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Almost a year ago to the day, Jack Black hosted “Saturday Night Live” for the first time in 20 years, fresh off the success of “A Minecraft Movie.” Now, the star of another freshly minted videogame-to-movie hit, “The Super Mario Galaxy Movie,” has returned after crushing it last time with a high-energy performance.

Having reached the Five-Timers Club, as addressed in an obligatory monologue sketch featuring Jonah Hill, Tina Fey, Candice Bergen and others, Black was a returning hero. He’s frequently cited as one of the favorite hosts among the cast. And while this time may not have reached the frenetic highs of last year’s manic and musical outing, it had some memorable moments.

Most notable was a video for a country-style song about gaining wisdom and then completely forgetting what that wisdom was. Black sang in that sketch along with musical guest Jack White. Black also appeared as a frustrated office worker trying to get a coworker (Ashley Padilla) to stop talking to him and others annoyed by the woman.

Black paired up with Marcello Hernández to play martial arts instructors who teach unorthodox self-defense methods. It played to Black’s physical comedy chops, but something felt off about the execution, especially because of the hard-to-understand dialogue. Black played the last Spartan to be considered for inclusion in the group of 300 Greek fighters against Persia (spoiler: he doesn’t make it in). He played an intrusive Airbnb host with Melissa McCarthy, who was also on board for the Five-Timers sketch.

And, finally, he played one of a set of awkward husbands who come to life singing “Carry On Wayward Son” together.

While the monologue was a blast of fresh chaos (or at least the sense of chaos) with Black jamming out with White, the rest of the show didn’t have the same kind of verve, falling back on familiar sketch formulas. That said, Black committed throughout and sang well when he had the opportunity.

Musical guest Jack White appeared in a few sketches and performed “Derecho Demonico” and “G.O.D. And The Broken Ribs.”

Breaking a streak of cold opens featuring President Trump and/or members of his cabinet, this week’s opening sketch featured instead a March Madness NCAA post-game roundup featuring Ernie Johnson (James Austin Johnson), Kenny Smith (Kam Patterson), Charles Barkley (Kenan Thompson) and coach Bruce Pearl (Jeremy Culhane). The joke here was that Barkley, already known for being outspoken, has been getting kudos for speaking out in favor of immigrants on a CBS broadcast. On the show, he jokes that it’s “the first time I went viral without a prescription for Valtrex.” Emboldened, this version of Barkley keeps saying he’s going to be careful with his words, before weighing in on the Iran war, the Artemis II space mission (“A waste of money. They just flying around the moon.”) and the firing of former U.S. Atty. Gen. Pam Bondi. Bondi (Padilla) appeared to refute the comments, referring to “The final four… years of this country.” Barkley said he was going to choose his words carefully one more time before delivering, “Live from New York… It’s Saturday Night!”

For his induction to the Five-Timers Club, Black was joined by a jacket-clad Hill who revealed that there’s something wrong with the lounge where the Five Timers hang out. The room, indeed, appeared spooky and abandoned with cobwebs and Fey wearing a robe made out of Paddington, which she said she got after hosting “SNL UK” last month. Fey revealed the lounge has fallen apart after literally being run into the ground by too many Five-Timers Club sketches. The suave Hernández character Domingo appeared briefly but was conked on the noggin by White, who also achieved Five-Timers status, but as a musical guest. He left early to move his hearse: apparently musical Five Timers only get their parking validated for 15 minutes. Black chose to rock out to revive the lounge, launching into a version of White’s “Seven Nation Army” with the guitarist accompanying him. After a brief musical rockening, Black told the audience, “Stick around, we’ll be White Black!”

Best sketch of the night: If only we could remember why this song was so good

Beyond his spot-on Trump impression, Johnson has proven to be adept at musical impressions, and here he does a nice job launching into a country song, “Words to Live By,” about a man who hears his father’s dying words … and then forgets what the wisdom was that was imparted. Black takes over as a man who climbed a mountain in Tibet and spent 20 hours with a guru, only to forget what he learned while walking down the mountain and getting a text from his wife. That would have been plenty, but a third section features Andrew Dismukes as an annoyed father refusing to listen to his 6-year-old son’s words. “You don’t even know how to wipe your own butt,” he sings, “you maybe only know the names of like 30 weird Pokemon guys.” The three singers at least remember the name of the “Men in Black” device that erases your memory: The Neuralyzer.

Also good: There’ll be peace when you are done (watching this sketch)

What looked at first to be a repeat of a recent sketch about wine-drinking wives chatting in the kitchen and playing truth or dare instead pivoted to a scene about husbands stuck together in a den with nothing to talk about. That might have been premise enough for a piece about men having trouble making friends, but instead, a mumbled lyric for the Kansas song “Carry On Wayward Son” turned into a full-blown sing-along that peaks when the men jam out with ribbon sticks and strip their outerwear to reveal colorful jumpsuits. When you have a guest who can sing as well as Black, you’ve got to lean into that talent.

‘Weekend Update’ winner: A scandal that keeps ballooning

Patterson had some funny moments as the new Black version of Professor Snape slated to appear in the new “Harry Potter” series, but Sarah Sherman was tough to ignore as Kristi Noem’s husband Bryon, currently embroiled in a scandal over online chats. Sherman as Bryon Noem wore two giant balloons under a shirt, challenging “Update” co-host Michael Che and others to make fun of his kink. “I dare you to find one thing that’s funny about this whole situation,” Bryon said. The segment got more and more absurd as Bryon challenged the cue-card master Wally Ferensten, Lorne Michaels (shown having already left, leaving a spinning desk chair), Kristi Noem (Padilla) and even the dog she shot, shown in heaven with a halo. It was as distasteful a segment as you’d expect from “Update,” yet also somehow straddled the line between wallowing in the scandal and mining some genuine laughs out of it.

After a major national debacle on live TV when she was only 20 years old, Ashlee Simpson Ross finally found a way to win back a small-screen audience’s love: She put a galaxy mask over her head and let the vocals rip.

Forget that 2004 incident where she got caught singing over a backing track in an appearance on “Saturday Night Live.” Sure, she did a weird little dance, then fled the set. Sure, her dad made excuses. But that’s in the past.

The winner of “The Masked Singer,” who is married to Evan Ross, Diana Ross’ singer-actor son, was bubbly as she celebrated her victory in a post-finale interview published Wednesday night. On the season finale, she had sung Olivia Rodrigo’s tune “Good 4 U.”

“I feel like I became Galaxy Girl and I had the best team ever,” Simpson told People. “So I mean, it felt great to do it. It felt great to perform, not being able to see where I’m going. You can hardly see where you’re going. I think just becoming that character of Galaxy Girl and people not knowing who I was, it was just a different way of performing that. I enjoyed that. It was definitely a moment of discovery.”

Back in fall 2004, Simpson, who’s now 41, was about to do her second song as the musical guest on “SNL.” Following in her famous sister’s footsteps as Jessica Simpson’s newlyweds reality show with then-husband Nick Lachey was hitting its stride, she had just released what would become the year’s top-selling album by a female singer.

Then the band started up — and the wrong lyrics started playing out of the ether. Simpson was not singing them. So she did an uncomfortable sort of jig before walking off the set and leaving the band stranded. Cut to commercial.

Lorne Michaels would confirm later that it had been a first for the sketch show.

“What can I say? Live TV,” host Jude Law told the audience during the show’s goodbye sequence that night. Simpson, standing at his side, jumped in with a rapid-fire explanation of what had just happened, throwing her band under the bus and not making much sense at all.

“I feel so bad. My band started playing the wrong song and I didn’t know what to do, so I thought I’d do a hoedown. I’m sorry!” she said.

This was a year after her sister had asked, with cameras rolling, whether a can of Chicken of the Sea contained tuna or chicken, and whether Buffalo wings were made out of buffalo. So what stuck in people’s minds were those lyrics playing out of the ether. Ashlee Simpson, it was clear, intended to lip sync, which sort of implied to casual observers that she couldn’t sing. She became, to many, a laughingstock.

Her dad said afterward that acid reflux had made her vocal cords swell, necessitating the last-minute switch from live to Memorex. He called it a learning experience and said she would prove herself in future shows.

“Unfortunately, that happened to us on Saturday, so just like every other artist in America she has backing tracks … so you don’t have to hear her croaking through a song on national television,” Joe Simpson told Ryan Seacrest in a radio interview.

“She never used them before,” he said of the vocal tracks, but “you have to do what you have to do.”

A few months later, she was booed on national TV when she did the halftime show at the 2005 Orange Bowl. Folks joked that it was worse than what happened on “SNL.”

So, yes, her career continued, but it hasn’t been 100% smooth. After a couple more albums, she took a role in a Broadway musical and eventually she returned to acting. She said over and over that she was going to get back into music, but life kept getting in the way.

Then in 2025, after celebrating the 20-year anniversary of her breakout album release with a short gig at a WeHo nightclub the year prior, she announced a residency at the Venetian in Las Vegas. The gig proved popular enough that it was extended into 2026.

And over the course of “The Masked Singer” season, Simpson finally proved to those casual observers that she has a voice and knows how to use it. She even bested her husband, who competed this season as Stingray and was cast out in Episode 10.

“Performing is my happy place, and to be doing that again just feels so nice,” she told People. “I’m inspired to keep playing shows and creating new music. And moments like ‘Masked Singer’ and Vegas, and I’m looking forward to Pride and Stagecoach — those moments just make me realize, ‘Oh, this is what I love to do.’

“I’m happy to be doing it again.”

Good for you, Galaxy Girl.

Today’s cold open showed Andrew, played by the comedian Jack Shep, taken into an office by MI5 in the wake of Princess Diana’s death in 1997.

The former Prince Andrew, Sarah Ferguson and Peter Mandelson were skewered in tonight’s opening Saturday Night Live UK sketch. It saw Andrew, played by comedian Jack Shep, taken into an office by MI5 in the wake of Princess Diana’s death in 1997.

It was quickly hailed as “incredible” by fans. One wrote: “I fear it’s already genius.” Another said: “Oh god perfect cold open on Andrew.”

Agents sit him down and tell him: “No one knows better than us how charming, capable, fiercely intelligent and morally upstanding you are. You are a credit to princes everywhere. Since the death of Diana the public have turned on Prince Charles but still one day he will be King. We need to make him look good.”

Another added: “We have deduced that the only way to increase the likability of our future king is to decrease the likability of everyone around him.”

Andrew replies: “I see. Well, I love my brother, I love my country and I’m willing to do whatever it takes.” The agents tell him, passing him an enormous dossier: “We have prepared a 29 year plan.”

He is seen flicking through nervously, asking: “And you actually need me to do all of this stuff? Even the part about befriending a notorious paedophile? Before and after he is convicted? And there is absolutely no other way to make my brother look good?”

The Andrew character adds: “This all seems very high risk. Oh god, I’m sweating. Surely you can’t make everyone around Charles unlikeable. What about William? He’s so handsome.” The agents tell him: “We’re seeing to that.”

“And Harry?” asks Andrew. They tell him: “He’s going to marry a woman 98% of the UK public will find it impossible to have a normal conversation about.”

The Andrew character replies: “Goodness, this will kill mummy when the news comes out.” They tell him: “Turn to page 72, it will.”

Things go up a gear again when they say: “”Send in Agent Mandelson.” Larry Dean emerges as Peter Peter Mandelson with Emma Sidi as Sarah Ferguson, who have also been brought in to make Charles look good.

The agents tell Andrew: “Your Highness, if you’re ever in too deep, just say the code word and we’ll step in to save you.” When he asks what that is, he’s told: “Pizza Express, Woking.”

The second episode of Saturday Night Live UK was hosted by actor Jamie Dornan, following on from Tina Fey’s appearance in the debut.

After 50 years of being practically synonymous with New York City, “Saturday Night Live” has opened the door to London with “Saturday Night Live UK,” following in the steps of “Law & Order UK” and possibly nothing else. Of all the cities in the world that might conceivably replicate the spirit of the NBC original, the British capital, with its urban dynamism, media concentration and 20,000 comedians, feels like the obvious, and perhaps only, choice. (“Saturday Night Live Italia” might prove me wrong, if that day ever comes.) And, of course, we’ve been in a reciprocal comedy arrangement with Britain — or at least we have been nicking their ideas for shows — for years.

The show premiered in the U.K. this past Saturday on Sky One and NOW, and began streaming stateside Sunday on Peacock, with our own Tina Fey as the first guest host. (“It’s an absolute honor and kind of historic,” she said to studio audience. “Guys, I am the youngest person to ever host ‘SNL UK!’”)

As a “Saturday Night Live” star, writer and head writer; and the co-creator of “30 Rock” — her show about a sketch show set in the very same building as “SNL” — they couldn’t have appointed a better ambassador. Lorne Michaels doubtless has her on speed dial.

Here’s the short review: In the course of a single episode, “SNL UK” managed to feel very much like its parent show — which is to say, some of it worked well and some of it worked less well, but very little of it didn’t work at all. There were sketches that ran too long, or ended weakly, but were generally redeemed by a young(ish), confident 11-member cast that made the most of them. Some will already be recognizable to British viewers. Many have had notable, or anyway noticed, careers in stand-up; in the sort of stand-up that amounts to theater; in straight theater (including Shakespeare, naturally) and/or in television and film. Fey promised to “stay out of their way as much as possible,” but she came to play, and appeared in most every sketch.

The evening followed established protocol. Cold open. (Prime Minister Keir Starmer, played by George Fouracres, is afraid to tell President Trump, whom he regards as a sort of bad boyfriend, that he’ll send no more ships to the Strait of Hormuz: “I know how badly you want to start World War III, and that’s great. You absolutely do that but we can’t be part of it.”) Hammed Animashaun and Jack Shep accompanied Fouracres in the sketch and shared the glory of shouting, “Live from London, it’s ‘Saturday Night!’” They would continue to dominate the episode.

Jack Shep, George Fouracres and Hammed Animashaun in the “SNL UK” cold open, set at 10 Downing Street, in the prime minister’s office.

(NBCUniversal)

Next: Opening credits featuring the cast members out and about in the city. Monologue, with guest appearances from Nicola Coughlan, Michael Cera and Graham Norton. (The set is very much in the style of various American iterations over the years, clock included, with the band onstage.) Film bits and sketches. Musical guest. (Wet Leg, surly.) “Weekend Update.” More skits. Musical guest returns. More comedy. Whole cast onstage at the end, ready to party.

Among other things: A Shakespeare skit found the Bard (Fouracres again) returning to Stratford from London between plays, each time more affected, beginning with an earring and finishing with an electric scooter, sunglasses and a bag of ketamine. A Paddington Bear immersive experience, with an actual bear, turns bloody, recalling Dan Aykroyd’s 1978 classic Julia Child sketch. As a bra salesperson giving an ego boost to Fey‘s customer, Emma Sidi was funnier than the sketch she was in. (It did include a cameo by Regé-Jean Page, from “Bridgerton.”) In another, David Attenborough (Fouracres again, again), using “Jurassic Park” technology, hosts a “last supper” featuring great dead Britons including Winston Churchill, Isaac Newton, Agatha Christie (Fey), “Freddie Mercury, from Queen, Elizabeth the First, from being the Queen,” and Shep’s Princess Diana, pulling focus at Attenborough’s right shoulder; all they manage to discuss is how many starters to get for the table. It had the added bonus of getting the entire cast, and guest host, onstage.

The film bits were first-rate. (Not being live has its advantages.) One advertised an anti-aging cream — Undérage, with a soft “g” — “that works so well everyone will think your man is a nonce.” (That is, a pedophile.) “My skin looks so fresh,” says a happy customer, “my husband can’t go anywhere without being hunted by right-wing pedophile-catching militias.” “My husband lost his record deal and, some, but not all of his fans.” Another concerned a sort of command center where workers labored “to make the internet as bad as we can possibly get it.”

There are, to be sure, tonal differences to British and American comedy; just compare the respective versions of “The Office,” or “Ghosts,” or “Doc Martin” with its domestic remake, “Best Medicine”; the former tends to be darker, more cutting, more absurd. (A “Weekend Update” joke about the former Prince Andrew’s new home, Marsh Fair, “of course named after the nearby marsh where his body will be found.”) Despite that, and the old saw that Britain and America are two countries separated by a common language, the show translated well transatlantically. Apart from some local topical and cultural references, and an occasional unfamiliar word whose meaning was in any case obvious from context, and some swearing, most of it could have been played with few adjustments by the American cast.

“While we may not agree with everything America does,” Fouracres’ prime minister says at the end of the cold open, “we can still be civil and embrace their wonderful, unproblematic culture.” Back at you, buddy!

The season has been extended to eight episodes from the originally ordered six. (Riz Ahmed and Jamie Dornan are scheduled to host.) Why not 10?

United States President Donald Trump has shared a Truth Social video of a TV comedy skit showing a panicked United Kingdom Prime Minister Keir Starmer trying to avoid his call, on the same evening the two leaders spoke about the US-Israel war on Iran.

The skit, aired on the premiere of the new British version of Saturday Night Live (SNL), adapted from the long-running US show, shows Starmer, played by George Fouracres, panicking inside 10 Downing Street at the prospect of a call with Trump.

Starmer turns to a fake David Lammy, his deputy prime minister, and says, “What if Donald shouts at me?”

When Trump picks up the phone, Starmer immediately hangs up, asking why it is so difficult to talk to “that scary, scary, wonderful president”.

“Sir, just be honest and tell him we can’t send any more ships to the Strait of Hormuz,” Lammy says, the vital shipping lane effectively blocked by Iran since the US and Israel launched strikes on Iran on February 28.

“I just want to keep him happy, Lammy. You don’t understand him like I do – I can change him,” Starmer says.

Trump did not post any comment alongside the video.

Trump has lashed out at his NATO allies, including Starmer, for not joining the US efforts to break the de facto blockade of the Strait of Hormuz, through which 20 percent of global oil passes. A week ago, he asked the UK to be more supportive of the US war efforts because Washington spends “a lot of money” on NATO.

The US president last week called the NATO countries “cowards” for their refusal to join the war. This, after European leaders rejected Trump’s demands ⁠to help ensure freedom of navigation in the Strait of Hormuz.

“Now that fight is militarily WON, with very little danger for them, they complain about the high oil prices they are forced to ⁠pay, but don’t want to help open ⁠the Strait of Hormuz, a simple military maneuver that is the single reason for the high oil prices. So easy for them to do, with so ⁠little risk,” he wrote on the Truth Social platform.

The closure of the strait has sent oil prices soaring, creating the biggest energy crisis since the 1970s. On Sunday, Trump threatened to “obliterate” Iran’s power plants if it did not reopen the strait within 48 hours.

Trump-Starmer call

Separately, on Sunday evening, Starmer spoke with Trump to discuss escalating tensions in the Middle East, his office said in a statement. It was not clear if the call took place before or after Trump posted the SNL skit on Truth Social.

In a readout of the call, the Prime Minister’s Office said the two leaders focused on “the need to reopen the Strait of Hormuz to resume global shipping” amid growing concerns over energy security and regional stability.

“They agreed that reopening the Strait of Hormuz was essential to ensure stability in the global energy market,” the statement said.

The leaders also agreed to remain in close contact as the situation develops and “to speak again soon”, it added.

On Monday, Starmer ⁠said there had been no assessment ⁠that mainland Britain was being targeted by Iran.

Starmer asserted that any ⁠attempt to reopen the Strait of Hormuz needed careful consideration and a ‌viable plan, and that his number one priority was to ‌protect ‌British interests and de-escalate.

‘Not Winston Churchill’

The US leader has repeatedly railed against Starmer since the start of the war, accusing him of not doing enough to support the US.

“This is not Winston Churchill that we’re dealing with,” Trump said earlier this month, after Starmer initially declined to let US warplanes use UK bases to strike Iran.

“I’m disappointed with Keir,” Trump has also said, slamming Starmer’s “big mistake”. “I like him, I think he’s a nice man, but I’m disappointed.”

On Friday, the UK government gave authorisation for the US to use its military bases to carry out strikes on Iranian missile sites that were attacking ships in the Strait of Hormuz.

Starmer initially rejected a US request to use British bases for the strikes on Iran, saying he needed to be satisfied that any military action was legal.

But the prime minister modified his stance after Iran conducted strikes on British allies across the Middle East, saying the US could use RAF Fairford and Diego Garcia, a joint US-UK base in the Indian Ocean.

Saturday Night Live has launched in the UK tonight after plenty of buzz.

Saturday Night Live has arrived in the UK after months of anticipation, with Tina Fey stepping in to host.

As SNL UK launched on Sky, viewers were all saying the same thing as they tuned in to watch the very first sketch, which poked fun at Prime Minister Keir Starmer.

Comedy legend and SNL veteran Tina is the first host to introduce the show to audiences, while Jamie Dornan and Riz Ahmed have also been announced as future hosts.

The 75-minute episode features Wet Leg as the first musical guest, with Wolf Alice and Kasabian to follow in future episodes.

“I am so excited for you to meet your cast, they are wonderful,” Tina told the audience, before promising to “stay out of their way tonight as much as possible”.

Viewers were divided as opening skit played out, with many complaining about the amount of laughter coming from the crowd. Some even wondered if it was canned, but this is not the case, as the show is filmed in front of a live studio audience.

“Are they seriously doing canned laughter on SNLUK?” one person asked on X (Twitter), as another quizzed: “Surely that laughter isn’t real on Saturday Night Love UK?”

A third asked: “Hang on? Is this laughter canned? It surely can’t be. But the audience is being weirdly compliant.”

“The audience need to calm down a bit,” another person advised, while one more suggested it was a technical issue, adding: “The laugh track is leveled/mixed wrong and it’s annoying me… “

However, other fans shared their appreciation for the show, with one writing: “Was so critical about the idea of SNLUK. 2 minutes in and I’m cryin.”

“Unpopular opinion: Saturday Night Live UK will be considered a great success this time next year,” a second penned.

“Got to admit, I did get a bit giddy at ‘Live from London, it’s Saturday Night Live!'” another commented, as one more person enthused: “I’m loving the opening sequence.”

Saturday Night Live UK debuted tonight on Sky and streaming service Now at 10pm. It was originally scheduled for just six episodes but received an extension before launch, meaning it will now run every Saturday for the next eight weeks.

The entertainment show includes a blend of sketch comedy, stand-up and live music, much like its US counterpart.

The show also mirrors its American predecessor with an opening monologue and signature segments like the Weekend Update, presented by Colin Jost and Michael Che in the US.

Saturday Night Live, created by Lorne Michaels, is a TV institution in the United States and first started in 1975.

Tina Fey appeared on the sketch programme from 1997 to 2006, and based her hit comedy series 30 Rock on her experiences working on the show.

The UK line-up of comedians features several major names from the comedy circuit as well as some up-and-coming talent.

The ensemble cast includes Hammed Animashaun, Ania Magliano, Emma Sidi, Celeste Dring, Ayoade Bamgboye, Larry Dean, George Fouracres, Annabel Marlow, Al Nash, Jack Shep, and Paddy Young.

Writers for the show include 8 Out of 10 Cats writer Charlie Skelton, Stath Lets Flats actor and comedian Al Roberts and Have I Got News For You’s Bella Hull.

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Lead producer James Longman said of the launch: “The UK is absolutely packed with incredible comedy talent right now and this cast represents the freshest voices we have, they’re bold, exciting and of course, incredibly funny.

“The chemistry between them is something special and we can’t wait to share this funny group of people with the world.”

Phil Edgar Jones, executive director of Unscripted Originals at Sky, said: “We all need a laugh like never before, so we’re beyond excited to bring Saturday Night Live to the UK, only 50 short years after it first launched in the US.

“The show’s long-standing legacy of discovering and nurturing outstanding comedy talent speaks for itself, and this UK version will build on that legacy with the support of Lorne Michaels, a brilliant local production team, and an exciting new generation of voices. Saturday nights are looking bright!”

Saturday Night Live UK is available to watch on Sky and Now TV on Saturdays at 10pm.

Harry Styles is no stranger to “Saturday Night Live,” having performed multiple times with his former boy band One Direction and more recently as a solo artist. But this isn’t his first time as host either.

This week, the pop star returned to the Studio 8H to host for a second time, more than six years after his debut. That’s a long time in between, during which Styles has starred in a couple of films, “Don’t Worry Darling” and “My Policeman,” and released a trio of albums, including his latest, “Kiss All the Time. Disco, Occasionally.,” which he was there to promote.

Styles has a knack for radiating charm, honed after years in the spotlight as a musician, and now with some notable acting roles under his belt, he’s more than primed for the stage. And the timing is perfect, considering many actors are in Hollywood this weekend for the Oscars.

He delivered again with a variety sketches, including one about a prosecutor distracted by the famous comedian/lawyer appointed to defend an alleged thief, a pretaped sketch that riffed on HBO Max’s hit medical drama “The Pitt,” and a closing sketch where he played himself promoting a line of clothing modeled after some of his most famous outfits for Target.

He also excelled in parts where he could show off his vocals and dancing, like in “Sparkle of the Sea,” an infomercial about a German cruise line, and another pretaped sketch, “She’s an Irish Dancer,” where guys find out just how Irish their dates are in a nod to St. Patrick’s Day on Tuesday. Flatter, though, were sketches about a pair of Best Buy workers, and one where Styles played a drive-thru worker at a White Castle, but that’s because Jane Wickline and Veronika Slowikowska stole the skit as a pair of nerdy girls trying to ask him out to the school dance.

Styles performed his new single, “Dance No More,” after last week’s host Ryan Gosling introduced him, a fitting appearance since Styles crashed his monologue. And Paul Simon also stopped by to introduce Styles before his second song, “Coming Up Roses.”

This week’s cold open touched on the ongoing war in Iran. The patriarch (Mikey Day) of a family at a gas station says he needs to fill up their car. As a piano begins to play, his wife (Ashley Padilla) says, “Fill up? Not all the way, right?” “We have to,” Day replies emphatically. “But it’s $5 dollars,” she says before turning to her two children (Marcello Hernández and Sarah Sherman) to say they have to leave one of them behind because gas is too expensive. Why? “The Epstein files,” exclaims President Trump (James Austin Johnson), who jumps into the scene. “It’s called butterfly effect. Epstein was the first domino,” he says, miming dominoes falling. Trump goes on to introduce himself by saying we might remember him from campaign promises such as “lower gas prices” and “no more wars” (“Psych!”). “We love to make promises because a promise is a lie that just hasn’t happened yet.” As for the stock market, he puts it in a way that Harry Styles fans might understand — it’s going in one direction, garnering loud cheers and applause. He jokes about Iran’s age, saying it is old and nobody likes them, “Iran is like ballet and opera and weird Timothée Chalamet,” referring to the actor’s comments that have caused an uproar.

But Trump says he has everything under control, meeting with top minds including influencer and boxer Jake Paul, who he says was booed “very badly” at his fight against Mike Tyson. “Did someone say booze?” Department of Defense Secretary Pete Hegseth (Colin Jost) says as he emerges from the family’s car and dozens of cans fall to the ground. (“It was just a couple of road sodas, chill.”) He then thanks Trump for the “beautiful, size 16 Florsheim shoes,” a reference to the Wall Street Journal report that they are the president’s gift of choice to close friends and advisors. Hegseth goes on to say that they are “hashtag winning” the war with Iran, and as for the Strait of Hormuz, he advises that the tankers moving oil should just do what he does at a DUI checkpoint: “Close your eyes and gun it.”

In his monologue, Styles, dressed in a grey pinstripe suit and bright blue tie, said he couldn’t resist hosting when he heard they booked his favorite-ever musical guest. After his tour ended in 2023, he took a lot of time off, realizing he’d spent much of his life on the road and “making songs about fruit that people think were about sex.” He just really likes fruit — and sex. He also said a lot of people pay attention to the clothes he wears (true, see above), with some people accusing him of “queerbaiting,” to which he responded, “Maybe you don’t know everything about me, dad.” But as far as what he did in his time off, he took up boring things, like jogging (his sub-three hour marathon in Berlin was the buzz of the running world). It’s better than the alternative, he says, as the screen flashed to an image of the former Prince Andrew. But now he’s promoting his new album, “Kiss All the Time. Disco, Occasionally.”, because what’s better than kissing? He actually doesn’t want to kiss all the time, leading to a brief appearance and disappearance of cast members Chloe Fineman and Sherman, unless its Ben Marshall. He complimented Marshall’s backside, and gave him a smooch on the lips: “Now that’s queerbaiting.”

Best sketch of the night: I don’t know if your dad did this, but my dad used to pop it twice

The first sketch of the night took us into a courtroom, where a New Jersey prosecutor (Styles) rose to present his case against the defendant, Mr. Donovan (Tommy Brennan), who didn’t have an attorney. So the judge (Kenan Thompson) appointed one: comedian Sebastian Maniscalco (Hernández). It’s the second time Hernández has played the comedian, whose caricature of Maniscalco in a red blazer and black turtleneck is at turns spot on, exaggerated and completely hilarious. He chimed with retorts as the prosecutor explained the charges of stealing $5,000 in merchandise, including a belt. “Let me tell you something about a belt. When I was a kid, the belt wasn’t to keep the pants up, it was to keep the volume down,” Maniscalco says, motioning to his waist and explaining how his dad would use it. Maniscalco’s manic energy was too much for the courtroom sketch artist, though, who complains to the judge about having to draw him, showing a sketch of a blurred, multi-limbed man. Kudos to Styles who managed to mostly keep his composure as Hernández glided around him. But Styles had the last laugh with his own impression of Maniscalco, before a final sketch of him was revealed. Put it in the Lourve!

Also good: Why get real healthcare when you’ve got ‘Mahaspital’

“The Pitt,” one of the buzziest TV shows in America, has been lauded for its realistic portrayal of emergency rooms and the stresses that medical workers endure on a regular basis. So when the opening scenes of this pretape began playing, the crowd went wild. But this isn’t “The Pitt,” it’s “Mahaspital,” brought to you by producer Robert F. Kennedy Jr. and the team behind Make America Healthy Again. Styles channels Noah Wyle’s Dr. Robby, marching toward an incoming patient on a gurney as she’s pushed through the ER hallway. “What she needs is a steak,” he says. “Give me beef tallow and six raw eggs, too.” The sketch touches on many of the hallmarks of the MAHA movement: healing crystals, vaccine skepticism, raw milk and lots and lots of protein. And we can’t forget that Central Park bear.

‘Weekend Update’ winner: Battle of the heart (emojis)

“Update” anchors Michael Che and Jost focused most of their attention on the Iran war this week, but they also touched on another event happening this weekend: the Oscars. They brought in Tucker Carlson (Jeremy Culhane) to talk about the best picture nominees. Culhane’s impression of the conservative pundit was pretty impressive, capturing his cadence and habit of using rhetorical questions — I hope we see it again.

But it was Day and Hernández who stole the segment as emojis aerial tramway and heart, respectively, who joined to comment on Apple’s addition of eight new emojis. Heart emoji on the new additions: “All I know is they’re all going to be more popular than this loser,” pointing to Day. “I’m No. 1 because I’m useful. People use me for everything.” But you can’t put an aerial tramway down, who tried to explain other ways to use the emoji somewhat unsuccessfully. At least he has a solid crew of bangers: orange square, division sign, snorkel and “my boy, the goat” building with a horn on it. Day was dedicated to the bit, making Hernandez crack with muffled laughter. Don’t be surprised if you see a lot more of aerial tramway (and his girlfriend, on with two arrows) in your texts.