thought

I may be revealing a secret cherished by columnists the world over, but I admit that among the columns we relish writing the most fall into the “I told you so” genre.

Case in point: In April last year, in a column about the gambling mess ensnaring Shohei Ohtani’s then-interpreter, I warned that the pro sports leagues’ enthusiastic embrace of betting would inevitably produce a major scandal.

“It might not surface in the next months or even years,” I wrote, “but it will happen.”

The calendar, as it turned out, ticked over at 19 months. Last Thursday, federal prosecutors charged National Basketball Assn. player Terry Rozier and former NBA player and assistant coach Damon Jones with fraud and money laundering in connection with a scheme to fix bets on NBA games. Portland Trail Blazers head coach Chauncey Billups was charged in a separate indictment linking him to a Mafia scheme to fix poker games; Jones was also named in that indictment.

The NBA has placed Billups and Rozier on leave. They’re both due to appear in federal court in Brooklyn over the next few weeks to enter pleas, though both have asserted their innocence.

It may not be easy for the league to wash its hands of this mess. All the professional sports leagues spent years shunning gambling as a threat to their public image of integrity before embracing the siren call of big-time sports betting, bringing gambling companies and their ever-increasing customer base into their tents. But the NBA was ahead of the crowd.

In a 2014 op-ed, NBA Commissioner Adam Silver effectively cried “uncle” in the league’s battle against gambling.

“For more than two decades,” he wrote, “the National Basketball Association has opposed the expansion of legal sports betting, as have the other major professional sports leagues in the United States.” The leagues supported a 1992 federal law prohibiting sports betting except in grandfathered venues, such as Las Vegas.

They took a stern position against players and personnel caught betting on their games and their sports, dating to 1919 and the so-called Black Sox scandal, in which eight members of the Chicago White Sox were accused of throwing the World Series for the benefit of a gambling ring. Major League Baseball hired an austere federal judge, Kenesaw Mountain Landis, as its commissioner and gave him unchecked authority to clean up the game. He banned the eight players from baseball forever.

In recent times, Silver observed in his op-ed, the American appetite for sports betting has only risen. Accordingly, he called for legalizing the practice so it could be “brought out of the underground and into the sunlight where it can be appropriately monitored and regulated.”

(The 1992 law was overturned by the Supreme Court, and legalized sports betting spread coast to coast.)

Given the subsequent developments, one can tag Silver for his childlike innocence in counting on the government to regulate an industry collecting billions of dollars a year from millions of users while operating with a legal imprimatur.

Silver wrote that among his “most important responsibilities as commissioner of the N.B.A. is to protect the integrity of professional basketball and preserve public confidence in the league and our sport.”

When I asked the NBA if Silver has had second thoughts about his 2014 op-ed, the league replied, “We continue to believe that a legal, regulated, and monitored sports betting market is far superior to an illegal one operating underground,” and suggested that a single federal regulator would be preferable to the existing state-by-state patchwork, though the activities alleged in the federal indictments almost surely would be crimes in any state. Silver did say during a broadcast interview Friday that the case gave him “a pit in my stomach.”

The league’s ability to monitor the behavior of its own people is questionable. Consider a March 23, 2024, Charlotte Hornets game against the New Orleans Pelicans. According to the indictment, Rozier let the gambling conspirators know that he would take himself out of the game early, allowing them to profit from bets that his stats would fall short of bookmakers’ expectations.

The NBA, alerted by sports wagering companies to “aberrational behavior” involving Rozier in the game, investigated but later said it could find any “violation of NBA rules.”

The NBA can hardly claim to have been blindsided by the new indictments. Only last year, another federal gambling case erupted involving NBA games.

In that case, prosecutors alleged that a gambler named Ammar Awawdeh forced then-Toronto Raptors player Jontay Porter to take himself out of a game early. That led gamblers who knew of the arrangement to bet that his stats for the game would fall short of expectations; those insiders made more than $100,000 on their bets, the prosecutors charged.

According to text messages filed with the 2024 indictments, Awawdeh acknowledged “forcing” Porter to participate in the scheme to help clear some of his gambling debts.

Awawdeh engaged in plea negotiations in the case, but the outcome couldn’t be determined. Porter pleaded guilty to related federal fraud charges, and is scheduled to be sentenced in December. The NBA has banned Porter for life.

Awawdeh was also named in last week’s indictment over the alleged poker scam.

In recent years, the pro leagues have cozied up to the gambling industry, claiming that their interest is merely “fan engagement” — that is, keeping TV viewers in front of their sets even during blowout games.

Only 11 states bar sports gambling today. They include the customary anti-gambling holdouts Utah and Hawaii, and California, where ballot measures to legalize sports gambling were defeated in 2022. As I mentioned in 2024, the perils of this expansion are manifest.

They’ve created a new underclass of gambling addicts while largely failing to fulfill their advocates’ assurances that state-sponsored and regulated gambling would produce a new, risk-free revenue stream for state and local budgets. The outcomes of some games have come under suspicion even where no evidence of fixing has been found.

The leagues have gone beyond just tolerating gambling; they’ve made partnership and sponsorship deals with the major sports gambling companies. The two leading companies, FanDuel and DraftKings, are official corporate gambling partners of the NBA, National Football League and Major League Baseball.

During broadcasts and steaming of games, it’s common to see in-game statistical projections on-screen — what are the chances of this hitter striking out, or hitting a home run, for instance.

During the seventh inning of Game 2 Saturday, Fox flashed a projection that there was a 36% chance that Yoshinobu Yamamoto would pitch 9+ innings. (He went the distance.)

The only reason to offer such projections is to feed the appetite for in-game proposition, or “prop,” bets. These are fundamentally bookmakers’ estimates. They don’t tell ordinary viewers anything they need to know to enjoy the coming innings, but do give bettors something to chew on before putting money down on the proposition “will Yamamoto pitch a complete game?”

In-game prop bets, as it happens, are like heroin to the vulnerable, offering instant gratification (or dismay). They “may be associated with risky gambling behavior,” according to the National Council on Problem Gaming. Draftkings heavily promotes prop bets on its sportsbook web page.

In a memo issued Monday, the NBA singled out prop bets as trouble spots: “In particular,” the memo says, “proposition bets on individual player performance involve heightened integrity concerns and require additional scrutiny.”

The major gaming companies have rolled out new ways to keep bettors betting. Smartphone apps, for example. In the old days no one could place a legal sports bet without traveling to Las Vegas, a built-in curb on problem gambling. Today, anyone with a smartphone can place a bet, often without certifying their age or financial resources.

“The advent of smartphones in 2007 and the Supreme Court decision in 2018 opened the door to fully frictionless, 24/7 legal gambling,” problem gambling experts Jonathan D. Cohen and Isaac Rose-Berman wrote recently.

I asked FanDuel and DraftKings if they accepted any responsibility for problem gaming in the U.S. DraftKings didn’t reply. A spokesman for FanDuel told me by email that the company “takes problem gambling seriously and continually works to identify at-risk behavior … including when a customer attempts to deposit significantly more than what they typically do,” or “excessive time on site, chasing losses or signals from customer service interactions.” In those cases, the company sometimes imposes deposit limits or timeouts or can exclude the user entirely.

That brings us to the latest indictments. The feds identified seven NBA games in 2023 and 2024, including the 2023 game in which Rozier allegedly tipped confederates to his decision to bench himself.

Among the others were a 2023 Trail Blazers game in which gamblers were tipped that the team would sit its best players so it would lose, thereby acquiring a better position in the upcoming NBA draft; and two Lakers games in which Jones allegedly tipped gamblers that star LeBron James, a friend since they played together on the Cleveland Cavaliers, was hurt and wouldn’t be playing.

“Get a big bet on Milwaukee tonight,” Jones allegedly told a contact before the first game, against the Milwaukee Bucks. James sat it out and the Lakers lost. James isn’t identified by name in the indictment, but its description of his roles helped identify him. James hasn’t made a public comment about the case, but he hasn’t been accused of any wrongdoing.

Can anything stem this tide? The smart bet at this moment is “no.” There’s just too much money riding on the continued expansion of sports betting: DraftKings has more than doubled its revenue since 2022, reaching $4.8 billion last year, and nearly doubling its monthly average users to 3.7 million. FanDuel is owned by a British gambling conglomerate, so its U.S. sports revenue is difficult to parse.

That’s a lot of money to be thrown around promoting more sports gambling, making it harder for governments to regulate and for sports leagues to turn up their noses at the income. Keeping their image for integrity intact in this world of greedy and needy players and voracious gamblers is only going to get harder.

It’s dead certain that if you’ve been a television critic for, ahem, a number of years, you’re going to have reviewed a passel of shows based on the writing of Stephen King, America’s most adapted, if not necessarily most adaptable author. (It’s been a mere three months since the last, “The Institute,” on MGM+.) The latest float in this long parade premieres Sunday on HBO — it’s “It: Welcome to Derry,” a prequel to the 2017 film, “It” (and its 2019 follow-up, “It: Chapter Two”) based on King’s 1986 creepy clown novel, each of which made a packet. (There was a 1990 TV miniseries version as well.)

Developed by Andy Muschietti (director of the films), Barbara Muschietti and Jason Fuchs, “Derry” is an extension of the brand rather than an adaptation, which features a white-faced circus-style clown called Pennywise (Bill Skarsgård, back from the movies) who lives in the sewer and comes around every 27 years to feed on children’s fear — fear being the preferred dish of many famous monsters of filmland, and white-faced circus clowns having lost all goodwill in the culture. (No thanks to King. Or Krusty.) And while I assume some of the series’ points may be found within King’s original 1,138-page novel, life is short and that is going to have to remain an assumption. In any case, it’s very much a work of television — not what I’d call prestige television, despite a modicum of well-done fright effects — just ordinary, workman-like TV, with monsters. (Or one monster in many forms.)

It’s 1962 in Derry, Maine, and everywhere else. (Subsequent seasons — prequel prequels — will reportedly be set in 1935 and 1908.) The Cold War is heating up. Schoolchildren, forced to watch animated films about the effects of a nuclear blast, are ducking and covering beneath their desks (a psychological rather than a practical exercise). But the threat of annihilation has done nothing to slow them in their teenage rituals. Bullies chase a target down the street. A group of snobby girls is called the Pattycakes, because they play patty cake, and their leader is named Patty. On the other hand are the kids we care about, the outsiders, banded together in unpopularity. It’s a paradoxical quality of horror films that to be an outsider either qualifies you as a hero or the monster — the insiders are usually just food. Not that the monsters are particular about whom they eat.

We open in a movie theater. Robert Preston is on the screen in “The Music Man,” performing “Ya Got Trouble.” (Chronologically accurate foreshadowing!) In the audience is Matty (Miles Ekhardt), a boy way too old to be sucking on a pacifier. Chased from the theater — he’s been sneaking in — it’s a snowy night, and he accepts a ride from a seemingly normal family, who quickly turn abnormal. Suddenly it’s four months later and Matty is an officially missing child.

Taylour Paige, Blake Cameron James and Jovan Adepo play the Hanlon family, who have just moved to Derry, Maine.

(Brooke Palmer / HBO)

The series begins promisingly, setting up (as in “It,” or, hmmm, “Stranger Things”) a company of junior investigators. Phil (Jack Molloy Legault) has a lot of thoughts about aliens and sex; Teddy (Mikkal Karim Fidler) is studious and serious and has thoughts about Matty. Lilly (Clara Stack) is called “loony” because she spent time in a sanitarium — the King-canonical Juniper Hill Asylum — after her father died in a pickle factory accident. (Not played for laughs, although the pickle is perhaps the funniest of all foods.) Lilly thinks she heard Matty singing “Trouble” through the drain in her bathtub; Ronnie (Amanda Christine), the daughter of the cinema’s projectionist Hank (Stephen Rider), has heard voices in the theater’s pipes. The kids run the film, and supernatural mayhem ensues. It’s pretty crazy! Gross hallucinations — or are they? — will afflict them through the series.

Meanwhile, Air Force Maj. Leroy Hanlon (Jovan Adepo) has been transferred to the local base, where secret doings are afoot, involving (classic plot line) the military’s desire to claim and weaponize whatever barely understood dangerous thing that’s out there in the woods. (His value to this operation is that he cannot feel fear, the result of a brain injury.) The Hanlons — including wife Charlotte (Taylour Paige), a civil rights activist in a Jackie Kennedy pillbox hat, and son Will (Blake Cameron James) — are Black (as are Ronnie and her father, seemingly accounting for 100% of Derry’s in-town African American population). “Don’t be looking for trouble,” Leroy tells Charlotte, who responds, “There’s going to be trouble anywhere we go. That’s the country you swore your life to defend.” Will, who is scientific, will become friends with Rich (Arian S. Cartaya), an appealingly goofy kid in a band uniform; they’ll both wind up on the Pennywise case.

Typically, the kids — also including Marge (Matilda Lawler, the secret weapon of “Station Eleven” and “The Santa Clauses”), Lilly’s socially desperate friend — are the strongest element in the story and the show; their energy overwhelms the obviousness of the narrative, and whatever takes us away from them, into pace-slowing side plots, is time less well spent.

What else? There’s a Native American element — including the old Indian burial ground story — represented by Rose (Kimberly Guerrero), who runs a thrift store (called Second Hand Rose, in a nice nod to Fanny Brice) and whose indomitable air makes her a kind of counterpart and potential ally to Charlotte. Manifest destiny gets a mention, and the plot will conventionally pose Native humbleness against white hubris. Dick Hallorann (Chris Chalk) is a Black serviceman with a tragic mental gift, used cruelly by his superiors — a familiar King type. Racism is a recurring theme without becoming a consistent plot point, with messages for 2025. (Rich: “This is America. You can’t just throw people in jail for nothing.” Will: “Are we talking about the same country?”)

Also: A statue of Paul Bunyan is going up in town — and in fact a 31-foot-tall Bunyan statue was unveiled in Bangor, Maine, in 1959. This is pointed to a couple of times, so I would imagine some kind of Stay-Puft Marshmallow Man scenario coming in the series’ unseen back half. Or something.

Horror, especially body-horror — there are two monstrous birth sequences in the five episodes, out of nine, available to review — has, you may have noticed, moved from the fringes to the center of popular (even high) culture, with A-list stars signing on and Oscar and Emmy nominations not unlikely. Indeed, the good, cheap, unrespectable, unambitious variety of scare flick has mostly disappeared from the big screen. That “Welcome to Derry” is more of a cheesy B-picture than its makers might like to imagine, assembled from worked-over tropes — somewhat excusable for King having originated many of them — is more in its favor than not. TV remains a haven for cheesiness. Long may it remain so.

A new expanded edition of Maia Kobabe’s award-winning graphic memoir “Gender Queer” will be released next year.

Oni Press has announced that “Gender Queer: The Annotated Edition” will be available in May. The special hardcover edition of the seminal LGBTQ+ coming of age memoir includes commentary by Kobabe as well as other comic creators and scholars.

“For fans, educators, and anyone else who wants to know more, I am so excited to share ‘Gender Queer: The Annotated Edition,’” Kobabe said in the news release. “Queer and trans cartoonists, comics scholars, and multiple people who appear in the book as characters contributed their thoughts, reactions, and notes to this new edition.”

The new 280-page hardcover will feature “comments on the color design process, on comics craft, on family, on friendship, on the touchstone queer media that inspired me and countless other people searching for meaningful representation, and on the complicated process of self-discovery,” the author added.

Released in 2019, “Gender Queer” follows Kobabe, who uses e/em/eir pronouns, from childhood into eir young adult years as e navigates gender and sexuality and eir understanding of who e is. The books is a candid look into the nonbinary author’s exploration of identity, chronicling the frustrations and joys and epiphanies of eir journey and self discovery.

A page from “Gender Queer: The Annotated Edition” by Maia Kobabe.

(Oni Press)

“It’s really hard to imagine yourself as something you’ve never seen,” Kobabe told The Times in 2022. “I know this firsthand because I didn’t meet someone who was out as trans or nonbinary until I was in grad school. It’s weird to grow up and be 25 before you meet someone who is like the same gender as you.”

Since the publication of “Gender Queer,” the political climate has been increasingly hostile to the LGBTQ+ community. Right-wing activists and politicians have pushed for legislation to restrict queer and trans rights, including how sexual orientation and gender identity can be addressed in classrooms. Caught in the crossfire of this conservative, anti-LGBTQ+ culture war, “Gender Queer” has become one of the most challenged and banned books in the United States.

In addition to commentary by Kobabe, “Gender Queer: The Annotated Edition” will feature comments from fellow artists and comics creatives Jadzia Axelrod, Ashley R. Guillory, Justin Hall, Kori Michele Handwerker, Phoebe Kobabe, Hal Schrieve, Rani Som, Shannon Watters and Andrea Colvin. Sandra Cox, Ajuan Mance and Matthew Noe are among the academic figures who contributed to the new edition.

“It’s been almost seven years since I wrote the final words of this memoir; revisiting these pages today, in a radically different and less accepting political climate, sparked a lot of new thoughts for me as well,” Kobabe said in the news release. “I hope readers enjoy this even richer text full of community voices.”

A page from “Gender Queer: The Annotated Edition” by Maia Kobabe.

(Oni Press)

IF you ski down through the woods today, you’re sure of a big surprise.

Especially when you are in Hundfjallet — one of four ski areas in the Swedish mountain resort Salen.

A magical beginner slope winds through a Troll Forest where dozens of wooden statues protrude from the snow, singing and telling folk tales.

My young kids liken this enchanted realm to the lands of Elsa and Anna in Disney movie Frozen.

And there’s even a ski-thru McDonald’s too — see right.

It is the first time I’ve taken my family skiing and the children are spellbound from the get-go.

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Making their way through the mythical woods of Trollskogen, they look in wonder.

The only things that stop them begging to return immediately to the top of the run are a log cabin serving hot chocolate near an open fire — and an open-air theatre with a dance show featuring the resort’s mascot, Snowman Valle.

Aside from it being wonderfully child-friendly, one of the best things about Salen is how quickly you can get there.

The resort, in west-central Sweden, near the Norwegian border, is just a two-hour flight from the UK then a ten-minute transfer.

Within an hour of landing at the airport, we had dumped our bags, got completely kitted out — including with ski pass, part of our deal from operator Sunweb — and were gliding down the pistes.

All of this was made even easier by our 4H “ski in and ski out” SkiStar Lodge apartment hotel, which has everything you could wish for within a short walk, from ski school, ski rental and sledging hill, to luxury spa, restaurants, playroom, creche and supermarket.

Salen is generally suited more to beginner and intermediate skiiers. But with 101 runs, including some nice off-piste, back-country routes, and a 45-degree black run called The Wall, there is enough to keep even the most advanced occupied.

If you are looking for an alternative to downhill skiing or boarding, the area also offers dog-sled rides, Ski-Doo snowmobile trails, and superb cross-country skiing.

After a tiring day on the mountain you can simply slide back to the hotel — which has a vast storage room for all your gear — and head to the bar for authentic Swedish apres ski.

Yes, that means Abba songs, as well as lots of sing-along tunes for the kids — while they energise on their slush puppies with marshmallows, and the adults relax with a beer and bowls of hot, salty chips.

Another great way to unwind after all that exertion on the mountain is the on-site Frost Spa, where you can look at the ski slopes from a steaming outdoor pool, relax in two tingling-hot Jacuzzis, melt away in the sauna and steam rooms, and get a Swedish massage — before a drink at the bar.

Salen also comprises the busier Lindvallen ski area — 20 minutes away on the free bus — where you can grab a burger and chips in the world’s one and only ski-thru McDonald’s.

Lindvallen also has a ten-pin bowling alley, arcade and the SkiStar Experium fun pool with surf simulator and two exciting waterslides for the kids to go wild in.

At day’s end, back at the hotel, the children can also enjoy free table tennis, pool and shuffleboard until they are ready to drop.

And when they are finally tucked up in bed, adults can settle down in front of the apartments’ giant TVs  and watch Frozen or listen to Abba songs.

Just Gimme, gimme, gimme another Swedish ski holiday.

AS I look down into the valley below, I spot the unmistakable outline of the Golden Arches gleaming in the snow.

Peeling off my gloves, I unlock my phone screen and hit the McDonald’s app, ordering two Happy Meals, a Big Mac and a McChicken sandwich.

I’ve never seen my children ski as quickly as they did to the hatch to collect our order.

The world’s only McSki in Sweden’s Lindvallen, is decked out like an Alpine chalet with stone and wood features and can seat up to 170 people.

It offers all the same menu items that can be found in other McDonald’s around the world and the prices are comparable to back home in England – with main meals costing around £7.

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This means you can get a pretty cheap lunch compared to other mountain restaurant options.

Who can say no to that?

MANCHESTER UNITED wonderkid Jim Thwaites has been hailed as a “cheat code” by fans.

The youngster has been added to first-team training by manager Ruben Amorim.

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Thwaites, 17, plays in central midfield and has already seen comparisons to United legends David Beckham and Paul Scholes.

Reports have claimed that he trained with United’s senior players on Friday.

This came following his brilliant performances in the youth sides so far this season.

It is claimed that he is viewed as one of the most technically good players in the academy.

It is added that Amorim and his coaching staff have been impressed in the sessions he has had with the first team.

Thwaites has also been likened to Barcelona and Spain midfielder Pedri with his ball skills.

This is extended to his passing vision as he often breaks defensive lines with his through balls.

The midfielder also possesses plenty of ability in carrying the ball forward up the pitch.

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There is said to be some hope among the coaching staff that he can continue to impress and get an opportunity in the first team this season.

Thwaites has made 48 appearances across the United U18s and U21s, scoring 12 goals and assisting four times.

He was a part of the U18s side that won their age category Premier League in the 2023/2024 season.

Videos of his performances have started to flood social media, leaving plenty of fans optimistic over his potential.

Clips of his matches showed he was comfortable on the ball and able to beat opposition presses multiple times.

One fan posted: “Jim Thwaites is a first-phase cheat code.

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“Press him at any speed, from any angle, he will find a solution and move his team up the pitch.”

A second wrote: “This is more of what we need in our midfield.”

A third commented: “I am always happy watching this boy play, very good player.”

A fourth said: “They not ready for this Michael Carrick regen.”

Another added: “Like Scholes and Beckham wrapped into one.”

Thwaites appeared for United in the pre-season 1-0 defeat to ASEAN All-Stars and left a good impression on Amorim.

The manager suggested that there would be “space” in the squad for players like the teenager.

He said: “I think Jimmy [Thwaites], in the last 15 minutes, as a midfielder, he wants to play.

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“It doesn’t matter how many minutes. These kind of young kids are really important. They will have space in our team.”

Meanwhile, United will be itching to get back on the pitch to try and keep the momentum after beating Sunderland before the international break.

Their first match will be away at Anfield against the reigning Prem champions Liverpool.

This will then be followed by clashes with Brighton and Hove Albion and Nottingham Forest.