sketch

If you’ve seen some of Glen Powell’s movies, including “Top Gun: Maverick,” “Hit Man,” “Anyone But You” or “Twisters,” you probably already know that a large part of the actor’s appeal is that he goes down smooth and easy.

With good looks and lots of charm, he’s certainly leading man material. But there’s also a streak, particularly in his Richard Linklater film “Hit Man,” of a goofball comedy nerd dying to break out from that handsome shell (see also: Jon Hamm), even if he was there to promote a new action film, “The Running Man.”

It sure feels like that sensibility is what helped make for a remarkable episode of “Saturday Night Live” with Powell hosting for the first time. It was the silliest episode so far this season, and by some miracle, just about every sketch in the episode worked, at least on a basic comedic level.

Powell wore wigs, most notably in a military sketch about bobs versus bangs; yes, the hairstyles. He did Norwegian and Irish accents in respective sketches about overenthusiastic actors in a Nordic film and one modeled after Liam Neeson’s “Taken” films. He even wore a long ponytail and sang in a pre-recorded musical number about men who miss their ex-girlfriend’s dad (Powell was one of the dads). But he was also a great supporting player to Marcello Hernández in a sketch about comedian Sebatian Maniscalco at a bachelor party and one about a woman (Ashley Padilla) who joins friends at a restaurant after a disastrous hair salon visit. And he did some good silent acting in a visual gag-driven sketch in which AI technology brings old photos to life badly.

It was a week where even the return of former cast member Will Forte, who appeared in three new MacGruber sketches where the character finds out he’s in the Epstein files (explosions follow), didn’t fully overshadow a lot of other very good pieces.

Two quick notes about this week’s episode: Padilla continues to help anchor the show with excellent sketch performances, this time as the hair styling victim, a shocked grandmother in a nursing home and as White House Press Secretary Karoline Leavitt in the cold open. As each episode goes by with Padilla billed as a featured player instead of a full cast member, it feels like a mistake that’s growing.

Second, this was the first time in years that “Weekend Update” had no guest segments. We’ll get to that in a bit.

Musical guest Olivia Dean performed “Man I Need” and “Let Alone the One You Love.”

President Trump (James Austin Johnson) cold opens are getting to be a mixed blessing; the impression is still solid, and the president is certainly in the news enough to warrant addressing every week. But the format of the sketch, beginning with the premise of the news of the week and then being interrupted by a meta Trump monologue, feels reflexive at this point, the easy answer for wrapping up increasingly disjointed and weird news cycles. At the White House, Leavitt downplays news of the release of Jeffery Epstein’s emails, defending the president as, “loving too much and possibly too young.” When a reporter asks about millions of dollars being sent to Argentina, she tries to turn attention back to the files, which leads to Trump appearing and asking questions such as, “If there were something incriminating in the files, why would I cover them up?” and “If I were innocent, wouldn’t I just release the files?” The president offers to sell framed copies of the Epstein emails at $800 a pop. The rambling defense leads to a Trump Multiverse Theory, which posits that Trump exists across many timelines and we happen to live in the worst one.

In Powell’s monologue, the actor admits he’s been so publicized that even he’s tired of seeing his own face. “You know who is not tired of seeing my face?” he asked. “Your mom.” Powell pushed back against the narrative that he was an overnight success; he’s been acting since he was 10, starting with commercials and safety videos, while growing up in Austin, Texas. Powell revealed that he was supposed to host “SNL” four years ago as part of the publicity tour for “Top Gun: Maverick.” But when the movie was delayed because of the COVID-19 pandemic, the offer was put on hold. A UPS driver who showed up when Powell was celebrating the initial news about hosting “SNL” ended up in a selfie with the actor and his family. Powell said his sisters tracked down the driver and Powell invited him to come see the show. Thus, Mitch the UPS Driver appeared in the monologue and again at the end of the show for the goodnights. Glen ended the monologue saying, “The best things in life don’t happen overnight. No one knows that better than UPS.”

Best sketch of the night: AI has not advanced enough to get crotches right

A family is visiting their grandmother for Thanksgiving at an assisted-living facility and as a treat, they’ve used an app to animate some of her old black-and-white photos using artificial intelligence. But the AI can only imagine so much; it brings to life a dog with tails on both ends instead of a head, an old family friend who takes off his pants to reveal a Ken doll-like crotch (Mikey Day) and a horrifying baby that folds like an accordion as an atom bomb goes off in the background. Padilla’s reactions and the silent comedy from Day and Powell take this sketch over the top.

Also good: Of course MacGruber is in the Epstein files, how could he not be?

It’s always nice to see Will Forte back on “SNL,” and this time he brought back his most popular character for three short video segments continuing the story of MacGruber, the tech wiz who always ends up failing to disarm a ticking time bomb. This time, the clock is ticking as MacGruber’s companions (Powell and Chloe Fineman) figure out that MacGruber is in the Epstein files. Their first clue? Just after thumbing through a copy, he immediately tries to shred the entire document. Over three sketches, MacGruber stalls, deflects, then eventually decides to testify against those who actually engaged in behavior worse than his on Epstein’s island — until he finds out he could get paid lots of money to keep quiet. Cut to the sketch-ending explosion.

‘Weekend Update’ winner: No guest segment, but two very funny bits

Usually on “Weekend Update,” cast members such as Bowen Yang or guests come on to do a few minutes as a character or as themselves. This week, there apparently wasn’t time for that, so “Update” was nothing but Colin Jost and Michael Che jokes. There were two that stood out, however. One was about a salacious rumor involving Trump and former President Bill Clinton that’s very difficult to discuss in detail in this space. A video that ended up with a very obviously spliced piece of audio as a punchline went over so well Jost had to stop to collect himself from laughing so hard. The other was a great, simple joke about the U.S. Mint ending production of pennies. “Makes no cents!” Che exclaimed. Nice one, Che.

Since her breakout into the mainstream last year for her scorched-Earth set on “The Roast of Tom Brady” and a top-notch comedy special “Someday You’ll Die,” Nikki Glaser has become an A-lister in the stand-up comedy world. But did that success translate for her first time as “Saturday Night Live” host?

Not too surprisingly, Glaser did well given that her best qualifications for the gig are that she’s very good at delivering jokes for a living and that she’s not shy about pushing the boundaries of taste in her comedy. That’s a good fit for the current incarnation of “SNL,” which tends to have at least one gross-out scatological sketch per episode and lots of “Weekend Update” segments and jokes that either land in the “just dirty enough” or “way over the line” camp.

Apart from her go-for-broke monologue, Glaser’s sensibility locked in on sketches including one about family members performing karaoke who seem way too intimate with each other, a commercial about grown men obsessed with life-sized American Girl dolls, and a bizarre musical number about a mechanical bull that rides away with Glaser and Sarah Sherman. These, along with a funny ad for a Jennifer Hudson spirit tunnel drug and one about characters in a children’s book, were pieces that aligned well with what Glaser does and that she performed exceptionally well.

A sketch about a stalled plane and a chatty pilot (James Austin Johnson) was good, but only because of Johnson’s perfect impression of flight intercom chatter.

Less successful were a half-baked mashup, “Beauty and Mr. Beast,” about the popular YouTuber, and a sorority sketch with Mikey Day as an interloping man wearing a bad facial disguise.

Glaser’s lengthy monologue may not have been as perfect a fit as it should have been, but her sketch performances were spot-on.

Musical guest Sombr performed “12 to 12” and “Back to Friends.” There was also a sweet and funny animated short, “Brad and His Dad,” about a divorced father trying to connect with his video game-obsessed 11-year-old.

In this week’s cold open, President Trump (James Austin Johnson) commented on the bizarre White House incident where a pharmaceutical representative (Jeremy Culhane) collapsed in the Oval Office while Trump was captured on camera looking away. As Trump put it in the sketch, “Someone dying in my office, I stand there and stare like a sociopath.” “Each week I try to create a visual,” he said, that represents what’s going on in the country like last week’s White House demolition. Trump walked over the fallen man to deliver a monologue on the week’s events, starting with the New York City mayoral election and concluding with SNAP benefit cuts and rising food prices. He offered that the cancellation of flights caused by the government shutdown will help by keeping families apart for Thanksgiving. “Killing two birds with one bird. Can’t afford food? Have some cheap Ozempic,” he said. Next up: stealing Christmas. “We’re doing Grinch!” Trump said.

Like a lot of “SNL” monologues from stand-up comics, Glaser’s was a microdose of her comedy act. As such, it was full of jokes about race, politics, sex acts and, for one uncomfortable stretch, the idea that someone (not Glaser, but maybe!) might suddenly realize they’re a pedophile. Glaser began by calling New York City “Epstein’s original island” before discussing white women being cultural appropriators by spray tanning, Robert F. Kennedy Jr. (“I’m no health expert, but neither is he”), dating a short man with anger issues and PSAs in public bathrooms about human trafficking. In her 20s, Glaser joked, the only fear she had was “good old-fashioned rape.” The barrage of jokes was exactly what you expect from Glaser, but some of the jokes didn’t seem to land as well on the “SNL” stage as they typically would on roasts or in her own comedy specials.

Best sketch of the night: When declining a Jennifer Hudson spirit tunnel invite is the only option

“The Jennifer Hudson Show’s” signature bit, in which guests dance through a hallway while staffers clap and cheer them on, has become such a big deal that celebrities like Glaser, playing herself in this commercial, have major anxiety about their dancing. Glaser, a self-described “uncoordinated white woman” claims her dance moves are so bad they’re potentially career-ending. “I even tried to put my ass into it. But I don’t have one,” she laments. But luckily there’s a drug, Hudsacillin, that makes you so violently ill that the celebrity in question has to cancel their appearance. “What’s the alternative?” the ad asks, “lightening up and being fun?”

Also good: Maybe this pilot shouldn’t be texting, even on the tarmac

With all the flight delays and cancellations happening, this topical sketch was about a couple (Sherman and Andrew Dismukes) sitting on an airport runway waiting for their flight to take off while their pilot (Johnson) announces delays and also shares updates about a woman he’s texting that he met on a dating app. What really sells the piece is Johnson’s delivery as the pilot, but also the funny interactions he has with the co-pilot (Kam Patterson), Glaser as the disaffected flight attendant and a set of passengers who argue nonverbally about whether or not to get involved (Kenan Thompson and Bowen Yang).

‘Weekend Update’ winner: A way to visit Staten Island without going to Staten Island

As the only guest segment on “Weekend Update” this week, Pete Davidson’s check-in on the Staten Island Ferry he purchased a few years ago with Colin Jost wins by default. Davidson referenced a New York Times article about trouble with their business venture, but said, “I cant spend $5 on a paywall when I have a kid on the way.” He promised to give parenting, “all the enthusiasm I never had for this show.” Davidson revealed that the new plan for the ferry is to convert it to a city on the water, New Staten Island, with all the things that make Staten Island great: pizza (it turns out it’s just one thing). Davidson couldn’t resist getting in a dig at his old boss after saying he’s not giving up on the ferry. “If Lorne Michaels has taught us anything, it’s never give up even if everyone says the time has come and Tina Fey is ready to take over.”

As we mentioned last time when Sabrina Carpenter hosted “Saturday Night Live,” there’s no substitute for a host who fully throws themselves into “SNL.”

He may not have done double duty as host and musical guest the way Carpenter did, but Miles Teller appeared to fully embrace the challenge of returning to host for a second time (the first was in 2022). The “Top Gun 2: Maverick” star, who’ll next be appearing in the movie “Eternity,” gave a solid performance, appearing in nearly every sketch, including the cold open and two pre-recorded videos.

He first appeared as former Gov. Andrew Cuomo, a candidate for New York mayor, in the cold open with help from Ramy Youssef and Shane Gillis as opponents Zohran Mamdani and Curtis Sliwa.

After that, Teller played a hungover game show contestant recovering from Halloween, a hockey player shooting a public service announcement for the unfortunately named Nashville Predators and both twin Property Brothers in a video sketch about the current White House renovation.

Teller was also in a sketch about a TV newsroom that decides to show viewers what its background employees are doing, a Netflix promo for a true crime story about husbands who don’t know where their wives went, one about a police press conference that takes a turn and a show closer about a silly Italian restaurant in Nebraska.

Teller handled it all well; he’s good with accents and earned strong laughs, especially playing two characters at the same time in the “Property Brothers” sketch and as Cuomo in the cold open.

Musical guest Brandi Carlile performed “Church & State” and “Human.”

This week’s cold open was one of the stronger (or at least funnier) political sketches of the season so far, tackling the New York mayoral race. As hosted by Errol Louis (Kenan Thompson), “the least famous person to be impersonated on ‘SNL,’ ” the debate sketch portrayed Cuomo (Teller) as a sexually harassing (“Yadda yadda yadda, honk honk, squeeze squeeze) panderer to Jewish voters; Mamdani (Youssef) as a force-smiling, TikTok-flirting candidate who’s pretty sure he won’t be able to implement his promises; and long-shot candidate Sliwa (Gillis) as an “old-fashioned New York nut” with one traumatic story after another to recount. The biggest surprise may have been Gillis, who as Sliwa recounted stories about being hung by his testicles and getting assaulted by a Times Square Spider-Man. Where was this energy when Gillis hosted “SNL”? As has been the habit on many a cold open, President Trump (James Austin Johnson) interrupts the proceedings to mock the candidates and insert his own commentary. This time, that included singing a song from “Phantom of the Opera” to conclude the sketch.

Teller’s monologue was short and simple, relaying how as a kid who moved around most of his childhood, “SNL” was a constant. He shared a photo of himself and his sisters dressed up as the “Night at the Roxbury” characters from the show and then made up a list of memories from the show, like having his first beer in the audience and falling over after having a few beers. Teller mentioned that he and his wife lost their Palisades home in January’s Los Angeles fires. As such, he made sure to point out the fire exits for the audience.

Best sketch of the night: An extreme White House makeover

The Property Brothers Jonathan and Drew Scott (Teller times two) meet their toughest clients yet: Trump and First Lady Melania Trump (Chloe Fineman) who need help with their current renovation of the White House to make room for a new ballroom. Melania shared her skeleton and withered tree decorations (“They are for Christmas,” she said), and the couple complained that 55,000 square feet and 132 rooms just isn’t enough space. With a budget of “$350 million to infinity” the brothers get to work with the help of park rangers and astronauts working through the government shutdown. But when it comes to getting paid for their work, there’s a problem. “Aren’t you guys from Canada?” the president asks. Then he calls ICE on them.

Also good: Nobody asked for this much transparency in news

On a show called Newspoint, the host (Fineman) and her guest (Thompson) are trying to have a serious news discussion, but because the show has opened up its full newsroom to viewers, all the workers in the background draw attention. Among them are Mikey Day, who awkwardly notices the cameras are on him before spilling a carrier of drinks, Bowen Yang as a worker who gets electrocuted by a copy machine and Teller, who has manga erotica up on his work screen. It’s nice to see some physical comedy from Day in particular and the sketch’s visual gags work nicely.

‘Weekend Update’ winner: George Santos is back, untruthful as ever!

Andrew Dismukes and Ashley Padilla (who should be a full cast member at this point instead of a featured player) played a couple who just made out but are trying to discuss the government shutdown. But it was Yang as chronic liar George Santos who stole “Update” (and some jewels) after Yang missed an opportunity on the last “SNL” episode to play the former representative, whose prison term was commuted by Trump. Santos claimed he finished the New York marathon, which hadn’t happened yet, and kept interrupting his chat with “Update” co-host Colin Jost to take calls with prisoners with a jail window and phone he brought with him. He purported to speak with Ghislaine Maxwell, Luigi Mangione and Sean “Diddy” Combs before revealing that the key to making prison rice pudding is preheating the toilet to 350 degrees. Santos ended the segment by revealing the necklace he stole from the Louvre and insisting that he’d just won the World Series.