tracker

“Tracker,” one of TV’s most-watched shows, is uprooting its Canadian production and moving to Los Angeles.

The action drama, produced by Disney’s 20th Television, is among a slate of new and recurring series benefiting from California’s improved $750 million tax incentive program. The show’s fourth season, set to begin shooting this summer, will receive the state’s largest tax credit , at $48 million, according to the California Film Commission.

The production will film for 176 days in California, with 250 crew members and 275 actors on board. The tax credit is based on the show’s projected spending of over $129 million. Deadline first reported the news of the show’s relocation.

The show stars actor Justin Hartley and follows his character as he tracks down people for reward money. Ever since its 2024 premiere, the show has resonated with audiences. Its third season is currently airing and was the fourth most-watched program on linear TV as of late April, according to Nielsen.

“Tracker” is primarily set in the wilderness, making the move to California a fresh opportunity for the production to explore diverse landscapes as its backdrop. Due to the rural setting, the show is also eligible to earn an extra 5% tax credit bonus, in addition to the 35% base credit, on qualified expenditures incurred outside the designated 30-mile zone of the Greater Los Angeles area.

Before “Tracker” secured the highest TV show tax credit, season 3 of Amazon’s “Fallout,” which relocated from New York to Los Angeles, received a $42M incentive. Dan Fogelman’s new NFL drama “The Land” received $42.8M. Other productions that have benefited from the tax program include medical drama “The Pitt,” Disney’s new animated movie “Phineas and Ferb” and Netflix’s upcoming reboot of “13 Going on 30.”

More than 100 productions have received tax credits since the program was expanded last year in response to the continued migration of productions to other countries like Ireland, U.K. and Canada.

But film industry advocates say these efforts aren’t enough to fully revitalize U.S.-based productions and local film economies.

To that end, , U.S. Sen. Adam Schiff (D-Calif.) announced in March he is working on a bipartisan federal film incentive proposal that would be globally competitive.

“State programs cannot simply substitute for the kind of global, federal and competitive tax incentives that are needed to bring production back to American soil and stop its offshoring,” Schiff said.

The United States has fallen to a “historic low” in the Reporters Sans Frontieres (RSF), or Reporters Without Borders, annual press freedom tracker, continuing a decade-long decline, the organisation has said.

The report on Thursday recorded a global drop in press freedom indicators in 2025, with, for the first time, more than half of the world’s countries labelled as “difficult” or “very serious”.

While the US, during the first year of US President Donald Trump’s second term, remained in the “problematic” category, it dropped seven spaces from 57th in the world to 64th. Norway led the list, with Eritrea ranked lowest among 180 countries.

In a statement, Clayton Weimers, executive director of RSF’s North America office, said the US was experiencing a “press freedom crisis”.

“Trump and his administration have carried out a coordinated war on press freedom since the day he took office, and we will live with the consequences for years to come,” he said in a statement.

“Our message is clear: Protect legal rights, ensure accountability for attacks on media professionals, and support independent media to restore American press freedom.”

The report pointed to both Trump administration policies and the wider consolidation of media companies in the US, which critics say opens the door to stifling certain points of view.

That has included Skydance Media’s acquisition of Paramount Global, which includes CBS News. Skydance is owned by David Ellison, whose father, Larry Ellison, is a confidant of Trump’s.

Paramount Skydance is also currently acquiring Warner Bros, which owns CNN.

All told, just six companies control most US media: Comcast, Walt Disney, Warner Bros Discovery, Paramount Skydance, Sony, and Amazon.

While Trump has long had an adversarial relationship with journalists, press freedom observers say the head of the Federal Communications Commission (FCC) has accelerated pressure on media figures and journalists during the president’s second term.

In March, FCC chair Brendan Carr said he would revoke the licences of broadcasters that are “running hoaxes and news distortions”, and that do not “operate in the public interest” in their reporting on the US-Israel war with Iran. Trump said he was “thrilled” by Carr’s statements.

Carr has also threatened to revoke the licenses of broadcasters for their coverage of Trump’s immigration policies, which critics say can have a chilling effect on local news organisations.

The effort has extended to television talk show hosts, who have been threatened by the FCC over jokes.

Most recently, Carr announced an investigation into several ABC channels.

That came days after the network’s flagship late-night host, Jimmy Kimmel, made a joke about the White House Correspondents Dinner (WHCD).

Kimmel had quipped that First Lady Melania Trump had the “glow of an expectant widow” before the event.

Days later, a gunman attempted to storm the WHCD in Washington, DC, which Trump was attending for the first time. The Trumps later connected Kimmel’s joke to the attack, calling for Kimmel’s firing.

Kimmel has said the joke was about the 79-year-old president and the 56-year-old first lady’s “age difference” and not a call for violence.

Critics of the FCC’s move included Republican Senator Ted Cruz, who said he does “not believe the FCC should operate as the speech police”.

The White House has repeatedly called Trump the most “transparent” president in US history, pointing to his regular news conferences.