Smith

Periodically, the Latinx Files will feature guest writers. Filling in this week is film reporter extraordinaire Carlos Aguilar.

With the explicit goal of making people laugh, the endearingly foul-mouthed Mexican American filmmaker Alejandro Montoya Marin is building an unpretentious body of work.

“There are far smarter people than me to make ‘Parasite’ or to make Yorgos [Lanthimos’] movies,” says Montoya Marin, 42, laughing during a recent video interview from his home in Los Angeles. “I want to entertain you for 88 minutes and have you come out and be like, ‘I’m going to recommend that to a friend.’ That’s it.”

It’s not that he lacks ambition.Montoya Marin, whose T-shirt is emblazoned with Hong Kong action film legend John Woo, feels secure in the type of storytelling that best suits his interest and abilities. And he’s taken a DIY approach to making films and promoting them so that they can reach audiences directly.

“Their job is to tell you no,” he says of decision makers in the entertainment industry. “But you have the ability to say, ‘F— you, I’m going to be creative. You’re not going to tell me when I can be creative.’ And that was always the mentality that I had.”

His third feature, “The Unexpecteds,” now available on streaming platforms, features a mostly Latino cast: Chelsea Rendon (“Vida”), Francisco Ramos (“Gentefied”) and Alejandro De Hoyos (“The Man From Toronto”) — as well as actor Matt Walsh in the lead role. Executive produced by independent cinema legend Kevin Smith of “Clerks” fame, the action comedy follows a group of everyday working people who take justice into their own hands after an online financial guru, Metal Mike (John Kaler), scams them out of their savings.

“I love underdog stories because I feel like I am one and there are so many people like that,” Montoya Marin says about “The Unexpecteds” and his other films. “Maybe there could be movies that can inspire them or make them feel good about themselves for a little bit.”

Born in Laredo, Texas, to parents from Yucatán and Mexico City, Montoya Marin owes his cinematic awakening to a disparate double feature that introduced him to the gritty dystopia of “RoboCop” and the heart-rending sentimentality of “Cinema Paradiso.”

He was about 7 years old and had tagged along with his uncle, who was taking a date to the movies, in the Mexican border city of Nuevo Laredo. “I didn’t understand [“Cinema Paradiso”] because it was in Italian and subtitled in Spanish. My Spanish wasn’t amazing then,” says Montoya Marin. “But I understood a lot of it, and that double feature did it for me.”

And thus, his topsy-turvy, multicity trail to the triumphs and pitfalls of moviemaking began. At 12, Montoya Marin moved from the U.S. to Merida, Yucatán, where he then made his first amateur short film inspired by the “Star Wars” universe.

He later studied marketing in Monterrey, Nuevo Leon. To supplement his income during those days, Montoya Marin opened his own video store, which he called Quick Stop Video, in honor of Quick Stop Groceries, the convenience store in Smith’s “Clerks.” One day, an office opened across the street that had a sign that read “Go study in Canada.” Intrigued, Montoya Marin inquired about film schools, and was immediately enticed by Vancouver Film School, mainly because a young Smith had briefly attended there. He sold all his movies and, as an American citizen, got a student loan and moved to Canada.

Though they now have a close relationship, Montoya Marin’s father, a successful businessman, did not initially support his artistic aspirations, which caused conflict.

“My dad would go, ‘Bring those dreams down because the fall will be less hard,’ and I’d go, ‘F— that. Why?’” he recalls. “He told me, ‘If you go there I don’t want to see you. You’re not seeing the family.’ I was like, ‘OK, that’s a risk I have to take.’”

After graduating, Montoya Marin couldn’t afford to live in Los Angeles and instead moved to Albuquerque, N.M., where he worked for 13 years as a production assistant and as a commercial director. During that time, a career-altering opportunity came his way.

While in Europe shooting a project, Montoya Marin finished the screenplay for his first feature, “Monday.” The script earned him a spot in Robert Rodriguez’s reality show “Rebel Without a Crew,” which aired in 2018 on El Rey Network. Each participant had to produce their feature film with a budget of $7,000, the same amount of money Rodriguez made his debut, “El Mariachi,” for.

“It was a dream come true. Robert is very down to earth. You could tell he’s not bulls—. He doesn’t play the game,” he says. “We would be filming at three in the morning, y ahí lo veías trabajando.”

“I was honored to mentor Alejandro as he directed his very first feature film,” Rodriguez said in an email. “He had the true indie filmmaking spirit within him and inspired me right back! He’s a great representation of what audiences desire: authenticity and passion.”

After “Monday,” an action comedy centered on a man down on his luck who gets caught in a cartel war, Montoya Marin raised $60,000 via crowdfunding to make his sophomore effort, “Millennium Bugs,” a Y2K-set tale about two people coming of age as the world anticipates chaos. And while neither of those films had the impact he’d hoped for, that outcome did not deter him in the slightest.

“There’s no Plan B, compadre,” he said, laughing. “That’s why I can firmly just go headfirst because if I die on set, I will be a happy man.”

Montoya Marin met Walsh while shooting Eva Longoria’s “Flamin’ Hot,” where they both had acting parts. A friendship developed between them, and eventually the filmmaker offered Walsh the part in “The Unexpecteds.” Although he shot the film in 15 days, like his previous features, this time he had a more sizable budget (still under $1 million).

As part of its 2024 festival run, “The Unexpecteds” screened at Smith’s Smodcastle Film Festival in New Jersey, where it won the Best Comedy Award. It was there that Montoya Marin first connected with one of his heroes.

“Giving a platform to fledgling filmmakers with the Smodcastle Film Festival is meaningful to an old film fest kid, and if my name can help them open a single door, I’m happy to help,” Smith said. “But being involved with ‘The Unexpecteds’ does me more good than them. Attaching myself to a talent like Alejandro is a sure way to ensure I get to stick around in a business I’m getting too old for.”

The first time Montoya Marin met Smith in person was right before going on a news show where the two were supposed to have a joint interview to promote the film. It was there that Montoya Marin witnessed his hero’s walk-the-walk allyship in action.

Before going on air, the production informed Montoya Marin that they wouldn’t be able to have him do the interview. Only Smith would be on camera. “But to make it up to you guys, we’re going to make this a Hispanic Heritage Month themed segment,” the team told them.

That’s when Smith stepped in. “You’re going to put the white guy to come and promote Hispanic Heritage Month,” he said, according to Montoya Marin. “Kevin goes, ‘That’s stupid. I’m not doing that. Mic him up, because the filmmaker is the best salesman of a film.’” Smith was shocked at what the TV folks had tried to pull. “I told Kevin, ‘You were just witness of what they do to us without saying an insult. It’s just polite,’” Montoya Marin recalls.

Thanks to Smith’s intervention, Montoya Marin ultimately did the interview. “I fell in love with him even more,” he added.

Now that his most ambitious project yet is out in the world, Montoya Marin has multiple projects in the works, from a thriller to a comedy set in the ‘90s, and even a project that would allow him to shoot in Mexico. Like a good salesman, he has perfected his pitch.

“I’m dying to make a movie in Spanish. I already have the concept and some producers. I just need $1.5 million and I will give you one of the best comedies in Mexican cinema,” he declares. “And I’m not saying just to be m—, but I know I’m funnier in Spanish.”

Speaking with Montoya Marin, one gets the sense that he’s consistently trying to disarm you into rooting for him. It’s not manipulative but refreshingly sincere — and a bit brash. Getting behind him is a vote of confidence for independent cinema that doesn’t take itself so seriously. His humorous conviction and rousing spiel make one eager to believe him.

The American Cinematheque will screen “The Unexpecteds” on Dec. 13 at the Los Feliz 3, with Montoya Marin and Smith in attendance.

Stories we read this week that we think you should read

Unless otherwise noted, stories below were published by the Los Angeles Times.

Politics, immigration and foreign affairs

Arts, culture and entertainment

Legendary graffiti artist Daniel “Chaka” Ramos once claimed he had tagged more than 40,000 locations around Los Angeles.

He can now add seven more. And unlike decades ago — when Ramos had to sneak around in darkness to spray-paint his nickname in large, block letters all over the city and surrounding areas — this time it was fully permissible.

Earlier this month, Nike recruited Ramos to add his signature style to seven murals celebrating the Dodgers’ back-to-back World Series titles, which the team clinched Nov. 1 with a dramatic Game 7 victory against the Toronto Blue Jays.

Ramos, an L.A. native and Dodgers fan, was more than happy to participate, adding his name and slogans crafted by Nike to each piece. He told The Times in an email that it was his “first major project with a corporate giant like Nike.”

A mural of Dodgers pitcher Yoshinobu Yamamoto is a temporary addition to the downtown Los Angeles skyline.

(Natasha Campos / Nike)

“They’re one of the most prolific creative forces in the world, and collaborating with them was a milestone for me,” the 53-year-old artist said. “The rush of graffiti can’t really be compared to commissioned or gallery work, but this experience came close.”

The Nike murals, which are scheduled to remain up through Nov. 30, are among the pieces included in a new and quickly expanding online map detailing the locations of Dodgers murals in and around L.A. The map was created by and is curated by Mike Asner, the mastermind behind a similar website that documents the locations of hundreds of Kobe and Gianna Bryant murals around the world.

Asner already has a full-time job as a marketing director in sports and entertainment, as well as maintaining the Bryant mural site. Still, the morning after the Dodgers clinched their second straight championship, Asner knew it was time to get to start tracking more murals.

“I think the reception from the fans and the artists I got to know from the Kobe mural project was very positive,” Asner, who also has an Instagram page highlighting Dodgers murals, said. “And the main thing I realized was it was helping people and providing a service to them and making things easier. … After the Dodgers won back-to-back championships, we started to see murals going up immediately, so I felt it would be the right thing to do again.”

The map currently includes 54 murals, located as far north as Van Nuys and all the way down to Lake Elsinore. One of the standouts for Asner is a sprawling painting by artist Royyal Dog in the Florence-Graham neighborhood in South Los Angeles (2619 Firestone Blvd.). It features portraits of many all-time Dodgers greats, including Tommy Lasorda, Fernando Valenzuela, Orel Hershiser, Clayton Kershaw, Justin Turner, Yoshinobu Yamamoto, Mookie Betts, Freddie Freeman and Shohei Ohtani.

A sprawling mural by Royyal Dog in South Los Angeles features images of Dodgers greats past and present, including Yoshinobu Yamamoto (second from right) and Freddie Freeman (far right).

(Robert Gauthier / Los Angeles Times)

Another of his favorites is one by artist Gustavo Zermeño Jr. on the Eat Fantastic building in Redondo Beach (701 N. Pacific Coast Highway). A tribute to the 2024 World Series championship, the mural features Betts, Freeman and Ohtani but is highlighted by a larger-than-life image of Lakers legend Bryant wearing a basketball jersey with Dodgers colors and lettering.

The Nike-Chaka collaborations represent some of the newer artwork documented on Asner’s map. A Nike spokesperson said the idea was to give Ramos approved spaces in local neighborhoods to express the pride that Dodgers fans are feeling after back-to-back championships.

Two of the murals were painted directly on the walls by L.A.-based artists, with Ramos adding the slogans and his tag afterward. Artist Swank One painted the one at 2844 1st St. in Boyle Heights. It features relief pitcher Roki Sasaki and Smith embracing after the Dodgers clinched the National League pennant, with the slogan “On the Double.”

Graffiti artist Daniel ‘Chaka’ Ramos was commissioned by Nike to apply his tag to several temporary murals around Los Angeles celebrating the Dodgers’ back-to-back World Series championships.

(Natasha Campos / Nike)

Artists Enkone and Keorock painted at 4560 Whittier Blvd. in East L.A. The mural features pitcher Blake Snell, whose postseason included a one-hit, eighth-inning gem in Game 1 of the NLCS, with the slogan “Twice as Nice.” That mural has since been removed.

For four of the others, Nike licensed game photos from Getty Images, overlaid tag designs from Ramos and then had the images blown up and printed as murals.

Those include “Twice in a Blue Moon” in Silverlake (at Hollywood Boulevard and Hillhurst Avenue), featuring Max Muncy and Hyesong Kim; “Repeat Heroes” in Echo Park (at West Temple Street and North Boylston Street), featuring Smith and Sasaki; “Turn Two, Earn Two” in Echo Park (atSunset Boulevard and Marion Avenue), featuring Muncy; and “Dodgers Rule” — a play on Ramos’ longtime slogan “Chaka Rules” — in Westlake/Echo Park (at Beverly Boulevard and Commonwealth Avenue), featuring Sasaki.

The last mural features a photo of Yamamoto letting out a roar. The photo was blown up several stories high and installed several stories higher in downtown L.A. at 213 S. Broadway. Ramos then boarded a suspended scaffold and was lifted high above his hometown, where he spent four to five hours adding his tag and the slogan “Back 2 Back.”

It may not have been as daring as some of the stunts he pulled in the past, but Ramos definitely felt the rush.

“I’ve done graffiti at daredevil heights without a harness before, but nothing at this scale. This time I actually had to gear up with a harness — haha,” he wrote. “It was intense, but a lot of fun.”

The Nike-Chaka murals will be coming down soon, but Asner says he’s excited to see what other new creations might fill out the map in the aftermath of the latest championship run.

“We’re gonna see really amazing artwork going up, and we’re gonna see artwork of Dodgers that haven’t necessarily been on murals. like Will Smith and Yoshinobu Yamamoto,” Asner said. “There’s a lot of really big stars from this series that deserve to get credit for their amazing job. …

“You know, Ohtani was incredible, obviously, Friedman was incredible. But there were a lot of big players that stepped up — Miggy Rojas, right? Huge, huge reason they won. So it’s gonna be great to see what these artists do, and I’m looking forward to seeing it myself.”

During a Test against South Africa, Smith admitted Australia’s “leadership group” devised a plan to tamper with the ball.

Former opener David Warner taught batter Cameron Bancroft how to use sandpaper to rough up the ball, and Bancroft was then caught doing so by TV cameras during play. Both men were also banned along with Smith.

Smith made his comeback after the ball-tampering episode in the 2019 Ashes Test at Edgbaston and has been booed repeatedly since.

England fans also base taunts on his tearful news conference in 2018.

“We did the wrong thing, accept it and move on,” Lehmann said.

“You try to move on the best you can. You get reminded every day and that is part and parcel.

“Steve Smith can hold his head high with how he handles everything.

“The Barmy Army should be better than that. Most of them are and are very supportive of what goes on in the game.”

The dark comedy stars the former Doctor Who actor and it has viewers saying they’re ‘locked in’

Matt Smith is fronting a new dark comedy series adapted from a “compulsive read” which has proved a massive success since its debut episode.

The Death of Bunny Munro, shot on location throughout Sussex, is a dark comedy adaptation of Nick Cave’s novel sharing the same title.

The musician and author’s website describes the original book as “a compulsive read possessing all Nick Cave’s trademark horror and humanity, often thinly disguised in a galloping, playful romp”.

In The Death of Bunny Munro, the ex-Doctor Who actor portrays the titular role, a middle-aged salesman obsessed with sex who embarks on a journey across Sussex with his son following his wife’s death.

Whilst packed with black humour, the programme also delves into themes of bereavement and has drawn comparisons to programmes such as Netflix’s Adolescence.

Radio Times awarded it four out of five stars, stating: “Netflix’s Adolescence brought much-needed attention to the hateful attitudes emanating from a growing corner of the internet and taking root in the minds of today’s teenagers and young men.

“But the revelatory element of its story was less the misogyny itself and more so the method of transmission, with the web’s now-infamous ‘manosphere’ serving as a powerful amplifier for harmful ideas that had once appeared to be in decline.

“The Death of Bunny Munro almost serves as a prequel in that respect, exploring how the objectification, disrespect and outright abuse of women was taught to boys long before social media had the world in its death grip.”

The six-part series drops in its entirety, allowing viewers to watch all episodes back-to-back.

Social media users flocked to X, previously known as Twitter, to heap praise on Smith’s performance, with Lil Lulu writing: “#MattSmith you really have outdone yourself with Bunny Munro. Just superb. I love him and I hate him all at the same time. Give this man his flowers and give him ALL THE AWARDS!”

@drunkestgiraffe posted: “No in all honesty this is giving me emotional whiplash. It is gutting me and all I want is to help these poor souls but also WHY is he so HOT?

“I fully concur with Nick Cave he should NOT be this attractive. Put it away, Smith.”

Vid wrote: “Watched a half of episode one of Bunny Munro to see the vibe. Matt is so great as a despicable mf holy **** I can actually ******* kill him and the show’s kinda depressing and funny so far. Also truly heartbreaking son and wife, I’m locked in.”

Nana remarked: “I already love this mini-series.”

Rachel Louise declared: “Despite only having seen those first two episodes, I’m pretty confident in saying I think The Death of Bunny Munro is actually Matt Smith’s best role yet.”

The Death of Bunny Munro broadcasts on Sky Atlantic.

Stephen A. Smith is a very busy man.

He is the star of ESPN’s “First Take.”

He hosts two radio shows on SiriusXM.

He has his own production company.

Since 2021, Smith also has been an analyst on ESPN’s “NBA Countdown” pregame and halftime studio show.

But he isn’t anymore, at least not on a full-time basis.

This week, ESPN announced a new “NBA Countdown” broadcast team that features host Malika Andrews and analysts Brian Windhorst, Michael Malone and Kendrick Perkins, with frequent contributions from Shams Charania.

Smith said Tuesday on “The Stephen A. Smith Show” that he hadn’t been demoted from his status as a show regular, as some outlets suggested. Instead, he said, the change was something he had asked for while negotiating his reported five-year, $100-million contract to remain with the network earlier this year.

Why? Smith said he simply no longer has the time.

“I didn’t want to be on the show,” Smith said. “I negotiated coming off of it. Now I love doing ‘NBA Countdown,’ but once the countdown show is over, I got other things to do than to be in studio, watching the doubleheader and coming on at halftimes. I got other stuff that I want to do, to prepare for ‘First Take’ the next day, the next morning, and to do an abundance of other things that I aspire to do.”

Smith said his departure from “NBA Countdown” had been reported “months ago,” and he is correct. In breaking the news of Smith’s new deal with ESPN in March, The Athletic’s Andrew Marchand wrote that Smith “will not be a regular on ESPN’s premiere NBA pregame show anymore.”

ESPN did not immediately respond on Wednesday to a request for a comment.

Smith added that he will continue to make frequent guest appearances on several ESPN shows, and that includes “NBA Countdown.”

“If they need me in L.A. for ‘NBA Countdown,’ I’ll be there,” Smith said. “Matter of fact, I have days in my contract to be there. I just don’t have to be there full time.”

Smith’s form dipped slightly between June 2023 and December 2024 when he went 23 innings without a Test hundred, but he made two against India last winter and hit 141 and 131 against Sri Lanka at the start of 2025.

After a two-month break, he began his build-up to this year’s Ashes in late October and scored 118 in his first innings.

“To win the series, we have to keep him [his average] to under 50, don’t we?” Broad said.

“He’s gonna score a hundred, it’s what he does.

“[If] he averages 40, that’s at least 15 under his career average, so you’re doing brilliantly. I think you have to get him early.

“If England aren’t celebrating in his first 40 runs, it’s going to be a long series.”

England have had various plans to counter Smith’s unconventional technique over 14 years of Ashes series.

Broad spoke of developing a new outswinger for Smith before the 2023 series while England have targeted Smith’s pads, bowled wide of off stump and even bowled for catches at leg gully in 2019 – a series Smith began with twin hundreds at Edgbaston.

“I remember Jason Roy was fielding there at leg gully, and he was diving left and right for the first 30 balls, just missing him there, just missing him there,” Broad said.

“Smith got away, got two hundreds in that game, unbelievable innings.”

Broad added: “I remember sitting in a bowlers’ meeting about Steve Smith in 2017-18 and they were like ‘oh, you could try and attack his stumps early’.

“‘Oh yeah, can we just click on how many times he’s been bowled in Australia in the last five years?’ Once.”

The upcoming series, which begins in Perth on Friday (02:30 GMT), looks set to see Smith face Jofra Archer for the first time in Tests since 2019, when he was famously unsettled and struck by a bouncer during the England paceman’s fierce spell at Lord’s.

Smith has always been keen to point out Archer did not dismiss him in that Test – he had to retire hurt and was out lbw to Chris Woakes on his return – though Archer did have the right-hander caught on the pull in a one-day international in 2024.

“Can Jofra Archer be that guy?” Broad said. “Nicking him off from back of a length, just chasing it.

“Because Jofra Archer has that angle of nipping back towards the stumps, can he nip one away? Smith’s looking for the nip-backer.”

When sophomore guard Phoenix Smith came off the bench on Monday night in Crespi’s season opener against Cleveland, two things were clear: His big hair and his 5-foot-7 frame, the smallest on the court.

He played junior varsity last season, and let’s just say Celts coach Derek Fisher is going to have fun working with him. Smith was three for three on three-pointers and finished with 16 points in Crespi’s 81-44 win over Cleveland.

He put together a nine-point surge between the end of the first quarter and the start of the second quarter. Leaving him open this season will not be a good strategy. Another JV player from last season, Cayman Martin, led Crespi in scoring with 17 points. Carter Barnes had 14 points and Isaiah Barnes 13 points.

Crespi has a big game coming up Saturday at Pauley Pavilion against Mater Dei.

St. Bernard 81, Claremont 56: Brandon Granger led St. Bernard with a 30-point performance.

South Pasadena 77, Franklin 43: Nick Rios scored 22 points and Rob Khollesi added 21 points for South Pasadena.

Carson 59, South East 37: The Colts are 2-0 under new coach Corey Kitani. Blake McCall had 16 points and nine rebounds.

Mira Costa 85, Torrance 70: Logan Dugdale finished with 18 points and Paxx Bell had 17 points and 12 rebounds in a first-round game at the Ocean View tournament.

Wiseburn Da Vinci 73, Oak Park 56: Aidan Ebrahimi had 15 points for Wiseburn Da Vinci.

Santa Margarita 89, Temecula Valley 38: Drew Anderson had 30 points and 11 rebounds and Kaiden Bailey added 26 points for the Eagles.

Canyon Country Canyon 65, Antelope Valley 28: Alex Lazo made nine threes and finished with 27 points for the Cowboys.

Servite 100, United Christian Academy 18: Tariq Johnson had 22 points for the Friars.

West Torrance 64, Venice 55: Ben Heinemann finished with 15 points for West Torrance.

Valencia 47, Heritage Christian 44: Ali Eldein led Valencia with 18 points.

Will Smith’s 11th-inning home run allows LA Dodgers to win Game 7 against Toronto Blue Jays and record seventh World Series title in franchise history.

Will Smith homered in the 11th inning after Miguel Rojas connected for a tying drive in the ninth, and the Los Angeles Dodgers beat the Toronto Blue Jays 5-4 in Game 7 on Saturday night to become the first team in a quarter century to win consecutive Major League Baseball (MLB) World Series titles.

Los Angeles overcame 3-0 and 4-2 deficits and escaped a bases-loaded jam in the ninth to become the first repeat champion since the 1998-2000 New York Yankees, and the first from the National League since the 1975 and ’76 Cincinnati Reds.

Smith hit a 2-0 slider off Shane Bieber into the Blue Jays’ bullpen, giving the Dodgers their first lead of the night.

Yoshinobu Yamamoto, who threw 96 pitches in the Dodgers’ win on Friday, escaped a bases-loaded jam in the ninth and pitched 2 2/3 innings for his third win of the Series.

He gave up a leadoff double in the 11th to Vladimir Guerrero Jr, who was sacrificed to third. Addison Barger walked, and Alejandro Kirk grounded to shortstop Mookie Betts, who started a title-winning 6-4-3 double play.

Dodgers rally to win Game 7

With their ninth title and third in six years, the Dodgers made an argument for their 2020s teams to be considered a dynasty. Dave Roberts, their manager since 2016, boosted the probability that he will gain induction to the Hall of Fame.

Bo Bichette put Toronto ahead in the third with a three-run homer off two-way star Shohei Ohtani, who was pitching on three days’ rest after taking the loss in Game 3.

Los Angeles closed to 3-2 on sacrifice flies from Teoscar Hernandez in the fourth off Max Scherzer and Tommy Edman in the sixth against Chris Bassitt.

Andres Gimenez restored Toronto’s two-run lead with an RBI double in the sixth off Tyler Glasnow, who relieved after getting the final three outs on three pitches to save Game 6 on Friday.

Max Muncy’s eighth-inning homer off star rookie Trey Yesavage cut the Dodgers’ deficit to one run, and Rojas, inserted into the lineup in Game 6 to provide some energy, homered on a full-count slider from Jeff Hoffman.

Toronto put two on with one out in the bottom half against Blake Snell, and Los Angeles turned to Yamamoto.

He hit Alejandro Kirk on a hand with a pitch, loading the bases and prompting the Dodgers to play the infield in and the outfield shallow. Daulton Varsho grounded to second, where Rojas stumbled but managed to throw home for a force-out as catcher Smith kept his foot on the plate.

Ernie Clement then flied out to Andy Pages, who made a jumping, backhand catch on the centre-field warning track as he crashed into left fielder Kike Hernandez.

Seranthony Dominguez walked Mookie Betts with one out in the 10th, and Muncy singled for his third hit. Hernandez walked, loading the bases. Pages grounded to shortstop, where Gimenez threw home for a force-out. First baseman Guerrero then threw to pitcher Seranthony Dominguez covering first, just beating Hernandez in a call upheld in a video review.

The epic night matched the Marlins’ 3-2 win over Cleveland in 1997 as the second-longest Series Game 7, behind only the Washington Senators’ 4-3 victory against the New York Giants in 1924.