Smith

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. Today we start a series looking at the NL West, position by position, and we meet our new sports columnist.

NL West, the catchers

It seems like a good time to look at the starting lineups for all the teams in the NL West. The Dodgers are prohibitive favorites to win the division, with some prognosticators thinking they will be the only team in the division to finish above .500.

Baseball Prospectus’ PECOTA projection has the NL West finishing like this.

1. Dodgers, 105-57
2. San Francisco, 81-81
2. San Diego, 81-81
4. Arizona, 79-83
5. Colorado, 61-101

It seems to me at least one other team will finish above .500, but, that’s why they play the games. A lot of projections had Toronto not even making the postseason last year. So take it with a grain of salt.

Now, let’s look at the catchers, ranked from best to worst. Click on the player’s name to be taken to their full stats page.

Dodgers
Will Smith
Last season: .296/.404/.497, 20 doubles, 17 homers, 61 RBIs
Career: .264/.358/.476, 128 OPS+

Smith, who turns 31 on March 28, is the best catcher in baseball and he is a steal at only $14 million a season through 2033. Of catchers who started at least 81 games last season, he was eighth in caught stealing at 25.5%. Some will argue that Cal Raleigh or Alejandro Kirk are better, but when you consider the total package, I put Smith first. Of course, if Raleigh’s huge step up in offense that he took last season is for real, then he could certainly slot ahead of Smith.

Arizona
Gabriel Moreno
Last season: .285/.353/.433, 12 doubles, nine homers, 40 RBIs
Career: .281/.349/.404, 108 OPS+

Moreno has inflammation in his right elbow, but it appears he will be ready for opening day. He has had quite a few injuries the last couple of seasons.

Colorado
Hunter Goodman
Last season: .278/.323/.520, 28 doubles, 31 homers, 91 RBIs
Career: .248/.292/.482, 102 OPS+

Goodman was one of the few bright spots for the Rockies, who lost 119 games last season. Last season was his first good season at the plate. He was an All-Star and won the Silver Slugger award. Earlier this spring training, he had this to say about his defense: “I mean, last year for the whole first half, was kind of like I was in fight-or-flight mode the whole game behind the dish. So just trying to get to where I’m comfortable on the plate and working to get these guys strikes and call better games and stuff like that.”

San Francisco
Patrick Bailey
Last season: .222/.277/.325, six homers, 55 RBIs
Career: .230/.287/.340, 78 OPS+

Bailey is solid defensively, and has proven to be a master at when to challenge a ball/strike call under the new Automated Ball-Strike (ABS) Challenge System (more on that in a future newsletter). Bailey has also focused on his swing in the offseason and has been a much better hitter this spring.

San Diego
Freddy Fermin
Last season: .251/.297/.339, 13 doubles, five homers, 26 RBIs
Career: .264/.309/.376, 91 OPS+

The Padres acquired Fermin from the Royals at the trade deadline last season, and loved how he handled the pitching staff, much like the Dodgers with Ben Rortvedt. He will be backed up Luis Campusano, who hit .336 in triple A but isn’t exactly Johnny Bench behind the plate.

Meet our new columnist

We have a new columnist at The Times, Mirjam Swanson. She will be covering all sports, but here’s guessing she will be writing quite a bit of opinion about the Dodgers. So, let’s get to know her.

Q. Welcome to The Times. What was the road that led you here?

Swanson: Thank you! Oh, it’s been a long and windy road, scenic let’s say. I grew up in Southern California, so it was always my dream to work for the L.A. Times. But journalism is a tough business. And I know I’m not the only mom out there who has turned down and/or taken jobs based on what was best for her children. Plus, I’ve always had this problem of getting really into whatever I’m covering, whether it was action sports or local politics or World Series runs. So while the dream of working at the Times persisted, I was also always happy with what was right in front of me, never desperate to move on. But here I am now, finally, better for the journey, I think.

Q. You will be an all-sports columnist, but we’ll focus on the Dodgers since this is a Dodgers newsletter. Do you have a favorite moment in Dodger history?

Swanson: The moment in Dodgers history that will stick with me most is …

… hmm. The Dodgers’ history books could fill a library — where to start?

I was in the backseat of the family car on a freeway somewhere in Southern California listening to Kirk Gibson put his signature on the improbable 1988 season with his impossibly clutch pinch-hit home run in Game 1 of the World Series. And I was in the ballpark when Gibby met Freddie in 2024, feeling the stadium shake and watching on a TV in the overflow media workspace, feeling awe and angst. Freddie Freeman with grand timing that night, right on deadline.

Watched Shohei Ohtani turn Game 4 of the 2025 NLCS into a Little League game with 10 strikeouts and three home runs. There might never be a greater individual game — or there might be. Put nothing past Ohtani, including the inconceivable.

And I won’t forget my L.A. neighborhood erupting over Miguel Rojas’ “no-way!” ninth-inning solo shot in Game 7 of last season’s World Series.

But all of that is a long and windy way to arrive at this: It’s Andy Pages’ catch.

That’s not recency bias, either. It’s that the play was so confounding, so unexpected, the plot twist no one saw coming. Violent and athletic and hilarious. A whole movie in 10 seconds.

We might not have expected it to be Rojas to hit that season-saving home run, but our brains are trained to accept seeing a home run in such a moment. But an outfielder coming out of nowhere, running down and over his own teammate to make an improbable, impossible season-saving catch for the final out in the ninth inning of Game 7? Wasn’t on my bingo card.

I think about that play daily, it was so cool.

Q. What do you see as the biggest obstacle for the team this season?

Swanson: The answer is health, of course. But the Dodgers are so deep, they’ve done as much as a club can to fortify itself against inevitable injuries and ailments throughout a season, so it feels like less of a concern than it’s supposed to be.

So it’ll be mental. Having to handle the weight of trying to three-peat, of everyone either desperately wanting to see them do it or rooting desperately against them doing it. Every other team is going to treat their games against the Dodgers like it’s the World Series. That should make for good baseball, but it also will test these guys’ psychological stamina.

Manager Dave Roberts said the other night that he felt more pressure to repeat than three-peat, and that at this point, the Dodgers are playing with house money. That might be true, but there’s no ignoring the historic opportunity, either. Heady stuff for a team that’s set up as well as a team can be to do it if players can keep their edge.

Q. I get quite a bit of email from fans saying Roberts is overrated and that anyone could manage this team to the World Series. What are your thoughts on Roberts as a manager?

Swanson: I know some of these people.

And I hope they’re on no one’s jury, because evidence evidently means nothing to them.

A guy I know, an otherwise relatively rational dude, told me after the Dodgers repeated: “The only bad thing about this is Dave Roberts is going to be around longer.”

As if there was any bad thing for fans of the team about the Dodgers’ repeating. You really have to want to be unhappy about something if you’re anti-the manager who has won three World Series crowns in six seasons.

As if it’s automatic to pilot a team with so many talented players, to keep them happy and motivated and locked in, to manage these millionaires with understandable egos. That’s actually so much harder to do than to coach up a team of prospects with modest expectations.

And to pull so many of the right levers along the way, too?

Yeah, Roberts is elite at what he does. And apparently his haters are elite at what they do too.

Q. Is a lockout inevitable after the season, and does baseball need a salary cap?

Swanson: Sigh.

Yes, probably.

No, probably not.

All the salary cap is going to do is save the smarter-than-you Dodgers’ ownership group money while everyone keeps chasing them. It won’t level the playing field, but it will give owners cover for not paying their players as much as they could — and possibly cost us all priceless opportunities to watch Ohtani play baseball while the owners and players arm wrestle over finances offstage.

Sigh.

Q. Lastly, how many games will the Dodgers win this season?

Swanson: Fewer than 100.

Yes, they’re the most talented team money could buy. But every other team is going to give everything it has in every game against the Dodgers. And the Dodgers aren’t going to match that energy every time out — or 117 times out, if you’re hoping the major league record + World Series three-peat combo is on the menu.

The regular season isn’t what it’s really about for the Dodgers. They’ll be conservative with their approach, they won’t push anyone to do anything that could diminish their performance in the postseason. They’re going to play it cool … until they’re not.

And it’s going to drive observers along the way nuts, because it will cost them some games. But let’s try not to fret too much, Dodgers fans. Try not be too hard on Roberts.

Because only one number really matters: Three.

Dodger Stadium has a new field name

The Dodgers agreed to a deal granting Uniqlo naming rights to the field at Dodger Stadium. Though not officially announced by the Dodgers, the name likely will be Uniqlo Field at Dodger Stadium.

Uniqlo is a Japan-based clothing brand. This is just another example of the revenue the Dodgers are generating because of Shohei Ohtani.

But here’s guessing that no one will call it Uniqlo Field at Dodger Stadium.

Opening day starter will be…

Dave Roberts said Monday that Yoshinobu Yamamoto will be the opening day starter on March 26 against Arizona at Dodger Stadium. It will be the second straight opening day start for Yamamoto, and after all he did in the postseason last year, it is much deserved.

And the number is….

Some of you who haven’t seen any spring training games have asked what numbers the new Dodgers are wearing.

Edwin Díaz is wearing No. 3, last worn by Chris Taylor and also worn by such Dodger luminaries as Steve Sax, Willie Davis and Billy Cox. He becomes the 40th Dodger to wear No. 3.

Kyle Tucker is wearing No. 23, last worn by Michael Conforto (I hope that’s not a bad omen) and also worn by, among others, Adrián González, Eric Karros, Kirk Gibson, Jim Wynn, Claude Osteen and Don Zimmer.

In case you missed it

Yoshinobu Yamamoto named Dodgers’ opening-day starter for second straight season

Dodgers star Shohei Ohtani apologizes for ‘shortcomings’ in Japan’s early exit from WBC

Dodgers reportedly agree to deal with Uniqlo for naming rights to Dodger Stadium field

Swanson: Yoshinobu Yamamoto might not wear a cape, but he has super powers

‘Bigger than baseball.’ Why being in Puerto Rico for WBC meant so much to Kiké Hernández

Blake Snell throws first bullpen session of spring training, taking key step forward

Dodgers prospect James Tibbs III attempts to show staying power after multiple trades

And finally

Kyle Tucker hits his first home run with the Dodgers. Watch and listen here.

Until next time….

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

The pair’s exchange has become a running in-camp gag in the build-up to England’s final-round meeting with France on Saturday, with Smith, 5ft 11in, 13st 13lb and 15 caps, joking that he and Itoje, 6ft 5in, 18st 8lb, 101 caps, would settle a difference of opinion physically, rather than verbally, next time.

“I thought it was funny,” said Smith. “Me and Maro have been joking about it this week and I told him if he shouts at me like that again, I’m going to punch him!”

Itoje, usually a composed presence on and off the pitch, insisted his raised voice was not a lost temper.

“I didn’t really lose it!” he laughed. “You don’t often see me with a mic. I’m not always mic’d up but maybe I’m portraying a false image.

“Fin is my guy. The way I try to do things is to hear what my key decision-makers think of what is going on, and whoever plays 10 will obviously have an important role in that.

“It’s a good thing that people in the team feel they can express a view, and in sport, if anything, that’s the most kosher of fallouts that the world has ever seen.

“We have had far more blunt conversations between ourselves and other team-mates.”

England have had cause for frank discussions during this Six Nations after three successive defeats left their title aspirations in tatters.

Another against France would mean England finish with a return of one win from a Six Nations campaign for the first time since the tournament expanded in 2000.

England have only lost four games in a single edition of the 143-year-old championship twice previously – in 1972 and 1976.

Smith, who made his first England start in the victory over France last year at the beginning of a 12-match winning streak, is in an unfamiliar position.

A video circulating online appears to show signature collectors paying people to sign initiative petitions under other people’s names, according to officials, and now the state has opened an investigation.

The video, filmed by videographer JJ Smith, shows a long queue leading to a table set up at 6th and Mission streets in San Francisco. A man in line says they are being offered $5 to sign petitions. At the table, where there are lists with the information of apparent registered voters, a woman confirms the payment and — using a highlighter — instructs a person on the name and address that she is supposed to use.

“I get $5 too?” the videographer asks.

“Yeah,” says the woman.

“And what is it?”

“Just sign it,” she says.

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Petitions connected to at least three ballot campaigns — including the billionaire-backed effort to thwart California’s proposed billionaire tax — appear in the video.

“I approached some people and asked them what they were there for,” Smith told The Times. “They told me they didn’t know what they were signing for, that they just wanted the $5.”

Smith said he watched the scene for hours and estimated that a few hundred people cycled through the line over roughly two hours.

Those running the table did not ask for anyone’s identification and gave no explanation of what was actually being signed, he said.

The video showed voter data from San Luis Obispo County that was both visible and, as details were spoken aloud, audible in the footage.

The county acted immediately after becoming aware of the video and initiated an investigation through the fraud unit of the California secretary of state’s office, said Erin Clausen, public information officer for the San Luis Obispo county clerk’s office.

Clausen noted that, although voter registration data can be legally requested from county election offices, the data in this case may have been used inappropriately. The county is also planning on reaching out directly to voters who were specifically mentioned or identified in the video, according to Clausen.

“The activity shown in the video, if verified, would violate California election law,” County Clerk-Recorder Elaina Cano said in a formal statement released Wednesday morning.

The secretary of state’s office confirmed it had opened a formal investigation.

“Under California law, it is illegal to give money or other valuable consideration to another in exchange for their signature on an initiative petition,” a spokesperson said in a statement. “ Those who abuse our system will be held accountable.”

The office is working with local officials and encouraged anyone with information to file a complaint.

One political committee, Californians for a More Transparent and Effective Government, confirmed its petitions were among those whose signature gatherers were allegedly paying people to sign and moved quickly to distance itself from the activity.

“Under no circumstance do we tolerate this type of activity in the signature gathering process,” said spokesperson Molly Weedn. “We’ve taken immediate action and have demanded that the signature gathering firm identify these circulators and reject their petitions.” Weedn said the collectors were subcontractors, not campaign employees, and that attorneys were contacting authorities.

That committee is funded by another group, Building a Better California, which was also among campaigns that appeared in the video. The other was for a proposed initiative called the Retirement and Personal Savings Protection Act of 2026. Representatives for the latter two have not responded to requests for comment.

Smith said this was not the first time he had witnessed this type of activity in the area.

“I saw something similar with ballots three days ago,” he said.

The investigation is ongoing. Anyone with information can submit a complaint to the Office of the California Secretary of State or contact their local county elections office.

Times staff writer Seema Mehta contributed to this report.

There’s a hidden door in Downtown Disney. Only this one isn’t meant to be walked through.

Flanking a stage near the monorail station, you’ll find a glistening white tower, the work of artist and activist Nikkolas Smith, who has adopted the term “artivist.” At first glance, the tower — one of Downtown Disney’s most striking works — appears to be a nod to Disneyland’s Midcentury art, for its curved lines and space-age optimism wouldn’t be out of place in Tomorrowland.

That’s there, says Smith, but there are also a number of more subtle inspirations.

The tower is a nod to five Black architects, trailblazers whose creations sometimes went unnoticed or overlooked. And that’s why at the base of the structure is a looping opening meant to signify a half-open doorway.

Downtown Disney’s Legacy Tower touches on the styles of different Black architects as it rises into the sky.

(Gary Coronado / For The Times)

Smith shares a distressing anecdote. “They had to learn how to read drawings upside down, because they weren’t allowed to sit next to the white clients,” Smith says, adding they also had to endure unequal pay. “So I was incorporating things like the half doorway to symbolize their struggle.”

Officially designated as the Legacy Tower, Smith himself fixates on that word — “legacy.” The term, he says, represents a thematic constant across his work. A regular collaborator on a number of Walt Disney Co. projects and a former architect with Walt Disney Imagineering, the division of the company focused on theme park experiences, Smith is something of a connector. His canvas art, full of fast-moving brush work, is often rooted in the past while urgently seeking to draw links to the present.

Artist Nikkolas Smith went viral for his portrait of Martin Luther King Jr. in a hoodie, a tribute to slain teenager Trayvon Martin.

(Nikkolas Smith)

His 2025 children’s book, “The History of We,” tells the story of how humanity can trace its roots to Africa. And one of his best-known pieces is of Martin Luther King Jr. in a hoodie, meant to evoke the image of Trayvon Martin, the slain 17-year-old whose death inspired a social justice movement. The work went viral in 2013 while Smith was still working for Imagineering. It altered his career trajectory.

“It was like, ‘I cannot just make art about churros and rides right now,’” Smith says. “There’s a time for that, and there’s also a time to talk about this.” He references his portraits related to the killings of Black men, many at the hands of police officers, such as Philando Castile and Michael Brown.

“At the end of the day, Disney understood that,” Smith adds. “They understood that I needed to make art that was extremely important at the moment, about justice or the lack of justice.”

Smith left Disney in 2019 after 11 years but has maintained a close relationship with the company, so much so that Imagineering called upon Smith to design the tower, which opened in 2023.

Artist Nikkolas Smith, left, chats with guests Ricky Yost and Martina Yost of Aubrey, Texas, who recognized Smith from a recent Disney cruise excursion.

(Gary Coronado / For The Times)

As the Legacy Tower spirals toward the sky, its patterns and and lattice work nod to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams. All were active in Los Angeles — Williams, for instance, was a pivotal designer on the LAX Theme Building — and Smith interlaces decorative flourishes in varying styles that twist around one another to work up the Legacy Tower’s pointed spheres.

The door of the Legacy Tower symbolizes perseverance, Smith says. “They made it through, despite all of the obstacles they had to go through.”

Smith had studied the architects while a student at Hampton University, and has documented on his Instagram their various stylings, which range from restrained to whimsical to ornate. A section referencing Vaughn is modern minimalism, whereas an area dedicated to Sealey is full of jagged, pointed linework. All of it is held together via a coiling design that feels full of movement.

The patterns of the Legacy Tower are nods to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams.

(Gary Coronado / For The Times)

“How can I show humanity’s interconnected future? That’s the idea,” Smith says. “There’s this African theme of Sankofa. If we look toward our future, we have to look at the past and value and appreciate the past. I thought it would be great if I could really commemorate some Black designers and architects as the foundation and backstory of the tower. And I was also thinking about these breezeway block patterns that you see in Leimert Park.”

And yet it also feels like something that belongs in the park. Smith says he looked at some Tomorrowland designs.

“A Midcentury Modern vibe was Walt,” Smith says, referring to park patriarch Walt Disney. “That was Walt’s thing. It all connects. I love that people can hopefully now connect both things. You can connect Tomorrowland and Walt with Paul Revere Williams.”

It’s clearly Smith’s favorite design of his for Disney, although it’s not the only space at the resort that features his artistry. During his decade-plus with Imagineering he regularly worked on teams that focused on projects at Disney California Adventure, which this year is celebrating its 25th anniversary. He was heavily involved, he says, in the evolution of Avengers Campus, contributed to a small promenade stage in Pixar Pier and helped envision the facade of Guardians of the Galaxy — Mission: Breakout!, which transformed the former Tower of Terror into a sci-fi structure.

Nikkolas Smith says elements of Downtown Disney’s Legacy Tower symbolize perseverance.

(Gary Coronado / For The Times)

Smith looks back fondly at his years at Imagineering, specifically calling out his time on the Guardians project. The former fake hotel is now full of glistening bronze pipes, a retro futurist look that former Imagineer Joe Rohde, who led the design, has said takes influence from the high-tech aesthetic of architect Renzo Piano, who worked on France’s Pompidou Centre.

“How much can we add to it? How much can we get away with gluing onto this thing?” Smith says of the Guardians facade. “What is the right amount of ‘Guardians of the Galaxy,’ without being too much? Without scaring people on the freeway?”

Today, Smith continues to focus on social justice work, and has also collaborated with filmmaker Ryan Coogler, such as completing concept designs for his Oscar-nominated film “Sinners.” Smith’s 2023 children’s book “The Artivist” documents the importance of creating art that’s in conversation with the world, believing it’s not only a source for education but for empathy. Smith’s weekly paintings speak out often against the current administration, and Smith has been particularly vocal on the ICE raids.

A selection from “The Artivist,” an illustrated book from Nikkolas Smith.

(Nikkolas Smith)

“Some people say that all art is activism, but I feel that some of the best art that is created is art that has a message,” Smith says. “And hopefully that message has to do with the humanity of all people, and for me, I like to focus on marginalized communities, and how we can value the humanity of everybody. That’s why I make picture books about the origins of humanity and the origins of this country.”

The Leimert Park resident says his wife and young son regularly visit the Disneyland Resort. And when he does, Smith says, he always takes a moment to stop by the Pixar Pier stage that he contributed to, which is often used for character meet and greets.

“They were team projects, and I do go up to them with so much pride,” he says. “I go up to the Pixar Pier promenade stage, and I just go up to it and touch it. … The beautiful thing about Disney is these creations are usually around for a lifetime.”

It turns out you can take the artivist out of Disney, but you can’t fully take the Disney out of the artivist.

Williamson has been listed as 6-foot-6, 284 pounds since New Orleans selected him out of Duke with the No. 1 overall pick in the 2019 draft. His weight and fitness level have been regularly criticized, and the amount of time Williamson has missed because of injuries hasn’t helped (including all of the 2021-22 season following offseason right foot surgery).

After playing only 30 games last season because of a left hamstring strain and a lower back injury, Williamson reported for 2025-26 looking trim and in shape. He told reporters that he and Pelicans trainer Daniel Bove had come up with a strategy to address his fitness while rehabbing his hamstring and that he stuck to it.

“I haven’t felt like this since college, high school,” Williamson said at the time, “where I can walk in the gym and I’m like just, ‘I feel good.’”

Williamson has played in 46 of the Pelicans’ 63 games this season, already the third-most games he has played in his seven NBA seasons. In a recent interview with ESPN’s Malika Andrews, Williamson addressed how the past criticism affected him mentally.

“I would say the most difficult point was when I missed my third year with a broken foot, and there was a lot of criticism on my weight, my care for the game, etc.,” Williamson said. “But … while people were saying what they’re saying — and everybody’s entitled to their own opinion, it is what it is — I’m in Portland rehabbing, not knowing if my foot’s gonna heal, and it was frustrating. It was very frustrating.

“I was low. I was really low because I just wanted to play basketball. I just wanted to play the game I love, but every time you turn the TV on, every time I check my phone, it was nothing but negative criticism, man. At the time, it did a lot, like I said, it did a lot, but it was a blessing in disguise, and I learned from it and I grew from it.”

PHOENIX — Dalton Rushing’s first year in the big leagues with the Dodgers didn’t go quite as planned.

Over 53 games after his May call-up, the highly-regarded prospect batted .204 with a .258 on-base percentage, .582 OPS, four home runs and 24 RBI. It was the only time in his baseball life — aside from his freshman year at the University of Louisville — that Rushing was not a regular fixture in his team’s lineup.

“It was very, very up and down,” Rushing said. “It was some good, some bad, some ugly. A lot of things were new to me, the scattering [of] playing time was tough. It was a little tough being able to stay on top of compete mode, keep the swing in a good spot.”

But it still yielded a rather satisfying end result.

“Overall, I got to win a World Series with this team,” Rushing said. “And it’s hard to look back and think, ‘I’d take this back or I’d take that back.’ It went exactly how it was planned.”

With three-time All-Star catcher Will Smith in front of him, Rushing’s role is clear: he is the Dodgers’ backup catcher. Dodgers manager Dave Roberts feels good about Rushing’s progression going into 2026.

“Dalton’s in a good spot right now,” Roberts said last week. “I want him to understand his role as a backup catcher, what that entails, really learn the pitchers, learn the swing that works for playing a couple times a week. He’s used to playing a lot more. But I think, that [he’s] still maturing, because it’s not easy to not play every day when you’re used to [playing regularly]. I think that he grew last year, and I like where he’s at.”

Roberts plans to use Rushing at first base, if Freddie Freeman comes out of the game or needs a day off. Rushing will not, however, play in the outfield, where he saw some run in the minor leagues.

“Outfield’s not on the table”, Roberts said. “I do think that there’s going to be some spots for him to come into games if Freddie’s out or if there’s a game he doesn’t play, we’ll see how that lines up. And I think right now for me, just seeing how the roster plays out as far as what are the options we might have at first base, but I do want to get him at-bats when I can.”

Rushing started Saturday’s Cactus League opener against the Angels, driving in a run on a sacrifice fly in his three at-bats. The 25-year-old said he’s fully embracing his spot on a club vying for its third consecutive championship.

“For me, if I can keep myself ready to play two or three times a week, then it’s going to be easy to keep myself ready to play five or six,” Rushing said. “To be able to go through something like this early in my career, where I have to not only earn the time on the field, but also navigate my way through my career, I think it’s a really good start to my career, to be able to understand how this game works.”

Rushing also views playing behind Smith as a valuable opportunity to learn from one baseball’s best catchers, something he believes will help him grow as a player.

“I have a spot to work behind the best catcher in baseball,” Rushing said. “And from there, I’m going to be given opportunities to see more time on the field, to get my bat in there as much as possible, and it’s up to me to take advantage of those opportunities and continue to put myself on the field as much as possible.”

Rushing says he does not have any personal goals or accolades that he hopes to reach in 2026. This season is about team success and winning.

“The main goal especially with this role is I’m going to win as many [games as] possible,” Rushing said. “Every game I’m on the field, I want to win. I want to win 110 games in the regular season as a Dodger. We’re fully capable of it. I think that’s a good goal to put for ourselves and it just makes each and every game that much important.”

Shohei Ohtani throws live BP before departing for WBC

Before the Dodgers’ 5-1 win over the San Diego Padres in Peoria, Ariz., on Sunday, Shohei Ohtani had a live batting practice session at Camelback Ranch in which he threw 33 pitches and struck out Freeman and Mookie Betts.

“I felt pretty good about today in terms of volume,” Ohtani said via interpreter Will Ireton after his session. “While in Japan, I plan to do some sort of live BP/bullpen/some kind of simulation.”

After the game, Roberts revealed the star two-way player is expected to depart either Sunday night or on Monday to join Team Japan for preparations for next month’s World Baseball Classic.