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Dec. 19 (Asia Today) — A South Korean civic group said most retired National Assembly officials subject to post-employment screening were cleared to take private-sector jobs, calling the results evidence of a serious revolving-door problem involving major companies, supervised agencies and law firms.

The Citizens’ Coalition for Economic Justice said at a news conference Thursday that it analyzed employment screening decisions involving retired National Assembly officials from 2020 to 2025. The group said the review covered lawmakers, aides and National Assembly Secretariat staff.

South Korea’s post-employment screening system is designed to determine whether a retired public official’s new job is closely related to their former duties and whether it should be approved. The purpose is to prevent improper collusion between public officials and private institutions.

CCEJ said 427 of 438 National Assembly cases, or 97.5%, received decisions allowing employment, either as “employment possible” or “employment approved.” The group said “employment possible” applies when the new position is deemed unrelated to the official’s previous duties, while “employment approved” applies when there is a connection but authorities find grounds for a special approval.

CCEJ said more than half of those cleared, 239 people, joined private companies. By major corporate groups, the group said Coupang hired the most, with 16 people, including 15 aides and one policy research fellow. LG followed with 11, SK with 10, Samsung with nine and KT with eight.

CCEJ said the National Assembly holds significant powers, including legislation, budgeting and state audits. It argued that when former officials move directly into jobs at audited agencies, major corporations or law firms tied to their prior duties, it can lead to collusion between politics and business and preferential treatment for former officials.

The group called for stronger requirements for approving post-retirement employment tied to the National Assembly, tighter reviews of job relevance and disclosure of specific reasons when screening results are announced.

– Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Proving yet again that nobody combines excitement and entertainment like these guys, this week the Dodgers made baseball’s most important winter deal.

They acquired Timmy Trumpet.

In real life he’s an Australian impresario who, surprise, plays the trumpet. But in the breathtaking world of ninth-inning baseball, he’s the game’s most popular soundtrack.

It is Timmy Trumpet who plays the chillingly inspiring solo from “Narco” that accompanies closer Edwin Díaz from the bullpen to the mound. For the seven seasons Díaz played for the New York Mets, it was the coolest entrance song in the big leagues, creating the most intimidating scene in any ballpark anywhere.

And now it’s coming to Dodger Stadium, as the Dodgers and Díaz agreed this week to a three-year, $69-million contract that will include Timmy Trumpet rattling the bejeezus out of visiting teams who must be asking, do the Dodgers really have to buy everything?

Was it not enough for them to sign the best reliever in baseball? Did they also have to bring in the best ninth-inning atmosphere in baseball?

Yes, they do, and yes, they did, and if you haven’t witnessed the Edwin Díaz/Timmy Trumpet duet, Google it once and you’ll be hooked.

Upon his signing, the social media of Dodgers fans was filled with trumpet emojis. Even the venerable Dieter Ruehle posted a video of him playing the trumpet solo on the keyboard.

In the pantheon of Dodgers entrance and walk-up songs, this immediately moves to the top of a playlist that has become ingrained in the hearts of fans who have come to associate the brief clips of music with the enduring heroics of their players.

From the late great organist Nancy Bea Hefley playing “Master of the House” for Orel Hershiser … to Kenley Jansen revving up the crowd with “California Love” … there is a rich history of Dodgers being identified by their accompanying music.

This team is no different, with several songs reaching iconic status simply based on the splendid feats that spring from their chords.

One man’s nine best songs, in order of impact.

1. ”Narco” for Edwin Díaz

It is already the best Dodgers song and he hasn’t even shown up yet. Trust me.

Díaz chose it in 2018 when he played for the Seattle Mariners. When that became his 57-save breakout season, his wife advised him to keep it. After being traded to the Mets, he became so loyal to the song, he even asked it to be played in an empty Citi Field during the 2020 pandemic season.

In ensuing seasons the scene went viral, highlighted by an actual performance by Timmy Trumpet last summer. Expect the Dodgers to invite Mr. Trumpet to Chavez Ravine, maybe even for the opening series. Like so many things they have staged during these consecutive championship seasons, it will be an event.

2. ”We Are Young” for Clayton Kershaw

The pitcher is retired, but the song still warrants celebration on an emeritus basis.

Quick question: Has any Dodgers entrance hymn endured as long as this one? Dodgers fans have adult children as old as this song.

Another quick question: When you heard this song for the last time in the final months of this past season, did you surprisingly feel tears?

The perfect anthem for the perfect pitcher.

3. ”Bailalo Rocky” for Roki Sasaki

It’s not really a song, it’s a chant, bailalorocky, bailalorocky, bailalorocky with the “Rocky” sounding like, “Roki.”

It was chosen for the famously unhip Sasaki by Miguel Rojas in spring training and, by the time the kid pitcher returned from the disabled list to save playoff games, the fans were chanting it and dancing to it like few celebration songs in Chavez Ravine history.

“You can see it in Dodger Stadium … it was amazing,” Rojas told reporters before the World Series. “So electric, dancing on the bleachers in left-center field … I’m hoping everybody starts dancing to that song when Roki comes to pitch.”

4. ”Feeling Good” for Shohei Ohtani

Thank you, Michael Bublé, for singing what everybody is thinking every time Ohtani comes to the plate.

And thank you, Mamiko Tanaka, for making it happen.

“The coach of the Dodgers was nice enough to introduce me to Shohei, and I said to him, ‘Why did you choose my song?’” Bublé explained in an interview on “The Today Show.” “And very quickly he just turned to his wife … and it was his wife that chose it.”

Bublé added, “I’ll take it!”

He and about 4 million others.

5. ”Baila Conmigo” for Freddie Freeman

It played before Freeman’s game-winning grand slam in Game 1 of the 2024 World Series.

It played before Freeman’s game-winning home run in the 18th inning of Game 3 of this year’s World Series.

The horn solo at the beginning of this catchy tune has come to represent two words to Dodgers fans who now bounce to its beat.

Greatness coming.

6. “La Leche Materna” for Kiké Hernandez

Just like Hernandez’s Dodgers contributions, this tune saves its best for last.

The final 30 seconds of the song sound like, “Kiké, Kiké, Kiké” over and over again.

It’s weird, but also as powerfully effective as, say, a double play fly ball to end a World Series game.

7. A rotation of songs for Mookie Betts

Betts has walked out to a varied playlist, but his selections are included here because he can boast of one walk-up tune unmatched in baseball history.

He steps to the plate accompanied by an unreleased song written by Snoop Dogg just for him.

8. ”Amen” for Max Muncy

The chorus of this country song that accompanies Muncy to the plate appropriately begins, “Somebody say a prayer for me … ”

Considering all of his injury issues during his eight-year Dodgers career, fans have heeded that call.

Considering he holds the Dodgers record with 16 career postseason homers, those prayers have been answered.

9. ”Squabble Up” for Will Smith

His current Kendrick Lamar song is cool, but Smith is on this list in honor of a previous walk-up song that endeared him to Dodgers fans as that rare player who can laugh at himself.

This Will Smith once walked up to the theme from “The Fresh Prince of Bel-Air.”

Chinese exports climb as exporters reroute shipments to other markets amid slump in shipments to the US.

China’s annual trade surplus in goods has topped $1 trillion for the first time, with plunging exports to the United States amid a tariff war more than compensated for by shipments to other markets, new data shows.

Figures released by China’s General Administration of Customs on Monday showed the trade surplus for the first 11 months of the year hit $1.08 trillion in November, as exports climbed 5.9 percent year-on-year that month, reversing a 1.1 percent decline the month prior.

The leap came despite a continued slump in exports to the US, which fell 28.6 percent to $33.8bn last month, the data showed.

Beijing and Washington have been locked in a bitter trade war involving hefty tariffs during the second administration of US President Donald Trump, forcing Chinese exporters to pivot to other markets – although the leaders of the world’s two largest economies agreed to pause the hostilities during a meeting in South Korea in October.

“China’s trade surplus this year has already surpassed last year’s level, and we expect it to widen further next year,” Zichun Huang of Capital Economics wrote in a note.

Huang said the weakness in exports to the US was “more than offset by shipments to other markets”.

Exports were “likely to remain resilient”, Huang added, due to trade rerouting and rising price competitiveness for Chinese goods, as deflation pushed down its real effective exchange rate.

French warnings over surplus

Exports have proven critical to China’s economy as it grapples with a debt crisis in the property sector and sluggish domestic spending, impacting its growth.

But China’s towering trade surplus has rankled leading Western trading partners, with French President Emmanuel Macron the latest to threaten action if the imbalance is not addressed.

Macron, fresh from a state visit to China, in an interview with the French newspaper Les Echos on Sunday, warned that Europe could follow the US in imposing tariffs on Beijing if the surplus were not reduced in the coming months.

Exports to the European Union grew by an annual 14.8 percent last month, while shipments to Australia rose 35.8 percent. Meanwhile, the fast-growing Southeast Asian economies took in 8.2 percent more goods over the same period.

That boosted China’s trade surplus to $111.68bn in November, the highest since June, from $90.07bn recorded the previous month, and above a forecast of $100.2bn.

Zhiwei Zhang, president and chief economist at Pinpoint Asset Management, wrote in a note that November’s rebound of export growth had helped to “mitigate the weak domestic demand”, amid a slowdown in economic momentum being partly driven by weakness in the property sector.

In an indication of China’s weak domestic consumption, new customs data showed that imports rose 1.9 percent on-year in November, less than had been predicted.