snl

Harry Styles is no stranger to “Saturday Night Live,” having performed multiple times with his former boy band One Direction and more recently as a solo artist. But this isn’t his first time as host either.

This week, the pop star returned to the Studio 8H to host for a second time, more than six years after his debut. That’s a long time in between, during which Styles has starred in a couple of films, “Don’t Worry Darling” and “My Policeman,” and released a trio of albums, including his latest, “Kiss All the Time. Disco, Occasionally.,” which he was there to promote.

Styles has a knack for radiating charm, honed after years in the spotlight as a musician, and now with some notable acting roles under his belt, he’s more than primed for the stage. And the timing is perfect, considering many actors are in Hollywood this weekend for the Oscars.

He delivered again with a variety sketches, including one about a prosecutor distracted by the famous comedian/lawyer appointed to defend an alleged thief, a pretaped sketch that riffed on HBO Max’s hit medical drama “The Pitt,” and a closing sketch where he played himself promoting a line of clothing modeled after some of his most famous outfits for Target.

He also excelled in parts where he could show off his vocals and dancing, like in “Sparkle of the Sea,” an infomercial about a German cruise line, and another pretaped sketch, “She’s an Irish Dancer,” where guys find out just how Irish their dates are in a nod to St. Patrick’s Day on Tuesday. Flatter, though, were sketches about a pair of Best Buy workers, and one where Styles played a drive-thru worker at a White Castle, but that’s because Jane Wickline and Veronika Slowikowska stole the skit as a pair of nerdy girls trying to ask him out to the school dance.

Styles performed his new single, “Dance No More,” after last week’s host Ryan Gosling introduced him, a fitting appearance since Styles crashed his monologue. And Paul Simon also stopped by to introduce Styles before his second song, “Coming Up Roses.”

This week’s cold open touched on the ongoing war in Iran. The patriarch (Mikey Day) of a family at a gas station says he needs to fill up their car. As a piano begins to play, his wife (Ashley Padilla) says, “Fill up? Not all the way, right?” “We have to,” Day replies emphatically. “But it’s $5 dollars,” she says before turning to her two children (Marcello Hernández and Sarah Sherman) to say they have to leave one of them behind because gas is too expensive. Why? “The Epstein files,” exclaims President Trump (James Austin Johnson), who jumps into the scene. “It’s called butterfly effect. Epstein was the first domino,” he says, miming dominoes falling. Trump goes on to introduce himself by saying we might remember him from campaign promises such as “lower gas prices” and “no more wars” (“Psych!”). “We love to make promises because a promise is a lie that just hasn’t happened yet.” As for the stock market, he puts it in a way that Harry Styles fans might understand — it’s going in one direction, garnering loud cheers and applause. He jokes about Iran’s age, saying it is old and nobody likes them, “Iran is like ballet and opera and weird Timothée Chalamet,” referring to the actor’s comments that have caused an uproar.

But Trump says he has everything under control, meeting with top minds including influencer and boxer Jake Paul, who he says was booed “very badly” at his fight against Mike Tyson. “Did someone say booze?” Department of Defense Secretary Pete Hegseth (Colin Jost) says as he emerges from the family’s car and dozens of cans fall to the ground. (“It was just a couple of road sodas, chill.”) He then thanks Trump for the “beautiful, size 16 Florsheim shoes,” a reference to the Wall Street Journal report that they are the president’s gift of choice to close friends and advisors. Hegseth goes on to say that they are “hashtag winning” the war with Iran, and as for the Strait of Hormuz, he advises that the tankers moving oil should just do what he does at a DUI checkpoint: “Close your eyes and gun it.”

In his monologue, Styles, dressed in a grey pinstripe suit and bright blue tie, said he couldn’t resist hosting when he heard they booked his favorite-ever musical guest. After his tour ended in 2023, he took a lot of time off, realizing he’d spent much of his life on the road and “making songs about fruit that people think were about sex.” He just really likes fruit — and sex. He also said a lot of people pay attention to the clothes he wears (true, see above), with some people accusing him of “queerbaiting,” to which he responded, “Maybe you don’t know everything about me, dad.” But as far as what he did in his time off, he took up boring things, like jogging (his sub-three hour marathon in Berlin was the buzz of the running world). It’s better than the alternative, he says, as the screen flashed to an image of the former Prince Andrew. But now he’s promoting his new album, “Kiss All the Time. Disco, Occasionally.”, because what’s better than kissing? He actually doesn’t want to kiss all the time, leading to a brief appearance and disappearance of cast members Chloe Fineman and Sherman, unless its Ben Marshall. He complimented Marshall’s backside, and gave him a smooch on the lips: “Now that’s queerbaiting.”

Best sketch of the night: I don’t know if your dad did this, but my dad used to pop it twice

The first sketch of the night took us into a courtroom, where a New Jersey prosecutor (Styles) rose to present his case against the defendant, Mr. Donovan (Tommy Brennan), who didn’t have an attorney. So the judge (Kenan Thompson) appointed one: comedian Sebastian Maniscalco (Hernández). It’s the second time Hernández has played the comedian, whose caricature of Maniscalco in a red blazer and black turtleneck is at turns spot on, exaggerated and completely hilarious. He chimed with retorts as the prosecutor explained the charges of stealing $5,000 in merchandise, including a belt. “Let me tell you something about a belt. When I was a kid, the belt wasn’t to keep the pants up, it was to keep the volume down,” Maniscalco says, motioning to his waist and explaining how his dad would use it. Maniscalco’s manic energy was too much for the courtroom sketch artist, though, who complains to the judge about having to draw him, showing a sketch of a blurred, multi-limbed man. Kudos to Styles who managed to mostly keep his composure as Hernández glided around him. But Styles had the last laugh with his own impression of Maniscalco, before a final sketch of him was revealed. Put it in the Lourve!

Also good: Why get real healthcare when you’ve got ‘Mahaspital’

“The Pitt,” one of the buzziest TV shows in America, has been lauded for its realistic portrayal of emergency rooms and the stresses that medical workers endure on a regular basis. So when the opening scenes of this pretape began playing, the crowd went wild. But this isn’t “The Pitt,” it’s “Mahaspital,” brought to you by producer Robert F. Kennedy Jr. and the team behind Make America Healthy Again. Styles channels Noah Wyle’s Dr. Robby, marching toward an incoming patient on a gurney as she’s pushed through the ER hallway. “What she needs is a steak,” he says. “Give me beef tallow and six raw eggs, too.” The sketch touches on many of the hallmarks of the MAHA movement: healing crystals, vaccine skepticism, raw milk and lots and lots of protein. And we can’t forget that Central Park bear.

‘Weekend Update’ winner: Battle of the heart (emojis)

“Update” anchors Michael Che and Jost focused most of their attention on the Iran war this week, but they also touched on another event happening this weekend: the Oscars. They brought in Tucker Carlson (Jeremy Culhane) to talk about the best picture nominees. Culhane’s impression of the conservative pundit was pretty impressive, capturing his cadence and habit of using rhetorical questions — I hope we see it again.

But it was Day and Hernández who stole the segment as emojis aerial tramway and heart, respectively, who joined to comment on Apple’s addition of eight new emojis. Heart emoji on the new additions: “All I know is they’re all going to be more popular than this loser,” pointing to Day. “I’m No. 1 because I’m useful. People use me for everything.” But you can’t put an aerial tramway down, who tried to explain other ways to use the emoji somewhat unsuccessfully. At least he has a solid crew of bangers: orange square, division sign, snorkel and “my boy, the goat” building with a horn on it. Day was dedicated to the bit, making Hernandez crack with muffled laughter. Don’t be surprised if you see a lot more of aerial tramway (and his girlfriend, on with two arrows) in your texts.

They knew he was going to break. And they leaned into it.

That’s the only explanation for this week’s Ryan Gosling-hosted episode of “Saturday Night Live,” which at times felt more like an inside cast joke than a typical “SNL” episode. But maybe it’s the “Project Hail Mary” actor’s innate charm or that there were genuine laughs to be mined from Gosling breaking character again and again throughout the show (as he did just two years ago) that made it somehow work.

Gosling kept his cool for the most part in a well-executed monologue that focused on next week’s host and musical guest Harry Styles, who was sitting in the front row and inadvertently driving Gosling to distraction with his coolness. But after that, it was a short trip to Giggle Town as Gosling tried valiantly to play a flamboyantly dressed disruptor at a wedding who keeps tapping his glasses so the bride and groom (and others) will kiss.

In a fantasy sketch, he played one of three very dumb cyclops who can’t solve easy riddles, much to the dismay of two maidens — one of them, the usually unflappable Ashley Padilla, caught the giggles from Gosling and couldn’t stop laughing. Padilla and Gosling were a teacher and principal in another sketch reading passed notes out loud that, according to text on screen, were swapped out since rehearsal, causing both to crack up uncontrollably. It was the first “SNL” sketch in a long time, not counting “Weekend Update,” that felt like a prank on the performers.

Gosling stayed in character for the most part as an annoyed hotel patron who’s been overcharged for visits from the “Goo Goo Man.” And he had less opportunity to lose his cool in some pre-taped sketches, one a violent and sad Willy Wonka parody, the other about a sentient and weird treatment for psoriasis, “Otezla.”

Whether you enjoyed the episode would depend a lot on your tolerance for “SNL” performers breaking character and causing cast members to do the same. Gosling may be one of the few hosts who can get away with it since by this point, it’s his fourth time hosting and it’s completely expected.

The show concluded with “Lies,” a video sketch from Please Don’t Destroy’s Martin Herlihy in which, among other things, Herlihy stole Colin Jost’s identity by wearing a giant head modeled after the “Weekend Update” host.

Musical guests Gorillaz performed their 25-year-old hit “Clint Eastwood” with Del the Funky Homosapien and new song “The Moon Cave” with Asha Puthli, Anoushka Shankar and Black Thought. A memorial card before the goodbyes honored Sandy Wernick, Adam Sandler’s longtime manager, who died this week.

Jost returned as Secretary of Defense Pete Hegseth, who was introduced doing a keg stand (but full of Sprite, he claimed), before launching into an explainer about the conflict in Iran. “We’re treating Iran like the breathalizer in my car and blowing it the hell up!” he said. He paraphrased Papa Roach’s “Last Resort” (“Cut Iran into pieces!”) and described the U.S. in Iran as not a war but a “situationship” where if the United States gets bored, it will go hook up with Cuba next. After shouting out “Grand Theft Auto,” Megan Fox’s return to Instagram and Quagmire from “Family Guy,” Hegseth introduced former Secretary of Homeland Security Kristi Noem, whom he said was “reassigned under the bus.” Noem (Padilla) said she wasn’t fired, she self-deported and will soon be working out of a WeWork outside of Denver. “As I told my plastic surgeon, the work is never done,” she said, “you miss 100% of the dogs you don’t shoot.” It must be said: it was a relief to have a cold open that didn’t feature a rambling President Trump.

In his monologue, Gosling began going through the motions of singing a song about Earth (with a planetary model hanging down as a visual) before getting distracted by pop star Harry Styles in the front row. Styles, next week’s “SNL” host, said he just wanted to get a feel for it. Before long, smitten cast members, including Sarah Sherman and a cameraman wearing an I (Heart) Harry shirt who kept focusing on Styles, proved too much for Gosling, who called off a big song and dance number featuring most of the cast in silver space attire. Gosling started to sing “Sign of the Times” which is featured in his film “Project Hail Mary” before realizing it’s a Harry Styles song. “I’m just Ken!” Gosling flailed. Cast members consoled him, including a kiss on the cheek from Mikey Day that sent Gosling into a spontaneous giggle attack. Gosling thanked Kenan Thompson for coming out to support him. “We just came to get a better look at Harry,” Thompson replied.

Best sketch of the night: Riddle me this, why are these cyclops so dumb?

In a sketch based on a fictional book, “The Treasure of Darlor,” three cyclops led by Gosling must get past two maidens (Padilla and Veronika Slowikowska) in order to get the key to a cave that will grant them, presumably, the treasure of the book’s title. But the cyclops can’t solve the simplest of riddles and the increasingly exasperated maidens, who’ll be free once a riddle is solved, can’t get them to stop approaching the cave or from making terrible guesses. It’s hard to tell how far off script the sketch went once Gosling and Padilla began breaking character, but the characters are so silly and dumb that precision actually doesn’t matter too much and the result is a ramshackle hilarity as they keep going in semantic circles.

Also good: No notes. Seriously, no more notes, please

Maybe this was funnier for those on stage than for those watching at home, but the audacity of a sketch in which material is swapped out before air time (as we’re told in an on-screen warning) to unaware cast members and the host, breathed life into what would have otherwise been a pretty routine sketch about a teacher (Padilla) and a principal (Gosling) trying to discipline unruly students. Padilla almost never breaks in sketches; she’s a rock-solid performer, but without any advance knowledge of the jokes in notes she had to read out loud, she simply crumbled. Gosling never had a chance. The jokes in the notes are not all great, but they’re enough to have their intended effect on the two performers. The laughing becomes infectious.

‘Weekend Update’ winner: Pastor Update was really itemizing those backstage snacks

The next best thing we might get to a new “What Up With That?” sketch might be Thompson as Pastor Update, the official pastor to “Weekend Update” who was joined by his bandleader Teddy (James Austin Johnson). The two brought some soulful rumination on catered snacks and beautiful women with big foreheads. When Michael Che asked for something a little more uplifting, Pastor Update instead went after Che’s online habits, praying he “gets off his laptop looking at them nasty pictures on the computer.” The laptop, he sang, has been infected with so many nasty viruses it sounds like a lawnmower starting up.

In a rare case of “Saturday Night Live” bringing on a guest host at the exact right moment, Connor Storrie of the hit Canadian hockey romance “Heated Rivalry” brought sexy charisma to the show, even if a lot of the sketch material didn’t rise to occasion.

“SNL” parodied the show last month by mixing it with “Harry Potter,” but with Storrie, and all the attention hockey got with Team USA’s gold medal wins at the Winter Olympics, this hosting appearance felt especially well-planned. And that was even before members of the men’s and women’s teams dropped by, as did Storrie’s co-star on “Heated Rivalry” Hudson Williams, who showed up to a raucous audience reaction for a sketch, showing that a lot of people have caught up with the series since it debuted on HBO Max in November.

As for Storrie’s performance, it was perhaps the best thing on the show, which had a lot of weak sketches, from a fairly obvious cold open to an early piece that seemed like an excuse for Marcello Hernández to play a goofy teacher with an exaggerated accent.

Things got a little better with a pre-taped period piece about gentlemen giving glove slaps and Williams’ appearance in a sketch about a man’s marriage proposal going sideways because he keeps getting distracted by a group of happy men ice skating at Rockefeller Center. Storrie also played a cool teen trying to extend kindness to his extremely dorky tutor (Ben Marshall) and his equally dorky parents (Ashley Padilla and James Austin Johnson), a man who helped his friend out with his absurd leg-lengthening surgery, and an office worker who proposes a romantic office dance. Best of the night for Storrie, perhaps, was one in which he played a very injured stripper at a Las Vegas bachelorette party.

What was clear was that across a pretty broad range of character types, Storrie held his own and brought some smoldering looks and playfulness that the show, for the most part, didn’t know what to do with.

Musical guests Mumford & Sons, along with Aaron Dessner from the National, performed “Rubber Band Man” with Hozier and “Here” with Sierra Ferrell.

This week’s cold open tackled the very recent attack on Iran with President Trump (Johnson) addressing why he acted at 2 a.m. on a Saturday: “It’s after the stock market closes for the weekend and it’s to cause immeasurable fear, rage and chaos in the ‘SNL’ writers’ room,” he explained. Trump sang, “War! What is it good for? Distracting from the Epstein Files!” before introducing Secretary of Defense Pete Hegseth (Colin Jost), who chugged a non-alcoholic Four Loco and showed off his knuckle tattoos for “EPIC FURY.” After a brief aside for Trump and Hegseth to complement the underappreciated Nintendo GameCube console (on which Hegseth said he played the game “Prince of Persia: Sands of Time”), Hegseth said, “We took out a horrendous, horrible leader who was opposing his own people.” Trump cut in: “But don’t get any ideas!”

In his monologue, Storrie joked about the cultural appeal of “Heated Rivalry,” which he said, “taught a lot of people about hockey… and taught a lot of straight women that their sexuality is actually gay guy.” Storrie discussed growing up in Texas, working as a waiter before he was cast in the series, and how little time he had to prepare to play a Russian hockey player for the show. He was then joined by Jack and Quinn Hughes of the men’s Olympic hockey team. But the reaction to the Hughes brothers was topped considerably in audience reaction by women’s team players Hilary Knight and Megan Keller, who came on stage. “It was just gonna be us, but we thought we’d invite the guys, too,” Knight said. “We thought we’d give them a little moment to shine,” Keller added.

Best sketch of the night: How dare they save the best jokes for a video sketch!

At a posh London gathering in 1892, things get out of hand (literally) when two men (Mikey Day and Storrie) engage in a war of words that escalates to cries of “How dare you!” followed by slaps with a glove. Others get involved, but it really gets out of hand when one man violates the so-called “gentleman’s code” by using a fist. Soon, a dog and a baby are involved in the increasingly silly slapping. Storrie’s comedic timing is particularly good in this one and the sketch resists the “SNL” trope of going straight to hardcore violence and bloodshed that it’s been doing in a lot of video sketches of late.

Also good: Tipping is appreciated for dancing while hurt

At this point, “SNL” has probably done 100 bachelorette party sketches, but none of them had Storrie showing off his abs or getting his tearaway pants pulled off. Apart from the eye candy for those seeking it, the sketch offered some solid physical comedy with Storrie playing a stripper who shows up at a hotel suite severely injured after getting hit by a car. He pushes on to fulfill his job duties, but can barely stand. Storrie does a nice job flailing and flopping, throwing his bloodied-up body around the stage and around the bachelorettes (Padilla, Sarah Sherman, Veronika Slowikowska and Jane Wickline), who don’t know whether to be repulsed or turned on.

‘Weekend Update’ winner: Advice to future maids of honor — avoid headlines

Unfortunately, both “Weekend Update” character segments felt underbaked this week. Sherman played another oversexualized pop-culture meme in an elaborate costume — the negligent mother of Punch, the baby monkey — hitting on Jost in hopes of getting pregnant. A little better, but still rough, was Slowikowska as Katie, the maid of honor at a wedding who makes jokes about the proceedings that play off of major news headlines, like cartel violence in Mexico, the Epstein files or the ongoing war in Ukraine. This one feels like it probably sounded really funny and smart at the table read, but it landed with a thud for the audience because the premise was so muddled.