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Claudia Winkleman says ‘be prepared’ as she shares true feelings about Strictly job

Claudia Winkleman has set the record straight on her Strictly Come Dancing experience, as she and Tess Daly are set to leave Strictly Come Dancing at the end of the 2025 series

Television host and national treasure Claudia Winkleman told fans to “be prepared” before revealing her true thoughts on Strictly Come Dancing.

Claudia, 53, recently announced alongside co-host Tess Daly that the pair would be leaving the popular BBC programme after over 20 years of holding various presenting roles on the series.

Claudia, who also hosts The Traitors and Celebrity Traitors, opened up about the origins of her working on the programme in her book Quite, explaining that it was the ultimate case of someone being in the right place at the right time.

She said: “Strictly has been (I don’t want your stomach to turn, so please be prepared) a gift to me. A barnstorming, stonking, thunderbolt of a present.

“I started working on It Takes Two in 2004. There had been one series already, my son was tiny and they said, ‘Look, can you talk about the foxtrot every night live at 6.30pm?’”

She added: “I could be with him all morning and then go to work. I know. It was a six week run and I was ridiculously lucky.

“I then went on to present the results show and when Sir Bruce resigned I got Tess’s job. Sometimes good fortune just falls in your lap. How did I, a short, scruffy, orange idiot get to be part of one of the nation’s favourite TV shows?

“All I can say is there has been no better example of right place, right time on earth.”

In a statement on Instagram announcing of her exit from the show, Claudia said: “It’s very difficult to put into words exactly what Strictly has meant to me. It’s been the greatest relationship of my career.

“From working on It Takes Two in 2004 until now it has been my everything, the show I will be eternally grateful for.

“I will never forget Len Goodman trying to teach me what a cucaracha is (I still don’t know) and the complete thrill and honour it was to work with Tess on the results show to co-hosting on Saturday nights.

“Strictly is a magical, glittery, fake tanned train and it’s been a privilege to be a tiny part of it. The extraordinary talent of the dancers, the band, the hair and makeup and costume teams, the unbelievable production crew and creatives – all utterly amazing.

“I’ve always believed it’s best to leave a party before you’re fully ready to go and I know the new hosts will be magnificent.”

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Limp Bizkit star Sam Rivers dies aged 48 as band pays emotional tribute to ‘true legend’

A bald man playing bass guitar on stage at a concert.

SAM Rivers, bassist for rock-rap group Limp Bizkit, has died aged 48, according to an emotional statement from the band.

His fellow band members paid tribute to their “brother” on social media after he passed away on Saturday evening.

Sam River was a founding member of the band
His band members paid tribute to their “brother” on social media after he passed away on Saturday eveningCredit: Instagram
Sam Rivers performed onstage at KROQ Weenie Roast & Luau at Doheny State Beach in 2019Credit: Getty

Announcing the news to fans on Instagram, the band wrote: “In Loving Memory of Our Brother, Sam Rivers. Today we lost our brother.

“Our bandmate. Our heartbeat. Sam Rivers wasn’t just our bass player — he was pure magic.

“The pulse beneath every song, the calm in the chaos, the soul in the sound.”

They added: “From the first note we ever played together, Sam brought a light and a rhythm that could never be replaced.

“His talent was effortless, his presence unforgettable, his heart enormous. We shared so many moments — wild ones, quiet ones, beautiful ones — and every one of them meant more because Sam was there.”

“He was a once-in-a-lifetime kind of human. A true legend of legends,” the statement continued.

“And his spirit will live forever in every groove, every stage, every memory.”

The band concluded: “We love you, Sam. We’ll carry you with us, always. Rest easy, brother. Your music never ends. — Fred, Wes, John & DJ Lethal.”

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The 48-year-old’s cause of death is yet to be revealed.

In 2015, Rivers left the band after being diagnosed with liver disease due to excessive drinking.

He revealed that he had undergone a liver transplant before rejoining the band in 2018.

Rivers was a founding member of Limp Bizkit, having formed the band with Fred Durst and John Otto in 1994.

The band then added guitarist Wes Borland and DJ Lethal in 1996.

The group dropped six albums, including critically-acclaimed “Significant Other” and “Chocolate Starfish and the Hot Dog Flavored Water”.

Rivers has played on all six albums, four of which have been certified platinum or multi-platinum.

Limp Bizkit are best known for songs including “Behind Blue Eyes” and “Take a Look Around.”

Rivers was a founding member of Limp Bizkit having formed the band with Fred Durst and John OttCredit: Getty
In 2015, Rivers left the band after being diagnosed with liver disease due to excessive drinkingCredit: Getty
Sam Rivers, Wes Borland, DJ Lethal and Fred Durst of Limp Bizkit backstage at Grant Park in 2021Credit: Getty

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Channing Tatum charms in bizarre true story of a toy shop fugitive – but moral muddle keeps it gripping

ROOFMAN 

(15) 126mins

★★★☆☆

A NICE guy doing bad things isn’t an original premise for a comedy drama. 

But base it on the true story of an escaped felon hiding out in a toy shop and things get more interesting. 

Channing Tatum plays Jeffrey Manchester, the charismatic convict from North Carolina with the ‘you couldn’t make it up’ life storyCredit: Alamy
For six months Jeffrey sleeps undetected, surviving on stolen M&M’s, while watching jobsworth boss Mitch (Peter Dinklage), above, on CCTV for entertainmentCredit: Alamy

Channing Tatum plays Jeffrey Manchester, the charismatic convict from North Carolina with the “you couldn’t make it up” life story. 

An ex-military man, Manchester has been struggling financially since being decommissioned. 

So to support his family he turns to a professional life of crime

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His first attempt at dropping through the ceiling of a McDonald’s and emptying their tills is such a success he repeats this style of heist 45 more times. 

As a non-violent robber who offers people his coat while holding them up at gunpoint, he soon earns himself the local moniker of “Roofman”. 

As police put it, he’s a genius, but also an idiot. 

When eventually caught and sentenced to four decades behind bars, Manchester swiftly escapes jail and goes on the run. 

Looking for a place to take cover he lands on a Toys R Us store and sets up home in a crate under the eaves. 

For six months he sleeps undetected, surviving on stolen M&M’s, while watching jobsworth boss Mitch (Peter Dinklage) on CCTV for entertainment and ultimately falling for employee Leigh (Kirsten Dunst), a divorced mum. 

The tale of how their romance blossoms — as Manchester increasingly risks his chances outside the store’s four walls — would seem utterly far-fetched, if it wasn’t for the fact that in 2004 it all actually happened. The chemistry between the leads is convincing. 

Dunst as Leigh, the church-going single mum falling in love while being unknowingly duped, reminds you that no matter how outwardly likeable Manchester seems, he continually hurt people with his odd mix of arrogance, immaturity and intelligence.

He wants it all to be real, while knowing that it can’t be. 

Director Derek Cianfrance (Blue Valentine) periodically lightens things up with various meme-worthy set pieces involving Tatum barely clad in feather boas, or wearing roller blades or completely starkers with only a fan to protect his modesty. 

But it is the pondering over how decent a person, or not, Manchester really was that will keep you gripped. 

GOOD FORTUNE 

(15) 97mins       

★★★☆☆

Keanu Reeves stars as a bumbling guardian angel in a silly but funny comedy about life swaps, gig work and heavenly misadventuresCredit: Alamy

KEANU Reeves is at his Bill and Ted-esque best in this silly, but very funny, light-hearted bromance about a guardian angel who can’t quite get a grip on his ­heavenly duties. 

Written by Aziz Ansari (Master Of None) Reeves is Gabriel, a rookie winged protector limited to saving people from “texting while driving” catastrophes. 

He’d like to rescue lost souls too but his boss Martha (Sandra Oh) thinks he’s not ready to be promoted. 

One of his celestial charges is Arj (Ansari) who despite being well qualified, can’t catch a break and is sleeping in his car while doing gig economy work in LA for an odd-jobs app. 

A stint as assistant for billionaire Jeff (Seth Rogen) – who spends his days shopping for Rolexes and sitting in his sauna – only makes him feel more of a failure. So Gabriel steps in to help by facilitating a life swap between the two, which he hopes will make Arj appreciates what he already has. 

The script lacks the ­substance it was probably aiming for, and there’s far too much chatting about chicken nuggets, but this comedy does deliver lots of laughs. 

AFTER THE HUNT 

(15) 139mins  

★★☆☆☆

Julia Roberts plays Alma Imhoff, a Yale philosophy professor and feminist who is idolised by her students.Credit: Alamy

SET in the academic enclaves of a rarefied American Ivy League University, this affected campus tale from director Luca Guadagnino could do with a tutorial to discuss what its own discourse is. 

Julia Roberts plays Alma Imhoff, a Yale philosophy professor and feminist who is idolised by her students. 

Imhoff and husband Frederick (Michael Stuhlbarg) host bourgeois soirees in their art-filled pad where favourite students including Maggie (Ayo Edebiri), and Hank (Andrew Garfield) gather to muse and debate. 

But when Maggie accuses Hank of sexual assault and turns to her tutor for guidance, beliefs, boundaries and loyalties blur for both women. 

Roberts is exceptional as Imhoff but the pace is so laboured and the ostentatious dialogue so pleased with itself it feels like a dull self-congratulatory lecture. 

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A repetitive ticking pendulum only emphasises the plodding pace and a subplot about stomach ulcers adds little. Some valid social commentary around generational divides is quickly drowned out by more droning. The many lingering close-ups are stylistically credible yet still dull. 

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How true crime story ‘Roofman’ became a Christmas movie

“We’ve been doing this for a while now,” laughs Channing Tatum, “and every once in a while a new thing comes out I haven’t heard.”

Tatum’s responding to the latest revelation of the press tour for his new film “Roofman”: Director Derek Cianfrance’s claim that he was the fastest checker in Walmart history. (“They gave you a raise if you got 18 rings a minute,” says Cianfrance. “I averaged 350.”)

The point, for Cianfrance, is that the characters at the heart of “Roofman” — good-hearted thief and unauthorized Toys “R” Us tenant Jeffrey Manchester (Tatum) and working mother Leigh (Kirsten Dunst) — are his kind of people.

And “Roofman,” which in its themes of personal responsibility, community and acceptance holds much in common with the work of Frank Capra, is his kind of film. The director behind the 1946 Christmas classic “It’s a Wonderful Life” loomed over Cianfrance’s film from the start. “As we were selling this movie, trying to get it financed, I was pitching it to everyone as a Capra movie and what I kept hearing is, ‘We don’t make those movies anymore.’”

Cianfrance always knew he wanted “Roofman” to be a Christmas movie, which often features characters rediscovering themselves in a small town and magical happenings like, as he says, “a fish shows up with wings.” Or, in this case, that Manchester — on the lam after escaping prison — ends up falling in love with Leigh and being embraced by her family and community.

A man coming through a hatch in a roof looks surprised.

Tatum as Jeffrey Manchester in “Roofman.”

(Davi Russo / Paramount Pictures)

“I love the populist filmmaker who’s making movies about regular people,” says Cianfrance. “You never feel like Capra’s ever judging people, or being snobby about the people he’s making movies about. He’s making movies about the people who go to the movies.” And while the film’s true-life tale is certainly stranger than fiction, Cianfrance avoided turning “Roofman” into Hollywood escapism. Instead, he says, he wanted to illustrate his respect for working people’s dreams and aspirations: “The thing that transformed it for me was when Leigh told me that Jeff was the greatest adventure of her life, and that she didn’t regret a thing.”

With that in mind, he urged the cast to live their characters’ suburban North Carolina lives. He encouraged actor Peter Dinklage, who plays the Toys “R” Us store manager, to actually manage the store. Dunst’s Leigh, a new hire, was given an actual job interview by Dinklage himself. “He would not give me an inch in that interview,” says Dunst. “I respect him so much as an actor, I think I was also just intimidated by him as well.”

Cianfrance calls the set “an aquarium for actors” — a place where, to pull another Christmas reference he drops, everyone was Rudolph the Red-Nosed Reindeer on the island of misfit toys. Actors like Emory Cohen and Juno Temple expanded their characters beyond the page. Cohen, who plays bullied employee Otis, conjured up his character’s love for peanut M&M’s, while Temple, who plays the girlfriend of one of Manchester’s friends, saw her character as a hairdresser.

Even a scene where the Toys “R” Us is decorated for Thanksgiving gave Cianfrance and production designer Inbal Weinberg the opportunity to debate where to have Dunst place an inflatable turkey. “I was like, we’re gonna let the actors decide. Kirsten came to set. She got the turkey. And she started to decide where it went, and she put it where my production designer wanted it,” Cianfrance says. “And Peter Dinklage came out and was like, ‘No, the turkey goes here.’”

"Roofman" director Derek Cianfrance.

“As we were selling this movie, trying to get it financed, I was pitching it to everyone as a Capra movie and what I kept hearing is, ‘We don’t make those movies anymore,’’’ says “Roofman” director Derek Cianfrance.

(The Tyler Twins / For The Times)

Dunst had been wanting to work with the director since auditioning (unsuccessfully, the pair joke) for his 2016 feature “The Light Between Oceans.” “I would have done this movie without reading any script,” she says. “How he makes a set — he wants to capture all the nuance and the things that make us humans interesting.”

Tatum concurs. He knew immediately the role would challenge him as a performer. The actor had heard stories of how Cianfrance worked with performers to get authentic responses, like giving Ryan Gosling and Michelle Williams — playing a married couple in 2010 drama “Blue Valentine” — contrasting information in scenes to heighten tension.

Dunst recalls a similar moment on “Roofman,” where Jeff scares Leigh by driving a car too fast with her and her daughters inside. “Derek held my arms and he was like, ‘Push against me as hard as you can,’” she says. “I did that and he held tight and then we went into the scene immediately after. It brought up emotions of being trapped and a feeling like everything was out of your control … but that really helped me a lot.”

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“I only told [Cianfrance] no one time,” says Tatum, “and that’s when he wanted me to sing.” That might surprise viewers considering Tatum has an extended nude sequence where Jeff tries to escape from Dinklage’s Mitch — the first time Dinklage and Tatum met, as it happens.

“[Derek] always jokes, ‘You read the script,’” says Tatum. “I’m like, ‘Yeah, I know I read the script. I just assumed you had a plan … a blocking plan.” The scene itself, which involved Tatum running through the toy store and leaping onto a small roof, took 15 takes to accomplish over almost eight hours. Tatum, Dunst and Cianfrance laugh about how the director broached the subject of keeping Tatum’s nudity tasteful. “He’s like, ‘You want me to blur it?’” says Tatum. “I’m like, ‘Don’t blur it. That’s even weirder.’”

As Dunst, Tatum and Cianfrance discuss the production, the conversation seems to be as much about the memories they made on set as the making of a film — which underscores Cianfrance’s approach to directing.

“I’ve always tried to make sure [the actors] have environments … so that they can have these accidents and surprises. Moments can happen one time that you can’t replicate, and they become the moment that you watch forever. They become immortalized because of that.”

It’s enough to make Frank Capra smile.

A digital cover for The Envelope featuring Channing Tatum and Kristen Dunst of 'Roofman'

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When the bombs in Gaza stop, the true pain starts | Donald Trump

On Thursday morning, President Donald Trump announced that the United States, working with Egypt, Turkiye and Qatar, had finally reached a ceasefire deal for Gaza. For a moment, it seemed as if Gaza’s long nightmare was coming to an end.

But the ceasefire didn’t bring peace; it only shifted the suffering into a quieter, more insidious form, where the real damage from the rubble began to settle into Gaza’s weary soul. Years of relentless shelling had built up fear and heartbreak that no outsider could erase.

During those two brutal years of bombing and near-total destruction, everyone in Gaza was focused on one thing: Staying alive. We were fighting for every minute, trying not to break down, starve, or get killed. Life became an endless loop of terror and waiting for the next strike. No one had the luxury to dream about tomorrow or even to mourn the people we’d lost. If there was any kind of shelter, and that was a big if, the goal was simply to move from one shattered refuge to another, holding on by a thread. That constant awareness that death could come at any moment turned every day into an act of survival.

Then, when the explosions finally eased, a quieter kind of pain crept in: All the grief we had buried to get through the chaos. Almost everyone had someone torn away, and those pushed-aside memories came rushing back with a force that took the breath out of us. As soon as the rockets fell quiet, another fight began inside people’s chests, one full of mourning, flashbacks and relentless mental anguish. On the surface, it looked like the war was over, but it wasn’t. It was far messier than that. Even when the shelling eased, the emotional wounds kept bleeding.

When the noise finally faded, people began to ask the questions they had forced themselves to ignore. They already knew the answers – who was gone, who would not be coming back – but saying the words out loud made it real. The silence that followed was heavier than any explosion they had survived. That silence made the truth impossible to avoid. It revealed the permanence of loss and the scale of what had vanished. There were holes everywhere, in homes, in streets, in hearts, and there was no way to fill them.

People in Gaza breathed a fragile sigh of relief when the news of a ceasefire arrived, but they knew the days ahead could hurt even more than the fighting itself. After 733 days of feeling erased from the map, the tears locked behind their eyes finally began to fall, carrying with them every ounce of buried pain. Each tear was proof of what they had endured. It was a reminder that a ceasefire does not end suffering; it only opens the door to a different kind of torment.
As the guns fell quiet, people in Gaza were left to confront the full scale of the devastation. You could see it in their faces – the shock, the fury, the grief – the weight of years under fire.

Roads that once hummed with life had fallen silent. Homes that had sheltered families were reduced to dust, and children wandered through the ruins, trying to recognise the streets they had grown up on. The whole place felt like a void that seemed to swallow everything, as bottled-up grief burst open and left everyone floundering in powerlessness. During the onslaught, the occupiers had made sure Palestinians could not even stop to mourn. But with the ceasefire came the unbearable realisation of how much had truly been lost, how ordinary life had been erased. Coming face to face with the absence of loved ones left scars that would not fade, and the tears finally came. Those tears ran down exhausted faces and broken hearts, carrying the full weight of everything remembered.

It was not only the mind that suffered. The physical and social world of Palestinians lay in ruins. When the bombing eased, people crawled out of their makeshift tents to find their homes and towns reduced to rubble. Places that had once meant comfort were gone, and streets that had once been full of life were now heaps of debris.

Families dug desperately through the rubble for traces of their old lives, for roads and signs that had vanished, for relatives still trapped beneath the debris. Amid the wreckage, the questions came: How do we rebuild from this? Where can we find any spark of hope? When an entire world has been destroyed, where does one even begin? Israel’s strategy was clear, and its results unmistakable. This was not chaos; it was a deliberate effort to turn Gaza into a wasteland. By striking hospitals, schools and water systems – the foundations of survival – the aim was to shatter what makes life itself possible. Those strikes sowed a despair that seeps into everything, fraying the bonds of community, eroding trust and forcing families to wonder whether they can endure a system built to erase them.

The destruction went deeper than bricks and bodies. The constant shadow of death, the bombs that could fall anywhere, and the psychological toll made fear feel ordinary, hope seem foolish, and society begin to unravel. Children stopped learning, money disappeared, health collapsed, and the fragile glue holding communities together came undone. Palestinians were not only struggling to survive each day; they were also fighting the slow decay of their future, a damage etched into minds and spirits that will last for generations.

When the fighting subsided, new forms of pain emerged. Surrounded by ruins and with no clear path forward, people in Gaza faced an impossible choice: Leave their homeland and risk never returning, or stay in a place without roads, schools, doctors or roofs. Either choice ensured the same outcome – the continuation of suffering by making Gaza unlivable. Endless negotiations and bureaucratic deadlocks only deepened the despair, allowing the wounds to fester even as the world spoke of “peace”.

The ceasefire may have stopped the shooting, but it ignited new battles: Restoring power and water, reopening schools, rebuilding healthcare, and trying to reclaim a sense of dignity. Yet the larger question remains: Will the world settle for symbolic aid and empty speeches, or finally commit to helping Palestinians rebuild their lives? Wars carve deep wounds, and healing them takes more than talk. It demands sustained, tangible support.

After two years under siege, Gaza is crying out for more than quiet guns. It needs courage, vision and real action to restore dignity and a sense of future. The ceasefire is not a finish line. It marks the start of a harder struggle against heartbreak, memory and pain that refuses to fade. If the world does not act decisively, Palestinian life itself could collapse. Rebuilding communities, routines and a measure of normalcy will be slow and difficult, but it has to happen if Gaza is to keep going. Outwardly, the war may have paused, but here it has only changed shape. What comes next will demand everything we have left: Endurance, stubborn hope, the will to stay standing.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

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Boots on Netflix is based on the inspirational true story of gay Marine who had ‘chaotic childhood’

Netflix drama military drama Boots is based on the true story of gay Marine Greg Cope White

Boots, a military drama on Netflix, follows the journey of gay teenager Cameron Cope (portrayed by Miles Heizer) as he enlists in the Marines corps alongside his best mate, despite the inherent dangers.

The series is set in the harsh environment of the 1990s US Marine Corps, a time when homosexuality was still outlawed in the military. It traces the lives of Cameron and Ray McAffey (played by Liam Oh), the offspring of a decorated Marine, as they become part of a diverse group of recruits.

Together, they form unexpected friendships and discover their true identities while being pushed to their limits.

Netflix commented: “With sharp wit and plenty of heart, Boots is about friendship, resilience, and finding your place in the world – even when that world seems determined to keep you in line or leave you behind.”

Greg Cope White, a former sergeant in the US Marine Corps, served as a writer and executive producer for the series.

READ MORE: Netflix fans urged to watch chart-topping film hailed ‘a modern Cinderella’READ MORE: Who is in the cast of Boots on Netflix?

He is an ardent advocate for LGBTQ+ and veteran rights, and has appeared in the PBS docuseries American Veteran and published work in the military journal Zero Dark Thirty.

Reflecting on his journey from his days in the Marine Corps, he posted on Instagram: “At 18, I illegally enlisted in the Marine Corps to find my place as a gay man in the masculine world.

“The book honours my lifelong best friend Dale, who got me through a chaotic childhood, and the Marines who took a chance on me and changed my life.

“And to send a message to others who are bullied: Bullies don’t matter. You do. Hold on.”

Greg completed six years of service with the Marines, achieving the rank of Sergeant, before relocating to New York City to pursue studies in acting and writing.

He eventually settled in Los Angeles, where he secured his breakthrough in writing through employment with Norman Lear.

The Pink Marine website details how joining the Marines represented Greg’s initial struggle, as he “has to cheat to pass the physical and then lie on the enlistment papers about his sexuality”.

The protagonists Cameron and Ray draw inspiration from Greg and his closest mate Dale, with the website outlining the dangers they both faced.

It states: “It’s insanely dangerous for both of them. But as fate would have it, the Few and the Proud turn out to be a bunch of oddballs and eccentrics – and a brotherhood is born.”

Boots is available on Netflix.

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Is ITV’s Frauds based on a true story? Truth behind Suranne Jones and Jodie Whittaker’s new show

JODIE Whittaker and Suranne Jones are joined by a host of familiar faces for their new thriller Frauds.

Here’s everything you need to know about whether the crime caper is based on a true story and how to watch it.

Suranne Jones and Jodie Whittaker posing together at a photocall.

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Suranne Jones and Jodie Whittaker star in ITV’s FraudsCredit: Splash
Suranne Jones as Bert and Jodie Whittaker as Sam in the TV show "Frauds."

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Suranne plays Bert and Jodie portrays Sam in the heist seriesCredit: PA
Suranne Jones as Bert and Jodie Whittaker as Sam in the television program "Frauds."

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The show premiered on October 5, 2025Credit: PA

ITV’s Frauds is about two former partners-in-crime who reunite for one last audacious heist after one of them is released from prison on compassionate grounds.

The synopsis for the series reads: “Bert and Sam embark on the most audacious of art thefts, gathering a talented team of outcasts to help them plan this audacious crime.

“Whilst the team must overcome numerous challenges before they can pull off the heist, it’s the power struggle between Bert and Sam that threatens to derail their plans and destroy them both.

“Set against the epic rolling hills of southern Spain and the dark criminal underbelly that casts a shadow over the glistening coast, Frauds is a complex and addictive story of friendship, deception and survival.”

It blends dark comedy with the cinematic heist genre, set against the scenic backdrop of southern Spain — but is it a true story?

When is Frauds on?

Frauds premiered at 9pm on ITV1 and ITVX on Sunday, October 5, 2025.

The series includes six episodes airing on consecutive Sunday and Monday nights over three weeks.

All episodes are also available on ITVX for streaming.

Is Frauds based on a true story?

Frauds is a work of fiction created by Suranne Jones and co-writer Anne-Marie O’Connor.

The plot revolves around Bert, who has been in a Spanish prison for ten years and is released due to a terminal cancer diagnosis.

One Night- Official Trailer, Paramount+ UK & Ireland

Upon release, she reconnects with her former partner Sam to plan a multi-million-pound art heist.

While the series captures the feel of real criminal undertakings, it is not an adaptation of a true crime or real-life story.

What is the Frauds cast?

Frauds tells the story of Bert and Sam, whose toxic friendship will be pushed to the ultimate test.

Bert tries to lure her pal out of criminal retirement to pull off a multi-million-pound art heist.

Suranne Jones stars as Bert — the career criminal recently released from prison.

Frauds drama cast and crew, including Christian Cooke, Lee Boardman, Thais Martin, Suranne Jones, Anne-Marie O'Connor, Giulia Gandini, Alison Owen, Talisa Garcia, Elizabeth Berrington, Jodie Whittaker, Karan Gill, Katie Kelly, and Javier Taboada, at a photocall.

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The cast for ITV’s FraudsCredit: PA

Jodie Whittaker features as Sam, her estranged former partner in crime.

Lost Boys and Fairies actress Elizabeth Berrington plays a master illusionist, while I May Destroy You’s Karan Gill portrays the world’s greatest forger.

Talisa Garcia features as drag star Miss Take, and Christian Cooke takes on the role of moneylender Deegs.

Frauds’ cast is an ensemble of British and Spanish actors, reflecting the series’ international setting — the show was shot in Spain.

Frauds was created and executive produced by Suranne Jones and Anne-Marie O’Connor.

The full cast is as follows:

  • Jodie Whittaker as Sam
  • Suranne Jones as Bert
  • Elizabeth Berrington as Jackie Diamond
  • Lee Boardman as The Great Diavolo
  • Christian Cooke as Deegs
  • Kate Fleetwood as Celine
  • Talisa Garcia as Miss Take
  • Karan Gill as Bilal
  • Horacio Colomé as Miguel
  • Thais Martin as Sam’s long-lost daughter
  • Nansi Nsue as Amaya
  • Abdul Salis as Mateo
  • Victor Solé as Carlos Pérez
  • Javier Taboada as Blas
  • Karise Yansen as Komet

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A deadly obsession with True Crime in Korea | True Crime Reports | Crime

A young woman, obsessed with true crime stories, kills a random stranger to satisfy her darkest curiosity.

A shocking murder rocks South Korea when a young woman, obsessed with true crime stories, kills a random stranger to satisfy her darkest curiosity. But how can fascination with real-life murder cases spiral into deadly actions?

Are true crime podcasts and shows fueling dangerous fantasies? Can constant exposure to violence blur the line between entertainment and reality? We investigate the chilling case, examine the media’s responsibility, and ask: Does true crime content do more harm than good?

In this episode:
-Dr. Alex Taek-Gwang Lee, professor of cultural studies at Kyong Hee University
-Craig Wainwright, victim of false allegations

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Are internet rumours of a comet hurtling towards Earth true? | Space News

Rumours across social media platforms that a huge comet is on a collision course with Earth have been circulating, with some users describing it as a major threat to humanity.

Others are debating how the comet – known as 3I/ATLAS and detected by NASA’s ATLAS telescope on July 1 – might be diverted from the Earth. Some have even gone so far as to highlight “news” of military movements and an international coordination to counter the comet before impact, prompting further alarm.

So is there any truth to these rumours and what do we know for sure?

When and how did rumours about the comet start?

Rumours began spreading after the New York Post published a story on September 29 under the headline: “‘Massive’ comet hurtling toward us is larger than previously thought, could be alien tech, scientist says: ‘It could change everything for us’.”

Users on X (formerly Twitter) circulated screenshots of the article to support their claims. One account, under the name Steven Greenstreet, wrote: “Scientists say a massive alien spaceship is hurtling towards Earth. Why aren’t more people talking about this?”

Another account called Dr Disclosure reposted the story, adding: “This is why all the generals are gathering!” – a reference to a September 30 meeting of US military leaders chaired by Defense Secretary Pete Hegseth. That post racked up more than half a million views.

Meanwhile, an account under the name Richard Roeper shared his concerns: “A massive comet is reportedly hurtling toward Earth at 130,000 mph! Can we stop it? I’m told there are two missions in the works – one involving the specially selected “Messiah Crew,” and one utilizing two squads, known as the Freedom Team and the Independence Team. We got this.”

Why do some people claim it’s an alien aircraft?

Speculation escalated, with some accounts suggesting the object was not a comet at all but in fact a spacecraft heading towards Earth.

An account under the name Lord Bebo shared statements falsely attributed to US physicist Michio Kaku, claiming the object was on the way “to conduct a reconnaissance mission, possibly with hostile intent”. The post, accompanied by an edited screenshot of a television interview with Kaku and the caption, “It might be an ALIEN probe sent to Earth” garnered more than 290,000 views and dozens of comments.

Similarly, another account called Astronomy Vibes suggested: “While most scientists agree it’s likely a strange comet, a few bold voices suggest it might be something more – maybe even an engineered probe from another civilization.” No evidence was provided.

So, what are the facts?

Al Jazeera’s fact-checking agency, SANAD, investigated the claims about the comet known as 3I/ATLAS, an interstellar object, to determine whether it really poses any real threat to Earth or could even be a hostile probe.

The comet was in fact detected by NASA’s ATLAS telescope on July 1, 2025. NASA, which describes it as having “a teardrop-shaped cocoon of dust coming off its solid, icy nucleus”, confirmed that it poses no danger to Earth. It noted that the closest it has come to the Earth was about 270 million kilometres (167.8 million miles) on July 21.

The European Space Agency (ESA) also confirmed that the comet poses no threat to Earth or to any other planet, explaining that its closest distance was more than 2.5 times that between Earth and the Sun.

According to NASA, the comet will reach its closest approach to the Sun on October 30, 2025. At that point, it will be about 210 million km (130.5 million miles) from the sun, just inside the orbit of Mars.

This is a significant comet, however. According to the Hubble Space Telescope, it is travelling at about 210,000 kilometres per hour (130,500 miles per hour) – the fastest speed ever recorded for a “visitor” to our solar system.

NASA said the comet presents a rare opportunity for scientists to study an interstellar “visitor” as it passes through the solar system.

“Hubble’s continuing observations allow astronomers to more accurately estimate the size of the comet’s nucleus,” the agency said in a statement. “Observations as of August 20, 2025, indicate that the upper limit on its diameter is 3.5 miles (5.6 km), though it could be as small as 1,444ft (440 metres) across.”

As for the quotes attributed to physicist Michio Kaku, SANAD found no evidence supporting them. The image circulating online was taken from an older interview with US outlet Nation News on February 20, 2025 – months before the discovery of 3I/ATLAS.



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Kevin Maguire – ‘True gent John Stapleton was a cut above daytime TV egos’

I worked with John Stapleton at Good Morning Britain and every single person loved and adored him, from make-up artists to editors

John Stapleton was loved by everyone
John Stapleton was loved by everyone he worked with(Image: PA)

EVERYBODY, absolutely everybody, who met or worked with John Stapleton absolutely loved the TV sleuth and presenter.

That’s a rare accolade in an often cut-throat trade occasionally marred by monstrous egos yet Stapes was above all else a wonderful bloke

From the make-up artists who’d powder his nose and camera crews framing his face to powerful editors and famous co-stars, Stapes was adored.

And in turn the ultimate professional was encouraging, generous and gracious to all of them including walk-on players like myself and Tory Boy.

Slim and dapper, I never ceased to be impressed how we’d turn up bleary-eyed for Good Morning Britain and its predecessors and Stapes would be bright eyed and bushy tailed, immaculately dressed as if he’d just stepped off Savile Row.

READ MORE: Kate Garraway and Susanna Reid speak out on death of ITV co-starREAD MORE: Watch John Stapleton’s final ever tv appearance after his death at the age of 79

I worked with John Stapleton at Good Morning Britain
I worked with John at Good Morning Britain(Image: S Meddle/ITV/Shutterstock)

Never one to brag or stand on ceremony, Stapes enjoyed chatting politics and a good gossip.

He didn’t wear a glorious career on his smart sleeve and the easiness of a journalist with much to boast about was central to his appeal.

Oldham born, Stapes remained a Northern living in the South who’d regularly punctuate our conversations with references to what he’d recently read in the Manchester Evening News.

After his family, the great love of his life was Manchester City, a football team supported through thin and thinner before glory arrived to finally overshadow giant neighbours United.

Stapes buying home and away season tickets to follow City around the country and Europe, cheering unprecedented success with son Nick as the titles and cups rolled in, was him living the dream.

The fortitude and good cheer he adopted when first diagnosed with Parkinson’s, vowing to try not be miserable, was the positive outlook of somebody determined to confront adversity.

Susanna was joined by The Mirror journalist Kevin Maguire
“In often cut-throat trade occasionally marred by monstrous egos, Stapes was above all else a wonderful bloke,” says The Mirror’s Kevin Maguire(Image: ITV)

But the truth was his eyes beamed less brightly and he looked a few inches shorter after the 2020 death of wife and onetime co-presenter Lynn Faulds Wood.

Understandable when what defined Stapes was his engaging warmness. He was a TV success because of who he was rather than a person forged by broadcasting triumphs

The wave of heartfelt tributes are genuine for a genuine man. Sorry I never had you back to my place for dinner as promised, Stapes. He once joked I should email the invitation after I pretended it must be lost in the post.

Too late now, alas. RIP the main man.

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