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The embattled Los Angeles Homeless Services Authority sued the Trump administration on Monday to stop it from depriving the region of hundreds of millions of dollars in funding, saying the effort is unwarranted and violates federal laws.

The authority, better known as LAHSA, said in its Monday filing that cutting off the funds would put more than 11,000 people — 1,900 of them children — at risk of losing housing or other services.

LAHSA, a joint city-county agency overseen by political appointees, is seeking a temporary restraining order to bar the federal Housing and Urban Development Department from suspending the funds.

“The people who will be harmed by this decision are not bureaucrats,” said Gita O’Neill, LAHSA’s interim chief executive officer, in a statement Monday. “They are families, veterans, seniors, and formerly homeless Angelenos who rely on these resources to remain housed.”

The filing in federal court comes nearly three weeks after HUD officials said they were suspending LAHSA from applying for or receiving federal funds, citing financial mismanagement, fraud and a lack of safeguards to prevent conflicts of interest.

In its 46-page lawsuit, LAHSA pushed back on HUD’s allegations, saying they were not supported by the evidence. Lawyers for LAHSA portrayed HUD’s actions as part of a larger political agenda — elimination of the federally approved “Continuum of Care” system, which makes LAHSA the overarching applicant for most federal homelessness funding across Los Angeles County.

The Trump administration “has made clear it wants to scrap the program entirely in favor of a homelessness policy favoring criminal enforcement, drug treatment, institutionalization and civil commitment of the mentally ill,” the lawsuit states.

HUD officials have said they are barring LAHSA from applying for funds on behalf of the Continuum of Care, which covers 85 cities, including Los Angeles. LAHSA secured $220 million in federal funds for various agencies in 2024 and $944 million since 2021, according to the June 11 letter from HUD Deputy Secretary Andrew D. Hughes.

HUD did not immediately respond to a request for comment. In the letter, Hughes said his agency had received information that LAHSA “may have committed violations of federal law” while carrying out its obligations as part of its HUD grant agreements.

“HUD has evidence that LAHSA’s repeated false statements and its irresponsible actions and failures, including its lack of financial management, internal controls, and safeguards against conflicts of interest, pose a threat to HUD, the public, and those living on the streets of Los Angeles,” he wrote.

In the letter, Hughes said that HUD’s inspector general had opened an investigation. Depending on the outcome, the money could be restored or LAHSA could be permanently barred from receiving funds.

LAHSA, in its lawsuit, said HUD has not provided any investigative findings to show violations of the funding agreements. Instead, agency lawyers said, federal officials relied on “a mash-up of old news articles, comments from public officials taken out of context, and findings from routine public audits that included recommendations that were all appropriately actioned.”

Lawyers for LAHSA contend that HUD’s actions violate the U.S. Constitution and override the dictates of Congress, which established many of the processes for distributing federal homeless funds.

The vast majority of the federal funds secured by LAHSA as a grant applicant goes toward permanent housing, agency officials said.

LAHSA, created in 1993, is overseen by a 10-member commission, half from the city and half from the county. Among those commissioners is L.A. Mayor Karen Bass, who has made homelessness a central part of her agenda. Each of the five county supervisors has an appointee.

At stake in the battle between HUD and LAHSA is an array of services affecting some of the region’s most vulnerable residents.

LAHSA oversees the Homeless Management Information System, the federally-mandated software that tracks homeless people across the county. It has 8,000 individual users and is used by more than 300 agencies, according to the lawsuit.

HUD’s plan to suspend the funding would prevent LAHSA from using the system to match Angelenos — those on the street and in shelters — with housing and services, the lawsuit said.

LAHSA also oversees the annual “point in time” homelessness count across the county. Agency officials have pointed to the results from those counts as evidence that they have been making steady headway, with homelessness decreasing 4.3% countywide and 5.5% within Los Angeles between 2023 and 2025.

Unsheltered homelessness, which tallies the people living outside or in their vehicles, fell by a larger margin, declining 14% across the county and 17.5% within L.A. during that period.

Despite those numbers, LAHSA’s reputation has been battered by some highly critical assessments.

Last year, a global consulting firm retained as part of a federal lawsuit over the city of L.A.’s response to homelessness found that homeless services provided by LAHSA and the city lacked adequate financial controls, leaving the system vulnerable to waste and fraud.

Several months earlier, county auditors identified lax accounting procedures that resulted in LAHSA’s failure to pay its contractors on time. Even after that report was issued, nonprofit groups with LAHSA contracts continued to report that payments were behind schedule.

Last year, the county Board of Supervisors reached a breaking point, pulling more than $300 million — the vast majority of its funds — out of LAHSA and creating its own homelessness department. City officials have been weighing a similar move in recent months.

Lawsuit claims Tesla’s Autopilot shortcomings led to fatal crash; family seeks $1m in damages and punitive measures.

The family of a Texas woman who was killed has filed a lawsuit against Tesla after a driver using a Model 3’s automated driving assistance system crashed into a suburban Houston home last week.

The complaint, filed on Tuesday, argues that Tesla should be held liable for the wrongful death of 76-year-old Martha Avila. The family alleges that the automaker, led by Elon Musk, failed to adequately warn drivers about alleged defects in its Autopilot and Full Self-Driving systems.

Avila’s daughter, Jennifer Barbour, and her husband, Justin Barbour, said the Model 3’s driver, Michael Butler, told law enforcement he engaged Autopilot before ploughing through the front wall of Avila’s home in Katy, Texas, the United States, on June 19, pinning her before she succumbed to her injuries at a nearby hospital, according to the complaint.

Video obtained by KHOU – Houston’s CBS affiliate — shows the car travelling at top speed over the front lawn of Avila’s home in the Houston suburb before slamming into the front room.

The driver told the Harris County Sheriff’s Office that he was using the technology at the time of the accident. The driver in the incident was not under the influence of alcohol and is cooperating with authorities.

Butler is also a defendant in the Barbours’ lawsuit. It is unclear whether he has a lawyer.

Musk, the world’s richest person, posted on X on Monday night: “FSD drives slowly through neighbourhood streets and this was a high-speed crash!”

Ashok Elluswamy, vice president of AI software at Tesla, posted on X in response, saying that “the driver manually overrode self-driving by pressing the accelerator all the way to 100% of the accel pedal in this residential area.”

The lawsuit filed in a Harris County, Texas, state court seeks more than $1m in damages, and punitive damages reflecting Tesla’s alleged “reckless disregard for a substantial risk of severe bodily injury”.

The National Highway Traffic Safety Administration (NHTSA) has been investigating the crash.

Since 2016, the NHTSA has opened nearly 50 special investigations of Tesla crashes believed to involve advanced driver assistance systems. About two dozen deaths were reported.

In March, the NHTSA escalated its probe into 3.2 million Teslas equipped with Full Self-Driving, on concern the system may fail to detect or warn drivers in poor visibility. In 2023, Tesla recalled about two million vehicles, nearly all of its electric vehicles on US roads, to better ensure that drivers pay attention when using Autopilot.

Tesla has said Autopilot enables vehicles to steer, accelerate and brake within their lanes, while Full Self-Driving lets vehicles obey traffic signals and change lanes.

The carmaker has also said both technologies require “fully attentive” drivers whose hands are on the wheel.

The incident comes as the Musk-owned company is rolling out robotaxis using automated software in several US cities this year and plans to invite Tesla owners across the country to put their cars into the fleet using the same system.

JUNEAU, Alaska — A man with the same name and party affiliation as Alaska Republican U.S. Sen. Dan Sullivan on Monday challenged a decision by a top state elections official to disqualify his candidacy and remove him from the August primary ballot.

A court filing, on behalf of the challenger Sullivan by his attorneys, said the decision by Division of Elections Director Carol Beecher disqualifying him violates state and federal law. It asks that he be placed on the ballot. Sullivan, a retired teacher from the small fishing community of Petersburg, has maintained that he’s a qualified candidate for U.S. Senate and that election officials lacked a legal basis to boot him from the ballot.

The U.S. Constitution lays out three exclusive qualifications for the Senate, addressing age, citizenship and residency, his attorneys wrote.

“Nothing in Alaska law regulates in any way the private motivations that draw individuals to declare or campaign for office,” the filing by attorneys Jeffrey Robinson, Bryn Pallesen and Zoe Eisberg states.

Sullivan’s entrance into the race, days before the June 1 filing deadline, drew condemnation from Sen. Sullivan and the National Republican Senatorial Committee. They called the challenger a sham candidate and alleged he was working with Democrats to boost Democratic former U.S. Rep. Mary Peltola’s chances in the race. Peltola’s campaign and state Democrats have denied the allegation, as has the challenger.

Sen. Sullivan and Peltola are the highest-profile contenders in a race with more than a dozen candidates. It’s one of the most prominent U.S. Senate races in this year’s midterm elections — one both parties consider crucial to their efforts to control the chamber.

Steve Kirch, a spokesperson for the division, said the agency had no comment and does not discuss “ongoing reviews, investigations or related proceedings.” Beecher has previously noted that ballots are due to be printed on Sunday.

Alaska Department of Law spokesperson Sam Curtis said the agency will defend the division’s finding and looked forward to a swift ruling from the court.

On June 15, a week after Republican Lt. Gov. Nancy Dahlstrom announced an investigation into the challenger Sullivan’s run, Beecher disqualified him. She concluded that his declaration of candidacy “was not filed in order to declare an actual good-faith candidacy for the office of United States Senator, but was instead filed with a purpose to confuse or mislead and to thereby compromise the ballot’s fairness or neutrality.”

In announcing an investigation, Dahlstrom cited “credible allegations” that Sullivan declared his candidacy “in coordination with another candidate and campaign” with an intent to confuse and “manipulate” voters. But in removing the challenger from the ballot, Beecher did not mention finding any evidence of alleged coordination with Peltola or Democratic Party officials.

The challenger Sullivan, when asked in an interview with the Associated Press earlier this month if he’d had any contact with Peltola’s campaign, responded ”zero, none, zilch.”

Beecher said she based her decision on factors including that he had registered to vote as Daniel J. Sullivan Jr. and in conjunction with his candidacy changed his party affiliation to Republican. She cited similarities between his campaign website and the senator’s, and his work with a consultant whose clients have included some Democrats.

The form congressional candidates in Alaska complete asks them how they would like to be referred to on the ballot and their preferred party affiliation.

Beecher said she acted in line with a regulation that says a candidate’s name may not appear on a ballot with academic or professional titles or “in a manner that is confusing or misleading to voters or compromises the fairness or neutrality of the ballot.”

In response to questions from Democratic state Rep. Andrew Gray, legislative attorney Andrew Dunmire last week said the regulation cited by Beecher does not forbid placing Sullivan’s name on the ballot. He said the elections division could comply with it by designing the ballot in a way that allows voters to distinguish between both Sullivans.

It’s a position echoed by the attorneys for the challenger Sullivan.

The challenger initially had been certified and listed on the state’s candidate list as Dan J. Sullivan. The senator was listed as Dan S. Sullivan and denoted as the incumbent.

Alaska has open primaries in which the top four vote-getters, regardless of party affiliation, advance to the ranked-choice general election.

Bohrer writes for the Associated Press.

Tyra Banks has filed a defamation lawsuit against Netflix and the directors of “Reality Check: Inside America’s Next Top Model” claiming that she was manipulated and misrepresented in the series.

The three-part documentary, directed by married duo Mor Loushy and Daniel Sivan, revisited the reality show’s rise and many controversies, including former contestant Shandi Sullivan discussing what she described as a blackout sexual encounter that took place during Cycle 2 of the series and was a major plot point because Sullivan was in a relationship.

Sullivan said in “Reality Check” that she felt like producers should have stepped in considering she was heavily intoxicated, but instead they followed her into the bathroom and bedroom to record a sexual encounter with a male model. In a following scene, Banks lectures Sullivan about cheating and “carnal” temptation.

“Tyra Banks participated in the Netflix documentary series about ‘America’s Next Top Model’ because she believed viewers deserved a candid conversation about the show’s legacy — its successes and its shortcomings,” reads the lawsuit. “There are aspects of the show for which Ms. Banks takes accountability and she wanted ANTM viewers to hear that from her directly.”

The lawsuit, filed on Saturday in the Central District of California, claims that the supermodel turned media personality participated in a 3½-hour interview, of which about 16 minutes was used.

“The producers used what could be stripped of context and reassembled to support a false and defamatory narrative unrelated to what she actually expressed,” reads the suit. “The accountability Banks took ended up on the cutting room floor.”

The suit alleges that producers used “selective editing, deliberate omission and surgical manipulation of continuous footage” to create a false narrative that Banks “knowingly allowed a contestant to be sexually assaulted on her show, exploited that contestant’s trauma for ratings, and then could not even remember it when asked.”

Banks claims that she asked Netflix and the producers of the docuseries for access to the unedited footage of her 3½-hour interview, and proposed they work together to “correct the record.”

“Had they agreed, Ms. Banks could have made the truth public and this litigation would likely have been unnecessary,” reads the suit.

According to the suit, Banks was pitched the docuseries as a “definitive three-hour Netflix docuseries exploring America’s Next Top Model as a groundbreaking popculture phenomenon.” The pitch had a Netflix logo on its cover, and Banks had “long trusted and admired Netflix.” The streamer’s involvement was the reason Banks claims she considered the project.

Banks claims the pitch included promises that the documentary would unpack the show’s legacy “not as a takedown, but as a thoughtful in-depth reflection on its influence, evolution, and impact on fashion, television, and culture.”

The suit claims Banks was prepared for a fair comeuppance, but ultimately the former supermodel felt hoodwinked. “Nothing suggested that the project would falsely accuse Ms. Banks of covering up a sexual assault, or being indifferent to what a contestant characterizes as a traumatic experience.”

In February, directors for “Reality Check” revealed that Banks wasn’t invited to participate in the docuseries until well after production began

“It was like, ‘Hey, this can be a great addition, but definitely not a necessity,’” Sivan said. “People talking trash about her is very easy to find. … But having her passion, bringing this program to life, is something that only she could tell.”

Sivan and Loushy, who also helmed the acclaimed 2025 docuseries “American Manhunt: Osama bin Laden,” said they treated “Reality Check” with the same level of care as previous heavyweight projects.

“There were things that were sensitive and important for me,” Loushy said, from the harassment that she said “ANTM” contestants endured to the insecurities that “to us as women, are sitting tight and hard every day on our heart.”

The directing duo hoped to examine the good intentions Banks and producers had, of turning the fashion industry on its head, empowering women and championing diversity, and the way those intentions evolved as the show moved through cycles.

“At the end of the day, was it a force of good, or was it a force of evil? I hope people keep debating that,” Sivan said.

Former Times staff writer Malia Mendez contributed to this report.

The Washington National Opera filed a lawsuit on Thursday that demands more than $17 million from the John F. Kennedy Center for the Performing Arts. The opera company claims it is owed millions in donations that have been withheld.

The lawsuit claims that after the opera company and the Kennedy Center parted ways in January, center officials have not returned more than $17 million in gifts and donations that belong to the opera company. The lawsuit lists the federal government as a defendant because the Kennedy Center was established by Congress.

According to the suit, the opera company and the Kennedy Center had a longstanding contract in which WNO produced its operas at the Kennedy Center, which in return, provided a number of services and other support for the opera company including managing its donations.

In late 2025, after approximately 15 years of affiliation, the suit claims that the Kennedy Center stopped performing the obligations of their agreement, which included marketing, fundraising and administrative support, as well as timely reporting on the growth of the opera company’s funds. When the opera company requested the Kennedy Center remedy the issue, center officials asked to sever ties.

“Five months have now passed since the termination of the affiliation, and the Kennedy Center still has not returned the funds to WNO,” reads the suit. “To the contrary, according to the Kennedy Center’s Chief Financial Officer, the Kennedy Center has put a significant portion of WNO’s money at risk by using it to collateralize the Kennedy Center’s line of credit.”

In an emailed statement responding to the lawsuit, Roma Daravi, a spokeswoman for the Kennedy Center, told The Times that the contract between the opera house and the center financially burdened the center for more than a decade. The statement claimed that taking into account the company’s endowment, an external accounting firm calculated that the opera company had “accumulated a $72 million deficit to the center” between 2011 and 2026.

“The Center has acted transparently and in the best interests of the public throughout this process,” the statement reads. “This lawsuit is meritless, and we plan to pursue a countersuit to defend the institution.”

The legal action comes during a tumultuous time for the Kennedy Center. Last year, President Trump fired the board and appointed himself chairman of the Kennedy Center.

In December, President Trump’s name was installed on the exterior of the center the day after his handpicked board of trustees voted to change the institution’s name to the “Trump-Kennedy Center.” Last month, a federal judge ordered President Trump’s name to be removed from the exterior of the building within two weeks and a halt to the Trump administration’s planned two-year closure of the venue.

On Friday, the court-ordered deadline for removing his name sparked widespread interest and crowds gathered outside the center. A live cam was also placed near the structure.

The Times arts editor Jessica Gelt contributed to this report.

California Atty. Gen. Rob Bonta and Santa Clara County officials announced a new lawsuit against the Trump administration that aims to block a planned immigration facility near Gilroy.

The lawsuit, filed Wednesday in U.S. district court in San Jose, alleges that the leased land is zoned elusively for agricultural use and that the federal government violated laws requiring state and county notification, as well as procedural steps required before beginning construction.

The agency told the San José Spotlight that the project is an ICE office and denied that it would be a detention center. But state and local officials believe the facility will be used for short-term detention of up to 150 people at a time.

“The administration is trying to jam through a new facility on a community that does not want it, bulldozing over laws, shrouding their plans in secrecy and ignoring calls from the community to stop,” Bonta said during a news conference in San José, adding that it marks the 71st lawsuit filed by his office against the Trump administration.

The Department of Homeland Security did not immediately respond to a request for comment.

The suit also argues that the property is in an area known to support several endangered and threatened species and that a facility there would strain the limited waste disposal and drinking water infrastructure.

Santa Clara County officials said they weren’t notified last year when the federal government, intending to build a facility for U.S. Immigration and Customs Enforcement, leased nearly 25 acres of unincorporated land just outside of Gilroy. The parcel includes three buildings, greenhouses and a large agricultural field, according to the lawsuit.

Community members alerted the county about the forthcoming facility earlier this year and have protested the plans. Construction began early last month, according to the lawsuit.

The plot of land sits 3 miles southeast of the Gilroy Premium Outlets, at 7240 Holsclaw Road, federal procurement records show. The Department of Homeland Security secured a 20-year, $26.5-million lease from a subsidiary of the Beverly Hills-based Elmwood Capital Group, a real estate investment firm.

ICE also has a processing facility in nearby Morgan Hill.

According to the lawsuit, agricultural research companies that previously occupied the property generated hazardous waste that wasn’t properly disposed of.

“The federal government’s apparent failure to address — much less mitigate — these risks endanger the construction workers building the site, detainees and employees who will be located at the site, and the environment beneath and surrounding the site,” the lawsuit said.

According to the lawsuit, the federal government’s only formal communication with the county regarding the project was a one-paragraph letter dated June 21, 2023, and forwarded by an Elmwood Capital representative. The letter said the federal government was planning “office and operations space” there and that it should be exempt from local zoning and planning review.

“Part of the problem here is that they are trying to move forward with this project with as little transparency as possible, and hoping that nobody notices, nobody catches on to the details,” said Santa Clara County Counsel Tony LoPresti. “So, part of what our lawsuit will do is it will force that transparency to occur.”

ICE holding facilities have been the subject of multiple lawsuits since the start of the Trump administration over alleged overcrowding, poor conditions and confinement that went on for days and weeks.

Bonta and LoPresti said that the building of an ICE facility in Gilroy signals a desire by the federal government to increase enforcement in the area.

Advocates and local leaders have raised similar concerns in Dublin, another Bay Area city where federal officials are working to transfer ownership of a former prison. Congressional Democrats sent a letter earlier this month opposing the possibility that it could reopen as an immigrant detention facility.

Musicians have been left out of settlements between major record labels and AI companies, a new lawsuit alleges.

The American Federation of Musicians of the United States and Canada (AFM), which has 70,000 members, said Universal Music Group and Warner Music Group “received significant compensation” from the AI companies for past copyright violations and licensed “substantial” portions of their music catalogs to them, but haven’t shared that with the musicians.

UMG and WMG sued AI companies Udio and Suno in 2024, accusing them of copyright infringement. Both companies settled with Udio last year. In November, WMG announced a partnership with Suno, but Universal Music Group’s lawsuit against Suno is pending.

“While the Defendants protected their own interests and created a significant source of new revenue with the retrospective settlements and prospective licenses, they have refused to compensate the musicians whose work — created with their own instruments and through their talent, creativity, and hard work — is fed into AI machines for profit,” AFM said in its lawsuit, filed in U.S. District Court in New York on Friday.

AFM said it believes the AI settlements fall under the “new use” provision of its collective bargaining agreements, which requires music companies to notify the union of new licenses for purposes not covered by the contract and to compensate musicians, whose work was used to train AI models.

UMG and WMG said in statements that they are in negotiations on a collective bargaining agreement with AFM.

“Warner Music Group is growing the value of music by establishing guardrails and architecting a healthy AI ecosystem on behalf of artists everywhere,” the company said in a statement.

Universal Music Group said it will continue to work to resolve issues during the negotiations.

“Universal Music Group has been at the forefront of protecting the rights and advancing the interests of artists and songwriters in the age of AI — striking responsible AI licensing agreements to ensure they are compensated, leading the charge for legislation to further protect them and taking legal action against bad actors,” the company said in a statement.
“We expect to continue our strong working relationship with the AFM built on mutual respect for the talented musicians in our industry.”

AI has become more popular among consumers, dramatically changing the landscape in the entertainment industry. Many startups have popped up allowing users to type text prompts into AI systems to generate original songs, video clips and stories.

Some creatives say the AI tools help them brainstorm or illustrate bold ideas on a budget. But critics have raised concerns about whether AI systems are trained on copyrighted works without permission or payment to artists. Others are worried AI could eliminate their livelihoods.

Udio said it would create a new platform that would train on licensed and authorized music with artists having the ability to opt-in. Suno agreed to change its platform, launching new licensed models, and place download restrictions.

Bradford Auerbach, a partner at law firm OGC, said he expects to see more of these types of lawsuits filed by unions.

“You’ve got the unions always protecting the status quo, so you’ve got this invariable conflict of new technology coming in, and moving the cheese for a lot of people that were accustomed to having their business set up the way it was,” Auerbach said.