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Vicky Pattison has admitted she spent last weekend ‘bursting into tears’ after competing in the latest round of the BBC show after she topped the leaderboard

Strictly Come Dancing star Vicky Pattison has admitted she spent last weekend ‘bursting into tears’ after competing in the latest round of the BBC show. The Geordie Shore legend , 37, had been awarded a near-perfect score of 39 following her Tango to Taylor Swift hit The Fate Of Ophelia, and found herself at the top of the leaderboard.

The former Loose Women star, who won I’m A Celebrity…Get Me Out Of Here! in the years following her rise to fame, made an appearance alongside professional partner Kai Widdrington on Friday’s edition of Strictly spin-off It Takes Two, where she explained to host Fleur East just how much the successful result had meant to her.

She said: “On social media, someone said ‘I fear Vicky Pattison might chuck herself off that balcony if she ever gets a 40!’ and I fear they are right. For someone like me who had never danced before and was so scared at the start of the process, even now who still has wobbles, that’s a moment I never thought would be mine. I’m still feeling very overwhelmed and I spent Sunday just bursting into tears.”

As a congratulatory gift, Vicky was then presented with a framed picture of the leaderboard and a cushion with judge Anton DuBeke holding up his 10 paddle up on it. Vicky joked: “I am going straight home to bed with this!” Meanwhile, Vicky is hopeful that she and her co-stars will remain friends in the longterm and is confident that it will happen because she is still friends with her fellow showbiz stars from other reality shows.

She said: “For me, all the celebs are absolutely gorgeous. I feel like the luckiest girl in the world to be doing Strictly this year because everyone is so lovely. When we lost Dani Dyer originally, it was so devastating and heart-breaking. But then we got the gorgeous Amber, and we’ve got by Bal, La Voix, Caz Carney. I just feel so lucky and I hope we’re gonna be friends forever.

“That sounds a bit soppy, but maybe I am a bit soppy! I’m still friends with Ferne [McCann] and I was in the jungle 10 years ago with her. So I’m keeping my fingers crossed that we’re gonna be friends forever!”

Following the performance, Craig Revel Horwood was full of praise, describing the performance as “perfect”, while Anton admitted he was “a bit stunned” because it was “that good”.

He enthused: “I thought it was absolutely marvellous. I loved it. Your line is the best line I’ve ever seen. It was immaculate.” Meanwhile, Motsi Mabuse and head judge Shirley Ballas declared it their “dance of the night”, reports the Manchester Evening News.

Motsi gushed: “Last week I said you were a contender for the final, and this dance just proved what I meant. You confirmed my intuition. Without a doubt, you are on fire. Whatever is giving you that fire – keep it up. This was for me, till now, the dance of the night.”

After the show, Vicky took to Instagram to share her disbelief, posting a snapshot of the leaderboard with the caption: “This can not be real”. Saturday’s episode marked the halfway point of the series, with nine couples taking to the dance floor.

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Vicky Pattison has confessed hilariously in her podcast with Angela Scanlon that there’s one element of their relationship that husband Ercan Ramadan finds a total turn off…

Strictly Come Dancing star Vicky Pattison has admitted there’s one part of her that husband Ercan Ramadan finds a major turn-off: her nostril hair. Speaking on an episode of Get a Grip, her podcast with former Strictly star Angela Scanlon, Vicky, 37, said, “Do you know what really p**ses off Erc? My nostril hair.”

Despite saying Ercan, 32, was “a hairy man” with “strong Cypriot roots,” Vicky said he was adamant that she took action from the moment they began dating more than six years ago. “He’s really anal about hair – when we first got started going out he was like, ‘I need to do your nostril hair,’ and I was like, ‘No, because they’re fair babe, so just leave it.’”

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Undeterred, Vicky revealed that Ercan took an electric trimmer to her nose, saying he “got up there with his weed-whacker thing” to remove the offending hairs. However, his solution failed to solve the problem. “Now they have grown back thicker and more determined,” she confessed.

Vicky, who’s dancing with pro Kai Widdrington on the hit BBC series, also told of her joy at coming top of the Leaderboard for the first time last weekend. She and Kai bagged the highest score with 39 points for their Tango to Taylor Swift’s The Fate of Ophelia, overtaking Amber Davies’ and Nikita Kuzmin’s Samba. “It just felt like it all came together,” Vicky told Angela, 41. “Even if that is the first and only time I get to be top of the Leaderboard I’m just so happy I got to do it once.”

She added, “It’s such a nice feeling – and it’s one I never thought I’d experience. I was in absolute shock, and I still am. I am dead proud of myself. I’m dead happy, I’m a bit emotional about it all, because I didn’t expect it.”

But Vicky also used this week’s podcast to again deny persistent rumours that she has slapped Ercan with a so-called ‘sex ban’ at home. “I’m not doing a sex ban,” she insisted, “but after doing the Samba all day, I’ve not got energy for the mattress mambo at home. I’m absolutely done in.”

Although the outspoken former Geordie Shore star loved being top of the Strictly pile last weekend, she still finds the elimination process nerve-shredding. “I have been unlucky enough to be in that final four and honestly it’s just the most awful feeling,” she said. “I know at some point I’ll have to be in the dance off, and it’ll be terrifying. It will just be awful.

“As we all know, I don’t deal with nerves very well or pressure, so I’m not looking forward to it. The relief when the light goes off you, and you’re squeezing hands – it’s very intense.”

She also told how she and Kai, 30, have been speaking about their plan to stay in touch after the show – although Vicky warned him, “Don’t think I’m going to be ringing you for a dance. When I’m f***ing done, I’m done. Everything’s going in the bin.”

But when their number is finally up, she’s looking forward to putting her feet up for a well-earned rest. “It’s obviously the most incredible experience ever, but it’s exhausting,” she told Angela. “I’m looking forward to having a nice Christmas.”

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It takes a certain composure, as a teenager, to walk out onto Taylor Swift’s stage in a sold-out stadium and play an opening set to tens of thousands of fans who have never heard of you. But it takes even more conviction to use the occasion to play music almost guaranteed to leave them squirming — grimy, bloodletting noise-rock and electro about being a sexual menace and growing disillusioned with God.

The now-20-year-old singer-songwriter Sofia Isella did that last year, opening on the Australian run of Swift’s Eras tour. “Taylor was an angel for allowing me to share that stage,” L.A.-raised Isella said. “I wish I could have recorded that feeling. But the show itself is not as nerve-wracking as it is playing for 20 people. There’s something about a giant room that almost feels a little dissociative, like it’s not really happening or it’s not really there.”

“Dissociative” is a decent descriptor for Isella’s music, too — disorienting, unnerving, drawing out emotions you might not understand. But there’s so much skill in the performances and imagination in her arrangements that they may well get Isella — who plays the Fonda Theater on Nov. 16 — onto much bigger stages of her own, just as the world gets much bleaker around her.

“This next record, I’m having so much fun with s— that’s really f— dark,” Isella said. “It’s like, the only way to stop screaming about it is to have a moment laughing about it.”

Isella grew up in Los Angeles in a family with enough entertainment-biz acclaim to make being an artist feel like a viable career. Yet they still let her be feral and freewheeling in developing her craft. Her father, the Chilean American cinematographer Claudio Miranda, won an Oscar for 2012’s “Life of Pi” and shot “Top Gun: Maverick” and the recent racing hit “F1” (Her mom is the author Kelli Bean-Miranda). Looking back on her bucolic childhood in L.A., Isella recalled it filled with music and boundless encouragement, worlds away from her social media-addled peers.

“I’d been homeschooled my whole life,” Isella said. “My mom would leave little trails of poetry books for me to find, and my dad would set up GarageBand and leave me for hours with all the instruments and nothing but free time. I didn’t even have a phone until I was 16. When I first was on TikTok, I saw everyone had the same personality, because they had been watching each other for so long. Being around kids my age was so strange, because I’d grown up around adults — like, ‘Oh, these kids are so sweet and kind and adorable, but they think I’m one of them.’”

After her family temporarily moved to Australia during the pandemic and Isella began self-releasing music, it became clear that her talents set her very far apart. Drawing on her early background in classical music and a fascination with scabrous rock and electronic music, she found a sound that melded the Velvet Underground and Nico’s elegant miserablism, Chelsea Wolfe and Lingua Ignota’s doom-laden art metal and the close-miked , creepy goth-pop of Billie Eilish’s first LP.

Isella began self-releasing music during the pandemic. Since then, she’s landed opener spots on multiple high-profile tours.

(@okaynicolita)

Her early music showed a withering humor and skepticism of the culture around her (“All of Human Knowledge Made Us Dumb,” “Everybody Supports Women”), but singles came at rapid clip and translated surprisingly well on the social media platforms she loathed (she has 1.3 million followers on TikTok). It all got her onto stages with Melanie Martinez and Glass Animals and, eventually, Swift. (A Florence + The Machine arena tour opening slot is up next.)

On 2024’s writhing EP “I Can Be Your Mother,” songs like “Sex Concept” had the sensual fatalism of poets like Anne Sexton and Sylvia Plath, paired with the drippy erotic menace of Nine Inch Nails. “I’ll bend him over backwards, give him something to believe in,” she sings. “We’ll play the game, both go insane and then we’ll call it even … I’m the only god that you’ll ever believe in.”

“The first EP was this whole story of giving birth to yourself, this giant stretched-out muse,” Isella said, leaning into a stemwinder about the genesis of art. “It just doesn’t feel like it’s coming from me. It feels like it’s coming from some weird thing I somewhat worship.”

A May 2025 follow-up, “I’m Camera,” dealt with the depersonalizing effects of sudden attention. On “Josephine,” she makes tour life feel like a proverbial grippy-sock vacation to the breakdown ward — “I’m sock-footed, sick and selfish holding strangers’ hands … I lost something, I sold it, I only remember the ache.”

Isella’s wariness of institutions extends to her recording career. She’s still independent for now — surprising for an artist on Swift’s radar — and uncompromising about what a label would demand of her compared to what they can provide. “I’ve met with a lot of the big dogs, and they’re very kind people, but I just love the feeling of being independent,” Isella said. “Maybe I’ll change my mind on that, but I’m trying to fully understand a label and what its functions are, what it gives the artist in a social media day. I’m trying to fully assess that before I sign any magic papers.”

Her newest material (and her subversively eerie, Francesa Woodman-evoking music videos like “Muse”) feel perfectly timed to the apocalyptic mood in L.A. and the U.S. now, where an inexorable slide to ruin feels biblical. “Out In the Garden,” from September, hits some of the Southern gothic moods of Ethel Cain, but with a sense of acidic pity that’s all her own. “That there’s a small part of me that’s envious / That you full-heartedly believe someone is always there,” she sings. “That will always love you, and there’s a plan for you out there.”

Even at her bleakest, there’s a curdled humor underneath (her current tour is subtitled “You’ll Understand More, Dick”). But if this little sliver of young fame has taught Isella anything, it’s that even when everyone wants a piece of you, no one is actually coming to save any of us.

“There’s nothing with weight, nothing that’s meaningful, to blind faith,” Isella said. “On this next record, I’m about to go really angry because religion really pisses me off, it inflames me. But it’s the most beautiful placebo to imagine that there’s a father that loves you no matter what you do. I’m a really lucky person in that I’ve always been safe and protected, but if you’ve had a rough life, that is insanely powerful to imagine that and believe that.”

Strictly Come Dancing’s Vicky Pattison and her professional partner Kai Widdrington topped the leaderboard on Saturday night (November 8) with 39 points

Strictly Come Dancing’s Vicky Pattison was over the moon as she achieved her highest score of the series, topping the leaderboard.

On Saturday night (November 8), Vicky and her professional partner Kai Widdrington wowed the audience with a Tango to Taylor Swift’s The Fate Of Ophelia.

The pair ended the night on a high note, achieving their personal best score of the series – an impressive 39 points. Craig Revel Horwood was full of praise, describing the performance as “perfect”, while Anton Du Beke admitted he was “a bit stunned” because it was “that good”.

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He enthused: “I thought it was absolutely marvellous. I loved it. Your line is the best line I’ve ever seen. It was immaculate.” Meanwhile, Motsi Mabuse and head judge Shirley Ballas declared it their “dance of the night”, reports the Manchester Evening News.

Motsi gushed: “Last week I said you were a contender for the final, and this dance just proved what I meant. You confirmed my intuition. Without a doubt, you are on fire. Whatever is giving you that fire – keep it up. This was for me, till now, the dance of the night.”

After the show, Vicky took to Instagram to share her disbelief, posting a snapshot of the leaderboard with the caption: “This can not be real”. Saturday’s episode marked the halfway point of the series, with nine couples taking to the dance floor.

Hot on their heels in second place were West End star Amber Davies and professional dancer Nikita Kuzmin, who performed a Salsa to You Make Me Feel (Mighty Real) by Sylvester.

The duo bagged two perfect 10s, racking up a total of 38 points – their highest in the series, which Craig enthusiastically labelled as: “Ah-mazing”.

Follow our Strictly Come Dancing blog by clicking here.

Taylor Swift fans ‘screamed’ on Sunday evening’s results show after learning that Vicky Pattison will be dancing next week to the pop star’s latest single – The Fate of Ophelia

After finding out that she was safe from the dreaded dance off, reality star Vicky Pattison was told what her dance and song choice would be for next week. Taylor Swift fans couldn’t contain their excitement on Sunday evening’s Strictly Come Dancing results show after learning that Vicky, 37, will be dancing next week to Taylor Swift’s latest single – The Fate of Ophelia.

Professional partner Kai Widdrington started dancing as a small clip of the song played and sent Swifties into a frenzy online. One person took to X, formally known as Twitter, and wrote: “Arrgghhh not @VickyPattison dancing to The Fate of Ophelia, I screamed Strictly…doing Taylor Swift…and it’s a race weekend, I may just burst with excitement”.

Another fan penned: “Omg Vicky and Kai are dancing to Ophelia next week. My life for a month has been dominated by life and of a Showgirl”, while a third chimed in: “As a Swiftie. I’m Super excited to see that Vicky and Kai are dancing to The Fate of Ophelia next week!! Let’s see this be an iconic performance”.

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The track The Fate of Ophelia is the lead single off the album The Life Of A Showgirl which was released last month and features multiple references to her relationship with Travis Kelce.

She references a “megaphone”, a hint at the fact he reached out to her by screaming it out into the world on his podcast, rather than going through the usual ways.

Speaking about the new album, she said: “One thing about this album that I think is really exciting is that oftentimes when I make a record there’s like a lag time between when I made it and when it enters the world.

“Like for example, my last album, Tortured Post Department, by the time that album came out, I was in a completely different point in my life. With this one I would say that this album is a complete and total snapshot of what my life looks like right now.”

It comes after Vicky burst into tears on Saturday night’s Strictly after she performed the American Smooth with professional partner Kai. The dance, which was set to Bonnie Tyler’s Total Eclipse of the Heart, saw Vicky dressed as a white witch on theme for Halloween Week.

The dance went well and she received praise across the board from judges Craig Revel Horwood, Anton Du Beke, Motsi Mabuse and Shirley Ballas, eventually scoring 31 for her efforts and even a standing ovation.

Not only was Vicky pleased her hard work was paying off but she was left in utter shock when Motsi predicted that she will make the final.

Motsi said: “A few weeks ago, I couldn’t believe that you’d open our show. I loved the character play in the beginning, you did it so, so well. So for me, you are a contender for the final. Honestly. And I just want you to finish everything, make everything nice and clean.”

Motsi’s comment was met with cheers from the audience, and Vicky promptly broke down in tears of joy. Rushing over to be interviewed by Claudia Winkleman, her tears continued as she said: “I hated going first! Honestly, I loved this dance this week because for once I had a foundation to build on. I wasn’t just starting from scratch and feeling so inadequate. I was just desperate to prove that I have improved.”

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