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Lorraine Kelly sends message to her ‘special’ mum in sad show update after ‘bad fall’

Lorraine Kelly sent a sweet message to her mum, Anne Kelly, on Tuesday’s episode of the show

Lorraine Kelly revealed her mum had suffered a ‘bad fall’ on Tuesday’s episode of Lorraine.

During the latest installment, Lorraine, 66, marked her mum Anne Kelly’s 85th birthday with a sweet message live on air before sharing a sad update regarding her mother.

Lorraine said: “Happy birthday to my wee mum. Happy birthday. There we are” to which a photo of Lorraine and Anne appeared on screen before a picture of Lorraine, Anne and her brother Graham was also shown.

In a sad update, Lorraine added: “Sadly, she’s back in hospital. She had a bad fall. She’s in Hairmyres Hospital. So thanks to everybody that’s looking after her, saw her at the weekend, of course. But yeah, God bless her. I hope she has a good day.”

Lorraine continued: “Mum, have a great day. Have a great day as much as you can. Happy birthday!”

Taking to Instagram, Lorraine also shared a post for her mother, writing: “Happy 85th birthday to my mum. Sadly celebrating in hospital today after a bad fall resulted in broken arm.

“Saw her at weekend and she’s getting well looked after. Hopefully back home with us soon #birthday #mum.”

Responding in the comments, one person said: “Happy birthday to your mum, hope she gets well soon” with a heart emoji.

Another account wrote: “Happy birthday hope you’re better soon xx” while another follower added: “Happy Birthday wishes to your lovely mum. Hope she has a good recovery.”

A different show watcher put: “Happy birthday/speedy recovery” while another fan added: “Happy birthday to your gorgeous mum. It’s my birthday tomorrow xx.”

Earlier this year, Lorraine announced the death of her dad. The Scottish broadcaster took to Instagram at the time to share the devastating news with her online followers.

Lorraine’s father, John, worked as a TV service engineer and was known for his passion for science and astronomy, which the TV presenter had inherited from him.

Sharing a snap of herself and her late dad, the ITV star said: “Very sad news. My dad has died. I am mourning the man who bought me a telescope when I was five years old, who watched the moon landings with me and taught me to always be curious and interested in everything. He was in poor health but it has still been a shock.

“Any of you who have experienced a similar loss will know how my brother Graham and I are feeling. Our priority is taking care of my mum and the family would very much appreciate privacy at this distressing time. We will miss you dad.”

Lorraine continues on weekdays at 9:30am on ITV and ITVX

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Dolly Parton receives special Emmys tribute from Sally Field and Reba McEntire

Dolly Parton — the “queen of country,” benevolent ruler of Dollywood and America’s true sweetheart — died at age 80 last month. But she lives on forever at home in our living rooms, in the warm echo of a Tennessee twang from the speaker and, perhaps surprisingly (although that shouldn’t be so), in the flickering glow of our television screens.

Parton got her start on the small screen, appearing on the “Cas Walker Farm and Home Hour” when she was 10. Eleven years later, she had a down-home breakthrough on the widely syndicated “Porter Wagoner Show.” There were multiple interviews with Barbara Walters, “Tonight Show” appearances with Johnny Carson, two successive variety shows and many a guest spot, including on “Hannah Montana,” “Designing Women” and “Reba.”

At the Emmys on Monday, Reba McEntire sang a soulful tribute to Parton with a cover of her 1983 song “Appalachian Mountains,” one of McEntire’s all-time favorites. Before that, though, came a heartfelt speech by Sally Field, Parton’s co-star in “Steel Magnolias.”

“If there are truly angels on Earth, then we just lost one: Dolly Parton,” Field said. “It was my great good fortune to have worked with Dolly in a film called ‘Steel Magnolias.’ And over the years, I never stopped loving her, though we lived very far apart. I adored her from Day One; how could you not? She was genuine and humble, supportive and blisteringly funny, with a bawdy sense of humor that would send any rude guy looking for a place to hide.

“I couldn’t see then what a real giant Dolly was — not just as an artist, but as a human,” she added. “She was a humanitarian whose contributions have made a profound difference in the lives of so many in her home state of Tennessee, and across our country. God bless you, Dolly Parton, my friend. I am not the only one on Earth that will love you forever and ever.”

Then came an archival clip of Parton introducing “Appalachian Mountains” the year it came out. “I’m very, very proud of the fact that I had the kind of parents that I did, and grew up in the Smoky Mountains, the Appalachian Mountains,” she said. “And I have written a song that touches me very deep, and I’m sure that, in your own way, that you certainly will relate to this. This song, like I say, is very important to me, and I hope you like it. And if you don’t like it, well, if you don’t mind, I would rather not hear about it later, OK? It’s a song that I call ‘Appalachian Mountains.’ ”

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Kate Moss’ nepo-baby daughter Lila ‘totally ignored’ by other models and is ‘given ‘opposite’ of special treatment

LILA Moss stole the show at H&M’s London Fashion Week show.

The star proved the apple doesn’t fall far from the tree as she followed in her mum Kate Moss’s heeled footsteps and took to the runway.

Lila Moss tole the show at H&M’s London Fashion Week event in a slashed PVC dress Credit: Getty
Lila is the daughter of famous catwalk star Kate Moss – but is determined to pave her own way Credit: Getty

I’m told despite being one of the biggest names at the event and being the daughter of an industry legend, Lila refused to have any special treatment.

In fact, sources tell me Lila has secretly been battling vile treatment at shows over the past year due to her nepo-baby status.

She’s told pals how she has been given “icy treatment or totally ignored” behind the scenes as she battles to carve out a career in her own right.

A source said: “Lila was booked in the standard way, just like all the other models.

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“She didn’t ask for any special treatment due to her status—in fact, it’s the opposite.

“Over the past year, she’s confided in pals that many other models give her the cold shoulder or totally ignore her altogether.

“She’s not said these words, but essentially it’s jealousy—people judge her and brand her a nepo before they have even met her.

“Yes, being Kate’s daughter has opened a lot of doors, but Lila wants to be successful in her own right.

A runway mole said that Lila does not get any special treatment on the catwalk Credit: Getty
She’s told pals how she has been given ‘icy treatment or totally ignored’ Credit: Splash

“There have been many times over the years where backstage she is left all on her own.”

Lila is the daughter of Kate Moss and magazine editor Jefferson Hack.

In 2018, she was snapped up by Marc Jacobs to front his Marc Jacobs Beauty range.

In 2021, she made her Fashion Week debut by walking for Miu Miu at Paris Fashion Week.

Lila said Kate tried to put her off becoming a model at first Credit: Getty
She was scared that Lila may fall into the same traps she did in her youth Credit: Getty

Speaking in 2022, Lila admitted her mum tried to put her off modelling.

She told British Vogue: “My mum always put me off.

“She was always like, ‘If you wanna do it, you can, but I wouldn’t recommend it’.

“When I was younger, she was scared that I’d fall into the same trap, I think.”

Kate has previously spoken candidly about the pressures of being a model.

She told Vanity Fair in 2012: “Nobody takes care of you mentally.

“There’s a massive pressure to do what you have to do.”

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CMA to honor Dolly Parton in TV tribute on ABC, Disney+, Hulu

The Country Music Assn. will put on a two-hour live TV special honoring Dolly Parton, who died last month at the age of 80.

The association said Wednesday that the television tribute — titled “CMA Presents I Will Always Love You: A Celebration of Dolly Parton” — will be recorded live at the Fisher Center for the Performing Arts, on the campus of Belmont University in Nashville.

The tribute will air Oct. 21 at 6 p.m. Pacific on ABC and Disney+, and will stream on Hulu a day later.

In a news release, CMA described the special as a “joyful, emotional celebration” dedicated to Parton, the rhinestone-studded singer whose life began humbly, in a one-room cabin at the foothills of the Great Smoky Mountains.

Robert Deaton, veteran executive producer of the Country Music Awards and Billboard Music Awards, will fill that role on the Parton project.

“Dolly gave Country Music its heart, and giving some of that heart back to her is an incredible honor,” said Deaton in a news release Wednesday. “My hope is simply that we do right by her story, her music and the people who love her, so that this evening feels like the tribute my friend deserves.”

Sarah Trahern, CMA chief executive, added that the tribute is the association’s “responsibility”: “This special is our way of saying thank you, on behalf of every artist, industry member and fan who found a piece of themselves in her music.”

The tribute is in partnership with Belmont University, which hosted the 2025 world premiere of “Dolly: A True Original Musical,” a biographical production about the “9 to 5” singer that is scheduled for its Broadway debut on Jan. 19, what would have been the Parton’s 81st birthday.

The university also previously launched “Dolly U,” an immersive educational partnership designed to connect students with hands-on opportunities in entertainment, media and creative industries.

Greg Jones, president of Belmont University, welcomed the special with a statement of his own: “It is a privilege to welcome artists, friends and fans from around the world to celebrate her extraordinary life and legacy from this stage in Nashville, honoring a woman whose love for Tennessee was woven into everything she did.”

Both the CMA and Belmont University will make a donation from the proceeds to Parton’s Imagination Library, which was launched by the Dollywood Foundation in 1995 to address childhood literacy by giving millions of children the gift of a free book each month. Disney will also support the program.

News of the television tribute follows an announcement last month by Parton’s estate that revealed plans for Dollyfest, a two-day celebration in Nashville and London next year across two consecutive weekends to honor her legacy.

Additional details for the CMA special, including performers and tickets, will be announced at a later date.

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Special interests spend millions boosting Becerra in governor’s race

Companies and special interest groups with some of the diciest issues expected to land on California’s next governor’s desk are among the top financial backers of Democrat Xavier Becerra, the gubernatorial front runner.

Money from Big Tech, the healthcare industry, labor unions and tribes helped propel Becerra’s bid for governor, which languished at the outset then took off just months before the June primary. All are major players in national and state politics and have a major financial stake on the policies of California’s next governor.

Meta, which has contributed nearly $1.2 million to groups backing Becerra’s campagin, has faced mounting scrutiny by lawmakers and the courts. The Menlo Park-based company, which operates social media and communication platforms such as Facebook, Instagram and WhatsApp, just agreed to a landmark $17.1 billion settlement to resolve multi-state claims that its apps endanger children.

The state Legislature in August also passed a measure to bar social media platforms from providing an “addictive feature” to lure children, as well as bills to shield Californians from threats posed by the boom in artificial intelligence and data centers. The fate of these measures is now in the hands of Gov. Gavin Newsom, and the next governor likely will have to decide whether approve even stricter controls on Big Tech.

Meta is among eight donors that wrote seven-figure checks supporting Becerra’s gubernatrial campaign, with most of he money funneled to independent committees backing the Democrat that are not allowed to legally coordinate with the candidate. Campaigns often find back doors to do so.

Former state Sen. Steve Glazer, a Democrat who ran Jerry Brown’s successful 2010 gubernatorial campaign, said such spending is not surprising.

“Look, millions and billions of dollars are at stake, and the governor is the central point for all of that in California,” Glazer said. “It’s not a gamble anymore. You’re not picking a winner or a loser, right? So the floodgates open up for a runaway winner like Xavier Becerra.”

Becerra, the former secretary of the U.S. Department of Health and Human Services and a longtime congressman, won one of the top two spots in the chaotic June primary. Republican Steve Hilton, a conservative media commentator and strategist who was endorsed by President Trump, won the other slot to advance to the Nov. 3 election. Becerra is considered a heavy favorite to win, given that Democratic voters in California outnumber Republicans nearly 2 to 1.

Becerra has the financial edge in the race, raising at least $30 million while also receiving significant support from the independent committees. Donors have contributed $48.8 million to Becerra’s campaign committee as well as outside efforts supporting his bid, according to a Times analysis of contributions through Sept. 3.

A Becerra spokesman said that although the campaign welcomed support from any donor, he would not weigh their contributions as he makes policy decisions if elected

“Xavier Becerra is laser-focused on making California work for working people — lowering costs, building housing, and making this state affordable again,” said Jonathan Underland, a spokesman for the Democrat. “Anyone willing to stand with us in that fight is welcome to join it, and we won’t hesitate to challenge anyone who gets in the way of that goal.”

His GOP rival raked in $18.8 million, including a $90,100 contribution from the candidate himself. Hilton’s top donors are billionaires and business executives including manufacturer Donald Friese and his wife Andrea, Silicon Valley billionaire Tim Draper, former Fox Corp. Chairman Rupert Murdoch, Google co-founder Sergey Brin, Los Angeles real estate magnate Geoffrey Palmer and the founder of defense contractor Anduril Industries, Palmer Luckey.

Executives and employees at Lighthouse Worldwide Solutions Inc., a company that makes contamination monitoring systems, contributed more than $474,000 to Hilton’s campaign.

A small handful of donors gave to both candidates. Uber and its employees gave nearly $42,000 to Hilton, while the company and an affiliated political action committee spent $1,039,200 supporting Becerra. Vlad Tenev, founder of the financial trading platform Robinhood, gave $289,000 to Becerra and $15,000 to Hilton.

A committee ostensibly established to oppose Hilton, an effort that effectively propped him up among Republican voters before the June primary, raised $2.5 million through large donations from the California Nurses Assn., the Service Employees International Union, the Democratic Governors Assn. and wealthy businessman Bill Bloomfield, an unsuccessful congressional candidate and Republican-turned-Democrat.

Hilton said Becerra’s financial backers are unsurprising and illustrate the “corruption” created by one-party rule in Sacramento.

“All these businesses and organizations assume he’s going to be the next governor, so they’re trying to bribe him,” Hilton said in an interview. “You can call it donations if you want, but it’s actually legalized bribery. … Big business and special interests are shoveling cash into his mouth in the hope that they can bribe him to do their bidding.”

Becerra, who served in public office for nearly 35 years, has a long history of support from powerful industries, labor unions and others with business before the government. During his 24 years in Congress, donors spent roughly $11 million supporting Becerra, according to the Times analysis and Open Secrets, a nonprofit, nonpartisan tracker of campaign fundraising. While he served as California attorney general for four years, contributors spent nearly $9.4 million backing him.

Among the former Biden Cabinet secretary’s top financial backers in the governor’s race are labor unions, healthcare groups, tech companies and Native American tribes that own some of the state’s splashiest casinos. All will probably be affected by decisions made by the next governor.

The Laborers’ International Union of North America and local affiliates and political arms, focused on infrastructure projects and the creation of union jobs, has contributed nearly $3.2 million. A committee associated with the California Assn. of Realtors that is focused on housing, real estate policy and property rights has spent nearly $2.8 million backing Becerra.

The Pechanga Band of Indians chipped in more than $2.3 million to efforts supporting Becerra at a time that gaming issues continue to be scrutinized.

A Pechanga representative said the tribe’s leader was unavailable due to travel but pointed to a statement he made before the primary.

“Secretary Becerra has stood with Indian Country for decades and understands Tribal sovereignty. When tribal healthcare was on the line, he was there,” said Tribal Chairman Mark Macarro. “This experience comes from a lifetime of public service, not a checkbook.”

The California Medical Assn. has spent nearly $1.5 million backing Becerra at a time of deep impending federal healthcare funding cuts and efforts by the state to backfill that lost financial support.

Dr. René Bravo, president of the California Medical Assn., which represents more than 50,000 physicians, said their spending was spurred by the their belief that Becerra is the best candidate to take on impending federal healthcare funding cuts that will harm millions of Californians access to care.

“Xavier Becerra understands healthcare and the challenges facing patients and physicians. The next governor will make critical decisions on MediCal, the physician workforce, affordability and access to care,” Bravo said. “We’re investing in this race because those decisions will directly affect California patients and physicians.”

Meta declined to comment on its contributions, and the Realtors and the Laborers did not respond to requests for comment.

Becerra, asked about the Realtors’ large donations supporting his campaign, noted that most of the money was contributed to committees outside his control. But he argued that his policy priorities have long been clear, including when he was an afterthought in the gubernatorial race.

“I was pretty clear in the primary, where I wasn’t getting as much support from a lot of different folks,” Becerra said Fridayat a news conference in north Long Beach supporting Proposition 1, a proposed $11.25-billion bond measure on the November ballot to boost affordable housing construction around the state.

“What I will tell you is this: Take a look at my record. Take a look at what I’ve said, and rather than look to inflated promises, look at what I’ve done in my record,” Becerra said, standing in front of Laborers’ International Union of North America members clad in orange safety vests. “And I will tell you, I have built, not just as a public servant, but when I was wearing myself that orange vest as a construction worker, as a laborer for Local 185, in my younger years, I was out there helping build. And so what we’re going to do is we’re going to do what we need to do, regardless what the voices say. We’re doing it because the people demand it.”

Fossil fuel and renewable energy firms have also supported Becerra, notably Chevron and affiliated groups and employees, spent more than $1.1 million boosting his bid — money that his Democratic rivals in the governor’s race and other critics, including climate activist Jane Fonda, pounced upon before the primary.

Billionaire hedge fund founder Tom Steyer deployed mobile billboards touting Becerra saying “You need Chevron, I need Chevron,” a clip from a longer comment about how every Californian doesn’t drive an electric car.

Chevron did not respond to a request for comment.

Earlier this year, Becerra was a single-digit polling afterthought in the crowded race to replace Newsom, who is termed-out. But after a dizzying primary that included a potential front-runner, then-Rep. Eric Swalwell (D-Dublin), dropping out amid allegations of rape and sexual assault, Becerra took the lead in the Democratic field and placed first in the June election.

Becerra, 68, has a long career in elected office, serving two years in the state Assembly, 24 years in Congress, four years as California’s attorney general, and four years in the Biden administration.

While he was in Congress, donations to his federal campaign committee grew dramatically, according to an analysis of Federal Election Commission documents provided by Open Secrets.

In the early 1990s, Becerra was receiving donations in the low six figures, but by the end of his time in Congress, he was receiving well over $1 million during each two-year electoral cycle.

Finance, insurance and real estate firms and trade groups, such as Charles Schwab, the National Assn. of Insurance and Financial Advisors, the New York Life Insurance Co., Merrill Lynch and Pacific Life Insurance, were major supporters of Becerra, who served on the powerful House Ways and Means Committee, which regulates taxation. Such donors contributed more than $2.6 million to his congressional bids, according to Open Secrets.

Healthcare interests came in a close second, contributing more than $2.4 million to his congressional campaigns in the years before he was nominated and confirmed as Biden’s secretary of Health and Human Services, according to Open Secrets. Among the groups that supported Becerra’s federal campaigns included organizations representing physical therapists, anesthesiologists, podiatrists, assisted living and long term care facilities, and dietitians. While in Congress, Becerra was a strong advocate and supporter of the Affordable Care Act, a landmark healthcare overhaul championed by former President Obama.

Labor donated more than $1.7 million to Becerra’s congressional bids, a trend that continued when he ran for attorney general. Unions representing laborers, electrical workers, pipe fitters and firefighters donated $1 million, according to the Times analysis. The number has spiked to $6.3 million for Becerra’s gubernatorial bid.

Lorena Gonzalez Fletcher, president of the powerful California Labor Federation, said Becerra’s personal and political resume are significant at a time when the next governor will need to tackle artificial intelligence and the potential resulting job losses, the state’s volatile budget and federal funding cuts to MediCal and Medicare.

“He comes from a union family,” she said. “He has a long history of being on the right side of working people in a lot of different roles — in Congress, as attorney general and as secretary of Health and Human Services.”

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David Beckham kisses wife Victoria on ‘special’ family holiday

DAVID Beckham kissed his wife Victoria on their “special” family holiday – without estranged son Brooklyn.

The former footballer, 51, took to his Instagram stories to give fans a sneak peek into the holiday as the Beckham clan visited Spain, France and Italy.

David Beckham has kissed his wife Victoria while on holiday Credit: davidbeckham/ Instagram
The couple swam in the ocean Credit: davidbeckham/ Instagram

David and Victoria, 52, were joined on the trip by their children Romeo, 23, Cruz, 21 and 15-year-old Harper.

Also there were his mum Sandra, Victoria’s dad Tony and Romeo and Cruz’s girlfriends Kim Turnball and Jackie Apostel.

Their estranged son Brooklyn and his wife Nicola Peltz were of course noticeably absent from the trip.

In one snap that David uploaded, he and Victoria were seen enjoying a smooch while on a boat in Ibiza, Spain.

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Another showed the pair swimming in a stunning blue ocean as he penned: “Someone doesn’t love the ocean but she loved this moment.”

He posted individual pictures with Harper and his mum as he told them he loved them.

In one particular photo, the family are seen sitting around a table for dinner as David writes: “Family moments. Love you all.”

Brooklyn, 27, and his wife Nicola, 31, have been estranged from his family for the past three years.

They were joined by his mum Sandra and Victoria’s dad Tony Credit: davidbeckham/ Instagram
He shared a snap with daughter Harper Credit: davidbeckham/ Instagram
Romeo joined in for the fun Credit: davidbeckham/ Instagram
The whole clan posed together while having a meal Credit: davidbeckham/ Instagram

While his family enjoyed their European holiday, he and Nicola posed up a storm in bed selfies as they were joined by their pet pooch.

The two were seen snuggled in their bed as they cuddled each other in one snap.

The chef released a bombshell statement in January and suggested public image and Brand Beckham was the biggest priority to his mum and dad.

He alleged that his mum cancelled making his wife’s wedding dress in the eleventh hour.

Brooklyn and his wife Nicola Peltz shared selfies in bedCredit: Instagram
He posed with his pet pooch

He claimed she was excited to wear one of Victoria’s designs and had to urgently find a new dress at the last minute.

He went on to say his mum called him “evil” for choosing to include his Nanny Sandra and Nicola’s Naunni on their table at the wedding because they didn’t have their husbands.

Brooklyn also claimed that his mum hijacked his wedding dance to dance “very inappropriately” on him and alleged she invited women from his past into his current life.

The former photographer said his parents cared more about keeping up with “Brand Beckham”.

Victoria said in an interview that when it comes to parenting, she has “always tried to protect” her children.

She told Emma Grede on her podcast: “Our children have had a very different upbringing to myself and David and I think the world is also a very different place now then to what it was when they were younger.”

The Beckham clan have made several attempts to lend olive branches to Brooklyn on social media, mentioning him on birthdays and special moments.

However, he’s remained firm on his decision to keep away from them as he continues his life in Los Angeles with Nicola.

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Dolly Parton was special to LGBTQ+ people. She showed we’re loved

In a brief online elegy for Dolly Parton, with whom she’d worked on the women-empowering film “9 to 5,” actor and famed liberal activist Jane Fonda made it a point to note that Parton cared about her queer fans.

“To her gay and trans fans, I want you to know that she loved you,” Fonda wrote. “You know that without me telling you.”

Indeed, we do.

Dolly meant something special to the LGBTQ+ community, in part because she represented an America where we are accepted — not just in big blue cities, but in one-room cabins in East Tennessee and in every rural, American-flag-flying corner of this big country.

Dolly was colorful and vivacious and unapologetic, and had more than a bit of drag queen in her. But she was also an unabashed ally with a country twang — a friend from the part of America where many queer people still instinctively put their guard up.

Of course, a country twang and queer acceptance can go hand in hand, and often do.

The Human Rights Campaign just last week cited a new U.S. Census Bureau analysis showing a record-high 12% of U.S. adults identify as lesbian, gay, bisexual, transgender or gender diverse.

That’s more than 25 million people, and they live all across the country. Many sound like Dolly. Many are surrounded by loving, supportive family too.

Yet it remained important, particularly as LGBTQ+ rights have come under increasing attack, that Dolly — big, beloved, down-home Dolly — had our back too.

She wrote and sang the Oscar-nominated song “Travelin’ Thru” from the 2005 movie “Transamerica,” about a transgender woman and her son. She collaborated with her goddaughter Miley Cyrus on “Rainbowland,” a tribute to gay pride. And she made no secret of where she stood.

“I have some of everybody in my own immediate family and in my circle of employees. I’ve got transgender people. I’ve got gays. I’ve got lesbians,” she said in 2023. “I know and love them all, and I do not judge.… That’s who they are. They cannot help that any more than I can help being Dolly Parton.”

The LGBTQ+ community has watched in recent years as corporations and other supposed allies have backed away and gone quiet amid shifting politics and the Trump administration’s war on diversity, equity and inclusion and the transgender community.

But not Dolly. We saw her stand her ground, next to us. And that meant something. Dolly showed that you can appeal to the whole of America without throwing LGBTQ+ people under the bus.

She showed that you can stand behind LGBTQ+ people without twisting into socially awkward or politically damaging positions, no matter your audience. Sometimes it just takes plain language about accepting everyone as they are.

She showed that holding onto faith, patriotism and the American way of life doesn’t mean you can’t also hold space for LGBTQ+ people to live their own happy lives.

She showed that we are all more alike than we are different, and that it’s easier to see eye to eye when you aren’t looking past one another.

Dolly showed that a country star and all-American icon, beloved as much in rural dive bars as big city queer clubs, could transcend the bogus narrative that LGBTQ+ lives are a political issue rather than a part of our collective humanity — and that all of us can too.

Dolly represented the America that LGBTQ+ people love and remain loyal to, the open-armed, diverse, compassionate, take-people-as-they-come version of America that is still all of ours to enjoy if we just work for it a little — just like Dolly did.

Dolly loved LGBTQ+ people, and we loved her — in part because she showed us that our country still loves us too.

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‘Stamptown’s’ Jack Tucker turns late-night clown carnage into Netflix special

Jack Tucker descends from the rafters inside L.A.’s Montalbán Theatre like a kamikaze crash landing into his big moment. He’s flanked by fountain fireworks while a buff guitarist with a blond mullet and glittery spandex shorts wails on guitar to the tune of Lenny Kravitz’s cover of “American Woman.” With the garish gusto of a WWE wrestler, Tucker’s entrance as the ringleader of the show “Stamptown” electrifies the stage.

But the show truly starts when it falls apart with technical mishaps. Everything breaks, guns go off, an illusionist loses his clothes and jumps fully nude into the crowd — all within the first five minutes.

It’s a chaotic comedy world created by classically trained performers, including clowns, who’ve studied the art of physical humor and shredded the rule book. For more than 10 years the Stamptown troupe led by Tucker, the alter ego of comedian Zach Zucker, has created an insane asylum on stage — from Elysian Theater in Echo Park to the Edinburgh Festival Fringe in Scotland. The show’s comedy thrives on failure, interruption and never actually getting to the “script.” This week the madness leaps from the stage to the screen as Stamptown premieres its first Netflix special Tuesday.

“This is a lot of people’s first time being exposed to this,” Zucker said, cracking a mischievous smile while sitting in a red velvet chair inside the empty Elysian Theater where his crew has performed “Stamptown” for years. “I have seen a man light his penis on fire 45 times in my show. I forget that when it comes to comedy, most people are used to seeing a person with one microphone stand still and talk.”

Filmed over the course of three performances during Netflix Is a Joke Fest in May, the spliced together “Stamptown” special directed by Rachel Lee Goldenberg and edited by show co-creator Dylan Woodley captures the chaos of clowning mixed with a cerebral roast of traditional comedy and plenty of playful danger. The result isn’t a piece of art but rather “a pile of art,” Zucker said.

“Our strength is being a ‘you gotta see it to believe it’ type of performance, but if I really had to boil it down, it’s a modern day vaudevillian variety show that features any and all alternative performances … our ethos is, ‘against all odds, this show works,’ ” Zucker said.

 Zach Zucker tosses props in the air.

Zach Zucker tosses props in the air inside the Elysian Theater.

(Carlin Stiehl / For The Times)

On a recent afternoon, the lanky, mustachioed Zucker, wearing a T-shirt, ballcap and small hoop earrings, bears little resemblance to his comic alter ego who sports a tattered suit with gag props stuffed in every pocket. In real life, the New York native is a former baseball and basketball star athlete who went down an extremely different path to become “a bisexual traveling clown.” After enrolling in what he assumed would be an easy acting class during his senior year of high school, Zucker became obsessed with improv and comedy. His teacher advised him to check out the renowned improv troupe Second City. So he flew to Chicago to see the show “Spoiler Alert: Everybody Dies” featuring Tim Robinson, Sam Richardson, Timothy Edward Mason and more. “It changed my life,” he said.

After taking up comedy classes and street performances on the East Coast, Zucker quickly transitioned to working in theater and eventually moved to L.A. at 18 to pursue comedy, interning at Upright Citizens Brigade. He scrubbed toilets in exchange for free improv classes. It was at UCB where he first crossed paths with celebrated clown teacher Philippe Gaulier, whose former students include Sacha Baron Cohen, Rachel Weisz and Geoffrey Rush. The wily, frizzy-haired Frenchman with red-framed spectacles taught Zucker everything he knows about clowning.

Zach Zucker holds up a rubber chicken.

“Our strength is being a ‘you gotta see it to believe it’ type of performance, but if I really had to boil it down, it’s a modern day vaudevillian variety show that features any and all alternative performances … our ethos is, ‘against all odds, this show works,’” Zach Zucker said.

(Carlin Stiehl / For The Times)

“Philippe is by far my greatest influence,” Zucker said. “There’s not a day that goes by that I don’t think about him or that I’m not actively implementing all the lessons he taught me as a man and as an artist.”

One of those lessons became the ethos of “Stamptown”: “If you’re having fun, maybe we like you. If you’re not having fun, for sure we hate you.”

Inspired by his wisdom, Zucker moved to France for two years to study with Gaulier. It was there that he met his future “Stamptown” collaborator Jonny Woolley, a Canadian performer who became the show’s sound tech, adding to the menagerie of aural mayhem through sound effects that punctuate the show’s every move.

“There’s a lot of different ways of approaching clowning, but ultimately, for us, it’s more of a philosophical approach to making art than it is like a rigorous set of rules or styles. It’s just being a lovable idiot,” Woolley said.

The name “Stamptown” is a tribute to the place where they learned their artform: the town of Estampes (which loosely translates to “Stamp”) in France where they studied with Gaulier, who died this year before the special was filmed.

Though he‘s known for his offbeat humor, Zucker’s brain is firing on a perpetual metronome. He’s snapping his fingers incessantly during our interview while describing the comedic timing of each show, which grooves like a jazz band on stage.

”Sometimes there’s a few different rhythms that I’m balancing at once. I can really zone in on what is the most fruitful at the moment while still keeping these other balls in the air,” he said. “Thankfully we’re not always pushing a message. Sometimes it is just about entertaining the crowd at all costs.”

Before “Stamptown,” Zucker was performing with Norwegian friend and fellow clown Viggo Venn as “Zach & Viggo,” a side act in the original variety show Zucker started with his friends in 2017 in Melbourne called “Midnight Madness” that eventually turned into “Stamptown.”

Working with Venn, Woolley and Woodley, Zucker devised the show to include a rotating cast of clowns, and comedic performers from around the world, including L.A. Staples in the local clown community include the slapstick of clown kingpin Chad Damiani playing a janitor, comedic actor Natalie Palamides as a comedy nepo fetus birthed by Riki Lindhome of “Garfunkel and Oates” and the riotously robotic gyrations of Courtney Pauroso as fembot temptress Vanessa 5000.

“‘Stamptown’ is extraordinary; it’s finely calculated nonsense,” said actor Neil Patrick Harris, a longtime friend and supporter of Zucker who appears on the Netflix special, in a statement to The Times. “Each performance is unique — stand-ups colliding with circus artists, and improvisers swapping talents and fluids, even the stagehands’ utter chaos and running gags, a ridiculous fever dream … it’s absurdly genius.”

The international performers who have become part of the “Stamptown” universe run the gamut from jugglers to steel drum players to acrobats to pianists. Trans comedian Jordan Gray is extremely unafraid to bare it all, including her soul, when behind the piano. The physicality of the performances goes beyond regional references and punchlines that might get some laughs in one country but not in others. Venn says it’s clear that at their core people tend to share the same sense of humor.

“It was fascinating to us to see that in Australia and France and England and the U.S., they really laugh at the same things if it’s like a deeply human kind of failure,” Venn said. “That’s the beauty of this show.”

 Zach Zucker sits in a room illuminated with red light.

Zach Zucker sits inside the Elysian Theater in Los Angeles.

(Carlin Stiehl / For The Times)

A tangled web of masterfully timed sound effects has unintentionally become the heartbeat of “Stamptown” . With Woolley now living full time in London, the duties for the U.S. shows were recently passed down to fellow performer Jeremy Elder, who did the sounds for the Netflix special tapings. He says the show is at its best when they throw out the game plan for the night, even while filming for Netflix.

“I think it’s as soon as we went off script, the audience could feel that. In the final product, we planned so much, but once you’re in the room with people it’s a very clown-like sentiment to just roll with what the audience is feeling,” Elder said.

While traditional stand-up is Netflix’s bread and butter for comedy programming, this form of comedy is mostly a target for mockery in “Stamptown” to show how limiting it is compared with the physical comedy of clowning. The one caveat, Zucker says — a clown is by far the most embarrassing brand of comedian you can be.

“It’s not cool, you don’t do this to be cool,” he said, laughing. “The whole point is that with all the love and fantasy and pleasure of your life, you have to step in a bucket of s— over and over and over and enjoy it. ‘Isn’t it awesome how I humiliate myself for you?’ And you embrace it.”

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Why UCLA coach Bob Chesney puts special effort into special teams

Games are won and lost on special teams.

Precision and execution on punts and kickoffs can pin teams in their own end zones, stopping drives before they even get started.

Electric returners can flip the field and change the trajectory of a game in one play.

And a big foot can mitigate the pressure of a two-minute drill and create scoring opportunities as far as midfield.

No one may understand that more than UCLA coach Bob Chesney, who served as the special teams coordinator at King’s College from 2003-04 and at Johns Hopkins from 2005-08.

Chesney’s emphasis on the third phase of the game followed him from his time in Wilkes-Barre, Pa., to Westwood, where he incorporates special team periods throughout every practice.

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While some coaches have specialists practice by themselves or use special teams periods sporadically through practice, Chesney ensures that everyone is involved, using players to distract kickers during field-goal attempts and returns, with the Bruins shouting, spraying water and running at specialists to simulate game-like scenarios.

In a game often decided by thin margins, special teams could be what pushes a team over the edge or what holds it back.

Let’s take a closer look at the changes Chesney and his staff have made to UCLA’s special teams personnel and how the group could fare in 2026.

Before analyzing the personnel, one of the biggest additions to the unit came in special teams coordinator Drew Canan, who followed Chesney from James Madison to UCLA and has led Chesney’s special teams units during the last 13 seasons.

UCLA's Mateen Bhaghani hits a game-winning field goal with four seconds left against Maryland at Rose Bowl on Oct. 18.

UCLA’s Mateen Bhaghani hits a game-winning field goal with four seconds left against Maryland at Rose Bowl on Oct. 18.

(Harry How / Getty Images)

Kicker Mateen Bhaghani is arguably one of the highest impact Bruins returnees.

He has played 34 games across two years at UCLA and one season at California in 2023. During his three-year career, Bhaghani has hit 44 of 53 of his field-goal attempts and 71 of 71 extra points.

Despite his consistency, Bhaghani was not on the 2026 Lou Groza Award preseason watch list, an honor presented annually to the best college kicker in the country.

“That motivates me, but I don’t focus on it too hard,” Bhaghani said. “Seeing those types of things, I definitely feel like I could be one of those dudes, but I kind of ignore it. And I feel like this season I’ll show why I should be on that list, if not win it.”

The San Diego native has started all 24 of UCLA’s games during his two seasons in Westwood, nailing 36 of his 44 field-goal attempts, including five out his nine attempts from at least 50 yards.

Punter Chase Barry, who spent three seasons at UCLA and one at Oklahoma State, is back in Westwood. He was Bhaghani’s holder in 2024, helping the kicker hit 20 field goals, which led the Big Ten and ranked No. 11 among all kickers nationally.

As the season opener looms, Bhaghani is less focused on the technical side of his game and is placing more emphasis on sharpening the psychological side so that he can thrive under pressure.

“It’s all mental. The tougher I can sharpen my mental game to where it doesn’t matter what’s going on around me, I can go in there and make that kick. That’s what I feel is most important,” Bhaghani said. “Just being in pressure situations, it’s not as much technique and tweaking stuff like that right now. I feel like that’s more for the offseason. Whereas as we get closer to the season, I just focus on hitting a pure ball and working with the operation.”

Bhaghani proved his aptitude in high-pressure situations when he hit a 23-yard game-winning field goal against Maryland on Oct. 18 with two seconds remaining.

In addition to training mental toughness and familiarity with personnel, Chesney’s emphasis on special teams in practice has prepared Bhaghani for a high-impact year heading into his senior season.

UCLA coach Bob Chesney directs players during a preseason workout on Aug. 6.

UCLA coach Bob Chesney directs players during a preseason workout on Aug. 6.

(Ronaldo Bolanos/Los Angeles Times)

“Coach Chesney has been a blessing, special teams-wise. He’s always there for me, and he has a clear line of communication in terms of where we should kick, when we should kick,” Bhaghani said. “The culture that he’s brought to special teams as the heartbeat of the team, it’s important, and every team needs to implement that.”

Bhaghani said that freshman long snapper Giancarlo Cereghino — who was tabbed as the top long snapper in his class by 247Sports — would probably be the starting long snapper on field goals, and that the first-year player had been snapping well throughout preseason.

Fifth-year long snapper Salem Abdul-Wahab will most likely handle long-snapping duties for punts after doing so in all 12 games last year.

The biggest change in the special teams department will undoubtedly come at punter, where the Bruins lost their starter from 2025 in Will Karoll, who transferred to Texas Tech in the offseason.

Karoll punted 44 for times on a 43.5-yard average, with 13 downed inside the 20-yard line and just two touchbacks.

The Bruins added Sam Houston transfer punter Curtis Gerrand, who will probably start against Cal after an impressive spring and preseason camp.

At Sam Houston, Gerrand played in all 12 games as a true freshman, punting 64 times for a 43-yard average, including a long of 72 yards, and placed 22 punts inside the opponents 20-yard line.

Rounding out the punter room is sophomore Lennox Miller. The Sydney, Australia, native did not see any game action during his true freshman season at UCLA, but he was ranked as the ninth best punter in his class by Chris Sailer Kicking and a three-star recruit by ESPN. However. Miller will again have a tough time seeing game action in 2026 with the likes of Gerrand and Barry ahead of him.

In the kicking department, following Bhaghani is freshman Mateo Orosco, who probably will not play unless Bhaghani is injured, but was praised by Chesney during preseason camp.

“These two kickers are pretty good. They’re fun to watch and they’re going to battle the whole way through and I’m excited to just watch,” Chesney said. “You know how good Mateen is, but Mateo will be under him and watch this and follow, and just have that to learn from, it’s pretty exciting to watch those two go.”

Bruins on deck

Here are all UCLA games and exhibitions scheduled to be played this week across all sports:

MONDAY, AUG. 24

Men’s soccer vs. CSU Bakersfield, 7 p.m.

THURSDAY, AUG. 27

Women’s soccer at Stanford, 7:30 p.m.

FRIDAY, AUG. 28

Men’s water polo at Cal (exhibition), 5 p.m.

Men’s soccer vs. Denver, 7 p.m.

Women’s volleyball vs. Long Beach State, 7 p.m.

SATURDAY, AUG. 29

Men’s water polo vs. Saint Mary’s in La Jolla (Triton Invitational), 9:20 a.m.

Men’s water polo vs. Bucknell in La Jolla (Triton Invitational), 4 p.m.

Women’s volleyball vs. Long Beach State, 5 p.m.

SUNDAY, AUG. 30

Women’s soccer at Santa Clara, 1 p.m.

In case you missed it

Undrafted James Madison star Trent Hendrick commits to UCLA thanks to court ruling

UCLA quarterback Nico Iamaleava learns, and builds, on his experiences

UCLA defensive back Cole Martin embodied Bob Chesney’s values before meeting the coach

UCLA Unlocked: Bruins’ defense has nowhere to go but up under Bob Chesney

Derek Carr, UCLA football’s new special advisor, sees a winner in Bob Chesney

Have something Bruin?

Do you have a comment or something you’d like to see in a future UCLA newsletter? Email newsletters editor Houston Mitchell at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

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