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THE bodyguard who inspired the Minder TV character Terry McCann has died aged 75, it was revealed last night.

Michael “Danny” Francis was a former boxer and one-time drug dealer.

The Londoner guarded stars including Paul McCartney, Cher and members of Led Zeppelin and Kiss.

McCann — played by the late Dennis Waterman in the 1980s — was based on his combination of brawn and charm.

Millions of ITV viewers loved the fictional bodyguard and his wheeler-dealer boss Arthur Daley — the late George Cole.

Gary Webster, 61, and Lex Shrapnel, 46, later played other minders in reboots of the hit show.

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Waterman wrote of Francis in his autobiography: “If push came to shove, boy could he sort things out.”

Francis is survived by his wife June — who he married in 1970 — and their three children.

The show was set in working-class west London and was largely responsible for introducing the word “minder” into British slang.

Minder brought London’s criminal underworld to millions.

Waterman left the role in 1989 after his seventh series

He even sang the theme tune for the iconic telly show.

Sir Tom Stoppard, one of the UK’s best-known playwrights, has died aged 88, his agents have announced.

Sir Tom, who won an Oscar and a Golden Globe for the screenplay for Shakespeare In Love, “died peacefully at home in Dorset, surrounded by his family”.

His other stage work included The Real Thing, and Rosencrantz and Guildenstern are Dead.

“He will be remembered for his works, for their brilliance and humanity, and for his wit, his irreverence, his generosity of spirit and his profound love of the English language,” United Agents added.

“It was an honour to work with Tom and to know him.”

The playwright captivated the hearts of audiences for more than six decades with work that explored philosophical and political themes.

He also wrote for film, TV and radio. He adapted Leo Tolstoy’s novel Anna Karenina for the 2012 film starring Keira Knightley and Jude Law.

In 2020, he released his semi-autobiographical new work titled Leopoldstadt – set in the Jewish quarter of early 20th Century Vienna – which later won him an Olivier award for best new play and scooped four Tony awards.

Born Tomas Straussler in Czechoslovakia, he fled his home during the Nazi occupation and found refuge in Britain.

He received many honours and accolades throughout his career, including being knighted by the late Queen for his services to literature in 1997.

Sir Tom’s career as a playwright did not take off until the 1960s when Rosencrantz and Guildenstern are Dead premiered at the Edinburgh Fringe Festival. It was later performed at the National Theatre and Broadway.

The play focuses on two minor characters from Hamlet. It won several awards including four Tonys in 1968, including best play.

Behind the scenes the changes have been seismic.

The motivation was twofold.

As they assessed the inner workings of the club, senior figures around the ownership concluded it was “over-dimensioned”, according to one observer close to the process.

In other words, there were too many people and too many jobs.

They found a structure which they felt required United to be playing in the Champions League every season and competing to win the Premier League. Failure put a strain on finances.

Having reached such a view and with losses so high, slashing staff numbers was a harsh but inevitable reality.

An initial cull of 250 staff within months of Ratcliffe’s arrival was carried out to get the numbers down.

It is accepted internally that the pain created was extensive, the shock huge.

It was the second round of 200 redundancies this year that allowed the hierarchy to pursue a different staffing model, so finance could be used in what was felt to be a more efficient way.

Nowhere is the impact of that more evident than in United’s data operation.

In an interview with the popular United We Stand fanzine in December 2024, Ratcliffe described the club’s approach to data analysis as being in the “last century”.

It was felt that Formula 1 was the sport at the cutting edge of data and AI use. The performance of every single component is monitored in fine detail, and success and failure can be measured in hundredths of a second.

As a result, Michael Sansoni’s arrival from the Mercedes F1 team as director of data in April was one of the least surprising moves.

Sansoni has completely revamped United’s data capabilities, which are now being used extensively across performance, recruitment and training.

Precise details of the work Sansoni has implemented are a closely guarded secret, but one source said the work of United’s data and analytics team has accelerated to such a degree it is now “among the top four teams”.

Following the second set of job cuts there was a strategic focus to bring in what have been described as “versatile people who are multi-faceted and multi-skilled to help in multiple areas”.

It is the senior appointments that really catch the eye, though.

A quick list of new arrivals among senior staff at the Old Trafford club unearths 19 names.

Not all the exits were forced and, as at any big organisation, a change in ownership can lead to movement further down – but the scale of change has been significant.

Two notable figures remain: Collette Roche and Martin Mosley.

Chief operating officer Roche is leading United’s representation around their proposed 100,000-capacity new stadium and the wider Old Trafford regeneration.

Mosley joined United in 2007 and took over as general counsel in the summer of 2024 following the departure of Patrick Stewart, who is now chief executive at Rangers.

Roche and Mosley’s presence is regarded as a crucial link to the pre-Ratcliffe era while those running the club get a full understanding of the scale of United, which can come as a shock, even for those – like chief executive Omar Berrada (Barcelona/Manchester City), chief business officer Marc Armstrong (Paris St Germain), performance director Sam Erith (Manchester City/Tottenham/FA) and director of recruitment Christopher Vivell (Chelsea/Red Bull) – with experience of working at big clubs.

Trusted Ineos figure Roger Bell has become United’s chief finance officer and Kirstin Furber has arrived from Channel 4 as people director.

But it goes much further. A head of sports medicine and, for the first team, a new doctor, a new physio and a new performance chef. Experts in nutrition and soft tissue treatment. Academy director. Media director. All part of the nuts and bolts at a leading Premier League club in 2025.

So many significant figures from the previous era, who negotiated key deals, treated players and presented the public face of the club, have gone.

No-one can be sure if the future will be better.

As with every other club, external judgement of the success or failure of off-field change can be swift and it is almost always connected to results of the first team, which by their nature can hinge on arbitrary moments.

There is an acceptance internally at United of an unquantifiable lag time between inception of new processes and their outcome.

Sometimes, though, it becomes obvious a certain move has failed.

Dan Ashworth clearly falls into that category. Highly respected in the game, Ashworth’s willingness to leave Newcastle to take up the job of sporting director is still felt at Old Trafford to be a positive and reflected well on the changes being made and future direction anticipated.

However, after United paid Newcastle £3m in compensation, within five months he was gone.

Sources deny that a split occurred around the choice of Ten Hag’s replacement.

But there was a difference of opinion, the respective views of how Ashworth’s job should work did not fit and a parting of the ways – with another compensation payment, in the region of £4m – was viewed as the inevitable outcome.

Sir Rod Stewart performed at the Royal British Legion Festival of Remembrance on BBC One

Sir Rod Stewart’s lively performance at this year’s Royal British Legion Festival of Remembrance at London’s Royal Albert Hall left some viewers unimpressed.

The 79-year-old music icon kicked off the annual event, attended by high-ranking royals and military veterans, with a spirited rendition that split opinions among home audiences.

Despite the evening being dedicated to honouring the nation’s fallen heroes, some fans suggested his hip-shaking moves were “not exactly in the spirit of remembrance.”

One disgruntled viewer posted on X (formerly Twitter): “Because Rod Stewart gyrating his hips is how we all want to pay tribute to the fallen.”

Another commented, “Rod Stewart’s really going for it, but I’m not sure those hip gyrations are exactly in the spirit of remembrance,” and questioned, “Is this appropriate?” according to the Daily Express.

Someone else added, “Rod Stewart is totally inappropriate for the Festival of Remembrance.”

However, many came to the defence of the veteran singer, highlighting his decades-long history of entertaining troops and supporting military charities.

One fan praised, “Sir Rod Stewart on bbc1 tonight made me so very proud and all our soldiers and airmen, and LADIES GOD BLESS YOU ALL THANKYOU YOUR ALL AMAZING THANKYOU.” (sic)

Someone else complimented, “Sir Rod Stewart isn’t looking (or sounding) half bad for a man of 80! Good for him.”

Sie Rod, who previously performed at the Queen’s Platinum Jubilee, has a long-standing commitment to charity work supporting the armed forces. He returned to the stage a second time to perform his hit song, Sailing.

The evening, held at the Royal Albert Hall and presented by Ted Lasso star Hannah Waddingham, also saw performances from Sam Ryder, Keala Settle, Blessing Offor, and The Wellermen, alongside moving displays by the Central Band of the RAF and Royal Marines Band Service.

This year’s Festival of Remembrance commemorated the 80th anniversary of the conclusion of World War II and paid tribute to the bravery of those who served, while also recognising the resilience of military families and the advancements made since the prohibition on LGBT service personnel was removed 25 years ago.

Viewers applauded the entire show, sharing their thoughts online: “The Royal British Legion Festival of Remembrance is always so beautifully put together. An incredible tribute to those who serve & have served our country.”

Some acknowledged the sacrifices being remembered whilst criticising the current state of Britain’s borders. One viewer commented: “In the year that our government admitted that they have lost control of our border, it makes the #festivalofremembrance more poignant than ever. Let us pray we don’t see the day when we admit they all died in vain.”

Many were left feeling emotional during the annual commemoration, with one viewer confessing: “10 minutes in and I’m already in tears.”

Another shared: “Imagine not seeing your baby until it was 9 months old. It’s incomprehensible. We owe these men and women so much.”

Hannah Waddingham received acclaim for her “simply superb” hosting and “stunning” vocal performance as she sang “We’ll Meet Again”.