Toronto

Toronto’s veteran starter Max Scherzer came out of the game with the lead still 3-1 in the fifth inning, and the Dodgers rallied in the sixth when Tommy Edman’s sacrifice fly scored Mookie Betts to reduce the deficit to one run.

Back came the Blue Jays, when Ernie Clement’s stolen base put him in position for Gimenez to drive him in with a right-field double.

As is common in a World Series game seven, both sides made frequent pitching changes, even turning to starting pitchers from earlier in the series.

Trey Yesavage, who had started games one and five for Toronto, gave up Muncy’s solo shot in the eighth, before Rojas’ last-gasp effort off Jeff Hoffman levelled the scores.

Toronto loaded the bases in the bottom of the ninth but failed to conjure a run, and the Dodgers did the same in the 10th as expectation mounted, but both sides fluffed their lines.

It was only the sixth time in history that a World Series game seven had gone to extra innings, and Smith’s homer put the Dodgers within sight of the title.

The Blue Jays were tantalisingly close to taking it to a 12th inning or even winning it with a walk-off, but Yoshinobu Yamamoto, the Dodgers’ winning pitcher from games two and six, picked up another win in relief and was named as the series’ Most Valuable Player.

The Blue Jays will feel aggrieved after a controversial umpiring call prevented them from levelling the score in the bottom of the ninth inning.

Toronto’s Alejandro Kirk was hit by a pitch from reliever Roki Sasaki and replaced by speedy pinch-runner Myles Straw, before Addison Barger’s line drive wedged under the wall in left centre field.

But instead of allowing Straw and Barger to score, the play was ruled to be a ground rule double,, external putting the runners on second and third.

A ground rule double is typically signalled when a ball hit fair is deemed to be impossible to field in the layout of a particular stadium, such as when it becomes trapped under a tarpaulin, and runners are allowed to advance by two bases.

The hosts challenged the call, arguing that a fielder could easily have retrieved the ball, but the on-field decision was upheld by video review.

And with the tying run in scoring position, Andres Gimenez drove into a double play to end the game.

Earlier, the Dodgers drew first blood on Halloween night as Tommy Edman doubled, Shohei Ohtani was intentionally walked, and Smith’s double to left field sent Edman home.

Freddie Freeman drew a walk to load the bases, and Betts’ two-run single gave the visitors what proved to be a decisive lead to force a decider.

Game seven takes place on Saturday evening, again at the Rogers Centre.

TORONTO — As soon as Blake Treinen entered for the ninth inning of Game 5 of the World Series on Wednesday night, Clayton Kershaw dropped his guard and began to look around.

For the previous three hours, the future Hall of Fame pitcher had been locked in on the game, mentally preparing for a potential relief appearance from out in the bullpen.

But when that didn’t come, the 37-year-old Kershaw then let himself relax, took in the scene of an October night at Chavez Ravine, and soaked up the final moments of what was his final game ever at Dodger Stadium.

“It’s a weird thought, of like, ‘This is your last game ever there,’” said Kershaw, who announced last month he will retire at the end of this season. “And not a sad thought. Honestly, just a grateful thought. Just like, ‘Man, we spent a lot of great times here.’”

Win or lose in Games 6 and 7 of this World Series, Kershaw’s overall career will end this weekend at Rogers Centre in Toronto. But on Wednesday night, he closed the book on the ballpark he has called home for all 18 seasons of his illustrious MLB career.

Dodger Stadium is where Kershaw first made his big-league debut back in May 2008, as a highly anticipated left-handed prospect with a big curveball and quiet demeanor. It was the stage for his rise to stardom over the nearly two decades that followed, as he went on to capture three Cy Young Awards, 2014 National League MVP honors and a career 2.53 ERA that ranks as the best among pitchers with 1,000 innings in the live ball era.

It is where he experienced some of the most defining moments of his career, including a no-hitter in 2014 and his 3,000th strikeout earlier this year. It’s also where he suffered repeated October disappointments, none bigger than the back-to-back home runs he gave up in Game 5 of the 2019 National League Division Series.

In other words, it was always home for Kershaw, the place he would return to day after day, year after year, season after season — no matter the highs or lows, aches and pains, successes or failures.

“I just started thinking about it when the game ended,” said Kershaw, who elected to traverse the field to get back to the clubhouse after Wednesday’s game instead of the connected bullpen tunnel. “I was like, ‘Man, I might as well walk across this thing one more time.’”

About an hour later, Kershaw would linger on the field a little longer, joined for an impromptu gathering by his wife, Ellen; their four children; and other family and friends in attendance for his last home game.

“Ellen just texted after and was like, ‘Hey, we got a big crew,’” Kershaw said. “So I was, ‘Well, just go to the field. I’ll try to shower fast so we can hang out.’”

Television cameras caught Kershaw laughing as his kids ran the bases, tried to throw baseballs at a hovering drone and enjoyed a diamond that had become their own personal childhood playground over the years.

At one point, Kershaw posed with the Dodger Stadium grounds crew for a picture — standing on a mound they had manicured for all of his 228 career starts in the stadium.

“Honestly, it was awesome,” Kershaw said. “It was the perfect way to do it. Just have everybody out there, running around … It was unplanned, unprompted, but a great memory.”

Kershaw, of course, is hoping to add one more Dodger Stadium memory next week. If the team can reverse its three-games-to-two deficit in the World Series this weekend in Toronto, it would return to Chavez Ravine for a championship celebration.

If not, though, he’ll have a couple parting moments to cherish, from Wednesday’s postgame scene down on the field, to his final career Dodger Stadium outing back in Game 4 in which he stranded the bases loaded in the 12th for one of the biggest outs in his entire career.

“I’m super grateful with how that went, as opposed to the last time before that,” he quipped, having given up five runs in his only other Dodger Stadium appearance this postseason. “You can’t plan any of that stuff. Who knows if it ever works out. But yeah, to get that one last out was pretty cool.”

So, too, was his one last night Wednesday.

A first-inning blitz and a dominant outing by rookie starting pitcher Trey Yesavage put the Toronto Blue Jays within one win of their first World Series title since 1993.

Major League Baseball’s only Canadian franchise hammered the Los Angeles Dodgers 6-1 to give them a 3-2 lead in the best-of-seven ‘Fall Classic’, which now returns to Toronto for its conclusion.

Right-hander Yesavage, who was only called up to the majors in September, threw seven solid innings, with 12 strikeouts – a World Series record for a rookie – and only gave up one run.

The game started in unbelievable fashion at Dodger Stadium as Davis Schneider launched the very first pitch of the night over left field for a home run, and Vladimir Guerrero Jr repeated the feat off the second pitch he faced, leaving the Dodgers 2-0 down before some fans had taken their seats.

While Enrique Hernandez halved the deficit with a solo homer in the bottom of the third inning, Toronto restored their two-run lead straight away as Ernie Clement’s sacrifice fly scored Daulton Varsho.

It got even worse for the Dodgers in the top of the seventh as multiple wild pitches and a walk allowed Addison Barger to score, and Bo Bichette drove in Andres Gimenez to make it 5-1.

Isiah Kiner-Falefa’s base hit added another run in the eighth as the home fans headed for the exits, on a night when even the Dodgers’ Japanese superstar Shohei Ohtani went hitless for the second successive game.

After a travel day, the series returns to Toronto on Friday for game six at the Rogers Centre, also the venue for a potential decider on Saturday.

The Toronto Blue Jays have tied the best-of-seven World Series at 2-2 after a thumping 6-2 victory over the Los Angeles Dodgers in game four.

Vladimir Guerrero Jr’s early two-run homer and a glut of runs in the seventh inning helped Major League Baseball’s only Canadian side come from behind at Dodger Stadium.

It also ensures the series will return to Toronto for a sixth game, and potentially a deciding seventh.

After Monday’s 18-innings epic drained the energy of both teams’ bullpens, the Dodgers and Blue Jays were banking on long outings from their starting pitchers to give their relief corps some respite.

All eyes were on the Dodgers’ Japanese superstar Shohei Ohtani, as this was the game where he was scheduled to double up as starting pitcher and leadoff hitter.

Ohtani, 31, is an exceptionally rare “two-way” player, operating at the elite level as both a pitcher and a hitter.

But having reached base on all nine plate appearances in game three, he went hitless with the bat, and left the pitcher’s mound in the seventh inning trailing 2-1 and having put two men on base – both of whom would score – with no outs.

Toronto’s less heralded starter Shane Bieber, born in California, showed no favour to the hosts, striking Ohtani out twice and pitching into the sixth inning while giving up just one run.

The Dodgers had gone ahead in the bottom of the second inning when Enrique Hernandez’s sacrifice fly scored Max Muncy.

Toronto’s offence was missing George Springer, who sustained a muscle injury during game three, but Guerrero stepped up and launched Ohtani over left centre field to make it 2-1.

After Ohtani was taken out, Andres Gimenez, Ty France, Bo Bichette and Addison Barger all drove in runs to give the Blue Jays breathing space at 6-1 before the seventh-inning stretch.

The Dodgers briefly threatened a rally in the bottom of the ninth as Teoscar Hernandez walked, Muncy doubled, and Tommy Edman ground out to score Hernandez, but Toronto closed out the win with little alarm.

The series continues with game five, again at Dodger Stadium, on Wednesday evening.

Teoscar Hernandez, who had struck out in all four of his at-bats in game two, opened the scoring for the Dodgers with a home run in the second inning.

Ohtani doubled the lead with a solo shot of his own in the third, before the Blue Jays’ bats woke up in the top of the fourth inning.

A fielding error by second baseman Tommy Edman allowed the Canadians to put two men on base, Alejandro Kirk lifted his second homer of the series over the centre-field fence for a 3-2 lead, before Andres Gimenez’s sacrifice fly made it 4-2.

Blue Jays starter Max Scherzer became the first man to pitch for four different teams in the World Series, but he departed in the fifth inning and that was the cue for the Dodgers to level the scores.

Ohtani’s third hit of the night scored Enrique Hernandez, before Freeman drove in Ohtani from second base for 4-4.

The pendulum swung back towards Toronto in the seventh when Bo Bichette’s line drive to the right field corner allowed Vladimir Guerrero Jr to score from first base, but Ohtani’s second homer of the night tied the scores again at 5-5, and the game remained deadlocked after that.

Both sides stranded multiple baserunners on several occasions, and neither was able to conjure a run with the bases loaded.

Ohtani was intentionally walked, external four times and was caught stealing second base, while Toronto pinch-runner Davis Schneider was thrown out at home plate in the 10th, and veteran Dodgers pitcher Clayton Kershaw made a cameo appearance from the bullpen in his final series before retirement.

Eventually, with both sides running out of bench players, Freeman lifted reliever Brendon Little over centre field to win it.

The series continues with game four on Tuesday, again at Dodger Stadium, when Ohtani will be the starting pitcher.

Pitcher Yoshinobu Yamamoto and catcher Will Smith starred as the Los Angeles Dodgers beat the Toronto Blue Jays 5-1 to draw level at 1-1 in the best-of-seven World Series.

Japanese right-hander Yamamoto needed only 105 pitches to record his second successive complete game of the postseason.

Meanwhile, Smith led the Dodgers’ offence with three runs batted in (RBI) as the Blue Jays had a night to forget.

In contrast to the free-scoring opener, game two was a pitching duel for long stretches at Toronto’s Rogers Centre.

The Dodgers went ahead in the top of the first inning when Smith drove in Freddie Freeman, but were tied down after that by Blue Jays starting pitcher Kevin Gausman, who retired the next 17 Dodgers hitters he faced without allowing a baserunner.

Though the Canadian side drew level in the bottom of the third inning when Alejandro Kirk’s sacrifice fly scored George Springer, the game remained deadlocked until the top of the seventh when Smith and Max Muncy both lifted Gausman over the left-field fence with solo home runs to give the 2024 champions a two-run cushion.

The Blue Jays fell apart in the top of the eighth as, with the bases loaded, the Dodgers scored on a wild pitch, before Smith recorded his third RBI of the evening to make it 5-1.

And while the Dodgers’ bullpen had taken a beating in game one, Yamamoto was able to give his relievers a night off as he pitched all nine innings without any late scares.

The series now switches to Los Angeles for the next three games, with game three at Dodger Stadium on Monday evening.

TORONTO — Yes, blame the bullpen. Not gonna even try to persuade you otherwise.

But, for the Dodgers, the blame for the disaster that was Game 1 of the World Series should not all fall upon the bullpen.

A star-studded lineup that sputtered through the previous two rounds of the playoffs sputtered again here Friday, this time without the cover of outstanding starting pitching.

In their past nine games — the division series against the Philadelphia Phillies, the league championship series against the Milwaukee Brewers, and the World Series opener against the Toronto Blue Jays — the Dodgers are batting .219.

The Dodgers had seven hits in their NLCS opener, when Blake Snell threw eight shutout innings. He picked up the offense.

They had six hits in the World Series opener, when Snell gave up five runs in five-plus innings, and they could not pick him up.

The Blue Jays scored 11 runs. The Dodgers led the National League in runs during the regular season, but even then they have scored at least 11 runs just three times since the All-Star break. The Blue Jays have done it three times in this postseason alone.

“You can make it something if you want to make it something,” shortstop Mookie Betts said. “We’re more than capable of scoring 10, 11 in a game. It’s just hard to do in the postseason.

“Obviously, they just did it. They’ve been doing it the whole time, so it may not be hard for them. For us, we haven’t done it. But we’ll find out ways to win games.”

Dodgers shortstop Mookie Betts reacts during an at-bat in the first inning against the Toronto Blue Jays in Game 1 of the World Series on Friday night.

(Robert Gauthier / Los Angeles Times)

They had better find it soon. The Blue Jays are averaging seven runs per game in the postseason. The Dodgers have not scored seven runs in any game in the NLDS, NLCS or World Series.

“You look back at the last couple of weeks, there’s some pivotal at-bats that can flip games,” Dodgers manager Dave Roberts said. “At times, I think that the offense looks great as far as building innings, but there’s some key at-bats that you got to win pitches and use the other side of the field, get a hit, take a walk, whatever it might be.

“I think that we can be better. We need to be better.”

The Dodgers had three hits in seven at-bats with runners in scoring position, which sounds pretty good until you realize all seven of those at-bats came in the second and third innings.

In the third inning, three of their final four batters hit with a runner in scoring position, and they scored once. But the second inning was worse: they had the bases loaded with one out for three successive batters, and again they scored once.

“We’ve got to cash in in that situation, especially against a team like that that’s swinging it really well,” Betts said. “I feel like that was a big point in the game that really changed things.

“That really changed the game.”

The Dodgers struck out 13 times, the Blue Jays four. The Jays ran their high-contact, low-strikeout offense to perfection Friday. The Dodgers led the NL in home runs this season, and they hit 50 more than Toronto, but they hit only one home run Friday: a two-run shot from Shohei Ohtani, with the team down by nine runs.

The Blue Jays’ starting pitcher for Game 2, Kevin Gausman, has a long memory. On Friday, he thought back to Oct. 14, 2021.

That was the day the Dodgers eliminated the 107-win San Francisco Giants in the NLDS. Gausman, working in relief, was the final pitcher for the Giants. Max Scherzer, also working in Toronto now, was the final pitcher for the Dodgers.

The final pitch of the game: a highly debated third strike to Wilmer Flores.

“I still think about the check swing on Wilmer Flores,” Gausman said. “I don’t think it was a swing, but, you know, that’s kind of water under the bridge.”

Four years later, Gausman hasn’t forgotten. Thing is, just because the Dodgers count on getting to the World Series every year does not mean they will. If the team with three Hall of Famers atop their lineup doesn’t get its bats rolling, the Dodgers might not forget this for years to come.

No sooner had the Toronto Blue Jays clinched a World Series spot against the Dodgers than the torrent of memes, posts and tweets flowed, all with some version of this one-liner: Finally, Shohei Ohtani is on the plane to Toronto.

On a December day two years ago, as Ohtani navigated free agency: three reports surfaced: there was a private plane flying from Orange County to Toronto (true); Ohtani had decided to sign with the Blue Jays (false); and Ohtani was on a flight to Toronto (false).

When the jet landed, surrounded by reporters and photographers and even a news helicopter, an entire country fell into despair. The gentleman on the plane was not Ohtani.

He was Robert Herjavec, a star on “Shark Tank” and a prominent Canadian businessman with homes in Toronto and Southern California.

“It is my only claim to fame in the sports world: to be mistaken for someone else,” Herjavec said Tuesday.

Herjavec said he hopes to attend at least one World Series game in Los Angeles and another in Toronto. He is not the Dodgers’ $700-million man, but he said he would enjoy meeting Ohtani.

“I’m very disappointed,” Herjavec said with a laugh, “he hasn’t reached out to me for financial advice.”

He is no different than the rest of us, Ohtani’s teammates included. Watching Ohtani play calls to mind the words Jack Buck used to call Kirk Gibson’s home run: I don’t believe what I just saw.

“To me, as a layman and a couch athlete, the ability to throw a ball at 100 mph and then go out and hit three home runs?” Herjavec said. “It’s mind boggling.”

To be a successful businessman takes talent too, no?

“That’s the beauty of business,” he said. “I always say to people, business is the only sport where you can play at an elite level with no God-given talent.”

On that fateful Friday, Herjavec and his 5-year-old twins were en route to Toronto, and normally he would have known what was happening on the ground before he landed. However, he had turned off all the phones and tablets on board so he could play board games with his children in an effort to calm them.

“I gave them too much sugar,” he said. “They were wired.”

Upon landing, Canadian customs agents boarded the plane, in a hopeful search for Ohtani. Herjavec and his kids got off the plane, descending into a storm of national news because the Blue Jays are Canada’s team.

I asked Herjavec if he ever had disappointed so many people at any point in his life. He burst out laughing.

“That is such a great question,” he said. “That is my crowning achievement: I let down an entire nation at one time.”

The Blue Jays have a rich history. In 1992-93, they won back-to-back World Series championships, the feat the Dodgers are trying to duplicate.

The Jays have not appeared in the World Series since 1993, but that is not even close to the longest or most painful championship drought in Toronto.

The Maple Leafs, playing Canada’s national sport, have not won the Stanley Cup since 1967. That would be like the Dodgers or Yankees not winning the World Series since 1967.

“Speaking of letting people down,” Herjavec said.

The difference between Americans and Canadians, he said, is that Americans expect to win and Canadians believe it would be nice to win.

He counts himself in the latter camp. He can call both the Dodgers and Blue Jays a home team, but he is rooting for Toronto in this World Series.

“I have to,” he said, “because I’ve already disappointed the entire country once.

“I’m hoping, with my moral support, this will redeem me to Canadians.”

The Blue Jays’ bullpen, frankly, has not been very good in this postseason. Entering Monday’s Game 7, the group had a 6.02 ERA and only one successful save.

In that Game 7, however, the Blue Jays showed the ability that still resides in that group.

Louis Varland, a right-hander acquired at the trade deadline, recorded four outs while giving up just one run, and has a 3.27 ERA in the playoffs. Seranthony Domínguez, another right-handed deadline acquisition, pitched a scoreless inning to lower his October ERA to 4.05.

Toronto used a couple starters from there, getting scoreless innings from Gausman and fellow veteran Chris Bassitt.

But at the end, the final three outs belonged to veteran right-hander Jeff Hoffman, a 2024 All-Star who had a disappointing debut season after signing in Toronto this offseason, but now has both of their postseason saves.

The Blue Jays’ one big bullpen weakness is its lack of dominant left-handed depth. Mason Fluharty has been their best southpaw, but has a 6.23 ERA in the playoffs. Brendon Little, Eric Lauer and ex-Dodger Justin Bruihl are also on their roster, but haven’t been any more effective.

If you crossed “see the Dodgers in the World Series” off your bucket list last year, here’s a bucket list update for you: See the Dodgers in the World Series, from the comfort of a hotel room with a full view of the field.

Not at Dodger Stadium, of course. In Toronto, however, where a hotel is built into the ballpark and 55 rooms allow you to open the curtains and catch the game without a ticket.

During the World Series, the nightly rate for these rooms starts at $3,999 (in Canadian dollars, or about $2,850 in U.S. dollars).

A view of the field from one of the rooms at the Toronto Marriott City Centre.

(Toronto Marriott City Centre.)

That is a lot of money. Then again, the rooms sleep up to five people, and good luck getting five World Series game tickets for that price.

You have to get to Toronto, and that costs a lot of money too. But you don’t need to pay separately for game tickets and a hotel, and you can get room service instead of standing in line at concession stands.

The rooms include chairs that face the field, so you don’t have to stand on your bed to catch the action. And you never know: a player could toss you a ball during batting practice, right through your window. Take a look:

Information and reservations: Toronto Marriott City Centre Hotel.

TORONTO — George Springer put Toronto ahead with a three-run homer in the seventh inning and the Toronto Blue Jays advanced to the World Series for the first time since 1993 by beating the Seattle Mariners 4-3 in Game 7 of the American League Championship Series on Monday night.

It was the first go-ahead homer in Game 7 history when a team trailed by multiple runs in the seventh inning or later.

The Blue Jays will host Shohei Ohtani and the Dodgers in Game 1 on Friday night when the World Series comes to Canada for the third time. The defending champion Dodgers swept Milwaukee in the NLCS.

The Blue Jays were playing in a Game 7 for the first time since losing at home to Kansas City in the 1985 ALCS.

Cal Raleigh and Julio Rodríguez each hit a solo home run for the Mariners in the team’s first Game 7 but Seattle failed to reach its first World Series, leaving the heartbroken Mariners as the only major league team without a pennant.

Addison Barger walked to begin the seventh and Isiah Kiner-Falefa followed with a single. Seattle right-hander Bryan Woo was removed after Andrés Giménez advanced the runners with a sacrifice bunt, and Springer greeted Eduard Bazardo with his fourth homer of this postseason, a 381-foot drive to left field that got the sellout crowd of 44,770 roaring.

Toronto went 54-27 at home in the regular season and 4-2 at home in the AL playoffs.

Making his first bullpen appearance since Game 5 of the 2021 Division Series, Kevin Gausman pitched one inning of scoreless relief, working around three walks, to earn the win for Toronto.

Fellow starter Chris Bassitt pitched a perfect eighth and Jeff Hoffman finished for his second save this postseason.

Rodríguez opened the game with a double and scored on a one-out single by Josh Naylor. Daulton Varsho tied it with an RBI single off George Kirby in the bottom half before Rodríguez restored the lead for Seattle with a leadoff homer in the third.

Raleigh, who led the majors with 60 homers in the regular season, made it 3-1 with a leadoff homer against Louis Varland in the fifth.

Raleigh has 10 home runs in 15 career games at Rogers Centre, three of them in the postseason. He also homered at Toronto in Game 1 of a 2022 wild-card series and Game 1 of this year’s ALCS.

Naylor was called out to end the first after umpires ruled he interfered with Ernie Clement’s relay to first base on a double play by jumping into the throw and deflecting it.

Kirby yielded one run and four hits in four innings. He walked one and struck out three.

Blue Jays starter Shane Bieber permitted two runs and seven hits in 3⅔ innings. He walked one and struck out five.

Toronto slugger Vladimir Guerrero Jr. arrived at the stadium wearing a Maple Leafs hockey jersey with Auston Matthews’ name and number. The star forward is 0-6 in Game 7s with Toronto during his 10 seasons in the NHL.

Movie fans come to Toronto to get an early peek at the year’s awards heavyweights. I didn’t see a knockout punch, but I saw some strong contenders — and in a couple cases, I just got bludgeoned.

Directors Benny Safdie (“Uncut Gems”) and David Michôd (“Animal Kingdom”) faced off with competing docudramas about the sufferings of two professional brawlers whose careers peaked in the ’90s — i.e., new “Raging Bulls” for today’s nostalgists. “The Smashing Machine” is a solo effort from the younger Safdie brother after making a string of energetic cult hits with his sibling, Josh. It stars Dwayne “The Rock” Johnson as MMA fighter Mark Kerr, who could beat almost anyone inside the octagon but struggled to conquer his own demons at home with his then-wife, Dawn (Emily Blunt).

Based on the names and talent involved, I was expecting anything other than what I got: a conventional biopic. Its one bit of flair is a commitment to looking as though it was filmed on VHS. But projected in Imax, it just looked dreary (as did Johnson’s hairpiece). I’ll go another round with it in a more apropos ring.

Michôd’s “Christy” shares several of the same touchstones — the bloodrush of victory, a bruising domestic life, a distracting wig — but gender-flipped. Sydney Sweeney throws a convincing jab as Christy Martin, the first female boxer to make the cover of “Sports Illustrated.” A lesbian from a conservative West Virginia family, she was pressured to hide her sexuality by wearing pastel pink in the ring and marrying her much older, emotionally abusive male coach, Jim Martin (Ben Foster). The script only has a few ideas under its belt, but they’re effective, particularly our dawning recognition that while Christy thinks she’s fighting to prove her worth, she’s really fighting for the patriarchy.

Sweeney is good, even when the leaden dialogue does her a disservice. It’s her first substantial, serious part since 2023’s underseen “Reality” and she seizes the opportunity to be talked about as something other than the internet’s most polarizing ingenue. (Social media is forever singling out one young actress to be damned now and redeemed later, sigh.) As for Foster, who first snagged my attention as the pathetic loon in “Alpha Dog,” he knows how to play a hiss-worthy heel. You spend “Christy” aching to see him get socked in the face. If you need him to take more punishment, he’s just as vile in another TIFF title, “Motor City.”

Tessa Thompson in the movie “Hedda.”

(Prime Video)

At this year’s festival, ladies in corsets did more damage than gals in padded gloves. My favorite mean girl — perhaps even my favorite film of the festival — was Nia DaCosta’s “Hedda,” a devilish and dynamic adaptation of Henrik Ibsen’s “Hedda Gabler,” in which the lead character (played by a fantastic Tessa Thompson) starts firing off her daddy’s old pistols as soon as the opening credits. DaCosta, who also adapted the play into a script, restages the action so that the chaos all takes place during a giant, drunken bacchanal at a rented mansion Hedda can’t afford. Thompson’s scheming newlywed manipulates the other characters with the confidence of a queen who controls all the pieces on the board, but every so often she simply has to flip the table over. The spirit is faithful; the subtext is fresh.

“Mārama,” a striking feature debut by Taratoa Stappard, bills itself as a Māori gothic and the combination works. In 1859 England, a white-passing woman from New Zealand named Mary (Ariāna Osborne) has sailed halfway around the world seeking information about her parents. The globe-trotting lord Sir Cole (Toby Stephens) strong-arms her into becoming his niece’s governess, calling the Māori a “magnificent people” while amusing his guests with parlor room reenactments of whale-hunting expeditions done with massive puppets. “Mārama” doesn’t reinvent the wheel, but it’s a good ride with first-rate cinematography and production design and a story with one or two more surprises than we expect.

Similarly, “Honey Bunch,” co-directed by Madeleine Sims-Fewer and Dusty Mancinelli, is another manor-bound thriller that toys with familiar tropes. An amnesiac bride (Grace Glowicki, a go-for-broke oddball who always gets my attention) arrives at an isolated and secretive trauma center where everyone seems to be screwing with her memories, including her shady husband (Ben Petrie). Straightaway, we have our suspicions about how this is going to go. The first half of the film doesn’t deviate from the formula — it’s a little dull — but the second half is a superb right hook.

Guillermo del Toro’s grisly, occasionally great “Frankenstein,” shot in Toronto and the U.K., hews more faithfully to Mary Shelley’s novel than the 1931 Boris Karloff classic, scrapping the mob of pitchfork-wielding villagers and salvaging the wraparound story of an ambitious explorer marooned in the the Arctic ice. But it’s still very much Del Toro’s own monster. One of his smartest adjustments is retooling the romantic heroine, Elizabeth (Mia Goth), from the ideal childhood sweetheart to a science-loving pacifist with limited patience for egomaniacs like Oscar Isaac’s Victor Frankenstein. Costume designer Kate Hawley makes Goth look like an exotic beetle with antenna-ish plumes sticking out of her hair.

Jacob Elordi as the Creature in the movie “Frankenstein.”

(Ken Woroner / Netflix)

Jacob Elordi’s creature amps up the pathos a tad too much for my taste, but there’s no denying how much he’s invested in the role, or how well Del Toro’s critiques about narcissistic inventors suit the present day. Still, Del Toro knows there’s a time and place to boast: At the film’s Toronto premiere at the Princess of Wales Theatre, he playfully accused his local below-the-line crew of being too humble and made them stand up for applause. “Stop being so Canadian,” he teased.

Del Toro told the audience that when he first saw Karloff’s creation as a boy, he thought to himself, “That’s my messiah, that’s the guy I’m going to follow like Jesus.” But the prize for the most idol-worshipping film in the festival belongs to Baz Luhrmann’s “EPiC,” which stands for “Elvis Presley in Concert.” Constructed from hours of previously unseen live footage from Presley’s stint in Las Vegas, its rapturous showing felt like attending the church of Elvis.

Luhrmann insists that “EPiC” is neither a concert film nor a documentary. I don’t see the issue with calling it either, but it’s also fair to consider it a companion piece to Luhrmann’s 2022 “Elvis.” It certainly shows that Austin Butler’s Oscar-nominated portrayal of the King wasn’t one rhinestone over the top. Here, the real Presley is charismatic as hell, and looks great beaded in sanctified sweat. Whenever he throws a damp scarf into the audience, the women go so crazy you’d think it was the Shroud of Turin.

Luhrmann continues to be outraged that Col. Tom Parker constricted Presley’s artistic growth by parking him in the city of buffet tables rather than letting him tour the world. Presley only did one week of international concerts during his entire career: five shows in Canada, two of them just a 10-minute drive from my theater. You can hear Presley’s resentment toward the better-traveled (and at the time, better-respected) artists stealing his spot on the charts. “It’s so dry in here, I feel like I’ve got Bob Dylan in my mouth,” he jokes. Later, he slings a guitar around his neck to strum “Little Sister,” and then speeds up the tempo and starts belting the Beatles’ “Get Back,” a subtle dig that the boys from Britain weren’t always that original.

A scene from the movie “A Useful Ghost.”

(TIFF)

Speaking of, I can’t wrap up my final dispatch from this year’s Toronto International Film Festival without mentioning the most creative Oscar contender I saw all week: “A Useful Ghost,” which won the Grand Prix of Critics’ Week at Cannes and will be Thailand’s entry for an Academy Award. Ratchapoom Boonbunchachoke’s arch hybrid of horror, comedy, romance and political thriller starts when a self-described “academic ladyboy” (Wisarut Homhuan) discovers that his new vacuum cleaner is possessed. From there, the movie defies prediction at every turn.

I ducked into “A Useful Ghost” on a whim, wondering how it would pair with TIFF’s world premiere of “Dust Bunny,” a nice and nasty Roald Dahl-esque adventure in which a little girl hires Mads Mikkelsen to battle a man-eating monster under her bed. I came out of the theater abuzz with energy. Even though some of this season’s noisiest awards hopefuls are rooted in classic genres, there are still directors making movies that feel entirely new — and still audiences delighted to cheer for a big swing.

JAMES McAvoy was allegedly punched by a stranger at a Toronto bar while in town for the premiere of his directorial debut, California Schemin’.

The 46-year-old Scottish Hollywood star was enjoying a quiet night out with his wife, Lisa Liberati, when things reportedly turned sour at around 11.55pm on Monday.

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“James was having a casual get-together with the producers of his movie and, as he later learned when speaking with the staff, there was a man who drank too much who was getting escorted out,” a source told People.

“James’ back was to him and the man just punched him.” 

McAvoy apparently tried to defuse the tense situation.

Despite taking a blow, he stayed at the bar and even laughed off it with others, the source added.

The alleged assault happened at Toronto bar Charlotte’s Room.

It’s unclear whether the stranger knew he was punching the X-Men star – or if McAvoy was simply in the wrong place at the wrong time.

The Scotsman is believed to have escaped injury.

He had been in the Canadian capital for the premiere of California Schemin’ – his directorial debut – at the Toronto International Film Festival on Saturday.

The movie tells the wild true story of two Scots – Gavin Bain and Billy Boyd – who tricked music label bosses into singing them a record deal by posing as Eminem protégés from the US.

Performing as Silibil N’ Brains, the duo partied with Madonna, appeared on MTV and toured with rap legends.

The cast includes Séamus McLean Ross as Gavin, Samuel Bottomley as Billy, Lucy Halliday as Mary Boyd and Rebekah Murrell as their manager, Tessa.

The film is based on Bain’s memoir California Schemin’, which was later reprinted as Straight Outta Scotland.

McAvoy, who grew up in the Drumchapel area, said that coming from a council estate in Glasgow himself, he wanted to tell stories about people from similar backgrounds.

Speaking last year at Glasgow’s Barrowland Ballroom, he said: “I was interested in telling a story not just solely set in Scotland, but about people from backgrounds where they have fewer opportunities, whether that’s council estates or whatever.”

The star added that he was passionate about “telling a story that was entertaining and aspirational, and not just dwelling on the grime and dirt, which is part of that sort of lower economic background, definitely”.

McAvoy rose to global fame as Mr. Tumnus in the 2005 fantasy film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and as an assassin in the 2008 action blockbuster Wanted.

He won the BAFTA Rising Star Award in 2006 and went on to earn BAFTA Award nominations for the period dramas The Last King of Scotland and Atonement during that time.

In 2011, he took on the role of Charles Xavier in the superhero film X-Men: First Class, reprising it in the later X-Men films.

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Toronto, Ontario, Canada, September 5, 2025 — Elle Fanning from the film “SENTIMENTAL VALUE,” photographed in the Los Angeles Times Studios at RBC House, during the Toronto International Film Festival, (TIFF) in Toronto, Ontario, Canada on Friday, Sept. 5, 2025. (Christina House/Los Angeles Times)  (Christina House/Los Angeles Times)

The program for the upcoming Toronto International Film Festival came into sharper view with Monday’s announcement of the majority of titles for the event’s galas and special presentations section. Along with TIFF’s news, some of the larger fall festival and awards season is also beginning to take shape.

Toronto, long known as a powerful showcase for launching awards-hungry and commercially ambitious fall titles, has been seen as losing some of its strength in recent years to festivals in Cannes, Venice and Telluride. This year’s TIFF program, which marks its 50th edition, will be closely watched for how its titles are received not only at the festival itself, but in the months ahead.

Among the notable world premieres in Monday’s announcement are Aziz Ansari’s feature directorial debut “Good Fortune,” a comedy of identity-swapping and self-discovery starring Ansari and Seth Rogen with Keanu Reeves as an inept angel, and James Vanderbilt’s “Nuremberg” starring Russell Crowe as imprisoned Nazi Hermann Göring, with Rami Malek as the psychiatrist tasked with interviewing him.

Maude Apatow will make her feature directorial debut with “Poetic License,” starring her mother Leslie Mann alongside Andrew Barth Feldman and Cooper Hoffman. “True Detective” creator Nic Pizzolatto will also make his feature directing bow with “Easy’s Waltz,” a drama of down-on-their-luck entertainers starring Vince Vaughn and Al Pacino.

TIFF will host the world premiere of Bobby Farrelly’s comedy “Driver’s Ed,” starring Kumail Nanjiani, Sam Nivola and Molly Shannon. Alex Winter directs and also appears in the comedy “Adulthood” alongside Josh Gad, Kaya Scodelario and Billie Lourd. David Mackenzie’s crime thriller “Fuze” stars Aaron Taylor-Johnson, Sam Worthington, Theo James and Gugu Mbatha-Raw.

Baz Luhrman will unveil “EPiC: Elvis Presley in Concert,” which utilizes previously unseen footage the director discovered while researching his 2022 film “Elvis.” The result is what Luhrman has described as “not specifically a documentary, nor a concert film.”

Saoirse Ronan stars in “Bad Apples,” which is premiering at the 2025 Toronto International Film Festival.

(Republic Pictures )

Other world premieres include Jonathan Etzler’s “Bad Apples,” starring Saoirse Ronan; David Michôd’s “Christy,” starring Sydney Sweeney as boxer Christy Martin; and Alice Winocour’s fashion world drama “Couture,” starring Angelina Jolie.

At this stage in the season, interpreting how a Toronto title is announced can give some clues as to where it may be popping up beforehand. “International Premiere” can mean a title is also first playing a week earlier at Telluride, while “North American Premiere” can mean something is playing first at Venice. “Canadian Premiere” means it is likely playing both Telluride and Venice (or already premiered at Cannes) before coming to Toronto.

The only title listed as an international premiere is Clint Bentley’s “Train Dreams,” which premiered earlier this year at the Sundance Film Festival.

North American premieres likely headed to Venice include Gus Van Sant’s “Dead Man’s Wire,” starring Bill Skarsgård and Colman Domingo; Guillermo del Toro’s “Frankenstein,” starring Oscar Isaac and Jacob Elordi; Mark Jenkin’s “Rose of Nevada,” starring Calum Turner and George MacKay; Mona Fastvold’s “The Testament of Ann Lee,” starring Amanda Seyfried; and Benny Safdie’s “The Smashing Machine,” starring Dwayne Johnson.

Canadian premieres include Edward Berger’s “Ballad of a Small Player” starring Colin Farrell; Jafar Panahi’s Cannes-winning “It Was Just an Accident”; Richard Linklater’s “Nouvelle Vague,” about the making of Jean-Luc Godard’s “Breathless”; Kleber Mendonça Filho’s “The Secret Agent,” which won best actor at Cannes for Wagner Moura; Daniel Roher’s “Tuner,” starring Leo Woodall and Dustin Hoffman; and Joachim Trier’s “Sentimental Value,” starring Stellan Skarsgård and Renate Reinsve.

Michaela Coel, left, and Ian McKellen star in “The Christophers,” which is premiering at the 2025 Toronto International Film Festival.

(Department M / Butler & Sklar Production)

Toronto’s previously announced titles include the opening night selection “John Candy: I Like Me,” a documentary on the beloved Canadian-born actor, directed by Colin Hanks and produced by Ryan Reynolds, as well as the world premiere of Rian Johnson’s third Benoit Blanc film starring Daniel Craig, “Wake Up Dead Man: A Knives Out Mystery.”

Other previously announced world premieres include Derek Cianfrance’s “Roofman,” starring Channing Tatum and Kirsten Dunst; Nicholas Hytner’s “The Choral,” starring Ralph Fiennes; Paul Greengrass’ “The Lost Bus,” starring Matthew McConaughey; Hikari’s “Rental Family,” starring Brendan Fraser; Nia DaCosta’s “Hedda,” starring Tessa Thompson; Steven Soderbergh’s “The Christophers,” starring Ian McKellen and Michaela Coel; and Agnieszka Holland’s “Franz,” a biopic of Franz Kafka.

Other titles already announced for TIFF that will be premiering elsewhere include the Canadian premiere of Chloé Zhao’s highly anticipated “Hamnet,” starring Paul Mescal and Jessie Buckley; and the North American premiere of Rebecca Zlotowski’s “A Private Life,” starring Jodie Foster, which premiered at Cannes.

More of the Toronto program will be announced in the coming days and weeks, including the Platform section for emerging voices and the popular Midnight Madness section. This year’s Toronto International Film Festival runs from Sept. 4 to 14.

TORONTO — Bo Bichette homered and scored the deciding run to lead the Toronto Blue Jays to their season-high eighth straight victory, 3-2 over the Angels on Sunday.

The American League East-leading Blue Jays improved to 52-38, sweeping a homestand of seven of more games for the first time since 1994 and second in franchise history.

Toronto drew even on with Bichette’s leadoff homer in the fourth inning. His 12th homer came after his error in the top of the inning loaded the bases for the Angels. Davis Schneider drove in Bichette in the sixth inning with a single down the left-field line.

Mike Trout homered for the Angels with two out in the first.

After Bichette’s homer, Toronto went ahead in the fourth on a two-out single from Joey Loperfido, who made his season debut. The Angels tied it in the fifth when Taylor Ward singled over Vladimir Guerrero Jr.

Blue Jays starter Kevin Gausman struck out nine in 5 2/3 innings, giving up two runs on seven hits and three walks. Tyler Anderson (2-6) yielded three runs on eight hits with two walks and two strikeouts in five-plus innings.

Reliever Ryan Burr (1-0) got the victory in his first outing of the season after dealing with a right-shoulder injury. Jeff Hoffman picked up his 22nd save.

Key moment

With the bases loaded and one out in the fourth inning, Gausman coaxed Gustavo Campero into a 1-3 double play.

Key stat

The Blue Jays have 52 wins with six games remaining before the All-Star break. The club record for victories before the break is 53, set in 1985 and matched in 1992.

Up next

Yusei Kikuchi, who was named to the AL All-Star team on Sunday, was scheduled to start for the Angels at home Monday night against Texas. Jose Berrios (4-3) was set to start for Toronto on Monday night in Chicago against the White Sox’s Sean Burke (4-7).

TORONTO — Addison Barger hit a walk-off single in the 11th inning and the Toronto Blue Jays extended their season-best winning streak to seven by beating the Angels 4-3 on Saturday.

George Springer added a two-run home run, his fifth in five games, and Vladimir Guerrero Jr. had three hits for the Blue Jays, who won their second straight in extra innings. Toronto won 4-3 in 10 innings Friday.

Barger, who broke his bat over his thigh in frustration after striking out against Kenley Jansen to send the game to extra innings, gained a measure of redemption when he lined the winning hit to right field off Angels right-hander Ryan Zeferjahn (5-3).

Toronto’s Braydon Fisher (3-0) pitched two shutout innings for the win.

Blue Jays right-hander Max Scherzer gave up two runs and five hits in four innings, the shortest of his three starts since coming off the injured list last month.

Scherzer threw 72 pitches, 46 strikes.

Angels outfielder Jo Adell opened the scoring with a bases-loaded walk in the first, but the inning ended when Barger caught Jorge Soler’s fly ball in right field and threw out Mike Trout at home plate. The outfield assist was Barger’s sixth.

Barger’s RBI single off Jack Kochanowicz tied the score in the bottom of the first but Adell restored the lead with a sacrifice fly in the third.

Nathan Lukes walked to begin the third and Springer followed with a 413-foot homer to straightaway center, his 16th.

The Angels tied it in the seventh on Nolan Schanuel’s two-out single off rookie Lazaro Estrada.

After throwing a ball to Logan O’Hoppe on his first pitch of the second inning, Scherzer struck out the side on nine straight pitches.

Up next

RHP Kevin Gausman (6-6, 4.18 ERA) is scheduled to start Sunday’s series finale against Angels LHP Tyler Anderson (2-5, 4.12).

PITTSBURGH — Dave Parker, a hard-hitting outfielder who was set to be inducted into the Baseball Hall of Fame next month, has died, the Pittsburgh Pirates announced Saturday. He was 74.

No further details about Parker’s death were immediately available. The Pirates informed the crowd of his death just before the start of their game against the New York Mets and held a moment of silence.

Nicknamed “the Cobra,” the 6-foot-5 Parker made his major league debut in 1973 and played 19 seasons, 11 for the Pirates. He was the NL MVP in 1978, won a World Series with Pittsburgh a year later and then won another championship in 1989 with the Oakland Athletics.

Parker won NL batting titles in 1977 and ’78. He finished his career as a .290 hitter with 339 homers and 1,493 RBIs. He also played for Cincinnati, Milwaukee, the Angels and Toronto.

Parker was elected to the Hall of Fame by a special committee in December. The induction ceremony in Cooperstown, N.Y., is set for July 27.

“We join the baseball family in remembering Dave Parker. His legacy will be one of courage and leadership, matched only by his outstanding accomplishments on the field,” Hall chairman Jane Forbes Clark said in a statement. “His election to the Hall of Fame in December brought great joy to him, his family and all the fans who marveled at his remarkable abilities.”

Born on June 9, 1951 in Grenada, Miss., Parker grew up in Cincinnati and was a three-sport star at Courter Tech High.

After playing for Pittsburgh from 1973-83, he signed with his hometown Reds and spent four seasons with the club. In 1985 he led the NL with 125 RBIs and was second in the MVP voting.

“He was such a big dude at a time when there weren’t that many ‘6-foot-5, 230-pound, dynamic defender, batting champion with power’ guys,” Hall of Famer and Reds teammate Barry Larkin said. “Everything about him was impressive.”

Parker was diagnosed with Parkinson’s disease in 2012.

He told reporters that he burst into tears upon learning of his selection to the Hall of Fame.

“Yeah, I cried,” Parker said after receiving the news. “It only took a few minutes, because I don’t cry.”

Parker homered for the A’s in the 1989 World Series opener and took credit for helping the Bash Brothers of Jose Canseco and Mark McGwire take the title with a four-game sweep of San Francisco.

He was a seven-time All-Star and three-time Gold Glove right fielder.

“I was a five-tool player. I could do them all,” Parker said after his Hall of Fame selection. “I never trotted to first base. I don’t know if people noticed that, but I ran hard on every play.”