WASHINGTON — A federal arts commission on Thursday approved the final design for a 24-karat gold commemorative coin bearing President Trump’s image to help celebrate America’s 250th birthday on July 4.
The vote by the U.S. Commission of Fine Arts, whose members are supporters of the Republican president and were appointed by him earlier this year, was without objection. It clears the way for the U.S. Mint to begin production on the coin, whose size and denomination are still under discussion.
“As we approach our 250th birthday, we are thrilled to prepare coins that represent the enduring spirit of our country and democracy, and there is no profile more emblematic for the front of such coins than that of our serving President, Donald J. Trump,” U.S. Treasurer Brandon Beach said in a statement.
The unprecedented move marks yet another example of Trump and his allies circumventing conventional past presidential practices — and even the law — to get what he wants. It’s the latest instance of Trump putting his name and likeness in the historical archive, following his renaming of the U.S. Institute of Peace, the Kennedy Center performing arts venue and a new class of battleships, among other tributes.
Federal law says no living president can appear on U.S. currency. But Megan Sullivan, the acting chief of the Office of Design Management at the Mint, said the Treasury secretary has authority to authorize the minting and issuance of new 24-karat gold coins, which Scott Bessent has used to get around that prohibition and put Trump on a coin.
She presented the coin’s final design at the commission’s March meeting on Thursday and said Trump had approved it.
“It is my understanding that the secretary of the Treasury presented this design, as well as others, to the president and these were his selection,” Sullivan said.
The White House and the Mint did not immediately respond to electronic and telephone requests for comment.
The front of the coin features an image of Trump in a suit and tie and with a stern look on his face. His fists rest on top of what is supposed to be a desk as he leans forward. Lettering on the top half of the coin spells “LIBERTY” in a slight arc. Directly underneath that are the dates 1776-2026. The words “IN GOD WE TRUST” are at the bottom, with seven stars on one side of the coin and six stars on the other side.
The reverse side depicts a bald eagle midflight with “UNITED STATES OF AMERICA” on the right side and “E PLURIBUS UNUM” on the left side.
“I know it’s a very strong and a very tough image of him, and I think it’s fitting to have a current sitting president who’s presiding over the country over the 250th year on a commemorative coin for said year,” said Commissioner Chamberlain Harris, a top White House aide to Trump.
The coin will be part of a “very limited production run,” Sullivan said, but the number has not been determined. The size and denomination of the coin also have not yet been decided, she said. Some commissioners noted Trump’s fondness for big things as they advocated for the largest size coin.
The Mint, which is part of the Treasury Department, has looked at a size for the Trump coin that is larger than its 1-ounce gold coin, which is about 1.3 inches in diameter, Sullivan said.
Its largest coin is 3 inches, “so we’re looking somewhere in there,” she said.
“I think the president likes big things,” said Commissioner James McCrery II, who was the architect on Trump’s design proposal for a 90,000-square-foot ballroom addition to the White House. The fine arts commission approved that proposal at its February meeting.
Harris told McCrery she agreed with him. She works in the White House as a special assistant to the president and deputy director of the Oval Office.
“I think the larger the better. The largest of that circulation, I think, would be his preference,” Harris said, speaking of Trump.
Running free during a game of catch on the empty field at SoFi Stadium is a fantasy most Angelenos will never experience. For comedians Jo Koy and Gabriel Iglesias, it’s just a warm-up to a dream that’s been a lifetime in the making.
Gripping the football with fingers covered in Filipino tribal tattoos extending in a sleeve up his arm, Koy looks across the expanse of emerald green turf at his son jogging toward the south end zone of the Inglewood stadium on a recent afternoon. “To be able to throw at SoFi is crazy,” Koy said with a sparkling grin of bright white veneers.
The 54-year-old comedian with a beard full of gray stubble drops back to pass, launching a tight spiral underneath SoFi’s massive technicolor halo scoreboard hovering above a sea of empty stands. Joseph Jr. — a wiry 22-year-old with a head full of curly dark brown hair — runs briskly toward the goal line with a black cast on his left arm. He raises his right arm just in time to scoop it into his chest for a touchdown. The imaginary crowd goes wild.
“Yes!!!” Koy shouts, his excitement echoing in the stadium. He jogs over to Joseph in his navy blue coverall jumpsuit and L.A. Dodgers cap to deliver a satisfying father-son chest bump.
A few yards away, Iglesias is watching Roka, his tiny black chihuahua, dart around the field like four pounds of rambunctious entitlement. The plus-sized comedian — better known as “Fluffy” — is sporting his typical loose-fitting vintage Hawaiian shirt, denim shorts and black flat cap. Whenever they stand together, the duo’s dynamic is like a modern-day Laurel and Hardy.
Nearly 70% of tickets for Koy and Iglesias’ SoFi show sold within days, making this the largest stadium stand-up performance to date.
(Christina House/Los Angeles Times)
“The fact that we’ve known each other as long as we have is wild … we’ve known each other since we both had hair,” Iglesias, 49, says as they both lift up their caps in unison, laughing and exposing their shiny bald heads.
On March 21, this stadium will be filled with more than 70,000 guests as the pair takes center stage at the Super Bowl of comedy — the largest stadium stand-up show to date. Koy and Iglesias are now part of a small fraternity of comics, including Kevin Hart, Dane Cook, Bill Burr and Larry the Cable Guy, who’ve sold out stadiums across the country.
The one-night-only show, which won’t be televised or recorded as a special, is meant to be one giant party for comedy fans who’ve supported Koy and Iglesias since their early days. The comics will be passing the mic back and forth throughout the night, which will feature special guests, surprise moments and plenty of other unplanned interruptions that will make for a roughly four-hour show. Though the L.A. comedy scene tends to exist in the shadow of Hollywood, this feat managed by two of its biggest names puts a historic spotlight on stand-up.
“It’s more sweet because it’s taken so long,” Iglesias said. “This wasn’t an overnight thing. Nowadays, everybody wants everything so fast. Between the two of us, we’ve got about 60 years of comedy experience.”
“It’s insane. I can’t explain it,” Koy adds, staring up at the stadium’s glass roof, preparing to crack it with decibels of laughter. “Every time we come in here and look up, I’m like, ‘There’s going to be a stage here the size of the end zone.’ We took the stage from the arenas that we normally play and injected steroids into it.”
For comedians who’ve witnessed their ascent, which now literally includes hands and feet cemented in front of TCL Chinese Theatre and a star for Fluffy on the Hollywood Walk of Fame, the journey has been incredible to watch.
“It’s huge for stand-up, it used to be just in dingy clubs and bars and always something small and intimate and kinda like an afterthought,” said fellow comedy star Tiffany Haddish, a longtime friend to both Koy and Iglesias. “To be honest I never thought comedy would be this big.”
Jay Leno, a confidant to Iglesias and the man who inspired him to start his own insane car collection and offered Koy his first late-night appearance on “The Tonight Show,” agrees that a show like this is a huge step for comedy.
“My attitude when I came to this town was if you can’t get in through the front door, go in the back door,” Leno said. “And they didn’t do it the traditional way, they got to where they are as comedians, one audience member at a time.”
For the two L.A. comedians, the historic milestone represents decades of work and signals comedy’s arrival in mainstream entertainment venues.
(Christina House/Los Angeles Times)
When the pair of arena-selling comics announced last year they’d be joining forces to perform at SoFi, the task of filling the massive concert venue and football stadium seemed laughable. But within a week, it clearly wasn’t a joke. Nearly 70% of the tickets were sold just days after going on sale. Now, weeks before the gig, the show is completely sold out with more seats being added. If there’s one person who is not necessarily surprised, it’s Iglesias. By his calculations — including his ability to sell out Dodger Stadium twice for the filming of his 2022 Netflix special, “Stadium Fluffy,” and Koy’s ability to sell out the Forum a record-setting six consecutive times (more than any other comedian) — the math checked out.
“At a certain point it’s like we’ve been doing [huge stand-up shows] for so many years, it becomes normal,” Iglesias said. “What do you do to change things? What do you do to grow? The worst thing that happens is it fails. But at least we know we tried it. Then we know what our ceiling is. But as of now, this isn’t the ceiling.”
Despite the logic, looking at the stadium’s massive seating chart during an initial meeting with the venue made the task feel akin to climbing Mt. Everest.
“SoFi is the size of like five Forums. That seating chart on a wall was the most discouraging thing I could possibly look at,” Koy said. “And then looking at the amount of money it was gonna cost us even before we sell one ticket. Me and Gabe should’ve been looking at that and been like, ‘What … are we thinking? Hell nah we ain’t doing this … !’”
It took more than a little convincing from Iglesias to get Koy on board. “[Jo] does not like change. I had to break down the math for him and I pushed it a lot,” Iglesias said. “And I’m glad we did because now that it’s sold out, the hard part is over. We just have to show up and deliver a kick-ass show. And then we can both celebrate after, crack a couple bottles and I know I’m taking a week off after that.”
Unlike a typical arena show, which takes several months to coordinate, their big night at SoFi required a full year of planning. The production and stage will be three times the size of the comedians’ normal stages and will be managed by the same team that produces stadium shows for acts like Los Bukis and Bad Bunny.
“It’s more sweet because it’s taken so long,” Iglesias said. “This wasn’t an overnight thing. Nowadays, everybody wants everything so fast. Between the two of us, we’ve got about 60 years of comedy experience.”
(Christina House/Los Angeles Times)
“It’s almost like a chessboard,” Iglesias said. “You got to do a bunch of moves in order to pull something like this off, it’s not just we’re gonna do it. This took a lot of planning, a lot of coordinating.”
When asked how the tickets could’ve possibly moved so fast, outside of typical avenues of good marketing and promotion, Koy says it was really comedy fans making a statement of support for them and for stand-up.
“There’s no such thing as marketing on this one, to me it’s a phenom,” he said, noting the pride both he and Iglesias have to see the excitement and support from local fans, especially Filipino and Latin communities across L.A. that have been a major part of their respective fanbases. “That type of reaction and that response to us saying we’re gonna be at SoFi is almost like a bragging right and it’s ‘our night, we’re gonna be there, I don’t care where we’re sitting.’”
The SoFi gig was conceived in February of 2024 during Koy’s sixth sold-out show at Kia Forum. In the hoopla of Koy breaking his own audience record at the venue, Iglesias crashed the show, presented his friend with a plaque and laid down the gauntlet in front of 17,500 fans. When Iglesias asked Koy if they should contemplate performing “across the street” together, the crowd erupted with excitement.
“Our agents and managers were like, ‘Are you sure you wanna do that?’’’ Iglesias said. “I think they missed a couple bonuses. But at the end of the day, it’s part of history.”
“That’s what’s beautiful about Gabe, he’s not scared to take on those big risks,” Koy said. “But the whole thing was a risk. We gotta alter our tour dates and sacrifice other opportunities to make this happen.”
“Every time we come in here and look up, I’m like, ‘There’s going to be a stage here the size of the end zone,‘” Koy said about the upcoming SoFi show on Mar. 21. “We took the stage from the arenas that we normally play and injected steroids into it.”
(Christina House/Los Angeles Times)
For Koy, a life of comedy was a risk inspired by his heroes while growing up in Tacoma, Wash. He traces it back to being 15 and seeing Eddie Murphy perform at Climate Pledge Arena during his “Raw” tour in Seattle. He remembers taking a panoramic look at the sold-out crowd roaring in the darkness before the leather-suited legend even took the stage. “I’m like, ‘Wait a minute, this guy got this many people in here?’ I just thought that was the most impossible thing,” Koy remembers. “And now I get to share this moment with my son and let him walk with me and let him see that this is possible.”
When Koy was moving up the comedy ranks under his real name Joseph Glenn Herbert, the thought of calling himself a comedian felt like a pipe dream. Koy, the son of a white father and Filipina mother, saw comedy as a way to channel an overactive personality and need to make people laugh into a career. Going from coffee shop open mics in Tacoma to clubs and casinos in Las Vegas in 1989, Koy scratched out a living doing random jobs to move to L.A. in 2001 with hopes of making it big.
Working at a bank or Nordstrom Rack offered some stability as he drove up and down Sunset Boulevard in his battered Honda Prelude with one broken headlight, looking for a way forward to pursue his passion. Haddish, his longtime friend, spent years working with Koy, who served as her mentor at the Laugh Factory. Between sets on stage, the two would often take breaks to fantasize about fame.
“Jo and I would sit outside of the Laugh Factory and have these conversations and we’d be eating hot dogs wrapped in bacon and we’d be dreaming about being in a big movie, playing big theaters and helping people heal through laughter,” Haddish said. “Now here we are.”
“At the end of the day, this is a big stamp. And I think it also lets other comics know, ‘Hey, man, step up your game. Let’s grow this,’” Iglesias said.
(Christina House/Los Angeles Times)
Pulling off a show of this magnitude is jaw-dropping to think about, Iglesias said, even after having achieved a similar feat just a few years ago at Dodgers Stadium where he filmed his special over the course of two shows. He also set a record for fines incurred by a performer for going over his allotted time slot (a hefty $250,000 for not leaving the venue until 4 a.m.). The SoFi gig leaves him only one shot to get it right. This time around, Iglesias feels infinitely less pressure despite the bigger venue.
“[Dodger Stadium] for me was grueling,” Iglesias said. “I didn’t know what to expect, I didn’t know how it was gonna go. Every day we were pulling our hair out trying to figure it out. Fortunately we were still able to pull it off and we learned a lot from it. This time around, believe me when I tell you the stress of this show is not even there.”
Iglesias, a native of Long Beach, has spent over 30 years rising up the comedy ranks. Among his accomplishments are seven major comedy specials, a TV show (“Mr. Iglesias”) and becoming the first Mexican American comic with a top-grossing worldwide tour. Like Koy, who also has seven major specials, Iglesias went through a lot of metamorphosis on stage prior to finding his calling as a gregarious, fun-loving comedian with a penchant for doing cartoon-ish voices.
Leno says one of the key factors in Fluffy’s mass appeal is his likability.
“The great thing about Gabriel is that the kindness comes across, there’s not a mean spirit in his body,” he said. “There’s a lot of comics who are really funny but people don’t like them because they think they’re mean-spirited. … When you watch Gabe even when he does something that’s not fall-down hysterical, you smile because you like him. … I find him a joy to watch.”
Much of what Iglesias learned about marketing himself was inspired by the WWE. The costumes, witty banter and theatrics of the wrestling ring influenced his consistent look and even allowed the name “Fluffy” to become his calling card.
Comedians Gabriel Iglesias, aka, “Fluffy,” in front, and Jo Koy are photographed at SoFi Stadium in Inglewood on February 10, 2026, ahead of their March 21st show.
(Christina House/Los Angeles Times)
“There is a certain level of pandemonium, as they say in wrestling, that’s needed to get people excited,” Iglesias said. “Then there’s the marketing and the way that you do it — so I did study wrestling a lot.”
Handing the kingdom of SoFi over to the court jesters for a night is a feat worthy of celebration.
“At the end of the day, this is a big stamp. And I think it also lets other comics know, ‘Hey, man, step up your game. Let’s grow this,’” Iglesias said. “And it’s not, ‘Step up your game,’ like we’re competing with each other. It’s more so like, ‘Let’s elevate the game of comedy.’”
Right now Koy feels plenty elevated, as though he’s floating every time he enters the stadium and looks up at the stands — like the night he saw Eddie Murphy all those years ago.
“You should’ve heard the whispers me and Gabe had to ourselves walking out of the stadium tunnel, like, ‘Yo, is this really happening?!’” Koy said with a megawatt smile. “Coming from an open mic night at a coffee house, never in my wildest dreams did I say, ‘Someday, a football stadium’ … we’re literally living our dreams right now.”
