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The Directors Guild of America announced its nominations Thursday for outstanding directorial achievement in theatrical feature film, offering one of the clearest snapshots yet of the Oscar race for director as guild voters begin to weigh in.

Nominated for the DGA’s top film award are Paul Thomas Anderson for “One Battle After Another,” Ryan Coogler for “Sinners,” Guillermo del Toro for “Frankenstein,” Josh Safdie for “Marty Supreme” and Chloé Zhao for “Hamnet.”

Winners will be announced at the 78th annual DGA Awards on Feb. 7 at the Beverly Hilton.

The DGA award remains one of the strongest predictors of Oscar success. Twenty of the last 23 recipients of the guild’s top directing prize have gone on to win the Academy Award for best director. Last year’s DGA winner, “Anora” director Sean Baker, went on to repeat at the Oscars.

Several of this year’s nominees are familiar figures to the guild. Anderson’s nod for “One Battle After Another” marks his third time being recognized by the DGA in the top film category, following his earlier nominations for “There Will Be Blood” and “Licorice Pizza.” Zhao, who won both the DGA Award and the Oscar for “Nomadland,” receives her second nomination for the wrenching period drama “Hamnet,” making her one of a small group of women — including Jane Campion, Kathryn Bigelow and Greta Gerwig — to be recognized more than once by the guild.

Del Toro, who won the DGA Award for “The Shape of Water,” earns his second career nomination in the category for his long-gestating “Frankenstein” adaptation, while Safdie receives his first DGA nomination for theatrical feature film for his gonzo sports drama “Marty Supreme.”

The DGA nominations often track closely with the Oscars in part because of overlapping membership: most directors in the Academy are also members of the guild. While the groups vote independently, that shared base has made the DGA one of the most reliable bellwethers in the Oscar directing race.

This year’s DGA nominations overlap significantly with the Golden Globe nominations for directing, which also included Anderson, Coogler, del Toro and Zhao. The Globes additionally recognized Jafar Panahi for “It Was Just an Accident” and Joachim Trier for “Sentimental Value,” two filmmakers who didn’t appear in the DGA lineup. The differences highlight the contrasting makeup of the Globes’ voting body of international critics and the DGA’s more industry-focused membership.

The guild also announced nominees for the Michael Apted Award for outstanding directorial achievement in a first-time theatrical feature film, a category that has increasingly served as a spotlight for emerging talent. This year’s nominees are Hasan Hadi for “The President’s Cake,” Harry Lighton for “Pillion,” Charlie Polinger for “The Plague,” Alex Russell for “Lurker” and Eva Victor for “Sorry, Baby.” Last year’s Apted Award winner, RaMell Ross, went on to earn a best picture Oscar nomination for “Nickel Boys.”

Television, documentary and other DGA nominations were announced earlier this week, recognizing directing work across drama, comedy, limited series and nonfiction programming. In dramatic series, nominees included “Severance,” “Andor,” “The Diplomat” and HBO Max’s “The Pitt,” while comedy series nominees included “The Bear,” “Hacks,” “The White Lotus” and Apple TV+’s “The Studio.”

DEVELOPING STORYDEVELOPING STORY,

Beijing to impose sea, air restrictions for 10 hours, starting at 00:00 GMT on Tuesday, in five zones around Taiwan.

China has deployed air, navy and rocket troops to the waters around Taiwan for drills that its military said were aimed at testing combat readiness and delivering a “stern warning” against “separatist” and “external interference” forces.

The announcement on Monday came amid anger in Beijing over an $11.1bn weapons sale to Taiwan by the United States, as well as a statement by Japanese Prime Minister Sanae Takaichi, who suggested that the Japanese military could get involved if China were to attack the self-governed island.

Beijing considers Taiwan as part of its territory and has pledged to take control of the island by force if necessary.

In a statement, the Chinese military’s Eastern Theatre Command said it was dispatching army, navy, air force and rocket force troops to five zones around Taiwan for its “Just Mission 2025”, beginning on Monday.

The live-fire exercises will begin on Tuesday in the Taiwan Strait and areas to the north, southwest, southeast and east of the island, it said.

Shi Yi, a spokesperson for the Eastern Theatre Command, said the activities will focus “on ​training for maritime and aerial combat readiness patrols, gaining ‌integrated control, sealing off key ports and areas and conducting multi-dimensional deterrence”. The drills serve “as a serious warning to ‘Taiwan Independence’ separatist forces and external interference forces”, he added.

A separate statement with a map showed five large zones surrounding the island where “live firing activities will be organised” from 8am to 6pm (00:00-10:00 GMT) on Tuesday. “For the sake of safety, any irrelevant vessel or aircraft is advised not to enter the afore-mentioned waters and airspace,” the statement said.

The planned drills mark China’s sixth major round of war games since 2022 – after then-US House of Representatives Speaker Nancy Pelosi visited Taiwan – and were described by the state-owned Xinhua news agency as “a legitimate and necessary action to safeguard China’s sovereignty and national unity”.

During the drills, Shi said Chinese vessels and aircraft will approach Taiwan “in close proximity from different directions” and troops of multiple services will “engage in joint assaults to test their joint operations capabilities”, according to Xinhua.

While the Chinese military has practised port blockades around Taiwan during war games last year, this marks the first time it has publicly stated that drills around the island are aimed at deterring foreign military intervention.

Taiwan’s government condemned the drills.

A presidential office spokesperson urged China not to misjudge the situation and undermine regional peace, and called on Beijing to immediately halt what they described as irresponsible provocations.

“In response to the Chinese authorities’ disregard for international norms and the use of military intimidation to threaten neighbouring countries, Taiwan expresses its strong condemnation,” said Karen Kuo, the spokesman for the presidential office.

The island’s defence ministry said two Chinese military aircraft and 11 ships had been operating around the island over the last 24 hours, and that Taiwan’s military was on high alert and poised to carry out “rapid response exercises”.

That particular drill is designed to move troops swiftly in case China suddenly turns one ​of its frequent drills around the island into an attack.

“All members of our armed forces will remain highly vigilant and fully on ‌guard, taking concrete action to defend the values of democracy and freedom,” it said in a statement.

The exercises come after the US announced earlier this month that it had approved $11.1bn in arms sales to Taiwan in the largest ever weapons package for the island. The move drew a protest from China’s Ministry of National Defence and warnings that the military would “take forceful measures” in response.

Beijing last week also imposed sanctions against 20 US defense-related companies and 10 executives over the move.

In an interview aired on Sunday, Taiwanese President William Lai Ching-te told Sanli E-Television that the island must continue to raise the cost of aggression and strengthen its indigenous defence capabilities to deter China, stressing that peace can only be secured through strength.

“If China sets 2027 as the year to be ready for an invasion of Taiwan, then we have only one choice: to keep raising the difficulty so that China can never meet that standard. Taiwan will naturally remain safe,” Lai said.

Tony Hawk, the skateboarding legend synonymous with daring tricks and modern skate culture, over the weekend faced an experience “WAY outside” his comfort zone: performing in a ballet.

The San Diego native and “Tony Hawk’s Pro Skater” namesake, 57, made his ballet debut Saturday skating on stage for Golden State Ballet’s production of “The Nutcracker.” During the one-of-a-kind showing at San Diego’s Civic Theatre, Hawk appeared in multiple scenes of the beloved holiday ballet, entertaining audiences with tricks while in costume.

“Sometimes you just have to say yes to things WAY outside your comfort zone, especially when your daughter thinks [it’s] funny,” he wrote Sunday in an Instagram post.

Golden State Ballet teased Hawk’s “Nutcracker” cameo on social media earlier this month, announcing, “he’s trying something completely new.”

“He’s supporting San Diego arts,” the original post read. “He’s making his daughter proud.”

“The Nutcracker” is a two-act ballet that follows a girl named Clara who receives a nutcracker doll for Christmas. When the toy magically comes to life, he defends Clara from the Mouse King and takes her on the journey of her dreams through the colorful land of sweets, where the Sugar Plum Fairy rules.

So how exactly does a pro skater fit in?

Hawk posted several photos and videos from his performance, including footage of his first cameo during the ballet’s opening number. The sports icon, donning a scarf and newsboy hat, disrupts the snowy scene outside of Clara’s home. He skates across the stage balancing on his board with both hands in the air as a police officer runs after him.

In the ballet’s second act, Hawk was not the only skater to take the stage. During the crowd-pleaser trepak, or Russian dance, Hawk and young skater Katelyn West joined a trio of dancers, launching themselves into the air off a quarter pipe. Like the dancers, both Hawk and West wore Russian-inspired fur hats, tunics and baggy red pants. The audience erupted in raucous applause.

Finally, Hawk and West rolled on stage for the show’s curtain call. Not too shabby, skater boy.

Venezuela’s UN ambassador denounces US military strikes and naval blockade at a meeting of the UN Security Council.

Venezuela has told the United Nations Security Council (UNSC) that the United States has “continental ambitions” over much of Latin America as it wages an unofficial war to remove the government of Venezuelan President Nicolas Maduro.

“It’s not just about Venezuela. The ambition is continental,” Venezuela’s UN ambassador, Samuel Moncada, told a meeting of the 15-member UNSC on Tuesday.

“The US government has expressed this in its National Security Strategy, which states that the future of the continent belongs to them,” Moncada said.

“We want to alert the world that Venezuela is only the first target of a larger plan. The US government wants us to be divided so it can conquer us piece by piece,” he said.

Venezuela, earlier this month, requested that the UNSC meet to address the “ongoing US aggression”, which began in September when the White House launched air strikes against vessels in the Caribbean Sea and eastern Pacific Ocean. The White House claimed, without providing any evidence, that the vessels were trafficking drugs to the US.

At least 105 people have been killed so far in the attacks by US forces, which legal experts and Latin American leaders have branded “extrajudicial killings”, but which Washington claims are necessary to stem the flow of drugs to US shores.

At the UNSC meeting, Moncada also accused the administration of US President Donald Trump of violating both international and US domestic law, since the White House has been acting without the approval of the US Congress, whose authority is required to formally declare war on another country.

Moncada said that Trump’s imposition last week of a naval blockade on all Venezuelan oil tankers sanctioned by the US was a “military act aimed at laying siege to the Venezuelan nation”.

“Today, the masks have come off,” Moncada said. “It is not drugs, it is not security, it is not freedom. It is oil, it is mines and it is land.”

US envoy denounces ‘Maduro and his illegitimate regime’

US forces have seized at least two Venezuelan oil tankers and confiscated at least 4 million barrels of Venezuelan oil, according to Moncada, in a move he described as “a robbery carried out by military force”.

The US has defended its naval blockade of Venezuela as a “law enforcement” action to be carried out by the US coastguard, which has the authority to board ships under US sanctions. A naval blockade, by contrast, would be considered an act of war under international law.

The US ambassador to the UN, Mike Waltz, told the UNSC that Latin American drug cartels remain the “single most serious threat” and that Trump would continue to use the full power of the US to eradicate them. Waltz also said that Venezuelan oil is a critical component in funding the cartels in Venezuela.

“The reality of the situation is that sanctioned oil tankers operate as the primary economic lifeline for Maduro and his illegitimate regime,” he said.

The White House earlier this year designated several international drug cartels, including Venezuela’s Tren de Aragua, as terrorist organisations. Washington also added the “Cartel de los Soles,” which it claims is headed by Maduro, to the list in November.

The Venezuelan leader has denied the US allegations and accused the Trump administration of using the drug trafficking claims as a cover to carry out “regime change” in his country.

Russia’s ambassador to the UN separately warned that US “intervention” in Venezuela could “become a template for future acts of force against Latin American states”.

China’s ambassador told the UNSC that the US actions “seriously infringe” on the “sovereignty, security and legitimate rights” of Venezuela.

Fireworks lit the stage and the audience roared as pop star Nicki Minaj walked out hand-in-hand with Erika Kirk Sunday in a surprise appearance at Turning Point USA’s annual convention in Phoenix.

“I love this woman; she is an amazing woman,” said Kirk, the widow of Charlie Kirk, who headed the right-wing student organization until he was killed in September. “Words are words, but I know her heart.”

Minaj, who has surprised some fans in recent months by embracing the MAGA movement, praised President Trump and mocked California Gov. Gavin Newsom.

“I have the utmost respect and admiration for our president,” Minaj said. “I don’t know if he even knows this but he has given so many people hope that there is a chance to beat the bad guys and to win and to do it with your head held high.”

Minaj then read some of her former social media posts mocking Newsom, calling him “Newscum” and “Gavie-poo.”

“Imagine being the guy running on wanting to see trans kids, haha, not even a trans adult would run on that,” she said. “Normal adults wake up and think they want to see healthy, safe, happy kids — not Gav.”

Minaj then urged boys to “be boys.”

“There is nothing wrong with being a boy,” she said. “How about that? How powerful is that? How profound is that? Boys will be boys and there is nothing wrong with that.”

Minaj praised Turning Point USA, saying the organization is encouraging youth to connect with God.

“There has been a lack of that in our media, in our everyday conversations,” she said. “Christians have been being persecuted right here in our country in different ways.”

Minaj drew attention from the Trump administration in November, when she publicly backed the president’s assertions that Christians face persecution in Nigeria, a claim the Nigerian government has disputed.

BUCHAREST, Romania — American rapper Wiz Khalifa was sentenced by a court in Romania on Thursday to nine months in jail for drug possession, more than a year after he took part in a music festival in the Eastern European country.

Khalifa was stopped by Romanian police in July 2024 after allegedly smoking cannabis on stage at the Beach, Please! Festival in Costinesti, a coastal resort in Constanta County. Prosecutors said the rapper, whose real name is Cameron Jibril Thomaz, was found in possession of more than 18 grams of cannabis, and that he consumed some on stage.

The Constanta Court of Appeal handed down the sentence after Khalifa was convicted of “possession of dangerous drugs, without right, for personal consumption,” according to Romania’s national news agency, Agerpres. The decision is final.

The decision came after a lower court in Constanta County in April issued Khalifa a criminal fine of 3,600 lei ($830) for “illegal possession of dangerous drugs,” but prosecutors appealed the court’s decision and sought a higher sentence.

Romania has some of the harsher drugs laws in Europe. Possession of cannabis for personal use is criminalized and can result in a prison sentence of between three months and two years, or a fine.

It isn’t clear whether Romanian authorities will seek to file an extradition request, since Khalifa is a U.S. citizen and doesn’t reside in Romania.

The 38-year-old Pittsburgh rapper rose to prominence with his breakout mixtape “Kush + Orange Juice.” On stage in Romania last summer, the popular rapper smoked a large, hand-rolled cigarette while singing his hit “Young, Wild & Free.”

Leon Thomas recently dyed the tips of his signature locs dark green. His new hair color — a stark contrast from the vibrant red he’d been rocking for the last four years — is the first thing that stands out about him when he strolls into the Los Angeles Times building on an unusually rainy day in October.

When asked about his hair, which peeks out from underneath a black beret-style hat, a wide grin stretches across his face.

“I had a vision,” the 32-year-old singer says, leaning in. “In [this] vision, I had more tats, a six pack and I had green dreads. And I was like, ‘You know what, let’s work on it.’” He’s been working out more consistently and he has his eyes set on a couple of tattoo artists in L.A. and Europe, but the new hair kicked everything off.

“That’s how the rest of my life has worked: I’ve seen something in my head, I’ve seen a version of myself that’s not there yet and then you work hard to get there.”

This instinct has carried Thomas throughout his 20-plus-year career in the entertainment industry, and has cleared a path for him to emerge as a leading force in modern R&B music. After years of dedicating his skill to acting, writing and producing chart-topping bangers for artists like Drake, Ariana Grande and SZA (he won his first Grammy for her record “Snooze”), for the first time Thomas is up for six Grammy nominations including album of the year and best new artist for his own work.

“I feel like this is a byproduct of me finally having a machine that works,” Thomas says about his team. He signed to EZMNY, a record label co-founded by Grammy-nominated artist Ty Dolla $ign and A&R executive Shawn Barron, in 2021. He takes an audible breath before continuing, “Not to sound cocky or anything, but I just always felt in my heart of hearts that once people could finally hear what I had to offer, it would be a different story. I’m glad that God gave me the foresight to see that.”

He has good reason to be feeling himself these days. “Mutt,” his breakout 2024 single, quietly simmered for months before it was pushed into ubiquity. The track’s metaphorical meaning — comparing his own flawed behavior in relationships to a “mutt” or a dog with good intentions — along with a sensual bassline and knocking drums eventually became a sleeper hit. It also became a favorite for Tems, SZA, Keke Palmer and Issa Rae, who shouted out the song in interviews.

“That’s how the rest of my life has worked: I’ve seen something in my head, I’ve seen a version of myself that’s not there yet and then you work hard to get there,” said Leon Thomas.

(Jason Armond/Los Angeles Times)

By early this year, the song, which is the title track from his sophomore album, had cracked the Hot 100 Billboard charts, recently climbing to No. 1 on Billboard’s radio songs chart, earning double platinum status.

The success of the album and the deluxe edition that followed launched Thomas into a whirlwind of promo: radio and podcast stops, interviews galore and after-party appearances. Meanwhile, he’s still made time to make records with other artists like Wale, Disclosure, Odeal and Sasha Keable. He kicked off his “Mutts Don’t Heel” tour in October, and this year alone, he’s had more than 70 performances, including the Hollywood Bowl with Inglewood-born singer SiR, “Jimmy Kimmel Live” and the BET Awards (where he won best new artist). Earlier this year, Thomas stopped by NPR’s Tiny Desk, a live set that has more than 4 million views and has since been turned into an EP. (His Tiny Desk performance also received a Grammy nod for best R&B performance.)

“It’s been nonstop like something great happening every single week,” says Barron, co-founder of EZMNY.

Long before fans were belting out the lyrics “I’m a doggggg / I’m a mutt,” Thomas was getting his first taste of what it takes to be a musician from his family. Thomas’ late grandfather, John Anthony, was an opera singer who starred in the 1976 Broadway production of “Porgy & Bess.” His mother — a singer — and his stepfather — who played guitar for B.B. King — were part of New York’s Black Rock Coalition and “didn’t believe in babysitters,” says the Brooklyn native who now resides in L.A. He has fond memories of doing his homework while his parents were performing and hopping on stage at times to hit a dance move for a packed crowd.

At just 10 years old, Thomas booked the role of Young Simba on Broadway after a family friend encouraged him to audition. He went on to star in more productions, including “Caroline, or Change” and “The Color Purple,” before booking his first film, “August Rush” (starring late actor Robin Williams), which required him to learn to play the guitar. As a result, he began writing his own songs, one of which impressed his parents so much that they booked studio time and a session bass player to help him to lay down the track. “It definitely influenced my perspective on if I could actually make professional music or not,” recalls Thomas, who plays five instruments, including drums (his first love), guitar, bass, piano and saxophone.

“Not to sound cocky or anything, but I just always felt in my heart of hearts that once people could finally hear what I had to offer, it would be a different story. I’m glad that God gave me the foresight to see that,” said Leon Thomas.

(Jason Armond/Los Angeles Times)

By age 13, Thomas had signed a development deal with Nickelodeon that came with a Columbia Records recording contract. After appearing in various shows like “The Backyardigans” and “iCarly,” he snagged the role of André Harris, a high-school-age singer and multi-instrumentalist, on the tween sitcom “Victorious” alongside star-in-the-making Grande.

When the show ended in 2013, Thomas began working with one of modern music’s most decorated architects, Babyface, who introduced him to producer and songwriter Khris Riddick-Tynes. Together, Thomas and Riddick-Tynes formed the Rascals and began producing records like Rick Ross’ “Gold Roses” featuring Drake (which received a Grammy nomination), “I’d Rather Be Broke” by Toni Braxton and SZA’s “Snooze,” which won best R&B song at the Grammys in 2024.

Still, pivoting from wholesome Nickelodeon star to a grown R&B artist didn’t happen overnight. “The biggest thing for me was just taking time away from the artistry in order to really allow people to celebrate the brand that I had built, but give me room to build something else,” he says. “Space and time can be a tough thing because you’re gonna have to reintroduce yourself even though you did a lot of work in the beginning to build what you had before, but I think it’s beautiful to kind of build a brand from scratch.”

That’s one of the reasons why the cover of his reintroduction project, “Genesis,” features a distorted forest instead of his face. “I didn’t want them to connect with what I was saying, what I was talking about, the feelings [and] the sounds,” he says. With every release, he’s slowly revealed more of himself.

Onstage, Thomas channels the intensity of some of his musical heroes — James Brown, Prince, Jimi Hendrix and D’Angelo. His music may sit comfortably under the R&B umbrella, but he bends and flips genres with ease, especially rock and funk. In TikTok recaps from his current tour, he can be seen ripping on the bass and guitar, whipping his body into turns and effortlessly hitting vocal runs, which fans have attempted to imitate. With him, you never have to question if the mic is on.

“Sometimes I go see R&B artists live and it’s very chill,” he says, but “the school I come from is competitive.” He recalls stories that his stepfather has told him about performing at the Village Underground in New York when he was coming up. “They used to do something called cutting heads, so the first guy would go do his solo, then the guy who came out on the second set had to go even further. He’s playing with his teeth, he’s spinning, he’s on the floor, he’s wildin’,” Thomas says excitedly.

“So I’m in that school of thinking when I hit a stage and for this tour where I get to curate things and really put it together like I want to, there’s gotta be that energy of cutting heads,” he adds.

Just days before launching his 27-city tour, Thomas released a cinematic trailer featuring Rae — who played his neighbor and hookup buddy on “Insecure” — to introduce his latest project, “Pholks.” The seven-track release, created in collaboration with musicians Rob “Freaky Rob” Gueringer and David Phelps, a.k.a. “D. Phelps” (who also worked on “Mutt”), is an homage to the funk, rock and soul artists who’ve inspired him. Led by the singles “Just How You Are” and “My Muse,” which could trigger a “Soul Train” line at any moment, the project feels warm and nostalgic, yet anchored in forward-thinking production and playful storytelling that helps push it into the future.

In April, Ty Dolla $ign brought Thomas out to perform during his headlining set at Coachella, a moment that was a no-brainer for Ty, who recently called Thomas “the new king” of R&B.

“I just can’t even believe that I was the one to be able to do this,” Ty says about working with the singer.

“Sometimes I go see R&B artists live and it’s very chill,” Leon Thomas said, but “the school I come from is competitive.”

(Jason Armond/Los Angeles Times)

In the midst of this busy season, Thomas has been more intentional about maintaining his mental health. “I’m doing a lot of grounding meditations,” he says, noting that family and his tight circle of friends have been an essential support system. “I’ve been picking up the Bible a little bit more.”

He also finds steadiness in revisiting wisdom passed down from his late grandfather, who passed away last year, and reflecting on his “why:” bringing a classic, musician-centered energy back to R&B and encouraging young artists to pick up an instrument.

“When a little kid sees me playing guitar on the Grammy stage or if they see me performing on Instagram playing drums, I want them to ask their mom for a guitar or some drum lessons,” he says. With the rise of AI, he says that live musicianship may become less common. “I hope that we can inspire a revolution of intelligence, people who are intelligently making music and coming from a standpoint of history.”

Thomas will close out his whirlwind year with two shows at the Wiltern on Dec. 22 and 23 before embarking on the European leg of his tour in March and heading to Australia in June. In the meantime, he’s trying to avoid thinking about the Grammys in February — though everyone, including myself, is making it impossible for him not to.

Whether he walks away with a golden gramophone or not, Thomas has already created a body of work that has reinvigorated not only R&B but also music in general, and he plans to continue pushing himself creatively. He’s known all along what he’s capable of and the career he’s destined to have because he’s envisioned it. It’s the world that’s had to catch up.