today

A NEW $21 airport surcharge is now in place for American travelers flying to a popular destination.

It’s due to the introduction of an electronic permit – which is mandatory from today for visitors.

Visitors to Britain from 85 countries must now obtain an electronic permit in advance of their trip.

This includes those taking flights, or booked on cruises, coaches and even rail journeys.

Those failing to do so will be barred from traveling, the UK interior ministry warned.

The Electronic Travel Authorisation (ETA) scheme requires all visitors who do not need a visa to enter Britain to buy a pre-travel permit online at a cost of $21.57.

The scheme was introduced three years ago, and extended to European visitors last April, but has not been strictly enforced – until today.

Airlines will stop passengers from boarding flights if they do not have an ETA, eVisa or other valid documentation, the interior ministry also warned.

The UK is trying to beef up border security checks.

It’s following the likes of Canada, the US, and other countries which already use the system.

What is the UK’s new Electronic Travel Authorisation (ETA) scheme?

An ETA is a digital permission to travel to the UK

It is not a visa or a tax and does not permit entry into the UK – it merely allows a person to travel to the UK.

Visitors can find more information about applying for an ETA on Gov.uk

It lets you travel to the UK for tourism, visiting family or certain other reasons for up to six months.

It currently costs Americans $21.57 to obtain one.

Those without an ETA will be banned from boarding their flight, ferry, coach or train for travel to the UK.

An ETA lasts for two years and is linked to your passport.

If your passport has expired or changed, you’ll need to apply for a new ETA.

EXEMPTIONS:

There are some people who do not need an ETA, for example if you have:

• A current British or Irish passport
• Permission to live, work or study in the UK

“The ETA scheme is a vital part of our work to strengthen the UK’s border security,” said migration minister Mike Tapp.

It will “help to deliver a more efficient and modern service that works for both visitors and the British public,” he added.

An ETA lets you travel to the UK for tourism, visiting family or certain other reasons for up to six months.

Visitors will usually need an ETA rather than a visa if they’re traveling from Europe, the USA, Australia, Canada or certain other countries.

Each person traveling needs an ETA, including babies and children.

It covers visits for tourism, business or short-term study.

“We are making improvements to deliver a more streamlined, digital immigration system which will be quicker and more secure for the millions of people who pass through the UK border each year,” said the Home Office.

“Visitors without an ETA will not be able to board their transport and cannot travel to the UK, unless exempt.

“Eligible visitors who take connecting flights (transiting) and go through UK passport control need an ETA.

“Those transiting through Heathrow and Manchester airports who do not go through UK passport control do not currently need an ETA.”

Flyers have complained the new system’s introduction has already caused delays at some airports.

Plus, there are fears it’ll muck up schedules when traveling to the UK over Easter, as it can take several days for requests to be processed.

British citizens with a second nationality risk being blocked from entering the UK as a result of the new rule, the Home Office has confirmed to British newspaper The Guardian.

There are already plans to hike the price of the ETA to $27 at an unspecified future date.

NEW passport rules are being introduced from today – and anyone breaking then could be banned from their flight.

From today (February 25), dual national passport holders can no longer use their foreign passport to enter the UK.

Affecting as many as 1.2million people who hold more than one passport in the UK, they must now use a valid British passport when arriving into the UK.

Anyone without this must instead have a certificate of entitlement, which costs £589.

Passengers trying to enter the country by plane, ferry or train without this risks being banned from travelling.

A Home Office spokesperson previously explained: “From February 25, 2026, all dual British citizens will need to present either a valid British passport or certificate of entitlement to avoid delays at the border.”

PASS IT ON

Major airline rolls out strict new passport rule for Brits from TODAY

PASS IT ON

New passport rules starting this week to affect more than one million people

Many have slammed the new rules, which were only announced earlier this month, for not allowing enough time for people living abroad to buy a new passport.

New British passports can take up to three weeks, while first time applications can take as long as 10 weeks.

The government suggested that airlines may allow passengers to travel with an expired passport, however this is at their own discretion.

A spokesperson told The Sun: “At their own discretion, carriers can accept an expired British passport as alternative documentation.”

Not only that, but it must be no older than an expiry of 1989 or later.

They also confirmed that anyone who previously held a British passport, but it has now expired, can instead get an emergency travel document to enter the UK instead.

The new rules are in line with the electronic travel authorisation (ETA), which has also launched from today.

Any non-British national must now may for the £16 ETA to enter the country.

Lasting up to six months, it will be required from people who are from destinations like Europe, the US and Australia.

Anyone who is a dual national cannot apply for an ETA under the new rules.

Brits will not need an ETA when returning to the UK.

Here are some other passport rules you need to be aware of.

And we explain how to apply for your child’s first passport.

Disney California Adventure this month turns 25. Though Disneyland Park’s littler and much younger sibling, the park has grown into a respectable offering, one that ranks among my favorite Disney parks in North America. No small feat, considering its checkered, less-than-ambitious launch.

California Adventure is today emblematic of some of the best that Disney has to offer. And yet it remains a work in progress. The subject of constant tinkering, another reimagining is on the horizon.

With more Marvel, more “Avatar” and more Pixar due to be injected into the park, California Adventure stands at a crossroads. But also one with risks: Will it soon feel like a collection of brand deposits? This, of course, has appeared to be the vision of the company’s theme parks in the recent past. This doesn’t always have to be a negative. Consider it more a word of caution.

A “Coco” boat ride is destined for Disney California Adventure. The ride is under construction.

(Pixar / Disneyland Resort)

Few Disney properties, for instance, seem more ripe for exploration in a California-focused theme park than “Coco.” Under construction where Paradise Gardens and Pixar Pier meet, a “Coco”-inspired boat ride will give the park at long last a permanent home to recognize our state’s Latin culture and heritage. While fans may long for the days of original attractions such as Pirates of the Caribbean and the Haunted Mansion, those based on intellectual property — IP in industry speak — aren’t evil, especially when used to heighten the overall themes of the park. California Adventure’s own Cars Land is a key example.

When it starts to feel like retail, however, parks can become exhausting. Looking at you, Avengers Campus, a half-finished land with a bombastic orchestral score and familiar, urban design that wouldn’t be out of place in downtown L.A. In its current state, the land works best as a backdrop for live entertainment as it lacks the welcoming feel of Disney’s top creations.

California Adventure, at its most idealized, stood for more than an assortment of film properties. Its pitch was to show the Golden State as a romanticized destination, one that in the post-Gold Rush era has often given America permission to dream. It would capture our people, our nature, our food and our glamour through a lighthearted, optimistic lens. When completed, the park had a mini Golden Gate Bridge and giant letters that spelled out the name of our state (which were removed about a decade later).

By the time California Adventure opened in February 2001, it had already been the subject of much revision. The Walt Disney Co. wanted it to be a West Coast answer to Walt Disney World’s Epcot. Its plans at the time were well-documented, with the Walt Disney Co. initially giving Westcot, as it was to be called, a spherical answer to the Florida park’s Spaceship Earth. In time, and in attempts to quell neighborhood concerns, the globe’s design would shift to become a large, futuristic needle.

California Adventure in 2001 was meant to depict a romanticized vision of California.

(Mark Boster / Los Angeles Times)

None of it was to be. Financial headaches, caused in part by the early-year struggles of Disneyland Paris, inspired Disney to change course. Disney California Adventure would open with few attractions that rose to the Disneyland level, and yet The Times was kind in its opening coverage, praising the park’s change of pace from its neighbor and admiring how its architecture blurred fiction and reality.

The hang-gliding simulation Soarin’ Over California was an instant hit, and Eureka! A California Parade was Disney theatricality at its weirdest, with floats that depicted Old Town San Diego, Watts and more. But California Adventure’s prevalence of dressed-up county fair-like rides failed to command crowds. Disney’s own documentary “The Imagineering Story” took a tough-love approach, comparing some of its initial designs to those of a local mall.

The grand opening of California Adventure in February 2001.

(Mark Boster / Los Angeles Times)

And yet today it’s home to one of the Walt Disney Co.’s most fully-realized areas in Cars Land, which opened in 2012. Flanked by sun-scarred, reddish rocks that look lifted from Arizona, Cars Land is a marvel, and on par with the best of Walt Disney Imagineering’s designs (see New Orleans Square, Star Wars: Galaxy’s Edge and Pandora — the World of Avatar). Nodding to our Route 66 history, the land is a neon-lit, ‘50s rock leaning hub of activity, complete with the showstopping Radiator Springs Racers.

Cars Land led a major makeover of the park that also included the nostalgic Buena Vista Street, a nod to the Los Feliz era of the 1920s. And by the mid-2010s, many of California Adventure’s most insufferable traits, such as its ghastly puns (San Andreas Shakes was bad, but the Philip A. Couch Casting Agency was cringe-inducing) as well as the short-lived disaster of a ride that was Superstar Limo, had begun to disappear.

Cars Land, added to California Adventure in 2012, is one of Walt Disney Imagineering’s grandest achievements.

(Mark Boster / Los Angeles Times)

With the nighttime show World of Color, and a bevy of in-park entertainment, California Adventure pre-pandemic began to feel like something akin to a full-day park. It wasn’t perfect, of course — no park is.

The Little Mermaid — Ariel’s Undersea Adventure, though lightly charming, suffers from being a hodgepodge of familiar scenes from the film rather than a narrative tableau that can stand on its own. Too many empty buildings clutter its Hollywood Land area, the makeover of Paradise Pier into Pixar Pier did little but add garish film-referencing art to the land and the crowd-pleasing transformation of the Twilight Zone Tower of Terror into Guardians of the Galaxy — Mission: Breakout! was completed at the expense of the park’s prime Southern California theming.

Paradise Pier at California Adventure in 2002. The land has since been remade into Pixar Pier.

(Don Kelsen / Los Angeles Times)

But there is much about California Adventure to adore. It shines during holidays, whether that’s Lunar New Year at the top of the year or the back-to-back combo of Halloween and Christmas seasons near its end. Here is when California Adventure’s entertainment comes to the fore, bringing the park alive with cultural tales that at last reflect the diversity of the modern theme park audience.

How grand it would be, however, if California Adventure were blessed with this level of entertainment year-round. The Hyperion Theater, a 2,000-seat venue at the end of Hollywood Land, and once home to shows inspired by “Frozen,” “Aladdin” and “Captain America,” today sits empty. If the Walt Disney Co. can’t justify funding the theater, jettison it with the park’s upcoming makeover, as it stands as a reminder of how fickle the corporation can be when it comes to live performance (also gone, the great newsboy-inspired street show).

Staff at California Adventure put the final bit of polish on the letters that spell out “California” ahead of the park’s 2001 opening. The letters once stood at the entrance of the park.

(Mark Boster / Los Angeles Times)

Looking ahead, I expect Disney to deliver a powerful “Avatar” ride, and early concept art has shown a thrilling boat attraction that appears to use a similar ride system to Shanghai’s Pirates of the Caribbean: Battle for the Sunken Treasure, which is hailed by many as one of the company’s strongest modern additions. Worthy of debate, however, is how the pure fantasy landscape of “Avatar” fits in a park that still nominally tries to reflect California and our diversity.

And does it matter?

The company would likely argue that if the ride wows guests and extends the “Avatar” brand into another generation, that it does not. But Disneyland next door isn’t timeless because it has “Peter Pan” and “Star Wars.” It has endured for 70 years because its attractions, by and large, reflect cultural myths. And it’s a park we want to spend days in, thanks to its gorgeous landscaping, calming Rivers of America, and human tales of avarice, unity and romance spread throughout its attractions.

For theme parks, after all, can jump the shark, so to speak. Spend some time, for instance, sitting in California Adventure’s San Fransokyo Square. It’s a needless, post-pandemic makeover. What was once a simple food court has been transformed into a loud nook stuffed with a “Big Hero 6” meet-and-greet and gift shop. You’ll be transported, but to a place more akin to a marketing event.

So happy 25, California Adventure. We love you, and you’re a park worth celebrating, but like most post-collegiate kids, there’s still some room to learn.

A beloved children’s programme is now available to watch for free on a streaming service.

A classic children’s programme is streaming for free from today on ITVX.

Captain Pugwash first aired on British television in 1957 as a black-and-white stop-motion show, before the full colour version of the series was first broadcast from 1974-75.

The series is based on the much loved children’s comic strips and books created by Josh Ryan.

It follows Captain Horatio Pugwash as he sails the high seas in his ship, the Black Pig, ably assisted by Tom the captain boy, pirates Willy and Barnabas and Master Mate.

Along their adventures, they’re battling against his mortal enemy, Cut-Throat Jake, captain of the Flying Dustman.

The children’s animation was written, illustrated and produced by John Ryan, before Peter Hawkins voiced all the characters, bringing them to life.

Captain Pugwash originally ran from 1957 to 1966 before being revived in colour in the 70s, and again in 1997.

The synopsis teases on ITVX: “The bumbling 50s kids TV star is back on screen. Join him aboard the Black Pig & meet cabin boy Tom, pirates Willy & Barnabas, & Master Mate. Beware of the enemy Cut-Throat Jake.”

Viewers have been left reminiscing on the iconic childhood series, with one writing on Reddit : “Love Pugwash – have complete set of DVDs.”

Another said: “I can hear the theme tune in my head right now,” as a third elsewhere wrote: “Ooh wow, that brings back memories, brilliant.”

This comes as ITV has added a variety of returning and new programmes to the streaming service, with more yet to come this year.

In a press release announced earlier this year, the broadcaster shared: “ITV will ring in the new year with a raft of brand new dramas, exclusive entertainment shows, much loved juggernauts and big name reality.

“Jing Lusi, Michelle Keegan, Martin Compston, Natalie Dormer, Shaun Evans, Romala Garai, Eve Myles, Gemma Arterton, Rafe Spall, Dominic Cooper, Luke Evans, David Morrissey, Douglas Booth, Sophie Rundle, Philip Glenister, Mia McKenna-Bruce, Rishi Nair, Robson Green, Aimée-Ffion Edwards, Daniel Mays, Ben Miller, John Simm, Richie Campbell and Omid Djalili are just some of the names appearing in ITV dramas over the next twelve months.”

Drama includes Michelle Keegan’s The Blame, The Party, based on the acclaimed novel by Elizabeth Day, Gemma Arterton leading a stellar cast in Secret Service, and new scandalous drama Adultery.

Elsewhere in entertainment, Graham Norton hosts a street-sized reality game, The Neighbourhood, Rob Brydon is fronting new gameshow The Floor and Gary Lineker is hosting The Box. Ben Shephard ’s The Summit has already begun, and I’m A Celebrity All Stars will return alongside Britain’s Got Talent, Ant & Dec’s Limitless Win and The 1% Club.

Captain Pugwash is available to watch on ITVX.

“How to Make a Killing” boasts an opening so strong that it buys enough audience goodwill to coast through nearly its entire running time. That’s priceless in a screwball murder movie in which everyone’s soul is for sale.

Death row inmate Becket Redfellow (Glen Powell) is four hours away from execution. A priest (Sean C. Michael) solemnly arrives to take his final confession and finds the condemned man lounging in a sleeping eye mask, griping that his last meal served him the wrong flavor of cheesecake. “Kill me now,” Becket quips.

This will be a tale of crime and punishment told in flashback, rewinding to Becket’s mother, an heiress excised from an eleven-figure fortune for giving birth as an unwed teenager. And it will be, as Becket insists, “a tragedy.”

But while the story’s framework is familiar, what gives this intro sequence zip is Powell’s sly nonchalance, the little bounce he makes on his cot when Becket pivots to give the flabbergasted priest his full attention. He has ours, too. Powell has yet to find his perfect role (this one’s close) but his confidence is why the industry is convinced that he’s the reincarnation of a classic leading man: Tom Cruise or Cary Grant if we’re lucky, or at least Bugs Bunny.

Writer-director John Patton Ford’s morally bleak comedy is itself a reincarnation of the 1949 British caper “Kind Hearts and Coronets,” which egged on an exiled sire as he avenges himself upon his royal family by murdering everyone between himself and dukedom. The 21st century American privilege that Becket is chasing in the remake doesn’t rely on formal titles. He wants cold hard cash, plus a couple of private islands, planes and ultra-luxury yachts. Besides, he’s already got a first name that sounds like a last name, signifying the American upper crust.

This Dickensian vengeance setup gives us an awful lot of people to murder, all caricatures of the elite. The original “Coronets” offed a posh feminist who scattered political leaflets across London from a hot air balloon, Ford spins that passé joke into a gag where Becket’s spoiled cousin (Raff Law) hovers in a helicopter sprinkling money over a pool party and then for good measure, cannonballs into the water to stuff bills in the crowd’s open and appreciative mouths. (For his next trick, perhaps Ford will remake Terry Southern’s outlandish satire “The Magic Christian,” which has a scene like that but five times filthier.)

Lore goes that when Alec Guinness received the “Coronets” script with an offer to play four of the ill-fated tycoons, he wrote back greedily and said, “Why not eight?” To our good fortune, Guinness did play all eight, even the suffragette. “How to Make a Killing” shares the wealth, giving cameos to a very funny Zach Woods as the scion who fancies himself a hipster artist (he takes photos of the unhoused) and Topher Grace as the Redfellow who found faith or, rather, a more sanctimonious spin on grift as a megachurch pastor. Likening himself to Jesus, Grace’s bleached blond huffs, “Don’t hate on me just because my dad’s a big deal.”

There’s a tease of real-world critique in how the preacher has decorated his office with framed photos of himself with various presidents and drug-runners, alluding to the inescapable suspicion that the world is run by a powerful club whose only admissions requirement is a bank balance with plenty of zeros. The jabs stop at allusions — they’re entertaining but as thin as a communion wafer. Still, I guffawed when Becket popped back into his present-day cell to poke fun at his audience, the Catholic priest: “The last thing the Church wanted was an investigation,” he says with a smirk. “I’m sure you know all about that.”

Like his lead character, Ford himself had to ascend in clout to direct this script, which he launched on the Black List in 2014. He instead made his debut with the much-smaller 2022 indie “Emily the Criminal,” which starred Aubrey Plaza as an art student desperate to pay off her student loans. His heart is with the strivers who find that our K-shaped economy makes it impossible to go straight.

Yet he hasn’t cracked whether the corpses in “How to Make a Killing” are victims themselves. The rich Redfellows get dispatched one by one in scenes that are fun but empty — neither cathartic nor comic, simply boxes to be checked off to great big poundings of thunder and harpsichords.

Surely, I thought, the film will figure out how it feels by the time it offs a Redfellow who’s merely ordinary-terrible: Bill Camp’s drunken, cowardly banker. But it doesn’t and the real victim of the indecision is Powell, who is rarely given a reaction to play. (Guilt? Rage? Glee?) He needs to give us an extra hint how he’s feeling — as an actor, Powell is so slick that even his regular smile comes across phony. I’d say he couldn’t be sincere if he tried, except Powell actually does try for one scene and the bleary, terrified look in his eyes is devastating.

While the promise of that gangbusters opening sequence goes a tad unfulfilled, “Killing” has two strong twists and plenty of reasons to enjoy the romp. I suspect that the movie might be too smart for its own good, or perhaps hemmed in by a cynicism that, everywhere we look lately, it appears that crime does pay. As Becket says early on, “We’re all adults here.” Ford sees all the wrong moves and isn’t sure-footed in choosing the right one, even though I think he has. Today’s crowd wants to smash Marie Antoinette’s cake and eat it, too.

At least along the way, there’s a playful love triangle between Julia (Margaret Qualley), the privileged nightmare who’s had Becket wrapped around her pinky finger since grade school, and Ruth (Jessica Henwick), a humble school teacher. Both characters stake out their polarized corners — the rich bitch versus the sweetheart — with Qualley somehow always arranging her legs to be seductively horizontal in her too-few scenes. Henwick is saddled with the more prosaic role and dialogue (“It’s scary to dream small,” she says). Nevertheless, her presence is so compelling that we root for Ruth every time she’s onscreen.

I’m glad that Ford is part of today’s guillotine crew making capers about economic inequality. But the best shot in the movie shows his promise as a romantic comedian: Becket and Ruth bump into each other in the rain and just as they make eye contact, the sun comes out and they share a smile. It’s a tiny moment of magic that gives you hope that these young lovers can work it out. Better still, it even gives you hope for humanity, even if the movie’s overall forecast for society is stormy.

SAVANNAH Guthrie is reportedly looking to quit The Today Show for good as she fears her fame made her mother a vulnerable target.

It comes just months after she filmed a segment for the show with her mother Nancy, 84, who has now been missing for two weeks.

Sources have said that the co-host is considering a permanent exit from the hit show after her mother was abducted from her home in Tucson, Arizona, at around 2am on February 1.

“This absolutely came out of the blue, and I think she’s really concerned that it was because of her job,” NewsNation’s Paula Froelich reported, citing sources. 

She added that Savannah, who is said to be a “mess” as the search for her mother enters its third week, fears her fame made her mother more of a target “with bad characters”.

Just months before she was taken, The Today Show filmed a segment with Savannah near Nancy’s $1 million home, which is now a major crime scene.

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In the NBC clip from November 2025, the mother-and-daughter duo paired up for a piece called “Savannah’s Arizona Homecoming” which also featured her sister Annie.

It documented the television star going back to her roots including her alma mater and El Charro, the oldest family-owned Mexican restaurant in America where she shared a meal with her family for the show.

“I have to come here every time I come home to Tucson,” Savannah said.

Her mother has featured in several segments for the show over the years since Savannah joined in 2012.

Despite admitting they are ‘exhausted’ by the search for Nancy, who is in poor health and in need of daily medication, cops have vowed they will find her and those responsible for her disappearance.

Investigators have now reportedly turned to high-tech scanners that can detect Bluetooth signals in an attempt to connect to Nancy’s pacemaker as they run out of leads and have no suspects.

A series of ransom notes sent to the family, law enforcement, and several news outlets are further muddying the waters, with a number of them turning out to be fake.

Fox News Digital reported that the Bluetooth devices have been attached to the bottom of police helicopters that are flying in low and slow, in grid-like patterns to try to locate her heart monitor device.

But, Pima County Sheriff Chris Nanos has said the search for Nancy could now go on for years as hopes seemingly begin to fade.

Earlier this week, investigators were seen combing through the grounds of her property, and searching inside a septic tank.

On Friday night, a number of people were reportedly detained in a SWAT raid at a nearby home after mystery DNA was recovered in the case, but cops later confirmed no arrests were made.

Meanwhile, investigators are still searching for the masked man captured in chilling doorbell footage taken from Nancy’s home on the night she vanished.

Federal agents have released new details about the suspect as they hope to cut down the number of public tips that have been called in with over 13,000 reported since February 1.

Officials are looking for a man who is around five-foot-nine-inches to five-foot-ten-inches with an average build.

He was seen in the footage wearing a black, 25-liter Ozark Hiker Pack backpack.

The reward for information that leads to an arrest and conviction in the case has been increased from $50,000 to $100,000.

Timeline of Nancy Guthrie’s disappearance

Nancy Guthrie, the 84-year-old mother of Today show co-anchor Savannah Guthrie, disappeared from her home on February 1, 2026.

Timeline:

• January 31: Nancy is last seen by her family
  • 5:32pm: Nancy travels to her daughter’s home for dinner, about 11 minutes from her own house.
  • 9:48pm: Family members drop off Nancy Guthrie at her home in Tucson. Her garage door closes two minutes later.
• February 1: Nancy is reported missing and a search begins
  • 1:47am: Nancy’s doorbell camera disconnects
  • 2:12am: Camera software detects a person moving in range of the camera. There is no video, and Nancy does not have a storage description.
  • 2:28am: Nancy’s pacemaker app disconnects from her phone, which is later found still at her house.
  • Around 11am: A parishioner at Nancy’s church calls the mom’s children and says she failed to show up for service.
  • 11:56am: Family members arrive at Nancy’s house to check on her.
  • 12:03pm: The family calls 911 to report Nancy missing.
  • 8:55pm: The Pima County Sheriff’s Office gives its first press conference and reveals some clues found at Nancy’s home caused “grave concern.” Sheriff Chris Nanos says helicopters, drones, and infrared cameras are all being utilized in the search.
• February 2: Search crews pull back. Nancy’s home is considered a crime scene. Savannah releases a statement thanking supporters for their prayers, which her co-hosts read on Today.
• February 3: A trail of blood is pictured outside Nancy’s home, where there were reportedly signs of forced entry. Nanos admits they have no suspects, no leads, and no videos that could lead to Nancy’s recovery. He and the FBI beg for more tips and accounts.
• February 4, 8pm: Savannah and her siblings release a heartbreaking video directed at their mother’s abductors asking for proof she is alive and saying they’re willing to work with them to get her back.
• February 5: FBI offers $50,000 reward for information on the case.
  • 5pm: First ransom demand deadline for millions in Bitcoin passes. Guthrie family releases demand to speak “directly” to the kidnappers, saying, “We want to talk to you and we are waiting for contact.”
• February 9, 5pm: Second ransom demand deadline, reportedly with “much more serious” conditions.

When we decided to rank the best Los Angeles movies, we thought 101 titles would be plenty: room enough for undeniable classics, personal obsessions, even a guilty pleasure or two. Of course it wasn’t. You let us know, endorsing many of our selections but insisting we’d missed a few.

Sifting through your responses, 14 films had the most passionate advocacy. You’ll find them listed below in alphabetical order. Together they make up a perfectly valid alternate list, one that captures the glamour and romance of L.A. — as well as its lovable plasticity — just as well.

‘American Gigolo’ (1980)

Richard Gere and Lauren Hutton in the movie “American Gigolo.”

(Paramount Pictures)

Reader Cindy Simon from Pacific Palisades shares an anecdote: “I had just moved to L.A. from New Jersey. My friend and I — young mothers — ducked out of our baby-centered life to see ‘American Gigolo.’ The first scene was the incredible Richard Gere smoothly walking outside a Malibu beach house. My friend and I literally gasped!”

There is so much to recommend to this movie — an excellent choice and a regrettable omission on our part. Not only is it responsible for introducing Blondie’s “Call Me” to the world, it does so via an opening credits scene of Pacific Coast Highway cruising that all but defined L.A. hedonism as the ’70s became the ’80s.

‘The Anniversary Party’ (2001)

Jennifer Beals, Alan Cumming and Jennifer Jason Leigh in the movie “The Anniversary Party.”

(Peter Sorel / Fine Line Features)

“A dysfunctional showbiz marriage in the Hollywood Hills, a party with a lost dog, what’s not to love?” asks reader Jim Ehlers of Pasadena. “It’s so iconically L.A. — the sexy mid-century modern house. When do you get Parker Posey, Gwyneth Paltrow and John C. Reilly in the same cast?”

That spectacular glass-walled home in the Hollywood Hills is the Schaarman House, designed by architect Richard Neutra. But fans know the movie for other reasons: Phoebe Cates came out of retirement to act with her “Fast Times at Ridgemont High” co-star Jennifer Jason Leigh. Today’s audiences ogle a young Alan Cumming.

‘City of Gold’ (2015)

Jonathan Gold in the documentary “City of Gold.”

(Sundance Selects)

Junko Garrett of Eagle Rock says this documentary “captures the essence of L.A.: diversity and vibrancy, amazing food and people. I was a big fan of Jonathan Gold’s articles and looked forward them every week.”

So did we. Gold’s omnivorous enthusiasm remains a guiding light for so many Angelenos and his Pulitzer-winning food writing is easy to find. We’re still going to several of the film’s featured restaurants: Jitlada, Chengdu Taste, Guelaguetza.

‘Crash’ (2004)

Thandiwe Newton and Matt Dillon in the movie “Crash.”

(Lorey Sebastian / Lions Gate Films)

More than a few of our readers bemoaned the omission of an Oscar-winning best picture like “Crash.” Says Jim Rodriguez of Torrance, it “captures the quintessential reality that, in L.A., all the levels of social strata, at one time or another, exist side by side on our roads and freeways, separated by a few feet, metal and glass. And yet, still so isolated from each other.”

And Ian Barnard of DTLA calls the movie “a wonderful antidote to Hollywood’s whitewashed and unrealistically glamorous depictions of L.A.” It shows the city “in all its diversity, prejudices, contradictions, inequities and generosities.”

To us, “Crash” will always be the movie that stole “Brokeback Mountain’s” glory. But let’s be generous and note that Carney’s Restaurant on Ventura gets a nice moment.

‘The Day of the Locust’ (1975)

William Atherton, left, and Donald Sutherland in the movie “The Day of the Locust.”

(Paramount Pictures / Getty Images)

The Nathanael West novel is, of course, essential, so where’s the movie? Reader Andrea Hales, a San Diegan who lived in Los Angeles for 15 years, calls the film version “eerie and fascinating, capturing the essence of Los Angeles: the city of hopes and dreams, fires and riots. The setting is 1930s Hollywood but it could be today.”

One thing is certain: As a one-stop shop for classic L.A. locations, you can’t do much better than “The Day of the Locust,” which takes us to the Ennis House, Paramount’s iconic Bronson Gate and Grauman’s Chinese Theatre.

‘Earthquake’ (1974)

A scene from the movie “Earthquake.”

(United Archives / Hulton Archive / Getty Images)

Reader Dina Schweim, writing from Winston-Salem, N.C. (fine, we’ll allow an outsider’s perspective in this case), expressed her disappointment to not find “Earthquake” on our list: “There are few things I love more than a good disaster movie that obliterates L.A. to balance out fanciful and the corrupt — and yes, I was pleased to see that ‘Volcano’ made the list but ‘Earthquake’ really does capture the raw core of what destruction in L.A. can look like.”

The film was mostly shot on the Universal backlot and we wish it had more of an authentic L.A. feel. Still, if you harbor satisfaction at seeing the city get trashed (and who doesn’t on occasion?), we’re not getting in the way of that rumble.

‘(500) Days of Summer’ (2009)

Joseph Gordon-Levitt and Zooey Deschanel in the movie “(500) Days of Summer.”

(Chuck Zlotnick / Fox Searchlight Pictures)

You like this one. Really like it. “It celebrates and beautifies the city in a way few other movies ever have,” says Anthony Cavalluzzi of Yorba Linda, adding, “Its absence completely invalidates the list.” And Michael Backauskas of Beverlywood writes, “I went to see it five times and I never do that.”

Any film about an aspiring architect is going to make the most of its locations. If you mourn the lovers’ bench at Angel’s Knoll Park, know that it became immortal because of this film.

‘Get Shorty (1995)’

John Travolta and Rene Russo in the movie “Get Shorty.”

(MGM)

This comedy’s dialogue was quoted in our comments twice. For reader Sean Dickerson of Beverly Grove, the movie gives us “maybe the greatest line about our city: ‘What is the point of living in L.A. if you’re not in the movie business?’” And for David Hughes of Sierra Madre, the moment comes when John Travolta’s gangster-turned-Hollywood-wannabe is asked what he knows about the movie business: “I don’t think the producer has to know much.”

There is an unforced charm to the way Travolta’s character falls in love with Hollywood — he’s already a movie geek but other elements fall into place for him. Eagle-eyed viewers will recognize both the Aero and Vista theaters.

‘Grand Canyon’ (1991)

Kevin Kline and Danny Glover in the movie “Grand Canyon.”

(20th Century Fox)

Paul Krekorian of Encino calls this one “a brilliant and underrated study of life in Los Angeles. In a deeply personal way it lays bare so many of the societal challenges Los Angeles always struggles with — economic segregation, racial division and injustice, violence, the disparity between Hollywood-created facades and the reality of ordinary life, and the struggle to find meaning and substance.”

Its writer and director, Lawrence Kasdan, was also responsible for “The Big Chill,” a similar portrait of generational flux, and there are quiet moments in “Grand Canyon” that are some of his best. It also starts with a Lakers game.

‘Knight of Cups’ (2015)

Christian Bale in the movie “Knight of Cups.”

(Melinda Sue Gordon / Broad Green Pictures)

Reader Peter Turman of Brentwood sees depth in Terrence Malick’s oblique portrait of a distracted screenwriter (Christian Bale) searching for grace but finding a lot of sex, calling it “a fever-dream meditation on Los Angeles and Hollywood, with its promises, chimeras, illusions, seductions, nightmares and disappointments, told by a great filmmaker who knows of what he speaks.”

Malick shot all over Los Angeles but his moments on the Warner Bros. lot, the enormous numbered studio buildings looming, may be his most beautiful.

‘Lost Highway’ (1997)

Patricia Arquette and Balthazar Getty in the movie “Lost Highway.”

(October Films)

Even with two other David Lynch films placing on our list, that wasn’t enough for Clark Leazier of West Hollywood, who calls the L.A. vistas and landmarks in “Lost Highway” “the most burned in my brain — particularly the Firestone Auto Shop that is now the popular All Season Brewing in Mid City. Also it captures Southern California nighttime driving in a messed up yet accurate way.”

Lynch obsessives know “Lost Highway” to be the one narrative film in which you can see the director’s own house, part of his compound on Senalda Drive in the Hollywood Hills, used as the setting for his main characters’ mansion.

‘Spanglish’ (2004)

Paz Vega, left, Téa Leoni and Adam Sandler in the movie “Spanglish.”

(Bob Marshak / Columbia Pictures )

Says Rochelle Lapides of Ventura County, “It tells one of the essential stories of our Los Angeles-bound Mexican immigrant population and the cultural challenges they face. Also, in my opinion, it’s one of Adam Sandler’s best dramatic roles.”

Agreed, especially on Sandler, whose turn in “Punch-Drunk Love” so impressed director James L. Brooks, he decided to cast him here. The film’s romantic patio scene is filmed at the Beverly Hills restaurant Il Cielo.

‘Star 80’ (1983)

Mariel Hemingway, left, Eric Roberts and Cliff Robertson in the movie “Star 80.”

(Paramount Pictures / Getty Images)

“Talk about dying for the dream,” writes William Mariano of Escondido. “It was filmed in the same spot she died.” He means Playboy model Dorothy Stratten, murdered by her sicko husband Paul Snider in a Rancho Park home that was actually used by the movie’s production while filming their dramatization of the crime.

“Star 80” does crystallize the ominous side of the L.A. myth, as a place where you’ll arrive, find success (and exploitation) and be destroyed in the process. Bob Fosse completists need to see it; it was the “All That Jazz” director’s final movie.

‘Tequila Sunrise’ (1988)

Kurt Russell, Michelle Pfeiffer and Mel Gibson in the movie “Tequila Sunrise.”

(Warner Bros. Pictures)

Jean Clark of Manhattan Beach celebrates this thriller’s cast, cinematography and plot, which she sums up as “classic good guy vs. bad guy and the woman who loves them both, set against the dark underbelly of glamorous L.A. and its golden beaches back in the 1980s.”

And Jean would know — the movie was largely shot around Manhattan Beach. But don’t go looking for Michelle Pfeiffer’s restaurant Vallenari’s. It was entirely constructed on a soundstage.

Transparency International says the average global score in its report is at its lowest level in more than a decade.

An anticorruption watchdog has warned in its latest report of worsening corruption in democracies around the world, with the score of the United States slipping to its lowest, raising concerns about developments in the US and the impact of its funding cuts around the world.

Berlin-based Transparency International (TI) said on Tuesday that the average global score in its 2025 Corruption Perceptions Index (CPI) had hit 42 on a scale of zero to 100, its lowest level in more than a decade.

The group’s index assigns a score between zero (highly corrupt) and 100 (very clean), based on data reflecting the assessments of experts and business executives.

US President Donald Trump, since returning to the White House early last year, has upended domestic and foreign politics while ramping up pressure on institutions ranging from universities to the Federal Reserve – the US central bank.

Fed Chairman Jerome Powell is currently under investigation by the Department of Justice (DOJ) after resisting pressure from Trump to reduce interest rates.

TI raised concerns over “actions targeting independent voices and undermining judicial independence” in the US.

“The temporary freeze and weakening of enforcement of the Foreign Corrupt Practices Act signal tolerance for corrupt business practices,” it said.

US ranking drops

The Trump administration’s gutting of overseas aid has also “weakened global anticorruption efforts”, it said.

The US’s CPI score has dropped to 64 from 65 in 2024, with the report noting that its “political climate has been deteriorating for more than a decade”. In the past 10 years, it has seen a drop of 10 points.

The report also said “the vast majority of countries are failing to keep corruption under control”, with 122 countries out of 180 posting scores less than 50.

However, it said 31 countries have improved significantly, highlighting Estonia (76 points), the Seychelles (68) and South Korea (63).

The US case illustrates a trend in democracies experiencing a “decline in performance” in battling corruption, according to the report, a phenomenon it also said was apparent in the United Kingdom and France.

While such countries are still near the top of the index, “corruption risks have increased” due to weakening independent checks, gaps in legislation and inadequate enforcement.

“Several have also experienced strains to their democracies, including political polarisation and the growing influence of private money on decision-making,” the report noted.

The worst-performing EU nations

The worst-performing countries in the European Union were Bulgaria and Hungary, both scoring just 40.

The report said the government of Hungary’s nationalist leader Viktor Orban, in power since 2010 and facing a tough battle for re-election in April, “has systematically weakened the rule of law, civic space and electoral integrity for over 10 years”.

“This has enabled impunity for channelling billions – including from European Union funds – to groups of cronies through dirty public contracting and other methods,” the report said.

The highest-ranked nation in the index for the eighth year running was Denmark with a score of 89, followed by Finland and Singapore. At the bottom were South Sudan and Somalia with nine points apiece, followed by Venezuela.

Among the more positive stories of progress in the report was Ukraine, which scored 36.

President Volodymyr Zelenskyy’s government has faced widespread public anger over corruption allegations against those close to him, even as the country has been at war with Russia for nearly four years.

However, the watchdog noted that “the fact that these and many other scandals are being uncovered … shows that Ukraine’s new anticorruption architecture is making a difference”.

It hailed the “civil society mobilisation” last year, which prompted Zelenskyy to backtrack in an attempt to curb the independence of anticorruption bodies.

Humanitarian operations have been impeded by attacks, looting and restrictions on movement.

Ajok Ding Duot crouches on the dusty floor of a displacement camp in South Sudan’s Lakes state, cracking nuts open one by one.

She and her family of 10 arrived here about two weeks ago, fleeing intensifying fighting between government and opposition forces in neighbouring Jonglei state.

While they have found temporary shelter, Duot said there was hardly anything to eat at the camp. To survive, they rely on these nuts and wild fruits.

“We don’t know anything about what the government is doing. They’re fighting, but we don’t know what the problem is,” she told Al Jazeera.

“We’re in darkness. It’s only ever the humanitarian organisations who help.”

South Sudan has seen renewed fighting in recent weeks between government soldiers and fighters loyal to the Sudan People’s Liberation Army-in-Opposition (SPLA-IO).

The United Nations says an estimated 280,000 people have been displaced by the fighting and air attacks since late December, including more than 235,000 across Jonglei alone.

The UN’s children agency UNICEF also warned last week that more than 450,000 children are at risk of acute malnutrition due to mass displacement and the halting of critical medical services in Jonglei.

Nearly 10 million people need life-saving humanitarian assistance across South Sudan, a country still reeling from a ruinous civil war that killed nearly 400,000 people and displaced millions between 2013 and 2018.

Humanitarian operations, however, have been crippled by attacks and looting, with observers saying both sides in the conflict have prevented assistance from reaching areas where they believe civilians support their opponents.

The UN’s World Food Programme (WFP) suspended its activities last week in Baliet county, in Upper Nile state, following repeated attacks on a convoy carrying humanitarian assistance.

The WFP said the suspension would remain in place until the safety of its staff could be guaranteed and authorities take immediate action to recover the stolen supplies.

Separately, medical humanitarian NGO Doctors Without Borders, known by its French initials MSF, said last week a hospital in Jonglei was hit by a government air attack, marking the 10th attack in 12 months on an MSF-run medical facility in the country.

In addition, the MSF health facility in Pieri, also in Jonglei, was looted by unknown assailants, forcing staff to flee. The organisation said the violence had left some 250,000 people without healthcare, as the NGO had been the only medical provider in the area.

MSF said the targeted attacks on its facilities have forced the closure of two hospitals in the Greater Upper Nile and the suspension of general healthcare activities in Jonglei, Upper Nile and Central Equatoria states.

On Sunday, UN chief Antonio Guterres “strongly” condemned the escalating violence in the country and warned that civilians continue to bear the brunt of the conflict.

In a statement, the secretary-general called on all parties “to immediately and decisively halt all military operations, de-escalate tensions through dialogue, uphold international law, protect civilians, and ensure safe and sustained humanitarian access and the security of aid workers and United Nations peacekeeping personnel and their assets”.

Kyiv, Ukraine – A heavy Russian Geran drone struck a fast-moving train in northern Ukraine on January 27, killing five, wounding two and starting a fire that disfigured the railway carriage.

Such an attack was impossible back in 2022, when Russia started dispatching roaring swarms of Shaheds, the Geran-2’s Iranian prototypes.

Ukrainian servicemen ridiculed them for their slow speed and low effectiveness – and shot them down with their assault rifles and machineguns.

But the Geran kamikaze drones have undergone countless modifications, becoming faster and deadlier – and some were equipped with Starlink satellite internet terminals.

The terminals made them immune to Ukrainian jamming and even allowed their Russian operators to navigate their movement in real time.

Western sanctions prohibit the import of the notebook-sized terminals operated by Elon Musk’s SpaceX company to Russia.

But Moscow has allegedly smuggled thousands of them via ex-Soviet republics and the Middle East, notably Dubai, using falsified documents and activation in nations where the use of Starlink is legal, according to Russian war correspondents and media reports.

Russian forces were able to counter the use of Starlink by Ukrainian forces as the terminals linked to SpaceX’s satellite armada orbiting the Earth allowed faster communication and data exchange, as well as greater precision.

In early February, SpaceX blocked the use of every Starlink geolocated on Ukrainian territory, including the ones used by Ukrainian forces.

Only after a verification and inclusion into “white lists” that are updated every 24 hours can they be back online.

But any terminal will be shut down if moving faster than 90km/h (56mph) to prevent drone attacks.

“Looks like the steps we took to stop the unauthorized use of Starlink by Russia have worked,” Musk wrote on X on February 1.

The step is ascribed to Ukraine’s new defence minister, Mykhailo Fedorov, a 35-year-old who had served as the minister of digital transformation. He introduced dozens of innovations that simplified bureaucracy and business, according to a four-star general.

“Fedorov managed to sort it out with Musk – somehow, because we couldn’t do it earlier,” Lieutenant General Ihor Romanenko, a former deputy head of Ukrainian armed forces, told Al Jazeera.

He said the shut-off “significantly lowered” the effectiveness of Russia’s drone attacks and disrupted the communication of small groups of Russian soldiers trying to infiltrate Ukrainian positions.

The effect was so devastating that it made Russian forces “howl” with despair, said Andriy Pronin, one of the pioneers of military drone use in Ukraine.

“They’re like blind kittens now,” he told Al Jazeera.

Russian servicemen in places like the contested eastern town of Kupiansk are now “deprived of any way of getting in touch with mainland”, one of them complained on Telegram on February 4.

Other servicemen and war correspondents decried the shortsightedness of Russian generals who built communications around Starlink and did not create an alternative based on Russian technologies and devices.

However, the shutdown affected Ukrainian users of Starlink that were not supplied to the Defence Ministry but were procured by civilians and charities.

“The communications were down for two days until we figured out the white list procedure,” Kyrylo, a serviceman in the northern Kharkiv region, told Al Jazeera. He withheld his last name in accordance with the wartime protocol.

The effect, however, is short-term and is unlikely to turn the tables in the conflict that is about to enter another year.

“It’s not a panacea, it’s not like we’re winning the war,” Pronin said. “It will be hard [for Russians], but they will restore their communications.”

According to Romanenko, “it’ll take them several weeks to switch to older” communication devices such as radio, wi-fi, fibre optic or mobile phone internet.

Despite undergoing surgery for a fractured left leg, ski icon Lindsey Vonn defended her decision to compete at Games.

American ski athlete Lindsey Vonn said on Monday she had suffered a “complex tibia fracture” when she crashed in the Winter Olympics downhill and would need “multiple surgeries”.

“While yesterday did not end the way I had hoped, and despite the intense physical pain it caused, I have no regrets,” Vonn said on her social media, from the hospital in Italy where she is being treated.

Vonn, 41, insisted that the ruptured anterior cruciate ligament she suffered in a crash in a World Cup race before the Milan-Cortina Games “had nothing to do with my crash whatsoever”.

“I was simply 5 inches too tight on my line when my right arm hooked inside of the gate, twisting me and resulted in my crash,” she added.

“I sustained a complex tibia fracture that is currently stable but will require multiple surgeries to fix properly.”

In her first statement since the crash, Vonn said: “My Olympic dream did not finish the way I dreamt it would. It wasn’t a story book ending or a fairy tale, it was just life. I dared to dream and had worked so hard to achieve it.

“Because in Downhill ski racing the difference between a strategic line and a catastrophic injury can be as small as 5 inches.”

Vonn crashed heavily just 13 seconds after starting her run. She was winched off the piste by a rescue helicopter and is being treated in a hospital in Treviso.

She had resumed her career in late 2024 after nearly six years in retirement and was considered a strong favourite for the downhill at these Olympics after recording seven World Cup podium finishes, including two wins, before her pre-Olympics crash in Crans-Montana, Switzerland.

Lawyers say immigration judge found that the Department of Homeland Security failed to prove the Tufts student should be removed from the US.

A judge in the United States has blocked the deportation of Rumeysa Ozturk, a Turkish Tufts University student who was arrested last year as part of a crackdown on pro-Palestinian activists, according to her lawyers.

Ozturk’s lawyers detailed the decision in a letter filed at the 2nd US Circuit Court of Appeals on Monday.

They said the immigration judge concluded on January 29 that the US Department of Homeland Security had not met its burden of proving she was removable and terminated the proceedings against her.

Ozturk, a PhD student studying children’s relationship to social media, was arrested last March while walking down a street as the administration of US President Donald Trump began targeting foreign-born students and activists involved in pro-Palestinian advocacy.

Video showed masked agents handcuffing her and putting her into an unmarked vehicle.

The sole basis authorities provided for revoking her visa was an editorial she co-authored in Tufts’ student newspaper a year earlier, criticising her university’s response to Israel’s genocidal war on Gaza.

A petition to release her was first filed in federal court in Boston, where Tufts is located, and then moved to the city of Burlington in Vermont. In May of last year, a federal judge ordered her immediate release after finding she raised a substantial claim that her detention constituted unlawful retaliation in violation of her free speech rights.

Ozturk, who spent 45 days in a detention centre in southern Louisiana, has been back on the Tufts campus since.

The federal government appealed her release to the 2nd US Circuit Court of Appeals.

The January 29 decision, however, ends those proceedings for now.

Ozturk said it was heartening to know that some justice can prevail.

“Today, I breathe a sigh of relief knowing that despite the justice system’s flaws, my case may give hope to those who have also been wronged by the US government,” she said in a statement released by her lawyers.

Ozturk’s immigration lawyer, Mahsa Khanbabai, said the decision was issued by Immigration Judge Roopal Patel in Boston.

Patel’s decision is not itself public, and the Trump administration could challenge it ‌before the Board of Immigration Appeals, which is part of the US Department of Justice.

Khanbabai hailed Patel’s decision, while slamming what she called the Trump administration’s weaponisation of the US immigration system to target “valued members of our society”.

“It has manipulated immigration laws to silence people who advocate for Palestinian human rights and the ongoing humanitarian crisis in Gaza,” she said. “With this ruling, Judge Patel has delivered justice for Rumeysa; now, I hope that other immigration judges will follow her lead and decline to rubber-stamp the president’s cruel deportation agenda.”

The Department of Homeland Security, which oversees US Immigration and Customs Enforcement, said in a statement that Judge Patel’s decision reflected “judicial activism”.

Homeland Security Secretary Kristi Noem “has made it clear that anyone who thinks they can ‌come to America and hide behind the First Amendment to advocate for anti-American and anti-Semitic violence and terrorism – think again”.

The video of Ozturk’s arrest in the Boston suburb of Somerville was widely shared, turning her case into one of the highest-profile instances of the effort by Trump’s administration to deport non-citizen students with pro-Palestinian views.

Separately, a federal judge in Boston last month ruled that Noem and Secretary of State Marco Rubio had adopted an unlawful policy of detaining and deporting scholars like Ozturk that chilled the free speech of non-citizen academics at universities.

The Justice Department on Monday moved to appeal that decision.

An Israeli air attack on a residential building in western Gaza City has killed at least four people.

Prime Minister Anthony Albanese, who is to meet Herzog later on Tuesday, said he was “devastated” by the scenes, saying they “shouldn’t be taking place,” but defended the invitation to Herzog and said protesters “undermined” their cause at the protest.

Mérida, February 9, 2026 (venezuelanalysis.com) – The Venezuelan National Assembly has launched discussions on a preliminarily-approved “Amnesty Bill for Democratic Coexistence,” including public consultations with community peace judges, NGOs and academics. 

Deputy Jorge Arreaza, who heads the parliament’s special commission for the amnesty bill, said that the legislature’s intention was to shape the law as a mechanism to ensure political stability in Venezuela but without impunity.

“The goal of this law is to contribute to peace, democratic coexistence and national reconciliation,” he explained during a meeting with community peace judges on Sunday. “It is a necessity of the new political moment we are going through.” Arreaza had previously served as Foreign Minister and Communes Minister.

The National Assembly commission’s consultations included a meeting with NGOs such as Provea, Foro Penal, and Acceso a la Justicia on Saturday. One they earlier, the legislators hosted deans from sixteen public and private university law schools to receive their input on the project. 

During these meetings, Arreaza stressed the importance of community justice participation, civil society organisations and academia. 

“We went to the law, reviewed each of the contributions, and will conduct an evaluation. We must contribute to the dialogue; we must listen to each other with patience and empathy,” he emphasized.

The Amnesty Bill for Democratic Coexistence, first announced by Acting President Delcy Rodríguez on January 30, was approved in its first reading on Thursday. A revised text is expected to be submitted to a final vote in the coming weeks.

The central stated objective of the initiative is national reconciliation and social peace through the pardon of political and related crimes committed between January 1, 1999, and January 30, 2026. 

According to Venezuelan authorities, the project aims to address the political conflict that occurred between 1999 and 2026 by channelling differences through constitutional means, as well as modernise the legal system to help secure social peace.

The bill’s Article 6 explains that the selected period covers significant conflicts such as the 2002 coup d’État, the 2002-03 oil lockout and opposition-led violent street protests in 2013, 2014 and 2017.

However, the bill sets strict limits, excluding those responsible for serious human rights violations, crimes against humanity, homicide, drug trafficking, and corruption from any benefits. In addition to the release of those who have been prosecuted or convicted, the law establishes the termination of legal proceedings and the removal of criminal records from police and military files for those who benefit from it.

The Venezuelan government’s consultations likewise included a meeting between Acting President Delcy Rodríguez and former Spanish President José Luis Rodríguez Zapatero in Caracas on Friday. Zapatero, who has mediated past dialogue initiatives with the Venezuelan opposition, expressed his support for the Amnesty Bill, considering that it will mark “a turning point” for the country’s future and reconciliation.

He emphasized that the amnesty should be as extensive as possible and implemented swiftly to meet the expectations of families affected by arrests. Zapatero pledged to assist in any requested way, arguing that forgiveness and dialogue are essential elements in what he described as an “extraordinary moment” for the Caribbean nation.

Amid amnesty debates, the Committee of Family and Friends for the Freedom of Imprisoned Workers demanded that the legislation extend to imprisoned workers who have been criminalized on charges of ‘terrorism’ and ‘treason’ for defending labor rights or speaking out against corruption.

In a statement, the committee argued that the amnesty should not be limited to high-profile political figures, but rather apply to working-class and grassroots activists as well. 

Investigative blog La Tabla also put forward a proposal to expand the removal of charges and convictions to campesino leaders who have been targeted amid ongoing land struggles. In recent years, rural organizations have denounced a growing criminalization of local activists, accusing judicial authorities of favoring landowning interests.

Releases of high-profile opposition figures continue

In recent days, Venezuelan judicial authorities have continued a process of prisoner releases which, according to the President of the National Assembly, Jorge Rodríguez, are intended to promote national reconciliation. The Venezuelan government has reported around 900 releases since December.

Rodríguez recently announced that further detainees would be released this week, describing the process as an “act of justice and forgiveness.” The people released are still facing trial, with charges against high-profile anti-government figures including “terrorism” and “treason.”

NGO Foro Penal reported the release of dozens of opposition politicians on Sunday, including several associates of far-right leader María Corina Machado. However, hours after exiting prison, former Deputy Juan Pablo Guanipa was arrested again in Caracas.

The Venezuelan Attorney General’s Office published a statement arguing that Guanipa had violated the conditions of his release, though it did not offer specifics, and requesting a court order to move him to house arrest.

Edited by Ricardo Vaz in Caracas.

L3Harris has highlighted the potential benefits of pairing its Red Wolf miniature cruise missile with the U.S. Air Force’s OA-1K Skyraider II. Standoff munitions like Red Wolf could help the OA-1K, originally designed for close air support and surveillance and reconnaissance in support of low-intensity operations, find a role in future high-end conflicts, but questions about the value of doing so remain. The U.S. Marine Corps is already acquiring the Red Wolf to provide a boost in capability for its AH-1Z Viper attack helicopters for the same general reasons.

L3Harris announced today that it had shown “the ability to integrate” Red Wolf on its Sky Warden aircraft. The Sky Warden is based on the Air Tractor AT-802 single-engine turboprop crop duster. In 2022, the Air Force declared the two-seat Sky Warden the winner of its Armed Overwatch competition, subsequently giving the plane the designation OA-1K and the official nickname Skyraider II. The Air Force is planning to eventually acquire 75 OA-1Ks, which will be operated by units under the umbrella of Air Force Special Operations Command (AFSOC).

L3Harris officially unveiled Red Wolf, as well as the companion Green Wolf (fitted with an electronic warfare payload instead of a high-explosive warhead), last July. However, the development of the “Wolf” family of systems dates back to 2020.

“Our customers demand a lean, agile aircraft that can fly, take off and land anywhere, anytime, outfitted with a wide range of payloads,” Jason Lambert, President for Intelligence, Surveillance and Reconnaissance, Space and Mission Systems at L3Harris, said in a statement today. “Bringing together Red Wolf and Sky Warden demonstrates the rapid reconfiguration and customization of key L3Harris capabilities.”

The OA-1K can carry up to 6,000 pounds of munitions and other stores on as many as eight pylons, four under each wing. L3Harris has also said in the past that aircraft has a “robust suite of radios and datalinks providing multiple means for line-of-sight (LOS) and beyond line-of-sight (BLOS) communications.”

OA-1K Skyraider II Walk-Around Tour With Its Test Pilot

Adding Red Wolf to the Skyraider II’s arsenal would turn the aircraft into a true standoff weapons delivery platform. This, in turn, would help keep the aircraft further away from potential threats, reducing the risk to the crew.

The members of the “Wolf” family are all in the 250-pound class. They have a missile-like core design, powered by a small turbojet, and with at least a degree of low-observability (stealthiness). They are in the 250-pound weight class. “Their endurance has been proven in flight testing, demonstrating high subsonic speeds – 200+ nautical mile range at low altitudes and 60+ minutes duration,” per L3Harris.

Details about how Red Wolf or Green Wolf are guided are limited, but L3Harris says they are capable of “autonomous over-the-horizon engagements.” The Marine Corps, in cooperation with the U.S. Navy, has used tablet-based control systems as part of the engagement process in past testing of Red Wolf.

L3Harris has also talked in the past about how members of the Wolf family could work together. The Green Wolves could help locate targets, especially hostile air defense assets, by zeroing in on their signal emissions, as well as clear a path for Red Wolves to actually strike them.

Red Wolf or Green Wolf are also only the start of what L3Harris hopes to be a larger family of configurations based around the central design. At least one Red Wolf was reportedly employed at the U.S. Army’s Experimentation Demonstration Gateway Event in 2021 (EDGE 21) configured as an airborne signal relay node rather than a munition.

“We can adjust the size of the warhead, the fuel tank, we can even put a parachute on the back of it, and we have,” Matthew “Guicci” Klunder, Vice President for Business Development at L3Harris, said in a promotional video released last year, seen below. “It can be a kinetic effect, it could be a non-kinetic effect, it could even be a decoy.”

Meet the “Wolf Pack”

Changing the size of the warhead would have impacts on range and endurance, as well as the terminal effect on the target. This also opens up the possibility of fitting different types of warheads, including ones with increased penetrating capability. A parachute system would allow for recovery and, by extension, potential reuse.

Overall, L3Harris describes the “Wolf” family collectively as “launched effects vehicles.” The U.S. military uses the term “launched effect” to refer to a broad swatch of uncrewed aerial systems that can be deployed from platforms in the air, on the ground, and at sea, and that can be configured as one-way attackers or to perform other missions. The Wolf family is just one of a growing number of modular, relatively cheap, and small systems that fall under that broad umbrella. Many of them increasingly blur the line between uncrewed aerial systems, especially longer-range kamikaze drones, and cruise missiles, as well as decoys.

As mentioned, just integrating Red Wolf onto the OA-1K would give it a standoff strike capability it currently does not have. Adding Green Wolf to the mix would further expand its capability, including adding a valuable, if not potentially critical, way to suppress hostile air defenses that might suddenly pop up.

In general, standoff capabilities for the Skyraider II could open up important new avenues to employing the aircraft in the context of future large-scale conflicts, including across the broad expanses of the Pacific. When the Air Force first initiated the Armed Overwatch program, U.S. military operations globally were defined by counter-terrorism operations in countries like Afghanistan, Iraq, and Syria with entirely permissive airspace. By the time the decision was made to acquire the OA-1Ks, a shift was underway across the U.S. military to reorient toward preparing for high-end fights.

“How could we support them [friendly forces] if it’s in the Pacific or anywhere else? The OA-1K certainly has some roles and missions that can [provide] support there. And then in a large-scale combat operation, we are looking at, in partnership with other components of SOCOM [U.S. Special Operations Command], what are some of the things that it could do,” a high-ranking Air Force official told TWZ in an interview last year. “Can it employ air-launched effects, at range, at standoff, in a flexible way that would provide value?”

“The beauty of the OA-1K is that it’s modular, it’s adaptable, and for a relatively small aircraft can carry a lot of payload. And so in a perfect world, in a resource-unconstrained world, I want to be able to have as big a menu as possible of things that I could hang from a hardpoint on there, or attach as a sensor,” Air Lt. Gen. Michael Conley, head of AFSOC, also told TWZ later in the year on the sidelines of Air & Space Forces Association’s main annual ocnference. “I’d love to be able to use long-range standoff mission munitions on multiple airframes.”

Conley was responding to a question specifically about integrating Black Arrow, also known as the Small Cruise Missile (SCM), onto the Skyraider II. Leidos is developing Black Arrow for AFSOC now, but primarily as a new standoff capability for the AC-130J Ghostrider gunship. Questions have also been raised about how to ensure the future relevance of the Air Force’s AC-130 fleets in high-end fights.

Leidos completes successful test launch of a Small Cruise Missile

At the same time, exactly how great the benefit would be to making the OA-1K into a standoff shooter is a matter of debate. A key benefit the Skyraider II offers is its ability to operate with a very small logistical footprint from far-flung locales, including ones that are very austere and close to or even within contested areas. As such, an OA-1K would be able to launch munitions like the Red Wolf from within the enemy’s own weapon engagement zones or from other surprise vectors, and fly low and slow to literally stay out of the gaze of distant radars.

At the same time, the OA-1K’s range and speed are limited, with the aircraft said to have a combat radius of roughly 200 miles with six hours of loitering time once arriving on station. The Skyraider II’s ability to survive in a highly contested areas, even with a standoff capability like that offered by Red Wolf, is also questionable at best.

OA-1Ks could still provide useful support during a high-end fight, but in areas further away from hostile threats. As TWZ has pointed out in the past, in a Pacific scenario, the aircraft could provide force protection and surveillance on a localized level around forward operating locations, including island outposts.

AFSOC’s Conley, among others, has also stressed in the past that AFSOC will still continue to be called upon to conduct lower-intensity missions that require the kinds of capabilities that the OA-1K was originally designed for, as well.

Regardless, the market space for munitions like Red Wolf and Black Arrow is steadily growing, and includes many other designs already that might also find their way onto the OA-1K, as well as other platforms in the air, ground, and maritime domains.

Red Wolf does have the additional benefit of already being elsewhere in the U.S. military ecosystem. As noted, the U.S. Marine Corps and U.S. Army have been testing it in recent years. In January, L3Harris announced that the Marine Corps (by way of the Department of the U.S. Navy) had chosen Red Wolf for its Precision Attack Strike Munition (PSAM) requirement for a new air-launched standoff weapon primarily to arm the AH-1Z Viper attack helicopter. The Marines have been facing their own questions about how to keep the AH-1Z, as well as the companion UH-1Y Venom armed utility helicopter, relevant in future high-end fights.

Further orders for different members of the Wolf family from other branches of the U.S. military, and potentially foreign operators, could be advantageous when it comes to sharing the cost burden and driving down unit prices through economies of scale. There could be interoperability and other operational benefits from multiple services operating versions of the same platform, as well.

Whether Red Wolf or Green Wolf ultimately become part of the OA-1K’s arsenal, the demand for launched effects like this only looks set to grow across the U.S. military and globally. For the Skyraider II, some mixture of standoff capabilities increasingly looks to be in the plane’s future to expand its relevance beyond lower-intensity conflicts.

Contact the author: joe@twz.com

Several others were injured in the attack on a building sheltering displaced people as Israel continues to violate the ‘ceasefire’.

At least four Palestinians have been killed, and several others injured, after an Israeli air attack targeted a residential building sheltering displaced people in Gaza City, a further violation of an October “ceasefire”.

Emergency teams were seen rushing to transport injured people to nearby hospitals after Monday’s attack in the Nassr neighbourhood.

Last week, Gaza’s Government Media Office reported that Israel had violated the “ceasefire” 1,520 times since it came into effect on October 10. The Ministry of Health in Gaza said 581 people have been killed and 1,553 wounded since then.

Al Jazeera’s Ibrahim Al Khalili, reporting from Gaza City, said the residential building was being used as a shelter for displaced Palestinians after it was struck and damaged during Israel’s genocidal war.

“People have been forced to shelter in this partially damaged residential building due to the lack and scarcity of shelter due to the destruction of most of Gaza’s residential buildings,” he said.

Al Khalili said this latest violation of the ceasefire agreement by Israel has raised significant concerns in the territory.

“This attack has spread panic and left people wondering what might come next in the light of this deadly escalation carried out by the Israeli military.”

Elsewhere on Monday, Israeli forces shot dead Palestinian farmer Khaled Baraka in an area to the east of Deir el-Balah in central Gaza, according to local sources who spoke with the Palestinian Wafa news agency.

In a separate incident, Israel’s military said it had killed four fighters who emerged from a tunnel in southern Gaza and attacked its troops.

Hamas military spokesman Abu Obeida later described the incident as “heroic resistance”.

Hamas said in late November that dozens of its fighters were holed up in southern Gaza’s tunnels, beneath areas controlled by the Israeli military.

This was a sticking point in the early days of the ceasefire, with Israel insisting the fighters posed a security threat, while Hamas sought safe passage for them.

Since then, many of the fighters have been killed in clashes with Israeli troops during operations targeting tunnels near Rafah, according to the military.

BREAKINGBREAKING,

White House official says Trump sees stability in the Palestinian territory as a ‘goal to achieve peace in the region’.

United States President Donald Trump opposes Israel’s annexation of ⁠the occupied West Bank, a White House official has said.

“A stable West Bank keeps ‌Israel secure, and is in ‌line ‌with this ⁠administration’s goal to achieve peace ‌in the region,” the official said on Monday, according to the Reuters news agency.

The comment from the White House comes after eight Muslim-majority countries denounced Israel for approving controversial new measures to expand control over occupied Palestinian territory, making it easier for Israelis to acquire land for new settlements, which are illegal under international law.

On Monday, Egypt, Indonesia, Jordan, Pakistan, Qatar, Saudi Arabia, Turkiye and the United Arab Emirates condemned Israel’s move “in the strongest terms”, according to a statement from the Saudi Arabian Ministry of Foreign Affairs.

This is a breaking news story. More to follow shortly.

Ukranian skeleton racer Vladyslav Heraskevych claims the International Olympic Committee has banned his helmet featuring images of people killed in the war in his home country, in a decision that “breaks my heart”.

The 26-year-old wore the helmet during a Winter Olympics training session in Cortina, and had promised before the Games to use the event as a platform to keep attention on the conflict.

The IOC is yet to confirm publicly if it has banned the helmet.

“The IOC has banned the use of my helmet at official training sessions and competitions,” said Heraskevych, who was a Ukraine flagbearer in Friday’s opening ceremony, on Instagram, external.

“A decision that simply breaks my heart. The feeling that the IOC is betraying those athletes who were part of the Olympic movement, not allowing them to be honoured on the sports arena where these athletes will never be able to step again.

“Despite precedents in modern times and in the past when the IOC allowed such tributes, this time they decided to set special rules just for Ukraine.”

Heraskevych told Reuters that many of those pictured on his helmet were athletes including teenage weightlifter Alina Peregudova, boxer Pavlo Ishchenko and ice hockey player Oleksiy Loginov, and stated some of them were his friends.

Heraskevych said Toshio Tsurunaga, the IOC representative in charge of communications between athletes, national Olympic committees and the IOC, had been to the athletes’ village to tell him.

“He said it’s because of rule 50,” Heraskevych told Reuters.

Rule 50.2 of the Olympic Charter states that “no kind of demonstration or political, religious or racial propaganda is permitted in any Olympic sites, venues or other areas”.

He said earlier on Monday that the IOC had contacted Ukraine’s Olympic Committee over the helmet.

The IOC said it had not received any official request to use the helmet in competition, which starts on 12 February.

Meanwhile, Ukraine president Volodymyr Zelensky thanked Heraskevych “for reminding the world of the price of our struggle” in a post on X, external.

The post continued: “This truth cannot be inconvenient, inappropriate, or called a ‘political demonstration at a sporting event’. It is a reminder to the entire world of what modern Russia is.”

Heraskevych, Ukraine’s first skeleton athlete, held up a ‘No War in Ukraine’ sign at the 2022 Beijing Olympics, days before Russia’s 2022 invasion of the country.

Rule 50.2 of the Olympic Charter states: “No kind of demonstration or political, religious or racial propaganda is permitted in any Olympic sites, venues or other areas.”

Heraskevych had said he intended to respect Olympic rules which prohibit political demonstrations at venues while still raising awareness about the war in Ukraine at the Games.

Following Russia’s full-scale invasion of Ukraine in 2022 athletes from Russia and Belarus were largely banned from international sport, but there has since been a gradual return to competition.

The IOC cleared 13 athletes from Russia, external to compete as Individual Neutral Athletes (AINs) in Milan-Cortina.

BBC Sport has approached the IOC for comment.

UN spokesperson says the international body is ‘waiting to see exactly when payments’ will be made by Washington.

The United Nations has asked the United States for clarity regarding unpaid budget dues, as declining US engagement puts the international organisation under growing strain.

UN spokesperson Stephane Dujarric said on Monday that while the US ambassador, Mike Waltz, said last week that payments would begin within weeks, no further details had been offered.

“We’ve seen the statements, and frankly, the secretary-general has been in touch for quite some time on this issue with Ambassador Waltz,” Dujarric said during a news briefing.

“Our [budget] controller has been in touch with the US; indications were given. We’re waiting to see exactly when payments will be made and in what amounts,” he added.

UN officials have said that unpaid fees from the US account for about 95 percent of all outstanding UN budget dues, as the administration of President Donald Trump decreases US involvement in international organisations.

UN chief Antonio Guterres warned in a January letter that the international body faces “imminent financial collapse” on account of unpaid membership dues.

The US owed the UN about $2.19bn by the start of February, along with another $2.4bn for peacekeeping missions and $43.6m for UN tribunals. UN officials have said that the US did not pay $827m for the budget last year, and has not paid $767m for 2026.

The US and its top ally, Israel, have frequently criticised the UN and sought to undermine its agencies, which they say are in opposition to their national interests.

The UN’s human rights chief, Volker Turk, said last week that his office was in “survival mode” amid budget shortfalls. The Trump administration cut off contributions to the agency in 2025.

Turk’s office has frequently issued critical reports about severe rights abuses by Israeli forces against Palestinians that the US and Israel have denounced.

Waltz said last week that the UN would see a “significant” payment towards the US dues soon, telling the Reuters news agency that “you’ll certainly see an initial tranche of money very shortly”.

“Just in general, towards the arrears, and also in recognition of some of the reforms that we’ve seen,” he said.

Last year, the Trump administration released a National Security Strategy, which asserted that the “world’s fundamental political unit is and will remain the nation-state”, not international organisations.

The US has historically been the largest donor to the UN and its programmes.

However, some conservatives from Trump’s Republican Party view the organisation as a hindrance to US global dominance, and international rules and regulations as a threat to the country’s sovereignty.

United Nations human rights chief also decries ‘preventable human rights catastrophe’ in Sudan’s el-Fasher.

Fatal drone strikes on civilians persist in Sudan’s Kordofan, as the central region has emerged as the latest front line in Sudan’s nearly three-year conflict, the United Nations has said.

Addressing the Human Rights Council in Geneva on Monday, UN High Commissioner for Human Rights Volker Turk painted a grim picture of the conflict between the Sudanese Armed Forces (SAF) and the paramilitary Rapid Support Forces (RSF), which has plunged the country into widespread bloodshed and humanitarian catastrophe.

“We can only expect worse to come” unless decisive steps are taken by the international community to stop the fighting, Turk said, emphasising that inaction would lead to even greater horrors.

Turk also highlighted harrowing survivor testimonies from el-Fasher, the capital of North Darfur, which fell to RSF forces in October following an 18-month siege. He described accounts of atrocity crimes committed by the paramilitary after it overran the city, including mass killings and other grave violations targeting civilians.

“Responsibility for these atrocity crimes lies squarely with the [RSF] and their allies and supporters,” he said

As Sudan’s devastating civil war expands beyond the western Darfur region into the central Kordofan areas, Turk cautioned that the shift in fighting is likely to bring even more severe violations against civilians, expressing deep concern over the potential for additional grave abuses, specifically highlighting the increasing use of “advanced drone weaponry systems” by both warring parties.

“In the last two weeks, the SAF and allied Joint Forces broke the sieges on Kadugli and Dilling,” Turk said. “But drone strikes by both sides continue, resulting in dozens of civilian deaths and injuries.”

Turk’s office has documented more than 90 civilian deaths and 142 injuries caused by drone strikes carried ⁠out by both the RSF and the armed forces from late January to February 6, he said.

Among those incidents were three strikes on health facilities in South Kordofan that killed 31 people last week, according to the World Health Organization.

On February 7, a drone attack carried out by the RSF hit a vehicle transporting displaced families in central Sudan, killing at least 24 people, including eight children, the Sudan Doctors Network said.

The latest attacks follow a series of drone attacks on humanitarian aid convoys and fuel trucks across North Kordofan.

The UN human rights chief said he has witnessed the destruction caused by RSF attacks on Sudan’s Merowe Dam and its hydroelectric power station.

“Repeated drone strikes have disrupted power and water supplies to huge numbers of people, with a serious impact on healthcare,” he said.