streaming

All episodes have found a new home on the streaming platform

What some consider as the ‘best series ever made’ that is based on an award-winning novel is now streaming on Netflix.

In the latest significant update for the streamer’s library, all episodes of The Man In The High Castle have been added to the service. While it was originally a Prime Video exclusive released back in 2015, running for four season until 2019.

It is an alternate history period drama, loosely based on the novel of the same name written by Phillip K. Dick. The author was one of the most celebrated sci-fi writers, with many of his works adapted for the screen including into films such as Blade Runner, Minority Report and Total Recall.

The story takes a look at what the world might look like had the outcome of World War II turned out differently. In this dystopian scenario, the Axis powers won the war, leading to the United States being divided into three parts, an area controlled by the Japanese, a Nazi-controlled section, and a buffer zone between the two.

Despite the oppression, a new hope emerges when films turn up that seem to show a different world. A woman believes the films contain the key to freedom and is determined to find their mysterious guardian as she begins to build a network of resistance.

The series was created for television by Frank Spotnitz who previously worked as a writer for The X Files. Alien director Ridley Scott served as an executive producer.

It boasts an 84% rating on website Rotten Tomatoes. One reviewer claimed: “a superb, frightening experience filled with unexpected twists and (some sci-fi) turns.”

A different critic penned: “unlike anything else on television, impeccably acted and packed with vivid, multi-layered characters, gut-wrenching twists and dark, dark moments of human misery”.

It would go on to last for three more seasons and years after the final episode released, many fans still hail it as one of the more superior historical fiction shows. One went so far as to post on Rotten Tomatoes declaring it as “one of the best shows ever made.”

Another added: “a haunting alternative history vision implemented in a extremely authentic fashion.”

While a third confessed how they were hooked upon discovering the series for the first time. They said: “Beyond impressed, stayed up until 2am on a week day… I decided to squeeze in the pilot. Needless to say, seven episodes later I was still watching.”

They continued: “The storyline is incredible. The acting is great. The emotions that it brought out of me was real and raw. It made me appreciate and think differently about the word/idea/concept that we all throw around ‘FREEDOM'” Yes, it’s fictional, and yes it’s just a TV-show, but boy they hit on something, at least in me. I’m beyond impressed!”

Someone else commented: “This is the best series since Breaking Bad. I think every one under the age of 40 needs to see this.”

The Man In The High Castle is streaming on Netflix.

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One of the best action blockbusters of the past few years has just been added to Netflix just in time for an adrenaline-fuelled weekend viewing

Netflix has just added an exhilarating action film starring two of Hollywood’s greatest stars that you won’t want to miss.

Both leads are featuring in some of the most highly anticipated films of 2026, while the director is one of the most prominent action filmmakers in recent years.

The Fall Guy stars Ryan Gosling as stunt performer Colt Seavers, who reluctantly agrees to a comeback after a life-threatening injury when his ex-girlfriend Jody Moreno (played by Emily Blunt) lands her first gig as the director of a major studio film.

However, the pair soon find themselves wrapped up in a complex conspiracy when the movie’s lead actor, Tom Ryder (Aaron Taylor-Johnson), goes missing.

When Colt is covertly hired to go after the people the producers suspect are responsible for his disappearance, he leaps at the chance to win back his ex by saving her debut. But he quickly realises he’s in over his head.

Both megastars are poised to rule the box office over the coming months. Gosling is about to return to the big screen for the bombastic space opera Project Hail Mary, while Blunt is also tackling extraterrestrial threats in Steven Spielberg’s new sci-fi thriller Disclosure Day.

She is also returning to one of her most iconic roles in The Devil Wears Prada 2, along with Meryl Streep and Anne Hathaway. With The Fall Guy available to stream on Netflix, now is the perfect time to revisit one of their best films ahead of their must-see cinematic experiences.

Fans have been raving about the film since its release, and it received an impressive 82 percent Rotten Tomatoes score from critics, with 84 percent from audiences.

One five-star review from an RT user gushed: “A truly phenomenal film! It’s fun, but locks in when seriousness is needed. I love it so much!”

Someone else described it as “Pure adrenaline popcorn perfection that delivers unfiltered chaos candy!”

The stellar reviews continued on IMDb, where one viewer called The Fall Guy “Pure entertainment” and said: “While watching this movie, I found myself smiling nearly the entire time. If you are looking for pure, unfettered fun (in the form of romcom action of course), then this is the movie for you.

“The plot was fun, the acting was solid, the situations that the characters found themselves in were hysterical, the action was on point, the cinematography was nice, and the romance was entertaining.”

And a final fan wrote: “The Fall Guy is insanely fun, with incredibly cool action scenes, romantically charming elements, and a captivating world of stuntmen.

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“It’s full-on entertainment, especially for film enthusiasts, with meticulously crafted action sequences in both real and fake movies that look fantastic, grand, and impressively complete.

“Both Ryan Gosling and Emily Blunt have impeccable chemistry, and the portrayal of the stuntman profession is sharp. The film cleverly satirizes the Hollywood industry with excellence.

“Watching this movie in theaters is an absolutely delightful experience. Director David Leitch nails every aspect of the film, truly delivering on the action-packed excitement.”

The Fall Guy is available to stream on Netflix.

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Masters said: “For the first time the Premier League is going to have its own customers.

“This is a new app you can download and have on your smart TVs, your laptops, and watch 380 matches and loads of shoulder content, 24/7 channel service and it’s going to be an exciting product.

“We’re also looking to learn, to see how that might be replicated all around the world.”

Masters added “if it goes well, it may be replicated” but did not “want to predict further than that” at this stage.

The launch will coincide with the opening of a new Premier League Studios production hub in Olympia in London.

Traditional broadcast rights have been a highly lucrative source of revenue for the league, with the current domestic package split between Sky and TNT worth a record £6.7bn.

However, offering action to fans directly through their own subscription-based platforms opens up the opportunity for organisations to have greater control over the distribution of content, and potentially take in more revenue.

Paramount Skydance is betting its future on its streaming business, as gains at the media and entertainment company’s Paramount+ platform helped boost earnings for the fiscal fourth quarter of 2025.

On Wednesday, Paramount reported $8.1 billion in revenue for the three-month period that ended Dec. 31, up 2% compared to the previous year’s quarter. That was due to growth in its streaming business, which saw a 10% increase in quarterly revenue to $2.2 billion, as well as gains at Paramount’s filmed entertainment segment, which reported revenue of $1.3 billion,an increase of 16% compared to the previous year.

The company’s TV media business, however, had a tougher quarter.

That segment reported revenue of $4.7 billion, down 5% compared to last year, as traditional broadcast networks continue tolose subscribers. Paramount also cited a 10% decrease in advertising, partially due to a drop in political spending and not having the Big 10 championship as it did in 2024.

Paramount reported an operating loss of $339 million, which included $546 million in restructuring and transaction-related costsattributed to its merger with Skydance last year. Diluted losses per share totaled 52 cents, compared to a loss of 33 cents during the prior year.

Chief Executive David Ellison praised the company’s progress under his tenure, noting that investments in the film studio, original series, UFC and tech upgrades to Paramount+’s streaming platform and advertising would build momentum in the coming years.

“It’s been six months, but we really do feel good about the work the team has done to date,” he said during an earnings call with analysts Wednesday afternoon. “You can expect that to accelerate into the future quickly.”

The company said it expects total revenue of $30 billion for 2026, which would mark a 4% increase compared to 2025. Paramount signaled the primary driver of that growth will be its streaming business, though the company also anticipates a boost from its studio segment.

Company executives declined to answer questions on the call about Paramount’s bid to acquire rival Warner Bros. Discovery.

The only mention of the ongoing fight was in Paramount‘s letter to shareholders, which noted that the company was “confident” in its standalone strategy and growth trajectory, but that adding Warner would be an “accelerant to achieving these goals more quickly” and in a way that would be “economically compelling” for Paramount’s shareholders.

Paramount submitted a higher bid Monday offering $31 a share in cash to Warner Bros. Discovery investors. Previously, the offer was $30 a share.

The company also agreed to pay $7 billion to Warner should the deal fail to clear various regulatory hurdles. That was a $2 billion increase. (The previous commitment was $5 billion.)

Paramount reaffirmed that it would cover the $2.8 billion termination fee that Warner would owe Netflix if Warner abandoned its deal with the streamer.

Paramount also said it would pay a so-called ticking fee sooner. Now, the company said it would pay an additional $0.25 per quarter to shareholders after Sept. 30 until a Paramount-Warner transaction closed. It also agreed to cover Warner’s potential $1.5 billion in financing costs associated with a planned debt exchange offer.

Additionally, Paramountsaid it “agreed to an obligation to contribute additional equity funding to the extent needed to support the solvency certificate required by PSKY’s lending banks.” That provision was offered because Warner board members have expressed concerns that Paramount may not be able to round up sufficient financing to close such a gargantuan deal.

But the company’s earnings — and the declines its facing in its own TV business — raised concerns about the potential Warner acquisition, John Conca, analyst at Third Bridge, wrote in an email.

“It is becoming questionable why leadership is aggressively pursuing [Warner], a deal that would effectively double their exposure to dying linear networks while also creating even more massive integration headaches,” he said.

Fans of historical dramas are in for a treat as Outlaw King is now available on Netflix UK. The 2018 film stars Chris Pine as Robert the Bruce in a stirring tale of Scotland’s fight for independence.

Fans of historical dramas and period productions are set for a real treat as an outstanding option has landed on the Netflix UK catalogue.

The film, featuring Chris Pine in the leading role alongside Florence Pugh, Aaron Taylor-Johnson, Tony Curran, Callan Mulvey, Billy Howle, Sam Spruell, James Cosmo and Stephen Dillane, portrays pivotal moments from the Scottish Wars of Independence spanning 1304-07.

Outlaw King, a rousing 2018 historical drama, was co-written, produced, and directed by David Mackenzie. The official synopsis reads: “After being crowned King of Scotland, legendary warrior Robert the Bruce is forced into exile by the English and leads a band of outlaws to help him reclaim the throne.”

It’s a classic underdog story of how the 14th century Scottish ‘Outlaw King’ Robert the Bruce employed cunning and courage to vanquish the considerably larger and better equipped occupying English army.

Speaking to Entertainment Weekly, Pine revealed the challenges of perfecting the Scottish accent for the role. The actor admitted: “It was difficult to get an accent to be organic that is so foreign from my own. There were particular sounds that I stumbled on, but also just getting the musicality of the language down.”

“I didn’t want it to be a movie about an accent; I didn’t want people to not believe I was Scottish, but I also couldn’t draw too much attention to it and away from the story.”

Holding a 69 per cent audience approval rating on review aggregator site Rotten Tomatoes, Outlaw King received largely positive notices, with one fan saying: “Great movie all around, deserves way more love than it has received. This one will age well, fantastic period piece with stunning cinematography, solid acting/cast, and realistic fight scenes.”

A further viewer lauded the production, writing: “Noticed that not only were the cast amazing but the extras in the battle scenes were unbelievable, probably the best extras I’ve seen in any movie.”

One noted: “I quite enjoyed this historical tale. It has a quick pace, simple dialogue, brutal violence and charming characters. Quite simply a fun film to watch.”

A professional assessment of the film reads: “The film lifts itself and has great technical and production design, great lead performances, and a story that whilst familiar, is a much better representation of the same story we have gotten before.”

Yet another critic heaped praise upon Chris Pine for his portrayal of the Scottish king: “Chris Pine gives a strong performance in this well-constructed tale of Robert the Bruce’s fight for Scotland’s freedom.”

A third reviewer weighed in on the picture: “Outlaw King is a gripping, moving and grand film full of spellbinding performances. Pine effortlessly embodies Bruce’s conviction, bravery, and compassion.”

Outlaw King is streaming on Netflix now.

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A beloved children’s programme is now available to watch for free on a streaming service.

A classic children’s programme is streaming for free from today on ITVX.

Captain Pugwash first aired on British television in 1957 as a black-and-white stop-motion show, before the full colour version of the series was first broadcast from 1974-75.

The series is based on the much loved children’s comic strips and books created by Josh Ryan.

It follows Captain Horatio Pugwash as he sails the high seas in his ship, the Black Pig, ably assisted by Tom the captain boy, pirates Willy and Barnabas and Master Mate.

Along their adventures, they’re battling against his mortal enemy, Cut-Throat Jake, captain of the Flying Dustman.

The children’s animation was written, illustrated and produced by John Ryan, before Peter Hawkins voiced all the characters, bringing them to life.

Captain Pugwash originally ran from 1957 to 1966 before being revived in colour in the 70s, and again in 1997.

The synopsis teases on ITVX: “The bumbling 50s kids TV star is back on screen. Join him aboard the Black Pig & meet cabin boy Tom, pirates Willy & Barnabas, & Master Mate. Beware of the enemy Cut-Throat Jake.”

Viewers have been left reminiscing on the iconic childhood series, with one writing on Reddit : “Love Pugwash – have complete set of DVDs.”

Another said: “I can hear the theme tune in my head right now,” as a third elsewhere wrote: “Ooh wow, that brings back memories, brilliant.”

This comes as ITV has added a variety of returning and new programmes to the streaming service, with more yet to come this year.

In a press release announced earlier this year, the broadcaster shared: “ITV will ring in the new year with a raft of brand new dramas, exclusive entertainment shows, much loved juggernauts and big name reality.

“Jing Lusi, Michelle Keegan, Martin Compston, Natalie Dormer, Shaun Evans, Romala Garai, Eve Myles, Gemma Arterton, Rafe Spall, Dominic Cooper, Luke Evans, David Morrissey, Douglas Booth, Sophie Rundle, Philip Glenister, Mia McKenna-Bruce, Rishi Nair, Robson Green, Aimée-Ffion Edwards, Daniel Mays, Ben Miller, John Simm, Richie Campbell and Omid Djalili are just some of the names appearing in ITV dramas over the next twelve months.”

Drama includes Michelle Keegan’s The Blame, The Party, based on the acclaimed novel by Elizabeth Day, Gemma Arterton leading a stellar cast in Secret Service, and new scandalous drama Adultery.

Elsewhere in entertainment, Graham Norton hosts a street-sized reality game, The Neighbourhood, Rob Brydon is fronting new gameshow The Floor and Gary Lineker is hosting The Box. Ben Shephard ’s The Summit has already begun, and I’m A Celebrity All Stars will return alongside Britain’s Got Talent, Ant & Dec’s Limitless Win and The 1% Club.

Captain Pugwash is available to watch on ITVX.

POP superstar Lady Gaga is set to release a concert film about her record breaking Mayhem Ball.

The Sun can reveal the Abracadabra hitmaker, 39, has secretly enlisted British director Sam Wrench to help bring her vision to life.

The special is set to be filmed over Lady Gaga’s four nights at the Kia Forum in Los Angeles this week.

While no release date is set, the film is expected to be released later this year after being snapped up by streaming bosses following a fierce bidding war.

Sam is no stranger to concert documentaries, having previously worked with Taylor Swift on her 2023 Eras Tour film.

Not only was the film released on Disney+ but it also was rolled out across cinemas – breaking box office records in the process.

Most recently Sam teamed up with Christina Aguilera for her festive special;  Christmas in Paris.

It’s not the first time Gaga and Sam have worked together.

They previously teamed up on Gaga’s 2024 Chromaica Ball HBO special which documented her 2022 stadium tour of the same name.

A source said: “Gaga has poured her heart and soul into The Mayhem Ball.

“She is so proud of everyone who has helped make the tour what it is and is keen to give it the full concert film treatment.

“Not only is it arguably her most elaborate show of all time, it’s also reminded the world that almost two decades into her career she is still at the top of her game.”

The insider added: “Gaga and Sam have a close working relationship so bringing him on board was a no brainer.

“The show will be filmed across her four dates in Los Angeles and is pencilled in for release late 2026.”

The Sun understands Sam is joining the creative team headed up by the superstar.

He will sit alongside Gaga’s fiance Michael Polansky, 42, and her choreographer Parris Goebel, 34, who are also helping creatively manage the project.

Michael is now an integral part of the Poker Face singer’s inner circle.

He was listed as an Executive Producer alongside Gaga on Mayhem – as well as landing a number of writing credits including on the record’s lead single Disease.

Gaga previously said: “Michael was in the studio every day with me.
“He oversaw the whole process of making the record, completing it, helping me shape the sound of the record creatively.

“It was an amazing thing to do with your partner, because when I start to doubt myself, there is nobody that’s going to call me on it better than he is”.

Kicking off in July last year, The Mayhem Ball is one of Gaga’s biggest ever tours, seeing her play 87 dates across four continents.

Last September and October Gaga played four sold out shows at London’s O2 before a further two dates at Manchester’s Co-op Live.

By the time she takes her final bow at Madison Square Garden in April, she will have played to over 1.3million fans.

The concert film comes off the back of an already packed 2026 for Gaga.

Despite only being weeks into the year the singer has already filmed a concert special for Apple Music, performed at the Grammys and the Super Bowl and wrapped up the Asian leg of The Mayhem Ball.

Next week she will go head to head with some of the biggest artists in the world at the 2026 Brit Awards.

While she is unable to attend the ceremony due to playing a show in Texas on the same date, she is up for two of the biggest gongs of the night.

Gaga is nominated for International Artist of the Year and International Song of the Year thanks to her Bruno Mars collaboration Die With A Smile

It marks the first time in over a decade she has been nominated.

The original series was a huge hit with viewers and spanned 12 seasons

Comedy fans in the UK will finally be able to stream a spin-off of a long-running series dubbed “intelligent”, “literally brilliant” and “one of the best ever made” by viewers.

The Big Bang Theory spanned 12 seasons and introduced viewers to the loveable genius Sheldon Cooper. His popularity on the show spawned spin-off Young Sheldon, which explored the character’s upbringing, family and childhood adventures.

Another spin-off, which is a direct sequel to the events of Young Sheldon, was later unveiled titled Georgie & Mandy’s First Marriage. This focusses instead on Sheldon’s oldest brother, Georgie Cooper (Montana Jordan), as he grapples with marriage and parenthood alongside partner Mandy McAllister (Emily Osment).

As viewers saw in Young Sheldon, Georgie and Mandy both lied about their ages when they met. Georgie, then aged 17, said he was 21, while a 29-year-old Mandy insisted she was 24. Now they have a baby, a marriage and a 12-year age gap to contend with all while living under the same roof as Mandy’s parents, Audrey and Jim.

It became the third TV sitcom in The Big Bang Theory franchise – and notably the only one not featuring the character of Sheldon – and two seasons have been released so far. That latest season is now being made available to viewers in the UK.

The series has an impressive Rotten Tomatoes score so far, earning a respectable 89 per cent from critics. Audiences awarded the series a lesser 68 per cent on average.

One viewer penned: “While I agree that it doesn’t quite live up to Young Sheldon or The Big Bang Theory, this show has its own redeeming qualities which make it a worthwhile watch.” A second added: “I think it’s a wonderful addition to The Big Bang universe.”

A third called it their “comfort show,” adding: “I binged it the whole day so it did something right.”

The show will be airing exclusively on TLC in the UK, and be available for streaming on Discovery+ from April this year, though an exact release date is yet to be announced.

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