The Sun Newspaper

JENNIFER Lopez hails the courage of actress pal Kerry Washington at a charity gala.

The singer and actress, 56, wore a blazer over a lace slip dress at the event in Los Angeles for Women’s Cancer Research Fund.

She presented the Courage Award to Kerry, 49, a cancer advocate after her mum was diagnosed with the disease.

J Lo, who was also joined by Sofia Vergara, 53, at the event, said on stage: “Kerry, you remind us that together, through sciences, support of survivors, and the relentless pursuit of answers, that real change is possible.”

J.Lo is now an independent artist after it was revealed last July that she split from her record label.

Top label BMG, also home to Kylie Minogue and Rita Ora, released her 2024 album This Is Me . . . Now — her first full project in a decade.

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But it was understood at the time to be only a one-album deal and they called it a day following disappointing sales.

A music insider said at the time: “Jennifer is obviously massively successful and talented but it’s been hard for her to find a label who she’s on the same page with.

“After her last album came out, it was decided she wouldn’t continue with BMG as it wasn’t the success she wanted.

“It only went to No 55 in the UK. But her team want to push her forward with this new music.

“She has spent a lot of time in the studio this year.”

“Well, I guess it’s a brother thing.”

The Black Crowes singer Chris Robinson is reflecting on his rollercoaster relationship with his younger sibling, guitarist Rich.

Their explosive chemistry once earned the outfit a fitting accolade — “The Most Rock ’n’ Roll Rock ’n’ Roll Band in the World”.

Chris is first to admit they’ve had their ups and downs since forming in 1984 under their original name, Mr Crowe’s Garden, as schoolkids in Atlanta, Georgia.

“Rich and I, for better or worse, were stubborn and arrogant but always strong believers in the art,” he admits.

“This has always been our path and, no matter what, we have to do it like this.

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“In rock ’n’ roll, there are plenty of show dogs, pure bred and beautiful. We’re f***ing feral.”

Following in the footsteps of other warring brothers — Ray and Dave Davies or Noel and Liam Gallagher — the Robinsons weren’t on speaking terms for five years after their so-called “contractual obligations” tour ended in 2014.

“Sometimes, you have to take your lumps,” continues Chris, employing that very American phrase for suffering setbacks. “But, right now, we’re in the zone. The chemistry is 100 per cent there.

“The way we feel goes right back to when we started — it’s f*** it, just play it — even if we are more well-mannered.”

The Black Crowes’ big reunion began in late 2019 with warm-up shows for a planned 30th anniversary tour of their debut album, the seminal Shake Your Money Maker, the following year.

But the pandemic slammed on the brakes before the dates finally happened across the US in 2021, uncorking the band’s celebrated freewheeling energy.

Back to the live arena came Jealous Again, Hard To Handle, She Talks To Angels and Twice As Hard, songs that somehow bottled up the band’s influences — Led Zeppelin, the Rolling Stones and Little Feat among them — but still refreshingly their own.

In 2024, with their creative juices flowing, The Black Crowes released their first album of original material in 15 years, Happiness Bastards.

Now the Robinsons are back again — with a bang.

The follow-up, A Pound Of Feathers, comes tearing out of the blocks with the rocket-fuelled, riff-driven Profane Prophecy, setting the tone for another of The Black Crowes’ “love letters to rock and roll”.

The album arrives with some sound advice — “This isn’t a record you play on Sunday morning, this is a f***ing Saturday night burner!”

In a world where smoothly produced pop dominates the airwaves, The Black Crowes are unashamedly sticking two fingers up at it.

“None of what’s going on in that world is relevant to me,” decides Chris, “and rock ’n’ roll is still huge for millions and millions of people.”

He is talking to me via video call from Aspen, Colorado, the premier ski resort in the States, playground of the rich and famous.

“My wife is an avid skier. She’s the Franz Klammer of the family,” he reports with a reference to the Austrian downhill legend.

“I get to do the cooking, the reading and the hanging out.” (And talking to people like me about The Black Crowes). Brother Rich is at home in Nashville and begins his call by apologising for being under the weather.

“I’m going to be coughing randomly,” he says. “I’m in the middle of flu that’s going around.”

After clearing his throat, Rich, the less flamboyant one who lets his guitar wizardry do most of his talking, gamely picks up on Chris’s theme.

“When we got back together, we both agreed we needed to do it properly,” he affirms.

“We knew that bringing back a toxic dynamic wouldn’t be healthy for anyone.

“We couldn’t have the overarching idea that when Chris and Rich get together, it’s a bad thing.

“We’ve always written all the songs, we own the name so coming back with a more mature approach has been very helpful.”

Rich acknowledges that the music landscape for the older, wiser Black Crowes is vastly different from when they started out. “There’s a bunch of people in the industry who like to think rock ’n’ roll is dead,” he says.

“But then there’s a bunch of people trying to keep it alive. Guns N’ Roses, the Rolling Stones, Metallica and Def Leppard are still selling out stadiums.

“Tens of millions of people still want to see bands like them. Rock ’n’ roll is one thing that no one could tame.

“And it’s still like that for us. We can go into a studio with almost nothing and, in a week, make a record.

“There’s a human, organic quality to rock ’n’ roll. We don’t have auto-tune and we don’t have to set our s**t to a grid.”

Looking back at their unfettered past, Chris exclaims: “I have to say I’m so f***ing proud of The Black Crowes, man!

“Rich and I started this band when we were teenagers in Mom and Dad’s house, as a vehicle to write songs.

“And we found our way to being musicians and performers.”

Yet the creation of A Pound Of Feathers has still blown Chris away, most notably because of the stellar contributions from Rich.

The album was made in double-quick time, carried along by the brothers’ spontaneous fusion of riffs and lyrics.

Chris says: “I’ve been on stage and sat in studios my whole life with my brother playing amazing guitar.

“But, with this album, I sat there with my mouth hanging open.

“Granted I’m very close to the flame but everything he did, I was like, ‘Wow, this guy’s taking it to a new place.’”

During the sessions, The Black Crowes were visited by Chris’s friend, Todd Snider, the singer/songwriter who died last November from pneumonia aged just 59.

Chris cherished the chance to hang out with Todd — and to get some memorable feedback from him.

“He was a storyteller, a real poet, and he and I had a great friendship. He also really liked The Black Crowes.

“He asked if he could come and check out the recording. I went, ‘Dude, yeah fine, but you’re going to be the only one here’. So he sat there taking in me and Rich putting music together.

“At the end of the day, he said, ‘Are you f***ing warlocks? Is this some kind of ESP or is it a parlour trick? You don’t say anything yet, 30 minutes later, there’s this massive song blasting out of the speakers’.”

For Rich, the studio is his happy place. “I’ve always loved being in a studio,” he says.

“It’s where you bring to ­fruition all the things you have in your head.

“With this record, we came in without any concrete ideas. By allowing ourselves just to play in the sandbox, it became fun and exciting.”

Rich gives a shoutout to producer Jay Joyce, who also helmed Happiness Bastards.

He says: “Nine and a half times out of ten, he agrees with us when we’re excited about something.

“He’s there with us, not bogging us down by trying to insert himself when its unnecessary.”

So what of the songs? There’s the aforementioned opener Profane Prophecy which captures the unvarnished sound of The Black Crowes’ live mayhem, yet recorded in the calmer confines of a studio.

You hear Chris nodding to past rock ’n’ roll excesses by hollering, tongue firmly in cheek, “My pedigree in debauchery is my claim to fame.”

He smiles, “Of course I have to embrace that life. That’s why I sing, ‘I eat casino breakfast off the kitchen floor’.”

But he maintains that while giving “a vision of a debauched rock ’n’ roller”, he’s also “confusing fact with fiction”.

The four-minute shindig concludes with the ensemble chant of the phrase that yielded the album title, “a pound of feathers or a pound of lead”.

Chris got the line from In Here The World Begins, a song by long-defunct British electro-pop band Broadcast.

“I loved the phrase and what it could mean because a pound is a pound,” he says. “It doesn’t matter whether it’s lead or feathers. There’s some weird wisdom to it.”

We turn our attention to Cruel Streak, pounding rock underpinned by funky rhythm.

“I’m adjacent to funk at all times,” says Chris. “Growing up in Atlanta, there was this multi­racial band called Mother’s Finest who played heavy funk with ‘Baby Jean’ Kennedy as lead singer.

“There’s a lot of Mother’s Finest in The Black Crowes.”

On the R&B-flavoured It’s Like That, which comes with heavy basslines and a hint of reggae, the brothers employed an amphibian guest, which, as Chris explains, fits with their anything goes attitude.

“I was staying in Nashville, and the doors were open. I heard this frog, so I recorded him. That’s my Nashville rasta frog on the solo.”

Rich says: “There are tree frogs all over the South. They were blaring one night and Chris said, ‘Man, I want to use that sound’.

“So he took his phone and pressed record. We found the right space for it on the song.” On the loose, laidback country-tinged Pharmacy Chronicles, recalling the vibe of the Rolling Stones’ Exile On Main St., Chris sings “let the demons find you” because, he insists, we mustn’t think everything is “sugar-coated, glossy and gorgeous”.

“Especially something as messy as a 40-year career in rock ’n’ roll,” he adds. “I can’t believe some of the s**t I was doing. Get some surgical gloves and get to it!”

But Chris is not one to dwell on the past, with all its euphoric highs and crashing lows. “I am devoid of nostalgia,” he says.

“I like to think I interact with the world as a poet. I’m always writing — it could be because I overheard a conversation at an airport check-in.

“I’m no Bruce Springsteen,” he confesses. “But I connect with the world through whatever inspires me.”

And, as he puts it, “a lot of the darkness that is the United States right now” informs A Pound Of Feathers.

It explains why final track Doomsday Doggerel with its line “a front row seat to the end of times” is in stark contrast to the closing song on Happiness Bastards.

“On that last record, Kindred Friend was a beautiful pastoral thing with harmonica, about me and Rich, the band and our audience,” says Chris.

“Doomsday Doggerel is much darker. We haven’t remembered lessons from our past and the f***ing racism means we’re operating at a very low frequency.

“I just hope that someone can play this record on a Saturday night, keep out the low frequency and get a better hum going.”

As Pharmacy Chronicles ebbs to a close, you hear a defiant chorus of “the good times never end”.

As far as Chris and Rich and the rest of The Black Crowes family are concerned, rock ’n’ roll is the perfect antidote to personal and universal turmoil.

“We’re loud, we can be sloppy but we are like an old cartoon of two people fighting on a train,” says Chris.

“The train goes round a bend, leaning all the way over a cliff, but then it comes back up. That’s us.”

THE BLACK CROWES

A Pound Of Feathers

★★★★☆

NICOLE Kidman is feeling bubbly about her future — despite her January divorce from singer Keith Urban.

The actress wore a white shirt and black tights in a bath for Variety magazine ahead of Sunday’s Oscars.

The 2003 Best Actress winner, 58, said she was doing well despite the end of her 19-year marriage.

She said: “I am, because I’m always going to be moving toward what’s good.

“What I’m grateful for is my family and keeping them as is and moving forward. That’s that. “Everything else I don’t discuss out of respect. I’m staying in a place of, ‘We are a family,’ and that’s what we’ll continue to be.

“My beautiful girls, my darlings, who are suddenly women.”

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Nicole and Keith were together for two decades before splitting last year.

Meanwhile, Nicole and Keith face the tough task of dividing their staggering £210million property portfolio as part of their divorce settlement. 

According to documents, both Nicole and Keith will retain ownership of the properties already in their possession and the rest will be split to their mutual satisfaction. 

It is believed the majority of the exes’ properties were all jointly purchased following their wedding in 2006. 

The most recent purchase came in 2023 in the form of a £5.7m three-bed apartment in Sydney‘s exclusive Landmark Latitude complex – their sixth property in the same high rise. 

They have another £13.3m wrapped up in the complex. 

Nicole and Keith first bought into the apartment block in 2009, picking up a sizeable 420-square-metre pad overlooking Sydney’s famous harbour for a cool £4.45m. 

A further £5.2m was splashed on a larger neighbouring apartment when that became available in 2012. 

The couple bought into the 19th floor in 2011, paying £2m on a smaller space that Nicole used as a home office. 

THE list of the richest celebs in the world has been revealed — and it’s good news for Taylor Swift.

The US superstar’s net worth has soared since she was named a billionaire in 2023, and she is now worth twice that.

She has risen from No9 last year to No7 in ­Forbes magazine’s annual rundown, which revealed there are now 22 celebrity billionaires — up from 18 last year.

Fellow singer Beyonce, tennis ace Roger Federer, rapper Dr Dre and filmmaker James Cameron are the new additions who have crossed the $1billion threshold.

Taylor, 36, boosted her earnings massively with profits from her record-breaking Eras Tour and the value of her music catalogue, all of ­which she now owns, having bought back the rights to her first six albums last year.

She is said to have amassed $1billion from royalties and touring, while her catalogue of hits has been valued at $900million.

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The Eras 149 gigs across 21 countries from March 2023 to December 2024, made it the highest-grossing tour of all time at $2.077billion, with 10MILLION attendees.

Thanks to the money-spinning shows, she was able to buy the rights to her first six albums.

In 2019 Taylor’s former label, Big Machine, had sold the masters to talent manager Scooter Braun, prompting Taylor to vow to re-record them.

Braun sold them on to LA investment fund ­Shamrock Holdings in 2020.

But last May she announced she finally controls all her music.

Taylor said last year: “That’s how I spent that Eras Tour money. My fans are why I was able to get my music back.”

The rights to the records had been sold for more than $300million, although it is not known how much she spent to reclaim them.

But she is believed to have made an eight-figure sum in profits from the “Taylor’s Version” remakes of Fearless, Red, Speak Now, and 1989 — which all topped the charts.

She also owns $100million of real estate, including pads in New York, Beverly Hills, Rhode Island and Nashville.

The news coincides with new figures from the British Phonographic Industry, which reveal CD sales in the UK returned to growth in 2025, up 3.1 per cent, largely thanks to 226,000 copies of Taylor’s latest album The Life Of A Showgirl being sold here.

She also contributed to the 19.9 per cent year-on-year rise in vinyl purchases, thanks to 147,000 sales of the record on the format.

It meant The Life Of A Showgirl sold the most vinyl of any new album in a calendar year this century. Her 2023 collection Lover (Live From Paris), which was reissued last year, was also the fourth biggest vinyl of 2025.

Taylor has now scored six No1 singles and 14 No1 albums, ­beating Madonna’s record of 12 chart toppers for a female artist.

Taylor’s huge net worth dwarfs that of her American football star fiancé Travis Kelce, 36, whose riches total $90million.

The two are expected to marry this summer in a glittering, star-studded ceremony in the US.

Yesterday Travis hinted Taylor has started working on new music for a potential 13th studio album.     

He said: “It’s amazing to see her keep going to the table, keep finding new things to write about, keep finding new ­mel­odies and things like that.

“On top of that, still seeing her have that love and joy in what she does.

“Of course that’s motivating. That’s motivating for anybody to see, let alone in my fiancée, and knowing that I’m going through something as I try to figure out what the future holds for me.

“Something like that motivates me.”

1. Steven Spielberg

$7.1bn

THE highest-grossing director of all time, 79-year-old Spielberg earns an estimated $100million annually from gross ticket sales thanks to a 1987 deal.

2. George Lucas

$5.2bn

THE Star Wars creator, 81, kept the merchandising rights and ownership of the hit sci-fi franchise and in 2012 sold his firm LucasFilm to Disney for $2.2billion plus shares.

3. Michael Jordan

$4.3bn

BASLETBALL legend, 63, made $2billion from ­corporate deals.

In 2023 he sold majority stake in NBA team Charlotte Hornets, valued at $3bn.

4. Vincent McMahon

$3.6bn

BUSINESSMAN, 80, made sports promotion firm World Wrestling Entertainment – WWE – a global brand before a $21billion wrestling mega-merger in 2023.

5. Oprah Winfrey

$3.2bn

TALK show host made TV and films through her production firm Harpo.

Oprah, 72, has also earned millions partnering with Weight Watchers and through real estate.

6. Jay-Z

$2.8bn

Rapper, 56, made over $1billion from his alcohol brands D’Usse cognac and Armand de Brignac.

In 2008 he founded the lucrative entertainment firm Roc Nation.

7. Taylor Swift

$2bn

8. Kim Kardashian

$1.9bn

Reality star owns a third of her $5billion shapewear brand Skims.

Kim, 45, also earns through her skincare firm, endorsements, real estate, acting and TV shows.

9. Peter Jackson

$1.9bn

MOVIE director, 64, made Lord Of The Rings films and sold the tech division of his visual effects company Weta Digital for $1.63billion in 2021.

10. Magic Johnson

$1.6bn

FORMER basketball player, 66, has a majority stake in a life insurance company as well as part-ownership of four US professional sports teams.

11. Tiger Woods

$1.5bn

GOLFING legend made $1.9billion during his sporting career and through endorsements.

Woods, 50, is estimated to have earned $121million in prize money.

12. Dick Wolf

$1.5bn

THE producer behind hit US TV dramas Law & Order, Chicago and FBI, 79-year-old Wolf signed a five-year, $1billion deal with NBCUniversal in 2020.

13. Tyler Perry

$1.4bn

THE actor and filmmaker has 100 per cent ownership of his 22 films and over 1,200 TV episodes.

Perry, 56, now owns the largest film production studio in the US.

14. LeBron James

$1.4bn

SPORTS contracts have earned $500million for the 41-year-old basketball player – and he has a lifetime $1billion endorsement deal with Nike.

15. Bruce Springsteen

$1.2bn

ROCKER, 76, has toured for five decades, released 21 studio albums and received $500million when he sold his entire music catalogue to Sony in 2021.

16. Arnold Schwarzenegger

$1.2bn

HAVING earned $500million from films, the 78-year-old actor has also made savvy investments, including in an investment firm which manages $1 trillion in assets.

17. Jerry Seinfeld

$1.1bn

THE comedian has earned almost $500million from syndicating his self-titled sitcom.

Seinfeld, 71, still does stand-up and has a Porsche collection valued at $100million.

18. Roger Federer

$1.1bn

Retired tennis player, 44, won 20 Grand Slams but also had lucrative deals with Rolex and Mercedes.

He also has a stake in athletic

19. James Cameron

$1.1bn

FILMMAKER behind three of the four highest-grossing films of all time.

Cameron, 71, directed Titanic, Avatar and Avatar: The Way of Water, which made over $7.5bn.

20. Rihanna

$1bn

THE Umbrella singer, 38, has a $200million music catalogue but made her main fortune through cosmetics firm Fenty Beauty and lingerie brand Savage X Fenty.

21. Beyonce

$1bn

AS well as grossing more than $1billion in back-to-back tours, the singer, 44, has a $300million music catalogue and a haircare line, Cecred, valued at $100million.

22. Dr Dre

$1bn

RAPPER, 61, co-founded Beats Electronics and Beats Music, and launched the careers of Kendrick Lamar and Eminem through his label Death Row Records.

SINGER Harry Styles takes a stroll with girlfriend Zoe Kravitz — who shows her dedication to him by wearing his merchandise.

The couple were seen in New York with actress Zoe, 37, wearing a £35 baseball cap with the word “Kiss” on it — a reference to Harry’s new album Kiss All The Time. Disco, Occasionally.

Harry, 32, wore white sunglasses for their date.

We revealed earlier how fans reckon his brand new tattoo is a poignant tribute to his late 1D bandmate Liam Payne.

It came just days after the Aperture hitmaker, 32, spoke out for the first time on the dad-of-one’s passing.

Harry, who was in the group with Liam from 2010 to 2016, said living his life “to the fullest” is the best way he can “honour” his friend.

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Now eagle-eyed viewers have spotted Harry in the crowd of US TV show Saturday Night Live donning a surprise new inking on his right arm.

He had swirling writing etched in black on his upper arm that spelled out the word Slinky.

One fan took to TikTok to muse: “Harry Styles’ slinky tattoo that people suspect harry got in honour of Liam Payne’s love for Toy Story”.

Slinky is a much-loved spring dog that features in the Disney Pixar movies, and is a loyal pal to protagonist Woody.

Another user then commented: “He loved him so much”.

One mused: “And that’s the arm that he said was going to be only for his family…. (he said that years ago it may not even be true anymore but it’s cute)”.

A PRIEST has supported a controversial devil-horned bench tribute to Prodigy star Keith Flint — despite it being placed in a graveyard.

The wooden seat was carved with horns in honour of the Firestarter singer’s spiky green haircut.

Some residents feel that the Satanic detail on the bench is inappropriate in a Christian churchyard.

However, the Very Rev Rod Reid, the dean of St Mary’s Church in Bocking, insisted the Essex-based band and Flint’s family had been “very respectful” of its setting.

Mr Reid presided over Flint’s funeral at the church near Braintree in 2019, after the star was found dead at home aged 49.

He said: “The band and the family wanted something fitting for the churchyard. They were very respectful and very aware of the setting.”

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Prodigy manager John Fairs and founder Liam Howlett helped to design the tribute, which was signed off by Flint’s family.

Mr Reid said people were amazed by the bench “and what it means to have it here”.

He went on: “For local people here in Braintree and around, this means an awful lot. They remember seeing Flint and Liam on the dance floors in Braintree. They have followed them all the way through and they are proud.”

Electro-punk pioneers Prodigy enjoyed a string of hits in the 1990s, including their 1996 chart-topper Firestarter.

Its video featured demon-like imagery and a demented dance from wild-eyed Flint which attracted thousands of complaints from BBC viewers.

More than 5,000 people attended his funeral. A post-mortem found traces of cocaine, alcohol and codeine in his body when he died.

Essex coroner Caroline Beasley-Murray recorded an open verdict at the inquest.

She said: “We will never quite know what was going on in his mind on that date.”

WARMER weather is on the horizon, so why wait until summer to visit your favourite holiday hot spots?

Spain is still top of Brits’ holiday lists and the coming months are a great time to visit this beautiful country, with mild temperatures just right for exploring when it’s not too crowded.

Sophie Swietochowski shares her pick of springtime destinations in Spain and its islands with tips from experts who know the area.

THIS northern port city may not attract as many fly-and-flop holidaymakers as the southern costas, but its coastlines are no less beautiful.

Temperatures can reach the low 20Cs during spring in Bilbao, so Sara Di Lenardo, Destination Manager at British Airways Holidays, recommends hitting the shores.

She says: “There are several wild beaches in the Basque Country. The rocky shores are dramatic and incredibly photogenic.

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“Walk along stunning coastal paths with the Pyrenees as the backdrop — they might possibly still have snowy peaks in spring.”

The month of May is a great time to visit for music fans, thanks to several big concerts and events.

Sara advises to keep your eyes peeled for the Trikitixa, a traditional basque instrument that’s a bit like an accordion.

STAY: Two nights’ room-only at the 5H Melia Bilbao is from £349pp including flights from Gatwick on selected dates in May. Price includes 10 per cent discount. Book by March 31.

See britishairways.com/content/holidays/spain/bilbao.

THE White Isle only starts awakening for its big party season in spring, after a slow winter hibernation — and for travel expert David Mason, this is one of the best times to visit the party isle.

He reveals: “You have all the optimism of a new season commencing, cheap accommodation and flights, plus lots of local food festivals.”

Throughout this month, up until early April, you’ll be able to experience the Pintxa Run food festival in San Antonio, close to the ocean, David says.

Every Thursday throughout the month, dozens of small bars and restaurants dish up tapas and a drink for just three euros with everything from steakhouses to pizzerias participating.

David adds: “The festival includes a free novelty train that takes you from stop to stop — perfect if you’ve had a few too many cervezas on the route.”

STAY: Seven nights’ all-inclusive at the 4H Invisa Figueral Resort Hotel Cala Blanca is from £562pp including flights from Manchester on April 7.

See easyjet.com/en/holidays.

IF you’re a foodie, San Sebastian won’t disappoint.

Sara di Lenardo says this is the top place to sample pintxos in the traditional way (small bites served on a mini slice of bread).

Wash it down with a local beverage for a truly authentic experience.

Sara adds: “Spring is cider season. Try the local drink txakoli — it can be found in most bars in town, but if you have time, make sure to visit Getaria where it’s produced.”

For those seeking seaside relaxation, Sara recommends La Concha, a horseshoe-shaped beach right in the city, offering gorgeous views of the blue Med.

STAY: Seven nights’ B&B at the 4H Bancal Hotel & Spa is from £599pp including flights from Gatwick on selected dates in May. Book by March 31.

See britishairways.com/tenerife.

THIS vibrant student city, which sits a little south of Alicante, is fascinating for history lovers, with its 14th-century cathedral taking pride of place in the city centre.

Tom Wilkinson, product manager at Explore Worldwide, says: “This lesser-known southern gem enjoys 320 days of sunshine each year, with mild winters and a semi-arid climate.”

The sights are best explored on two wheels, says Tom — on a cycle tour you’ll pass through white-washed villages and historic Moorish towns, pausing to watch the sun set.

Fruit and veg are at the forefront of cuisine here and you can expect rich stews as well as freshly baked cakes.

Try Keki, not far from the cathedral, which serves up a Murcian cheesecake to die for.

STAY: A seven-day Cycle Southern Spain tour costs from £970pp including six breakfasts, all accommodation, cycle gear and flights from selected airports on May 10.

See explore.co.uk.

HOLIDAYMAKERS jetting off to Menorca in spring can expect rugged landscapes backed by chalky white cliffs and sandy bays overlooking vibrant blue seas.

“The beaches are some of the most beautiful in the world, offering Caribbean-style scenes without the time difference,” says Kate Bigger, destination manager at British Airways Holidays.

She suggests strolling the impressive Cami de Cavalls, adding: “This is a walk that goes through the length of the island, with spring being the perfect time to do this.”

Vineyards are scattered across the island and many of them invite visitors to meander among the vines, sampling wines as part of a tasting lunch or dinner.

STAY: Seven nights’ B&B at the 5H Melia Cala Galdana is from £1,099pp (includes €28pp tourism tax, payable locally) including flights from Gatwick on selected dates in May. Book by March 31.

See britishairways.com/menorca.

NAOMI WATTS watched on proudly as her daughter showcased her model behaviour at Paris Fashion Week.

Rising fashion star Kai Schreiber – who came out as transgender last year – stole the spotlight as she towered over her Hollywood star mum at the Balenciaga show on Saturday.

Wearing a sharp tailored two-piece teamed smokey eye make-up, 17-year-old Kai made an impact with her striking look.

Proud mum Naomi, 57, wore a matching black ensemble as she supported her daughter, who has been feted as a future top model.

Also on the runway was Rebel Yell punk star Billy Idol, 70, who had on a tasseled black leather poncho.

US model Paris Jackson, 27 — daughter of late pop star Michael — was also spotted in black outside her hotel.

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Kai made her fashion runway debut at Paris Fashion Week last year by walking for Valentino.

Kai’s parents have both conquered Hollywood and are known for TV and film.

Naomi and Liev – who also have son called Sasha, 17 – were together for 11 years before they amicably split in 2016.

Liev has since married Taylor Neisen, while Naomi went on to wed Billy Crudup.

Naomi often shares how proud she is of her daughter, in sweet posts on Instagram.

When the teenager turned 16, her mum penned a heartfelt message to her.

“Darling Kai. Happy sweet sixteen. Your sweetness is pure and I’m the luckiest mommy in the world and that world is SO lucky that you are here!” the proud mum wrote.

“You blow me away with your wild spirit, strength and yes your soft sweetness too. You even let me post a baby picture!

“I thank my lucky stars I get to be your mom [sic]. I Love you to the moon.”