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Mood of Discontent Hovers Over South; Presidential Rivals So Far Fail to Tap It : Campaign: Major primaries approach rapidly, but message of competing hopefuls seems not to have reached voters.

After weeks of meandering through snowy fields of the North and Midwest, the campaign for the presidency now turns South, to a vast region that paradoxically mixes relatively low unemployment with high dissatisfaction.

In Blanco County, Tex., for example, the unemployment rate of 3.5%–down one-third over the last three years–compares favorably with the days when local favorite son Lyndon B. Johnson reigned in Washington in the ‘60s. But that fact does not console Ava Johnson Cox, the late President’s 87-year-old cousin.

“At one time, America contained the inspiration and the purifying principles of the world,” Miss Ava told a visiting reporter recently. “But no more.”

Clear across Dixie, in Atlanta, Jackie Rogers, owner of a downtown ladies’ boutique, struck a similar note.

“I’m very upset about this economy,” she said. “This is the first time America is not rewarding their well-educated people.

“They are the ones who went to school and studied so hard to make America No. 1,” she added. Now, “they are the ones on the unemployment lines.”

But while Southerners may agree with citizens of, for example, New Hampshire, about the problems the country faces, they have had much less exposure to politicians’ proposed solutions.

Unlike New Hampshirites, who lived for two months under a steady barrage of campaigning before they voted last week, citizens of the South have only just begun to hear from the candidates. When they vote–March 3 in Georgia and Maryland, March 7 in South Carolina and March 10 in Florida, Texas and several other Southern and border states–they will do so after an intense, but short, campaign.

As a result, for many potential Southern voters, the sense of discontent they share with the rest of the nation remains somewhat separated from the political process, and their feelings about candidates remain largely unformed.

“It’s strange to be so far into the process and not feel more committed to someone,” said Margaret Yoder, a 44-year-old real estate broker in Miami. “I’m feeling confused.”

Southern voters know President Bush, and many in the South still like him despite disapproval of his handling of the economy.

“I’m going to vote Republican,” said Henry Dryer Jr. of Carollton, Ga. “I think, personally, and most of the people in my circle feel, like Bush has done as good a job as any President in his circumstances could have done.

“The poor man can’t do it by himself,” Dryer said. On the other hand, he added: “People in this part of the country are just very disappointed that Bush hasn’t done something to pull us out of the recession.”

On the Democratic side, the name of Arkansas Gov. Bill Clinton registers with many, but primarily for the controversies surrounding him–unsubstantiated allegations of marital infidelity and questions about his Vietnam-era draft status.

And as for former Massachusetts Sen. Paul E. Tsongas, some voters say they like what they have heard of him. Tsongas is “not a showman,” said James Smith, a retiree in Atlanta. But more typically, Southerners interviewed for this story said that despite his victory in New Hampshire, they simply remain unsure who Tsongas is.

“People still have trouble pronouncing his name,” said Beth Carper, a graduate student at the University of Tennessee in Knoxville, who said she supports Tsongas but doubts he can win when her state votes March 10.

In Johnson City, Tex., the Blanco County seat in the hill country west of Austin, Ralph Moss, 48, said he has made only one decision about the election. He voted for Bush once and will not do it again. Beyond that, Moss said, he cannot decide what to do.

“There’s not a real good choice to make,” said Moss, who is the mayor, a nonpartisan position. “I may not vote in the primary.”

DeeDee McKennis, a cashier at Johnson City’s Dixie Fried Chicken and Quick Stop, would like to see the country make a change.

Even though she and her husband have had “the best year we’ve had in years” economically, she remains worried. McKennis, 46, and her husband both hold two jobs, she said, but they cannot afford to send any of their four children to college. Nor can they afford health insurance.

Still, McKennis has not found a candidate she feels confident would bring about the changes she would like to see.

Down the street, Duke Rumpf, 68, the manager of the Charles’ Motel, gave Clinton a tepid endorsement and, in the process, summed up what many Southern voters seem to feel.

Clinton, he said, had “got the state of Arkansas in pretty good shape.” But, he added: “I ain’t seen anybody I’m real enthused about. I know I ain’t enthused about the one (President) we got.”

Special correspondents Edith Stanley in Atlanta, Karen Brandon in Johnson City, Tex., Michael Clary in Miami and Patrick Thomas in Nashville contributed to this story.

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Rob Reiner’s best films: ‘This Is Spinal Tap,’ ‘A Few Good Men’ & more

Rob Reiner was born into the lineage of comedy thanks to his father, television pioneer Carl Reiner, and he first gained recognition as an actor, including his Emmy-winning role on “All in the Family.” And while there is certainly a streak of humor through almost all of his films, what marks Reiner’s work as a director is his astonishing versatility, able to switch styles from one project to the next with remarkable ease. The run of films that begins with his feature directing debut, 1984’s “This Is Spinal Tap,” on through 1986’s “Stand by Me,” 1987’s “The Princess Bride,” 1989’s “When Harry Met Sally…,” 1990’s “Misery,” 1992’s “A Few Good Men” and 1995’s “The American President” is simply breathtaking for its mastery across the specrum of popular Hollywood moviemaking.

‘This Is Spinal Tap’ (1984)

Rockers appear on television in the late 1960s.

Harry Shearer, left, Christopher Guest and Michael McKean in the movie “This Is Spinal Tap.”

(Archive Photos / Getty Images)

Though not strictly the first to explore the form, Reiner’s first feature as director more or less cemented the concept of the “mockumentary,” presenting itself as a documentary on the (fictional) rock band Spinal Tap. Reiner appeared onscreen as Marty DiBergi, director of the faux film-within-the-film, forming a neat transition from his career as an actor to director. And while this year’s sequel “Spinal Tap II: The End Continues” was not particularly well received, the legacy of the original, still among the most quotable comedies ever made, remains untouchable. — Mark Olsen

‘The Sure Thing’ (1985)

Made amid the teen sex comedy craze of the 1980s, Reiner’s second film, about two college students sharing a cross-country car trip together, had something special and different about it — namely the performances of John Cusack and Daphne Zuniga, who both brought an openhearted tenderness to a story that might have toppled into cynicism. The emotional earnestness that would often come through in Reiner’s work first emerged here, making what could have been a run-of-the-mill exercise into something more. — M.O.

‘Stand by Me’ (1986)

Four boys stand in the woods, noticing something.

Wil Wheaton, left, River Phoenix, Jerry O’Connell and Corey Feldman in the movie “Stand by Me.”

(Columbia Pictures)

Based on a novella by Stephen King, “Stand by Me” is about four boys — played by Wil Wheaton, Corey Feldman, Jerry O’Connell and River Phoenix — who find their friendship tested during a particularly eventful Labor Day weekend of 1959. Approaching the story with a mix of dewy nostalgia and incisive clarity, the film earned Reiner the first of three nominations from the Directors Guild of America. — M.O.

‘The Princess Bride’ (1987)

A man passionately embraces a woman in red on the grass.

Robin Wright and Cary Elwes in the movie “The Princess Bride.”

(20th Century Fox / Kobal / REX / Shutterstock)

It would be inconceivable to not include “The Princess Bride” in any consideration of Reiner’s best, as the swashbuckling fantasy romance embodies a sense of playful inventiveness and anything-can-happen ethos. An elderly man reads a story to his grandson as the action comes to life in the tale of a farm boy and a princess who are fated to be together, if only they can overcome all manner of trials and challenges. The movie has now enchanted multiple generations of children and adults alike. — M.O.

‘When Harry Met Sally…’ (1989)

A woman in a hat and a man have a conversation in a New York City park.

Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”

(Castle Rock Entertainment)

As much as any other movie, “When Harry Met Sally…” (scripted by Nora Ephron) has come to embody the modern romantic comedy with its will they-won’t-they tale of two good friends who come to realize they may also work as something more. Grounded by the charming performances of Meg Ryan and Billy Crystal, as well as a strong supporting cast including Carrie Fisher and Bruno Kirby, the film has a rare warmth. It was Reiner’s mother Estelle who delivered the unforgettable punchline, “I’ll have what she’s having.” — M.O.

‘Misery’ (1990)

Kathy Bates and James Caan in "Misery."

Kathy Bates and James Caan in “Misery.”

(Archive Photos / Getty Images)

Reiner named his production company Castle Rock Entertainment in honor of his deep love for Stephen King’s fiction and after making a splash with “Stand by Me,” there was no way he wasn’t going do something scarier as a follow up. (You get a hint in “When Harry Met Sally” — look at the hardcover Crystal is skimming.) King’s captive-author nightmare gets classed up by two knockout performances calibrated in perfect harmony: Kathy Bates’ psycho fan, a turn that earned her an Oscar, and James Caan as the bedbound writer. At the time, Caan was an actor in need of a second chance. Reiner was it. — Joshua Rothkopf

‘A Few Good Men’ (1992)

Two Navy officer have a showdown in a courtroom.

Jack Nicholson, left, and Tom Cruise in the movie “A Few Good Men.”

(Mondadori Portfolio / Mondadori via Getty Images)

Reiner seemingly conquered yet another movie genre with this tightly wound military courtroom thriller and received his only Academy Award nomination, for best picture. Reiner was also recognized with nominations from the Directors Guild, Producers Guild and Golden Globes for the film. Written by Aaron Sorkin and featuring a cast that includes Tom Cruise and Demi Moore, this has Jack Nicholson’s volcanic delivery of the now-legendary line, “You can’t handle the truth!” — M.O.

‘The American President’ (1995)

Michael Douglas and director Rob Reiner on the set of "The American President."

Michael Douglas and director Rob Reiner on the set of “The American President.”

(Archive Photos / Getty Images)

A president as a romantic lead? Such things actually happened during the Clinton era. Reiner injects warmth and realism to Sorkin’s swaggering original script, loaded with wonky dialogue and walk-and-talks. But it’s the careful steering of Michael Douglas as a widowed U.S. leader and rising star Annette Bening as an extra-persuasive eco-lobbyist that distinguish this gentle comedy, one that seems positively alien to our current climate. Widely known for his vigilant activism in later years, Reiner’s on-screen politics were no less optimistic. — J.R.

‘Rumor Has It’ (2005)

A woman and a man share a pitcher of beer.

Jennifer Aniston and Kevin Costner in the movie “Rumor Has It.”

(Melissa Moseley / Warner Bros. Pictures)

Not many would dare to take on a sort-of sequel to a movie as beloved as “The Graduate,” but Reiner brought a casual ease to the tale of a woman, played by Jennifer Aniston, who believes her mother and grandmother were the inspiration for Charles Webb’s original source novel. Though reviews at the time largely savaged the movie, it now seems just the kind of self-assured studio comedy audiences yearn for, buoyed by Shirley MacLaine’s outrageous performance as a woman who may be the real Mrs. Robinson. — M.O.

‘Albert Brooks: Defending My Life’ (2023)

Two men sit across a restaurant table.

Albert Brooks, left, and Rob Reiner in the documentary “Albert Brooks: Defending My Life.”

(HBO)

Reiner received two Emmy nominations for this documentary tribute to comedian, actor and filmmaker Albert Brooks, a friend of Reiner’s since the two met as teenagers at Beverly Hills High. It’s captured as an expansive conversation with the two sharing a meal in a restaurant. As much as the film is a portrait of Brooks, it also reflects Reiner’s own unique position as someone who knew show business and its ups and downs with a rare intimacy. — M.O.

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