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All of the best theatre days out for kids

THE SCHOOL summer holidays have finally started and if you have kids, you’ll definitely be looking for things to do.

One of the best ways to keep kids entertained – and in gloriously cool air-con – is a theatre show, and many cost less than the cost of a cinema ticket.

There are a number of West End shows for different age groups Credit: ITV Press Release
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According to research conducted by SeatPlan, families can still see some of London’s biggest productions from as little as £12 this summer – less than the price of a medium Domino’s pizza.

So here are the best they’ve found for all ages, ranging from two to 13.

Age two and older

Be Like Blippi – from £24 per ticket

Blippi is a well-known children’s TV character and this summer, in London, you can catch them on stage with a new interactive show.

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The show boasts music, learning and audience participation.

Peppa Pig’s Big Family Show – from £12 per ticket

What kid doesn’t love Peppa Pig?

Peppa Pig’s Big Family Show features the TV show’s most-loved characters including Peppa themself.

The show is also interactive.

Ages three to four

If you have little kids, then The Tiger Who Came to Tea! is a great option Credit: Pamela Raith
Or for even younger ones you could see Peppa Pig on stage Credit: Butlins

The Tiger Who Came to Tea – from £12 per ticket

The Tiger Who Came to Tea is a much-loved children’s book, so what better way to enjoy it more than seeing the theatre adaptation?

You can expect songs and audience interaction throughout.

The Gruffalo – from £12 per ticket

Another show based on a children’s book is The Gruffalo.

Bring Julia Donaldson’s character to life, the 55-minute show features three characters that the audience interacts with including singing songs.

SeatPlan recommends for the smaller shows, including plays and dramas, it is better to sit closer to the stage so you can see all the performers.

Ages five to six

Slightly older kids could enjoy Roald Dahl’s Matilda Credit: Alamy
Or perhaps Disney’s Lion King Credit: Getty

Matilda The Musical – from £24 per ticket

For kids a little older, Matilda is a great option – with a powerful story about imagination and courage, it remains one of the capital’s most popular family shows for a reason.

Travel reporter Cyann Fielding, who recently saw the show, said: “I have to admit – while I loved Rah Dahl growing up, Matilda was not my favourite story of his.

“But, any excuse to see one of his stories on stage, and I’ll be there.

“And now I take everything back – the stage show is better than the film and does the book justice, with an amazing stage set and catchy songs that will get your hips moving in your seat.

“The fact that most the performers in this show are children just make it all the more impressive.

“Definitely will be loved by both parents and children alike.”

For bigger productions, SeatPlan advises sitting further back so you can fully take in the stage and sets.

The Lion King – from £40 per ticket

The Lion King is consistently dubbed one of the best stage shows in London and follows the classic story you know and love from the Disney movie.

And it isn’t one just for the kids, adults who grew up with the films will love it just as much.

Cyann also recently saw the show and said: “Mindblowing is the first thought that comes to mind when I think of The Lion King stage show.

“The costumes, the songs, the dancing, the sets – are all simply breathtaking.

“You’ll laugh, you’ll cry, you’ll be inspired and you’ll leave wanting to immediately watch it again.”

Despite being the most expensive show on this list, the team at SeatPlan states: “The cheapest seats aren’t always the worst seats.

“In many West End theatres, moving back just a few rows can save £30-£60 per ticket with very little difference in the overall view.”

Ages seven to eight

Sticking with the Disney theme, there is also Wicked Credit: Alamy
And Hercules, which Travel Reporter Alice Penwill said is full of nostalgia Credit: Getty

Wicked – from £25 per ticket

Thanks to the recent films, there is no better time to go and see Wicked on stage.

The show has amazing visuals, memorable songs and a story which both kids and adults can enjoy.

Cyann said: “Wicked was the very first West End I ever watched and it did not disappoint.

“Not knowing what to expect from a West End show, Wicked blew me away with its breathtaking sets, detailed costumes, emotional and inspiring songs and dramatic effects that will leave your mind blown.

“To date, it is still one of the best West End shows I’ve seen.”

Disney’s Hercules – from £29 per ticket

Full of humour, known songs and outgoing characters, Hercules is perfect for children ready for bigger productions.

Travel Reporter, Alice Penwill said: “Zero to Hero, Go the Distance, I Won’t Say I’m in Love – I was hit with a wave of nostalgia when I went to see Hercules at Royal Drury Lane.

“The production of the Disney film has everything you want from a musical, fabulous dance routines, comedy, tragedy and a bit of cheese too.

“The highlight has to be The Muses, a group of five goddesses, and they have the voices of them too.

“Their incredible outfits dazzled with every number – and each time they took to the stage, they were met with rapturous applause.

“I’d go back purely to see them sing A Star is Born.”

Ages nine to 10

For Harry Potter fans, head to Harry Potter and the Cursed Child Credit: Getty
Soon the performance will be merged from two shows to one Credit: Manuel Harlan

Harry Potter and the Cursed Child – from £31 per ticket

For younger Harry Potter fans, this magical stage production has spectacular effects, surprises and adventure throughout.

Cyann said: “As a massive Harry Potter fan, I had been wanting to see Harry Potter and the Cursed Child for years.

“I eventually then won the lottery for cheap tickets and saw both parts – though it is soon being merged into one performance.

“It is a must for Potterheads and will leave you smiling, crying and feel inspired.

“The onstage tricks also help to make it feel as if you are one of the students at Hogwarts.”

Horrible Histories – from £19 per ticket

What kid didn’t watch Horrible Histories when growing up?

And now kid can re-live it through its stage performance, complete with jokes, song and educational moments.

When it comes to picking a show, the bigger names might be tempting but SeatPlan advises: “Look beyond the biggest show – everyone heads straight for the biggest blockbuster musicals, but many newer productions offer outstanding entertainment with much lower ticket prices.”

Ages 11 to 13

For pre-teens, Hamilton is a good choice Credit: ITV Press Release
Or you could sing along to all the songs at Mamma Mia Credit: Brinkhoff-Moegenburg

Hamilton – from £24 per ticket

One of the biggest theatre phenomena in the world. Older children and teenagers studying history or interested in music will be completely hooked by its unique blend of storytelling, rap and musical theatre.

Travel Reporter, Jenna Stevens said: “There’s a reason the Hamilton soundtrack is the most streamed musical theatre soundtrack of all time.

“Watching the show on the West End will have you uncontrollably moving to its 90’s R&B and Hip Hop-inspired songs, plus the harmonies of the Schuyler sisters really scratch that itch in your brain.

“It’s the history class you wish you had been taught: fast, funny, and heart-wrenching all at once.”

Mamma Mia! – from £18 per ticket

Perfect for families wanting a theatre trip that everyone can enjoy. Older children and teenagers will love the ABBA soundtrack, while parents get the nostalgia factor.

Cyann said: “Mamma Mia! is the ultimate feel-good film and the show is the same.

“You can expect all the iconic songs to sing along too, as well as vibrant sets and costumes that transport you to Greece.”

Extra tips from SeatPlan

HERE are some other tips from the team at SeatPlan:

The front of the Dress Circle is often the best-value seat in the theatre

For large musicals, the front row of the Dress Circle often offers the best views.

From these seats, you can see the stage in full, including the choreography and set design, and sometimes these tickets cost less than premium Stalls seats.

Don’t always book in the middle

Many people immediately choose the centre of the Stalls, but slightly off-centre seats are often much cheaper while offering an almost identical experience.

Premium seats aren’t always worth the extra cost

Seats immediately behind the premium section can usually deliver virtually the same view for significantly less money.

Always check real audience photos before booking

A seat marked as ‘restricted view’ isn’t always as restrictive as people expect.

To check, look at real seat photos, which you can do on SeatPlan’s website.

Book midweek if you can

Tuesday, Wednesday and Thursday performances are usually noticeably cheaper than Friday and Saturday evenings.

Compare before you buy

Prices for exactly the same seat can vary between ticket sellers.

Taking a few extra minutes to compare prices can save a surprising amount.

SeatPlan compares prices from four leading ticket websites automatically

Use seat reviews, not just a seating plan

A theatre seating plan only tells you where a seat is.

Real audience reviews tell you what it’s actually like to sit there, helping you avoid overpaying.

Be flexible with dates

If you can swap your visit by a day or two, you can find much better ticket availability and lower prices than on the busiest performances.

You can see last minute price drops on SeatPlan’s website.



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Strictly Come Dancing star James Jordan says mass shake up got ‘rid of dead wood’

James Jordan thinks the recent Strictly Come Dancing “bloodbath”, which saw a string of professionals axed from the BBC show, was just “getting rid of dead wood”

James Jordan has said the recent culling of several Strictly Come Dancing professionals was “getting rid of dead wood”. The TV star, 48, served as a professional on the BBC Saturday night favourite from 2006 until 2013, and has now spoken out on the mass shakeups that have occurred ahead of the next series going to air.

It was then confirmed earlier this year that professional dancers Karen Hauer, the longest-serving pro on the series, along with Gorka Marquez, Nadiya Bychkova, Luba Mushtuk and Michelle Tsiakkas would not be returning to the series.

But James has now insisted that the changes were what was “needed” to give another set of pros a chance. He told the Press Association: “When you join Strictly, you’re taking someone’s job, OK? And people forget that because they’re on the show, but then when they’re asked to leave, and then they’re replaced, they’re only worried about that.

“But they forget at some point, they took someone’s job. It’s just showbiz, that’s what it is. Enjoy it for what it is – it is a juggernaut of a show, and it was an honour for all of us to be part of it for so many years.

“But you have to remember that it will come to an end at some point, and all this controversy around, ‘oh, they’re changing so many of the pros’… it needed a shakeup. Some of the pros have been on there for 14 years… dead wood… get rid of them and bring someone younger in, in my opinion.”

But fellow former Strictly professional dancer Ian Waite said: “In my opinion, they got rid of the wrong ones.” He said: “All the professional dancers are amazing in their own right, but you can’t stay on there forever. At some point, you have to give the younger ones a chance, because there’s so many amazing dancers out there.”

James then claimed that bosses could have “got rid of some of the judges as well,” with the panel currently made up of Shirley Ballas, Anton Du Beke, Motsi Mabuse and Craig Revel Horwood, before hitting out at how “politically correct” he thinks it has become in recent years.

He added: “It’s all got nicey-nicey now, isn’t it? It’s all politically correct, and ‘you can’t say this, and you can’t say that’. You can’t be negative because they’re (the contestants) are gonna cry. It’s a dance show. You need that baddie… but even Craig now is kind of toned down a lot.” He then called for the “reality” of the series to be shown to viewers.

“It’s all like everyone loves everyone, and we’re all one big happy family. That’s not life, that’s not real life. I want to see how hard they’re working in the training room. I want to see the tears. I think that’s the magic that needs to come back.”

James’ own exit from the show came as a result of him choosing to turn down the offer of a reduced role, which would have meant that he would have not been paired with a celebrity on the main programme having previously competed with the likes of broadcaster Vanessa Feltz, actress Denise Van Outen and The One Show’s Alex Jones.

Tess Daly and Claudia Winkleman announced they were leaving last year and will be replaced by Emma Willis, Johannes Radebe, and Josh Widdicombe.

Casting the Big Brother host to present the new series was hailed by James as an “amazing” decision, but wasn’t sure what to make of her new co-stars and would have “preferred” another big name from the TV world.

But he said: “I would have preferred someone like Bradley Walsh or Vernon Kay, or someone like that, because they’re tried and tested. But at the same time, sometimes you got to take risks, and I’m not going to say it’s not good, because I haven’t seen it until I see it.”

Later this year, James and Ian will be teaming up with fellow former Strictly pros Brendan Cole, Pasha Kovalev and Vincent Simone for the dance show Vegas: After Hours.

The show will see them bringing the spirit of Sin City to life with routines set to a soundtrack inspired by Las Vegas performers. James said following their previous Legends Of The Dance Floor in 2024 and The Return Of The Legends last year, they were approached to do another show with the “old geriatrics from Strictly”.

Ian then joked that although they had asked producers to be sent to Vegas for “research purposes”, money was “too tight”. He said: “They said they couldn’t afford James’s casino bills and Vincent’s drinks bill.”

James then said: “These guys are amazing and inspire me every single day that I watch them on stage. They’re all so different and so brilliant at what they do, but I think what separates our tour from any other Strictly tour is the realism in between with the chat, the camaraderie between us, and the fact that we take the mickey out of each other. If we were still working for the BBC, we wouldn’t be able to say some of these things… but it’s all very real and honest and funny.”

The 30-date tour starts in Fareham on October 3 and wraps up in Cardiff on November 8. Tickets are on sale now, available from the venues, Ticketmaster and on The Legends in Vegas: After Hours | Concert Tour.

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