sister

KHLOE Kardashian has joined her sister Kim in Monaco as she supports her boyfriend Lewis Hamilton at the Grand Prix.

The A-list sisters looked effortlessly glam as they were spotted walking through the crowds in the South of France.

Both Khloe, 40, and Kim, 45, went for plunging black tops.

The younger sister paired her outfit with comfy black capri pants, which showed off her very slender legs.

While big sis Kim revealed her tiny waist and toned pins in blue jeans.

Both siblings wore dark shades and were flanked by their entourage.

Read more on the Kardahsians

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The pair were seen chatting happily as they headed towards a waiting boat.

Tomorrow, they will watch Kim’s boyfriend Lewis race in Monaco‘s Grand Prix.

The Sun revealed the couple were dating in February after they were spotted enjoying a romantic getaway in the UK.

The mum-of-four then went public with Lewis in April, when they were spotted kissing in Malibu, California.

They were seen splashing around together at the beach, looking every inch the smitten pair.

Kim and Lewis then went Instagram official as they filmed themselves taking a bike ride.

Kim, who was married to Kanye West, 48, from 2014 to 2022, said last October she could not imagine herself dating another famous man.

She told a podcast that the person “would have to be someone super- special” for her to start another relationship.

Kim explained: “I don’t know if I have the energy or whether I’ve met the right person that I would want to blend my family with.”

On whether she might date another musician or athlete, she added: “Neither. We’re going, like, lawyers and longevity scientists who would give me all their secrets.”

After splitting from Kanye, she dated comedian Pete Davidson and then NFL player Odell Beckham Jr until things fizzled out in April 2024.

While Lewis has not had a serious relationship since he split from Pussycat Dolls singer Nicole Scherzinger in 2015 after almost eight years.

Three Clausen brothers who were quarterbacks — Casey, Rick and Jimmy — have created a fall flag football league for boys and girls in an effort to help youth players learn the game. There also will be six Clausen children playing in the league.

Flag football continues to grow, with the Clausen brothers behind a fall league.

(Los Angeles Times)

Casey is a former head coach at Bishop Alemany. Rick is head coach at Westlake. And Jimmy is a former NFL quarterback.

Casey said the Rising Stars is a 7×7 league that will take place in the fall with focus on rising participation of girls playing. The breakdown of divisions for boys and girls ranges from third grade to eighth grade and will be played on Sundays beginning Aug. 16 at Agoura, Oak Park and Westlake.

Get ready for lots of Clausen cousins, brothers and sisters playing football in the coming years. The oldest is a sixth grader.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Few players are driven to club soccer practice by a national team player. But then few players have two sisters who play for the U.S. women’s team.

Also Zoe Thompson is just 14, so you can’t expect her to drive herself.

But here’s the thing that truly sets Zoe Thompson apart. Although eldest sister Alyssa, 21, has already played in a World Cup and middle sister Gisele made 38 NWSL appearances and played four times for the national team before her 20th birthday, Zoe may actually be the best of the three.

“She’s better technically,” said her father Mario Thompson, who coached all three.

“I think she’s the combination between Alyssa and Gisele,” said Carlos Marroquin, owner of the pre-professional women’s team that gave Alyssa and Gisele their start.

So maybe there should be a line of coaches, teammates and family members waiting to drive her to practice or to her debut with Marroquin’s team, the Santa Clarita Blue Heat, on Saturday evening at The Master’s University.

The Santa Clarita Blue Heat coach Leonardo Neveleff, center, talks to his team before a practice at Valencia High. Zoe Thompson makes her debut with the team Saturday.

The team, which competes in USL W league, has long been a summer proving ground for elite college players and aspiring pros with alumni that includes Venezuela’s Deyna Castellanos, once a finalist for FIFA’s world player of the year award; World Cup veterans Savannah DeMelo and Ashley Sanchez; former Chelsea and Atlético Madrid star Ana Borges of Portugal; and Natalia Kuikka, a five-time Finnish player of the year.

This year’s roster includes more than two dozen Division I college players, meaning Zoe Thompson will be playing with and against women much older than her.

Did we mention she’s still in middle school?

“She’s always having to get out of her comfort zone, no matter what,” said Mario Thompson, whose job as Zoe’s father is to both nurture and protect his daughter’s talent.

Zoe has followed a different path than her sisters. Alyssa and Gisele were born less than 13 months apart and grew up playing together, practicing together and pushing each other. Zoe, born seven years later, grew up watching them, imitating them and wanting to be them.

But she had to do the work alone.

“It’s a unique dynamic where Alyssa and Gisele had each other,” their father said. “It wasn’t just Alyssa by herself. She always had a partner.”

Zoe, however, observed a lot by watching.

“I feel like their mistakes helped me,” she said. “But at the same time, there are some mistakes that I’ve made that they haven’t. I’m learning differently, but I’m more learning from them.”

Zoe Thompson hugs her father Mario Thompson after practice at Valencia High.

Still, this is uncharted territory. No family has ever had a trio of siblings play for the women’s national team, and the pressure of having to match the success her sisters have had will be inescapable, if unfair, for Zoe.

It’s a level of pressure that has the potential to be crushing.

“She kind of has this expectation that’s put upon her already that ‘oh, she’s going to be like her sister,’” Gisele said. “But it’s her own life.”

And Mario Thompson, an elementary school principal who has been intimately involved in all his daughters’ careers, is having to negotiate all this on the fly.

“Everyone sees the glam and the glitz of Alyssa and Giselle, but people don’t really understand it’s a lot of pressure,” he said of the sisters, who will both be heading to Brazil with the national team next week. “They see all the great stuff, but it’s also their job.”

Mario Thompson faced some of the same issues with Alyssa, the second-youngest U.S. woman to play in a World Cup, so he limited her media interviews and tried to let her be a teenager — albeit it an exceptionally talented one. Zoe faces the additional burden of having do all that while following in her sisters’ footsteps.

“I’m very mindful and aware of that,” he said. “She’s already in the spotlight without having to be in the spotlight. It’s that pressure. I want her to love the sport, love this journey. That’s kind of how I raised all three of them.”

Zoe Thompson during a practice session in preparation for her debut with the Santa Clarita Blue Heat soccer team.

For her part Zoe, mature well beyond her tender age, dismisses the hype with a shrug.

“There are going to be comparisons,” she said. “But we’re such different people that I think it’s unfair. At the same time, they can have those comparisons, they can have those opinions, but I’m not them. So it’s not going to be any different, how I play.”

Plus, having two accomplished sisters has its advantages. In the spring Zoe trained with the youth teams at Chelsea, where Alyssa now plays, and this summer she says she’ll train with Angel City, Gisele’s team. But the drawback of being a (much) younger sister is Alyssa and Gisele had each other to lean on growing up. Zoe has had to go it alone and that, she said, has made her stronger.

“Mentally, it is harder. But seeing my sisters and where they are, it’s kind of a motivation for me,” said Zoe, who has already been called in three times by the U-14 national team. “They were kind of at the same place I am. And it’s just very motivating to see them where they are. That’s just kind of where I want to be.”

If there’s been one constant in the girls’ soccer careers it’s been their dad, who has been intimately involved in with all three, drilling them in the backyard of their Studio City home or walking them down the street to a park, where they shared the lumpy grass with softball players and unleashed dogs.

They were often, but not always, willing participants since the family didn’t have a TV when the girls were growing up.

Zoe Thompson controls the ball during a training session in preparation for her debut with the Santa Clarita Blue Heat soccer team.

And while the hours and hours of practice certainly honed the sisters’ skills, their parents can’t explain where the girls got their immense physical gifts. Mario played football and basketball and ran track at Occidental College with modest success while his wife, Karen, an occupational therapist, played basketball and ran cross-country in high school, hardly the pedigree that could be expected to produce three world-class soccer players.

Perhaps part of the answer lies in their unique DNA, a mix of Mario’s Black and Filipino background and Karen’s Italian and Peruvian roots.

“It was never the plan, ‘Hey, let’s have some soccer players’,” Mario said.

But once the sisters decided that was their plan, the parents had to adjust. The girls had rare talent, Mario Thompson quickly realized, and it had to be developed. So Alyssa and Gisele began playing with an elite boys’ team while they were still in high school and passed up scholarships to Stanford to sign lucrative contracts with Angel City while their were teenagers.

Zoe has chosen another way, playing with Tudela FC, an all-girls team that practices near her home, and with the Blue Heat, where she’ll be facing stronger, more mature players for the first time. Mario Thompson hopes those aren’t the only differences, although he said the road his youngest daughter takes will ultimately be up to her.

“My hope is she goes through college and just goes a different pathway, different journey,” Mario Thompson said. “It’s a roller-coaster ride and so for [Zoe], I think she sees that roller-coaster ride and I don’t know if it’s a rush to let me get to that. She wants to eventually be a pro, but I don’t think it’s ‘I need to get there as soon as possible.’”

“It’s Zoe, what do you want?” he added. “It’s not like you have to be here, you have to do this. It’s none of that. It’s about, ‘Hey, Zoe, this is your journey.’ We want you to enjoy it, have fun with it, be happy with it.”

She appears to be accomplishing all three of those goals. She’s also both confident and comfortable in her abilities and believes she’s already ahead of both her sisters despite the weight of expectation.

Zoe Thompson with head coach Leonardo Neveleff at the conclusion of a training session in preparation for her debut with the Santa Clarita Blue Heat soccer team. Thompson, 14, is the younger sister of U.S. women’s soccer players Gisele and Alyssa Thompson.

But she’s also well aware of the pitfalls ahead, having seen Alyssa and Gisele occasionally stumble into them.

“Yeah, it is a lot of pressure but I feel like we just had different paths,” she said. “They didn’t really know they were going to do soccer. They didn’t know that was their sport. But I feel like that path was set for me.

“It was just like I grew faster. I kind of took the understanding of what they were doing, and then I did it a little faster.”

There are other differences as well. Gisele is a defender and Alyssa a forward, but Zoe plays in the midfield. And while it was sometimes difficult to get anything more than a giggle from Alyssa in an interview even after she turned pro, Zoe already gives complete, thoughtful answers to most questions.

Zoe’s game is also different; while Alyssa and Gisele are both exceptionally fast, Zoe relies more on her skill.

“Zoe’s more technical than her sisters at this stage,” her father said. “She’s better on the ball, she has a better understanding of the game. A lot of their game was because of speed. Hers is more thinking, hers is more of the ball on her feet.

“Technically, she’s better and understands the game at this age.”

Gisele, the sister who chauffeurs Zoe to practice in Santa Clarita, agrees. But, she adds, Zoe’s greatest strength may actually be her desire.

“She just has so many great qualities that me and Alyssa don’t have,” she said. “At her age, she wants it way more than we did. She loves soccer with a passion. Me and Alyssa didn’t love it as much as she does.”

And if that passion translates to performance, Zoe will someday join her sisters on the national team. By then she may even be in the driver’s seat.

Santa Clarita Blue Heat team owner Carlos Marroquin talks to Zoe Thompson after a training session at Valencia High.

KATIE Price’s sister has revealed how her mum Amy was left so “p***ed off” with the star after another debacle involving husband Lee Andrews.

Last week, following his ‘disappearance’, Katie posted a cover version of the song Get Here and said her desire to record the song had come after being left missing Lee.

But in a new episode of their sister’s podcast, The Katie Price Show, Sophie revealed how Katie had originally told their mum she had recorded it for her.

The track came about as Katie enjoyed a recording session for her upcoming single.

During a break, she revealed how she had asked to record a cover of Get Here as a treat for her mum with the song being a family favourite.

Katie then sent the track to her mum but shortly after posted it online and dedicated it to Lee.

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The move left Amy feeling “p***ed off” with Katie according to Sophie.

Katie originally said: “I did it for mum.

“I said to mum, ‘I know you love this song’.

“But… she’s so p***ed off.”

Sophie interjected to add: “She was so p***ed off right because you put that Reel up…

“Kate called mum and was like I’ve been in the studio and made this song for you.

“Then Kate put it up on Instagram and was like, ‘oh it’s for Lee and for the situation.”

Katie went on to say: “I thought, do you know what, these words actually resonate with what’s going on.

“So then I put it up for Lee.”

Katie proceeded to sing some of the lyrics which included the lines: “You can reach me by sail boat, you can reach me on an airplane.”

Ella Bruccoleri shot to fame on Call the Midwife in 2018 and has recently bowled over period drama fans on The Other Bennet Sister

Ella Bruccoleri has made a surprise confession about her rise to fame as a television actress.

The 36-year-old star recently appeared as the lead in the BBC One drama The Other Bennet Sister, inspired by Jane Austen’s timeless Pride and Prejudice.

Based on the popular novel of the same name by author Janice Hadlow, The Other Bennet Sister turns the spotlight onto Mary Bennet, the seemingly unremarkable middle sister in Pride and Prejudice.

Upon its March launch, the period drama became an instant hit with viewers, with some critics branding Ella’s performance “absolutely lovely” and the show a “must-watch”.

It’s no surprise that Ella captivated viewers with her portrayal of Mary Bennet, as she is no stranger to historical dramas. In 2018, the actress rose to fame when she joined Call the Midwife as Sister Frances, a role she held for 4 years.

The popular character’s final episode in 2022 saw her playing a game with the children at the Mother House to correctly guess the name she had before becoming a nun. On her way back from her day of work, she injured her shoulder after a bike crash.

While she hasn’t been seen since Sister Julienne (Jenny Agutter) sent her to Chichester to recuperate, viewers did get some closure when they learned her given name is Rosemary.

Following her exit from Call the Midwife, Ella has gone on to play Miss Barragan in the third season of Netflix’s Bridgerton and appeared in all three entries of the recent Strangers horror movie trilogy.

In 2021, she starred as Anabel Dinsdale in All Creatures Great and Small and played a nun in the series The Last Kingdom.

Enjoying great success in her career, Ella has now revealed that she struggled to watch herself on-screen during her earlier acting days, including on Call the Midwife.

She told the New York Times: “The first year of seeing myself on camera, I was just miserable because I was like, ‘I don’t think that looks like me'”. But on The Other Bennet Sister, Ella was happy to retreat from vanity and relished Mary’s characteristic of an unflattering haircut and geeky glasses.

The story of an overlooked and undervalued young woman finally realising her worth resonates with her. “I relate to her a lot, and I see a lot of her in me”, she added.

Earlier this year, Ella also opened up to the Radio Times about her feelings on her earlier work on Call the Midwife, including why she quit the role:

“When I look back at my early episodes, I’m thinking, ‘Oh, that’s not good’. I learnt screen acting on the job, and it was invaluable”, she said. “It felt crazy quitting a great job but I’d started getting different offers, and I realised I love the variety of different things.”

The Other Bennet Sister and Call the Midwife are both available to stream on BBC iPlayer

May 22 (UPI) — Federal immigration officials have arrested the sister of a sanctioned Cuban executive on the grounds that her presence in the United States poses a threat to the nation and undermines U.S. foreign policy interests.

Homeland Security Investigations agents arrested Adys Lastres Morera in Miami on Thursday, Immigration and Customs Enforcement said.

Little information about the arrest was made public. ICE published a photo showing the back of a woman in handcuffs being detained by immigration officers.

The arrest came as Secretary of State Marco Rubio announced in a statement that he had terminated Morera’s lawful permanent resident status under a provision of thee Immigration and Nationality Act that makes non-citizens deportable if the secretary of state believes their presence or activities in the United States “would have potentially serious adverse foreign policy consequences.”

ICE said her status had been terminated on Wednesday, paving the way for her arrest.

“Allowing Lastres Morera to remain in the country would send a signal that Cuba regime-affiliated networks could continue to access the U.S.’s financial, education and social institutions — but that is not the case,” acting HSI Executive Associate Director John Condon said in a statement.

Adys Lastres Morera is the sister of Ania Guillermina Lastres Morera, the executive president of the Cuban military-controlled financial conglomerate GAESA.

The State Department sanctioned GAESA and Ania Guillermina Lastres Morera earlier this month on accusations of diverting resources from the Cuban people to “fuel the lavish lifestyles of Castro family members and other regime elites and to finance overseas influence operations as part of Cuba’s long-standing ambition of a global communist revolution,” Rubio said Thursday.

According to ICE, Adys Lastres Morera was admitted to the United States as a lawful permanent resident on Jan. 13, 2023.

“For far too long, the family members of terrorist organizations, repressive anti-American regimes and other bad actors who would threaten the national security of the United States have been given a free pass to enjoy the privileges of living in the United States,” Rubio said.

“No longer. Under President [Donald] Trump, we are removing from our country the family members of [Iran’s Islamic Revolutionary Guard Corps] terrorists and Cuban regime elites.”

The arrest comes amid mounting tensions in the Caribbean.

A day earlier, U.S. federal prosecutors charged former Cuban President Raul Castro on allegations of authorizing the 1996 shootdown of an aircraft operated by the Cuban American exile organization Brothers to the Rescue.

Rep. Gregory Meeks, the top Democrat on the House Foreign Affairs Committee, has accused the Trump administration of using the Castro indictment as a pretext to escalate tensions and potentially justify another military operation in the Caribbean, similar to the January U.S. strike that abducted Venezuela’s authoritarian leader, Nicolas Maduro, and brought him to the United States to face narco-terrorism charges.

The Other Bennet Sister proved to be a massive hit with period drama fans last month.

A star of The Other Bennet Sister already has two major new projects lined up.

BBC audiences were captivated by the Pride and Prejudice-inspired period drama The Other Bennet Sister, which retells the classic story from the viewpoint of Mary Bennet (portrayed by Ella Bruccoleri).

While the series predominantly centres on Mary’s individual journey, it does track some of the Jane Austen novel’s more central characters, including snobbish social climber Miss Bingley.

In this BBC adaptation, she is portrayed by none other than Sex Education star Tanya Reynolds, who now has two exciting productions on the horizon.

The first of these ventures is dark comedy Dog Person, a film which the 34 year old is not only appearing in but marks her directorial debut.

She will assume the role of Sally, a dental receptionist who is “overwhelmed by life’s pressures and develops a desire to relinquish control, leading to a dark, unsettling fantasy”.

Reynolds won’t be the sole recognisable face to appear in Dog Person either, as she will be accompanied by the likes of Happy Valley villain and Grantchester legend James Norton.

Completing the principal cast is ITV Downton Abbey and Twenty Twenty Six star Hugh Bonneville.

Dog Person isn’t Reynolds’ sole forthcoming project, with Ted Lasso enthusiasts thrilled to learn that she will feature in the highly anticipated fourth season.

Three years have passed since fans last caught a glimpse of the award-winning Apple TV comedy-drama, and a handful of fresh faces are set to join everyone’s beloved football coach.

Little has been revealed about Reynolds’ character, though she is set to play a new assistant coach for a women’s football team.

Fortunately, the wait is almost at an end, with Ted Lasso season four due to make its debut on Wednesday, August 5, on Apple TV, with episodes dropping on a weekly basis.

The Other Bennet Sister is available to watch on BBC iPlayer.

Sophy Romvari’s luminous debut feature “Blue Heron” is a loving and studious act of remembrance. Her protagonist and surrogate, Sasha (Amy Zimmer), attempts to understand her family’s past through a reverent process of recreation. While she finds that not everything can be understood, there is beauty and solace in the journey itself — and maybe a kind of catharsis.

“Blue Heron” is an autobiographical project, but it’s more apt to call it a memoir. Sasha admits she doesn’t remember much of her childhood and doesn’t even trust the fragments. But she will try anyway. As Sasha zooms in on her iPhone, standing at the bluff overlooking her hometown, Romvari rolls up the back of a moving truck to deliver a lush slice of ’90s childhood nostalgia, picking up the memory as her Hungarian immigrant family — two parents, three brothers and one sister — arrive at their new home on Canada’s Vancouver Island.

Father (Ádám Tompa) settles into work on the home computer; Mother (Iringó Réti) attempts to amuse the kids with trips to the beach and nature preserves. Snippets of summer filter through the eyes and ears of 8-year-old Sasha (Eylul Guven) and in the photos snapped by their parents.

But a disquieting presence looms: Jeremy (Edik Beddoes), the eldest son. Blond, light-featured and tall, he is visually distinct from the three other children and his silent rebellion permeates the atmosphere.

His misbehavior is minor — irritating but untenable when stacked together — like bouncing a ball against a wall, disappearing for fun or climbing on the roof. He mostly just seems like a moody, unsatisfied teen, drawing elaborate maps and sometimes playing with his siblings sweetly. It all seems like harmless mischief until it escalates.

The movie’s title refers to a key chain from a gift shop that Jeremy, who almost never speaks, presents to his younger sister. Like him, the film is quiet and meditative, bathed in the cool blues and verdant greens of the setting, captured in Maya Bankovic’s saturated cinematography. We are transported to a place of natural beauty and a period of seemingly unlimited time. But Jeremy-related tension simmers beneath the domestic surface, just as it does in Chantal Akerman’s 1975 landmark “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles,” referenced in a shot of a mother and daughter peeling potatoes.

“Blue Heron,” though, is not just going to simply be a throwback family drama about a troubled boy and his younger sister. The film suddenly zooms out, linearly, to two decades later. Zimmer’s older version of Sasha is grappling with her brother’s void and she does so with her mind, her work, her actions. She conducts a focus group of social workers for a documentary in order to try to understand Jeremy’s behavior and the treatment he got at the time. She scrubs through video and photos and interviews a case worker. She escapes into old movies.

In Romvari’s award-winning 2020 short “Still Processing,” a companion piece to “Blue Heron,” she processes the loss of two brothers through photography, sifting through boxes of old photos and film negatives shot by her father, who trained as a cinematographer in Hungary. It seems natural for Romvari to access the emotional through artistic practice, to give her — and Sasha — something to do with their hands. The tactility of the photographs in “Still Processing” provide an access point to the past. Romvari weeps as she spreads them out on a table, saying “hi” softly to her brothers. But there’s a remove in the rigorous focus on the snapshots that perhaps also protects her from the full crushing weight of these emotions.

But in a film like “Blue Heron,” anything is possible, including time travel, and for Romvari, it’s the channel that she offers Sasha to achieve the closure that she needs: a visit to a time she doesn’t really remember, even as she’s building an archive of materials to bolster herself.

If young Sasha watches (and Guven is absolutely terrific at watching), the older Sasha speaks. Zimmer, a New York City comedian, is tasked with a heavy, grief-laden dramatic role, and she’s utterly convincing, entrancing in her stillness. But she also has a way with words, a clarity that rings with a rare kind of honest empathy, especially in a letter that Sasha reads to her parents.

That letter is what “Blue Heron” represents for its filmmaker — an attempt to re-create the past, to bring it back to life. Even if imperfect, the value is in the effort, in the ongoing practice of remembering, as an act of devotion to family and self.

Fans of The Other Bennet Sister looking for their next period drama fix should watch the BBC’s gripping sequel to Pride and Prejudice available on iPlayer

The Other Bennet Sister has made a significant impression on period drama fans but as they complete the first and only season, they’re desperately searching for another Jane Austen tale.

Within the same universe Austen crafted, they can opt to watch Death Comes to Pemberley, a narrative that begins exactly where Pride and Prejudice concluded.

Much like the 2026 series, The Other Bennet Sister, this 2013 standalone series is also a follow-on from Jane Austen’s Pride and Prejudice, penned by a different author.

It’s adapted from P.D. James’s 2011 novel, which employs the same characters and style of the original 1813 work.

Over three episodes, it pursues a murder mystery angle, featuring the characters that Austen devotees recognise and adore but in a somewhat different setting.

The Guardian said its production was “respectful” of Austen’s iconic work while managing to “stand out” and be its own “very different” entity.

Though it also shares similarities with the Pride and Prejudice adaptation, as Chatsworth House in Derbyshire served as the exterior location for Pemberley. This was the identical setting used for the estate in the 2005 film.

A viewer headed to IMDB to post their assessment of Death Comes to Pemberley, stating: “If you are like me and enjoy your Pride and Prejudice and a good murder plot, then you would love this series!”

They continued: “Elisabeth in particular is just like I would have imagined; she is the same spirited, outspoken person we know and love, while Darcy is more brooding, quiet and responsible (while I may have chosen other actors in terms of appearance, I think they portray the characters very well as reactions).”

A PopMatters critic also weighed in, writing: “Death Comes to Pemberley, a sequel to Jane Austen’s Pride and Prejudice by P.D. James, is a worthy addition to Austen’s original, and the BBC adaptation makes that case wonderfully.”

Set in 1803, the drama kicks off six years after the wedding of Mr Darcy and Elizabeth Bennet, when a mysterious disappearance unsettles the entire community. Wickham and Denny quarrel before departing in a horse and carriage, and shortly afterwards, two gunshots ring out.

Upon being informed of the incident and the two men’s disappearance, Darcy dispatches a search party. They find Wickham frantically clutching Denny’s lifeless body, setting in motion the tale of how this devastating death came about.

Naturally, venturing into Austen’s world carries considerable weight, as the cherished author’s work is regarded as sacred by legions of devoted fans.

As a result, the series has faced its fair share of criticism over its depiction of certain Austen characters which have since been reimagined by other writers.

One critical IMDB reviewer wrote: “When you use well-known and loved characters from something as famous as Pride and Prejudice, they should at least stay faithful to their original characters. Which it does, mostly, but the portrayal of Elizabeth Bennett was just really off.”

Anna Maxwell Martin takes on the role of Elizabeth, alongside Matthew Rhys as Fitzwilliam Darcy, Jenna Coleman as Lydia Wickham and Matthew Goode as George Wickham.

For those seeking their next Austen-inspired drama, this compact three-episode series makes for an ideal binge-watch; Death Comes to Pemberley is currently available to stream on BBC iPlayer.