe, with many leaving glowing five-star reviews on Tripadvisor.

John J was thoroughly impressed during a visit, saying: “Chester really is a beautiful town.”

He added: “The Chester Rows are just what makes Chester. Beautiful old buildings kept in remarkable condition. Walking around and seeing the history and beauty is so enjoyable. Sampled some nice food and pubs.”

During a visit to the cathedral, Sue. W called it “magnificient inside and out”.

She added: “This cathedral is magnificent. It is large so takes some time to get round it and do it justice. The craftsmanship inside is superb from the stone masonry to the tiled floors and the wooden carving to the stained glass.”

What is the ‘golden ratio’?

For centuries, artists have woven the ‘golden ratio’ into their creations, regarding it as the ultimate benchmark of natural aesthetic perfection.

By applying the ratio to measure buildings and iconic landmarks, experts have been able to determine which cities across the UK and the wider world can boast the most stunning architecture.

Other British cities that made the grade include London and Belfast, scoring 83% and 82.9% respectively.

On the global stage, Chester was closely followed by Venice, which scored 83.3%; Rome, with 82%; and the Spanish city of Barcelona rounding things off with 81.9% on the scale.

SYDNEY Sweeney has flashed her underboob in a very short lace crop top as she arrived to the Venice Film Festival.

The American actress, 28, is attending the city’s annual film festival in her role as an ambassador for Armani Beauty.

The Housemaid star looked stunning in a gold lace handkerchief top which she paired with a pair of cream bermuda shorts.

But the cheeky star, who turns 29 in a few days, couldn’t help flash a bit of underboob under her gorgeous short top.

This comes only a day after Sydney pulled down her skirt to reveal a bejeweled pink thong to celebrate her Birthday Boobs line launch.

In the sizzling snap, Sydney was seen standing in a kitchen whilst wearing pink flowery lingerie with a bow around her neck.

BIRTHDAY SUIT

Sydney Sweeney spills out of Syrn bra as she licks cake off her fingers

She is also seen pulling down her underwear with a look of surprise on her face.

It wasn’t the first time that Sydney had promoted her new birthday collection in the sexy pink lingerie.

Last week, she thrilled fans in the underwear as she baked a cake for a saucy video.

In one particularly raunchy scene, she slapped flour onto her backside and left hand prints all over bottom.

Sydney captioned the post: “celebrate my birthday month with my newest @syrn collection. coming september 1st.”

The actress went Instagram official with her new boyfriend Scooter Braun in April – as he gushed he’s a “lucky b******”.

Sydney confirmed the romance in a loved-up post, sending fans into a frenzy.

Meanwhile, Venice Film Festival’s red carpet events began last week with the premiere of British director Danny Boyle’s film Ink which is about the rise of media magnate Rupert Murdoch. 

It closes on September 12, with Italian costume drama Dio Ride (God Laughs), written and directed by Giovanni Veronesi.