Stone

By early 1963, the Station Hotel in London had become an epicenter of the burgeoning British blues scene. On a blustery, snowy night that February, the Rolling Stones’ classic early lineup took the stage for one of the first times, dazzling the audience with ferocious renditions of blues standards like Muddy Waters’ “I Want to Be Loved” and Jimmy Reed’s “Bright Lights, Big City.”

Multi-instrumentalist Brian Jones, the band’s founder and leader, synchronized guitars with Keith Richards, who favored a distinctive slashing and stinging style. Drummer Charlie Watts, the group’s newest member, a jazz aficionado and an accomplished percussionist, propelled the music forward with a rock-solid beat.

Anchoring the rhythm section with him was bassist Bill Wyman, who was recruited more for his spare VOX AC30 amp that the guitarists could plug into than for his musical skills. The stoic bassist proved a strong and innovative player. Together, he and Watts would go on to form one of rock’s most decorated rhythm sections.

Ian Stewart’s energetic boogie-woogie piano style rounded out the sound. Months later, manager Andrew Loog Oldham kicked him out of the band for being “ugly,” although Stewart continued to record, tour and serve as the band’s road manager until his death in 1985.

This April 8, 1964, file photo shows the Rolling Stones during a rehearsal. The members, from left, are Brian Jones, guitar; Bill Wyman, bass; Charlie Watts, drums; Mick Jagger, vocals; and Keith Richards, guitar.

(Associated Press)

Fronting the group was Mick Jagger. Channeling the music like a crazed shaman, Jagger shimmied and sashayed, owning the stage like few lead singers have before or since. By the end of the night, the Stones had the crowd in a frenzy. Although only 30 people had made it to the gig because of the treacherous weather conditions, the hotel’s booker had seen enough: He offered the Stones a regular gig.

“The Rolling Stones had caught fire. The music they were playing and the way they played it struck a chord with a young crowd starved for something different, something their own… It was soul-stirring, loud and uncompromising,” writes Bob Spitz in “The Rolling Stones: The Biography,” his magisterial work that charts the 60-year journey of “the greatest rock and roll band in the world.”

Spitz, the author of strong biographies on the Beatles and Led Zeppelin, as well as Ronald Reagan and Julia Child, captures the drama, trauma and betrayals that have kept the Stones in the public’s consciousness for more than six decades. It’s all here: The Stones’ evolution from a blues cover band to artistic rival of the Beatles; the musical peaks — “Aftermath,” “Let It Bleed” and “Exile on Main Street” as well as misfires like “Dirty Work”; Keith’s descent into a debilitating heroin addiction that nearly destroyed him and the band; the death of the ‘60s at the ill-fated Altamont free concert; Marianne Faithfull, Anita Pallenberg, Bianca Jagger, Jerry Hall and other lovers, partners and muses; the breakups, makeups and crackups; and perhaps most important, the unbreakable bond between Jagger and Richards at the center of it all.

Although Spitz unearths little new information, he excels at presenting the Stones in glorious Technicolor. Spitz homes in on the telling details and anecdotes that give the band’s story a deep richness and poignancy.

Take “Satisfaction,” the Stones’ 1965 classic and first U.S. chart topper. The oft-told story is that Richards woke up in the middle of the night, grabbed the guitar that was next to his bed, and recorded the iconic riff and the phrase “I can’t get no … satisfaction” on a cassette recorder in his Clearwater, Fla., hotel room before falling back asleep. But as Spitz notes, the song initially went nowhere in the studio. That is until Stewart purchased a fuzz box for Richards a few days later, which gave the tune a raunchier sound that perfectly matched Jagger’s lyrics of frustration and alienation. A classic was born.

Piercing the Stones mythology

Spitz’s deep reporting often pierces the mythology surrounding the band. Contrary to the popular belief of many fans, for instance, Jones bears much of the responsibility for the rift with his bandmates and his tragic demise.

The most musically adventurous member of the group — he plays sitar on “Paint It Black” and dulcimer on “Lady Jane” — Jones wasn’t a songwriter. That stoked his jealousies and insecurities, along with frontman Jagger stealing the spotlight from him. A monster of a man, Jones impregnated multiple teenage girls and physically and emotionally abused several women, including Pallenberg. Perhaps that’s why she left him for Richards. Over time, Jones made fewer contributions in the studio and onstage, becoming a catatonic drug casualty. The Stones fired Jones in June 1969 but would have been justified doing so a couple years earlier. He drowned in his pool less than a month later.

Author Bob Spitz

(Elena Seibert)

Similarly, Stones lore has long romanticized the making of “Exile on Main Street” in the stifling, dingy basement of Richards’ rented Villa Nellcôte in the South of France, where the Stones had decamped to avoid British taxes. In this telling, Richards, deep in the throes of heroin addiction, somehow managed to come up with one indelible riff after another built around his signature open G tuning — taught to him by Ry Cooder — leading the band to create one of the best albums in rock history. That’s not entirely accurate, according to Spitz.

Yes, Richards came up with the licks for “Rocks Off,” “Happy” and “Tumbling Dice.” But it’s equally true that a strung-out Richards missed myriad recording sessions, invited dealers, hangers-on and other distractions to Nellcôte, and repeatedly failed to turn up to write with Jagger. Far from completing the album in the druggy haze of a French basement, the band spent six months on overdubs at Sunset Sound in Los Angeles, where Jagger contributed many of his vocals.

Beatles vs. Stones

One of the more interesting themes Spitz develops is the symbiotic relationship between the Beatles and Stones, with the Fab Four mostly overshadowing them — until they didn’t.

John Lennon and Paul McCartney wrote “I Wanna Be Your Man” and gave it to the Stones, whose 1963 rendition, with Jones on slide guitar, became the group’s first UK Top 20 hit. The Lennon-McCartney songwriting partnership inspired Jagger and Richards to begin penning their own songs. In early 1964, the Beatles came to the U.S. for the first time, making television history with their appearance on “The Ed Sullivan Show” and playing Carnegie Hall. A few months later, the Stones kicked off their inaugural American tour at the Swing Auditorium in San Bernardino. In 1967, the Beatles released “Sgt. Pepper’s Lonely Hearts Club Band,” a psychedelic masterpiece. The Stones responded with “Their Satanic Majesties Request,” a psychedelic mess.

The Rolling Stones: The Biography cover

As the Beatles began to splinter, Spitz writes, the Stones sharpened their focus. The band released “Beggars Banquet” in late 1968 and “Let It Bleed” the following year, albums every bit as innovative and visionary as “The White Album” and “Abbey Road.” For the first time, the two groups stood as equals.

When the Beatles broke up in 1970, the Stones kept rolling. With Jones replaced by virtuoso guitarist Mick Taylor — whose fluid, melodic style served as a tasty foil to Richards — they produced what many consider their finest works, “Sticky Fingers” and “Exile on Main Street.” More impressively, the band, with Taylor’s successor, Ronnie Wood, has continued to dazzle audiences with incendiary live shows, touring as recently as 2024 behind the late-career triumph “Hackney Diamonds.” The Beatles, by contrast, retired from the road in 1966 and devoted their energies to the studio.

Hundreds of books have been written about the Rolling Stones, but few sparkle quite like Spitz’s. For anyone who loves or even likes the Stones, it’s indispensable.

Like most of the band’s biographers, Spitz gives short shrift to the post-“Exile” period after 1972. He curtly dismisses 2005’s strong “A Bigger Bang” and 2016’s “Blue & Lonesome,” a back-to-basics album of blues covers, as “adequate endeavors that signaled a band living on borrowed time.” That critique is both off target and under-developed. Spitz ignores the band’s legendary live album, “Brussels Affair,” recorded in 1973, or why the band waited decades before officially releasing it.

These are small quibbles. Spitz has written a book worthy of its 704-page length; another 50 or so pages covering the later years would have made it even stronger. To quote the Rolling Stones: “I know it’s only rock ‘n roll, but I like it, like it, yes, I do.”

Marc Ballon, a former Times, Forbes and Inc. Magazine reporter, teaches an advanced writing class at USC. He lives in Fullerton.

Exploring the area west of Santander feels like being in a time machine. Within a half-hour drive of the Cantabrian capital on Spain’s green northern coast, you can stumble upon prehistoric cave art, a perfectly preserved medieval town and a laid-back beach resort.

When I began my weekend trip, it was raining, so my journey started in the Upper Paleolithic period, at the Cave of Altamira, a Unesco world heritage site, staring up at some of the oldest art on Earth. Well, almost. The original cave was largely closed to the public decades ago to protect the fragile paintings, so we were inside the Neocueva, a painstakingly reconstructed replica built beside it that costs just €3 to enter.

Above me, bison and deer charged across the undulating rock ceiling, their bodies rendered in rich ochres and charcoals. The prehistoric artists who painted them – hunter-gatherers who lived here 13,000 to 36,000 years ago – used the natural bumps and hollows of the cave to give the animals a three-dimensional presence.

Altamira is often called the Sistine Chapel of prehistoric art, and standing beneath those larger-than-expected painted animals, it’s easy to see why. Knowing the paintings were replicas did little to blunt their impact.

The cave, whose main entrance was sealed around 13,000 years ago by rockfall, was discovered in 1868 by a local hunter and brought to wider attention by amateur archaeologist Marcelino Sanz de Sautuola. When, in 1880, Sautuola first presented the paintings to the scientific community, many experts dismissed them as fakes, unable to believe that prehistoric people were capable of such sophisticated artistry.

Walking through the museum, it’s striking how little humanity has changed. From handprints pressed against cave walls to the selfies visitors take beside them today, the impulse is the same – to leave a trace.

Time was slipping away and my travel companions – my husband and our infant son – were beginning to lose patience with my archaeological enthusiasm. Hungry and still slightly awestruck, we drove a few minutes down the road to Santillana del Mar, the small medieval town that serves as Altamira’s gateway.

After a quick lunch, we found ourselves in the middle ages. Santillana del Mar feels as though it’s come straight from the pages of a fairytale or, for the less imaginative among us, Game of Thrones. Nobles’ houses, monastery buildings and towers line winding cobbled streets. At this point, the rain turned out to be something of a gift, emptying the streets of tourists.

Santillana traces its origins back to the ninth century, when monks carrying the relics of Saint Juliana settled here and built a small hermitage. Around it grew a monastery, then homes, farms and workshops, forming a settlement that gradually evolved into Santillana. During the middle ages, the town flourished as part of the Astur-Leonese kingdom and became an important stop for pilgrims travelling along the Camino de Santiago.

The flow of travellers brought trade and wealth, hence the grand stone houses and palaces. In 1209, King Alfonso VIII granted the town a charter, the height of its medieval prosperity.

The town sits close to the start of the Camino Lebaniego, a less well-known pilgrimage route that winds inland to the monastery of Santo Toribio de Liébana in the Picos de Europa mountains. Cantabria is the only region in the world crossed by two Christian pilgrimage routes recognised as Unesco world heritage sites.

For a town deeply tied to Christian pilgrimage, it is perhaps unexpected that Santillana is also linked to existential philosophy. In 1935, Jean-Paul Sartre visited the town with Simone de Beauvoir. A few years later, Santillana appeared in Nausea, Sartre’s first novel, as the narrator points to a photograph and describes it as “the prettiest town in Spain” during a conversation about the nature of adventure.

“Getting on the wrong train. Stopping in an unknown city. Losing your briefcase, being arrested by mistake, spending the night in prison,” says the Self-Taught Man. “Monsieur, I believed the word adventure could be defined: an event out of the ordinary without being necessarily extraordinary.”

By that definition, my own adventure was well under way.

Travelling through medieval streets with an infant is not for the faint of heart. Umbrella in one hand and baby carrier in the other, we trudged through the rain and our son fell asleep – ruining his nap schedule and our chance of an afternoon rest.

Still, Santillana has a way of softening such moments. We ducked into the Casa Quevedo bakery, where the same family has served fresh milk and cakes since the 1950s. Inside the medieval building, a glass of milk felt like the perfect antidote to grey skies and parental exhaustion.

From Santillana, it’s a 10-minute drive to the seaside town of Suances, our final stop – and another lurch of the time machine. Driving past the main part of town and towards the more touristy area of the coast, apartment blocks and seaside hotels appeared in pastel shades. We checked into Costa Esmeralda Suites, a five-star hotel offering generous off-season discounts. On the outside, it resembles a traditional mansion. Inside, however, the design feels like a time capsule of turn-of-the-millennium luxury: red carpets, a Ferrari-theme and enormous whirlpools.

Just a short walk away lies Playa de la Concha, where Atlantic waves roll towards wide sandy dunes. The rain finally eased as we arrived.

Near the port, restaurants and cafes buzzed with activity. “Other surf towns in the area are dead in winter,” one resident, Inma, told me in the Marcelo Gourmet bar and restaurant. “But Suances is always full of life.”

Out of summer, wetsuited surfers paddle out into the surf, sometimes with views of the snow-capped Picos de Europa mountains behind them. And the food alone is reason enough to visit. At Bonito Verde, we ordered a plate of rabas (fried calamari, a local speciality), so fresh and crisp they disappeared almost instantly, along with delicious squid-ink croquetas. Curiosity also led us to Suka, an unassuming restaurant rumoured to serve some of the best sushi in Cantabria. It was another win.

For breakfast, locals pointed us to Castillo de Los Locos, which houses a restaurant perched dramatically above the cliffs of Playa de Los Locos, and where the food is good and the views are incredible.

The last morning, I woke early and slipped out of the hotel room, leaving my sleeping family behind. Sunlight had finally broken through the clouds. I walked along the thin peninsula that juts out between Playa de Los Locos and La Concha, listening to birdsong and watching waves crash against the cliffs. It’s only a short walk beyond the Castillo de Los Locos, but it felt far from civilisation.

Standing there, breathing the salt air and feeling the sun, I relaxed.

After singing the praises of Santillana, Sartre’s Nausea protagonist reflects that adventure isn’t something we can experience while it’s happening. Instead, he says, adventures are made after the fact, by looking back and turning experiences into stories. “But you have to choose,” he continues. “Live or tell.”

“A civilised government never targets institutions of knowledge.” Iran’s minister of science said the US and Israel are the ones that belong in the Stone Age following an attack on Tehran’s Shahid Beheshti University. Al Jazeera’s Tohid Asadi visited the site to see the damage.

IT’S being billed as a huge tribute concert to Gary ‘Mani’ Mounfield, who died in November.

But I’m told the “Manichester” event in honour of the Stone Roses bassist, organised by his brother Greg, has caused a rift in the family.

The concert will see musicians including Zak Starkey, Baz Fratelli from The Fratellis, John Mcclure from Reverend And The Makers and Simone Butler from Primal Scream come together at Manchester’s Diecast in May.

Cast are also lined up to perform, along with Mick Rossi from Slaughter & The Dogs and Stone Roses guitarist Aziz Ibrahim.

But while the concert was believed to have the full support of Mani’s family, which includes his twin sons Gene and George, insiders say not everyone is in agreement.

A source said: “Mani’s legacy and celebrating that is so important to so many people.

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“But not everyone related to him is happy about this concert.

“Even his young son Gene has voiced his concerns on social media.

“It is all very messy and is spilling over into the public domain.

“This is not what Mani would have wanted. His twin boys were everything to him.”

Greg confirmed earlier this month that he was organising the tribute concert, and said there were hopes of snaring Noel and Liam Gallagher to perform, as well as Johnny Marr.

He said: “I think it will be brilliant.

“With the names already in the hat, and the names we’re yet to announce, it’s a worthy thing, a tribute to our kid, a Mancunian legend, and I know he’d love it.

“He would be absolutely buzzing about it.”

Mani, who was best known for his work with Stone Roses and Primal Scream, died at home in Manchester aged 63.

Noel and Liam made an on-stage dedication to him during their Oasis ’25 Live reunion tour, while rock icons including Stone Roses singer Ian Brown turned out to pay their respects at his funeral.

As a fan of Mani, I hope this can be resolved quickly and without further upset.

LITTLE BRIT OF FAMILY TIME

BRITNEY SPEARS is being supported by her sons following her arrest for driving under the influence – and it’s about time too.

For years, the Circus singer was deserted by her boys – who she has with ex-husband Kevin Federline.

But it seems they are back in her life and bringing a smile to her face.

She shared a video on Instagram on a boat with Sean and Jayden, during a getaway, including a shot of them smiling together.

Britney wrote: “Thank you guys for all your support… Spending time with family and friends is such a blessing!”

AITCH FIZZES MUSIC

HE was flying high after his stint in I’m A Celebrity last year.

But now Aitch is facing another trial, and it could be just as gruesome.

I’m told the Strike Me A Pose rapper is embroiled in a legal row over his Syps drinks brand with two former directors of the company.

Aitch, real name Harrison Armstrong, created Syps back in 2023 with businessmen David Olusegun and Alexander El-Nemer – with the trio proudly showing off their fizzy, flavoured water at events across the UK.

But I’m told that partnership is now well and truly over, with David and Alexander resigning as directors.

A source said: “Harrison has fallen out with David and Alexander and it seems there is no going back.

“They’re in a full-blown legal dispute and it’s all in the hands of their lawyers.

“The three created the brand together so it could get messy.

“Harrison is still working on the brand and is running things with his manager.

“How quickly this is going to get resolved is the question. One thing is for sure though, Harrison wants it dealt with so he can move on.”

TAMER ROLE FOR HARDMAN ACTOR

TAMER HASSAN is swapping punch-ups for pull-ons after landing a major new deal with sportswear giant Reebok.

The hardman actor has filmed an advert for a bold campaign inspired by Robin Hood, of all people.

It sees Tamer playing a cheeky “friendly villain” who nicks sports kits before handing them out to kids.

He is joined by UK rapper K-Trap, and starry cameos from
Gary Oldman, Laila Morse and Lisa Maffia.

An insider said: “Tamer is genuinely thrilled to be part of something revitalised and forward-thinking.

“Reebok is part of the culture, and seeing it evolve with fresh energy in 2026 makes this really exciting.”

The retro-style campaign is also a nod to 2005 British crime flick The Business, which starred Tamer alongside Danny Dyer.

Filmed at a secret North London location, the advert is set to drop later this month and marks the start of a huge year for the actor.

He’s gearing up for the premiere of Rise Of The Footsoldier: Retribution at Cannes in May, ahead of its UK cinema release this summer.

From the big screen to the high street, it sounds like Tamer has a lot going for him right now.

TEARY NIGHT FOR ELLIE’S WOLF PACK

WOLF ALICE had an emotional night headlining the final evening of the Teenage Cancer Trust’s concert series – with frontwoman Ellie Rowsell breaking down in tears.

The group debuted two new songs, Hit The Sky and Gospel Oak, and towards the end of the latter, her voice broke and she became teary.

She asked the band to restart the track from the beginning of the final verse and was then hugged by guitarist Joff Oddie and bassist Theo Ellis.

Later, Theo admitted that performing in London’s Royal Albert Hall for the charity concert was making him emotional, too.

He said: “These are my best friends. It’s unbearable how much I want to cry all the time in this gaff.”

They deservedly picked up the British Group gong at the Brit Awards last month following the success of their fourth studio album, The Clearing – one of the best British albums of 2025.

If you’re yet to see them, make sure you make it to one of the festivals they’re playing across the UK this summer.

BENSON SWOON

BENSON BOONE got his fans hot under the collar while cooking up this tour announcement.

He whipped off his top, cracked eggs with his biceps and showed off his rippling muscles as he added ingredients to a bowl while baking a cake.

It was eventually topped with the poster for his new Wanted Man tour.

I have to applaud him for the sexy and hilarious snippet posted on Instagram, but it’s a sea change from 12 months ago when he told Rolling Stone magazine that he didn’t want to rely on his body to sell shows.

He told the mag: “I definitely remember there was a time where I would take my shirt off because I didn’t know what else to do.

“I don’t want to rely on my physical form to be the primary driver of my shows.”

It’s a good job he’s had a fair few hits.

YOU BOOTY, KATYA

STRICTLY’S Katya Jones looked the part – and had the footwear to match – when she strutted in to watch the opening night of musical Kinky Boots.

And she was in for a real treat.

With glitter, tinsel, red leather and high heels, this latest production of the hit show is a dazzling spectacle, the likes of which the West End has rarely seen.

Fellow Strictly star Johannes Radebe is mind-blowing as drag queen Lola, above, proving his singing voice and stage charisma are almost as brilliant as his dancing.

But playing the perfect straight man is X Factor winner Matt Cardle as Charlie Price, who inherits his father’s ailing shoe factory in Northampton and comes up with a plan to save it by making footwear for Lola and her fellow artistes.

Fun, feel-good and unforgettable, everyone should try these Kinky Boots for size.

Sitting in a glacial valley surrounded by vast farmland is an area that offers tranquillity and a true sense of England’s countryside with historic villages and walking trails

For those seeking a sense of peace and tranquillity, this glacial valley, encircled by expansive farmland, delivers precisely that – an authentic taste of England’s rural heartland.

Littondale is a small and peaceful dale in Yorkshire, nestled in a classic u-shape, with deep historical roots and a flavour of country living from a bygone era.

Visitors to the dale experience a feeling that time has stood still, as its hamlets and way of life remain quintessentially English in every respect.

Indeed, archaeologists have discovered numerous prehistoric and later settlements that once inhabited the length of the valley. Their extensive findings also showed that throughout the mediaeval period the dale was predominantly managed by several monastic houses.

The dale now consists of several settlements, including Hawkswick, Arncliffe and Litton. Each is characterised by farmhouses dating back to the 17th century.

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Contributing to its peaceful atmosphere is the stunning river which famously winds through the valley before eventually merging with the larger River Wharfe.

Shallow yet flowing with remarkably clear waters, the River Skirfare meanders through the farmlands and valley floor, vanishing for portions of the year.

As seasonal conditions shift, the stream trickles away and disappears beneath the ground, near Litton, revealing an unusual limestone landscape below.

Arncliffe

Arncliffe stands as one of the principal villages in the region, and despite its compact size, it boasts considerable fame. Recognised by countless households across Britain, it served as the original backdrop and filming location for the much-loved soap Emmerdale Farm.

The village pub, called the Falcon, was even featured as the Woolpack Inn. The traditional inn, according to visitor feedback, has seen better days.

However, one guest commented on TripAdvisor: “We had read about this tiny pub. It had been featured on the TV soap Emmerdale many moons ago, and it did not disappoint! The landlord was straight out of central casting.”

The area still comprises the most enchanting stone cottages, alongside a delightful church, the Church of St Oswald. Constructed sometime between the 16th and 18th centuries, the building remains a listed structure, believed to have been developed from an original Saxon place of worship.

Positioned at the centre of the village, the church continues to attract curious visitors and was once a location regularly visited by the renowned poet and novelist Charles Kingsley.

His time there during the Victorian period was believed to have influenced his celebrated children’s story, The Water Babies, penned in 1873.

Walking

Many people choose to treat the area as a base for rambling, parking in one of its villages and tackling the Yorkshire Dales terrain. Most of these trails are circular, returning you directly to your starting point, whilst exploring the valleys and peaks en route.

The Littondale to Kettlewell walk is a well-loved route, starting in the village of Arncliffe, leading you across the shoulder of Birks in Kettlewell, where you can pause for refreshments, before returning into Littondale.

Alternatively, some choose the slightly over five-mile walk that takes you from Arncliffe to Litton and loops back round.

The two-hour ramble provides a leisurely countryside stroll as you soak up the picturesque beauty of Yorkshire, with the chance to make a stop, or two, at the charming village pubs.