Sinner

Michael B. Jordan, 38, has given awards-worthy performances since he was a teenager. He now appears poised for his first Oscar nomination for playing twin bootleggers in frequent collaborator Ryan Coogler’s “Sinners.”

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Age when Jordan delivered an indelible performance as the softhearted, conflicted teen drug dealer Wallace on HBO’s “The Wire.”

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Despite being considered one of the finest television shows of all time, “The Wire” received only two Emmy nominations — both for writing — and won neither.

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“Breakthrough” awards and other mentions poured in for Jordan’s nuanced portrayal of Oscar Grant, a real-life Bay Area man killed by transit police, in Coogler’s 2013 debut feature “Fruitvale Station.”

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Although none of the top awards bodies recognized his “Fruitvale Station” performance, Jordan received an Independent Spirit Award nomination for best male lead.

2016

The prestigious National Society of Film Critics named Jordan best actor for his portrayal of boxer Adonis Creed in “Creed,” Coogler’s expansion of the “Rocky” franchise.

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Despite the NSFC signaling his arrival as a bona fide movie star, Jordan was left off the Oscar, Golden Globe, SAG and BAFTA nominations lists.

2018

Jordan’s performance as complex antagonist Erik Killmonger in Coogler’s “Black Panther” drew widespread awards attention from critics groups, and the film’s cast won the SAG ensemble prize — Jordan’s highest acting honor to date.

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Although the data is shaky, it appears Jordan would be the fourth lead actor nominated for playing multiple characters in a movie if he gets the nod for “Sinners,” after Peter Sellers (“Dr. Strangelove”), Lee Marvin (“Cat Ballou”) and Nicolas Cage (“Adaptation”).

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Only Marvin won, in 1966, for playing two gunmen — one far more broadly than the other.

Since the US Open, Sinner has focused on being more aggressive with his serving – which led to him being broken only once during his five matches in Turin – and playing with more variety.

Both facets were evident against Alcaraz.

When Alcaraz had a chance to win the first set at 6-5 on Sinner’s serve, the Italian nervelessly sent down a 117mph second serve to his opponent’s backhand to save the break point.

A pair of unreturnable first serves followed and enabled Sinner to force a tie-break which he then controlled.

In the second set, with Alcaraz hampered by a hamstring injury which required strapping, Sinner began to use more drop shots and it was notably one which saved a break point in the seventh game.

Breaking Alcaraz again in what proved to be the final game meant Sinner lifted the trophy without dropping a set.

“You are definitely a player I look up to,” Sinner, who stretched his unbeaten record indoors to 31 matches, told Alcaraz in his winner’s speech.

“[You give me] a lot of motivation – I need this – in every practice session with a big, big purpose.

“I hope to see you again next year with, hopefully, great, great battles ahead of us.”

The tickertape had not even settled on the Turin court.

Yet the platitudes exchanged by the pair – who appear to have a genuine warmth in a relationship – indicated they are already looking forward to locking horns again in the 2026 season.

A lot of tennis fans are also licking their lips about seeing Sinner and Alcaraz going head-to-head again – and lamenting it will not happen again for at least another couple of months.

A rendezvous in the Australian Open final, with Sinner looking to defend his Melbourne crown and Alcaraz aiming to become the youngest man to complete the career Grand Slam, would be their dream.

On the evidence of this season and this latest encounter, few would bet against it.

Jannik Sinner beat Carlos Alcaraz for just the second time this year and defended his ATP Finals crown in Turin.

Italy’s Jannik Sinner retained his ATP Finals title on Sunday, sending the Turin crowd wild as he battled past Spanish world number one and rival Carlos Alcaraz 7-6(4) 7-5 in the decider to the season-ending championships.

Sinner, backed by a raucous Italian crowd, fell to the floor after breaking his rival’s serve in the final game before racing to celebrate with his team as chants of “Ole, Ole, Ole, Sinner, Sinner” rang around the Inalpi Arena.

“Finishing in front of the Italian public was a fantastic thing, maybe even better than last year. Thank you very much for the support, it was incredible,” Sinner said.

“Thanks to all of you, it felt like being on a football pitch.”

In a season defined and dominated by the rivalry between the two players, it seemed inevitable that they would meet in the title clash, and both obliged by easing through the tournament unbeaten to set up one last dance in Turin.

Sinner under pressure

Alcaraz forced the only break point in the first set, but Sinner held firm and brought the crowd to its feet with a tiebreak win and sealed the match when the Spaniard was unable to hold while serving to stay in the contest.

Sinner missed out on ending the year as world number one to Alcaraz after the Spaniard won his three round-robin matches this week, but the Italian won the last act of 2025 to crown the best season of his career.

The 24-year-old reached the final of all four Grand Slams, winning the Australian Open and Wimbledon, while Alcaraz has also had a stellar year, winning Roland Garros and the US Open, beating Sinner in both finals.

“Hopefully you’re going to be ready for next year,” Alcaraz said with a smile.

“Because I will be ready.”

Alcaraz put Sinner to the test in Turin, but despite not being at his best and struggling with his service game – which had powered him past opponents all week – the Italian held his nerve.

Sinner won his opening service game to love with Alcaraz responding in kind, and at 2-2 the Spaniard forced deuce before a medical emergency in the stands led to a 10-minute break, the duo chatting over the net, belying the tension in the arena and on court.

When play resumed, Sinner advanced to the net to slam down a winning volley and fired an ace to hold. Alcaraz required a medical time-out during the break at 5-4 up before forcing the first break point of the match at 6-5.

Sinner survived and after letting slip a mini-break in the tiebreak, the champion brought the crowd to its feet, smashing down a lob after Alcaraz had chased back to return a drop shot and then catching out the Spaniard with a lob of his own to take the first set.

The Spaniard had chances to take the final the distance, breaking the Italian in the opening game of the second set, where Sinner hit two double faults. Yet Sinner came back to level the set at 3-3 and came through when it counted.

Sinner arrived in the final on a remarkable indoor hardcourt winning run of 30 matches since losing to Novak Djokovic in the 2023 decider in Turin, also the last time the Italian dropped a set in the competition.

Appearing in his third successive final in the season-ender, Sinner had lost four of his previous five meetings with Alcaraz this year, which all came in finals, but he was not to be denied in Turin, where his win earned him a record $5.07m in prize money.

Italian Sinner has warned that Alex de Minaur “doesn’t have a lot to lose” in their semi-final.

Sinner advanced to the last four without dropping a set or a service game, showcasing his clinical touch against Shelton by converting two of his three break-point opportunities in the first set and sealing the win in the tie-break with his second match point.

Efficient on serve throughout the match, he shut down Shelton’s only break point – he has now saved all eight he has faced in Turin – and gave up just seven points in six second-set service games.

The 24-year-old, targeting a third consecutive appearance in the final at the end-of-season showpiece, boasts a 12-0 record against seventh seeded De Minaur but is unwilling to underestimate the Australian, who upset Taylor Fritz to clinch second place in the Jimmy Connors Group.

“I’m very happy for [De Minaur],” Sinner said. “Props to him for coming back with that performance [against Fritz]. It’s one of the best matches I’ve seen him play.

“I have to be very careful – he doesn’t have a lot to lose. It’s going to be very difficult.”

In the doubles, a 7-6 (7-5) 6-2 victory for Henry Patten and his Finnish partner Harri Heliovaara over Marcelo Arevalo and Mate Pavic means there will be five British players in the semi-finals – the most from a single nation since 1992.

British duo Joe Salisbury and Neal Skupski, who had already qualified, maintained their 100% record with a 7-5 6-3 win against Christian Harrison and Evan King and will face fellow Britons and year-end number ones Julian Cash and Lloyd Glasspool in the last four.

Jannik Sinner stayed on course to defend his ATP Finals title, while Felix Auger-Aliassime claimed the last semi spot.

Canada’s Felix Auger-Aliassime reached the last four of the ATP Finals with a 6-4 7-6(4) round-robin win over two-time winner Alexander Zverev on Friday, and Jannik Sinner extended his indoor hardcourt unbeaten run by beating American Ben Shelton.

Germany’s Zverev and Auger-Aliassime both defeated Shelton and lost to Sinner to set up a winner-takes-all clash for the runners-up spot in the Bjorn Borg Group, and the Canadian clinched a place in Saturday’s semifinal against world number one Carlos Alcaraz.

“You want to be in the final, but I’ll have to go through a great player to do that,” Auger-Aliassime said.

“I will take my chance if I have it.”

Zverev was left to rue his failure to take any of his seven break points against Sinner, and it was a similarly frustrating story against the Canadian.

The German held break points in both sets but again could not make them count, and the Canadian broke Zverev at 5-4 up to take the first set, before going on to win the second set tiebreak.

Auger-Aliassime was put under pressure in the opening set, saving break points at 2-2 and 4-4, while Zverev came back from 0-40 down only to lose serve and hand the Canadian the set.

Zverev spent much of the second set gesturing to his team, with Auger-Aliassime winning his first two service games to love before both players were guilty of throwing away chances to break.

Auger-Aliassime let slip a 2-0 lead in the tiebreak, but when Zverev stepped up to serve at 4-5, the Canadian came through to earn consecutive minibreaks and send the German home.

Sinner stays unbeaten

Sinner is unbeaten in 29 matches on indoor hardcourt after a 6-3 7-6(3) victory over Shelton in their dead rubber round-robin match.

There was a relaxed atmosphere in the Inalpi Arena as the Italian had already secured top spot in the group and a semifinal against Alex de Minaur.

Shelton was broken in the opening and closing games of the first set, unable to take advantage of a break point at 2-1 down, while Sinner was always capable of pulling out an ace at the crucial time, hitting two in that fourth game to hold serve.

The American put up more fight in the second set, serving to love on three occasions, rescuing a match point at 5-4 down and forcing Sinner into a tiebreak for the first time in the last two editions of the season-ending championships, before the Italian sealed the win.

Sinner’s chances of ending the year as world number one evaporated on Thursday when Alcaraz completed a clean sweep in the Jimmy Connors Group with a win over Lorenzo Musetti, leaving little at stake against Shelton apart from his unbeaten run.

Before Sinner and Shelton emerged, Alcaraz was presented on court with the ATP year-end world number one trophy, which the Italian won last year, and the pair may yet do battle one last time in 2025 in Sunday’s final.

“It’s a pleasure being the number one of the world. It’s something that I’m working really hard for every day. It is a goal, to be honest,” Alcaraz said.

“For me, it’s a great achievement. It means the world to me and I’m just really proud and happy.”

Jannik Sinner extends his unbeaten indoor hardcourt record to 28 matches with straight sets win over Alexander Zverev.

Defending champion Jannik Sinner reached the semifinals of the ATP Finals with a 6-4 6-3 win over two-time winner Alexander Zverev on Wednesday, with Ben Shelton eliminated after losing earlier to Felix Auger-Aliassime in the same group.

Italy’s Sinner extended his indoor hardcourt winning streak to 28 matches, but victory over his German rival was not as comfortable as the scoreline suggests, with the world No 2 under pressure early in both sets.

“A very, very competitive match, a very close match,” Sinner said. “I felt like I was serving very well in important moments. I tried to play the best tennis possible when it mattered, which fortunately went my way.”

The pair, the only two previous ATP Finals champions in this year’s competition in Italy, had both won their opening Bjorn Borg Group matches.

Zverev fails to capitalise on break opportunities

On Wednesday, Sinner faced seven break points compared with Zverev’s four but pulled out aces and delightful drop shots when it counted.

Sinner made a slow start, facing two break points in the opening game, but found four aces at vital points to hold after nine minutes. He let slip two break points at 5-4 up before racing to the net to outwit Zverev and take the first set.

Sinner came back from 0-40 to hold his first service game of the second set, and Zverev forced another break point when the Italian next served, but the champion’s composure never wavered and he broke to lead 4-2, a sliced drop shot the winning point.

Zverev responded by taking a 30-40 lead in the following game, but Sinner held firm. At one stage, a whipped backhand down the line had the German shaking his head in disbelief, and he fell to his third loss to Sinner in 17 days, while the Turin crowd rose to acclaim the Italian.

Sinner must retain his title undefeated to have any chance of ending the year as world number one, while Carlos Alcaraz needs one more match win to stay top of the rankings.

Alcaraz, with two wins from two, faces Lorenzo Musetti on Thursday, with Taylor Fritz meeting Alex de Minaur in the other match of the tournament’s second Jimmy Connors Group.

Auger-Aliassime earns first win

Canada’s Auger-Aliassime, who lost his opener against Sinner, came from a set down to beat Shelton 4-6 7-6(7) 7-5, to leave the American without a win after his defeat against Zverev.

Shelton powered through the opening set, but Auger-Aliassime forced a decider with a tiebreak victory in the second and broke serve to convert a third match point in the final set.

The American lost his cool when failing to serve out for the first set, launching his racket in frustration when Auger-Aliassime made it 5-4, but Shelton broke again.

In the second set tiebreak, where Shelton fell and hurt his knee, Auger-Aliassime took a 3-0 lead. Shelton managed to save three set points before a double fault ended his valiant effort.

The Canadian held break points at 2-1 up in the final set but had to wait until the final game, where Shelton was guilty of gifting match points, and Auger-Aliassime did not refuse.

Auger-Aliassime will face Zverev on Friday, with a semifinal place on the line.

Auger-Aliassime quickly found himself 4-1 down in the first set, with Shelton putting the serve and volley to good use, but he broke back as his opponent served for the set.

However, a poor service game handed the initiative – and the opener – to fifth seed Shelton.

Shelton had the only break point of the second set but an increasingly confident Auger-Aliassime saved it, before clinching the tie-breaker on a wild double fault from Shelton.

A tight third set was also decided on the Shelton serve, with Auger-Aliassime converting his third match point.

“He was playing much better than me at the start,” Auger-Aliassime said.

“It was a weird start, but as the match went on I was finding ways to put returns in the court.”

Jannik Sinner begins his ATP Finals title defence with victory against Felix Auger-Aliassime on home soil in Italy.

Italy’s Jannik Sinner began his bid to retain the ATP Finals title with a resounding 7-5, 6-1 win over injury-hit Canadian Felix Auger-Aliassime in their round-robin clash at a packed Inalpi Arena in Turin on Monday.

The pair were meeting for the fourth time since August, and eight days after their last clash, with the outcome the same as Sinner eased into the match before overpowering Auger-Aliassime, who needed medical attention during the second set.

Sinner extended his incredible indoor hardcourt winning streak to 27 matches, his last defeat on the surface coming against Novak Djokovic in the 2023 ATP Finals decider.

The 24-year-old is also in a battle with Carlos Alcaraz to end the year as world number one. Sinner must retain his title in Turin to have any chance, while the Spaniard can secure the prize by winning two more matches after victory in his opener.

Sinner began with intent by winning the first game to love and went on to give up just three points on serve in the opening set while forcing five break points, displaying an impressive mixture of sharp backhand and forehand shots down the line.

Auger-Aliassime hung in, smashing eight aces to Sinner’s one during the first set, often at just the right time as he saved four break points, but the Italian came through when it mattered, breaking to win the set.

“It was a very tough match until 6-5. I had some chances to break,” Sinner said.

“He played some very aggressive tennis, so I’m happy to overcome a very tough test today. Obviously, winning the first match is very important in this competition and this format.”

Sinner stormed into a 3-0 lead in the second, and his opponent took a medical timeout for a problem in his left calf.

“I hope it’s nothing too serious,” Sinner said.

“I wish him obviously a very speedy recovery, and hopefully he is back to 100 percent physically.”

Auger-Aliassime saved two break points to avoid losing touch completely before Sinner sank the Canadian with another break to leave the Italian serving for the match, which he did in style, hammering home an ace to clinch the win.

While the Canadian struggled in the second set, Sinner began to enjoy himself, playing some deft drop shots to the delight of his home crowd, who rose to their feet to acclaim the win.

On Sunday, German Alexander Zverev beat American Ben Shelton 6-3, 7-6(6) in the other Bjorn Borg Group match. All four players in the group will meet each other, with the top two qualifying for the semifinals.

Tuesday’s action features the Jimmy Connors Group, where Alcaraz takes on last year’s finalist Taylor Fritz, with both players on one win each, and Italian Lorenzo Musetti faces Australian Alex de Minaur.

Jannik Sinner’s first Paris Masters crown moves the Italian past Carlos Alcaraz and back into the ATP’s top spot.

Italy’s Jannik Sinner powered past Felix Auger-Aliassime 6-4, 7-6(4) to capture his maiden Paris Masters title on Sunday, a triumph that catapulted the 24-year-old back to the summit of the men’s rankings ahead of the ATP Finals.

The second seed knew only victory would suffice to leapfrog rival Carlos Alcaraz atop the standings, and he delivered in style to become just the fourth player in tournament history to lift the trophy without dropping a set.

For Auger-Aliassime, the stakes were equally high but the outcome crushingly different. The Canadian ninth seed needed the title to secure his spot at the season-ending ATP Finals in Turin, but instead saw his hopes dashed in a high-quality final.

Sinner’s Paris conquest marked his first Masters crown of the year and fifth title of 2025, extending his remarkable indoor hardcourt winning streak to 26 matches.

‘Intense final’

“It’s huge, honestly. It was such an intense final here, and we both knew what’s on the line. Also him, he’s in a very tough and difficult spot, but from my side, I’m extremely happy,” Sinner said in an on-court interview.

“The past couple of months have been amazing. We’ve tried to work on things, trying to improve as a player. Seeing these kind of results makes me incredibly happy.

“Another title this year. It has been an amazing year, no matter what comes now in Turin. I’m extremely happy.”

Sinner made his intentions clear from the opening game, breaking Auger-Aliassime’s serve before consolidating the break as he controlled rallies while the Canadian leaked unforced errors.

Despite the majority of the crowd rallying behind the underdog, Auger-Aliassime struggled to match Sinner’s relentless power and precision.

Sinner untouchable on serve

Sinner proved untouchable on the serve, mixing deep groundstrokes with drop shots and half-volleys to bamboozle his opponent.

The Italian’s dominance was complete in the opening set, when Auger-Aliassime failed to earn a single break point while Sinner dropped just three points on serve, sealing the set with a flourish by firing a cross-court forehand winner.

The second set offered more resistance, however, as Auger-Aliassime showed his mettle, saving five break points.

But even his resolute defence could not crack Sinner’s serving stranglehold as the set headed to a tiebreak.

Auger-Aliassime held his own in the tiebreak until a crucial error handed Sinner the advantage, and the Italian needed no second invitation to surge into the lead.

Sinner then delivered the knockout blow on match point, forcing Auger-Aliassime wide during the rally before unleashing a searing backhand winner down the line to claim his fifth Masters crown.

Auger-Aliassime is set to play this week in Metz, where he had a first-round bye, in a last attempt to secure the final spot at the ATP Finals the following week.

There’s a good chance that a horror movie will be nominated for the 2025 best picture Oscar.

And if Ryan Coogler’s “Sinners” or Guillermo del Toro’s “Frankenstein” make the cut, it will be the first time in the Academy Awards’ 97-year history that a fright film has been nominated in consecutive contests.

It’s long overdue. And if you believe part of Oscars’ purpose is to promote the industry and celebrate its achievements, there’s no better time for the academy to get over its traditional disdain for cinematic monstrosities.

As most other sectors of Hollywood’s film business look precarious — adult dramas, the traditional awards season ponies, are dropping like dead horses at the box office, while attendance for the once-mighty superhero supergenre continues to disappoint — horror has hit its highest annual gross of all time, $1.2 billion, with a good two months left to go.

“Sinners,” released in April, remains in fifth place on the domestic box office chart with $279 million. Its fellow Warner Bros. offerings “The Conjuring: Last Rites,” “Weapons” and “Final Destination: Bloodlines” occupied slots 12 through 14 as of mid-October.

Mia Goth as Elizabeth and Oscar Isaac in “Frankenstein.”

(Ken Woroner / Netflix)

“Horror has been, historically, the Rodney Dangerfield of genres,” notes Paul Dergarabedian, head of marketplace trends for global media measurement firm Comscore. “It can’t get no respect.

“But horror is very important to the industry on so many levels now,” he continues. “We have four horror movies in the top 15 this year, all of those generating over $100 million in domestic box office. And to make a significant scary horror movie, you don’t have to break the bank. Look at [‘Weapons’ filmmaker Zach Cregger’s 2022 breakout feature] ‘Barbarian’; half of that was shot in a basement.” Similarly, compare “Sinners’” $90 million price tag to “Black Panther’s” $200 million.

Horror’s popularity has gone in cycles since Universal’s run of classic monster movies in the early 1930s. But profitability has been a reliable bet more often than not — and Karloff’s “Frankenstein” and Lugosi’s “Dracula” still resonate through pop culture while most best picture winners of the same era are forgotten.

Still, it wasn’t until 1974 that “The Exorcist” received the first best picture nomination for a horror film, and ahead of the success of “The Substance” at the 2025 Oscar nominations the genre’s fortunes had only marginally improved. Indeed, many of the titles usually cited as a mark of horror’s growing foothold in awards season — “Jaws,” “The Sixth Sense,” “Black Swan,” 1991 winner “The Silence of the Lambs” — are arguably better characterized as something else entirely, or at best as hybrids. (To wit, the sole monster movie that’s won best picture, Del Toro’s 2017 “The Shape of Water,” is primarily considered a romantic fantasy.)

Ryan Coogler’s “Sinners.”

(Warner Bros. Pictures)

Fright films’ reputation for delivering cheap thrills to undiscerning audiences was often deserved, but there were always stellar horror films that the academy overlooked. And more recently, films such as “The Substance,” “Sinners” and Jordan Peele’s 2017 nominee “Get Out” have pierced ingrained voter prejudices against the genre by adding social commentary and undeniable aesthetic quality without compromising gory fundamentals.

“The horror genre really does seem to be attracting great directors who are immersed in it, have a real auteur point-of-view and make interesting movies that have horror elements but explore other themes as well,” notes The Envelope’s awards columnist, Glenn Whipp. “‘Sinners’ is Ryan Coogler’s vampire movie, but it’s also about the Jim Crow South and American blues music. How can you resist that if you’re an academy voter?”

And with horror packing in filmgoers like no other genre, high-profile nominations could help the Academy Awards broadcast attract the bigger ratings its stakeholders have been desperately seeking at least since “The Dark Knight” failed to make the best picture cut in 2008.

Austin Abrams in “Weapons.”

(Warner Bros. Pictures)

“That was the whole reason we went to 10 potential nominees,” Dergarabedian recalls. “We wanted to have more blockbuster representation at the Oscars. This may be the perfect storm. If I were an academy voter, I would vote for ‘Sinners’ and ‘Weapons.’ I don’t think that’s an overstatement, given the films that have come out this year.”

Even beyond this “perfect storm,” though, Whipp sees a sea change afoot.

“Everything’s an Oscar movie now if it’s well made,” he says. “Studios aren’t really making traditional, grown-up dramas and the academy can only nominate what’s in front of them. Horror is being produced at a rate that is greater than it used to be, and at least two of these Warner movies really landed with audiences and critics. The genre is attracting some of our top filmmakers right now, and that’s something that will trickle down to the Oscars.”

“This is not a blip,” Dergarabedian concludes. “It’s a trend that feels like it’s happened overnight but it’s been a long time coming. Back in 2017 we had our first $1-billion-plus horror movie box office. If they stop making good horror movies it might be a blip, but I think Hollywood should take this and bloody run with it.”