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LIAM Payne’s sister has paid an emotional tribute on the anniversary of the late star’s funeral.

Pop star Liam tragically died after falling from a third-floor hotel balcony in Buenos Aires in October last year.

Ruth posted an emotional tribute to her brother, one year on from his funeral – with an early image of the siblings together.

Alongside the post, Ruth wrote: “A year ago today, the hardest goodbye I’ll ever have, a funeral I should never have had to plan and every day since, I should have never had to live without him.

“Missing him now is part of breathing, it doesn’t get easier, that’s just a lie to make it feel better: Infinite love, infinite loss.”

Ruth’s post comes after she shared another tribute on the one year anniversary of Liam’s death.

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In an open letter to him, a devastated Ruth wrote: “I underestimated grief, woah, did I underestimate it. I am paralysed by it daily.

“I thought I had felt it before but I know the losses before you were just intense sadness, you are the loss of my life, the one person who l will miss at every single occasion in my life.

“I’d taken for granted that my little brother would be there through life. 

“You shouldn’t have died.”

Ruth also revealed she’s been having a recurring nightmare that places her in Liam’s hotel room moments before his death on that fateful night.

She said, in it, Liam “can’t hear me screaming for you, my brain is locked on your last minutes on this earth, the unaccounted minutes, the minutes I will never have the answers to, the minutes that changed everything.”

Such is the loss, Ruth said that the life of the Payne family has been “extinguished” and is “impossible to mend”.

She continued: “You died which is something that happened, but your absence is something that happens to me everyday before I even open my eyes.”

In gut-wrenching paragraphs she details how she’d love to spend just five more minutes with him and the things she would tell him, from catching up on plans, to listening to the birds and swapping jokes.

Liam’s Last Days

By Scarlet Howes

SEPTEMBER 20: Liam and his girlfriend, Kate Cassidy, arrive in Argentina for a five-day holiday.

OCTOBER 2: The star goes to see ex-bandmate Niall Horan while he is on tour, telling fans on Snapchat: “It’s been a while since me and Niall have spoken. We’ve got a lot to talk about.”

OCTOBER 12: Kate flies back home to Florida after two weeks away, leaving Liam in Argentina.

She tells her followers on TikTok: “Love South America, but I hate staying in one place for too long and we were supposed to be there for five days, turned into two weeks and I was just like, ‘I need to go home’.”

OCTOBER 13: Liam checks into the CasaSur Palermo Hotel alone three days before he died. He was reportedly asked to leave his previous hotel.

OCTOBER 15: Hours before his death, he spends some time with Aldana Serrano, 31, and Lucila Goitea, 27, who arrived at the hotel at about 11.30am local time and left at 4pm, just one hour before he died.

At about 5pm, Liam is said to have been arguing over money with a mystery woman in the lobby, before falling 45ft and landing in the inner courtyard of the hotel.

Ending her letter to Liam, she asks people to remember that there is a family at the heart of the story who have lost someone very dear to them.

She says: “Whilst I am still on my knees struggling to regain balance since my world burned down and every time I try to take a step, something comes and sets fire to all the progress I thought I had made in my mind, in trying to understand where or why Liam isn’t here helping me through this.

“Everyone only seems interested in the public side of this, some sadly seem more interested in the fame they can gain off this, but on the human side people need to remember when they speak, there is a son without his Dad, parents without their child and I am lost without my brother.

“Love always Liam, in every lifetime.”

Liam died shortly after 5pm on October 16, 2024 when he fell from his hotel balcony.

Liam, who was the dad of seven-year-old Bear, shared a post on Snapchat only minutes before his death and showed him and his girlfriend Kate Cassidy looking into a mirror.

The singer-songwriter was staying at Hotel CasaSur in the neighbourhood of Palermo.

Liam had flown to Argentina with girlfriend Kate Cassidy for a five-day holiday, to see his ex-1D bandmate Niall Horan in concert.

Liam extended the trip but Kate returned home to the US.

It is claimed Liam then turned to drink and drugs.

An autopsy confirmed he died from multiple trauma and internal and external bleeding.

A toxicology report revealed alcohol, cocaine and an antidepressant, which would have left him severely impaired.

Ezequiel David Pereyra — who is awaiting trial for allegedly selling the singer cocaine — recently spoke out for the first time from jail.

Pereyra, 22 — locked up in Marcos Paz jail two hours from the capital — claims hotel bosses turned a blind eye to all of Liam’s drug use in October 2024.

He said: “They had him in an isolated bunker and let him do anything he wanted including drugs in the room, and in public areas of the hotel.

“Bosses said he was making them too much money — triple the money.

“But I think the biggest mistake was not calling an ambulance when Payne passed out in the lobby.

“If the hotel had acted differently Liam could have been saved.

“They lifted him by his arms and legs and carried him to the room via the elevator. He should have been kept where he was and an ambulance called.

“But because that day they had many foreign guests checking in they decided to take him to the room in the condition he was in.

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“After that they called police instead of an ambulance. They made the call only after leaving him in the room alone. By the time they were making the call it was already too late.

“What happened was very sad. Liam’s death was truly tragic and could have been prevented.”

HEART FM presenters Amanda Holden and Ashley Roberts turned heads as they were among the glittering star-studded arrivals at this year’s Global’s Make Some Noise gala.

The blonde bombshells looked incredible as they strutted down the red carpet for the charity evening.

Amanda, 54, looked as elegant as ever as she flashed the flesh in a daring lace black dress.

The gorgeous gown featured intricate detailing as it wrapped around her enviable figure.

It featured a diagonal cut-out from one shoulder right down to her hip with the skirt featuring an equally dramatic thigh-high split exposing her tanned leg.

The BGT judge kept her hair tucked back behind her ears as she smiled for waiting photographers as she made her way into the event.

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Her co-star and former Pussycat Doll, Ashley Roberts, looked equally as glam for the evening.

She opted to wear a see-through mesh number for the night out.

Ashley’s unique pink and red dress put her toned legs on display underneath the mesh material.

The Don’t Cha hitmaker added some height to her frame in a pair of statement red high heels.

The Celebrity Traitors star Kate Garraway was also among the famous faces who had turned up for the evening.

The GMB star looked glam in a gold gown for the charity ball.

Fellow Global radio stars including Jordan North, Nick Ferarri and Chris Stark were also in attendance.

The annual ball is help on behalf of Global Radio’s Make Some Noise charity campaign.

The fundraising efforts are promoted across all of Global’s stations including Capital FM, Heart FM, Capital Xtra, Smooth Radio, LBC and Gold.

Money raised both at the annual event, and all-year round, is donated to small, local charities to help provide relief up and down the country on a variety of issues.

Issues such as poverty, homelessness and mental health issues are all supported by the charities that Make Some Noise supports.

Last year’s gala raised a cool £1.2million in funds.

Great Britain are not involved this week after losing 3-2 to Japan in February’s first qualifying round.

But Leon Smith’s side gave themselves a chance of reaching next year’s season-closing event by beating Poland in an away eliminator in September.

Doubles specialists Julian Cash and Lloyd Glasspool, who have recently been crowned year-end world number ones, believe it is imperative that Britain demonstrate they can challenge the elite in 2026.

“We’re an incredibly strong nation and sometimes we get a bit of hate because we have a Slam and the LTA is financially better off than a lot of the federations out there,” Cash told BBC Sport.

“We have a lot of very good players, even below the Davis Cup level, and I think from the standard we’ve got – both singles and doubles – [the Finals] is where we deserve to be. But you have to earn that every year.”

Britain last won the Davis Cup when the talismanic Andy Murray led them to glory in 2015, reaching the semi-finals again in 2019 before quarter-final appearances in 2021 and 2023.

This year’s bid was hampered by British number one Jack Draper, who reached a career-high fourth in the world earlier this season, being ruled out of the Japan tie.

“Injuries are a big part of it,” said Cash, “so we hope everyone can stay fit and if some of the other guys need to get called up then hopefully they can put their best performance out there.”

The rapper and content creator have quickly become fan favourites, and despite taking home huge fees, their pay is still modest compared to some stars who have previously appeared on the show

I’m A Celeb fan favourites Aitch and Angry Ginge are taking home huge paychecks for their stints in the jungle, but compared to some bigger names that have previously been on the show, it looks like pennies.

The two joined the hit ITV show on Sunday (16 November) and within 48 hours, they had stolen the show with some fans saying they were “way too funny”. Ahead of the series starting, the rumoured salaries of this year’s cast were revealed, and Aitch was the highest paid celeb, banking £250,000, with Angry Ginge will pocket just £100,000 this year.

While these numbers are huge, it is far from the most ITV are thought to have shelled out to get a big star in the I’m A Celeb camp. Some figures have been estimated to be over £1 million, making Aitch and Angry Ginge’s fees look tiny. Here are the reportedly highest paid celebs and their fees…

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Coleen Rooney

Coleen is thought to be one of the highest paid celebs in the show’s history, having banked a rumoured £1.5 million. She appeared on I’m A Celeb in 2024, and she reached the final, ultimately coming second to McFly’s Danny Jones.

Her enormous fee was thought to be the result of having made so many headlines two years prior, when she claimed fellow WAG Rebekah Vardy had leaked posts from Coleen’s private Instagram account to the press, a move for which she was later dubbed ‘Wagatha Christie’. Rebekah sued Coleen for libel, but the case was dismissed by the courts.

Nigel Farage

The Reform politician also allegedly took home £1.5 million for his I’m A Celeb stint. In 2023, he came third, behind Sam Thompson and Tony Bellew.

Nigel’s time on the show was controversial, as he wasn’t shy about sharing his political beliefs with his campmates, causing arguments with some, particularly Fred Sirieix and Nella Rose.

When he was first introduced, he said: “I’m known for politics, for Brexit, and I’m a hero to some people and an absolute villain to millions. In the jungle you’re going to find the real me. You might like me more, you might dislike me more, but you will at least find out.”

Noel Edmonds

The Deal or No Deal star was the programme’s highest paid participant for five years, having entered the Jungle in 2018 with a fee of £600k. As he was only in the show for nine days, that meant he earned over £66k a day.

After leaving, Noel expressed his disappointment in not being on the show for longer. “I was hoping to hang around for a little bit longer,” he said. “I hadn’t even actually got into my stride.”

Boy George

Boy George, who joined the show in 2022, was said to be pocketing £800k initially, but that figure dropped to £500k. He addressed his pay, pledging to be worth every penny the ITV producers spent on him. He said: “I feel like I’ve been paid well for it so I’m going to be as Boy George as I can.”

Harry Redknapp

Eventual winner Harry Redknapp was also reportedly paid £500k for his time on the show. At the time, it was rumoured that the BBC were courting him for Strictly Come Dancing, and Harry later revealed that the I’m A Celeb fee was double that which was offered by the BBC. He said: “What happened was I’m a Celebrity came and offered me twice as much money so I went there instead!”

Caitlyn Jenner

The year after Harry went on the show, former Olympian Caitlyn Jenner also took away £500k for her time on the show. This huge fee was even addressed on the show, with Dec saying: “We’ve got reality TV royalty Caitlyn Jenner. Most people come into the jungle to lose a few pounds…” Ant then playfully added: “But she’s going to be gaining 500,000 of them according to the papers.”

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JENNIFER Lopez and Sydney Sweeney lead the star-studded glamour at last night’s Governors Awards in Los Angeles.

The Hunger Games actress Jennifer Lawrence also turned heads at the 16th annual bash, held at the Ray Dolby Ballroom.

It honours achievements recognised by the Board of Governors of the Academy of Motion Picture Arts and Sciences.

Jenny from the Block hitmaker JLo, 56, stunned in a grey and black ball gown ensemble with a plunging neckline, elevated with black velvet opera gloves.

Euphoria’s Sweeney, 28, kept the glam going in a glittering sleeveless gown, leaving little to the imagination with her gorgeous getup.

Also, American Hustle star Lawrence, 35, showed off her legs wearing an off-the-shoulder cream number, with a thigh-high slit, by Dior.

Ariana Grande, 32, was also in attendance, taking a pastel route in a pale pink vintage Dior one-shoulder gown by John Galliano.

The Wicked star styled her hair in a clean, elegant updo.

She was joined on the red carpet by her co-star Cynthia Erivo, 38, after being grabbed at their premiere event in Singapore.

Erivo went more avant-garde in a Givenchy coat dress that swung with movement.

Also in attendance was Elle Fanning, 27, wearing a soft pink sleeveless gown, while Anya Taylor-Joy, 29, sported a white Maison Margiela look.

Zoey Deutch, 31, chose a crisp white buttoned dress finished with a sweeping black train, while Natalie Portman, 44, opted for a pale blue mini dress.

Dakota Johnson, 36, also chose blue, wearing a simple fitted gown in an icy shade.

Mia Goth, 32, joined them in the colour theme with a pale blue dress of her own as Emma Stone, 37, stayed understated in an off-the-shoulder black Louis Vuitton dress with subtle sparkle.

Gwyneth Paltrow, 53, and Kristen Stewart, 35, both appeared in unconventional black outfits as Kate Winslet, 50, kept things sleek in a tailored black suit.

Regina Hall, 54, flashed her toned pins in a daring black gown, and Rita Wilson, 69, shone in metallic green.

Octavia Spencer, 55, went feminine with a floral dress as Kate Hudson, 46, brought a pop of colour in a slinky green silk number with cutouts, arriving with Hugh Jackman.

As for the men, The Bear favorite Jeremy Allen White, 34, wore one of the more unusual menswear looks: an unbuttoned white shirt tucked into high-waisted black trousers.

Leonardo DiCaprio, 51, and Brendan Fraser, 56, arrived in classic black suits, as did Austin Butler, 34, Joe Alwyn, 34, Benicio del Toro, 58, Colin Farrell, 49, and Jason Bateman, 56.

Rami Malek, 44, mixed things up with a red velvet blazer, while Jacob Elordi, 28, leaned into a retro vibe with a vintage-inspired suit.

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Adam Sandler, 59, made a rare appearance in a proper suit alongside wife Jackie, and Jeremy Strong, 46, paired a brown suit with trainers and a bowtie.

Blake Slatkin and Ed Sheeran posed together on arrival.

Clad in close-fitting black outfits, two performers get into stance for a fight scene. The cameras surrounding the massive stage in Playa Vista start rolling.

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One turns around slowly, pantomimes being shot, and carefully, deliberately, arches himself backward, clawing at the air before a stunt coordinator helps ease him toward a black mattress.

That movement is translated into dots and lines on a nearby computer, transmitted by the round, white sensors embedded in the suits’ colorful almond-shaped patches. Later, those will be fleshed out into characters and scenes in the new “Call of Duty: Black Ops 7” game, which debuts Friday.

It’s all part of the blockbuster production effort that goes into making one of the most popular video game franchises ever. “Call of Duty,” from Santa Monica publisher Activision, has ranked as the top-selling video game series in the U.S. for 16 straight years and has sold more than 500 million copies globally since the first installment was released in 2003.

And as one of the few franchises with an annual release schedule, hitting that deadline takes an army. About 3,000 people worked on “Black Ops 7” over the course of four years.

Activision executives declined to discuss the game’s budget but called it a “significant investment.” Top video game franchises can have production costs of $250 million or more — higher than most big-budget Hollywood films.

“It’s like, every year we have to launch a new ‘Star Wars.’ Every year we have to launch a new ‘Avatar,’ ” said Tyler Bahl, chief marketing officer at Activision. “So we have to think about, how do we do this in an unexpected way?”

“Ultimately, we want to treat our games like an absolute blockbuster,” said Matt Cox, general manager of “Call of Duty” at Activision, who has worked on the franchise for more than 10 years. “The investment is there for them.”

Activision’s Treyarch game production studio is where Call of Duty video game is produced.

(Robert Gauthier / Los Angeles Times)

The franchise has become a key driver of Activision’s success, analysts said.

The base game consistently sells more than 20 million units annually, not including the live services components that update after a game’s launch and keep players engaged, monthly battle passes that unlock rewards or even the mobile game, all of which add up to an estimated annual sales of about $3.5 billion to $4 billion, said Eric Handler, media and entertainment analyst at Roth Capital.

In fact, the huge popularity of “Call of Duty” helped spur tech giant Microsoft’s interest in acquiring Activision, a $69-billion deal that was completed in 2023.

“It revolutionized the first-person shooter and has done a great job, year in and year out, of being the best of breed, building the largest community and evolving, pivoting to where video game players are all over the world,” Handler said. “There are other [shooter] franchises that are trying to replicate its success … but nobody’s been able to match the consistency of ‘Call of Duty.’”

To maintain its annual cadence, Activision rotates game development among several of its studios, including Playa Vista-based Treyarch, which co-developed “Black Ops 6” and “Black Ops 7” in parallel — the first time that two “Call of Duty: Black Ops” games came out in subsequent years.

The previous game is set in the ‘90s, while the newest installment jumps ahead to 2035, meaning designers and animators had to envision what gear and gadgets might look like in the future (“Call of Duty: Black Ops 2” was eerily accurate in its predictions for the year 2025).

“It was a huge opportunity for us to tell two unique but also connected stories at the same time,” said Yale Miller, senior director of production at Treyarch.

Unlike the linear nature of film production, many things happen in tandem when producing a game like “Call of Duty.” The game has a campaign mode that follows a story, a multiplayer option to play with friends and the ever-popular zombies portion, meaning each designated team is thinking in parallel about things like tone, features and playable moments that they want fans to experience, Miller said.

While an actor is recording lines, another team may be building the weapon they mention and making it interactive, while another group builds the explosion that the lines and weapon will be part of.

“It’s not just, ‘Oh, we got the shot. We’re done for the day,’ ” Miller said. The acting performance is “an anchor for a lot of the things that we build, but then it’s the whole world in parallel, and that’s how we get to such big teams working on stuff, and everything has to get thought about.”

The franchise has become known for its intense, cinematic quality, a reputation enhanced by the live-action film and television backgrounds of many who work on the games, including some stunt performers and Treyarch performance capture director Mikal Vega, who worked on the 2017 NBC drama “The Brave” after a long career in the military.

“It’s theater-in-the-round,” he said during a Zoom call from the stage. “A lot more like theater-in-the-round than film in some cases, and very much like film in other phases of it.”

And there is a bit of a learning curve, particularly because of the motion-capture technology used, which can make movements awkward.

In the new game, “This Is Us” star Milo Ventimiglia plays Lt. Cmdr. David Mason, a character who first appeared in 2012’s “Call of Duty: Black Ops 2” and is now on the hunt for a former arms dealer who caused the death of his father and was previously believed dead.

Acting in “Black Ops 7” was “more technical” than his previous film and TV roles since it required getting used to a boom mic or camera that jutted out in front of him, he said. In one early instance, Ventimiglia went to scratch an itch on his cheek and was told by the crew not to put anything between his face and the camera, and to pantomime scratching outside of the camera, not realizing it wasn’t acting.

Then there were four-hour sessions in the sound booth, saying lines dozens of times in dozens of ways with any number of weapons.

“It’s super, super taxing, hard work, but fun at the same time,” Ventimiglia said. “When are you going to talk about calling out grenades and flash bangs and using different weapons? Very rarely.”

Adding to the cinematic quality are the hyper-realistic portrayals of actors, gear and costumes, which are the result of scans on a light stage that can re-create items in 3-D. Principal and background characters sit on a chair inside the sphere and do poses, surrounded by 16 DSLR cameras and dozens of hexagonal lights that emit a hazy glow. In 1.3 seconds, more than 256 images will be shot. Principal characters like Ventimiglia will typically do up to 120 poses — all to make sure the nuances of someone’s face are captured.

Evan Buttons, Activision director of technical projects, is photographed inside the face scanning studio.

(Robert Gauthier / Los Angeles Times)

In a nearby room with a 22-foot ceiling and black, soundproof walls, an even larger sphere with more than 140 cameras and several video cameras are used to capture full body scans, gear and costumes. Everything captured then goes to the character art team, which will tweak it to their specifications and put it in the game.

Even in the days leading up to the game’s release, the team was still busy. In an era when internet speeds are faster, work doesn’t end with a game’s initial release. Content will be released regularly in the months after “Black Ops 7” debuts, all to keep it fresh for players, who can put more than 1,000 hours into the game.

“The No. 1 reason why they play ‘Call of Duty’ is actually because their friends are there,” said Bahl of Activision. “Those bonds and those social connections, I think, is really what makes this game different and stronger, and it’s made it last for so long.”

VATICAN CITY — Pope Leo XIV welcomed Spike Lee, Cate Blanchett, Greta Gerwig and dozens of other Hollywood luminaries to a special Vatican audience Saturday celebrating cinema and its ability to inspire and unite.

Leo encouraged the filmmakers and celebrities gathered in a frescoed Vatican audience hall to use their art to include marginal voices, calling film “a popular art in the noblest sense, intended for and accessible to all.”

“When cinema is authentic, it does not merely console, but challenges,” he told the stars. “It articulates the questions that dwell within us, and sometimes, even provokes tears that we didn’t know we needed to shed.”

The encounter, organized by the Vatican’s culture ministry, followed similar audiences Pope Francis had in recent years with famous artists and comedians. It’s part of the Vatican’s efforts to reach out beyond the Roman Catholic Church to engage with the secular world.

But the gathering also seemed to have particular meaning for history’s first American pope, who grew up in the heyday of Hollywood. The 70-year-old, Chicago-born Leo just this week identified his four favorite films: “It’s a Wonderful Life,” “The Sound of Music,” “Ordinary People” and “Life Is Beautiful.”

In a sign of how seemingly star-struck he was, Leo spent nearly an hour after the audience greeting and chatting amiably with each of the participants, something he rarely does for large audiences.

Drawing applause from the celebrities, Leo acknowledged that the film industry and cinemas around the world were experiencing a decline, with theaters that had once been important social and cultural meeting points disappearing from neighborhoods.

“I urge institutions not to give up, but to cooperate in affirming the social and cultural value” of movie theaters, he said.

Celebrities just happy to be invited

Many celebrities said they found Leo’s words inspiring, and expressed awe as they walked through the halls of the Vatican‘s Apostolic Palace, where a light luncheon reception awaited them after the audience.

“It was a surprise to me that I even got invited,” Lee told reporters along the red carpet in the palace.

During the audience, Lee had presented Leo with a jersey from his beloved Knicks basketball team, featuring the number 14 and Leo’s name on the back. Leo is a known Chicago Bulls fan, but Lee said he told the pope that the Knicks now boast three players from the pope’s alma mater, Villanova University.

Blanchett, for her part, said the pope’s comments were inspiring because he understood the crucial role cinema can play in transcending borders and exploring sometimes difficult subjects in ways that aren’t divisive.

“Filmmaking is about entertainment, but it’s about including voices that are often marginalized, and not [shying] away from the pain and complexity that we’re all living through right now,” she said.

She said Leo, in his comments about the experience of watching a film in a dark theater, clearly understood the culturally important role cinemas can play.

“Sitting in the dark with strangers is a way in which we can reconnect to what unites us rather than what divides us,” she said.

A ‘hit and miss’ guest list that grew

The gathering drew a diverse group of filmmakers and actors, including many from Italy, like Monica Bellucci and Alba Rohrwacher. American actors included Chris O’Donnell, Judd Apatow and Leslie Mann, Apatow’s wife.

Director Sally Potter said she was impressed that Leo took the time to speak with each one of them. And she said she loved his comments about the value of silence and slowness in film.

“It was a good model of how to be and how to think about cinema,” she said, noting especially Leo’s defense of “slow cinema” and not seeing the moving image just in terms of algorithms.

Director Gus Van Sant said he liked Leo’s vibe.

“He was very laid-back, you know, he had a fantastic message of beauty in cinema,” he said.

Archbishop Paul Tighe, the No. 2 in the Vatican culture ministry, said the guest list was pulled together just in the last three months, with the help of the handful of contacts Vatican officials had in Hollywood, including director Martin Scorsese.

The biggest hurdle, Tighe said, was convincing Hollywood agents that the invitation to come meet Leo wasn’t a hoax. In the end, as word spread, some figures approached the Vatican and asked to be invited.

“It’s an industry where people have their commitments months in advance and years in advance, so obviously it was a little hit and miss, but we’re very pleased and very proud” by the turnout, he said.

The aim of the encounter, Tighe said, was to encourage an ongoing conversation with the world of culture, of which film is a fundamental part.

“It’s a very democratic art form,” Tighe said. Saturday’s audience, he said, was “the celebration of an art form that I think is touching the lives of so many people and therefore recognizing it and giving it its true importance.”

Winfield writes for the Associated Press. AP journalists Trisha Thomas and Isaia Montelione contributed to this report.

One EastEnders star departed Walford tonight in sad scenes – with more exits set to come on the BBC soap

An EastEnders star has bid farewell to the Square. Micah Balfour departed the BBC soap this evening, just eighteen months after joining as George Knight’s estranged son Junior.

In sad scenes this evening, Junior said goodbye to his ex Cindy and his sisters Anna and Gina. He shared his prized car with his uncle Kojo and warned his dad to stay away from Nicola Mitchell.

As he bid farewell to the Square, he headed off to start a new life in Dubai. A BBC spokesperson previously confirmed the departure to The Mirror, explaining: “We can confirm Micah will be leaving EastEnders later this year, we wish him all the best for the future.”

When Junior arrived on the Square less than two years ago, bosses teased “there is more to Junior than meets the eye”.

Upon his casting on EastEnders, then-executive producer Chris Clenshaw said in a statement: “I’m delighted to welcome Micah Balfour to the cast of EastEnders as he takes on the role of Junior Knight.

“Although Junior has been referenced since the Knights arrived in the Square, the audience knows very little about George’s son and the circumstances behind their estrangement.

“Junior arrives in Walford following an unlikely meeting with his dad, and is quickly thrust into the heart of the drama. However, it will soon become apparent to viewers that there is more to Junior than meets the eye.”

Micah’s exit from the BBC soap comes just before the departure of Anna Knight, played by Molly Rainford.

“New boss Ben Wadey is making sweeping changes on the show and his decision coincided with Molly deciding she wanted to pursue other challenges,” a source added, “She’s hugely talented and wants to spread her wings and see what else is out there for her.”

“Molly came into the show two years ago, and in that time has been trusted with some great storylines. It’s just so happened that when Molly was considering other options in her career, a meeting was held to discuss the future of the character, and both parties were in mutual agreement that it was the right time for Anna Knight to wave goodbye to Walford.”

Of Micah’s departure, a source said: “Bosses decided not to renew Micah’s contract and he filmed his final scenes last month. Obviously Micah was gutted but he understands how it all works. His final scenes will air before Chris­t­mas. The door is being left open.”

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Former Coronation Street star Sue Cleaver has issued a warning to those preparing to enter the I’m A Celebrity…Get Me Out Of Here! jungle in Australia this year

Sue Cleaver has issued a warning to the stars preparing to become campmates on I’m A Celebrity…Get Me Out Of Here! The actress, who left her long-running role as Eileen Grimshaw on Coronation Street earlier this year, took part in the 2022 edition of the ITV reality series and has now spoken of how bored and hungry she was during her time on the show.

The former dinnerladies star was back in her usual seat on the panel of Loose Women on Thursday alongside Kaye Adams, Frankie Bridge and Nadia Sawalha, where she reminded them that viewers at home only ever see a trimmed down version of the action in the camp, which is filmed for 24 hours a day.

She said: “You only ever see the edited version from a 24-hour period. If you aren’t doing a trial, you’re in the camp doing nothing. There’s no books, nothing. You’re in a hammock kicking a stick. I made a pair of shoes out of some twigs. They didn’t show that on the telly.”

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“You’re gonna be starving, you literally are starving. It’s two tablespoons of rice, two tablespoons of rice. Oh my God, I’ve never touched it since.”

This year, those heading into the jungle include Sue’s fellow soap legend Lisa Riley, who is known for playing Mandy Dingle on Emmerdale, Spandau Ballet star Martin Kemp and presenter Alex Scott amongst a host of others. Sue insisted the new contestants on the programme have to be ‘strong’ to get through it, and it is as ‘tough’ as it seems.

She added: “I would say you have to be strong. I’d watched it for years and I always thought that when they cameras weren’t rolling, there would be tea and cakes round the corner, there isn’t! It is very, very tough.

“There are spiders on the bed, somebody does come in and grapple a snake and take it away in the middle of the night. If you have any issues…you’ve got to be strong!” Sue previously spoke of how taking part in the programme allowed her to open up to the idea of new experiences.

Following her stint in the jungle, Sue went play Mother Superior, the part made famous by Dame Maggie Smith, in Sister Act: The Musical,

She told Prima magazine: “My 50s have been the happiest decade of my life. I’m happy with myself and where I am, so I’m looking forward to seeing what the next decade brings. “Since doing I’m A Celeb, my eyes have been opened to all these new experiences.

“Now, I’m just thinking, ‘Right, what’s my next challenge?’”

The star, who lost weight on the ITV reality show due to food rationing, discussed what she believes to be “unfair expectations” on women to look and eat a certain way, which she refuses to buy into.

She said: “I lost some weight in the jungle, but I’m not obsessing over diets: life is hard enough!

“There’s always going to be outside pressure and unfair expectations placed on women, but I refuse to get pulled into it. Let’s just let women be women – we have enough difficulties and struggles as it is.”

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Alfredo Flores is always moving, but you wouldn’t know it from the precise stills he takes of Sabrina Carpenter emerging onstage, her cheekiness and sparkly go-go boots shining through his images.

The portfolio of 36-year-old Flores, Carpenter’s tour photographer, is already familiar to most. Those photos of Carpenter posed with the tour stop’s city labeled on a mug and sealed with a kiss — that’s Flores’ work.

He has captured Carpenter’s rise from her “Emails I Can’t Send” era to the dazzlingly successful Short n’ Sweet tour, the work from which earned Flores the iHeart Radio Award for favorite tour photographer and puts him back on the road next week for an additional North American leg, including her six-night run at Crypto.com Arena next week.

But Carpenter’s towel reveals, set changes and winks won’t look exactly the same.

“Creatively, I just try my best to figure out different ways to shoot the same show,” said Flores, fresh off VMAs adrenaline and the release buzz of Carpenter’s latest album, “Man’s Best Friend.”

He constantly alters angles and lenses, including long, short and fish-eye, all with his Canon — the camera brand he’s been loyal to his entire career. However, that doesn’t make his first forays into photography any less impactful.

Alfredo Flores smiling with Sabrina Carpenter.

(Courtesy of Alfredo Flores)

Flores’ trajectory as a live music photographer is informed by the era he grew up in, one of disposable cameras, 24-hour photo labs, VHS camcorders, photo books full of family vacation pictures and the visionaries behind the hits that made us press the replay button on CD players.

He recalls his path was charted before him one afternoon in his native Belleview, N.J., on a sick day home from school in the form of the VH1 show “Pop-Up Video,” which featured music videos accompanied by trivia-filled text bubbles.

“It was Mariah Carey’s music video for ‘Honey,’ and it said, ‘This video is directed by Paul Hunter. The location is Puerto Rico. This is an extra. This is a body double,’ ” said Flores, who added, “And it clicked in my brain, ‘Oh, this is something that people create’ … and that’s where my interest really peaked in a more professional way.”

In 2008, when the ultimate music video platform was no longer VH1, but YouTube, Flores moved to Los Angeles and sought out the minds who inspired him — the directors and producers who shaped his camcorder and disposable days, before he ever strapped a Canon around his neck.

“I went to the [Geffen Records] offices every day until I got a yes,” said Flores.

He spent his initial internship days showcasing his perceptive eye by compiling magazine photos for music video storyboards. It was this eye that quickly put Flores on set, shooting bonus footage for a 2009 Nickelodeon production, “School Gyrls.” The made-for-TV movie featured a certain Canadian teen who benefited from the YouTube boom.

The Justin Bieber cameo would develop into a working relationship, allowing Flores to pursue the art form that prompted his move to Los Angeles: directing music videos.

Flores’s music video for Bieber’s song “Love Me” encapsulates the early stages of Bieber’s career. Flores intercut Bieber singing to the camera with footage of fans, behind-the-scenes chats with Usher and numerous angles of Bieber’s signature look — the swoop that inspired hair flips round the world.

Years later, in 2020, when the world stopped, Flores didn’t. He co-directed Bieber once again for the “Stuck with U” music video, a montage of loved ones dancing and embracing in their homes. It was 4 minutes and 17 seconds of celebrated togetherness in the midst of government-enforced close proximity. The song is a duet between Bieber and Ariana Grande, an artist whom Flores defines as a “once-in-a-lifetime kind of talent.”

Flores spent much of the 2010s working with Grande, all angles taken into consideration. From her upside-down album cover for “Thank U, Next” to co-directing her more festive side for the “Santa Tell Me” video to incorporating nostalgia into a Grande-Victoria Monét collaboration, “Monopoly.” Co-directing the friendship anthem’s music video, Flores nodded to a ‘90s upbringing by using a decent amount of camcorder footage.

“Joan [Grande’s mom] probably has so many VHS videos of Ari growing up. And Beth [Carpenter’s mom] has so many VHS recordings of Sabrina,” he said.

The artistic journeys of Carpenter, Grande and Flores are intertwined with the sought-after music video director Dave Meyers. The Grammy winner has bestowed the world with distinct visuals, such as Kendrick Lamar re-creating “The Last Supper” while rapping “HUMBLE.,” Britney Spears accepting an acting award in the midst of belting out “Lucky,” and Grande as an ethereal being singing “God Is a Woman.”

Meyers directed two music videos for Carpenter’s “Short n’ Sweet” album with Flores as the behind-the-scenes photographer. Both videos helped facilitate Carpenter’s catapult into the cultural lexicon with the summer-infused shots in “Espresso” and the “Death Becomes Her” story line in “Taste.”

Alfredo Flores in the photo pit for Sabrina Carpenter.

(Courtesy of Alfredo Flores)

“BTS for me in the hands of Alfredo feels like a living yearbook of the experience we all had. I’m so deep in the creative process that I’m not self-aware of what’s happening, and to re-watch through his work allows me to enjoy the stories being told all around us. The capturing of the actual process, the passion we all share to create — those are the stories he captures over and over,” said Meyers.

Often, Flores takes those candid moments even further with a Polaroid camera — he points, shoots and hopes for the best. The instant photo is at the mercy of light and luck, which are part of the magic, he said.

“It’s the color, the grain, the imperfection of it all,” he said.

By definition, pop music is inextricably tied to its time period, the subject matter and sound speaking to its modern, often younger audiences. This can denote a fleeting quality, a trend to pass us by, not unlike the evolution of photography and videography.

However, the artists of today suggest otherwise. Carpenter covered Abba’s hit “Mamma Mia.” Grande sampled ‘N Sync in her “Thank U, Next” album. Both MTV and VH1 still have something to teach the music video directors of today. There’s lasting power in pop songs as are the mediums we associate with them. Who are we creatively if not an amalgamation of all we’ve seen, the people we know, the ways in which we originally consumed them?

“When I work with an artist we have longevity,” said Flores.

Not a surprising sentiment from the man taking a backstage Polaroid picture of a Gen Z pop star who praises disco.

BBC Breakfast presenters paid tribute to Quentin Willson after the former Top Gear host and Strictly Come Dancing star died at the age of 68.

BBC Breakfast hosts Roger Johnson and Emma Vardy honoured former Top Gear presenter and Strictly Come Dancing contestant Quentin Willson this morning (Sunday, 9 November).

Willson, who co-presented the BBC motoring show from 1991 to 2001 before the era of Jeremy Clarkson and James May, passed away on Saturday aged 68.

His relatives announced his death in a statement, following his fight against lung cancer.

They called him a “national treasure” and “true consumer champion”, stating: “Quentin brought the joy of motoring, from combustion to electric, into our living rooms.”

The statement added: “The void he has left can never be filled. His knowledge was not just learned but lived; a library of experience now beyond our reach,” reports the Express.

Besides serving as Top Gear’s used car specialist, and working as an campaigner and electric vehicle supporter, Willson appeared on Strictly in 2004.

He created history on the programme when his Cha Cha Cha with partner Hazel Newberry received the lowest score ever awarded by judges on the show, at just eight points.

He subsequently remarked he was “very proud” of it, acknowledging his poor dancing ability and saying: “I ‘m very proud to have the lowest recorded score on Strictly Come Dancing. Builders ran up to me to shake my hand because I failed so badly. I tried, but I was the dancing equivalent of a JCB.”

BBC Breakfast presenters paid tribute to Willson this morning, with Roger stating: “Jeremy Clarkson and James May have lead tributes to the former Top Gear presenter Quentin Willson, who has died from lung cancer at the age of 68. His family said that he brought the joy of motoring into people’s living rooms.”

Reporter Graham Satchell said: “Quentin Willson’s presenting style on Top Gear was unforgettable. Direct, forthright, with a wry sense of humour.

“After Top Gear, Willson began campaigning to reduce the amount of tax that motorists paid on fuel, and then to try and make electric cars more affordable.

“He holds the ignominious record of having the lowest ever score on Strictly, 8 out of 40, his performance described as a Robin Reliant trying to make love to a Ferrari.

“Willson loved it, it was important, he said, for people in the public eye to make fun of themselves.

“The car was his first and last love, he named his daughters Mercedes and Mini.”

Satchell continued: “Tonight Quentin Willson’s family said the void he left can never be filled. His knowledge was not just learned but lived, a library of experience, now beyond our reach.”

The tributes follow heartfelt words from James May and Jeremy Clarkson, who wrote: ” I’m far away so I’ve only just heard that Quentin Willson has died. We had some laughs over the years. Properly funny man.”

May commented on X: “Quentin Wilson gave me proper advice and encouragement during my earliest attempts at TV, back in the late 90s. I’ve never forgotten it. Great bloke.”

BBC Breakfast airs from 6am on BBC One and iPlayer.

DALLAS — Leo Carlsson‘s short-handed goal midway through the third period proved to be the winner as the Ducks rallied to beat the Dallas Stars 7-5 on Thursday night.

Carlsson scored on a slap shot 10:38 into the third period to give the Ducks a 6-4 lead. Troy Terry had an assist on the goal.

Chris Kreider scored twice, Cutter Gauthier, Olen Zellweger, Ian Moore added goals and Mason McTavish added an empty-netter for the Ducks, who’ve won five consecutive games and seven of their last eight. Lukas Dostal finished with 21 saves.

Wyatt Johnston had two goals, Roope Hintz, Tyler Seguin and Mikko Rantanen also scored for Dallas, which lost for the third time in four games. Miro Heiskanen had four assists and Jake Oettinger made 18 saves.

Dallas had its seven-game points streak halted.

Up next for the Ducks: at the Vegas Golden Knights on Saturday.

FOR one city in the UK, Christmas has come early as it’s been transformed into a wintry delight for a Hollywood movie.

Stars of the screen have been spotted in one of the country’s most famous streets to film scenes for the upcoming blockbuster.

York, known for being one of UK’s oldest cities, was also named the top place in the country for the best quality of life according to the Good Growth for Cities Index.

And now it is being turned into a winter wonderland for an upcoming movie.

The film is called ‘Merry Christmas Aubrey Flint’ and is due for release in 2026.

Spotted filming was Richard E Grant, known for his roles in Withnail and I, and Star Wars.

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Game of Thrones star John Bradley, who plays the titular character Aubrey Flint, was spotted filming scenes, along with fellow actor Kiell Smith-Bynoe.

Actress and more recently The Celebrity Traitors star Celia Imrie is also in the film.

According to production company WestEnd Films, the movie tells the story of a reclusive model soldier painter with a lifelong hatred of Christmas who ends up assisting with a care home production of A Christmas Carol.

Shopkeepers and passers by watched on as the stars filmed on Colliergate, a street very near The Shambles. 

One of the shops used as a filming location was Barnitts, a department store that sells everything from Christmas decorations to homeware and DIY tools.

Totally Awesome Toy Shop, will also make an appearance in the film, and the owner, Jo Patton, told the BBC: “To have a film star stood literally on your doorstep, in some ways wasn’t too strange, because in York you expect the unexpected.”

The cast and crew also filmed scenes outside an empty shop on Colliergate.

It was transformed from being empty to a miniature model shop and outside table salt lined the edges of the windows to create the illusion of snow.

York was founded by the Romans in 71AD making it one of the oldest cities in the country.

It’s possibly most famous for its 233ft tall York Minster that dates back to the 7th century.

Visitors are welcome to explore the cathedral whether you fancy a guided tour, or a trip up the tower – tickets for general admission starts at £20pp.

The Shambles, which was used to film the Christmas movie, is full of independent shops selling everything from gifts to baked treats or toys,

Lots of visitors compare the street to Harry Potter’s Diagon Alley which has towering timber-framed shop fronts.

It’s not just all mooching about seeing the sights, visitors can settle in one of York’s 365 pubs.

One writer who visited suggested popping into House of Trembling Madness which serves a selection of local beers and huge sharing boards of meats and cheeses.

One travel expert even named the city the ‘best for families’ – Travel guide creator Peter Naldrett, who has visited all 76 cities in the UK, raved about York.

He said: “York is the best UK city for families because it has so many captivating activities and attractions.

“There’s enough in York to keep both junior and secondary school children entertained, from the Viking Museum to York Chocolate Story and Harry Potter-style streets and a cold war bunker.

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“The Viking Museum has interactive activities for children, the Castle Museum has recreated Victorian Streets and there’s also the Shambles, the inspiration behind JK Rowling‘s Diagon Alley.”

“There’s so much to keep kids busy in York, families will be spoilt for choice.”

Here’s the UK’s ‘most beautiful town’ set to star in huge new Christmas movie with Hollywood stars…

Earlier this year, Hollywood stars like Kiefer Sutherland, Rebel Wilson and EastEnders‘ Danny Dyer descended on Knaresborough for the upcoming movie, Tinsel Town.

Between January and February 2025, cast and crew were spotted in the Yorkshire town, in areas like Castlegate, Riverside, and Green Dragon Yard.

Filming of the Sky Original Christmas movie meant that the festive decorations were up for months longer than usual.

The film, set to be released on November 28, will see Kiefer Sutherland play Bradley Mack, a failed Hollywood action star ending up in a small, snow-dusted village to star in the town’s eccentric production of Cinderella.

It’s here that he encounters a number of oddball locals, one of whom is no-nonsense choreographer Jill, played by Rebel Wilson.

It’s no wonder Knaresborough was picked as a filming location, as The Sun’s Katrina Turrill, who hails from the town, reckons it’s the “most beautiful town in the country” and “picture perfect”.

Knaresborough has pretty waterfront cafes and the opportunity to canoe down the river, while watching steam trains travel over the viaduct.

Katrina said: “If you venture down by the river from either Bond End or walking down the steps at the castle you’ll stand at the foot of the iconic viaduct. 

“Amongst the cafes and houses are two boat hire places – Blenkhorn’s and Marigold Cafe & Boating.  Both are open daily, weather permitting, and are a great way to soak up the stunning scenery.

“No visit to Knaresborough is complete without heading to Knaresborough Castle for the best view of the viaduct. 

“You don’t need to pay to enter the castle grounds, and I recommend seeing the view during the day and at night time, with the viaduct all lit up.”