vacation

It’s officially May, which means summer vacation season is upon us. If you’re planning a trip to the beach, just make sure it’s got cell service (don’t say we didn’t warn you).

This week, Apple TV released the first two episodes of “Widow’s Bay,” a horror comedy that takes a closer look at those cozy seaside vacation towns and what might be beneath the surface. Katie Dippold, the creator of the series, which stars Matthew Rhys, Stephen Root and Kate O’Flynn (Jeff Hiller, one of my faves, also has a nice supporting role), stopped by Guest Spot to talk more about the genesis of the show and why it bends genres — more on that below.

Also in this week’s Screen Gab, we recommend a documentary film (and an animated short) that looks at the musical legacy of the King of Pop, and a recent docuseries about the FLDS community. — Maira Garcia

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Recommendations from the film and TV experts at The Times

‘The Greatest Night in Pop,’ ‘Sing: Thriller’ (Netflix)

I don’t know whether the release of “Michael,” the Michael Jackson biopic, had anything to do with “I Want You Back,” the greatest single of all time, playing in my dentist’s office today, but MJ is definitely in the air, posthumously pelleting us with his fantastic music and permanently controversial self. Somewhat in that spirit, I offer Bao Minh Nguyen‘s 2024 documentary “The Greatest Night in Pop,” about the recording of the 1985 super-duper star charity single “We Are the World,” co-written by Jackson and Lionel Richie and featuring the oddest assortment of singers ever to be gathered into a single studio — a congregation including Tina Turner, Bob Dylan, Steve Perry, Huey Lewis, Stevie Wonder, Willie Nelson, Dionne Warwick, Cyndi Lauper, Ray Charles, Bruce Springsteen and Harry Belafonte, among others. (Richie, Springsteen, Lauper, Lewis and Sheila E. sit for new interviews.) Jackson fans will get a glimpse of him at work like a normal musician, albeit one dressed as the General of Neverland. Dylan watchers will see a fish far out of water. Local historians will enjoy footage of L.A. in the ‘80s. On another, quite delightful note, “Sing: Thriller,” also from 2024, is a 10-minute cartoon take on Jackson’s video of the same name, starring the cast of the “Sing” movies, zombified and, naturally, dancing. — Robert Lloyd

‘Trust Me: The False Prophet’ (Netflix)

Mormonism has been under the spotlight lately, with reality series and documentaries taking a closer look at the religious group. But one particular sect, the Fundamentalist Church of Jesus Christ of Latter-day Saints, has long come under scrutiny for its practices and allegations of cult-like behavior, child marriage and child sexual abuse. This four-part series from director Rachel Dretzin is a continuation of her work documenting the FLDS community (she previously directed 2022’s “Keep Sweet: Pray and Obey,” also for Netflix). It follows cult expert Christine Marie and her husband Tolga Katas, who moved to Short Creek, Utah, where the community previously led by Warren Jeffs, the former FLDS leader and convicted felon, is based. Marie befriends the women in the community, gaining their trust, only to find out that another man, Samuel Bateman, is claiming to be a prophet. What she uncovers is a web of abuse and crimes. The series is riveting and disturbing, culminating with Bateman’s arrest and eventual conviction. — M.G.

Guest Spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Have you ever taken a vacation to a nice place but then see or experience something that just feels off? Apple TV’s new series, “Widow’s Bay,” tries to capture some of that feeling, where a seemingly quaint town hides dark secrets.

Matthew Rhys plays Tom Loftis, the mayor of Widow’s Bay, an island 40 miles off the New England coast. He’s attempting to save the region from economic slump — there’s no WiFi, cell phone service is spotty, the streets need repaving — by trying to make it a tourist destination. He manages to get a New York Times travel writer to visit, who writes a story that seems to turn the town’s fortunes. But much to Tom’s chagrin, the locals — particularly Wyck, played by Stephen Root — say the island is cursed and it has been awakened to unleash a “haunt.”

Creator and showrunner Katie Dippold’s fascination with such places began at an early age, growing up in New Jersey, where her family would take trips to the shore. She began writing the series more than 10 years ago, and it’s evolved over the years. “Believe it or not, this was originally a ‘Parks and Recreation’ sample for me when I got that writing job,” says Dippold, whose writing credits also include “The Heat” and “Ghostbusters.” “But it was very different, it was more comedic.”

While the show incorporates some comedic elements, it very much has moments of horror and dread that might make you gasp when something unexpected happens. Some of that feeling is thanks to director Hiro Murai (“Atlanta,” “Mr. & Mrs. Smith”), who directed the first three episodes and the final two. “Sometimes it’s like a ‘blink and you miss it’ kind of moment, which I love for this show,” Dippold says, even if it meant losing some of the humor they’d written in the scripts.

The creator spoke over a video call to dissect the characters and series, and explained whether or not we would see Willy the clown from Episode 2 again. This conversation has been edited for length and clarity. — M.G.

You’ve worked on a number of comedic projects, and this show has comedy elements. But horror is definitely a part of this show. Have you always been into horror, and why mash up these genres?

I’m a comedy writer, first and foremost, but I’m also the biggest horror fan. I like watching horror more than I like watching comedy. I just wanted to try to create a world where you could play with both of those things. But I should say that I actually don’t like most horror comedies. The ones that do it well are some of my favorite movies, like “American Werewolf in London,” “Cabin in the Woods” or “Shaun of the Dead,” and even the three of those are very, very different.

Especially in a TV show, I didn’t want it to feel like constant horror and dread. I like having those moments with a surprise laugh … or just something completely absurd. But, to that point, it was also a constant tonal tightrope walk from beginning to end because … I never wanted to undercut the tension. As a horror fan, I wanted to take it very seriously, and so that was a challenge from the scripts to production to casting to the edit to the score, just every step of the way.

The show is set in a small island town that’s trying to become the new “it” destination — comparable places like Bar Harbor, Maine, and Cape Cod are mentioned — except the townsfolk say it’s cursed. What about these communities intrigues you and why set the story in that location?

I grew up in New Jersey, and I always loved going to the Jersey Shore, and I always talk about this haunted house on the boardwalk that I used to always go to, and I just love that seaside haunted house vibe. I think I always romanticized it … that atmosphere is my dream. A couple years ago, I went to a diner in Marblehead, Mass., and it’s called the Driftwood, and it was just so perfect … in the sense that it was so cozy and lived in. You could see the ocean outside. It was a gray, cloudy day and there was a cemetery that was not that far away. There’s something about it that I found so special, and I never wanted to leave that place. And so I just wanted to get that feeling and get it on the screen.

Unique places have unique people like Wyck, who is trying to warn Tom about the fog that’s rolled in. Wyck is an oddball — every town seems to have one. Was that rooted in anyone or anything?

I was just trying to think of who would be the best thorn in Loftis’ side, and Stephen Root is so great at everything he does, and he’s so funny, but then so heartbreaking the next. When I was young, my dad had his drinking buddies, and Wyck doesn’t seem that far off from that kind of person, so I kind of relate to that. He represents the voice of the people of the islands, the real islanders, the real locals that take it all very seriously, and so he’s just the constant menace to Loftis.

And poor Tom is so practical. He’s worried about keeping the town afloat and literally keeping the lights on. But he also kind of believes the stories. How does this character and his contrasts help illustrate the story?

I think Loftis, in the beginning of the story, is at a place of determination and optimism. He cannot accept that this is his life and he cannot accept that this is the life of his teenage son [Evan, played by Kingston Rumi Southwick]. So he’s really trying to bring what he can to the island through tourism and what that would do for the town. But there’s some stuff that he needs to reckon with — he will throughout the season. I think I can be very optimistic, and so when you learn the hard truths of life, I always take that very hard myself.

Is this related to his wife being dead?

I think that’s a huge part of it. There’s a lot of what happened with his wife that he hasn’t fully reconciled. There’s stuff he needs to come to terms with … if he keeps repressing it, it’s just going to destroy him.

You set some ground rules or parameters of the world we’re in: First the quake, the fog and so forth. How did you come up with it?

In the writer’s room, we spent so much time thinking of the history of this town and different eras of leadership. …Because the more that we fleshed out this world since 1681, the funnier it was to us when something would pop out that’s ridiculous, you know what I mean? Like, then the ludicrous is more fun, if everything else feels real. It’s so important that you buy everything that’s happening, because it’s very easy to go off the rails. Once you start not buying it, it’s very hard to get back to ever feeling the tension.

The other thing I would say about the mythology, the rules … Loftis could dismiss it. Like the examples the [New York Times] reporter gives at the restaurant [of islanders going to the mainland and dying], those are weird. It’s weird that those things happen to people, but it’s also not like they all went on a boat and blew up. It’s just weird enough that I know I would take it seriously but still murky enough to give a little bit of room for Loftis to dismiss it and not be a complete lunatic.

They’re plausible enough to have happened.

But deep down, I think it scares him very much and that’s why he’s putting in all the effort.

In Episode 2, we see Willy, a creepy, fast-moving clown. Will we see him again?

Oh, possibly. Because I think for some things on the island, if you’ve heard about it before, it’s existed before and it’s come back, so it’s probably not completely gone.

Hiro Murai directed the first three episodes and he has a couple more at the end of the season. I feel like we see his stamp on the show. Was he someone you wanted to work with? How did he help bring your vision to life?

He was my dream director for it because I love “Atlanta” so much. I think Hiro is so fantastic at creating a very grounded world, a grounded scene and then still surprising the hell out of you with some absurd moment.

“Atlanta” was very inspiring to me. I had written this long before, and I was rewriting throughout the 10 years or so. But TV changed in the process, from the time I wrote the pilot to now, and that was very helpful. I think he’s so good with specifics and little nuances, and we have a very similar sense of humor. … I just knew this show would never be corny if [Hiro] was directing it.

Last thing, what are you watching right now that you’d recommend to others?

I’m rewatching “Game of Thrones” [HBO Max]. Me and my boyfriend … make breakfast every Saturday morning and rewatch an episode from the series. And it’s such a fun rewatch because the first time, I had not read the books. It’s so fascinating to rewatch again, now that you understand what the hell is happening.

I’m also watching “Hacks’” [HBO Max] final season, which I always love. In terms of movies … we were in production and then I was in post, so I didn’t get to see a ton of new stuff, but I loved “Weapons” [HBO Max]. I know it’s now a year old … but that’s my honest answer.

ICYMI

Must-read stories you might have missed

MOUNTING fears of jet fuel shortages have US travelers on edge ahead of summer vacations.

The holiday industry is bracing for a major fallout due to the Iran war’s impact on global travel.

“Anxious” Americans are worrying about whether they can return home if they travel to Europe or Asia for their summer vacation, said one expert.

For example, will their their long haul-flight end up suddenly being chopped due to a lack of fuel while overseas?

Alternatively, “will my short-haul domestic flight to the international airport be canceled?” Patrick De Haan, GasBuddy’s head of petroleum analysis, told Forbes.

“It’s a level of anxiety that travelers have never really had to worry about, and absolutely it could worsen.”

People across the world are keen for the Strait of Hormuz to reopen to shipping, because of spiraling costs hitting everything from grocery shopping to global fertilizer supplies.

But, even if this vital, narrow corridor was to permanently reopen today, it’ll be too late to salvage this year’s summer holidays, experts have warned.

That’s because airlines have now got to stick to a hurriedly rejigged schedule with airports – which must be booked months in advance.

It comes as the global jet fuel shortage is ramping up fuel prices for US carriers, which in turn are axing cheap airfares and some flights to save money.

Some airlines are already passing on extra costs to travelers by increasing fees for baggage and other add-ons, via steeper ticket prices, and fuel surcharges.

And, unfortunately, it will take months for vital supplies of oil and jet fuel to return to normal, according to Kpler, an energy consulting firm.

“It’s going to take until at least July,” Matt Smith, head US analyst, warned CNN.

“And even that may be optimistic at this point.”

United, American, Delta and Southwest airlines spent about $100 million a day on average among them on fuel in 2025.

But jet fuel prices have roughly doubled since the war began, when the United States and Israel started ​bombing Iran on February 28.

Delta Air Lines — which frequently flies to destinations across Europe — said it was aware of the continent’s “potential jet fuel supply issue.”

The carrier has already slashed some flights this summer.

United Airlines announced in March that it was “tactically pruning flying that’s temporarily unprofitable in the face of high oil prices.”

It’s the “largest energy crisis we have ever faced,” IEA executive director Fatih Birol told Associated Press last Thursday.

“If we are not able to open the Strait of Hormuz… I can tell you soon we will hear the news that some of the flights from city A to city B might be canceled as a result of lack of jet fuel,” he warned.

It will take an estimated two years for the world to recover from energy shortages caused by the war in Iran, Birol added.

More than 110 oil-laden tankers and over 15 carriers loaded with liquefied natural gas are still waiting in the Persian Gulf.

America’s own jet fuel supplies aren’t currently a huge concern, as local carriers are insulated to a certain extent.

The US produces 13 million barrels of oil a day and imports some four million barrels a day from Canada, De Haan told Forbes on April 16.

However, it’s a different situation in Europe and Asia, both of which are facing a potential shortage because of the ongoing conflict.

In Europe, multiple countries are now relying on less than 20 days of coverage in their fuel supplies, warned the International Energy Agency (IEA).

Asia-Pacific countries are the most reliant on oil and jet fuel from the Middle East, followed by Europe.

“The strait accounts for around 40% of Europe’s jet fuel imports, but no jet fuel has passed the strait since the war broke out,” said Amaar Khan, head of European jet fuel pricing at Argus Media, last Friday.

America has this month come to Europe’s aid to help bolster jet fuel supplies due to the war, sending about 150,000 barrels per day in April.

This is about six times the normal level, according to Jacques Rousseau, managing director at financial firm Clearview Energy Partners.

Less than 30 years after “13 Going On 30” made legions of young millennials want to be “big-time magazine editors,” the classic rom-com is getting a reboot.

Jennifer Garner, who starred in the 2004 original as the 30, flirty and thriving Jenna Rink opposite Mark Ruffalo’s Matt “Matty” Flamhaff, is executive producing the project. “People We Meet on Vacation” star Emily Bader and Logan Lerman, known for “Oh, Hi!” and “Perks of Being a Wallflower,” will star in the reboot.

Brett Haley, who directed Netflix’s “People We Meet on Vacation,” will reunite with Bader to helm the project.

In a statement to “Deadline,” Haley said, “‘13 Going On 30’ is one of those rare, perfect films. Funny, emotional, deeply human, with unforgettable performances from Jennifer Garner, Mark Ruffalo, and Judy Greer. I’m a longtime fan, so stepping into this reimagining comes with tremendous responsibility.”

“Jennifer Garner being on board as an executive producer, after playing such a big part of what made the original special, is especially meaningful,” Haley continued. “I also couldn’t be more excited to reunite with Emily Bader after ‘People We Meet on Vacation.’ She and the amazingly talented Logan Lerman are a magical pairing. I feel incredibly lucky to be trusted with something that means so much to so many people.”

In case you missed it (or were living under a rock in 2004), our former Los Angeles Times film critic Manohla Dargis wrote of the film: “Another iteration on the apparently indestructible body-switching premise, ‘13 Going On 30’ closely adheres to the essential gimmick and learning curve introduced to superior effect in the 1988 hit ‘Big.’

“After a disastrous birthday party and a foolish wish to become ‘30, flirty and thriving’ (some alliterative propaganda she’s read in a fashion magazine), Jenna wakes one morning to discover that she’s metamorphosed into an older, taller, somewhat curvier version of herself. Now played by Garner, the wild-eyed teenager comes face to face with a wish fulfillment of a life that comes with a designer Manhattan apartment, an executive position at a slick women’s magazine, a hockey-star boyfriend who likes to strip to Vanilla Ice, and row upon row of designer shoes.”

While mum’s the word on plot specifics, the script for the reboot is by Hannah Marks, who penned and directed “Mark, Mary, & Some Other People,” with revisions by Flora Greeson, who wrote “The High Note.”

Once news of the reboot broke online, social media chatter picked up, with fans speculating which eras the film may be set in. If, like the original, the protagonist wakes up as a 30-year-old in today’s modern world, some worry the flick won’t be as lighthearted as the original.

One user on Threads said, “The concept of a 13 Going on 30 where a teenager in 2009 now wakes up in THIS reality in her 30s feels like horror not romcom.”

I have never managed to score a reservation to Bar Cecil, the restaurant that opened in April 2021 as an homage to Sir Cecil Beaton, the famously flamboyant British photographer, designer, author and all-around Renaissance man who died in 1980. It remains, almost comically after five years in business, the most difficult place to book a table in the Coachella Valley. Long ago I made my peace with lining up before the restaurant opens at 5 p.m. and starting early at the unreserved 12-seat bar, or slipping in between 6:30 p.m. to 7:15 p.m. when the first wave of bar seating turns over. We all show up, whenever we can, for potent drinks and chef and partner Gabriel Woo’s menu, a worldly mix of Continental swagger, global-minded modernism and California realness.

In January, the same team branched out with Beaton’s at Bar Cecil, a posh affair next door that flips the script on the restaurant: more cocktail-centric, mostly snacky food you stretch into a meal. Tufted red velvet cascading from the ceiling drives the louche vibes. The mid-20th-century-era sketches and prints adorning the walls are significant enough that the staff composed a booklet full of descriptions and biographies. (You’ll need a phone light to read through it.) There’s an enclosed terrace where VIPs seeking privacy tend to hang out as the night wears on. Precision-engineered cocktails cover the spectrum of tastes: not-too-sweet Singapore slings, a sharp-tongued Vesper with lemon oil, a retro-chic grasshopper blending Creme de Menthe and pandan for a nightcap. I have always been fascinated that certain Hollywood hangouts serve pigs in a blanket, and here they are, mustardy and easy to down one after another alongside shrimp cocktail, duck-meat bao, oysters, fries and, of course, caviar. Beaton’s also takes reservations but walk-ins, however variable the wait, are welcome. Try your luck. This is absolutely the place to be in Palm Springs right now.

FORMER 19 Kids and Counting star Joseph Duggar has been arrested for alleged child sex crimes against a nine-year-old girl.

The 31-year-old from Arkansas allegedly molested the child six years ago on a vacation in Florida.

On Wednesday, the former TLC star was charged with molestation of a victim under 12 years old and with lewd and lascivious behavior of a person 18 years or older, the Bay County Sheriff’s Office said.

The girl, now 14 years old, told investigators that the incident took place while she was on family vacation in Panama City in 2020.

Duggar, who was booked into the Washing County jail in Arkansas, is awaiting extradition to Bay County.

It is alleged that Duggar asked the victim to sit on his lap, the Bay County Sheriff’s Office said.

“As the vacation continued, he also asked her to sit next to him on a couch and covered them with a blanket,” it has been claimed.

“During this time, Duggar manipulated the victim’s underwear and grazed her genitals.

“Duggar would also continue to rub his hands on her thighs.”

“The victim stated Duggar eventually apologized for his actions and the incidents stopped after the apology,” the authorities said.

The allegations and arrest come after the victim had a forensic interview due to reports of past sexual abuse.

Her father allegedly confronted Duggar about the allegations and the reality star “allegedly admitted his actions to the father and Tontitown detectives,” and the alleged abuse stopped, per officials.

Duggar is married to his wife Kendra, with whom he shares three young children.

The Duggar family has not issued a statement following the arrest.

Meanwhile, Duggar’s brother Josh, is serving a 12 and a half year sentence after being found guilty in December 2021 of receiving and possessing child sexual abuse material.

It was also previously reported that Josh, now 38, confessed to molesting several children, including four of his sisters.

The family’s reality television show aired between 2008 and 2015 documenting the lives of Michelle and Jim Bob Duggar and their 19 children.

It was taken off air after the molestation claims against Josh Duggar.