skydance

James Gunn and Peter Safran are out as the heads of DC Studios after a four-year run, Skydance said Monday.

They’ll be replaced by Marvel veteran Jeremy Latcham, who will serve as president and chief creative officer of the Skydance-owned DC Studios starting Dec. 1.

“James and Peter launched a new era for DC Studios and led it through a period of real transformation, resetting the foundation and building a slate we’re incredibly proud of,” Skydance Chief Executive David Ellison and Co-Chief Executive Ynon Kreiz said in a statement. “We’re grateful for their passion, contributions and commitment to this legendary brand.”

Gunn and Safran will now “return full time to their creative work,” the statement said. Under their leadership, the studio released 2025’s “Superman,” which hauled in more than $618 million in worldwide box office revenue. The recent body horror film “Clayface” has made about $109 million worldwide since its release in late October.

The latest round of belt-tightening across Hollywood has now reached the Happiest Place on Earth.

Walt Disney Co.’s theme parks division is laying off between 100 and 200 people, according to a person familiar with the matter who was not authorized to comment publicly.

The cuts to Disney’s experiences segment stem from a regular evaluation of the division’s priorities, investments and project timelines, the person said. Burbank-based Disney has more parks-related projects in progress than ever before.

Disney declined to comment.

The layoffs are limited to the experiences division, which includes Disney’s theme parks, cruise line and Aulani resort and spa in Hawaii. All affected employees will be notified by the end of the day Wednesday.

The experiences division is Disney’s economic engine. In fiscal 2025, the segment brought in $36.2 billion in revenue and more than 56% of the company’s total operating income.

Because the division is so central to Disney’s bottom line, analysts closely track attendance at its theme parks, particularly among international visitors to the U.S. Though Disney previously said it faced “international visitation headwinds” at its domestic parks, that trend has since “moderated,” executives said during the company’s most recent earnings call in August.

The news comes as other parts of Disney, including its human resources and technology teams, have been affected by layoffs. Separately, the company offered early retirement packages for older workers earlier this month. The latest round of layoffs is not related to those earlier job cuts.

Those moves are part of an effort by new Disney Chief Executive Josh D’Amaro to sharpen the company’s focus and help it respond faster to the changing entertainment industry.

Disney is far from the only entertainment company cutting costs. Hollywood is in the midst of an industry-wide consolidation that has affected wide swaths of Southern California. Workers at Skydance, the new name for the combined Paramount Skydance and Warner Bros. Discovery, are also bracing for layoffs as the company looks to cut $6 billion in costs over three years.

Times staff writer Todd Martens contributed to this report.

Bianna Golodryga, a longtime international anchor and senior global affairs analyst for CNN, is leaving the network.

Golodryga, the co-anchor of the CNN International program “One World with Zain Asher,” announced her departure Thursday in a post on X. She will make her final appearance on the network Friday, according to a CNN representative.

“After nine wonderful years at CNN, I’ve decided to leave for an opportunity that I couldn’t pass up,” Golodryga said. “I’m grateful for the experiences, friendships and support from fabulous colleagues during my CNN years. Exciting news to share very soon!”

Golodryga’s exit comes three days after Christiane Amanpour, the network’s best-known international journalist, stated her intention to leave CNN next June.

The departures unfold as CNN insiders consider their future under Skydance, which absorbed the network as part of its $111-billion merger with Warner Bros. Discovery.

In the short term, CNN and Skydance’s CBS News are operating independently under their current leadership. But consolidation is expected at some point with international bureaus being an expected early target. There is also anxiety among the CNN rank and file over how involved CBS Editor in chief Bari Weiss will be in the combined operations.

Weiss has been a polarizing figure at CBS since Paramount acquired her contrarian digital news site the Free Press last year and gave her oversight of the network’s storied news division. She has made major changes at “CBS Evening News” and the top-rated newsmagazine “60 Minutes,” where several correspondents were fired after accusing her of pushing them to add right-wing talking points to their stories.

Golodryga, 48, arrived at CNN as a contributor in 2017 and joined the network full time two years later. She previously served as co-host of “CBS This Morning,” and was an anchor for Yahoo! Finance. She also worked for ABC News as a correspondent and co-anchor of the weekend edition of “Good Morning America.”

Golodryga, who immigrated to the U.S. as a refugee from the Soviet Union in 1980, is the co-author of a young adult novel, “Don’t Feed the Lion,” which dealt with antisemitism.

Christiane Amanpour, CNN’s chief international anchor whose intrepid reporting became a symbol of the network’s global reach and influence, announced Monday she will end her 43-year run in June.

Amanpour, 68, told colleagues in a memo she will step away from her eponymous daily CNN program at the end of the year. She will continue her Saturday program, “The Amanpour Hour,” until May before exiting the following month.

Amanpour was one of CNN’s first breakout stars, traveling the world to report on global hot spots and helping build CNN’s strong reputation for international coverage, especially in war zones. She was front and center as the network delivered images of the first Gulf war, the Bosnian war and conflicts in Rwanda, Afghanistan, Ukraine and Iran.

Amanpour’s announcement arrives as CNN faces uncertainty under new ownership. Skydance absorbed the network as part of its $111-billion merger with Warner Bros. Discovery. International bureaus are expected to be the first place where CNN and Skydance’s CBS News are expected to consolidate resources. Deliberations over editorial direction are likely to be intense.

There have been reports of internal strife at the London bureau at CBS News over the tone of its Middle East coverage since Bari Weiss, a strong supporter of Israel, took over as the network’s editor in chief last year. Weiss replaced Claire Day, a longtime veteran of the network, with Shayndi Rice, a former Wall Street Journal editor, overseeing all of the network’s international operations.

In a memo to staff obtained by The Times, CNN Worldwide Chairman and Chief Executive Mark Thompson said he has discussed Amanpour’s future for several months. “Like so many CNNers who will hear the news today, I’m very sorry to see her go, but I’ve come to accept that this is the right time for her, both personally and professionally,” he wrote.

Amanpour did not offer a reason for her departure, devoting most of her memo to thanking the production crews who worked with her over the years. She said she will continue to co-host “The Ex-Files,” a podcast she co-hosts with her ex-husband Jamie Rubin, a former journalist who served in the State Department during the Clinton administration.

Amanpour was born in London and raised in Tehran. Her family fled Iran in 1979 during the Islamic Revolution. She arrived at CNN in 1983, working as a news desk assistant in Atlanta and then at its New York bureau with the ambition of becoming a foreign correspondent.

Amanpour’s reporting from war zones and ability to land interviews with global leaders made her one of the most recognizable journalists in the world. During her time at CNN, she served as a contributor to the CBS newsmagazine “60 Minutes.” She also served as anchor of the ABC News Washington roundtable program “This Week” from August 2010 to December 2011.

Amanpour’s work has been recognized with 16 News and Documentary Emmy Awards, four Peabody Awards, two George Polk Awards and three DuPont-Columbia Awards.

Exactly a week after the new Skydance corporation — the product of the Paramount-Warner Bros. Discovery merger — was officially formed, Hollywood’s newest media giant is already raising streaming prices.

Discovery+, one of Skydance’s new streaming assets, will now cost $6.99 a month for its ad-supported tier, up $1. Its ad-free tier is also up $2, costing viewers $11.99 a month. The prices take effect immediately for new subscribers. Existing subscribers will get 30 days’ notice and see the higher rates on bills dated on or after Nov. 12.

Skydance did not immediately respond to a request for comment.

The platform first launched in 2021, at $4.99 a month for its ad-supported tier and $6.99 for ad-free. Nearly six years later, the price of the cheapest tier has risen roughly 40%, and the ad-free tier has jumped about 72%. This is the service’s second price hike since January 2025.

The standalone streaming service features tens of thousands of TV episodes from cable networks like HGTV, Food Network and TLC.

Before the merger, each company maintained its own streaming services, with HBO Max and Discovery+ under Warner Bros. Discovery and Paramount+ under Paramount Skydance. The services are currently operating as separate entities. But David Ellison, Skydance’s chairman and chief executive, has said he plans to merge the two platforms into one streaming service. It’s unclear when that might happen, what it would cost, or where Discovery+ fits in. The company has not publicly laid out plans for the service.

Prices for HBO Max currently range between $10.99 and $22.99 monthly. Paramount+ costs between $8.99 and $13.99 a month.

Streaming is one of the biggest open questions for Skydance as it enters a new era. The company is carrying roughly $80 billion in debt and is targeting more than $6 billion in cost savings over three years. Skydance has said those savings will come primarily from technology, procurement, marketing and real estate, and Ellison has said the bulk won’t come from layoffs. Industry observers expect that debt load to add pressure for more price increases across Skydance’s streaming lineup.

This price increase also comes at a time when many streaming platforms are similarly hiking their prices — in part to cover the rising cost of programming and talent. Discovery+ joins platforms like Netflix, Apple TV, Hulu and Disney+ which have all raised their subscription fees in the last year. Prime Video raised the cost of its ad-free add-on in April.

The Tom Cruise-led “Digger” is poised for a massive loss after ticket sales for the political satire fell 60% in its second weekend in theaters in the U.S. and Canada.

The Warner Bros. film made just $3.2 million in those theaters over the weekend, according to a studio estimate. Its opening weekend brought in $8 million, Cruise’s lowest opening as a leading man since 2007’s “Lions for Lambs.” Global ticket sales for “Digger” were only $35.3 million.

The tepid box-office returns mean the studio is now expected to lose at least $150 million on the film, including ancillary revenue streams such as premium video-on-demand and streaming, industry sources said. Historically, a film has typically needed to make 2½ to three times its budget to recoup its costs.

A Warner Bros. spokesperson did not respond to a request for comment.

It’s a tough result for the film, which stars Cruise as an aging oil tycoon whose company sets off an environmental catastrophe. Analysts have said that the film was challenging to market, given a major twist in the plot, and that Cruise’s nearly unrecognizable appearance could have dissuaded his fan base from coming out to support the film.

The film suffered from polarizing critical reviews, notching a 53% on aggregator Rotten Tomatoes. Opening-night audiences gave it a C+ on CinemaScore, a grade that typically points to weak word of mouth and steep drops in the weeks that follow.

The budget for “Digger” raised the stakes. Warner Bros. has said the film cost $125 million to produce, though some industry experts and trade reports have estimated the cost was at least $160 million, citing production delays.

That figure also doesn’t include marketing costs, which sources said could have increased in the days after the film’s opening since Warner Bros. began using the divided reviews in social media and TV ads to encourage people to see the film for themselves.

The film will have value to Warner Bros. — and Skydance, the newly combined company that now owns it — beyond its theatrical reception. “Digger” probably will make money through downstream revenue sources such as streaming. If Cruise wins his first competitive Oscar, that also would be a plus for the film.

But a film’s domestic reception, and to some extent, its international box office revenue, does play a role in the value of those downstream revenue opportunities, experts said.

“Even with respectable ancillary income based on the film’s pedigree, the movie is going to lose a lot of money,” David A. Gross wrote in his FranchiseRe movie industry newsletter shortly after the film’s opening.

The reception for “Digger” comes during a tough time for Warner Bros.

The film opened Oct. 2, the same day the studio’s film chiefs, Michael De Luca and Pam Abdy, departed. Four days later, Paramount completed its acquisition of Warner Bros. Discovery, and the combined company took the name Skydance.

The studio has had a string of disappointments this year, including Maggie Gyllenhaal’s “The Bride!” and DC Studios’ “Supergirl.” None of its 2026 releases has crossed $100 million at the domestic box office.

But the prospects for Warner Bros. should improve next year, according to the research and brokerage firm Bernstein. Skydance has said it will keep the Warner Bros. and Paramount studios distinct, though Paramount Pictures chiefs Dana Goldberg and Josh Greenstein are expected to oversee both. Bernstein expects the Warner Bros. film and TV studios to amass $11.7 billion in revenue, driven by strong titles that include the sequel to “Minecraft” and a new “Lord of the Rings” movie.