Ten

NEW ORLEANS — A U.S. appeals court has cleared the way for a Louisiana law requiring poster-sized displays of the Ten Commandments in public school classrooms to take effect.

The 5th U.S. Circuit Court of Appeals voted 12 to 6 to lift a block that a lower court first placed on the law in 2024. In the opinion released Friday, the court said it was too early to make a judgment call on the constitutionality of the law.

That’s partly because it’s not yet clear how prominently schools may display the religious text, whether teachers will refer to the Ten Commandments during classes or if other texts like the Mayflower Compact or the Declaration of Independence will also be displayed, the majority opinion said.

Without those sorts of details, the panel decided that it did not have enough information to weigh any 1st Amendment issues that might arise from the law. In other words, there aren’t enough facts available to “permit judicial judgment rather than speculation,” the majority wrote in the opinion.

In a concurring opinion, Circuit Judge James Ho, an appointee of President Trump, wrote that the law “is not just constitutional — it affirms our nation’s highest and most noble traditions.”

The six judges who voted against the decision wrote a series of dissents, with some arguing that the law exposes children to government-endorsed religion in a place they are required to be, presenting a clear constitutional burden.

Circuit Judge James L. Dennis, an appointee of President Clinton, wrote that the law “is precisely the kind of establishment the Framers anticipated and sought to prevent.”

The ruling is the result of the court’s choice to rehear the case with all judges present after three of them ruled in June that the Louisiana law was unconstitutional. The reversal comes from one of the nation’s most conservative appeals courts, and one that’s known for propelling Republican policies to a similarly conservative U.S. Supreme Court.

Republican Gov. Jeff Landry celebrated the ruling Friday, declaring, “Common sense is making a comeback!”

The ACLU of Louisiana, one of several groups representing plaintiffs, pledged to explore all legal pathways to continue fighting the law.

Arkansas has a similar law that has been challenged in federal court. And a Texas law took effect on Sept. 1, marking the widest reaching attempt in the nation to hang the Ten Commandments in public schools.

Some Texas school districts were barred from posting them after federal judges issued injunctions in two cases challenging the law, but they have already gone up in many classrooms across the state as districts paid to have the posters printed themselves or accepted donations.

The laws are among pushes by Republicans, including Trump, to incorporate religion into public school classrooms. Critics say doing so violates the separation of church and state, while backers say the Ten Commandments are historical and part of the foundation of U.S. law.

Joseph Davis, an attorney representing Louisiana in the case, applauded the court for upholding the nation’s “time-honored tradition of recognizing faith in the public square.”

Families from a variety of religious backgrounds, including Christianity, Judaism and Hinduism, have challenged the laws, as have clergy members and nonreligious families.

The Freedom From Religion Foundation, another group involved in the challenge, called the ruling “extremely disappointing” and said the law will force families “into a game of constitutional whack-a-mole” where they will have to separately challenge each school district’s displays.

Louisiana Atty. Gen. Liz Murrill said after the ruling that she had sent schools several correct examples of the required poster.

In 1980, the Supreme Court ruled that a similar Kentucky law violated the Establishment Clause of the U.S. Constitution, which says Congress can “make no law respecting an establishment of religion.” The court found that the law had no secular purpose but served a plainly religious purpose.

And in 2005, the Supreme Court held that such displays in a pair of Kentucky courthouses violated the Constitution. At the same time, the court upheld a Ten Commandments marker on the grounds of the Texas state Capitol in Austin.

Schoenbaum and Boone write for the Associated Press.

JILL SCOTT does not rush records. She only goes into the studio when she feels she has got something she needs to say.

The American singer’s sixth album, To Whom This May Concern, arrives a decade after her last effort for exactly that reason.

“It took me 27 years to make Who Is Jill Scott?,” she says of her landmark debut. “And all the experiences in those years I put into that album.

“These projects don’t just happen overnight, it doesn’t work that way. So, it took me ten years to make this album.

“Why did it take so damn long? Because it takes time to make a great meal. It takes time to decorate your home. You don’t rush it. I took my time because I care.”

Writing only when there is something urgent to say, and letting the music lead the message, is the way the Grammy-winning artist and actor creates.

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She says: “I wait for it to come and the things that came out of me for this album shocked the hell out of me, too.

“On some songs, I’m an anthropologist, studying people. I’m on social media and hearing how a lot of people are not satisfied and that’s a damn shame.

“It’s a little harder for me to just sit on a park bench and watch people.”

I meet Scott at her publicist’s office in central London.

I am very excited about the musicianship on this album. The horn players and the bass, which is all over this album, is amazing.

Jill Scott

Dressed in orange, she is bright, friendly and effortlessly glamorous, although she says the jet lag has been hard to deal with.

She’s been over here for a week of promotion, including an album launch where she introduced tracks from To Whom This May Concern and took questions from fans.

“That was a pretty exciting night,” she says. “And the response was great, which was good as I was scared because it’s the first time playing this new music for a bunch of people in a room.

“I am very excited about the musicianship on this album. The horn players and the bass, which is all over this album, is amazing. It’s not a plug-in, it’s a player.”

At 19 tracks long, this is an impressive album. Collaborators include Trombone Shorty, Maha Adachi Earth, DJ Premier and rappers Tierra Whack, JID and Ab-Soul.

Recent single Pressha and Don’t Play touch on relationships.

Jill says: “Pressha is about a toxic past relationship while Don’t Play is a template for how to have a date where you actually want to get to know someone.

“It’s not just about what box they tick or what salary they earn. Then BPOTY — Biggest Pimp Of The Year — I wrote after looking at society and thinking, ‘My God, these folks are pimping us’.

“Like the pharmaceutical companies. I had been taking some medication and I didn’t really need it, I was being pimped and so it began with that story.”

‘Music is medicinal’

A diverse record blending soul, rap and jazz, it features beautiful ballads such as Me 4 and Àse, showcasing the poetic storytelling Scott has long been celebrated for.

“When I heard how diverse the music was, it made sense as an album,” she explains.

“People are going to get what they’re going to get what they need from it at different times. I believe music is medicinal. Like when I first heard of Billie Holiday, I didn’t really hear her until I got my feelings hurt.

“Then I listened again and everything clicked and made sense — how poignant her words were — and that’s why this album is called To Whom This May Concern.”

Be Great is a superb track as both a declaration and mantra, designed for everyday moments of courage.

“I want people to play it before their auditions, job interviews or anything that matters to you,” says Scott. “Go ahead and be fantastic at it, whatever it is.

“I just got the music and the lyrics popped out. I see it as Golden’s cousin [her 2004 anthem]. Yeah, they’re definitely related.”

Offdaback, which Scott says is her favourite track on her new album, pays homage to her heroes who came before her, artists and pioneers who stood up for freedom and music.

“The ancestors have to be honoured,” she explains.

“Whether it was your grandmother who worked in somebody’s house in order to make sure your mother had food, or it was your dad who worked three jobs so you could go to college or so you could live your dream.

“As an artist every day I’m reminded of how many people have made a way for me to be here.

“My office wall has photos of all the people who have inspired me. Diana Ross, Missy Elliott, Led Zeppelin and Queen Latifah are on there.

“I admire so many. Nina Simone for being so frank and fearless; Tina Turner for being so brave and using her voice.

“The list goes on. Frankie Beverly was beloved to me and Prince was my number one, and Bette Midler showed me that you don’t have to be around, knocking on doors all the time. You can disappear for a while, too.

“I went to see Frankie Beverly and Maze and they’d not had a record out for 25 years but everyone at the show is up and singing at the top of their voices.

“Music is about that feeling, about camaraderie and unity. I feel really honoured that anyone would feel that about my music.

“However, I’m still working on the other stuff that comes with that.”

There was a recent social media post of Scott being stopped by a fan who recognised her on the street — and she tells me she still finds that side of fame difficult.

Staying human

She says: “I value my time in just taking a walk, I really do. It’s important to me and it helps me balance everything else. The guy was sweet and I loved his freckles but being stopped in the street is not easy for me.

“Yes, 26 years later, I’m still working on it. I get good advice about it. My mentors tell me the value of maintaining the private self and staying human.

“When people put you on a pedestal it’s a very dangerous game and it’s not the game I play.”

When Scott emerged in 2000 as the voice in neo-soul, blending R&B, jazz, soul and spoken word, she found the spotlight overwhelming.

“It was terrifying and exciting,” she says with a smile. “I had a good two or three weeks where I was like, ‘This is so fun’. And then it didn’t stop.

“People were driving by my house playing the album at full capacity at three o’clock in the morning.

“I don’t want to sound ungrateful, because that’s not where I live — I live in grace and gratefulness all the time.

“It just was never my priority. I see people who are far more famous than me, and God bless them, but balance really matters to me. I’m a writer first, I just happen to sing.

“I have to be human and recognise how flawed I am and how much I’m working through things and honouring myself in all the things.

`’So, my goal is to be grand and gracious and have patience with other people. And when I can’t, I go into the house. That’s how I live.”

I think as a society, we’re holding on to a lot of people that don’t benefit our lives.

Jill Scott

Pay U On Tuesday is a fun song which Scott says: “Comes from being exhausted of family members who I used to be friends with that just don’t value the same things.”

It’s a direct song which even comes with a disclaimer (in the form of a track called Disclaimer) before it.

She laughs and says: “Oh yes there’s a disclaimer. But cutting ties is sometimes needed.

“Maybe they’re not ready to be respectful now, but I think as a society, we’re holding on to a lot of people that don’t benefit our lives.

“What I’ve learned in these 53 years is that I love when the people around me bloom and I want to continue to bloom.

“This album has been brought to you by education for your home. For your family.

“I definitely don’t like being perimenopausal. That’s not fun. It’s made certain things a lot more challenging, like staying fit, and sometimes you don’t sleep and a dress doesn’t fit but I count on the joys.

“I’m a big advocate for a book called The Celestine Prophecy, which reminds me to constantly look for beauty.”

Growing up in North Philadelphia, “Jilly from Philly” says she owes her positivity and happy childhood to her mother and grandmother. “My mother showed me art and creativity and I’m grateful,” she tells me.

Although there was a lot of drugs and violence around her, she also saw “kind and beautiful-spirited people” — and that spirit is at the heart of the track Norf Side.

“It’s a celebration of the place,” she says.

For that song, she wanted another voice from North Philly and her son Jett suggested Tierra Whack, a brilliant MC and remarkable poetess. “We are both a reflection of that place,” she says.

Scott, who has a charitable foundation in North Philadelphia which has been sending kids to camp and to college for more than 20 years, says she could have made an album about what’s going on in the US politically but chose a theme of personal revolution over performative outrage and political frustration.

‘Joy, passion, rage’

“I think that’s another album,” she says. “Right now, I’m really focused on growth and healing — the human stuff.

“Then maybe there will be the kind of revolution that this kind of turmoil deserves.”

On the death of mum-of-three Renee Good, who was shot by an Immigration and Customs Enforcement (ICE) agent in Minneapolis last month, she says: “This has been going on in the United States for longer than my whole life — it’s not new.

“It just happened to happen to a Caucasian woman so the world is shaken and they’re seeing it.”

Making a name for herself in acting as well as music and poetry, she has starred in 2007 comedy Why Did I Get Married? and TV series The No1 Ladies’ Detective Agency.

Scott says she is taking her time when it comes to choosing her next role, paying close attention to both the director and the writing.

Live performance, however, is non-negotiable. “I will be touring. That is a fact.”

For now, the focus is firmly on this record. “I just want people to come back and listen to it again and again,” she says.

“I’ve sprinkled levels of joy, frustration, passion and even rage. When that last chord plays, I want people to sit with it — and then start all over again. Each time, there’s something new.”

• To Whom This May Concern is out on February 13.

JILL SCOTT

To Whom This May Concern

★★★★★

Entering a particularly consequential season for coach Lincoln Riley at USC, a brutal Big Ten slate won’t cut the Trojans or their coach any slack in 2026.

That much was clear long before the Big Ten officially released its schedule for next season Tuesday. USC already knew it would face the conference’s top three teams from a season ago (Indiana, Ohio State and Oregon). But the official unveiling of the slate would further solidify just how grueling the climb could be for USC next season.

Oregon will face Portland State, an FCS team, a week before coming to USC on Sept. 26. Ohio State will have a bye week before its Halloween meeting with USC at the Coliseum, and so will the defending champ, Indiana, which USC will face in Bloomington on Nov. 14.

The Trojans will assuredly have to win at least one of those games to maintain their hopes of making the College Football Playoff in Riley’s fifth season. The rest of the schedule is hardly a cakewalk too, with trips to Rutgers (Sept. 19), Penn State (Oct. 10) and Wisconsin (Oct. 24).

The nonconference schedule is still being finalized, after talks broke down between USC and Notre Dame over the future of their rivalry series. But with two byes already baked into the Trojans’ schedule, a person familiar with the situation but not authorized to speak publicly told The Times that USC plans to schedule its season opener during Week Zero, with a home game on Aug. 29.

That timing drastically cuts down USC’s options for finding a fill-in opponent to open the season against at the Coliseum.

In order to play in Week Zero in its home stadium and not internationally or at a neutral site, USC must secure an exemption from the NCAA. That probably limits the Trojans to a team that faces Hawaii in 2026 — and thus gets an exemption from the NCAA to play an additional game — or means playing a Football Championship Series team, which USC has notably never done.

Starting the season early will allow for USC to add an extra bye week, while most Big Ten schools are working with just one during their 2026 slates. It’ll need that break considering what the latter half of the season holds.

After kicking off in late August, USC opens the season with home games in five of its first six weeks. But after that, the Trojans return home just twice the rest of the season, for matchups against Ohio State on Oct. 31 and Maryland on Nov. 21.