turk

The 10th summit of the Organization of Turkic States (OTS) was held on November 3 in Astana, the capital of Kazakhstan. The main theme of this year’s summit was ‘Turk Time’. The organization, which has set goals such as the long-term Vision of the Turkic World 2040 and the short-term Strategic Roadmap of the OTS 2022-2026, has added a new vision with ‘Turk Time’. So, is the Turk Age possible in the 21st century? Could Turks become an effective political center in the new era? Is Turk Time just a slogan? Or is it based on reality?

Turmoil in the Current Global System gave birth to the Organization of Turkic States

The 2008 economic crisis, the COVID-19 pandemic, and the weakening of United States (US) hegemony that emerged with its military withdrawal from Afghanistan and Iraq left great chaos and a vacuum in international order.[1] Especially with the COVID-19 pandemic and the US debt ceiling crisis, the US hegemony tool, dollar hegemony, has suffered a major shake-up and has become controversial.[2] This vacuum and chaotic environment triggered an effort to build a new alternative order for countries that were uncomfortable with the existing international order, and to gain a position in the new order to be established. As the rise of Asian economies continued in the global economy, organizations such as the Shanghai Cooperation Organization and BRICS accelerated the construction of an alternative multipolar order. The world was divided into two camps: defenders of the old unipolar world order and proponents of the new multipolar world order. The weakening of US hegemony and global chaos paved the way for the OTS. The transformation of the organization in 2021 coincided with the US troop withdrawal from Afghanistan and Azerbaijan’s victory in the Second Nagorno-Karabakh War.

Turkey, in particular, plays a decisive role in the OTS. In recent years, Turkey has experienced sharp ruptures in its relations with the US, EU, and NATO. The weakening of Turkey’s relations with the West is a reflection of the decline of US hegemony in the global order. At the same time, Turkey’s increasing cooperation and friendship with Russia and China played a positive role in the establishment of the OTS. The organization should be seen as an attempt to become part of a multipolar world order. For example, Turkish President Recep Tayyip Erdogan’s statement that the world is bigger than five is an expression of the need to build a just multipolar world order. As the Turkic states increase cooperation, trade, and prosperity among themselves, they serve regional peace and the establishment of a just order. With the OTS, Turkey aims to increase prosperity in the region, improve infrastructure, maintain a common culture, and increase its defense and counter-terrorism cooperation capabilities. Turkey’s objectives in the OTS in Central Asia are an effort to take part in a multipolar world that will strengthen peace and prosperity. President Recep Tayyip Erdogan aims to continue the Turk Time with Turkey and for the Turkic world to become the world’s rising power.[3] Turkey wants to be a subject, not an object, in the multipolar order. In sum, Turkey is trying to play a stronger role in the new international system to be established by establishing good relations with the advocates of the multipolar world order.

Organization Strengthens by Institutionalizing

After the transformation of the Cooperation Council of Turkic Speaking States into the OTS with the Istanbul summit in 2021, the organization entered the process of building a stronger institutional infrastructure. Analyzing the outcomes of the Astana Summit, efforts to complete the institutionalization of the organization stand out. This year, the organization continued to increase institutionalization in areas such as the Civil Protection Mechanism, the Turkic Judicial Training Network, the Union of Notaries of the Turkic World, the Turkic Investment Fund, and the Organization of Trade Unions of Turkic States. The final declaration expresses satisfaction with the activities carried out within the framework of the organization in one year.[4] For example, the Alliance of Turkic News Agencies (ATNA) was established after the summit between Turkey’s news agency Anadolu Agency (AA), Azerbaijan State News Agency (AZERTAC), Kyrgyz National News Agency (Kabar), Uzbekistan National News Agency (UzA), and Kazakhstan’s news agency Qazcontent. After the establishment of ATNA, Binali Yıldırım, Chairman of the OTS Council of Elders, said: “We aim to bring the truth to the people in the fastest way and to prevent colonialist countries from covering the events. Serdar Karagöz, who was elected president of ATNA, emphasized the importance of combating disinformation.[5] In short, in the field of media, OTS has placed establishment of a media network that will challenge the media of the unipolar world and represent the oppressed at its center. During the next few years, it is possible to predict that the organization will institutionalize in various fields.

The organization Aims to Strengthen Trade

There are two important cooperation areas between the member states of the OTS. The first is the development of cooperation in the energy field. Turkic states are rich in valuable minerals such as energy, natural gas, oil, and uranium. Therefore, the member states of the organization tend to deepen their cooperation in the field of energy. The second meeting of the OTS Working Group on Energy Cooperation of the Ministers Responsible for Energy of the OTS was held on September 28, 2022, in Almaty, Kazakhstan. The parties adopted the OTS Energy Cooperation Program and the related action plan for 2023-2027, which includes the exchange of information and ideas on legislation and national programs in the energy sector, renewable and alternative energy sources, fossil fuel energy, nuclear energy, energy efficiency, dissemination of new technologies, capacity-building programs, and enhancing cooperation in the international arena. Turkish Foreign Minister Hakan Fidan emphasized the importance of making efforts to make the Middle Corridor even more attractive for investment and to transport trans-Caspian resources, particularly Turkmen gas, to Turkey and Europe. Strategic energy infrastructure projects such as the Organization, Baku-Tbilisi-Ceyhan, Baku-Tbilisi-Erzurum, Southern Gas Corridor, Trans Anatolian Natural Gas Pipeline Project (TANAP), and Trans Adriatic Pipeline Project (TAP) contribute to the prosperity of Turkic states and European and global energy security. [6]

The second is to take steps to strengthen trade along the Silk Road belt. The member states of the OTS had a trade volume of $ 700 billion. However, only $ 18 billions of this trade volume is carried out among the member states themselves. This situation is the main driving factor in the establishment of the organization. Because Turkey and the member states are determined to develop trade among themselves. The member states of the organization focus on removing or facilitating trade barriers among themselves. Eliminating trade barriers and providing infrastructure investments on roads. In this respect, there is no other way but to work in harmony with the Belt and Road Initiative of the OTS. The implementation of the Action Plan for the Implementation of the 2023-2027 OTS Transport Connectivity Program adopted at the Astana summit is expected to significantly increase the transit potential of the Middle Corridor and make Caspian transits smoother.

The establishment of the Turkish Investment Fund was on the agenda at the Istanbul Summit. During the two-year period of the organization, sub-commissions carried out infrastructure work to establish the Turkish Investment Fund. On March 16, 2023, the Agreement on the Establishment of the Turkish Investment Fund was signed at the Extraordinary Summit of the OTS held in Ankara. Before the Astana summit, Turkey voted the proposal for the establishment of the Turkish Investment Fund as a law in its parliament: “The capital participation commitment of the Republic of Turkey to the Turkish Investment Fund and the payments to be made within the framework of this commitment cannot exceed the equivalent of USD 100,000,000.[7] The President is authorized to increase the amount up to five times.  Thus, the OTS has gained an institutional structure to finance its investments among itself. All of these developments are efforts to increase the economic trade volume of the organization and strengthen economic cooperation.

Russia, Iran, and China should be part of the OTS

The fate of Turkic states depends on the revival of the Silk Road and the Belt and Road Initiative. Historically, trade flowing from China to Europe via the Silk Road played an important role in enriching Turks and building powerful states. Today, China, the world’s second-largest economy, has regained its historical position. The revival of the historical Silk Road plays an important role in the revival of the Turkic world. There must be an air of unity in Eurasia in order for the OTS to succeed. In this respect, the accession of Iran, Russia, and China, which have Turkic-speaking peoples, to the OTS will add significant strength to the organization. There is already such an expectation in the OTS. Chairman of the Council of Elders of the OTS Binali Yıldırım stated that China and Russia are natural members of the OTS.[8]

The sanctions against Russia in the aftermath of Russia’s operation in Ukraine have highlighted the strategic importance of the Middle Corridor.[9] Moreover, although 96 percent of the trade from China to Europe is by sea, the US continues to blockade the South China Sea. Currently, the Middle Corridor is the safest port for trade flow. The most important goal of the OTS is to make the Middle Corridor more active. “We should also pay special attention to the development of transport networks between our countries. With this understanding, we continue our efforts to activate the Caspian Trans-Caspian East-West Middle Corridor. We should strengthen our cooperation in removing obstacles to transportation and trade, enriching transportation networks, facilitating border crossings, and visa procedures”.[10]

Conclusion

The world is on the brink of a global rupture, and OTS is an organization that emerged on the brink of this global rupture. Shortly after the Republic of Turkey celebrated its 100^th anniversary on October 29, the OTS organized a summit with the theme of ‘Turk Time’, which reflects the expectation of Turks to become a global actor for the 200^th year. To achieve this goal, the Organization of Turkic States must unite in Eurasia. In this respect, it is vital for the OTS to strengthen its cooperation with China, Iran, and Russia. These states are the leading powers of Asia and home to Turkic-speaking peoples. Economically, the Middle Corridor is vital for the OTS. Trade between China and Europe passes through Central Asia via railroads, which indicates the revival of the historic Silk Road. Controlling the Silk Road, the OTS can regain its historical role, gain a geopolitical advantage, and become an important figure in world politics. Turks have always had their own special goals, called the ‘Red Apple’. The Ottoman Sultan Mehmet the Conqueror set the conquest of Istanbul and the establishment of a new Roman Empire as the Red Apple. In the 16-18^th centuries, the Ottoman Sultans identified the conquest of Vienna and Rome as the Red Apple. In the 20^th century, Turkist ideologues had the Red Apple of establishing a Turan State. In the 21^st century, it is clear that the Turks’ Red Apple is the greatest ideal to be a center in the multipolar world order under the slogan of ‘Turk Time’.

The views contained in this article are the author’s alone and do not represent the views of Shanghai University.

[1] Francis Fukuyama, Francis Fukuyama on the end of American hegemony, 8 November 2021, https://www.economist.com/the-world-ahead/2021/11/08/francis-fukuyama-on-the-end-of-american-hegemony

[2] CFR, The Future of Dollar Hegemony, 22 August 2023, https://www.cfr.org/blog/future-dollar-hegemony

[3] Türkiye Yüzyılı’nda ‘Türk Devri’ başlıyor, 3 November 2023, https://www.trthaber.com/haber/gundem/turkiye-yuzyilinda-turk-devri-basliyor-809286.html

[4] Organization of Turkic States, “Declaration of the Tenth Summit of the Organization of the Turkic States”, 3 November 2023, https://www.turkicstates.org/assets/pdf/haberler/astana-declaration-3113-215.pdf

[5] AA, “Türk Haber Ajansları Birliğinin ilk genel kurulu yapıldı”, 6 November 2023, https://www.aa.com.tr/tr/kurumsal-haberler/turk-haber-ajanslari-birliginin-ilk-genel-kurulu-yapildi/3045736#

[6] Türkiye İletişim Başkanlığı, 21. Yüzyılın Parlayan Yıldızı: Türk Devletleri Teşkilatı, İstanbul, Cumhurbaşkanlığı İletişim Başkanlığı Yayınları: 2023

[7] Resmî Gazete, Türk Yatırım Fonu Kuruluş Anlaşmasının Onaylanmasının Uygun Bulunduğuna Dair Kanun, 11November 2023, https://www.resmigazete.gov.tr/eskiler/2023/11/20231111-1.htm

[8] Sputnik, Aksakallılar Konseyi Başkanı Yıldırım: Rusya ve Çin Türk Devletleri Teşkilatı’nın doğal üyesidir, https://tr.sputniknews.com/20211126/aksakallilar-konseyi-baskani-yildirim-rusya-ve-cin-turk-devletleri-teskilatinin-dogal-uyesidir-1051186836.html

[9] Zeynep Çetinkaya, & Zeynep Canlı, “Rusya-Ukrayna Savaşı Türkiye’den geçen ‘Orta Koridorun önemini daha da artırdı.” AA, 2022, 1 Mart 2022, https://www.aa.com.tr/tr/ekonomi/rusya-ukrayna-savasi-turkiyeden-gecen- orta-koridorun-onemini-daha-da-artirdi/2519232.

[10] Türkiye Cumhuriyeti Cumhurbaşkanlığı, “Türk dünyasının barışı, refahı ve güvenliği yönünde adımlar atmayı sürdüreceğiz”, 3 November 2023, https://www.tccb.gov.tr/haberler/410/150055/-turk-dunyasinin-barisi-refahi-ve-guvenligi-yonunde-adimlar-atmayi-surdurecegiz-

Suddenly it feels like the 2000s again, with a revived “Scrubs” premiering Wednesday on ABC and Tracy Morgan reincarnating the spirit of “30 Rock” in NBC’s “The Fall and Rise of Reggie Dinkins” — network television shows, too, as in the days when streaming was just something tears and traffic did.

Beginning as a tale of new doctors at work and in love, “Scrubs” may also be seen as a looking-glass “Grey’s Anatomy,” although as “Scrubs” premiered first, it’s fairer to say that “Grey’s” is a straight-faced “Scrubs,” probably not a thought that ever crossed Shonda Rhimes’ mind. The show, then and now, combines a sentimental, satirical, soapy, sometimes surreal comedy with a straightforward medical show. Stars Zach Braff, Donald Faison and Sarah Chalke are back full-time, not quite in their old places, but arranged in close quarters, with Judy Reyes and John C. McGinley listed as recurring and other old faces slated to peek in.

The show left the air in 2010, after its ninth season, a virtual spin-off that has been declared noncanonical. The Season 8 finale saw protagonist, narrator and inveterate daydreamer J.D. (Braff), a person who really needs people — “I can’t do this all on my own” runs the show’s title song — looking into a happy future, married with a child to surgeon Elliot (Chalke). But that was just a dream, just a dream. The new season finds them at odds, and while a child is mentioned, it remains unseen, at least for the four episodes (of nine) out for review.

As we begin again, J.D. is working as a concierge doctor, tending to the minor ailments of the rich — cut toe, long-lasting chemically induced erection — when he’s drawn back to Sacred Heart Hospital to check on a patient. By the end of the first episode, his former mentor, the acerbic yet strangely sympathetic Dr. Cox (McGinley), will give him a job, of which is officially a spoiler to describe — even though it’s the premise of the show — noting his gift for teaching and reuniting J.D. with bromantic best friend Turk (Faison), the chief of surgery. (“Two chiefs!” is their chanted motto, followed by a special handshake. They are men who will be boys.) Turk is still married to head nurse Carla (Judy Reyes); they have four daughters, whom we do see, briefly. (J.D.’s appointment rankles Dr. Park, played by Joel Kim Booster, the series’ designated mean person.)

Moving into the space Turk, J.D. and Elliot occupied 25 years earlier are a new crop of interns, bringing youth appeal and naivete (the better to instruct them). Blake (David Gridley) is a cocky know-it-all, who will become a less cocky know-it-not-all; Asher (Jacob Dudman) is British, insecure and attracted to Amara (Layla Mohammadi), who is homeschooled (“I almost won prom queen twice but my brothers voted for my mom”) and a fan of Sam (Ava Bunn), a social media star who hangs her hands like Alexis Rose. Dashana (Amanda Morrow), the serious one, who sees Turk as an ally: “You’re, like, the only Black surgeon in this place; the rest of them just got, like, Coldplay on loop in the ER and say things like, ‘You’re so articulate.’” (“This brother likes Coldplay, too,” says Turk, pressing play on “Clocks.” Another lesson learned.)

As before, the show is fast-paced, packed with asides and ironic cutaways, with jokes riding on the back of jokes and some unexpected slapstick (the best kind), though it will shift into a lower gear when something capital-I important needs to be said. The world has changed in 16 years (“I am now supposed to watch every word that comes out of my mouth because apparently they are all fragile little Christmas ornaments,” grumbles Dr. Cox) and so the risqué material is left to the older characters, though the sex jokes now mostly amount to lack-of-sex jokes. (“She used to get worked up by ‘Bridgerton,’” Turk says of Carla, “but the new season doesn’t come out for another year.” “Spring 2027,” nods J.D.) Monitoring behavior is Vanessa Bayer as Sibby, a tightly wound administrator with an effortful smile, whom Turk calls “the feelings police.” (A longtime favorite of this department, Bayer is a brilliant addition. Told that Tarzan is a fictional character, Sibby replies, “I wouldn’t be so sure. They did make a movie about his life.”)

They say you can’t go home again, but with a good map and a good crew you can get pretty close. Not every bucket drawn up from the well of old IP will prove potable, but it often has: “Arrested Development,” “Veronica Mars,” “Party Down,” “Roseanne/The Conners,” “Frasier,” even “Dallas.” “Twin Peaks: The Return” is, of course, a work of art. Under the watchful eye of creator Bill Lawrence — later to co-create “Ted Lasso,” which is coming back for a fourth season even though it really ended after the third — with Aseem Batra, who wrote for the original series, as showrunner, it is very much the sitcom of old, older. (But everyone still looks good.)

There will undoubtedly be some who find nits to pick, but it’s hard to imagine any less-than-obsessed fans unhappy with this lagniappe, apart from its comparative brevity. And references to the original run notwithstanding — appletinis, “Star Wars,” a certain closet — it’s intelligible and funny on its own terms , and as full of love as ever. “When this work makes you fall apart,” says J.D., narrating, “someone is there to patch you up.”

New viewers will not be shut out.

The cast of “Scrubs” knows that the show’s creator, Bill Lawrence, has a habit of building communities with his series, which include “Ted Lasso” and “Shrinking.” But the “Scrubs” crew knows they are the closest.

“Since I work on all those shows, I can say that we’re the tightest-knit group,” says Zach Braff on a video call with his fellow fake doctors Sarah Chalke and Donald Faison. “We vacation together.”

Lawrence, just a day later, has to concede that Braff has a point. “It’s annoying because I have to admit that they are right,” he says. “We’ve stayed the tightest because we all still spend way too much time together.”

And now the gang is back together for a new, nine-episode season of the beloved series premiering Feb. 25 on ABC, and the next day on Hulu. When “Scrubs” debuted in 2001, narrator J.D. (Braff), his best friend Turk (Faison) and on-again, off-again love interest Elliot (Chalke) were interns at Sacred Heart Hospital. Now, J.D. is a concierge doctor, while Turk and Elliot have advanced to leadership positions at Sacred Heart. There’s a new batch of interns, a new cheery hospital representative (Vanessa Bayer) whose job involves making sure no one gets offended, and a new doctor (Joel Kim Booster) who is not too fond of J.D. But there are also other familiar faces including John C. McGinley as J.D.’s begrudging mentor Dr. Cox and Judy Reyes as nurse Carla, who also happens to be Turk’s wife.

“Scrubs” then and now: Sarah Chalke, Zach Braff and Donald Faison in the original series, left, and in the ABC revival. (Chris Haston/NBC) (Brian Bowen Smith/Disney)

In the Season 8 finale — before the show reset with a medical school setting — J.D., always prone to elaborate fantasy sequences, sees a vision of how his life is going to turn out. His reality doesn’t exactly resemble that.

“We say midlife crisis or whatever, but it’s a time of questioning, a time where you take stock of your life,” says showrunner Aseem Batra. “That’s really a cool time to catch up with our characters because when we saw them last, they were in their quarter life.”

Batra herself has followed a similar path to the characters. After working as an assistant at ABC, her first writing gig was on “Scrubs.” Now she’s in a position of authority. “Truly, it was the best job I had and it was my first job and I’m doing it again out of pure love,” she says. (Longtime “Scrubs” writer Tim Hobert was originally announced as co-showrunner but departed the project.)

Lawrence, who serves as executive producer on the new incarnation, can also see a parallel between his path and that of his fictional creations. “I’m only good at writing about stuff that’s at least tangentially part of my life and the idea that of those young goofballs who are the students now being the teachers, it’s very much part of my life right now,” he says.

“Scrubs” creator Bill Lawrence has handed the reins to Aseem Batra, who is the showrunner of the revival. “Truly, it was the best job I had and it was my first job and I’m doing it again out of pure love,” she says.

(Christina House / Los Angeles Times)

Still, Lawrence says the reason the revival of the show was able to work is because of the closeness of the original cast. Faison and Braff are still constantly collaborating whether that’s on a podcast or commercials, and even though she’s decamped from Los Angeles to Canada, Chalke makes a point to keep in touch. On a boisterous Zoom call, we spoke about returning to their beloved characters.

What were your reactions coming back to this world?

Donald Faison: Please. Please. Revive it. Do me that solid and revive it.

Sarah Chalke: I manifested it. A couple years ago, I was like, “Oh, I miss ‘Scrubs.’ I want to do a comedy like ‘Scrubs’ that shoots in Vancouver, and then it all happened.”

Zach Braff: To be honest, I was very surprised when it actually started happening that ABC was going to put it in prime time. I thought it might be something on Hulu. That felt like a giant audience with Hulu the next day and a really big scale and really a belief in the project. That was really exciting.

Why do you think the show’s legacy is so strong that there is that belief?

Braff: I think that it’s Bill’s unique mix of comedy and pathos and emotion and fantasy. It’s such a unique recipe. But in execution, as he did with the first pilot, it was undeniable. It was so groundbreaking at the time. No one had done that in the network space. It was also at a time when there was no streaming. So, the show was on at 9:30 and Bill was trying to push what you could still do on network [television]. That’s why it was a more risqué version of what we’re doing now. I think now the goal was — well, there’s streaming for that. What’s a show that we can have on at 8 that pairs with “Abbott Elementary” that parents can watch with their kids? Maybe some jokes will fly over the kids’ heads, but it’s not trying to compete with what people are doing on streaming.

What do you remember about getting cast? You were all in your 20s.

Faison: I was the oldest one. Still the oldest one. I remember how big of a deal it was. This was the pilot of the season. I remember everybody and their mama was talking about how great the script was and how they wanted to be on the show. I remember my agent telling me, “This is a big one. The creator of the show really likes you. Let’s see what you can do.”

Chalke: I didn’t know this until two days ago. Our casting director came up to set to visit, and she said I was the first person to audition on the first morning of casting. In the character description, it said she moves and talks at a faster pace than normal humans. And in every single job, I’ve been told, “Slow down.” It felt like the luckiest thing; I’ll never forget when Bill called me and said that I got it and I truly couldn’t believe it. And the experience far exceeded any expectation I could have had about what it was going to be.

When I think back on it, what I remember is what that felt like to be at work every day, genuinely laughing so hard to the point where it would get late at night and there was one sound that Zach and Donald could make that would make me laugh.

Sarah Chalke on being cast in “Scrubs”: “I’ll never forget when Bill called me and said that I got it and I truly couldn’t believe it. And the experience far exceeded any expectation I could have had about what it was going to be.”

(Christina House / Los Angeles Times)

What was the sound?

Faison: It’s almost like a fart.

Braff: No, it’s not a fart.

Faison: I’m not trying to make a fart joke. But do you know how when you fart, it always sounds like a question mark. So, that’s the sound.

Braff: Esther, do not use this, please. It’s a high-pitched noise like this [does noise]. We would do it quietly enough that no one would hear we were doing it. And then she would break down laughing and ruin the take and we’d be like, “Sarah, what are you doing? It’s late. We want to go home.”

Zach, what were your initial thoughts about the project?

Braff: I was waiting tables at a French-Vietnamese restaurant called Le Colonial at Beverly and Robertson [in L.A.]. And I had to wear a tunic, which I put into “Garden State.” I’d been auditioning for so many things and not really getting much traction in the sitcom space, but I read this and I thought it was so funny. I was like, “Oh, I think I could really sell this because I find it so funny.”

How did you know the chemistry between the three of you was going to work?

Braff: When we were shooting the pilot, I was just like, “Wow. I really love these people.” I was obsessed with Sarah. I thought Donald was the funniest person I’d ever met. And then Bill was legitimately the funniest person I’ve ever met. I just felt in really good hands.

Chalke: We were all so excited to be there and we’d just hang out and watch the other scenes that we weren’t in. And I remember just being by the monitor, watching everybody else work and just being so blown away.

Braff: We would hang out after we were wrapped, which Sarah still does occasionally. This time Donald came early because there’s this really weird coffee robot in the production office that Donald seems to think is amazing coffee. So, I caught him a few times coming in early for the coffee robot.

Faison: That’s not why I came in early. I was notoriously late and unprepared the first go of “Scrubs.” I heard Tom Hanks talking about how he was a young actor and a very established actor kept forgetting their lines. And the director finally goes, “Ah, come on, come on guys. Three things. Show up early, know the text, have an idea. Let’s take 10,” and walks away. And Tom Hanks goes, “Oh, if that’s what it takes, I can do that s—.” So, I took that to heart and this is the second opportunity.

Braff: I thought it was the coffee robot.

Zach Braff on his co-stars: “When we were shooting the pilot, I was just like, ‘Wow. I really love these people.’ I was obsessed with Sarah. I thought Donald was the funniest person I’d ever met.” (Christina House / Los Angeles Times)

But Sarah would hang out after you wrapped?

Chalke: We are all executive producers on this. Zach is producing and directing and editing and writing and doing all of the things, and that’s been really neat to watch. I legitimately do want to learn. Obviously, there’s a balance of that with also going back into work full-time and having two kids.

Braff: Sarah gave me this whole speech at the top of the show. She’s like, “Hey, I really do want to learn this stuff. I want to sit by your director’s chair. I want to ask you questions. I want to learn to genuinely [executive produce], genuinely direct.” And I was like, “Great.” The first week I was like, “All right. Sarah, we’re going on a big tech scout. It’s probably going to be about…”

Chalke: “In a van for seven hours.”

Braff: I go, “You’re going to learn more on the tech scout than you could in film school.” And she’s like, “No, I won’t be able to do that.” And then by the end of the nine episodes, Sarah was like, “I think my EP thing is morale.”

Faison: I want to piggyback on something Sarah said though. Zach has done a lot, these nine episodes. For this revival, he’s done so much and has worked so hard on this. And that’s made us all feel very safe and secure also because we know we have the No. 1 guy on the call sheet who cares about the show completely putting in 100% to make sure that we’re coming out the gate with something very, very, very, very strong and undeniable for the fans.

What were your conversations about where your characters would be after all these years?

Braff: One of the big conversations we had was we wanted to reground the show because the show got really broad over the years and we wanted to dial it back and go back to where we started, where it exists in a real place. We have the luxury of the fantasies where we can be super silly. And obviously, we dip our toe over the line sometimes and stuff is a little broad. But for the most part, the new show is back to Season 1 and grounded again.

As we all know, especially when you reach 50 years old, a lot of things in life don’t turn out the way you hope they would. And that’s why we opened the show with J.D. living this fantasy that he is this heroic trauma ER guy when in fact he’s fixing toes in the suburbs. Also, I think with regard to me and Donald, [Lawrence] said, “I want them to be silly as those two guys are in real life, but … when they drop in and they’re teachers, they’re really good teachers.”

Donald Faison on returning for the revival: “When we did the table read, I laughed so hard when the first voice-over kicked in, when Zach read the voice-over.”

(Christina House / Los Angeles Times)

Was it easy to fall back into your rhythms?

Faison: When we did the table read, I laughed so hard when the first voice-over kicked in, when Zach read the voice-over.

Braff: The whole room did. It was really funny because no one had heard me do that voice in 20 years.

Chalke: One of the coolest things that helped with the show was Bill would just write to everybody’s strengths or write to their quirks or write to their personalities and weave it in. That happened this season, but it happened all through the first eight years. And so, to a certain extent, the lines blurred sometimes between ourselves and our characters. So, stepping back into them, there’s a reason why it felt so comfortable.

Braff: Sarah is a fast-talking klutz.

Chalke: I am. We met all the interns and Zach said, “So, guys, Chalke’s going to come in every day and something’s going to be broken. Every day there’s going to be a story.” And then I proceeded the very next day, which was the day before filming, to fall and break my finger. So, I did have to come in on the first day and say, “So, I broke my finger.”

How did you break your finger?

Braff: Walking.

Chalke: It’s part of who I am, but it’s also part of who Elliot is.

Braff: I think if we put in the show how really klutzy you are, people would think it’s too much.

Was there anything you were nostalgic for that wasn’t in the new incarnation?

Chalke: Sam Lloyd.

Braff: Sam Lloyd who played the lawyer was such a big part of the show and not only a fan favorite, but our favorite. He was just the funniest, nicest man. And Bill calls people like Sam Lloyd “comedy assassins.” They come in and they have one line and you’re laughing. And he was one of the greats.

Faison: It’s not the same “Scrubs.” And I kind of miss a little bit of that. There are so many new stories to tell. And you get nostalgic when you see the stuff that we’re doing in it, but I do sometimes miss some of the stories that we told in the past. It’s like capturing lightning in the bottle again, and I feel like we did it. I really do hope we have that opportunity again. I really do hope that this isn’t just nine. But it’s important for the audience to know that we’re definitely older. That’s just real talk. I’m not a 26-year-old man anymore. I’m 50.