The Artemis II crew captured this photo of the Milky Way. Scientists said Monday that they’ve discovered erythrulose, a sugar also found in raspberries, in a gas cloud near the center of the galaxy. Photo by NASA/UPI | License Photo
July 13 (UPI) — Scientists have discovered erythrulose, a type of sugar also found in raspberries, in a gas cloud near the center of the Milky Way, the galaxy that also includes our solar system.
This is the first time that researchers have discovered this sugar outside our solar system, although they have found other sugars, including ribose and glucose, in meteorites and asteroids. The study was published Monday in the journal Nature Astronomy.
Along with water and carbon, sugars are a key ingredient in life as we know it. They help to provide energy and serve other important purposes, researchers said.
“We were able to achieve this detection thanks to the combination of exceptionally sensitive observations, extensive frequency coverage and highly accurate laboratory spectroscopic data,” said Dr. Izaskun Jiménez-Serra, study co-author and staff researcher at the Spanish National Research Council. “In addition, our astronomical target is one of the richest chemical inventories in the galaxy, which enhances the probabilities of detection.”
Jiménez-Serra said erythrulose is “particularly relevant for the field of origins of life.”
Erythrulose is made up of four carbon atoms. It was confirmed by use of the Yebes 40-meter telescope and IRAM 30-meter telescopes in Spain, the study said.
The discovery is notable in part because it shows researchers that erythrulose could be found in the interstellar medium before finding its way into rocky planets such as Earth when they first formed, rather than later developing on the young planet. Lab experiments had shown that not enough of the sugar could have formed on pre-life Earth.
“The findings suggest that erythrulose can be made from simpler molecules on dust grains in space, and may then become part of more complex chemical systems,” researchers said.
Erythrulose is important because it changes the makeup of threose, another sugar, which in turn may be part of the origin of the nucleic acids that became RNA and DNA.
July 13 (UPI) — Mexico announced the United States will begin to restore Mexican sugar’s access to its market, a measure that could significantly increase exports during the 2026-2027 season and boost income for about 170,000 sugarcane producers.
Mexico’s presidency said in a statement released Friday that the measure is the result of talks with U.S. authorities led by President Claudia Sheinbaum since November 2025.
The U.S. Department of Agriculture estimated the country will need to import up to 1,152,000 tons of Mexican sugar during the 2026-2027 marketing year, an amount 512% higher than the estimate for the current marketing year, according to the statement.
The estimate appears in the World Agricultural Supply and Demand Estimates report published by the U.S. Department of Agriculture on July 10, the Mexican government said.
The presidency said the new conditions could generate a potential increase of up to 4.76 billion pesos, about $272 million, in the price paid by the sugar industry to about 170,000 Mexican sugarcane producers.
The talks that led to the announcement began in November 2025 during a visit by U.S. Agriculture Secretary Brooke Rollins to Sheinbaum, the statement said.
The Mexican government said the outcome demonstrates that “through dialogue it is possible to build important agreements” benefiting agricultural producers and food consumers in both countries.
Sugar trade between Mexico and the United States has been regulated since late 2014 under the so-called suspension agreements, according to background information published by the Latin American and Caribbean Economic System.
In June 2017, the governments of both countries reached an agreement in principle that reduced the share of refined Mexican sugar to 30% of total imports from the previous 53% limit, while increasing the share of raw sugar, the regional organization reported.
The U.S. sugar industry initially refused to support that agreement. Then-Commerce Secretary Wilbur Ross said Mexico had accepted nearly all of the requests made by the industry, but U.S. producers still did not support the proposed terms.
U.S. refiners argued that high-quality Mexican raw sugar was reaching consumers directly instead of passing through their plants, according to the Latin American and Caribbean Economic System.
The dispute involved a coalition of U.S. sugarcane and sugar beet producers, as well as ASR Group, maker of Domino Sugar, and Imperial Sugar.
ASR Group and Imperial Sugar said at the time that the 2014 agreement did not provide sufficient supplies for their refining operations and had asked the U.S. government to end the pact, the regional organization reported.
For whatever reason, I never reviewed the first season of “Sugar,” which I’d stopped watching before its late-season big reveal — the detective (Colin Farrell as John Sugar) is an alien. Had that happened earlier in the story I might have hung on, but strictly as a production, I’d found its brand of neo-noir to be mannered, gimmicky, obvious, overdirected (by Fernando Meirelles, the Brazilian director of the fine “City of Men”) and, as you may have surmised, off-putting.
This is by way of announcing that the second season arrives Friday on Apple TV and that I like it very much. The stylistic eccentricities have been dialed back, including the use of old Hollywood film clips to reflect the action and possibly the thoughts of its main character, a cinephile from space, who is both practicing and enacting the work of a private detective. He reads American Cinematographer; he takes the Paramount studio tour, then takes it again.
One might navigate the new season without having watched the first, though at least reading an online synopsis. Sam Catlin (“Preacher”) has taken over as showrunner from series creator Mark Protosevich; the tone is lighter, the plot less perverse. Under new director of photography Marshall Adams, the camerawork, formerly too quirky by half — a mishmash of lenses and film stocks and canted angles — has settled down, as has the editing, enhancing the story by letting it breathe and staying out of the way of Farrell’s singular performance — the series’ distinguishing feature and warm heart.
For all his influences, Det. Sugar is the one character who can’t easily be traced back to an earlier model. As detectives go, he’s unusually sweet, optimistic, diplomatic, willing to give a villain a way out, closer to the Man Who Fell to Earth than to Sam Spade. He loves animals, and they love him.
Farrell, who also narrates in a soft voice, often wears a look of shy incomprehension, as if a beat behind in translating the world around him, a stranger in a strange land.
Using his mild telekinetic powers, Det. John Sugar (Colin Farrell) makes a tennis ball float in the air, to the delight of some dogs in “Sugar.”
(Apple TV)
As aliens go, he is also something of a lightweight, demonstrating some mild telekinetic abilities (making a tennis ball float to entertain a pack of dogs, stirring the ice cubes in his drink) and the ability to speak any language, which underscores his empathetic nature. He makes friends with cab drivers, tour guides and security guards; as an “immigrant,” he appreciates immigrants. He’ll do the dishes for a woman too grief-stricken to attend to them, explain to a man who hates his own name that it’s a reference to Bogart’s character in “Casablanca” and a sign of his mother’s love. He can drink as much alcohol as he likes — his metabolism keeps him from getting drunk — which makes him indefatigable company in a bar, but he is horribly allergic to cinnamon. Remember that, if you’re ever forced to defend yourself from an ET.
Where classic noir detectives tend to be middle-class sorts a job or two ahead of losing their office, Sugar has a lot of money, whether saved up from earlier high-priced cases — his Season 1 client is a rich old man ripped from “The Big Sleep” — or piped down from space. He wears expensive suits, lives in a bungalow in a high-end Los Angeles hotel but also buys a house in the Hollywood Hills because its view allows him to spy on a dodgy character from Season 1; and drives a Nassau Blue 1966 convertible Corvette that he blithely parks in bad neighborhoods with the top down. When the car actually is stolen in this season’s opening episode, it brings him into contact with Val (Sasha Calle, Supergirl in “The Flash” movie), a spunky, punky petty criminal who negotiates its return and whom Sugar makes his assistant; I wouldn’t say Calle is underused, but I would have liked to see more of her.
Sugar came to Earth as part of a group of “thousands,” mixing among humans incognito just to observe them, for benign alien reasons, like Starship Enterprise on its five-year mission. (We get a flashback to Sugar’s first days on Earth, before he acquired the suits and the car and settled on a profession.) At the end of Season 1, their cover being blown, and humans being famously weird when it comes to extraterrestrials — you’ve seen the movies — they return home en masse, except for Sugar. He’s still working a missing persons case of his own, looking for his sister, hopefully alive, somewhere on the planet. And he’s becoming more of an Earthman — the dangers of assimilation are a specific Season 1 plot point. On top of that, like a lot of people, he just loves L.A.
Laura Donnelly as flirtatious Charlotte in “Sugar.”
(Jason LaVeris / Apple TV)
And then there’s Charlotte (Laura Donnelly), whom he meets in the bar of his hotel; it doesn’t take a degree in postwar genre fiction to recognize that there may be something fishy, perhaps “fatale,” about her. But like Sugar, we’re content to put that question off as long as possible, in the hopes that maybe this relationship will be as uncomplicated as we’d like it to be, and a tonic for Sugar’s loneliness. (He no longer has his dog, even.) He regularly gets on the subspace shortwave looking for any others of his kind left on Earth.
The new season will get around to that question, though the alien and earthly plot lines are kept on separate tracks. Most of the time “Sugar” functions as a straightforward compelling detective story, as the protagonist hunts for Ji Moon (Raymond Lee), the missing junkie brother of Danny Moon (Jin Ha), a talented young Korean American prizefighter on the first rung of the ladder to success. (Sugar is working pro bono, not needing the money but very much needing something to do.) It brings him into the orbit of drug dealers and crooked police officers and through an array of Southland locations, including the Beverly Center — finally, a good use for that place — Koreatown, the Vista Theater and the Huntington Gardens.
While there’s nothing particularly novel about that plot, it pulls you along, and the series as a whole is orchestrated to make one care about the characters and worry over their fates. Vivid minor characters — there are pro turns from Shea Whigham, Laura San Giacomo and Mireille Enos — make the story live. All in all, a good meal that leaves no bitter aftertaste.
The show takes a fresh group of young people each week, plucking them from their comfort zones and dropping them headfirst into a completely different way of life.
On Sunday night (May 10), viewers watched as self-confessed shopaholics Saffron, Umar, and Bridie swapped their lavish lifestyles for a 1960s-inspired, off-grid existence in Cornwall.
Things quickly became overwhelming for Saffron, however, when the reality of her new surroundings hit home upon arrival.
The moment she stepped into their accommodation with her suitcase in tow, the 26-year-old broke down in tears, reports Wales Online.
She commented: “I can’t do this, I don’t like any of it. I don’t want to do this anymore. No, I really don’t want to do this anymore. It’s too much, I can’t.”
Farm resident Babu stepped in to comfort a distressed Saffron, who struggled to articulate just how overwhelming she found the whole experience. She added: “The bees, the walking, the climbing. I’m not used to quiet at all.”
With some gentle encouragement from Babu, Saffron ultimately decided to stick it out and embrace farm life. Throughout the episode, viewers also gained a fascinating insight into her life back home.
Speaking candidly to the camera, she revealed: “I am a sugar baby. A sugar baby is basically a companion. When I have a long-term sugar daddy, then the items per month would be a few Chanel handbags or a few Christian Louboutins.
“The men that I’ve dated, they’ve always looked after me, I’m just a 24/7 princess, so I don’t know what life is without that.”
Saffron explained to the group at the farm that their relationships remain platonic, focusing primarily on conversation rather than anything physical.
After a difficult beginning, Channel 5 audiences witnessed a transformation in Saffron as she threw herself into producing fresh organic apple juice for sale at a farmers’ market.
The 26 year old became emotional later in the programme when discussing the bullying she endured in her younger years, though the experience appeared largely beneficial for her overall.
Reflecting as the episode concluded, she admitted: “The biggest challenge of this week has been the whole bl***y week! I know that everyone thought I was going to leave day one, myself included, but no, I stayed the week! I’m not proud of myself this week, no.”
She continued candidly: “I’m going to be real, I think there’s a lot more I could’ve tried, but there was so much emotion that kept coming over me every time in every single activity, I was finding bits of myself that I’d hidden for so long.”
Trading Places is available to watch on Channel 5.