SoFi

On Friday night at the SoFi Stadium, there was nothing random about the songs that played just before Karol G took the stage for the first of three evenings at the venue. We can safely assume that the Colombian superstar selected the cuts herself — the perfect tropicoqueta mix to set up the mood.

First, a shadowy “Bésame Mucho”; Elvis Crespo’s merengue smash “Suavemente”; the Afro-Cuban nugget “El Manisero”; and two life-affirming hits by the Queen of Salsa herself, Celia Cruz: “La Vida Es Un Carnaval” and “La Negra Tiene Tumbao.”

These carefully curated gems share a common element: They managed to transcend the stylistic contours of their respective genres and become something bigger — the kind of irresistible, it-takes-a-village anthems that will lure everyone to the dance floor, even if they don’t understand the lyrics.

And that is exactly what Karol G — la bichota, the South American Cleopatra, the woman with the billion-dollar smile — has been doing for global pop since the release of “Tusa,” her imperial duet with Nicki Minaj, back in 2019.

Karol is currently the 42nd-most-streamed artist on Spotify, and her albums “Mañana Será Bonito” (2023) and “Tropicoqueta” (2025) helped reinvent the sound of contemporary Latin. She emerged from the reggaeton thunderstorm that hijacked the planet, but then guided it smoothly into a different aesthetic territory, far away from the movement’s misogynistic toxicity. Her ongoing collaboration with producer Ovy On The Drums — they’re the same age, 35, both from Medellín — was transformative, combining clanging, tribal beats with liquid textures and a refined, champagne-like lightness.

Part of the massive “Viajando Por El Mundo Tropitour,” Friday’s performance confirmed the singer’s stature as one of the most vital and charismatic Latin artists of the 21st century. More than a conventional concert, it felt like a stark, delirious fantasia, a relentless cinematic mosaic of decadent dance numbers and hyper-popped fragmentation presented in five acts, unified by a tropical visual motif: lush vegetation; a blue lagoon where cleansing erotic rituals take place; plumes of purifying fire to expiate the aftertaste of all those failed romances.

Beginning with the wicked reggaeton beat of “Latina Foreva” — an existential jam about curves and pleasure, the freedom of the flesh — Karol ignited a deafening roar of adoration from the full-capacity crowd. For a moment, I got a taste of what Beatlemania must have sounded like in the 1960s.

As the cameras followed her closely, projecting every playful grimace and flirtatious wink onto the giant video screens, the complexity of her artistic persona became increasingly transparent: an indomitable woman who is deeply connected with primal joy and sensuality, but also vulnerable enough to get her heart broken on the way to the red carpet (and still embrace the experience). In the world of Karol G, what doesn’t kill you makes for an international hit.

Admittedly, it was the aggressive, in-your-face numbers that worked best. Karol sounds even better when surrounded by half-naked dancers — “Gatúbela” and “Ojos Ferrari” were highlights in that respect — and the choreography evoked the sweaty rapture of a full-blown Roman orgy.

But she’s also smart enough to alternate the futurism of neo-reggaeton (the cutting-edge territory where her work with producers like Ovy On The Drums and Tainy has given us some astonishing records) with an affectionate nod to the past glories of Afro-Caribbean lore: the 20th century cultural bubble where Colombian families listened to the “14 Cañonazos Bailables” compilations during the Christmas season.

On the title track of “Tropicoqueta,” she draws an imaginary line that connects her current sexual emancipation to the frisky downbeats of 1950s mambo and the early 2000s movement that jazzed up the Afro-Caribbean classics with a digital bounce. On Friday, she salsified “Provenza” and added the riff of Willie Colón’s “La Murga” as an intro to “Tusa.” Her visual recreation of the “Tropicoqueta” album cover onstage was one of the show’s wittiest moments.

At one point after the success of “Mañana Será Bonito,” Karol must have realized that her newly acquired diva status gave her the chance to voice some valuable thoughts on the merits of Latin American culture.

In between songs, Karol spoke with compassion about the recent earthquakes affecting Colombia and Venezuela — the latter of which is where her poised opening act, Elena Rose, also hails from — but her pan-Latino ideology seeped into the music as well. Her face was covered in tears after she performed “Ese Hombre Es Malo” backed by female mariachi players. At the end of the show, a stunning reading of “Si Antes Te Hubiera Conocido” revealed the instinctive ease with which she can navigate the sweet, syncopated phrasing of Dominican merengue.

A few tracks from her recently released sixth studio album,”No Me Arrepiento De Sentir Tanto,” displayed a more introspective side. On the dreamy ballad “Después de Ti,” she was joined on guitar by Greg Gonzalez of Cigarettes After Sex, reenacting their performance together from April, when Karol headlined Coachella.

The deafening volume at SoFi was the only aspect of the show that got in the way. The sound stage felt bludgeoned into submission throughout, as the intense distortion of bass, percussion and guitars made the instrument separation within the mix almost inaudible.

That said, the overall experience transcended the sonic elements, as Karol is clearly using the Tropitour as a good reason to celebrate her extraordinary achievements with the fans (she even hugged a security guard).

Somewhere in the venue, a young Latina girl must have been dazzled by this extravagant spectacle and perhaps dreamed of one day following in the footsteps of Carolina Giraldo Navarro: a gifted singer and composer, a woman intelligent enough to cherish the emotional value of dancing the night away.

And that is one solid role model to have.

The Walt Disney Co. said Wednesday it has sold out the commercial time for ESPN’s telecast of the 2027 Super Bowl, which airs on ABC Feb. 14.

Hugh Johnston, chief financial officer for Disney, announced the sellout on the company’s earnings call. In addition to ABC, the game from SoFi Stadium in Los Angeles will air on ESPN, and have an alternative ESPN feed hosted by Peyton and Eli Manning. The game will be streamed on the ESPN app and the NFL+ app.

ESPN, which has carried NFL games since 1987, has never produced a Super Bowl. ABC last aired the game in 2006, when the network had its own sports division.

The Super Bowl is perennially the most watched TV event of the year, bringing in a huge pot of revenue for the media company holding the rights. Fox said it took in more than $800 million across its platforms for the 2025 game that saw the Philadelphia Eagles win 40-22 over the Kansas City Chiefs.

Disney did not divulge a price for the commercial time, although reports said the company was seeking $10 million for a 30-second spot. NBC sold several commercials at that rate last year.

Johnston said Disney sold Super Bowl spots to 58 brands across 34 product categories, including financial services, candy, personal care and software. Nine of the brands are in the game for the first time.

As the rest of traditional TV has seen ratings diminish, the Super Bowl has remained resilient, setting a viewership record in 2025, with 127.7 million viewers watching on Fox and its streaming platform Tubi, according to Nielsen. Last season’s contest drew 125 million viewers on NBC, Telemundo and Peacock.

When ABC had Super Bowl XL in 2006, the Pittsburgh Steelers’ 21-10 win over the Seattle Seahawks scored 90.7 million viewers. Nielsen did not include out-of-home viewing in its data at the time.

Live sports has become attractive to advertisers as it is one of the few ways to reach a massive audience in real time.

Erling Haaland and SoFi Stadium, ladies and gentlemen. Your breakout stars of the World Cup.

We’ve all fallen for the blond forward who has rowed Norway to its first World Cup quarterfinal berth — and also for SoFi Stadium.

Or “Los Angeles Stadium,” FIFA’s designation for the $5.5-billion architectural masterpiece that welcomed the world to Inglewood.

I cover Rams and Chargers games there regularly, but the World Cup changed how I feel about the place. It has more soul now, more character.

There is more history attached, “core memories,” as Kevin Demoff, president of parent company Kroenke Sports & Entertainment, put it.

The exultation when the United States went up 1-0 in the seventh minute of its tournament-opening, 4-1 victory over Paraguay? “That’s now a core memory of this stadium,” Demoff said.

So is the proud Iranian diaspora showing up en masse to mostly support Team Melli twice, in draws with New Zealand and Belgium.

And the goal by LAFC’s Stephen Eustáquio in the second minute of second-half stoppage time to lead Canada to a 1-0 victory over South Africa in its first knockout game.

And Spain’s taut, 2-1 victory over Belgium in Friday’s high-stakes quarterfinals match.

FIFA might say these sensational scenes put L.A. — our tiny hamlet of more than 18 million people — “on the map.”

What they did was put SoFi Stadium on everyone’s radar as one of the world’s foremost football stadiums.

Jose Ovalle, a 34-year-old from Reynosa, Mexico, has watched matches at Estadio Azteca in Mexico City and Estadio BBVA in Monterey, both sites of World Cup action this summer.

“They’re amazing stadiums — a lot of history, so much history,” Ovalle said Friday. “But [SoFi Stadium] is one of the top stadiums in the world.”

Nah, said New Zealand coach Darren Bazeley: “This is the best football stadium I’ve ever been in.”

Swiss center back Manuel Akanji plays for Inter Milan and roots for the Atlanta Falcons. It was a big deal for him to play at their home field, Mercedes-Benz Stadium, in last year’s FIFA Club World Cup.

“It’s really nice, but this is the best,” Akanji said after Switzerland defeated Bosnia-Herzegovina in group play at Sofi Stadium. “This is the best I’ve seen overall among all the stadiums I’ve ever been to. It’s amazing.”

Eight matches, five group stage games, two round-of-32 knockout affairs, Friday’s quarterfinal and a partridge in a pear tree — it was a monthlong run that was everything SoFi Stadium’s team could have wished for when it began preparing to host eight years ago. And more.

“I don’t think you can envision the passion of national team fans,” Demoff said. “We’ve seen so many great events here, NFL games, concerts, but the pride of a national event and seeing people come to Los Angeles and the U.S. for the first time, and seeing this building for the first time…

“There’s something magical about 30,000 Bosnians in blue singing, marching from the airport to here. You can’t properly envision that, no matter how many times you’ve been here.”

People raved about sight lines and sound. They admired the architecture and the infinity screen and the way the canopy kept things cool. In line to buy merchandise Friday, Orange County’s Nick Valencia looked around and mused: “Wow, humans made this.”

Players had the run of the place on real grass, not the artificial turf in place for NFL games. (Don’t expect that to change, Demoff said, noting that upkeep would be doubly challenging at SoFi Stadium with two NFL teams using the field.)

Soccer fans amplified their positive reviews online, where the only complaint having to do with SoFi Stadium was that FIFA decided to give the World Cup final to the archaic-by-comparison MetLife Stadium — a.k.a. “New York/New Jersey Stadium” — instead.

The stadium popped in person and on TV, its distinctive, futuristic shape making it immediately recognizable in a way that not every stadium is.

Vibes were good among volunteers and visitors from around the world and every corner of the United States — and among stadium staffers, who won raises in a late-breaking contract agreement that resulted in increases to more than $30 per hour.

The Rams’ house — and Chargers’ — was full almost every match, with four sold-out crowds of 70,492 and an eight-game total of 561,656.

People paid thousands of dollars for tickets and got their money’s worth at the world’s most-expensive stadium, a modern marvel that’s only getting better with age.

Dodger Stadium is dripping in lore, from Kirk Gibson’s legendary walk-off home run in 1988 to more history, like Shohei Ohtani playing perhaps the greatest game ever last postseason.

Staples — er, Crypto.com Arena — is where Kobe Bryant dropped 81. Decathlete Rafer Johnson lit the Olympic flame in 1984 at the Los Angeles Coliseum. And we all can picture Brandi Chastain ripping off her top in her iconic celebration after scoring the game-winning penalty kick in the 1999 Women’s World Cup at the Rose Bowl.

“We may not have the Brandi Chastain moment from ‘99,” Demoff said. “But we’ve had so many great moments off this tournament that I think will be replayed over and over and over again.”

There are more moments to come, with SoFi Stadium slated to host Super Bowl LXI in February and then, in 2028, to stage the Olympic Opening Ceremony and the Olympic swimming competition.

“Where the U.S. scored the opening goal,” Demoff said, “is going to be the middle of the Olympic swimming pool. I think that contrast blows people’s minds. It certainly blows mine.”

And for the past month, Los Angeles’ stadium blew the world’s mind.

GUADALAJARA, Mexico — Spain, ranked second in the FIFA rankings and the favorite to win the World Cup, did not play its best game, but did enough late Friday to defeat Uruguay 1-0 and eliminate the South American team in one of the most anticipated matches of the first round.

Spain finished first in Group H, while first-time participant Cape Verde advanced in second place with just three points, the result of three draws. Uruguay was eliminated from the tournament with only two points, following two draws and one loss.

For much of the match on Friday, Spain lacked better offensive coordination ahead of facing more dangerous opponents in the upcoming do-or-die rounds.

Alex Baena scored a goal in the 42nd minute by connecting with the ball after a cross from the right. The ball slipped past goalkeeper Fernando Muslera, who at first seemed to have no trouble blocking the shot, but the ball found the back of the net, making all the difference on Friday night in Guadalajara in front of 45,065 fans — most of whom were rooting for Spain. Muslera did not return for the second half and was replaced by Sergio Rochet.

“We have to celebrate because, honestly, it’s hard to finish first in a group like this,” said Baena, a midfielder for Atlético Madrid.

“It was a physically demanding match — extremely intense — and we rose to the occasion,” said Spain coach Luis de la Fuente, who emphasized that winning the World Cup requires winning tough matches against tough teams like Uruguay.

“I’m proud of this team because they want to keep growing. I have complete faith in this team. We’re where we are, and that’s exactly where we wanted to be,” added De la Fuente, who noted that the team needed to improve its fluidity of play.

Uruguay failed to beat Saudi Arabia or Cape Verde — two teams that, on paper, seemed inferior at the start of the tournament. Coach Marcelo Bielsa’s team couldn’t find its rhythm or play at its best.

“I wasn’t able to bring out the full potential of Uruguay’s players,” Bielsa said, visibly shaken by his failure with the Uruguayan national team. “What I’m leaving behind for Uruguayan soccer is nothing, because any contribution a coach might make to the soccer of a country where he worked for three years never takes root if results aren’t achieved.”

At the end of the match, Uruguay’s Agustín Canobbio was sent off after committing a hard foul on Spanish defender Pau Cubarsí in the 95th minute, prompting several Uruguayan players to protest the decision by U.S. referee Ismail Elfath.

For Bielsa and Uruguay, this marks the end of an era in which many believe the Argentine coach lost control of the locker room and his relationship with the media became strained because of his eccentric and explosive personality, but, above all, a lack of wins.

Cape Verde will face Argentina in the round of 32 on Friday in Miami. Spain will face the second-place finisher in Group J, which will be determined late Saturday by the match between Algeria and Austria. The game will be played at SoFi Stadium.

The match was the fourth and final World Cup game played in Guadalajara. Before the game began, a minute of silence was observed in memory of the victims of the earthquakes in Venezuela. So far, Venezuelan authorities have reported that more than 900 people have died and that thousands are missing.

Nearly 2,000 food and beverage workers at SoFi Stadium voted overwhelmingly Friday to authorize a strike just a week before the venue will stage the first World Cup game on U.S. soil in more than three decades.

Negotiations on a labor contract between Unite Here Local 11, the union representing the cooks, dishwashers, concession workers and bartenders at SoFi and, Legends Global, the stadium’s food-service operator, are expected to continue Monday despite the vote. But Kurt Petersen, the union’s co-president, said if an agreement isn’t reached workers will walk off the job and the 70,000 fans arriving for the June 12 match between the U.S. and Paraguay will be greeted by hundreds of picketers.

Union members have been working without a contract for a year and Petersen said Unite Here is demanding salary increases, protection against subcontracting and job loss through automation, and are protesting the collection of sensitive private information such as nationality and home addresses that FIFA, organizer of the World Cup, said it needs to accreditate workers.

Workers are also demanding the right to walk off the job if federal immigration enforcement enters the stadium and creates a reasonable fear for their safety. Ninety-six percent of the vote was in favor of strike authorization.

Legends Global, the stadium’s food-service operator, responded to the vote with a statement.

“Legends Global has presented progressive wage proposals to Unite Here Local 11 throughout our negotiations and remains confident an agreement is within reach,” it read. “While we expect a contract will be finalized in time, a contingency staffing plan is in place to ensure seamless operations and no disruption to fans. We remain committed to delivering an outstanding hospitality experience at the FIFA World Cup matches.”

That contingency plan would involve hiring replacement workers who would have to undergo the same detailed accreditation procedures demanded by FIFA, plus job training. SoFi Stadium is scheduled to play host to eight World Cup matches, including two of the U.S. team’s three group-stage games. The first of those is on June 12 when the U.S. faces Paraguay in its World Cup opener.

Petersen said the union is looking for “substantial increases” in hourly pay, to more than $30 an hour. Legends’ most recent proposal calls for wage freezes for some workers and a 25-cent hourly increase for cooks and dishwashers, the union said.

But perhaps the biggest sticking point is FIFA’s demand for workers’ sensitive personal information, including Social Security numbers and fingerprints, to process background checks. Under California privacy laws, workers have the right to know exactly what personal information their employer collects, how it will be used, and who it will be shared with. Local 11 said its members fears such information, if collected, could be made available to the Department of Homeland Security and ICE.

According to Petersen, when workers were originally hired by Legends they submitted the documentation necessary for employment, and under the current collective bargaining agreement the company does not have the right to request it again for FIFA.

FIFA has refused to comment on the contract talks, saying they are “between Legends Global and Unite Here Local 11.” But its insistence on collecting personal information is something Legends cannot address during contract talks, which makes a resolution impossible.

FIFA said it was partnering with the governments of the U.S., Canada and Mexico, the three countries in which the 39-day tournament will be played, “to enhance safety and security of all workers, staff, team members, vendors, journalists, volunteers, and spectators by mitigating potential insider threats. … Such name checks do not constitute pre-employment checks.”

All data collected during the name-check process, FIFA said, will be processed “in accordance with applicable data protection and privacy laws, and will be deleted by FIFA as soon as it is no longer needed for purposes of adjudicating requests for credentialed access to FIFA-controlled spaces.

Making a rib stop on the way to a game and then eating your barbecue inside your car — or, better, on the hood of your car if you don’t want sauce-stained seats — has been a classic move since the days the Lakers used to play at the Forum in Inglewood. Lately, however, it’s getting harder to find old-school L.A. barbecue — the wood-smoked ribs and links and small ends that have long powered this city. Luckily, Inglewood is home to two outposts from the first family of L.A. barbecue: Woody’s (see separate entry), started by the late Woodrow “Woody” Phillips and Phillips Bar-B-Que from Woody’s cousin Foster Phillips, who still inspires younger pitmasters. Where Woody’s has patio seating, Phillips, in traditional barbecue style, is a take-out-only shop with a tightly packed parking lot off Centinela Avenue. It’s the only location that remains after the 2024 closure of Phillips’ Crenshaw spot. Recently, I stopped in for pork ribs so tender the meat easily came free from the bone; small ends, a meaty cut Phillips helped popularize; plus sides of greens and an especially cheesy macaroni and cheese. If you order your rib sauce hot, it may not be as spicy as it was in the old days, but it still has the sweet taste of nostalgia.