Storm

More than 40 million Americans under winter storm warnings or weather advisories as heavy snow expected.

Thousands of flights have been cancelled and delayed in the United States due to winter storm Devin, airline monitoring website FlightAware reports, dealing a blow to air travel during peak holiday time.

A total of 1,581 flights “within, into or out of the” US were cancelled and 6,883 delayed as of 4pm US Eastern Time (21:00 GMT) on Friday, according to FlightAware, which describes itself as the world’s largest flight tracking data company.

The delays and cancellations came as the US National Weather ⁠Service warned of winter storm Devin causing “hazardous travel conditions” and heavy snow forecast across parts of the Midwest and northeast.

More than 40 million Americans were under winter storm warnings or weather advisories on Friday, plus another 30 million under flood or storm advisories in California, where a so-called atmospheric river has brought a deluge of rain.

New York City, the largest US city, was bracing for up to 250mm (10 inches) of snow overnight on Friday, the most expected in four years. Temperatures were forecast to drop into the weekend when an Arctic blast is expected to swoop down from Canada.

New York’s John F Kennedy airport, ⁠Newark Liberty international airport and LaGuardia airport warned travellers of potential delays or cancellations. More than half of the flight cancellations and delays took place at these three airports, according to FlightAware.

JetBlue Airways cancelled 225 flights on Friday, the most among the US carriers, closely followed by Delta Air Lines, which cancelled 212 flights. Republic Airways cancelled 157 flights, while 146 were cancelled by American Airlines and 97 by United Airlines.

“Due to winter storm Devin, JetBlue has cancelled approximately 350 flights today and tomorrow, primarily in the Northeast where JetBlue has a large operation,” a JetBlue spokesperson told the Reuters news agency.

On the US West Coast, powerful winter storms brought the wettest Christmas season to Southern California in 54 years.

There was still a risk of more flash flooding and mudslides on Friday despite slackening rain around Los Angeles, the National Weather Service warned.

Firefighters rescued more than 100 people on Thursday in Los Angeles County, with one helicopter pulling 21 people from stranded cars, officials said.

Nothing but dirt and dry, brown chaparral rolled beneath skis and snowboards dangling from a chairlift at Big Bear Mountain Resort on Friday, as forlorn adventure seekers joked they should rename the place “Big Bare.”

Unseasonably high temperatures even left the impressive array of high-tech artificial-snow makers below mostly useless, their fans spinning idly in the warm breeze.

“The word I’ve been using is “abysmal,” said Cameron Miniutti, 29, who was riding the lift in a light cotton shirt, with the hot sun glinting off his ski goggles. “This is, for sure, the toughest start [to a season] I’ve seen.”

Similarly bleak panoramas can be found at ski areas across the American West so far this year, but especially in California, where a wet November gave way to one of the driest Decembers in recent memory.

People visit Big Bear Village on Sunday, with no snow in sight.

As of Friday, the state had only 12% of the snow that’s normal for this time of year, and only 3% of what water managers hope for in an average year, according to the California Department of Water Resources.

Which is why water managers — and skiers — are hoping for a Christmas miracle as an enormous atmospheric river takes aim at California this week. The soaking rains may threaten coastal cities with flash floods and nightmarish traffic, but they promise sweet relief for snow-starved thrill seekers from Lake Tahoe to the San Bernardino Mountains in Southern California.

Mammoth Mountain, the tallest commercial ski resort in California, could get up to 7 feet of snow this week, according to On the Snow, a website that tracks conditions at ski areas.

Resorts on the north end of Lake Tahoe could see up to 5 feet, and even Big Bear could get 3 feet, assuming the temperature stays below freezing, according to the website.

That’s important to everyone, even nonskiers, because roughly a third of the water California relies on each year for drinking, farming and fighting wildfires accumulates as snow in the mountains during the winter and then gradually melts through the spring and summer, when the state can otherwise be bone dry.

Many California ski areas were forced to delay opening this year, and even those that got the lifts spinning have had to confine skiers to only a handful of runs, often on man-made snow.

That has been this case at Big Bear, where a thin strip of artificial snow snakes from the 8,440 top of the Bear Mountain Express chairlift to the base at just over 7,000 feet. While crews worked diligently to rake the fake snow over exposed rocks and patches of bare dirt on Friday, skiers and boarders scraped by like traffic on the 405 Freeway.

“It’s crazy,” Miniutti said, “I mean, I can’t even imagine what this is like on a weekend.”

And the range of abilities of people crammed onto the same run creates its own, unique kind of “obstacle course,” Miniutti said.

You have to concentrate on not crashing into people in front of you — many of whom are absolute beginners, tumbling to the snow for no apparent reason — while praying the very good skiers and snowboarders you can hear racing up behind you will somehow avoid mowing you down.

People ski and snowboard at Big Bear Mountain Resort on man-made snow on Sunday.

“There’s, like, the best snowboarders in the world and people on their first day right next to each other,” Miniutti said.

But under the circumstances, Miniutti had nothing but admiration for the mountain staff for keeping the run open despite the seemingly impossible weather.

“I’m still having a blast,” he said, “it’s absolutely worth coming up.”

Devon James, 24, from Pasadena, felt the same way. He was warm in long sleeves, which he took to wearing after wiping out in short sleeves a week ago and “getting cut up.”

One day lift tickets at Big Bear cost more than $150 this season. At fancier resorts, like Mammoth Mountain, they can easily climb to more than $200 per day. So most serious skiers buy season passes for just under $1,000 that are good at many mountains across the country and around the world.

But that means they feel compelled to get their days in, no matter the conditions.

“I mean, that’s kind of the whole game, right,” James laughed. “I’ve got to get at least eight or nine days to get back to even.”

Skiers and snowboarders navigate bare areas at Big Bear Mountain Resort.

Miniutti, who is originally from Massachusetts, and learned to snowboard on the freezing, icy hills of New England, still prefers the alpine experience on the West Coast.

Even when there are legitimate winter conditions at Big Bear, he loves hopping in his car at the end of the day and driving home to Los Angeles, where it’s seemingly always 70 degrees and sunny.

“I can’t really beat that,” he said, “I’m not complaining.”

After days of deliberation and faced with a forecast getting soggier by the day, Santa Anita officials have decided to postpone opening day of the 2025-26 race meeting from Friday until Sunday, Dec. 28.

It’s just the second time since 1976 that Santa Anita will not open on the day after Christmas. The other time was in 2019 for the same reason: wet weather. More than eight inches of rain are projected to fall between Tuesday night and Friday at Santa Anita.

“With the amount of rain being forecast, it’s important to make this call as early as possible to give everyone advance notice,” Santa Anita general manager Nate Newby said in a statement. “Everyone looks forward to opening day as it’s traditionally one of our biggest days of the year, so it’s not a decision we make lightly. But after speaking with our stakeholders, adjusting the racing schedule at this time provides the best opportunity to have a great opening to kick off the season.”

There is no state rule against running in the mud or on a softer turf course, but protocols put in place after the 2018-19 winter-spring meeting, when 30 horses died during racing or training at Santa Anita, often result in the track postponing or canceling race days.

Opening day usually draws the largest crowd of the year at Santa Anita. Last year’s announced on-track attendance was 41,562, the highest total on a non-weekend or holiday on opening day since 1990. Total mutuel handle was more than $21.4 million, the third-highest ever on the first day.

The 11 races scheduled for Friday now will be run two days later, with first post at 11 a.m. There are six stakes races set for opening day, three on turf, with Santa Anita officials hoping that waiting until Sunday will allow the grass course to dry enough to allow racing.

Tickets purchased for opening day will be honored Dec. 28, with full refunds available on request. The revised schedule for the opening two weeks will feature racing Dec. 28 and 29, then every day from Wednesday, Dec. 31, through Sunday, Jan. 4.

Israeli forces continue raids across occupied West Bank as Gaza reels from Israeli attacks and aftermath of a storm.

New Delhi, India – A newly released Bollywood spy thriller is winning praise and raising eyebrows in equal measure in India and Pakistan, over its retelling of bitter tensions between the South Asian neighbours.

Sunk in a sepia tone, Dhurandhar, which was released in cinemas last week, is a 3.5-hour-long cross-border political spy drama that takes cinemagoers on a violent and bloody journey through a world of gangsters and intelligence agents set against the backdrop of India-Pakistan tensions. It comes just months after hostilities broke out between the two countries in May, following a rebel attack on a popular tourist spot in Pahalgam, in Indian-administered Kashmir, which India blamed Pakistan for. Islamabad has denied role in the attack.

Since the partition of India to create Pakistan in 1947, the nuclear-armed neighbours have fought four wars, three of them over the disputed region of Kashmir.

The film stars the popular actor Ranveer Singh, who plays an Indian spy who infiltrates networks of “gangsters and terrorists” in Karachi, Pakistan. Critics of the film argue that its storyline is laced with ultra-nationalist political tropes and that it misrepresents history, an emerging trend in Bollywood, they say.

What is the latest Bollywood blockbuster about?

Directed by Aditya Dhar, the film dramatises a covert chapter from the annals of Indian intelligence. The narrative centres on a high-stakes, cross-border mission carried out by India’s Research and Analysis Wing (R&AW), and focuses on one operative who conducts operations on enemy soil to neutralise threats to Indian national security.

The film features a heavyweight ensemble cast led by Singh, who plays the gritty field agent tasked with dismantling a “terror” network from the inside. He is pitted against a formidable antagonist played by Sanjay Dutt, representing the Pakistani establishment, and gangsters such as one portrayed by Akshaye Khanna, while actors including R Madhavan portray key intelligence officers and strategists who orchestrate complex geopolitical manoeuvering from New Delhi.

Structurally, the screenplay follows a classic cat-and-mouse trajectory.

Beneath its high-octane set pieces, the film has sparked an angry debate among critics and audiences over the interpretation of historical events and some key figures.

Why is the film so controversial in Pakistan?

Despite the longstanding geopolitical tensions between the two countries, India’s Bollywood films remain popular in Pakistan.

Depicting Pakistan as the ultimate enemy of India has been a popular theme retold for years, in different ways, especially in Bollywood’s spy thrillers, however. In this case, the portrayal of Pakistan’s major coastal city, Karachi, and particularly one of its oldest and most densely populated neighbourhoods, Lyari, has drawn strong criticism.

“The representation in the film is completely based on fantasy. It doesn’t look like Karachi. 
It does not represent the city accurately at all,” Nida Kirmani, an associate professor of sociology at Lahore University of Management Sciences, told Al Jazeera.

Kirmani, who has produced a documentary on the impact of gang violence in Lyari of her own, said that like other megacities in the world, “Karachi had periods of violence that have been particularly intense.”

However, “reducing the city to violence is one of the major problems in the film, along with the fact the film gets everything about Karachi – from its infrastructure, culture, and language – wrong”, she added.

Meanwhile, a member of the Pakistan People’s Party (PPP) has taken legal action in a Karachi court alleging the unauthorised use of images of the late former prime minister, Benazir Bhutto, who was assassinated in 2007, and protesting against the film’s portrayal of the party’s leaders as supporters of “terrorists”.

Critics, including Kirmani, say the film also bizarrely casts gangs from Lyari into geopolitical tensions with India, when they have only ever operated locally.

Kirmani said the makers of the movie have cherry-picked historical figures and used them completely out of context, “trying to frame them within this very Indian nationalistic narrative”.

Mayank Shekhar, a film critic based in Mumbai, pointed out that the film “has been performed, written, directed by those who haven’t ever stepped foot in Karachi, and perhaps never will”.

“So, never mind this dust bowl for a city that, by and large, seems wholly bereft of a single modern building, and looks mostly bombed-out, between multiple ghettos,” Shekhar said.

He added that this is also in line with how Hollywood “shows the brown Third World in action with a certain sepia tone, like with Extraction, set in Dhaka, Bangladesh”.

How has the film been received in India?

Dhurandhar has been a huge commercial success in India and among the Indian diaspora. However, it has not escaped criticism entirely.

The family of a decorated Indian Army officer, Major Mohit Sharma, filed a petition in Delhi High Court to stop the release of the film, which, they claim, has exploited his life and work without their consent.

The makers of the film deny this and claim it is entirely a work of fiction.

Nonetheless, the film’s storyline is accompanied by real-time intercepted audio recordings of attacks on Indian soil and news footage, film critics and analysts say.

Is this an emerging pattern in Bollywood films?

Shekhar told Al Jazeera that focusing on a deliberately loud, seemingly over-the-top, hyper-masculine hero’s journey is not a new genre in Bollywood. “There’s a tendency to intellectualise the trend, as we did with the ‘angry young man’ movies of the 1970s,” he said, referring to the formative years of Bollywood.

In recent years, mainstream production houses in India have, however, favoured storylines that portray minorities in negative light and align with the policies of the Hindu nationalist government of Prime Minister Narendra Modi.

Kirmani told Al Jazeera that this frequently means “reducing Muslims across India’s borders and within as ‘terrorists’, which further marginalises Muslims in India culturally”.

“Unfortunately, people gravitate towards these kinds of hypernationalistic narratives, and the director is cashing in on this,” she told Al Jazeera.

Modi himself lavished praise on a recent film called Article 370, for what he said was its “correct information” about the removal of the constitutional provision that granted special autonomous status to the state of Jammu and Kashmir in 2019. Critics, however, called the film “propaganda” and said the film had distorted facts.

Another Bollywood film Kerala Story released in 2023 was accused of falsifying facts. Prime Minister Modi praised the film, but critics said it tried to vilify Muslims and demonise the southern Kerala state known for its progressive politics.

In the case of Dhurandhar, some critics have faced online harassment.

One review by The Hollywood Reporter’s India YouTube channel, by critic Anupama Chopra, was taken down after outrage from fans of the film.

Went looking for Anupama Chopra’s Dhurandhar review? It’s gone. The Hollywood Reporter India quietly made the video private.

For context, The Hollywood Reporter India was launched by RPSG Lifestyle Media, part of the RP-Sanjiv Goenka Group, which also owns Saregama –…

— newslaundry (@newslaundry) December 9, 2025

India’s Film Critics Guild has condemned “coordinated abuse, personal attacks on individual critics, and organised attempts to discredit their professional integrity”, in a statement.

“More concerningly, there have been attempts to tamper with existing reviews, influence editorial positions, and persuade publications to alter or dilute their stance,” the group noted.