streaming

ITV is streaming ‘captivating’ period drama about iconic British monarch

As the nights start to draw in even earlier leading up to Christmas, TV viewers will be looking for sumptuous dramas to get lost in

ITVX is presently broadcasting a popular period drama featuring a British ruler that’s ideal for a comfortable binge-watch throughout the lengthy winter nights.

With darkness falling increasingly early in the run-up to Christmas, television enthusiasts will be seeking lavish dramas to lose themselves in.

Viewers need look no further than ITV’s digital streaming platform, which boasts an extensive range of celebrated programmes to select from.

Among the finest choices available this winter is the successful series Victoria, which launched in 2016 and featured Doctor Who’s Jenna Coleman as the youthful sovereign, charting her journey from defiant adolescent years through to responsible adulthood over three captivating seasons.

Whilst critics have targeted the programme’s shortage of historical precision, it’s undeniable that the series crafted by Daisy Goodwin provides tremendous entertainment that’s ready for exploration, or potentially a second viewing, reports the Express.

The Guardian’s favourable critique captured the essence: “As ever, it all hinges on Jenna Coleman’s performance as Victoria and her ability to conjure up a portrait of this queen as understanding, sympathetic, kind and decent, even under unimaginable and possibly imaginary pressures.

“It might not be elegant and it might not survive the strain of putting its plot points to the search engine test, but as diverting drama it gets the job done.”

An enthusiastic review from an IMDb viewer declared: “Rather captivating, I loved it. Every inch a Queen.

“I love [Coleman’s] portrayal of Victoria, she has some presence and a definite strength of character. Rufus Sewell I thought was exceptional as Lord Melbourne too, the complex relationship the pair had in real life was explained very well.

“The settings, costumes, and general production values were first rate, the show felt incredibly plush and lavish, I shudder to think of the budget for this series. Totally engaging, this was first rate viewing 9/10.”

Sadly, the series left many fans feeling let down when it was cancelled after just three seasons, leaving Queen Victoria’s story incomplete.

However, ITV gave a glimmer of hope in 2021, stating “there are no plans presently to film Victoria, but that’s not to say we won’t revisit the series with the production team at a later date”, hinting that a fourth season featuring an older Victoria might eventually be on the cards.

One hopeful fan penned: “This has been the most amazing series since Downton Abbey I have watched. I laughed, I cried, I got angry. I felt every emotion humanly possible through watching it.

“My mother and I binge watched it together and couldn’t believe how much it draws you in from beginning to end. I am so heartbroken that it has not yet come out with a 4th season. My mother and I both are. We pray they decide to release another season.

“I plead to ITV or whoever, to please give the green light for the 4th season and then some. This is an amazing love story that NEEDS to be completed.”

There’s a glimmer of hope for the series to carry on if enough viewers rewatch the series on ITVX, so it’s time to start binge-watching.

Victoria is available to stream on ITVX.

Source link

‘Terrific’ crime drama with ‘outstanding’ cast is now streaming

The five-part series, penned by a Booker Prize-winning author, has been praised by critics and viewers alike and boasts a smashing 100% rating.

A five-part British crime noir series is earning high praise and, fortunately, it’s available to stream for free on Channel 4.

The limited series Get Millie Black was crafted for television with a screenplay penned by Booker Prize-winning author Marlon James, who wrote A Brief History of Seven Killings.

This crime thriller marks Marlon’s screenwriting debut and first premiered on HBO in the United States on November 25, 2024. It then made its UK premiere on Channel 4 on March 5, 2025.

Get Millie Black has been steered by Tanya Hamilton – the show’s lead director – while Annetta Laufer directed two episodes and Jean Luc Herbulot directed one. The series was penned by writers Theresa Ikoko and Lydia Adetunji.

The plot revolves around the unparalleled Millie-Jean Black, a Jamaican-born police detective who is forced to leave Scotland Yard and her troubled life in London and return home to Jamaica, where she joins the Jamaican Police Force.

Once back in Kingston, Millie and her partner Curtis start investigating a missing persons case which intersects with another — bringing Scotland Yard detective Luke Holborn to Millie’s doorstep. The show grapples with complex themes and delves into the painful and troubled legacy of slavery, racism, classism, sexuality, and generational cycles of trauma in the post-colonial Jamaican and British landscape.

Get Millie Black features the brilliant Tamara Lawrance in the starring role, alongside Joe Dempsie, Anjli Mohindra, Gershwyn Eustache Jnr, Chyna McQueen, Nestor Aaron Absera, and Peter John Thwaites.

The five-part mini series is available to watch without charge on Channel 4, with episodes running for an hour on average, reports the Express.

Discussing Get Millie Black and how Millie’s character came to life, Marlon revealed: “My mother was one of the first policewomen in Jamaica to make detective. Storytelling has always struck me first and foremost as a mystery to be solved – which I’m sure I got from her. Millie, from the second she appeared in my imagination, was a brilliant, mercurial, hilarious, unpredictable force of nature; someone who was always there, just waiting for her story to be told. I didn’t create her, I found her.”

Boasting a perfect 100% score on review aggregator site Rotten Tomatoes, Get Millie Black has received endless praise from critics, with one penning: “Get Millie Black lives and breathes. This might be a crime thriller, but it isn’t just a crime thriller. In the right hands, a crime thriller can contain multitudes.”

Meanwhile, another reviewer commented: “We got more story in the first 300 seconds than some series manage in an hour-long episode.”

In another glowing review of the series, a third critic remarked: “Crime shows, especially missing girl shows, often feel barren, or at least frozen in their Scandinavian snowscapes. Millie, on the other hand, feels abundant.”

And yet another impressed reviewer said: “Get Millie Black works well as a gory whodunit (with a genuinely unnerving twist at the centre). But the outstanding performances and the crimes in this setting make the show unique.”

Audience reviews follow in a similar vein, with one viewer writing: “All I’m going to say is wow. Watched all episodes in one sitting. Terrific detective series.”

While another audience member commented: “Worth a good watch if you’re interested in crime dramas. Especially if you want something original like this one, which takes place in Jamaica. Matter of fact, you don’t see many Jamaican movies/tv shows nowadays, and I’m glad that I’d checked it out. Great acting, good writing, and pacing that makes the series sort and simple since this is a limited series.”

Get Millie Black is available to stream for free on Channel 4.

Source link

Why prices keep going up for streaming services

Last week, HBO Max announced it raised its standard subscription by $1.50 to $18.49 a month — up 23% from when the streaming service launched five years ago amid the pandemic.

Such announcements have become almost routine in the television business as inflation hits streaming platforms that are under growing pressure to turn a profit and pay for higher programming costs.

Once seen as a cheaper alternative to cable, the cost of a streaming subscription for the top platforms continues to rise, much like higher prices for groceries, gasoline and housing.

In fact, the average price for subscriptions to the top 10 paid subscription streaming services in the U.S. increased 12% this year, following double-digit percentage increases per year since 2022, according to Victoria, British Columbia-based Convergence Research Group.

The research firm included streamers such as Netflix, Disney+, Hulu, Peacock, Apple TV and others in its data set. It factors subscriptions that are with ads or ad-free and does not take into account bundling. All of the major streaming services in the U.S. raised their prices on plans this year, except for Paramount+ and Amazon Prime Video, which boosted rates last year.

The price hikes reflect the tough economic realities of media companies that need to replace dwindling revenue from legacy pay TV channels that have seen sharp declines in viewership.

“The rest of their businesses have effectively been under attack by streaming and so they need this area to be profitable in order to compensate for the decline in their own businesses,” said Brahm Eiley, president of the Convergence Research Group. “It’s been tremendous pressure on them.”

Streaming services have been running as loss leaders for some time, said Tim Hanlon, chief executive of Vertere Group LLC, a media consulting firm.

“There’s no question that streaming is now under the gun to be its own profit center,” Hanlon said.

If rates go much higher, consumers may balk, experts said.

“The industry is playing a dangerous game by continuing to raise prices,” said Andrew Hare, senior vice president for the media research consultancy Magid. “We’re nearing a boiling point of rising churn and overwhelming choice.”

Magid has also already seen an uptick in the percentage of consumers who intend to cancel at least one streaming service in the next six months. The figure was 24% in the second quarter of 2025, up from 19% a year earlier.

“Hard as it is to imagine, the cable bundle is starting to look like a better value all the time,” Hare said.

Here is a look at which major streamers have raised prices on their ad-free streaming plans this year.

HBO Max

HBO Max raised prices across all of its plans. Its lowest-cost, ad-free streaming plan went up by $1.50 to $18.49 a month, while the annual version of that plan also increased $15 to $184.99.

HBO Max’s parent company, Warner Bros. Discovery, had 125.7 million global streaming subscribers in the second quarter, up 22% from a year earlier.

Like other streamers, HBO cited the need to help pay for quality content. The platform offers big-budget shows including drama “The Gilded Age” and “House of the Dragon,” which takes place in the “Game of Thrones” universe.

Consumers should brace themselves for more price hikes. Warner Bros. Discovery CEO David Zaslav said at a Goldman Sachs investors conference last month that he believes HBO Max is underpriced.

“We want a good deal for consumers, but I think over time there’s real opportunity, particularly for us in that quality area to raise prices,” Zaslav said.

Peacock

Big-time sports properties have been moving to streaming platforms and guess who is going to help foot the bill? Consumers, of course.

Ahead of becoming a major provider of NBA games this season, Peacock increased prices on its plans, including the premium plus ad-free streaming service, by $3 to $16.99 a month. That was the third price hike since Peacock launched in 2020, where its ad-free plan started at $9.99 a month.

The Comcast-owned streamer, which has 41 million paid subscribers, has weekly games on Mondays and Tuesdays and will have a Peacock exclusive NFL game on Dec. 27. Peacock next year will air the Milan Cortina Winter Olympics and continue to stream major sporting events such as NFL games.

In a July earnings call, Comcast Corp. President Mike Cavanagh touted how Peacock will have the most hours of live sports of any streamer next year.

Netflix

Netflix has also gotten into the sports business, with the addition of two NFL games on Christmas Day.

The streamer, which remains the industry juggernaut, is also expected to add Major League Baseball’s Home Run Derby and an opening night game when MLB finalizes a new media rights deal this year.

The company cited its entry into high-priced sports when it raised its prices on most of its plans, including on its cheapest ad-free monthly plan by $2.50 to $17.99 in the U.S. earlier this year.

“As we continue to invest in programming and deliver more value for our members, we will occasionally ask our members to pay a little more so that we can re-invest to further improve Netflix,” Netflix said in a letter to shareholders in January.

The slice of sports is coming at the expense of fans who need multiple subscriptions — if they want to keep up with every NFL game.

“A certain type of fan is starting to recognize they are being fleeced,” Hanlon said.

Higher prices on ad-free plans can help drive traffic to a streamer’s lowest-priced plans with ads. Netflix launched its subscription plan with ads in 2022 at $6.99 a month and it has only increased by a $1 to $7.99 a month since then in January 2025.

While many major streamers offer cheaper plans with ads, others offer free streaming services with ads such as the Roku Channel or Tubi.

A recent research study by Magid found that three-quarters of consumers are fine with watching commercials, if it saves them money.

Four in 10 said they’re “overwhelmed” by the number of services they use. The average number of streaming subscriptions per household in the third quarter is 4.6, up from 4.1 the previous year.

“Together, these trends point to a more value-driven streaming consumer seeking affordability and simplicity,” the study said.

Apple TV

Apple TV was once one of the lowest-priced subscription service plans, launching at $4.99 a month. Since then, prices for Apple’s video streaming service have increased to $12.99 a month, with its latest price jump of $3 in August.

The Cupertino-based company has been trying to make its streaming business more financially sound, but faces a formidable task as it has been a big spender in attracting name talent to its programs and movies.

When Apple TV first launched, it had just nine programs, but since then has expanded its library to include critically acclaimed shows and films including comedy “Ted Lasso,” drama “Severance” and “The Studio.”

Apple said in a statement that while it did raise its prices on its standard monthly ad-free plan, the cost of its annual subscription remains at $99 and Apple One bundled packages did not change.

Disney+

Last month, Disney+ announced it would increase the cost of its ad-free streaming plan by $3 to $18.99 a month. Hulu did not increase its price on its ad-free monthly streaming plan.

It was the fourth consecutive year the Burbank entertainment giant has boosted its streaming prices since launching Disney+ six years ago, when the service cost just $6.99 a month.

Despite the recent price hikes from Disney and others, Eiley from Convergence Research Group thinks there’s still room for customer growth.

At the end of last year, just 36% of U.S. households had a traditional TV subscription, compared with more than half of U.S. households in mid-2022, according to Convergence Research Group data. By the end of 2028, the research firm forecasts just 21% of households will have traditional TV subscriptions.

“There’s still a massive amount of cord cutting going on,” Eiley said.

Source link

The Streaming Pivot No One Saw Coming: Netflix Embraces Spotify’s Premium Podcasts

Find out what this Netflix-Spotify move could mean for sports, entertainment, and your portfolio.

The future of streaming media just got a whole lot more interesting. I certainly didn’t see it coming, and I bet no one else did either. Last week, Netflix (NFLX 0.40%) and Spotify (SPOT 2.01%) teamed up to put some of Spotify’s top podcasts on the video-streaming veteran’s global platform.

Netflix and Spotify’s groundbreaking podcast partnership isn’t just another content deal. It’s a glimpse into a radically different entertainment ecosystem. Former rivals become allies, audio-only podcasts turn into TV shows, and the very definition of “content” becomes beautifully, chaotically fluid.

This is the streaming evolution nobody saw coming: Specialist platforms finally realizing that collaboration might just be the ultimate competitive advantage.

What’s happening?

Early next year, you’ll see a handful of Spotify podcast shows on the American Netflix service. The partnership starts with a couple of true crime talk shows, a larger set of popular culture and lifestyle shows, and a really heaping helping of sports-oriented podcasts. Other markets will gain access to these series later, though the exact timing and geographical reach remains unknown.

Spotify sees the team-up as an effective way to grow people’s access to these podcasts, including ultra-premium stuff like The Bill Simmons Podcast. As a reminder, Spotify paid $185 million for Simmons’ Ringer studio in 2020 and presumably even more for a renewal of that deal in March 2025.

Netflix’s management highlighted the growing popularity of video-style podcasts, giving subscribers one more content type to enjoy.

People walking next to a large Netflix logo.

Image source: Getty Images.

Netflix gets sports content on the cheap

I think it’s a stroke of genius from both sides of the dealmaking table, though Netflix probably gets the sweeter end of this deal.

Netflix suddenly expands its burgeoning sports coverage very quickly by getting podcast rights, and without paying billions of dollars for direct event coverage deals. Leagues like the NFL, the NBA, and MLB want a lot of money for their game-tracking deals. For example:

  • Comcast‘s (NASDAQ: CMCSA) NBCUniversal division is reportedly close to a three-year deal with Major League Baseball, priced at $200 million per year.

  • The National Basketball Association signed an 11-year coverage deal in the summer of 2024, splitting the rights among NBCUniversal, Amazon (NASDAQ: AMZN) Prime Video, and Walt Disney‘s (NYSE: DIS) ESPN for about $7 billion per year.

  • As for the National Football League, Netflix has nibbled on a few specific games, but the big contracts are found elsewhere. Comcast, Disney, Paramount Skydance (NASDAQ: PSKY), Amazon, and Fox (NASDAQ: FOX) are all paying billion-dollar sums per year for their specific slices of NFL media rights. Even YouTube entered this arena, as the Alphabet (NASDAQ: GOOG) (NASDAQ: GOOGL) subsidiary inked a seven-year deal for Sunday Ticket coverage at $2 billion per year.

The financial details of the Netflix/Spotify partnership are not known, which suggests the payments may be small enough to not require public disclosure. After all, both partners are expecting positive outcomes from this contract. But even if Netflix is spending a few hundred million dollars, it still found a cheaper way to tap into the lucrative sports market.

Audio meets video (and beyond)

I think of podcasts as an audio-centered media format, but this deal was an eye-opener. Adding a few high-end cameras and decent lighting to the radio-like studio instantly creates a video stream instead, and a lot of people prefer that format. From the podcast creators’ point of view, I’m sure it doesn’t hurt to upgrade the studio environment and pay more attention to the visuals.

So the edges and borders between different content types are getting smudged. Spotify is doing video content and Netflix is adding audio-centric shows. And it won’t stop there. I mean, Netflix has dozens of video games already, and there’s a hidden “snake” game in the mobile Spotify app. Digital entertainment is digital entertainment, and specialists in one particular media type can easily expand to other fields.

That’s particularly true for the well-heeled global giant that started the video-streaming industry in 2011. Netflix has the resources to keep its business growth going by exploring new media types. Recent examples even include brick-and-mortar stores and the upcoming Netflix House experience centers in Philadelphia and Dallas.

Anders Bylund has positions in Alphabet, Amazon, Netflix, and Walt Disney. The Motley Fool has positions in and recommends Alphabet, Amazon, Netflix, Spotify Technology, and Walt Disney. The Motley Fool recommends Comcast. The Motley Fool has a disclosure policy.

Source link

ICE ads are streaming near you. So is the online rebellion

There you are, sitting in traffic in your car, listening to Taylor Swift on Spotify because it’s easier than subjecting yourself to a new, more challenging artist. An ad pops up in your stream. It’s serious stuff, evidenced by the dystopian tone of the narrator: “Join the mission to protect America,” the serious man’s voice commands, “with bonuses up to $50,000 and generous benefits. Apply now … and fulfill your mission.”

It’s an Immigration and Customs Enforcement recruitment ad, part of the Trump administration’s investment of $30 billion to add more than 10,000 deportation officers to its ranks by the end of the year. You would have been spared the outrage if only you had paid for Spotify’s ad-free tier of service, but there’s no way the audio streamer is getting your money now. You’ll be switching to, say, Apple Music. Maybe Tidal?

The experience of being subjected to recruitment ads for a domestic military force, assembled by a power-hungry president, has generated intense backlash that’s culminated this week in calls for boycotts of streaming services and platforms that have featured ICE spots. They include Pandora, ESPN, YouTube, Hulu and Fubo TV. Multiple HBO Max subscribers bemoaned on X that they were subjected to ICE recruitment videos while watching All Elite Wrestling: “Time to be force-fed ICE commercials against my will for two hours again #WWENXT,” @YKWrestling wrote.

Recruitment ads — Uncle Sam’s “I Want You” poster comes to mind — are an American staple, especially in times of war. But the current recruitment effort is aimed at sending forces into American cities, predicated on exaggerated claims that U.S. metro areas are under siege and in peril due to dangerous illegal immigrants, leftist protesters and out-of-control crime rates. The data, however, does not support those claims. The American Immigration Council found that from 1980 to 2022, while the immigrant share of the U.S. population more than doubled (from 6.2% to 13.9%), the total crime rate declined by over 60%.

Yet there’s a far scarier doomscape on the horizon if ICE’s recruitment efforts are successful: a mercenary army loyal only to Trump, weaponized to keep him on the throne. If that sounds more dystopian than the aforementioned Spotify ad, consider that the administration has spent more than $6.5 million over the past month on a slew of 30-second commercials aimed at luring in police officers.

The ads aired on TVs in more than a dozen cities including Chicago, Seattle and Atlanta and opened with images of each specific metro area’s skyline. Then came the commanding narration: “Attention, Miami law enforcement!” It’s followed by the same messaging that is used in ICE ads across the country: “You took an oath to protect and serve, to keep your family, your city, safe. But in sanctuary cities you’re ordered to stand down while dangerous illegals walk free — Join ICE and help us catch the worst of the worst. Drug traffickers. Gang members. Predators.”

But are the ads working? It’s hard to say since transparency isn’t a hallmark of the MAGA White House. For what it’s worth, a Sept. 16 press release from the DHS claimed that it had received more than 150,000 applications in response to its campaign and had extended 18,000 tentative job offers.

As for the power of consumer-led boycotts, there’s hope. More than 1.7 million Disney, Hulu and ESPN subscriptions were reportedly canceled between Sept. 17 and Sept. 23 during Jimmy Kimmel’s temporary suspension by ABC (Disney is ABC’s parent company). The network pulled the show after the host’s comments related to Charlie Kirk’s assassination angered MAGA supporters and the Trump-appointed FCC chair appeared to threaten the network. But after a week with a significant increase in cancellations — a 436% jump compared to a normal week — Kimmel was back on the air.

As of today, Spotify appears unmoved by the pressure to pull those intrusive ICE ads. “This advertisement is part of a broad campaign the US government is running across television, streaming, and online channels,” a Spotify spokesperson said in a statement this week. “The content does not violate our advertising policies. However, users can mark any ad with a thumbs up or thumbs down to help manage their ads preferences.”

Thumbs down. Frowny emoji. Cue the dystopian narrator for a counter ad: “Join the mission to protect America: Cancel Spotify.”



Source link

CNN launches a direct-to-consumer streaming service — again

CNN is taking another shot at launching a direct-to-consumer streaming service that will make much of the channel’s news programming available without a pay TV subscription.

The unit of Warner Bros. Discovery announced Thursday it will launch an All Access subscription tier for CNN.com available for $6.99 a month starting Oct. 28. The service will provide what the company describes as “a selection” of live programming on CNN and CNN International.

The service will also have exclusive on-demand programming and a library of titles from CNN Films and CNN Original Series.

The All Access subscription will be be offered at $69.99 annually, but will carry an introductory price of $41.99 for the first year for customers signing up by Jan. 5.

The announcement comes two years after Mark Thompson took over as chief executive of the network with a mandate to guide the channel into a digital post-cable future.

CNN launched a direct-to-consumer service in 2022 called CNN+, made up of original programming featuring its current talent line-up and new additions including Audie Cornish, Chris Wallace and Kasie Hunt. But the service was shut down nine days after launch following WBD’s takeover of the network, as new management was focused on reducing debt.

CNN has seen profits decline significantly over the last five years as cord-cutting has driven down revenues received from cable and satellite companies carrying the channel.

The cable channel also saw a significant decline in ratings after WBD took over ownership of the network and executives pushed for the network to appeal more to conservative viewers.

Thompson has made few changes to the CNN program line-up as his team has focused on its digital properties. Thompson and Alex MacCallum, executive vice president of digital products and services, were both at the New York Times when the company transformed into a successful digital subscription-based news business.

In a statement, MacCallum said the All Access launch is “an essential step in CNN’s evolution as we work to give audiences the complete CNN experience in a format that reflects how audiences engage with the news today.”

CNN introduced a paywall on its website last year, giving users unfettered access to articles and video on the site for $3.99 a month. Response to the preliminary phase was encouraging, according to people inside the network who were not authorized to comment publicly.

Cable subscribers will also get the new streaming service for free.

Fox News is currently the only major cable news channel available without a pay TV subscription. The channel is offered on Fox One, the recently launched streaming service that also offers local Fox broadcast affiliates for $19.99 a month.

Source link

YouTube says it has restored service after global streaming disruptions | Social Media News

YouTube users reported problems streaming content and accessing the app for about 60 minutes before the company resolved the issue.

YouTube says it has resolved problems with its website and app after hundreds of thousands of users worldwide self-reported issues with its streaming services.

“This issue has been fixed – you should now be able to play videos on YouTube, YouTube Music, and YouTube TV!” YouTube wrote on X on Thursday morning in Asia.

Recommended Stories

list of 4 itemsend of list

YouTube did not disclose why users reported problems streaming videos for about 60 minutes on Thursday morning, or the global extent of the problem.

Disruptions began just before 7am in East Asia (23:00 GMT, Wednesday) for YouTube, YouTube Music and YouTube TV, according to Downdetector, a website that aggregates website disruptions in real time.

Users from Asia to Europe and North America soon reported problems streaming, accessing the website, and using the apps of YouTube and its affiliates, though error reports were most heavily concentrated in the US, according to Downdetector’s user-generated error map.

Major disruptions were also reported in Japan, Brazil and the United Kingdom, although the extent of the problem is unknown because Downdetector data is based on user-submitted reports and social media.

The number of error reports peaked at 393,038 reports in the US at 7:57am (23:57 GMT) before falling off sharply, according to Downdetector data.

Downdetector reported a smaller number of disruptions for YouTube Music and YouTube TV, which both peaked at fewer than 5,000 error reports in the US over the same period of time.

Source link

‘Scariest ever’ horror series leaves fans ‘unable to sleep’ streaming for free

A horror series that has been described as the “most terrifying” TV show ever made is streaming for free, and fans are being warned to prepare for a chilling experience

One of the most spine-chilling horror series ever made, which viewers insist ‘just gets scarier’ after each episode, is now available to stream for free in the UK.

The Terror, adapted from the acclaimed sci-fi and horror author Dan Simmons’ book of the same name, depicts the ill-fated Franklin Expedition of 1845, which aimed to discover the Northwest Passage, the sea route between the Atlantic and Pacific oceans via the Arctic Ocean.

Simmons, also the author of the Hyperion Cantos, fictionalised the accounts of the expedition’s Captain Sir John Franklin as two British ships, HMS Erebus and HMS Terror, became trapped in Arctic ice, eventually vanishing without a trace and leaving no survivors.

Across 20 episodes, featuring Jared Harris, Tobias Menzies, and Ciaran Hinds amongst others, historical fact is woven with supernatural horror as the crew aboard the Terror succumb to starvation and cannibalism whilst grappling with the mysterious creature that haunts them.

The series, which was recently revived in 2025 following its first two seasons in 2018 and 2019, has received rave reviews on both IMDB and Rotten Tomatoes film and TV review platforms, scoring 7.8 stars out of 10 and an approval rating of 87%, respectively, reports the Express.

Evidence of its bone-chilling nature can be found on Reddit’s Horror subreddit, which boasts over 3 million members who post reviews and pose questions to the site’s leading horror entertainment community.

Horror enthusiasts can watch the programme without charge in the UK via ITVX’s streaming service, following account registration and enduring several advertisements.

Reddit user gtr011191 put forward a query to the online forum: “So just finished The Haunting of Hill House again, just looking for something else now to watch. What, in your opinion, is the most terrifying TV series?”.

Numerous Reddit contributors were swift to suggest The Terror, alongside other programmes, with user Hookums garnering more than 40 upvotes for their comment, “The Terror, season 1. F***ing horrifying. Episode one has some really chilling moments, and it just gets scarier from there.”

On IMDB, a verified critic named mohahaa13 awarded the programme nine out of 10 stars, cautioning audiences: “Going into the series with no expectations or impressions from the novel, and barely reading about the series at all before binge watching it, I was expecting a high-paced master and commander type of series.

“And, while it’s set in roughly the same time period, it’s unlike anything I was expecting. It’s quite suspenseful and chilling.

“Much thanks to the great acting, casting and details. The ambient soundtrack (R.I.P. Marcus Fjellstrom) is fantastic and really helps with the eerie feeling.

“There were some moments that made me feel really at unease. Right up there with the top series for sure. Well worth a watch.”

Source link

Conservative TV watchdog, Parents Television Council files for bankruptcy

In the late 1990s and early aughts, the conservative Parents Television Council struck fear in the hearts of network TV executives for its high-profile campaigns against shows it deemed too raunchy.

The watchdog group, founded by conservative commentator L. Brent Bozell III, railed against Fox’s “Melrose Place” and “Family Guy”; NBC’s “Just Shoot Me”; and the CW’s “Gossip Girl.” It also singled out CBS following the infamous Janet Jackson-Justin Timberlake “nipplegate” controversy during the 2004 Super Bowl halftime show when the singer’s breast was briefly exposed.

But the Parents Television Council Inc. — whose members lodged thousands of indecency complaints with the Federal Communications Commission — has folded. Earlier this month, the Burbank-based nonprofit filed for Chapter 7 bankruptcy in Delaware court, saying it had $284,823 in liabilities, which include staff member salaries, insurance payments and credit card debt. The filing lists $91,874 in assets.

The group’s demise reflects broad cultural changes, including a fractured media environment and consumers’ shift to streaming and social media apps such as TikTok for entertainment. Parents also have tools, including the ability to configure settings on streaming accounts to try to shield children from inappropriate content.

The PTC’s power came, in large part, from its ability to flood the FCC with indecency complaints. But the FCC, which licenses broadcasters, does not regulate streaming services, YouTube or TikTok.

The council had clout with advertisers, which put pressure on network programmers to minimize shows that would raise the group’s ire and threats of boycotts.

“I’m disappointed but I’m still very proud of what we did and what we achieved,” Tim Winter, former president of the group, said Friday. “We were able to raise awareness about so many important issues — issues that are still out there.”

“Like most businesses, it came down to money,” said Winter, who retired three years ago. “It’s just a slog out there to fundraise.”

Decades ago, the group hauled in millions of dollars in donations. The PTC boasted more than 653,000 members and supporters by 2000. However, in 2023, the most recent year of available tax reports, the Parents Television Council raised just $1.6 million, down from $4.7 million in 2007.

The group, which also went by Parents Television and Media Council, was formed in 1995 by Bozell as the Hollywood arm of his Virginia-based Media Research Center.

Bozell, long a booster of President Trump, now serves in his administration as ambassador to South Africa.

One of the PTC’s early efforts was to urge broadcasters to reserve the 8 p.m. hour for family-friendly fare. That was the custom of the networks in the 1970s; but two decades later, there was a rise in sexually suggestive content.

Over the years, the group hired analysts to monitor TV programming, published detailed reports and TV show rankings. Winter testified before a U.S. Senate committee hearing in 2007 on the impact of media violence on children.

Advertisers were sensitive to the PTC’s warnings.

“We were able to redirect tens of millions of dollars away from more explicit programming and into more family-friendly shows,” Winter said.

The PTC also spoke out against media consolidation, which accelerated in the 1990s, “the problem of having too few voices hold the microphone,” Winter said.

While it initially focused on broadcast shows, the group went after others, including Netflix when it offered the show “13 Reasons Why,” based on a book about a 17-year-old girl who died by suicide. The PTC, and other organizations, decried the series, fearing it would encourage more deaths.

Netflix responded by deleting a graphic suicide scene, and the show was later canceled.

“The media culture is no less toxic than it was years ago. And in some ways, it is more toxic,” Winter said, adding that other organizations will have to carry the mantle. “The mission is more important than ever.”

Source link

Nostalgic broadcaster ‘shutting down five channels in the UK’ amid streaming rise

A legendary nostalgic broadcaster will be ‘shutting down five music channels in the UK’ amid the quick rise of streaming services

Nostalgic broadcaster MTV will reportedly be closing all of its iconic music channels around the globe, minus the USA, following huge cuts amid a company merger. In the UK, MTV Music, MTV 80s, MTV 90s, Club MTV and Live HD will no longer be available to watch after decades on air.

MTV has reportedly finalised a deal between Paramount Global and Skydance Media. Over the summer, it was revealed MTV UK, which started in the 90s and helped launch the careers of Emma Willis and Kelly Brook, became the latest casualty of social media and streaming.

At the time, bosses said it “will still have a presence” but accepted MTV UK wouldn’t continue making original music content.

READ MORE: Ozzy and Sharon Osbourne rally behind Yungblud after backlash over VMAs performanceREAD MORE: Strictly’s Vicky Pattison apologises after being forced to pull out of BBC show

And now, it was reported in The Sun that the music channels will be pulled from air on December 31. The main MTV channel will not be affected.

One insider said it was a ‘dark day for the music industry’ as they told the publication: “MTV was once an industry powerhouse but now is a total shell of its former self. All channels bar the main MTV station are being axed — but even that only airs reality TV shows like Geordie Shore.”

The source claimed the changes were due to the rise of streaming.

Earlier this summer, a spokesman said: “MTV UK is sunsetting local series Gonzo and Fresh Out UK, ­beginning this month. We are deeply grateful to our hosts, Jack Saunders and Becca Dudley, the talented artists who have been a part of these series, as well as the teams who brought them to life.

“Fans can continue to enjoy global music shows like the MTV VMAs, STANS and Ozzy Osbourne: No Escape From Now on MTV and Paramount+, alongside digital music content on our MTV UK social channels.”

Earlier this year, Sky performed a shake up its channel offerings as POP Max was removed from all platforms.

The broadcaster previously carried POP Max and POP Max +1 on Sky Q and Sky+HD, as well as POP Max HD on Sky Glass and Sky Stream.

The channel had already vanished from Freeview last year. Originally launched in 2008 as Kix, the channel underwent a rebranding to POP in 2017.

Sky broke the news on its website, noting that while other POP-branded channels will stay, some will change positions due to the closures.

Follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

READ MORE: Final few hours to shop best Amazon Prime Day 2025 deals including Apple and DysonREAD MORE: Shoppers ditch cheap tights for pair that ‘feel soft, warm and comfortable’



Source link

‘Incredible’ period drama series hailed a ‘triumph’ now streaming 

Many have praised the lavish costume drama with a twist

Viewers who love a cosy period drama to watch as the nights draw in should check out this series on Apple TV+, which has received rave reviews, after others have enjoyed a compelling historical movie and some have been blown away by a dazzling period drama.

The drama came out in 2019 and has been praised by audiences on IMDb.

One person posted in their 10/10 review: “I watch it and, re-watched it again. I understand this may not be for everyone. However, as far as myself, I wish there was more show like this. I enjoyed every character [sic].”

As a second declared in their top-rated review that the show was “incredible” and “a triumph”. The user continued: “I can not comprehend why this has such a low rating on here. I was mind blown. Tore through the series in a day [sic].”

A third viewer gave 10/10 and described the show as “fantastic” and added: “I am 3 episodes in and this show is a hilarious, anachronistic romp! Loving every second of it.”

READ MORE: ‘Insanely heartwarming’ Netflix period drama hailed an ‘absolute must watch’READ MORE: House of Guinness writer Steven Knight on historical accuracy of Netflix drama

Someone else added in their top-rated critique: “It’s so good. But not for everyone!

“This show is really great. I love the mix of old & new. The jokes are funny and characters are enjoyable. The actors are doing tremendous job too.”

Someone else added: “Really really really Love this show. Honesty the best comedy in a while. Silly but respects and reflects her poems with dignity. She would be proud to be such a part of pop culture.”

The user concluded: “The mix of Drama and Comedy is perfect.”

Get Apple TV+ free for a week

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
Content Image

£8.99

£0

Apple TV+

Get Apple TV+ here

TV fans can get Apple TV+ free with a seven-day trial and stream acclaimed shows like Severance, Ted Lasso and Slow Horses, plus films including The Gorge. Just remember to cancel before the trial ends and you won’t pay a penny.

Meanwhile, a review of Google read: “My favourite show! I was unsure about watching this because I had watched the first episode before and wasn’t the biggest fan of the odd soap opera/over dramatic feeling to it but I rewatched about a year later and was completely blown away by absolutely everything!

“I love the way it depicts the supposed romantic relationship between Emily and Sue and the struggles they face trying to hide their affection from one another. Don’t watch expecting a history lesson or a biography of Emily’s life.”

Dickinson debuted on Apple TV+ on and reimagined the life of celebrated American poet Emily Dickinson (played by Hailee Steinfeld) at the start of her journey as a budding writer.

Over three seasons, viewers followed the angst of Emily for her love of her brother’s wife Sue Gilbert (Ella Hunt).

The show saw Emily trying to exist within the confines of the 19th century, looking at sexual identity, gender roles and the socio-political climate of the era.

The cast also included Halt and Catch Fire’s Toby Huss, Adrian Blake Enscoe, Anna Baryshnikov of Manchester by the Sea fame, Ally McBeal actress Jane Krakowski, Amanda Warren from The Leftovers, and Silo’s Chinaza Uche.

The show ran for three seasons and was filled with anachronisms and pop culture references, giving a new lease of life not only to Dickinson but the period drama genre as a whole, falling into a similar playful vein as The Great and The Favourite.

Dickinson is streaming on Apple TV+ now

Source link

L.A.’s repertory cinemas endure through an age of streaming and Hollywood turmoil

A grainy circle flashes on the top-right corner of the screen at the Eagle Theater. The single-screen repertory cinema, run by the nonprofit organization Vidiots, was showing a 35-millimeter print of Paul Thomas Anderson’s psychological drama “The Master.”

The faint warning is easily missed by most viewers, but it appears every 10 minutes, alerting the projectionist to change the reel.

The auditorium was sold out. Audience members clapped as the film title appeared onscreen. There was a buzz in the air even before the lights faded to black with the standby line filled with hopefuls trying to grab a last-minute ticket. The stakes were high for the person manning the reel exchange.

Guests wait to enter the Vidiots movie theater for a movie night in Los Angeles.

Guests wait to enter the Vidiots movie theater for a movie night in Los Angeles.

Michael Rousselet, a projectionist at the Eagle Rock theater, often drinks a lot of coffee to stay alert during late-night screenings.

“If we do a good job, no one knows we exist,” Rousselet quipped as he showed off the projection booth. “If we mess up, everyone knows we exist.”

The carefully curated communal experience offered by repertory theaters is enduring the hardships of the box office, even after the pandemic, which led to the demise of some well-known cinemas. The famed Cinerama Dome and adjoining former Arclight theater on Sunset Boulevard have still not reopened, despite popular demand.

A Monday screening of a 35-millimeter copy of the 2007 film “Michael Clayton” by American Cinematheque sold out. Independent cinema has captured a niche population that has helped it prevail in a time when box office revenue is tumbling down.

Guests enter the movie theater at Vidiots in Los Angeles.

Guests enter the movie theater at Vidiots in Los Angeles.

The summer box office season, which stretches from early May through Labor Day, grossed $3.67 billion in the U.S. and Canada, down slightly from last year and significantly less than the pre-pandemic norm of $4 billion. Some new films with major stars struggle to get anyone to show up. “Americana,” starring Sydney Sweeney, one of Hollywood’s top young stars, earned $500,000 during its opening weekend last month.

The unique cinematic experiences crafted by the different repertory theaters play a pivotal role in revitalizing the film industry in Los Angeles, according to Maggie Mackay, executive director of Vidiots.

“I don’t think you can [raise the next generation of film lovers] through one platform,” Mackay said, sitting down in her auditorium. “I don’t think you can fall in love with an art form by clicking a few times and observing it by yourself.”

Patrons at the bar of the Vidiots' cinema in Los Angeles.

Patrons at the bar of the Vidiots’ cinema in Los Angeles.

A 2024 study by Art House Convergence showed that between 2019 and 2024, audiences became younger and more diverse. The number of wide releases have also made the independent industry healthier, according to Rich Daughtridge, president of Independent Cinema Alliance.

Independent theaters “are still down compared to 2019, but the momentum attraction is going up,” he said.

Netflix bought the Egyptian Theatre from American Cinematheque for an undisclosed amount in 2020. The influx of money helped the organization grow the brand and host more screenings — the total jump from 500 screenings to 1,600 with 350,000 patrons visiting their theaters, according to Grant Moninger, artistic director at American Cinematheque.

Part of the reason audiences are choosing smaller theaters over multiplexes is the care and attention staff members put into each showing. The viewing experience at these revival theaters always starts with a crew member reminding the audience to stay away from their phones — they want everyone to enjoy the tiny scratches, dust specks and vibrant colors of the print they are showing.

Patrons watch a movie at Vidiots movie theater in Los Angeles.

Patrons watch a movie at Vidiots movie theater in Los Angeles.

“I think people are desperately in search of community right now and of feeling closer to other people and sharing things and not feeling disconnected by technology,” Sean Fennessey, the host of the podcast “The Big Picture,” said after the “Michael Clayton” screening.

“We’re very lucky in Los Angeles that we have so many great spaces … that are encouraging people to come together and hang out and laugh and cry and feel chills,” he added.

Each location offers Hollywood cinephiles and casual viewers alike options to catch a variety of movies based on their niche. Independent cinema has had the least trouble recruiting an audience post-pandemic, according to Art House Convergence.

The Vista Theater and the New Beverly show personal copies from the private collection of Quentin Tarantino, who saved the theaters from extinction. Its recent run of “Kill Bill: The Whole Bloody Affair” sold out and warranted the Vista announcing a new run of it.

American Cinematheque hosted a festival of films handpicked by different podcasters, which sold out screenings in the middle of the week.

Guests wait to enter the Vidiots movie theater in Los Angeles.

Guests wait to enter the Vidiots movie theater in Los Angeles.

Vidiots hosted a discussion with American Cinema Editors member Leslie Jones after a screening of 2012’s “The Master,” a filmed she worked on. The showing sold out and most of its audience stayed late for a Q&A discussion with her.

Regardless of the inspiration these repertory theaters provide with, say, retrospectives of Akira Kurosawa, the model is not bulletproof to the punches theaters have taken. Organizations like Vidiots and American Cinematheque still rely on their nonprofit status.

These organizations count on donations and memberships. Access to directors, actors, prints and people in the industry also plays an important role in keeping afloat, according to Moninger.

“Our job is to get everybody in [the theater]. You can’t just say, ‘Hey, we’re a nonprofit,’” he said.

The uncertainty of the model does leave room for growth, according to Roger Durling, the executive director of the Santa Barbara International Film Festival.

Vidiots technical director Boris Ibanez in the projection booth of Vidiots movie theater.

Vidiots technical director Boris Ibanez sets up a section of the film in a projector in the projection booth of Vidiots movie theater.

The nonprofit organization recently purchased the Film Center, a five-screen multiplex, in the downtown Santa Barbara area. It is the second five-screen theater they have purchased, and it will also screen films during the festival every winter.

Throughout the year, when the theaters aren’t showing movies for the festival, the organization will maintain its existence through a repertory model.

“The nonprofit aspect allows you to concentrate more on the artistic side as opposed to thinking, ‘I just need to make money,’” Durling said.

But the thought is still on his mind.

“The more you concentrate on the artistic side of it, the money will take care of itself.”



Source link

‘Steven Spielberg’s best ever movie’ everyone’s forgotten now streaming on Amazon Prime

Empire of the Sun was released in 1987 and is based on J.G Ballard’s novel of the same name. It stars Christian Bale and is available to stream on Amazon Prime Video

Kid
A young Christian Bale(Image: Warner Bros)

The war epic that catapulted Steven Spielberg into the ranks of Hollywood’s top directors is now available for streaming on Amazon Prime Video.

Empire of the Sun, which hit cinemas in 1987, features a glittering cast including Christian Bale.

Adapted from J. G Ballard’s novel bearing the same title, this 2hrs 32 min spectacle chronicles the life of Jamie ‘Jim’ Graham – portrayed by the erstwhile Batman actor – a well-heeled British lad residing in Shanghai during the early stages of World War II.

Separated from his parents amidst the Japanese invasion, he is ultimately captured and dispatched to an internment camp where he encounters the intriguing American wheeler-dealer, Basie, enacted by Of Mice and Men (1992) actor John Malkovich.

Striving to endure the severe conditions, Jim aspires to preserve his youthful innocence amid the turmoil and loss, reports the Express.

The cast also includes Southport-born Miranda Richardson, Nigel Havers known for Coronation Street (2009-2019) and Chariots of Fire (1981), and The Matrix (1999) star Joe Pantoliano.

People
Empire of the Sun arrived in theatres in 1987(Image: Warner Bros)

Review aggregator Rotten Tomatoes has awarded Empire of the Sun a critic score of 77%, while the audience score stands at a commendable 90%.

The film was highly acclaimed upon its release and is often hailed as the hidden jewel in Spielberg’s trove of blockbusters, with some asserting it surpasses the likes of Jaws (1975), Raiders of the Lost Ark (1981), and Schindler’s List (1993) as his finest work.

Don’t just take our word for it, with one critic saying: “One of Steven Spielberg’s most ambitious efforts of the 1980s, Empire of the Sun remains an underrated gem in the director’s distinguished filmography.

“Stephen Spielberg’s graduation to grown-up film-making,” added a second, while another added: “Empire of the Sun is a great, overwrought movie that leaves one wordless and worn out.”

Matt, a superfan of the movie, posted on Rotten Tomatoes: “This is one of my favorite films of all time. I’ve been watching it since it came out and it’s just as good each time I see it.

“Absolute stellar cast and should have won a lot of awards. This is actually my favorite Speilberg WWII movie.”

Empire of the Sun is available to stream on Amazon Prime Video and Apple TV.

Source link

‘I get out of breath walking up stairs ‘ – Olympic icon Usain Bolt spends his time streaming movies and building Lego

USAIN BOLT has stunningly revealed he huffs and puffs when he climbs a flight of stairs.

The Jamaican sprinting legend, the fastest human in living history, won a litany of titles during his career – including eight Olympic gold medals and 11 world titles.

Usain Bolt of Jamaica celebrating a world record win at the 2008 Olympics.

4

Usain Bolt is the fatest human in living historyCredit: GETTY
Usain Bolt celebrating his world record 100-meter win.

4

The Jamaican, who retired from sprinting in 2017, is the fastest man to run the 100 and 200mCredit: GETTY
Usain Bolt in a gray hoodie and sunglasses at the Bislett Games.

4

But he now huffs and puffs when he goes up a flight of stairsCredit: GETTY

Bolt called time on his illustrious career in 2017 and has been dealing with the devastating effects of a torn Achilles tendon for the last year.

And the injury has taken its toll on his once amazing cardiovascular endurance.

He told The Guardian: “I mostly do gym workouts 1757974939.

“I’m not a fan, but I think now that I’ve been out for a while, I have to actually start running.

“Because when I walk upstairs, I get out of breath.

“I think when I start working on it fully again, I will probably have to do some laps just to get my breathing right.”

Bolt, 39, still holds three world records, including his world-famous 9.58-second running of the 100m.

He also holds the records for the fastest-ever 200m and 4x100m, having run them in 19.19 and 36.84 seconds respectively.

SUN VEGAS WELCOME OFFER: GET £50 BONUS WHEN YOU JOIN

Usain Bolt celebrating his Men's 100m final win at the Olympic Stadium, London.

4

Usain Bolt believes this current crop of male sprinters won’t break his three world recordsCredit: PA

Despite the advancements in training, nutrition and running technology, nobody has come close to breaking them.

When asked why this generation of sprinters aren’t as quick as his, he replied: “We’re just more talented. That’s all I’m saying.

Usain Bolt named a Guinness World Records Icon

“Of course, it shows when it comes to the men. You can see the women are different.

“They’re running faster times and faster times. So it shows – it has to be the talent.”

Bolt stopped watching athletics after his retirement but travelled to Tokyo this month to watch Melissa Jefferson-Wooden and Oblique Seville win gold.

The pace of Bolt’s once hectic life has changed in large part due to his three children, Olympia Lightening, five, and twin boys Leo and Saint, two.

But he wouldn’t trade dad life for anything, partly because it’s helped him find a passion for Lego.

When I walk upstairs, I get out of breath.”

Usain Bolt

He said of his post-athlete daily routine: “Well, normally, I wake up just in time to see the kids off to school.

“And then it depends on what I have to do. If I have nothing to do, I just chill out.

“I might work out sometimes if I’m in a good mood. I just watch some series and chill until the kids come home.

“I spend some time with them, hang out, until they start annoying me then I leave.

“And then afterwards, I just stay at home and watch movies or I’m into Lego now, so I do Lego.”

Source link

‘Most realistic’ historical drama series ever hailed a ‘swashbuckling adventure’ now streaming

The period piece has garnered much praise

Two sailors stand next to each other
Paul McGann and Ioan Gruffudd starred in the films(Image: ITV)

Fans of historical dramas can’t afford to miss out on this cracking series of ITV films that are streaming now, after others have enjoyed a 10/10 period drama and a “superbly filmed” BBC series.

The film saga has many fans, who’ve previously lauded the series on IMDb.

One person titled their 10/10 review: “One of the all time great seafaring adventures!”

The user added: “It ranks up there with the original Mutiny on the Bounty,The Sea Hawk and Master And Commander as one of the greatest of its kind.”

Another person said in their 10/10 review: “This is one of the most realistic historical dramas out there.

“Everything in Hornblower is played to perfection, from the sets (fantastic, towering ships) to the costumes to the cast. The actors are all so believable in their roles that it’s hard to pull yourself out of that world. I had only flicked onto it by accident on TV, but I couldn’t pull myself away.”

A man in navy speaks
Robert Lindsay starred in the historical films (Image: ITV)

READ MORE: ‘Perfect’ historical drama that Wolf Hall fans will love now on NetflixREAD MORE: Netflix Thursday Murder Club star’s ‘pitch-perfect’ costume drama is a must-watch

A third described the drama as a “True Swashbuckling Adventure” and added: “A great cast and the sight of the beautiful sailing vessels in full rigging — I’d forgotten how much I love them.”

Someone else commented: “Storytelling at its best!” and elaborated: “The first in the Horatio Hornblower series, this installment is absolutely stunning. After watching this, you will find yourself longing for more. There is enough action, drama, and humor to satisfy just about anyone [sic].”

Yet another person hailed the show as “top notch entertainment” and said: “I viewed this show with some trepidation, as the name Hornblower to me (as with many others) is synonymous with Gregory Peck.

“But this is a different Hornblower and the magic is very much the same – fancy uniforms, good guys and bad guys, lots of sailing ships and lot of blood and thunder. What more can one ask for?”

Two men stand together and smile
The film series focuses on the French Revolutionary and Napoleonic Wars(Image: ITV)

Hornblower was a series of historical films led by Hollywood star Ioan Gruffudd and was based on the three of the 10 novels written by C. S. Forester.

The drama followed the fictional title character Horatio Hornblower, a Royal Naval officer during the French Revolutionary and Napoleonic Wars.

The films ran on ITV from 1998 to 2003, and there were eight in total.

Other cast members included Robert Lindsay, Paul McGann, Paul Copley, Sean Gilder, and Jamie Bamber.

A man in a hat speaks
The historical TV films have been praised by audiences (Image: ITV)

There were also some other big names who made appearances, including Denis Lawson, Ian McNeice, Samuel West, Cherie Lunghi, and Greg Wise.

Prior to the ITV films, there were other adaptations of Forester’s novels, with Hollywood star Gregory Peck taking on the character in the 1951 movie Captain Horatio Hornblower.

While David Buck starred in an American TV series as the character in 1963 and Michael Redgrave appeared in a radio adaptation in the 1950s

Hornblower is streaming on ITVX now

Source link

Mike Tyson vs. Floyd Mayweather Jr. is happening. What we know so far

Maybe Mike Tyson should pick on someone his own size.

Maybe Floyd Mayweather Jr. should pick on someone his own age.

Maybe both men should stay retired.

Or maybe we should just kick back and enjoy an unexpected but extremely intriguing contest between two all-time great boxers from different eras (and weight classes).

Might as well take the last option because Tyson vs. Mayweather is happening in spring 2026.

CSI Sports / Fight Sports on Thursday announced the upcoming exhibition bout without providing too many other details, such as the date or location of the event or at what weight the fight will take place.

Another detail that hasn’t been revealed is how much money each fighter will earn. No doubt it will be quite a hefty amount, a notion Mayweather may have been referencing when he posted multiple videos Thursday on his Instagram Stories featuring himself sitting in what appears to be a private jet and handling large stacks of cash.

The hype machine has already started, though.

CSI Sports / Fight Sports co-founders Richard and Craig Miele predicted in a news release that the fight would be bigger than Tyson’s record-setting bout with Jake Paul last November. That fight was the most-streamed sporting event of all time and brought in the largest gate for a U.S. boxing or MMA event held outside of Las Vegas.

“Tyson vs. Mayweather will break every broadcast, streaming and economic record set by Mike Tyson in 2024,” the Miele brothers said. “We are planning a robust promotional campaign complete with weekly premium storytelling and worldwide marketing reach. The event itself will be in a world-class venue and be presented to a global audience with new in-ring technology elements that will reshape how boxing is presented, and scoring is achieved for years to come.”

Tyson (59-7, 44 KO) was the undisputed world heavyweight champion from 1987-1990. The then-57-year-old Tyson ended nearly two decades of retirement from professional fighting last year when he fought the then-27-year-old Paul in a sanctioned bout. Paul won that match by unanimous decision.

Mayweather (50-0, 27 KO) won 15 championship belts spanning five weight classes, from super featherweight to light middleweight. He is now 48 and hasn’t fought a professional bout since his 10th-round technical knockout of Conor McGregor in 2017.

The boxers are already in hype mode as well, as evidenced by their comments in the press release announcing the event.

“I still can’t believe Floyd wants to really do this,” Tyson said. “It’s going to be detrimental to his health, but he wants to do it, so it’s signed and it’s happening!”

Mayweather said: “There hasn’t been a single fighter that can tarnish my legacy. … I’m the best in the business of boxing.”



Source link

Netflix’s ’10 out of 10’ period drama you’ve probably never heard of is streaming now

A Netflix period drama has been hailed a “masterpiece” by fans who have described it as a “hidden treasure”

A woman in a white shirt looks serious
The show was a modern reimagining of a literary classic(Image: NETFLIX)

Netflix boasts an enormous catalogue of television programmes and films, yet period drama enthusiasts might have missed one brilliant little gem on the streaming service, reports Surrey Live. This emerges whilst others have been captivated by a doomed romance and a Jane Austen classic.

The programme draws inspiration from a beloved collection of novels that continue to enchant readers today.

Countless viewers have praised the show on IMDb, with the series garnering numerous perfect 10/10 ratings.

One glowing review declared: “What a beautiful, beautiful show… And not just in terms of cinematography (which makes you want to pack your bags and head to Prince Edward Island right this second), but also in terms of the the heart and soul that has been put into the show which is clearly evident.”

Another user kept their review title simple: “Love it.”

They elaborated in their perfect 10/10 assessment: “This is one of my favourite shows.

A boy and a girl kiss
Fans have loved the period drama(Image: NETFLIX)

READ MORE: ‘Unbelievable’ period drama based on ‘scandalous’ real-life court case is unmissableREAD MORE: ‘Epic’ period drama hailed ‘amazing’ after nearly 30 years is unmissable

“I loved the old version and this one is a beautifully updated version of that story. I see a lot of hate written from purist with no scope of imagination, who dislike this. However, it is about time that we accept the fact that rural 1900’s Canada was not all flowers, red roads and poetry.”

A third viewer gushed about the programme: “This is one of the most beautiful shows I have ever had the pleasure of watching.

“I have read the books and though it differs from the books it truly is the closest to perfect television we have gotten in the past 10 years or so. It tackles modern day issues that have been alive throughout time and does so in a thought provoking fascinating way.”

Another viewer branded it a “masterpiece” and shared: “One of the best shows I have ever watched I highly recommend it to everyone doesn’t matter what age you are.

A woman looks sad
Geraldine James starred in the heartwarming period drama(Image: NETFLIX)

Get Netflix free with Sky

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
Content Image

from £15

Sky

Get the deal here

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.

“Everyone will find something interesting in it. Amazing acting, scenography, costumes, music and of course storylines.”

Yet another fan called it “a hidden treasure” and added: “There aren’t enough words to describe how much this show means to me. Watching this show has brought me so much hope and happiness.”

Another glowing review hailed the series as “absolutely brilliant” and went on: “Anne with an E is exactly the show that we need in our world today. It deals with all kinds of important topics such as residential schools, women’s rights, black history, and the LGBTQ community. It does so in an heart warming, educational, and kid friendly manner.”

Anne with an E first arrived on screens in 2017 and offered a contemporary take on the beloved Anne of Green Gables books by Canadian writer Lucy Maud Montgomery, who wrote under the pen name L. M. Montgomery.

A boy touches a girl’s cheek
Amybeth McNulty led the sweet adaptation of the classic novels(Image: NETFLIX)

The programme was reimagined by Breaking Bad writer Moira Walley-Beckett for CBC and Netflix. Echoing the 1908 classic Anne of Green Gables, the series centred around spirited orphan Anne Shirley (portrayed by Amybeth McNulty), beginning with her adoption by elderly siblings Matthew (R.H. Thomson) and Marilla Cuthbert (Geraldine James).

Despite facing numerous challenges, our heroine Anne remained positive as the show addressed hard-hitting issues such as child abandonment, racism, gender inequality and even psychological trauma.

The cast also included Dalila Bela as Diana Barry, Lucas Jade Zumann as Gilbert Blythe, and Aymeric Jett Montaz as Jerry Baynard.

Anne with an E is streaming on Netflix now

Source link

Streameast, the illegal sports streaming giant, has been shut down

The world’s largest sports pirating site, Streameast, is no more.

The illegal streaming giant was terminated in Egypt after a sting operation, according to the Alliance for Creativity and Entertainment, one of the country’s largest antipiracy coalitions. Egyptian law enforcement and ACE shut down the service Aug. 24 following a yearlong investigation.

Streameast had 80 associated domains and amassed more than 1.6 billion visits during the past year. It offered access to sports’ biggest events, including Europe’s football championships, the NFL, NBA, MLB, pay-per-view boxing and F1 races. It garnered an average of 136 million monthly visitors, primarily based in the U.S., Canada, the U.K., the Philippines and Germany.

“With this landmark action, we have put more points on the board for sports leagues, entertainment companies, and fans worldwide — and our global alliance will stay on the field as long as it takes to identify and target the biggest piracy rings across the globe,” said Charles Rivkin, chairman of ACE and head of the Motion Picture Assn., in a press release.

Two men were arrested about 20 miles outside of Cairo under suspicion of copyright infringement. Authorities confiscated devices, including laptops and smartphones thought to be operating the site, cash and several credit cards. Investigators also identified a shell company possibly used to launder the advertising revenue, which totaled to around $6.2 million, and an investment of $200,000 in cryptocurrency. Several properties in Egypt were also allegedly purchased with these funds.

In addition to working with local Egyptian authorities, ACE’s investigation was aided by Europol, the U.S. Department of Justice, Office of the U.S. Trade Representative and National Intellectual Property Rights Coordination Centre, according to the Athletic’s reporting.

All sites previously associated with Streameast will be redirected to ACE’s “watch legally” page, which provides links to authorized streaming video providers. This announcement comes a day before the NFL’s regular season kicks off.

Source link

Walmart+ adds Peacock to streaming offerings to better compete with Amazon Prime

Walmart will soon expand its streaming offerings to its subscription members, with the retail giant announcing a new partnership with NBCUniversal’s Peacock on Monday.

Starting Sept. 15, Walmart+ subscribers can choose to receive ad-supported versions of Peacock Premium or Paramount+ as part of their membership. Every 90 days, Walmart+ members can switch between the two services.

“The additional option of Peacock Premium adds even more value and more choice to our membership, without raising the price,” said Deepak Maini, senior vice president of Walmart+, in a statement. “This is just one of the many ways we’re evolving Walmart+ to meet the needs and wants of today’s consumer.”

The move could appeal to consumers who feel overwhelmed by the different streaming choices and give them a chance to sample what each platform offers without dealing with additional cost.

Walmart+, which charges $98 for an annual plan, includes free shipping, free same-day delivery on groceries and prescriptions, gas discounts and other benefits. Adding more streaming content could help Bentonville, Ark.-based Walmart compete with Amazon Prime, though Walmart does not invest in original content, unlike the Seattle e-commerce behemoth.

Walmart declined to say how many people subscribe to Walmart+.

In 2020, Walmart launched Walmart+, which competes with Amazon’s $139 annual Prime membership. Prime offers perks such as free shipping and streaming series such as “The Summer I Turned Pretty” and “Reacher,” action movie “The Pickup” and NFL football games.

Last week, Amazon announced that Peacock Premium Plus, the streaming service’s ad-free version, would be available on Prime Video for an additional fee, along with 100 other subscription options in the U.S. Amazon also said it had a multiyear deal for the Peacock app to be available on its Fire TV in the U.S.

Walmart has had a spotty track record on its own streaming efforts and currently does not have its own streaming service or produce its own originals. In 2010, Walmart purchased video-on-demand service Vudu and in 2018 partnered with MGM to create original programming for the platform. The retailer later sold Vudu to Fandango in 2020.

Before that, Walmart launched a web store to sell movie and TV show downloads but shut it down in less than a year after its partner, Hewlett-Packard Co., discontinued the technology for the site after it underperformed.

Source link

ESPN, Fox team up for bundled streaming service in October

Aug. 11 (UPI) — Disney‘s ESPN and Fox Corp. on Monday announced the two rivals are joining forces to offer a streaming service to consumers as a bundle for $39 per month starting Oct. 2.

The two media giants announced the service but last week ESPN and Fox each announced separate all-in-one streaming apps.

The services can be downloaded on devices, including cellphones and tablets, and can be accessed on smart TVs and gaming consoles.

With viewership declining on TV, including cable, media companies have turned to streaming services as a way to boost viewership and revenue. CNBC reported that sports is a way to accomplish this.

Last week, both companies announced their services — ESPN’s Direct to Consumer Unlimited Offering and Fox One — will launch on Aug. 21 before the college football and NFL seasons.

But the bundle won’t be available until October.

ESPN’s separate service will cost $29.99 month and Fox’s will be $19.99.

Also, ESPN will offer a bundle with Disney’s other streaming services, Disney+ and Hulu, for $35.99 per month.

Besides events, both companies present sports news.

The ESPN service will include live sports and programming from its TV networks, including ESPN2, the SEC Network, the ACC Network, as well as Disney-owned ABC.

ESPN also reached an agreement last week with the NFL to acquire the NFL Network, including the Red Zone.

And ESPN last week signed a deal with the WWW for U.S. rights in 2026 to its biggest wrestling events, including WrestleMania, the Royal Rumble and SummerSlam.

In all, ESPN/ABC cover 47,000 live events each year, as well as studio shows and original programming.

ESPN and ABC sports include Monday Night Football, college football and basketball, NHL, NBA, Major League Soccer, golf, tennis and motorsports.

In addition, an enhanced app will integrate game statistics, betting information, fantasy sports, multi-view options and a “personalize SportsCenter For You,” the company said.

Fox’s parent company offers Tubi and Fox Nation. Fox’s sports networks include FS1, FS2 and the Big Ten Network.

The company said Fox One won’t have original content.

Last week, Fox CEO Lachlan Murdoch and Disney CEO Bob Iger said during earnings calls that they were considering offering bundle services.

Fox Sports’ coverage includes NFL, college football and basketball, Major League Baseball, FIFA World Cup, Major League Soccer, motorsports, WNBA, LIV Golf and boxing.

Three other media companies offer sports: Comcast’s NBC, Warner Bros. Discovery’s TNT and Paramount Skydance’s CBS.

NBC, which has the rights to the Olympics, has Peacock streaming, and CBS offers Paramount+, services that include sports. TNT doesn’t have a specific app but its services can be bundles with other apps.

On Monday, Paramount announced plans to televise UFC events starting next year.

Source link