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Netflix picked up the rights to three more NFL contests amid government scrutiny over the migration of games from free TV to streaming.

The NFL’s first-ever regular season game in Melbourne, featuring the Los Angeles Rams and the San Francisco 49ers, will stream Sept. 10 on Netflix, the company announced Wednesday at its upfront presentation in New York. Netflix will present another NFL game first on Nov. 25 with a Thanksgiving eve game between the Rams and the Green Bay Packers at SoFi Stadium.

The streamer is also picking up a Saturday game in the final week of the regular season. With the Christmas double header Netflix has carried since 2024, the additions bring the total to five games next season.

The five games were a part of ESPN’s NFL package. ESPN relinquished the rights after the league took a 10% stake in the Walt Disney Co.-owned entity.

It was widely believed throughout the sports media business that all five games would go to streamers, split between Netflix and YouTube. But the other two will go to Fox, an international game that will air in the morning in the U.S., and NBC.

The two additional games are going to its traditional TV partners after politicians in Washington, including President Trump, raised concerns about the number of NFL contests that are moving off broadcast and behind streaming paywalls.

The Wall Street Journal reported last week that Fox Corp. Chairman Emeritus Rupert Murdoch visited Trump at the White House in February to warn how traditional TV networks could be priced out of the NFL due to competition from deep-pocketed streamers.

The Department of Justice has also inquired about whether the NFL is violating the antitrust status given to leagues when their teams collectively negotiate TV rights deals.

An NFL executive familiar with the deal who was not authorized to comment publicly said the added broadcast games are not related to the issues raised in Washington. “We always are looking for ways to increase reach at the benefit of our fans,” the executive said.

In recent years, the NFL has carved out a number of games from the broadcast packages to sell to Netflix and YouTube. Those games primarily come out of the regional Sunday afternoon games carried on Fox and CBS.

But the NFL makes the case that it offers 87% of its games on free over-the-air television than any other major sport. Games sold to streamers are still made available on the local TV stations in the local markets of the teams that are featured.

Questioned about his father’s meeting at the White House, Fox Corp. Executive Chairman Lachlan Murdoch told Wall Street analysts on Monday there is no tension between the league and his company, which has carried the NFL since 1994.

Murdoch also said there have been no new negotiations with the NFL, which has expressed a desire to redo its current media rights package that runs through the 2032-33 season but has an opt-out in 2030. Murdoch has previously said the company is paying fair market value in its current deal.

In addition to the international game in Week 10, Fox is getting an extra Saturday game in Week 15.

The NFL believes its product is undervalued in light of the massive $76-billion, 11-year contract the NBA entered with NBC, Amazon and ESPN last year. The NFL is in the middle of an 11-year deal that pays the league $110 billion for games that provide much higher ratings.

The league has also said the move to streaming in recent years — which includes putting the Thursday Night Football package on Amazon Prime Video — is necessary to reach younger viewers who are not watching traditional TV. The Thursday games are made available on free TV in the local markets of the teams featured.

The NFL does have the right to renegotiate with CBS before that opt-out due to the network’s transfer of ownership. CBS parent Paramount was acquired by Skydance Media last year.

The NFL and CBS are not close on the new deal. The league is looking to increase the network’s fee from $2.1 billion a year to $3 billion, according to people familiar with the discussions who were not authorized to comment.

The NFL is currently a break-even proposition for CBS at the current price.

But the NFL is at a significant advantage as the broadcast networks and their affiliated stations are dependent on the league, which provides a vast majority of the highest-rated programming on TV. NFL games give major leverage to TV station groups when they are negotiating new carriage deals from cable and satellite providers.

Netflix has added one of the biggest British crime dramas of the 21st Century that Dr Foster fans shouldn’t miss

Netflix has finally added the fourth and final season of hit BBC thriller Killing Eve and subscribers will be ecstatic.

The wildly popular crime drama starring Sandra Oh and Jodie Comer first premiered in 2018 and became an instant success thanks to its sharp writing and addictive narrative.

It follows Grey’s Anatomy star Oh as Eve Polastri, an MI5 analyst who is tasked with surveying and capturing an unhinged assassin known as Villanelle (played by Comer).

Over the course of their electrifying cat-and-mouse chase across the globe, the hunter and the hunted develop an obsession with each other, leading to disastrous consequences.

Also starring a roster of top British and Irish screen talent, including Fiona Shaw (Andor), Edward Bluemel (Sex Education), and Gemma Whelan (Game of Thrones), as well as Danish star Kim Bodnia (F1) as Villanelle’s Russian handler Konstantin, Killing Eve is considered one of the best British shows of the 21st Century so far.

Fans of the equally beloved psychological thriller Dr Foster, starring Suranne Jones, are urged to check out the series if they haven’t already.

While both shows deal with similar themes of obsession and scandal, Dr Foster also stars Comer as Kate Parks, the young university student whom Jones’s Dr Gemma Foster suspects of having an affair with her husband, Simon (Bertie Carvel).

Killing Eve has already amassed a gigantic following over the years, so make sure you take the opportunity to catch up on the show’s gripping finale. Furthermore, Dr Foster was recently confirmed to be returning for a long-awaited third season, making this the perfect time to dive in to another thriller while fans await its return.

One Rotten Tomatoes user raved: “Totally addictive. It looks like a story line about cat and mouse. But it’s much more than that.”

Someone else exclaimed: “Chefs kiss! This show is spectacular and I still rewatch it all the time! I even showed it to my cat so she knows what good tv looks like.”

“Loved this entire series,” another said, before lamenting: “Really wish it was renewed for a 5th season.”

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This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows.

This includes the brand new UK drama Unchosen, starring Asa Butterfield and Christopher Eccleston.

The enthusiastic reviews continue on IMDb, where one viewer says in a 10/10 write-up: “This show had me hooked after two minutes. What sounds like a typical agent hunting serial killer, surprises with great characters, surprising turning points and amazing cast. I absolutely love every part of it.”

Another fan called it “one of the best shows you’ll ever watch”, before going on to praise the cast for giving an “out-of-this-world masterclass” in acting.

And a final viewer exclaimed: “Warning: highly addictive! Jodie Comer is so charismatic as an assassin that I would hire her to kill me! The best from TV shows that I’ve seen in ages.”

Fancy revisiting an iconic British thriller or diving into Eve and Villanelle’s twisted rivalry for the very first time? Netflix has you covered this week with all four jaw-dropping seasons.

Killing Eve is available to stream on Netflix.

Netflix fans are “obsessing” over this “inspiring” movie with an abundance of Hollywood talent.

“Genuinely one of the best movies in years” is quickly climbing up the Netflix charts.

American Sniper stars Bradley Cooper and Sienna Miller reunite for the 2015 comedy-drama Burnt, a culinary film about a brilliant but disgraced chef.

After destroying career with his temperamental behaviour, he tries to clean up his act and moves to London in a relentless pursuit to open a Michelin star restaurant.

Burnt may have only just been released on Netflix but it’s already made its already one of the streamer’s most-watched films, coming in at number eight in the charts.

And it’s easy to understand why with fans flooding Rotten Tomatoes and IMDb with high praise for the film from more than a decade ago.

While someone labelled it a “severely underrated movie”, another wrote: “If you like shows like House M.D. or Elementary… Ignore the reviewers. You’ll love this movie. I’ve been obsessed with it for years now.”

A third echoed: “This is an absolutely brilliant movie. Great acting, realistic scenes and great tempo. I highly recommend it!”

“I rarely feel so motivated and inspired after a movie”, someone else said. “So, my thanks to the director, writers, actors and producers for creating this movie!”

Others described it as “raw and incredible” and “truly excellent”, with someone commenting that it’s “one of my favourite films of all time”.

Another simply added: “Genuinely one of the best movies in years.”

Cooper and Miller aren’t the only fan-favourite stars to get excited about either in this comedy-drama.

They are joined by other mega stars like Kill Bill legend Uma Thurman, Tomb Raider’s Alicia Vikander, Mamma Mia icon Lily James and Love Actually star Emma Thompson.

In addition there’s Lupin on Netflix’s leading man Omar Sy, The Beast In Me actor Matthew Rhys and Dublin Murders’ Sarah Greene.

Burnt is available to watch on Netflix.

The unique crime drama is perfect for Agatha Christie fans, and is now available to watch for free.

A “must-watch” murder mystery perfect for Agatha Christie fans is now available to watch for free.

This Is Not A Murder Mystery follows a group of young Surrealist artists in the 1930s.

The Belgian English-language crime drama is now available to watch on Channel 4, after first airing last year.

Set in England in a lavish country estate, it sees a collection of famous artists finding themselves trapped with a serial killer.

The cast features Pierre Gervais as Rene Magritte, Inaki Mur as Salvador Dali, Florence Hall as Lee Miller, Frank Rourke as Man Ray and Mike Hoffman as Max Ernst.

The synopsis for This Is Not A Murder Mystery, taken from Magritte’s The Treachery of Images painting, reads: “Crime drama set in the flamboyant 1930s, following a group of young Surrealist artists, including Dali and Magritte, who are trapped in a lavish mansion with a serial killer on the loose.”

Viewers were left gripped by the unique period drama, with one person writing: “This series is a delightful and stylish twist on the classic whodunit. Set in the opulent 1930s with a gathering of legendary surrealist artists, it plays masterfully with suspense and visual flair.” They added: “For anyone looking for an intelligent drama wrapped in atmosphere and intrigue, this series is a must-watch.”

Another person branded it “worth watching” while someone else called it “charming”. When the trailer dropped, fans rushed to share their excitement, with one writing: “This looks *rilly* good, as another said: “This looks fun!”

Someone else said: “I’m so glad Agatha Christie-ish stories has taken ahold of media for now. It’s such a fun genre.”

Another added: “I’ve been itching for another story like this ever since Knives Out came out years ago! And I’m also really excited to see a cast where I don’t recognize anyone I’m sick of Hollywood only casting the same “trendy” actors in roles they’re ill-suited for so this is a nice chance to see other talent shine!”

Producer Kristoffel Mertens and Elly Vervloet previously spoke to Variety about turning their surrealist idea into this drama, with Mertens saying: “It started as the typical cliché idea that goes around in production companies.

“Everyone is very enthusiastic about it, but at the same time we would never be able to make it. Yet for this one, it remained with us and we kept going back to it, so in the end, we thought we could try to at least get it into development. And it turns out that “This is Not a Murder Mystery’ became one of the biggest shows ever made in Flanders.”

It’s definitely the biggest series we have ever done”, Vervloet added.

“We usually commission Flemish series for our local audience, creating a mix of domestic series and high-end TV shows as well.

“But at that level, it becomes a matter of dreaming big, being bold, and daring to make this choice as a public broadcaster to bring this English-spoken series to our audience and beyond.”

This Is Not A Murder Mystery is available to watch on Channel 4.

For years, the NFL has playfully scoffed at conspiracy theories its drama is scripted.

Now, the league has hired some of the best writers in the entertainment industry to do just that.

The NFL is going Hollywood, looking to expand its audience with theatrical motion pictures and its first scripted streaming series. This isn’t just about using the names and logos of real NFL teams, but diving headlong into storytelling about the league in the form of upcoming movies — one about John Madden, another a Christmas Day release about an unlikely hero for the New York Giants — and “The Land,” a dramatic Hulu series centered on fictional characters and the Cleveland Browns starring Christopher Meloni, Mandy Moore and William H. Macy.

It’s the next step in the partnership between the NFL and Skydance Sports, the forming of a premier content studio aimed at creating must-watch storytelling and attracting everyone from hardcore football fans to people who otherwise have no real interest in the game.

The NFL has long contended it’s the world’s greatest reality show and the numbers support that. According to Sportico, NFL games were 84 of the top 100 most-watched television shows last year. And the year before, it was 93 of 100.

“When you have an audience as big as the NFL’s, there are a lot of different demographics to service and engage even more deeply,” said Jason Reed, who heads Skydance Sports. “Those movies work as a fan service. They service towns, fans of those franchises, and they really connect. What they also do is pick up this other group of people who maybe wouldn’t watch a football game.”

Pulling back the curtain on the league is a challenge. The NFL isn’t likely to sanction unflattering content, at least not much of it, yet the goal is to make the stories as realistic as possible. How will the writers handle issues such as concussions, drug use or domestic violence? That was addressed in a presentation at last month’s owners meetings by JW Johnson of the Haslam Sports Group, who oversees the business strategy of the Browns.

“We don’t want this to be — no offense to our friends at ESPN — a ‘Playmakers’ situation,” said Johnson, referring to the popular but short-lived series on the Cougars, a fictional football team, that explored mature themes and was canceled after one season after pressure from the NFL. “We want this to be a really fan-friendly show that also has the authenticity of what happens in a locker room and on the field. We’re very comfortable with it.”

David Corenswet as “John Tuggle” and Isabel May as as “Katie” in Mr. Irrelevant: The John Tuggle Story,” from Paramount Pictures.

(Sarah Enticknap / Paramount Pictures)

Dan Fogelman, creator of “This is Us,” and a lifelong football fan, had long envisioned writing a dramatic series based on his favorite sport. That led to “The Land,” which began production last fall and does not have an official premiere date.

“We’re not making this stuff up out of thin air,” said Fogelman, who also created the Hulu series “Paradise,” a post-apocalyptic political thriller. “The characters are flawed and they do bad things, but the NFL has been great about that. I was worried up top, and it just hasn’t been an issue because we’re not out there looking to be salacious. We’re not trying to do ripped-from-the-headlines, crazy, exaggerated versions of reality. We want things that really happen, done accurately and in a cinematic way.”

To that end, he brought in actual NFL players as consultants to help with the storylines and make sure the details make sense.

“We had a bunch of NFL players come and visit us in our little office, and we’re on the second floor,” he said. “Some of my heroes were in that room. I was genuinely concerned the floor was going to fall through.”

Enter NFL Films, which for more than six decades has turned a violent sport into an art form, filling the frame with meticulous focus on a Matthew Stafford spiral — and without the benefit of a second take. Those camera operators are heavily involved in the production of both the upcoming movies and the streaming series.

“That’s our whole thing,” Reed said. “How do we support great filmmakers and make sure they know how to access the resources and expertise that NFL Films has developed over 60 years, and combine those two together? That, to me, is the secret sauce of the venture.”

What’s more, what the father-and-son combination of Ed and Steve Sabol created in NFL Films provides an incredible library for future projects.

“The well is infinite,” said Jessica Boddy, vice president of commercial operations and business affairs for NFL Films. “We’ve only scratched the surface.”

For Fogelman, “The Land” is scratching a creative itch he’s felt since childhood.

“I’ve wanted to do this show for 20 years,” he said. “I’m a failed athlete myself. My connection with my father growing up — he worked a lot — was I grew up in Pittsburgh as a Steelers fan and also migrated to New Jersey, where we became Giants fans. My dad would let me watch games with him if I was quiet and didn’t act goofy. We would also throw the football back and forth.

“Now, many decades later, my father is 83, and our connection is that we talk every Monday after Giants games. He now talks with my son and me. For me, football has been very much in the fabric of my life and my relationship with my friends. This has been something I’ve been chasing for a very long time.”

The film has been hailed a “must-see” by fans.

Fans of war films are being urged to watch a “powerful and moving” movie with a star-studded cast.

Those who love war movies and historical dramas are in for a treat as a classic biographical war drama is available to stream now.

The film is based on the Austrian mountaineer and Schutzstaffel sergeant Heinrich Harrer’s 1952 memoir of the same name.

Documenting his experiences in Tibet between 1944 and 1951, Seven Years in Tibet stars Brad Pitt and David Thewlis, and it is available to stream on Paramount+.

The film sees Thewlis play Austrian Peter Aufschnaiter, with Pitt as Harrer as the pair go mountaineering in 1930s India.

When the Second World War begins, their German citizenship results in their imprisonment in a British prisoner-of-war camp in the Himalayas.

Fans have taken to IMDb reviews to share their thoughts on the film, with one hailing it a “masterpiece”, adding: “I strongly recommend this movie to those who think about war and occupation all day long.”

Another called it “vital viewing”, adding: “This movie is in my Top 100 of all time. Well acted by everyone involved, well directed, and the soundtrack is awesome. I feel this movie should be shown in schools [over the world].”

A third called it a “must-see”, sharing: “I accidentally picked this movie up w/o knowing anything about it! I was intrigued with it from the very beginning! Brad Pitt did an excellent job! I don’t know why I haven’t seen or heard anything about it before.”

Another fan added: “I can’t believe I did not watch this masterpiece earlier. Heinrich Harrer, from climbing mountains and escaping prison to being the Dalai Lama’s teacher, lived a life that it’s fascinating to learn about, and the movie shows that excellently.”

Another viewer commented: “This masterpiece still makes me curious every time I see it. Brad Pitt does an amazing job portraying an Austrian, even down to his accent.

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“The cinematography is extraordinary, and the direction is quite good. I love watching it every so often, and learning new things that I missed the times before.”

The film did not go down well in China, and it was condemned by the government of the People’s Republic of China, which said the Communist Chinese military officers were intentionally shown as rude and arrogant, brutalising the local people.

Films produced by Sony were initially banned from playing in China and Pitt and Thewlis were temporarily banned from entering the country.

The movie was nominated for a Golden Globe Award and Pitt won a Rembrandt Award for Best Actor for his role.

Seven Years in Tibet is on Paramount+

Subscribers to the recently new service have a new title to check out but it is not for everyone

Fans are going to love this new dark romantic comedy-drama film.

The movie Pillion only hit cinemas last year, but it has already been released on at least two platforms. Not only is it available to those with a standalone subscription to the latest service, HBO Max, but it can also be accessed by those with Sky Cinema or a Movies Pass on the NOW platform.

According to its synopsis, the film follows Colin, a timid man who meets Ray, an enigmatic, impossibly handsome biker who sweeps him off his feet. He soon initiates him into a submissive relationship.

This challenges Colin’s mundane existence and prompts personal growth through their unconventional dynamic. Harry Melling, best known for playing Dudley Dursley in the original Harry Potter films, takes on the role of Colin, while True Blood, Succession, and Murderbot actor Alexander Skarsgård plays Ray.

Upon its initial release, the film was a big hit with critics, earning a near-perfect 99% on Rotten Tomatoes. One review claimed: “Pillion is a bold, bawdy film told through small looks and big feelings. It broke my heart and put it back together again.”

Although another warned, “Pillion isn’t a film for everyone. But those who know what it means to grovel for their beloved…will find in a subject for analysis in Pillion’s erratic relationship and outlandish romance.”

Another agreed but also highlighted how it handles its subject matter. The reviewer penned: “While the cringe is strong (and deliberate) in many scenes of Pillion, Lighton makes it clear that kink isn’t an embarrassing detour for Colin — it’s how he comes to know himself. For him, in a very real sense, submission becomes empowering.”

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Fans who have already seen the film have been left just as impressed. One person shared their views online, saying: “Unforgettable film in so many ways. Yes, it’s explicit, but that isn’t the lasting footprint of this film. I left the cinema having been enlightened, embarrassed, happy, and so very sad.

“It’s a masterclass in the subtlety of truly great acting where so few words are needed to elicit such emotion from an audience. There won’t be Oscar nominations as it’s a small, independent film with a small budget, but there really, really should be.”

While someone else commented, “A beautiful, unflinching look at queer BDSM life. While it might not be for some (the faint-hearted), it is soulful enough to warrant consideration of anyone capable of empathetic, non-discriminatory understanding of joy in all relationships, and ultimately how fleeting and precious it is.”

One person added their verdict and posted: “It is a rare film, dealing with a theme seldom explored in cinema and, above all, very raw. I have seen some opinions suggesting that the ending was unpleasant. For me, the ending was one of the best parts.”

Pillion is streaming on HBO Max, Sky Cinema and NOW for those with a movies pass.

The acclaimed crime drama starring David Tennant and Olivia Colman won three BAFTAs and has a 94% approval rating on Rotten Tomatoes, with viewers comparing it to ‘Shakespeare writes a detective story’

One of Britain’s most beloved drama series of all time has just landed on Netflix. This gripping crime show scooped three Baftas and has been celebrated as one of the finest productions ever to grace our television screens. The iconic 2013 series Broadchurch has finally made its way to the streaming giant.

The show is a police drama which opens with the murder of 11 year old Danny Latimer, whose body is discovered at the foot of the cliffs.

The tragedy tears apart the tight-knit Dorset community, forcing DS Ellie Miller ( Olivia Colman ) to join forces with newcomer Alec Hardy ( David Tennant ) – despite him having stolen the DI role that was rightfully hers – as they attempt to crack the heartbreaking case.

What follows is a twisting tale of betrayal, suspicion and the dark underbelly of a small coastal town. Unlike conventional cop dramas, this isn’t about high-speed car chases and gun-wielding heroes sprinting through tower blocks.

Rather, it delves into the profound flaws we all harbour, the quiet moments of anguish that accompany unimaginable grief, and the perils of public opinion.

It features one of the most stunning plot twists I’ve ever encountered – and I watch an enormous amount of television. The series is truly an extraordinary experience, with performances that are nothing short of outstanding, reports the Express.

There isn’t a single weak link in the entire cast, and despite being over a decade old, it remains as compelling as ever.

And I’m far from alone in my admiration. Broadchurch boasts a remarkable 94% Rotten Tomatoes approval rating alongside an 8.3 out of 10 on IMDB.

One viewer posted on IMDB: “This is ‘Shakespeare writes a detective story’. It was beautifully done. In no way has he [writer Chris Chibnall] broken the cardinal rule of show, don’t tell.

“Nor has he made the horrible mistake of creating any perfect character. All of them, from youngest to oldest, are wonderfully imperfect human beings.”

A second remarked: “The locations are gorgeous and so atmospheric, and the series is beautifully photographed, fluid and brooding. The music is both haunting and tragic.”

A third added: “Standing out also is the writing. It’s rare to find on television recently to have a series so intelligently written and be so layered and meaty.

“While the pacing is deliberate in places, a lot happens to keep one gripped and ensure that the tension and mystery never slips.”