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In March, Bad Bunny performed his first-ever concert in Asia when he played in from of 2,300 fans in Tokyo as part of Spotify’s Billions Club Live series.

Starting April 8, a filmed version of that performance will be available on Spotify for the “Nuevayol” artist’s millions and millions of fans not in attendance.

The show, officially titled “Billions Club Live With Bad Bunny: A Concert Film,” was billed as a special stop in the Grammy-winning performer’s “Debí Tirar Más Fotos World Tour” — which kicked off with a November concert in the Dominican Republic and has since sold out stadiums across Latin America and Australia. He notably didn’t include dates in the United States as part of the tour.

Footage of the Japan concert swept social media, as it showed Bad Bunny doing a never-before-seen salsa rendition of his 2018 collaboration with Drake. He also notably sang his 2021 single “Yonaguni,” which features lyrics in Japanese.

The concert film will premiere two months after the “Callaíta” singer nabbed a historic album of the year win at the Grammy Awards and became the first fully Spanish-language act to headline the Super Bowl halftime show — which was lauded for its potent star power and political messaging.

Bad Bunny’s generational run looks to have no immediate end in sight, as he will kick off the European leg of his world tour with a May performance in Portugal before making stops in Spain, England, Sweden, France, Poland and Italy.

But the “Dakiti” artist’s newsworthy year hasn’t been limited to the music world.

In February, it was announced that Bad Bunny will star — alongside Academy Award-winning actor Javier Bardem and multiple-time nominees Edward Norton and Viggo Mortensen — in Puerto Rican rapper Residente’s directorial debut, “Porto Rico.” The film, which has yet to announce a release date, will explore the complicated colonial history of Puerto Rico through Western/historical drama storytelling devices.

Global streaming revenue surged to $150 billion last year, driven largely by an increase in prices by Netflix and other streamers, according to a new report.

In 2025, global streaming subscription revenue grew by 14%, reaching a total of over $157 billion, the report from Ampere Analysis found. In the last five years, revenue has tripled from the $50 billion seen in 2020.

Streamers continue to dominate the digital distribution market with rising monthly subscription fees , more consumers choosing subscriptions with ads, and platforms expanding their global reach.

“As the streaming market matures, the emphasis is no longer on pure subscriber growth but on extracting greater value from existing audiences,” said Lauren Liversedge, a senior analyst at Ampere Analysis. She noted that the growth is happening “particularly in the most competitive markets.”

Over the next five years, Ampere Analysis estimates subscription revenue will grow by another 29%, potentially reaching over $200 billion worldwide by 2030.

The U.S. is the largest driver of this revenue growth, as the country accounts for 50% of 2025’s global streaming subscription revenue, per Ampere Analysis. Netflix accounted for the largest revenue share in the U.S. at 14%. Last week, the company also announced a price hike, where its premium tier costs $27 a month. This marks the second time in a little over a year that the streaming service raised its fees.

“Our approach remains the same: We continue offering a range of prices and plans to meet a variety of needs, and as we deliver more value to our members we are updating our prices to enable us to reinvest in quality entertainment and improve their experience by updating our prices,” said a Netflix spokesperson in a statement.

It’s not the only streaming service to increase its prices, as Disney+, HBO Max and Apple TV made similar moves last year.

Recent data from Deloitte highlights some of the price sensitivity U.S. streaming audiences are experiencing. More than two-thirds of streaming subscribers are now opting for ads, marking a 20% increase from 2024.

That cost-conscious sentimentexpands beyond North America, reaching Western Europe, according to Ampere Analysis. The total revenue from ad tiers has risen rapidly across these markets over the past five years, up from less than 5% in 2020 to 28% in 2025.

But even as consumers demonstrate their willingness to pay less and watch ads, streaming platforms still benefit, making money from both subscription fees and advertising. When accounting for that ad revenue, streaming services generated closer to $177 billion in global revenue last year. Advertising is expected to become an even more important revenue stream for these companies, as ads alone could add $42 billion in annual revenue by 2030, per Ampere Analysis.

Some things simply can’t be beat

A classic period drama, one that popularised the genre globally, is still regarded as one of the finest to ever grace our screens. Period drama enthusiasts will be familiar with the show in question — Upstairs, Downstairs.

Upstairs, Downstairs laid the groundwork for Downton Abbey with a story that will be familiar with fans who have only seen the modern sensation. As the definitive period dramas of their era, the parallels between Upstairs, Downstairs and Downton Abbey are self-evident.

Both shows portray the personal struggles of an aristocratic family and their servants against a backdrop of social and political upheaval on an overlapping timeline.

Like Downton Abbey, it spans three decades, covering both World Wars and the roaring 20s through to the Great Depression. The classic show chronicled the turbulent lives of the aristocratic Bellamy family and their servants in the early 1900s.

They diverge in numerous ways, however, and one is immediately apparent.

The seventies programme is less high-end, a quality that can taken as nostalgic or a dealbreaker. Upstairs, Downstairs premiered in 1971 and ran for five years, predating Downton Abbey by a good 50 years.

In fairness, Downton’s setting is inherently more luxurious. The Bellamy family inhabit a London townhouse, a far cry from the Crawley family’s lavish country estate that was a character in its own right.

And while Downton’s visuals proved a triumph, a frequent criticism from audiences is that the programme descended into melodrama. In contrast, Upstairs, Downstairs has been likened to a stage play for its more understated visuals and plotlines.

Fans of both period dramas shared their preferences. One viewer sparked a debate on Reddit, asking: “If you have seen both shows, which show do you think is better?”

“Upstairs Downstairs without question,” replied one viewer decisively. Another agreed: “I like Downton Abbey better, but Upstairs, Downstairs is the better show.

“I have tried watching the Upstairs/Downstairs remake multiple times and I always end stopping after about two episodes,” commented a third. “It just doesn’t grab me like Downton.”

Upstairs, Downstairs is available to watch on ITVX.

All episodes have found a new home on the streaming platform

What some consider as the ‘best series ever made’ that is based on an award-winning novel is now streaming on Netflix.

In the latest significant update for the streamer’s library, all episodes of The Man In The High Castle have been added to the service. While it was originally a Prime Video exclusive released back in 2015, running for four season until 2019.

It is an alternate history period drama, loosely based on the novel of the same name written by Phillip K. Dick. The author was one of the most celebrated sci-fi writers, with many of his works adapted for the screen including into films such as Blade Runner, Minority Report and Total Recall.

The story takes a look at what the world might look like had the outcome of World War II turned out differently. In this dystopian scenario, the Axis powers won the war, leading to the United States being divided into three parts, an area controlled by the Japanese, a Nazi-controlled section, and a buffer zone between the two.

Despite the oppression, a new hope emerges when films turn up that seem to show a different world. A woman believes the films contain the key to freedom and is determined to find their mysterious guardian as she begins to build a network of resistance.

The series was created for television by Frank Spotnitz who previously worked as a writer for The X Files. Alien director Ridley Scott served as an executive producer.

It boasts an 84% rating on website Rotten Tomatoes. One reviewer claimed: “a superb, frightening experience filled with unexpected twists and (some sci-fi) turns.”

A different critic penned: “unlike anything else on television, impeccably acted and packed with vivid, multi-layered characters, gut-wrenching twists and dark, dark moments of human misery”.

It would go on to last for three more seasons and years after the final episode released, many fans still hail it as one of the more superior historical fiction shows. One went so far as to post on Rotten Tomatoes declaring it as “one of the best shows ever made.”

Another added: “a haunting alternative history vision implemented in a extremely authentic fashion.”

While a third confessed how they were hooked upon discovering the series for the first time. They said: “Beyond impressed, stayed up until 2am on a week day… I decided to squeeze in the pilot. Needless to say, seven episodes later I was still watching.”

They continued: “The storyline is incredible. The acting is great. The emotions that it brought out of me was real and raw. It made me appreciate and think differently about the word/idea/concept that we all throw around ‘FREEDOM'” Yes, it’s fictional, and yes it’s just a TV-show, but boy they hit on something, at least in me. I’m beyond impressed!”

Someone else commented: “This is the best series since Breaking Bad. I think every one under the age of 40 needs to see this.”

The Man In The High Castle is streaming on Netflix.

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