vacation

FORMER 19 Kids and Counting star Joseph Duggar has been arrested for alleged child sex crimes against a nine-year-old girl.

The 31-year-old from Arkansas allegedly molested the child six years ago on a vacation in Florida.

On Wednesday, the former TLC star was charged with molestation of a victim under 12 years old and with lewd and lascivious behavior of a person 18 years or older, the Bay County Sheriff’s Office said.

The girl, now 14 years old, told investigators that the incident took place while she was on family vacation in Panama City in 2020.

Duggar, who was booked into the Washing County jail in Arkansas, is awaiting extradition to Bay County.

It is alleged that Duggar asked the victim to sit on his lap, the Bay County Sheriff’s Office said.

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“As the vacation continued, he also asked her to sit next to him on a couch and covered them with a blanket,” it has been claimed.

“During this time, Duggar manipulated the victim’s underwear and grazed her genitals.

“Duggar would also continue to rub his hands on her thighs.”

“The victim stated Duggar eventually apologized for his actions and the incidents stopped after the apology,” the authorities said.

The allegations and arrest come after the victim had a forensic interview due to reports of past sexual abuse.

Her father allegedly confronted Duggar about the allegations and the reality star “allegedly admitted his actions to the father and Tontitown detectives,” and the alleged abuse stopped, per officials.

Duggar is married to his wife Kendra, with whom he shares three young children.

The Duggar family has not issued a statement following the arrest.

Meanwhile, Duggar’s brother Josh, is serving a 12 and a half year sentence after being found guilty in December 2021 of receiving and possessing child sexual abuse material.

It was also previously reported that Josh, now 38, confessed to molesting several children, including four of his sisters.

The family’s reality television show aired between 2008 and 2015 documenting the lives of Michelle and Jim Bob Duggar and their 19 children.

It was taken off air after the molestation claims against Josh Duggar.

We used to have more films like “Midwinter Break,” in which the combination of a couple of great actors, a gifted writer and the unfussy shepherding of a thorny, intimate scenario gave discerning moviegoers their recommended weekly allowance of adult drama about the human condition.

That’s no longer the case, so you would be forgiven for attaching more importance to the small-scale appeal of this adaptation of Irish author Bernard MacLaverty’s 2017 novel. Without gimmicks or pomp (save a picturesque setting) and through the supreme talents of Lesley Manville and Ciarán Hinds, it offers up an affecting two-hander about a couple on the brink who’ve never really acknowledged said precipice. As directed with low-key confidence by Polly Findlay, the movie is both good and, in a certain way, good enough.

Should a marriage be merely good enough? Because hiding in the 40-year togetherness of retired teacher Stella (Manville) and ex-architect Gerry (Hinds) is an unmistakable chasm. It’s a divide with roots in the turbulent Belfast of their youth, which necessitated starting their family in Glasgow. It manifests now in a brittleness that tints their everyday exchanges as ossifying empty nesters.

Stella’s restless energy in wanting to fix things spurs her to arrange an impromptu trip for them to Amsterdam. Initially they rekindle a genial intimacy over art, meals and the city’s beauty. She eases off her intolerance for his drinking by tagging along to bars, while he accompanies his faith-driven wife to the Begijnhof, a historical religious site of dwellings initially intended to house a sisterhood of single Catholic women. We gather her keen interest isn’t entirely touristy but also, because Hinds is so good, that his wisecracks about religion — which she bristles at — have a basis in something personal, too.

We eventually learn what it is that has kept Stella and Gerry in a state of deepening apartness. But these expected revelations aren’t as cathartic as one might hope, probably because what “Midwinter Break” had going for it was a gathering totality of unhurried observance, as if we, too, were stumbling in the dark along with these nervous dancers, who once knew each other so well yet had lost the ability to turn knowing into understanding.

Still, the chance to see Manville and Hinds give heart, soul and edge to a cracked marriage is a display of nuanced skill that no screenwriting choice (even if true to the source material) can fully hamper. Manville, one of our greatest actors, is achingly real, giving Stella the protective bearing of a wounded soldier. Hinds, meanwhile, masterfully shows an affable partner’s emotional immobility.

Findlay knows to stay out of the way when her actors are deep inside what’s lived-in about their situation, or when grace notes — especially the story’s real ties to the Troubles — needn’t be overstruck. Modest to a fault, “Midwinter Break” seems to float like something cautious and wishful, hoping along with the audience that this union’s individual strains will fall into harmony once more.