Singer

GRATEFUL Dead singer Donna Jean Godchaux-MacKay has sadly died at the age of 78.

The singer, who made a name for herself in the band in the 70s, was also a backup singer for Elvis Presley and Percy Sledge.

The rocker sadly died on Sunday after a lengthy cancer battle.

A statement was released after she died at Alive Hospice in Nashville.

The statement announced her passing reads, “She was a sweet and warmly beautiful spirit, and all those who knew her are united in loss.

“The family requests privacy at this time of grieving.

“In the words of Dead lyricist Robert Hunter, ‘May the four winds blow her safely home’.”

Fans have already flocked to social media to express their sadness over her tragic passing.

One person on X said, “Donna was awesome. Really sad about this.”

Another penned, “Beautiful and powerful voice, there will never be another Donna Jean.”

A third person added, “So sad to learn of the passing of Donna Jean Godchaux.

“Through most of the 1970s, she made her mark on American music as a singer with the Grateful Dead. May she rest in peace.”

And a fourth said, “RIP Donna Jean Thatcher Godchaux-MacKay.

“Helluva singer who worked with the Grateful Dead & Elvis and put up with a sh**load of misogyny. Tough, special lady.”

Elliot Zwiebach was 62 years old when he sang in front of a live audience for the first time.

The retired reporter had always loved show tunes, but he’d never considered singing in public before.

“I sang for my own amusement, and I wasn’t very amused,” he said recently.

But one night, after attending a few open mic nights at the Gardenia Supper Club in West Hollywood as a spectator, he got up the nerve to step onto the stage and perform a tune backed by a live band.

For his first song, he picked the humorous “Honey Bun” from the Rodgers and Hammerstein musical “South Pacific.” It was frightening and he didn’t sing well. And yet, the following week he came back and did it again.

Newbie Ian Douglas, left, and longtime singer Elliot Zwiebach look over a sign-up sheet at the Gardenia’s long-running open mic night.

Sixteen years later, Zwiebach, now 78, is a core member of what the event’s longtime host Keri Kelsey calls “the family,” a group of roughly 25 regulars who sing jazz standards, show tunes and other numbers from the Great American Songbook at the longest-running open mic night in L.A.

“It’s very much like a community,” Zwiebach said on a recent evening as he prepared to sing “This Nearly Was Mine,” another song from “South Pacific.” “Everyone knows everyone.”

For 25 years, the small, L-shaped Gardenia room on Santa Monica Boulevard has served as a musical home for a diverse group of would-be jazz and cabaret singers. Each Tuesday night, elementary school teachers, acting coaches, retired psychoanalysts, arts publicists and the occasional celebrity pay an $8 cover to perform in front of an audience that knows firsthand just how terrifying it can be to stand before even a small crowd with nothing more than a microphone in your hand.

“You are so vulnerable up there with everyone staring at you,” said Kelsey, who has hosted the open mic night for 24 years and once watched Molly Ringwald nervously take the stage. “But it’s also the most joyous experience in the world.”

Director and acting coach Kenshaka Ali sings “Goodbye Pork Pie Hat” by Rahsaan Roland Kirk.

The singers are backed by a live, three-piece band led by guitarist Dori Amarilio. The rotating group of musicians — a few of them Grammy winners — arrive not knowing what they will be playing that night. Some singers bring sheet music, others chord charts. And there are those who just hum a few bars and allow the musicians to intuit the key and melody enough to follow along. Poet Judy Barrat, a regular attendee, usually hands the evening’s piano player a copy of the poem she’ll be reading and asks him to improv along with her.

“It’s totally freeform,” said Andy Langham, a jazz pianist who toured with Natalie Cole and Christopher Cross and often plays the Gardenia. “I read the stanzas and try to paint pictures with the notes.”

Keri Kelsey, singing “Mack the Knife,” has hosted the Gardenia’s open mic night for 24 years.

The Gardenia, which opened in 1981, is one of the few venues in L.A. specifically designed for the intimacy of cabaret. The small, spare room has table service seating for just over 60 patrons and a stage area beautifully lit by an abundance of canned lights. Doors open at 7 p.m. on Tuesday nights, but those in the know line up outside the building’s nondescript exterior as early as 6 p.m. to ensure a reasonable spot on the night’s roster of singers. (Even though there is a one-song-per-person limit, the night has been known to stretch past 12 a.m.) Nichole Rice, who manages the Gardenia, takes dinner and drink orders until the show starts at 8:30 p.m. Then the room falls into respectful silence.

Pianist Andy Langham and guitarist Dori Amarilio perform live music accompaniment for each open mic participant at the Gardenia.

“This is a listening room,” said singer-songwriter Steve Brock, who has been attending the open mic night for more than a decade. “I’ve been to other rooms where I’m competing with tequila or the Rams. Here, when anyone goes up in front of that microphone, everyone stops.”

On a recent Tuesday night, the show began as it always does with an instrumental song by the band (a piano, guitar and upright bass) before an opening number by Kelsey. Dressed in a black leather dress and knee-high boots, she had this time prepared “Mack the Knife.” “This may be one of the loungiest lounge songs ever,” she said. “Maybe that’s why I really like it.”

People begin to line up outside the Gardenia at 6 p.m. to get a spot for the Tuesday open mic night.

The first singer to take the stage was Trip Kennedy, a bearded masseur who performed “The Rainbow Connection” in a sweet tenor. When he finished, Kelsey shared that she was cast as an extra in “The Muppets Take Manhattan.”

“It was the most ridiculous thing,” she said, filling time as the next singer consulted quietly with the band. “I was a college student who dressed up as a college student for the audition.”

Dolores Scozzesi, who sang at the Hollywood Improv in the ’80s between comedy sets, performed a moody arrangement of “What Now My Love.” “This is a [chord] chart from 2011,” she told the audience before she began. “I want to try it because these guys are the best.”

Monica Doby Davis, an elementary school teacher, sings the jazz standard “You Go to My Head” at the Gardenia.

Zwiebach performed a medley of two Broadway hits, “I’ve Grown Accustomed to Her Face” (which he altered to “his face”) and “This Nearly Was Mine,” easily hitting all the notes. After, his young friend Ian Douglas, a relative newbie who started attending the open mic night in the spring, sang the jazz standard “You Go to My Head.” Zwiebach praised the performance.

“I know that song very well and you did a great job,” he said.

Monica Doby Davis, who once sang with the ’90s R&B girl group Brownstone and now works as an elementary school teacher, also performed “You Go to My Head.” Although she had left the entertainment business decades ago, she said finding the Gardenia open mic night 13 years ago “brought music back to my life.”

Tom Nobles, left, sings alongside bassist Adam Cohen, center, and pianist Andy Langham at the Gardenia.

There were many beautiful, intimate moments that night, but perhaps the best was when Tom Nobles, an actor and retired psychoanalyst in a purple knit cap and thick plastic glasses, forgot the words to “Lost in the Masquerade” by George Benson.

He stumbled for a moment, a bit perplexed, before turning to his friends for help.

“Whoever knows the words, sing it with me,” Nobles said to the crowd.

Quietly at first and then louder and stronger, the whole room broke out into song.

We’re lost in a masquerade. Woohoo, the masquerade.

EXCLUSIVE: Twinne-Lee Moore played Porsche McQueen in Hollyoaks over a decade ago and the actress turned singer has hinted at a potential return for a reunion with her on-screen family

Hollyoaks could set to welcome back a familar face to the fictional village.

Twinnie-Lee Moore played Porsche McQueen from Novemebr 2014 until December 2015.

The character highlighted the issues of sexual abuse in children and other storylines included a failed marriage when her husband had various affairs.

During her time on the Channel 4 soap, Twinnie-Lee was nominated for the British Soap Award for Best Newcomer and an Inside Soap Award in 2015 for her powerful portrayal.

Since leaving Hollyoaks, Twinnie-Lee has swapped Yorkshire for Nashville to embark a career as a country pop singer-songwriter.

However, the TV star has hinted that a return to Hollyoaks could be on the cards after catching up with her on-screen family at the soap’s 30th anniversary celebration last month.

Speaking to Reach PLC, Twinnie-Lee said: “It’s been a whole decade and it’s so lovely to see everybody.

“The McQueens are obviously my favourite family and I was very honoured to be part of it and it brings back a lot of memories.”

When asked about a potential Porsche McQueen comeback, she added: “You’ll have to ask the writers about that.

“I’m currently in Nashville doing my music. I did pitch to them if they did want to come and do a Nashville series. She [Porsche] did leave on a cruise so you never know.”

Porsche was last seen on screen on Christmas Eve 2015 and Twinnie-Lee revealed that fans still message her a decade later about her character.

She explained: “It’s so wild because people even now still message me about Porsche. I posted something and everyone was like ‘omg come back’, ‘when you coming back’.

“She was such a great character to play, made a real impact and very relatable.”

Last year, Twinnie-Lee returned to the small screen in Emmerdale as Jade Garrick, an illegal gambling and underground fighting manager who Ross Barton (Michael Parr) and Billy Fletcher (Jay Kontzle) worked for for a small number of episodes.

Speaking about her new role at the time, the soap star said: “My life has been a bit crazy recently juggling music and acting with lots of back and forth between Nashville and Yorkshire but I’ve been loving it!!

“I’ve loved being back on screen, especially as the show is shot in Yorkshire, being able to be home with family and go to work on such an iconic show has been nothing short of amazing! The whole team has been so welcoming and really supportive.”

Hollyoaks airs Monday to Wednesday on E4 at 7pm and first look episodes can be streamed Channel 4 from 7am

The marriage between Arcade Fire’s indie-rocker spouses Win Butler and Régine Chassagne has flamed out.

The longtime collaborators and romantic partners split “after a long and loving marriage,” the Canadian “Reflektor” group announced Thursday in a statement shared on social media. Butler, 45, and Chassagne, 49, married in 2003 and will “continue to love, admire and support each other as they co-parent their son,” the band said.

The Grammy-winning rock group, founded in 2001 and known for songs “The Suburbs” and “Wake Up,” announced the singers’ separation years after several people accused frontman Butler of sexual misconduct in 2022.

Four people came forward about their alleged experiences with Butler in a report published by Pitchfork in August 2022. Three women alleged they were subjected to sexual misconduct between 2016 and 2022 when they were between the ages of 18 and 23. The fourth, gender-fluid accuser alleged Butler sexually assaulted them in 2015 when they were 21 and he was 34.

Amid Pitchfork’s report, Butler denied the misconduct allegations in a statement and said he “had consensual relationships outside my marriage.” Chassagne, who gave birth to her son with Butler in 2013, remained firm in her support for her now-estranged husband in 2022. The “Sprawl II” singer said, “I know what is in his heart, and I know he has never, and would never, touch a woman without her consent and I am certain he never did.”

She added at the time: “He has lost his way and he has found his way back. I love him and love the life we have created together.”

Arcade Fire rose to prominence in the 2000s for its anthemic rock, cementing its place in the Montreal indie scene with its Grammy-winning 2010 album “The Suburbs.” The group has been nominated for 10 Grammy Awards and has played some of music’s biggest stages including the Coachella and Lollapalooza music festivals. The group released its seventh album, “Pink Elephant,” in May.

Thursday’s statement clarified that Butler and Chassagne’s “bond as creative soulmates will endure, as will Arcade Fire.” The estranged spouses will also continue their charity work in addition to caring for their child.

“The band send their love and look forward to seeing you all on tour soon,” the statement said.

Times staff writer Stacy Perman contributed to this report.

IT’S album release day when I connect with Brandi Carlile at her Seattle home, by video call. 

The US folk-country singer’s ninth album, Returning To Myself, has just been released globally and the smile across her face says it all. 

It’s already been a great year for Carlile, who in April celebrated her first UK No1 album with Who Believes In Angels? — the collaboration with her idol, Sir Elton John. 

She says: “I’m lucky to have new chapters — not everyone gets to have a renewal in their forties. 

“And I’m really excited about it. I want to keep going. I like getting older — that’s my favourite bit of life so far.” 

The singer believes that authenticity has come with age, and that confidence shines through her new music. 

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It’s also her enduring friendship with Sir Elton John that has helped elevate her profile on the international stage.  

She says: “I’m astounded by Elton’s generosity. He could have made an album with anyone — and choosing to make it with me was such a compliment.  

“He’s the most iconic living artist on the planet but what that did for me emotionally is something I try not to put on his shoulders, so that he can exist independent of my expectations of him. 

“But it did a lot for me, because he is my hero and we have a special chemistry as friends.“ 

Returning To Myself is a record that allows Carlile to reconnect with her own emotions and finds her in an introspective mood — and there’s even a solo version of You Without Me, previously a collaboration with Elton John. 

She says: “It’s a song that’s pertinent to my life and age and there’s been a lot of reflection. 

“My career reminds me of what happened in Bonnie Raitt’s career.  

“She’d been making music for a long time, living in vans, in and out of clubs and theatres and playing with all these different bands. Then one thing changed, and suddenly it was on. 

“When it happens to you, you remember how long it took for the phone to ring.  

“Suddenly it’s ringing and you’re just answering and saying yes and wanting to do everything, understanding that it won’t ring one day.  

“I stayed in a cycle of that mentality for many years, just attaching to everyone that ever inspired me. 

“I wanted everything all at once. Then I just hit a wall. My mind and body give me no warnings. They just shut down one day. It meant I should take time off. 

“But what do you do when the songs are coming? You have to listen to that and then take action.” 

The songs were coming like a tap was on, and I can’t turn it off once that happens. I just don’t function — I don’t change my clothes, I don’t sleep, I forget to eat, I’m just a dysfunctional person

Brandi Carlile

On Returning To Me, Carlile teamed up with producer Aaron Dessner of The National — who worked with Taylor Swift.

She also brought in producers Andrew Watt, who she worked with on the Elton John album, and Bon Iver’s Justin Vernon who helped produce the track Human. 

The title track began with a poem Carlile wrote when she was dealing with loneliness while staying at the barn-house guest room at Aaron Dessner’s remote home in upstate New York. 

She says: “It came from a place of contemplation, and my discomfort with aloneness. It’s me asking some existential questions.  

“The songs were coming like a tap was on, and I can’t turn it off once that happens. I just don’t function — I don’t change my clothes, I don’t sleep, I forget to eat, I’m just a dysfunctional person.  

“I wrote one or two out there with Aaron that were really deep and meaningful to me.” 

She adds: “I was at Aaron’s the day after Joni Mitchell played the Hollywood Bowl and I was moved by her triumph there and deep in thought about the journey it took us to get there.” 

Carlile had helped with the esteemed singer’s six-year journey to return to the live stage — her Hollywood Bowl performance was Mitchell’s first full show in 24 years — following a brain aneurysm in 2015 that had left the singer unable to play.

Carlile had been part of a jam band alongside Mitchell, Elton John, Meryl Streep, Annie Lennox, Marcus Mumford and more. 

Carlile had first met the legendary singer at her 75th birthday tribute concert in 2018, then began organising monthly music evenings, called Joni Jams, at her Bel-Air house.

Elton, Sir Paul McCartney, Bonnie Raitt and Harry Styles all joined in encouraging her return to singing. 

She says: “It wasn’t getting through to her about how much she was loved and it bothered me. It nagged at me. If only she knew what Lana Del Rey says about you. If she knew that Gracie Abrams had her lyrics tattooed on her arm.  

“She is so important to multiple generations of not just women, but all people, and so I got to have the passenger seat to watching that reality wash over Joni as she pulled herself into recovery from her aneurysm.  

“I get too much credit for what happened with Joni as she got herself back on stage and retaught herself how to use those instruments.  

On Returning To Myself, Joni is one of the standout songs, which pays homage to her heroine.

She says: “Writing a song about her, I couldn’t be sappy because she’s not going to like that.

“Joni has got a great sense of humour. She’s wildly intelligent but I wanted to point out the most profound things about her. I also wanted to show how wild she is and how much she loves a party because she is fun. 

 “She’s such a reverential character and people have so much respect for that. Some people see her as stern, and I wanted to address that in a tongue-in-cheek way in the song in a way that she would understand, yeah, and she really did understand.” 

 Carlile believes her work with both Elton John and Joni Mitchell has been life-changing. She says: “It’s everything when you’re growing up and when you get to meet the people that you’ve had on your bedroom walls. 

 “It’s more than music. I get how important it is to work with these people because I am a f***ing fan. That’s why I champion women in music. When young musicians come up to me and say I inspire them too, I get that as I am still a fan.” 

Returning To Myself is a different sound for Carlile — it’s stripped back and self-assured.  

She says with a laugh: “When I was younger, I would scream all the time. I was yelling and singing open-chested and I’d tell myself that when I got older, I was never going to be quiet — I was going to stay punk-rock.  

‘Oppressive ideology’ 

“And to a certain extent, I stand by that, but sometimes the lyrics you write don’t ask that. They asked for it on the song Church And State, and at the end of Human, but they don’t ask for it anywhere else on the album.

“It just wouldn’t do justice to the poetry, so I just didn’t do it. That’s not to say I won’t do it again.” 

Evangeline, our oldest, asked could we move to Canada if the United States overturned gay marriage. But Elijah, our youngest, is worried she won’t have a Mommy or a Mama — which we are called

The politically inspired Church And State is a powerful song born out of frustration and anger about US President Donald Trump and his challenges to American institutions. 

She says: “Activism is important to me and important enough to never dilute it.  

“That song is about the separation of the church and state and how important that is to me and my family.  

“We are not living in a theocracy. There’s no wisdom creating laws and building walls based on a subjective interpretation of someone else’s faith.  

“You can’t use so-called Christian values to enable an oppressive ideology. As a person of faith myself, I can tell you I feel as protective of my faith against the state as I do a quasi-secular person living in the United States.” 

A mother of two daughters with her wife, Catherine, Carlile admits recent events have scared her kids.  

She says: “I read this morning that the Supreme Court in the US is going to consider a case which would overturn marriage equality in November.

“It’s something I’ve been afraid of for a long time, since [former Associate Justice of the Supreme Court] Ruth Bader Ginsburg died [in 2020]. 

“I’ve been afraid of us going backward on that sentiment. 

“It’s not me and my life that it concerns. I’ve been talking to my wife about this for a long time — and our kids listen to like everything.  

“Evangeline, our oldest, asked could we move to Canada if the United States overturned gay marriage. But Elijah, our youngest, is worried she won’t have a Mommy or a Mama — which we are called. She’s worried she won’t have parents — and it made me so angry.” 

Carlile also joined forces with Elton John for a joint HIV/Aids campaign earlier this year to try to offset the Trump administration’s cuts to HIV/Aids- related funding. 

She says: “It’s desperately important to Elton and [husband] David [Furnish] that it’s not pushed from the sphere of public awareness and we’re able to continue to educate and alleviate the suffering of people.

“And that’s how I found Elton John as an 11-year-old, as I wrote a book report on a young boy who had died of Aids.

“I had already canonised the man as a saint, but because of this report I went to the library and checked out a CD with his song Skyline Pigeon on it because this man had played at this kid’s funeral. 

“It was a full-circle moment that later I was able to lend my activism to the person who inspired me to start it.” 

Carlile will have a small break for Christmas before kicking off her tour early next year.  

She says with a laugh: “I hope the tickets sell. I don’t know how to switch off. I want to be cool and say, ‘I don’t read reviews, I don’t watch the tickets’. But no, I’m going to be sitting there digesting my stomach lining. 

“I just want to get out and play. I love this album and am going to play it from start to finish, and I’ve got all these ideas for covers.  

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“I’ve got a world-class band and so next year is going to be another big year for me — and I’m loving it all.” 

• Returning To Myself is out now

BRANDI CARLILE 

Returning To Myself

★★★★☆

SINGER Chris Brown has been allowed to return to the US from Britain — but only under stringent bail conditions. 

The Forever hitmaker, 36, is accused of attacking music producer Abraham Diaw at the Tape club in London’s Mayfair. 

Yesterday, he won an appeal to vary conditions and is now allowed to leave the UK before his trial next October. 

Judge Tony Baumgartner told the Grammy Award-winner: “You will have to come back to the UK when you are required to do so.” 

Brown, along with Dallas rapper Omololu Akinlolu, 38, denies actual bodily harm and grievous bodily harm in February 2023.

He also faces one count of having an offensive weapon — namely a tequila bottle. 

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Brown appeared at Southwark Crown Court today wearing a baggy white shirt, black tie and glasses to for an application to vary bail conditions. 

Akinlolu was wearing a cream cricket jumper and brown chinos. 

The pair confirmed their names simultaneously with a ‘yes ma’am’ in front of a public gallery filled with fans of the R and B star. 

The pair are required back at Southwark crown court on January 28 for a pre-trial hearing. 

Brown and Akinlolu will then face a week-long trial on 26 October next year. 

Pop star and recreational astronaut Katy Perry has found a new flame in former Canadian Prime Minister Justin Trudeau, in an unexpected romance that feels like a “Mad Libs” page come to life.

The “California Gurls” hitmaker and the longtime politician publicly debuted their relationship over the weekend, shutting down months of speculation. Perry, 41, and Trudeau, 53, were photographed holding hands during a date night in Paris on Saturday.

The singer, in a red body-hugging dress, and Trudeau in a black suit were seen exiting cabaret club Crazy Horse Paris, where they celebrated Perry’s birthday. Video shared by Backgrid shows Perry accepting a rose from a bystander and Trudeau placing his hand on her back as they walk to their SUV.

Perry and Trudeau first sparked relationship rumors in late July, when they were seen sharing a meal and some good conversation at an upscale restaurant in Montreal. They met up for their rendezvous, captured by TMZ, a month after Perry and “Pirates of the Caribbean” and “Lord of the Rings” star Orlando Bloom ended their engagement. The former couple welcomed a daughter in 2020 and continue to co-parent.

At the time, the split with Bloom was the latest blow to Perry’s public image. Prior to their separation, the Grammy-nominated singer’s album “143” faced backlash and scathing reviews, her participation in Blue Origin‘s flashy all-female crew flight was subject to scrutiny and her Lifetimes world tour proved divisive. Trudeau seemed to be all smiles at the latter in late July.

Fans spotted the former Canadian leader, who resigned in January after nearly a decade in power, dancing and singing at Perry’s tour stop in Montreal. Earlier this month paparazzi snapped pictures of the then-rumored couple packing on the PDA on the singer’s yacht off the coast of Santa Barbara, Perry’s hometown.

Trudeau began his romance with Perry after he and ex-wife Sophie Gregoire Trudeau announced their separation in 2023. The Trudeaus were married for 18 years and share three children. Though they are legally separated, their divorce is not yet final.

Neither Trudeau nor Perry has publicly addressed their relationship, save for one cheeky comment the singer made during a concert in London this month. When a fan tried shooting his shot and proposed to the singer, she responded, “You know you really should have asked me about 48 hours ago,” seemingly referring to her yacht outing with her new beau.

Perry continues the European leg of her Lifetimes tour Monday, performing at the MVM Dome in Budapest. Information about her remaining tour stops and future gigs can be found on her website.

For the first time in seven years, Lily Allen is back with a new album. It’s intimate, raw and autofictional.

Last week, the “Smile” singer shared a 14-track breakup record, “West End Girl.” Amid her split with “Stranger Things” actor David Harbour, Allen provides an in-depth look into a broken relationship where the line between being open and being unfaithful is thin, where dating apps are on the table and where heartbreak seems inevitable.

The album, which was written in 10 days last December, begins with Allen’s move to New York. The singer relocated to the East Coast in 2020 with her two daughters and then-husband, following the couple’s whirlwind wedding in Las Vegas. When Allen started dating Harbour in 2019, she had just finalized her divorce from Sam Cooper, with whom she shares her children.

On “West End Girl’s” opening track, she sings about receiving an offer to be in a West End production in London. In 2021, Allen made her debut in the supernatural play “2:22 — A Ghost Story.” From that moment on, tensions and distance only continued to build between the pair. Toward the end of the title track, Allen includes her end of a call where her partner is seemingly asking to open up the marriage.

As the pop melodies continue to ebb and flow, Allen reveals accusations of infidelity, the complications of being in an open marriage and mentions a pseudonym for a mistress on a track named “Madeline.” She doesn’t stray away from details, especially when it comes to finding boxes of sex toys, love letters from other women and calling her partner a “sex addict” on “P— Palace.”

By the end of the record, she makes it clear that the relationship is irreparable. The pair announced their separation last February after four years of marriage. Since the project’s release last Friday, critics have been quick to fawn over Allen’s return to music and Allen has been sure to let the press know the album is not fully based in fact.

In an interview with The Times, the U.K.’s oldest national daily newspaper, she says, “I don’t think I could say it’s all true — I have artistic license. … But yes, there are definitely things I experienced within my relationship that have ended up on this album.”

She similarly told Perfect Magazine that the work can be considered “autofiction” and that an “alter ego” is singing. When sitting down with British Vogue, she clarified that the album is inspired by what went on in the relationship between, but “that’s not to say that it’s all gospel,”

Harbour has yet to directly speak out about their relationship and has strayed away from the public eye, disabling comments on his Instagram page.

In an interview with GQ in April, he said, “There’s no use in that form of engaging [with tabloid news] because it’s all based on hysterical hyperbole.”

The highly anticipated final season of Netflix’s “Stranger Things,” where Harbour plays the role of police chief Jim Hopper, will be released Nov. 27.

THIS the stuff of Dreams for millions of fans across the globe and now there’s fresh hope for a Fleetwood Mac reunion.

The group have not performed together since 2019 and they were left devastated when Christine McVie died in 2022.

But I’ve been told that there are serious discussions behind the scenes about a series of projects involving all of the remaining members to celebrate the 50th anniversary of their album Rumours, which is among the best-selling and most critically acclaimed records of all time.

At the centre of the plans is said to be Mick Fleetwood, who is leading peace talks between former couple Stevie Nicks and Lindsey Buckingham, as well as John McVie.

A one-off show, a TV special and a documentary about the making of Rumours are among options being discussed for the 2027 milestone.

And Warner Records is also preparing a special re-release of the album featuring unheard material from the original studio sessions.

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A source close to Mick in the US said: “Fleetwood Mac are discussing new projects and how to mark Rumours’ big 5-0. For certain there is a special edition version of the album coming, which the band and label have been secretly looking at.

“But also there is a significant hope that it is time for the definitive documentary on all the chaos in the studio that created the magic on record.

“John and Christine were divorcing and she was dating their lighting guy. Stevie and Lindsey were over just before she and Mick enjoyed a brief fling. And drugs and booze were everywhere.

“The desire is for everyone to sit down and present their side of events on screen.

“And then of course comes the potential for a stage reunion and concert. That is the goal from Mick.

“Stevie has said it would not feel right being on stage without Christine, but also she and Lindsey are on a healing journey right now, which could be the path to a new show.

“However there is a desire to pay tribute to Christine in some way and a live show around Rumours seems a very fitting way.

“The gig would fill a stadium dozens of times because of the love they command.

“But unless some major shift happens, a tour is unlikely at this stage.”

Aaron Bay-Schuck, co-chairman and CEO of Warner Records confirmed at LA’s City of Hope gala that “some very special” music leftover from the making of Rumours had been found.

He said: “We will do everything in our power to respect that anniversary as long as they’ll let us.”

Last month, Stevie and Lindsey suggested relations had thawed when they reissued their 1973 Buckingham Nicks album.

And in March, Mick admitted: “I always have a fantasy that [Stevie] and Lindsey would pal up a bit more and just say everything’s OK for them both.”

They are beloved by an entirely new generation now thanks to social media, so there will be millions around the globe hoping they can patch things up for one last hurrah.

Aaron Bay-Schuck was at City of Hope’s Spirit of Life gala to celebrate co-chairman and Warner Records COO Tom Corson, who was honoured at the event.

It is the centrepiece of the music, film and entertainment industry’s annual philanthropic campaign and raised nearly $6million.

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Funds from the campaign are fueling leading research and survivorship programs for young adults, including music therapy.

Michael Buble, Cher and members of Linkin Park were among other guests who were there in LA last week.

Grammy-winning R&B singer D’Angelo has passed away at age 51 following a “prolonged and courageous battle with cancer”, according to a statement from his family.

On Tuesday, his loved ones released a statement announcing his death. “The shining star of our family has dimmed his light for us in this life,” it read.

“We are saddened that he can only leave dear memories with his family, but we are eternally grateful for the legacy of extraordinarily moving music he leaves behind.”

D’Angelo, whose real name was Michael Eugene Archer, was best known for his silky vocals during the 1990s and 2000s, with his record Voodoo earning him the 2001 Grammy for Best R&B album.

His hit single from that album, Untitled (How Does It Feel), not only won him another Grammy for Best Male R&B Vocal Performance, but it also catapulted him into the mainstream spotlight with its steamy music video, featuring a shirtless D’Angelo singing directly to the camera.

The music publication Rolling Stone has ranked Voodoo as one of its best albums of all time.

News of his passing prompted an outpouring of remembrances from fans, including fellow musicians.

“I never met D’Angelo but I love him, respect him, admire his gift. This loss HURTS!!” singer-songwriter Jill Scott wrote on the social media platform X, adding: “R.I.P. GENIUS.”

Another musician, rapper Doja Cat, offered condolences to D’Angelo’s loved ones. She called him “a true voice of soul and inspiration to many brilliant artists of our generation and generations to come”.

In his music, D’Angelo blended hip-hop grit, emphatic soul and gospel-rooted emotion into a sound that helped spearhead the neo-soul movement of the 1990s.

Earlier this year, the Virginia native celebrated the 30th anniversary of his debut studio album Brown Sugar, a platinum-selling offering that produced signature hits like Lady.

That 1995 album earned him multiple Grammy nominations and cemented him as one of R&B’s most original new voices.

D’Angelo’s sultry vocal style — a mix of raspy texture and church-bred fluidity — set him apart from his peers. That voice became inseparable from the striking visuals of the Untitled (How Does It Feel) music video.

Its minimalist aesthetic became a cultural touchstone, igniting conversations around artistry, sexuality and vulnerability in Black male representation.

Beyond his own catalogue, D’Angelo’s artistry shone in collaborations. He memorably duetted with Lauryn Hill on the soulful ballad Nothing Even Matters, a highlight of her landmark 1998 album, The Miseducation of Lauryn Hill.

He also contributed to The Roots’ 1996 album Illadelph Halflife and was part of the supergroup Black Men United, which yielded one song, U Will Know, for the film Jason’s Lyric in 1994. D’Angelo wrote and co-produced the single.

D’Angelo was in a four-year relationship with Grammy-nominated R&B singer Angie Stone in the 1990s.

The pair met while he was finishing the album Brown Sugar and bonded over their similar backgrounds: Both are from the South and both grew up in the church. Stone worked on the album with D’Angelo, and the pair co-wrote the song Everyday for her 1999 debut album, Black Diamond.

Stone described D’Angelo as her “musical soul mate” in an interview with The Associated Press in 1999, adding that their working relationship was “like milk and cereal”.

“Musically, it was magic,” Stone said. “It’s something that I have not been able to do with any other producer or musician.”

They had a son together, the artist Swayvo Twain, born Michael Archer Jr. Stone died earlier this year in a car crash. She was 63.

D’Angelo also has a daughter, Imani Archer.

Among the tributes to D’Angelo’s artistry on Tuesday was a social media post from Tyler, the Creator, who reminisced about combing his local music store on his ninth birthday.

“I had $20 in birthday money and my eyes set on leaving with one thing. VOODOO by D’Angelo,” Tyler, the Creator, wrote on Instagram. “I had no idea that would help shape my musical dna.”

“I couldn’t understand how someone could write something so simple but personal but broad but genius,” he continued. “Thats how special he was.”

The actor and musician Jamie Foxx, meanwhile, offered his memories of seeing D’Angelo perform live at the concert venue House of Blues.

“Your voice was silky and flawless,” Foxx wrote on Instagram, addressing the late D’Angelo directly. “I was also in pure awe of your talents…. roaming around on each instrument, displaying your expertise in every note and every song.”

Foxx added that D’Angelo would be missed forever. “That’s why today real tears run down my face.”

Taylor Swift is “shockingly” offended by the idea that “The Life of a Showgirl” could be — given her recent engagement to Travis Kelce — her final album.

“It is not the last album. That’s not why people get married,” the singer told BBC Radio 2 on Monday.

“They love to panic sometimes,” she said, talking about conspiracy theorists in the Swifty-verse, “but it’s like, I love the person I am with because he loves what I do and he loves how much I am fulfilled by making art and making music.”

Rumors started to make their rounds after the couple announced their engagement in August through a joint Instagram post. Fans speculated that after she said “I do,” she would have children and move on from music — or so BBC host Scott Mills had informed his guest.

Wait, mothers can’t have careers? Swift called that a “shockingly offensive thing to say.”

Weeks earlier, the Grammy-winning singer announced the impending arrival of her 12th album, “The Life of a Showgirl,” on her now-fiancé’s podcast hosted along with brother Jason Kelce. Since the release last week, the rumors grew louder and louder, with some fans predicting this album would be it for the pop artist.

To which Swift pushed back:

“That’s the coolest thing about Travis, he is so passionate about what he does that me being passionate about what I do, it connects us,” Swift said.

Their passions in life aren’t so different, according to the singer.

“We both, as a living, as a job, as a passion, perform for 3½ hours in NFL stadiums,” the showgirl said. “We both do 3½-hour shows to entertain people.”

When she’s touring, she gets a dressing room, Swift said, but when he’s playing in the same space, they call it a locker room.

“It’s a very similar thing and we’re both competitive in fun ways, not in ways that eat away at us,” she added.

Over the weekend, while Kelce prepared for the Kansas City Chiefs’ “Monday Night Football” game against the Jacksonville Jaguars, the future Mrs. Tight End released “Taylor Swift: The Official Release Party of a Showgirl” in theaters. The experience earned $33 million over the weekend, topping the box office, according to Box Office Mojo.

The music video for the album’s opening track, “The Fate of Ophelia,” premiered along with the release-party movie. Swift wrote and directed it.

“[The music video] is very, like, big and glitzy and it’s so fun and it’s supposed to be like the day in the life of a showgirl,” she said.

Multitasking has become a norm for the “Cruel Summer” singer, who juggled her last tour with the recording of the album.

Swift said she flew to Sweden on multiple occasions during the Eras Tour to record the album. Her loyal inner circle did not leak any information.

“My friends don’t rat, they do not rat and you can tell by the amount of stories about me that are out there that are absolutely not true,” she said.

OK, Swifties, you can breathe now. You can stop looking for clues into whether this is it for Tay-tay’s music career. Shake it off until her next release.

On the eve of the release of her 12th album, Taylor Swift received a thank-you note from George Michael’s estate for including his work in her version of “Father Figure.”

“When we heard the track we had no hesitation in agreeing to this association between two great artists and we know George would have felt the same,” the “Freedom!” singer’s estate posted Thursday on X.

Taylor’s take on “Father Figure” incorporates an interpolation of Michael’s 1987 song from his album “Faith.”

Both songs share a common thread of telling the tale of a specific relationship. In a 1987 interview with ET, the former Wham! singer turned solo star — who died over the Christmas holiday in 2016 — vaguely discussed the meaning behind his track.

“‘Father Figure’ is just a very, without going into too much detail, it’s just a very specific experience that I wrote about a specific relationship with one person,” Michael said.

“I think there’s a definite pattern in people’s lives where they move away from their parents, then they spend time on their own and then they look for that replacement,” he added.

Similarly, the fourth song on Swift’s album “The Life of a Showgirl,” which was released on Thursday, tells the experience of a specific relationship between a mentor and his protégé.

Hmmm. Who could it be? Are the lyrics imaginative or are the details too specific to brush off as fiction? Let’s dissect.

Swift opens her track with: “When I found you, you were young, wayward, lost in the cold / Pulled up to you in the Jag’, turned your rags to gold.”

There is one person who turned her into the gold standard of pop — music executive Scott Borchetta, who signed her to his Big Machine Records label back in the day.

Swift worked with Borchetta on her first six albums until she wanted to buy her master recordings from the label, which led to the end of their partnership.

The song initially takes the perspective of the mentor who sees potential, profit and the opportunity to be a father figure for the protégé. In the tail end of the track, the point of view changes to the other side.

“You want a fight, you found it / I got the place surrounded / You’ll be sleeping with the fishes before you know you’re drowning.”

Again, the details seem too specific to write it off as pure fiction, but Swifties may have to stick to speculation unless Swift goes on the “New Heights” podcast to discuss the meaning behind her lyrics with her future husband, Travis Kelce, and soon-to-be brother-in-law, Jason Kelce.

Don’t hold your breath — there’s probably a better chance she releases a new version of “Life of a Showgirl” first.

TAYLOR SWIFT has admitted she no longer believed in ­marriage and had given up on love after splitting from long-term boyfriend Joe Alwyn.

The superstar has used her new album The Life Of A Showgirl — out today — to document going from depression to being wooed back to life by her fiancé, Travis Kelce.

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Though in a move that is sure to get the world talking, Taylor savages a ­mystery person, believed to be singer Charli XCX, for mocking her.

Taylor and Travis started dating in the summer of 2023 before he popped the question in August this year.

On lead single The Fate Of Ophelia, Taylor sings: “And if you’d never called for me. I might have drowned in the melancholy.

Rediscovered love of life

“I swore my loyalty to me, myself and I, right before you lit my sky up.”

She adds: “You dug me out of my grave and saved my heart from the fate of Ophelia.

“And if you’d not come for me, I might have lingered in purgatory.

“No longer drowning and deceived, all because you came for me.”

The song is based on Shakespeare’s character Ophelia in Hamlet.

After being toyed with by rich and powerful men, Ophelia goes insane and kills herself by drowning.

The track acts as a bridge between the doom of Taylor’s 11th album The Tortured Poets Department and her new, rediscovered love of life, all thanks to her Kansas City Chiefs man.

On Eldest Daughter, Taylor pines for true love, admitting she feels played and betrayed by men her whole life.

She says: “I’ve been dying just from trying to seem cool. But I’m not a bad bitch.

“The last time I laughed this hard was on the trampoline in somebody’s backyard. I must have been eight or nine.

“The night I fell off and broke my arm. Pretty soon I learned cautious discretion. When your first crush crushes something kind. When I said I don’t believe in marriage, that was a lie.”

Vowing she still secretly pines for true love despite being hardened to disappointment, Taylor sings: “And I’m never gonna let you down. I’m never gonna leave you out. So many traitors. Smooth operators.

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“But I’m never gonna break that vow. I’m never gonna leave you now.”

Despite only being out today, thanks to pre-orders The Life Of A Showgirl is already the fastest selling album of the year.

Written during Taylor’s record-breaking Eras Tour last summer, the record peels back what life was like for the star away from the stage.

On song Elizabeth Taylor, she sings about dating Travis: “Sometimes it doesn’t feel so glamorous to be me.

“All the right guys promised they’d stay, under bright lights they withered away. But you bloom. Tell me for real. Do you think it’s forever?”

Despite the glitz and glamour, Taylor says she had “everything and nothing all at once” — pining for true love over material goods.

She sings: “Hey, what could you possibly get for the girl who has everything and nothing all at once?

“Babe, I would trade the Cartier for someone to trust.”

On Opalite, Taylor sings about “dancing through the lightning strikes”, a reference to her splitting with British actor Joe just weeks before embarking on the biggest tour of her career.

Storytelling best

Continuing with the theme of yearning for the simple things in life, Taylor uses Wi$h Li$t to double down on wanting love over material goods.

She pines: “I made wishes on all of the stars. Please, God bring me a best friend who I think is hot, I thought I had it right once, twice but I did not.”

She adds: “I just want you. Have a ­couple kids.”

For the title track, Taylor reverts to her storytelling best alongside fellow superstar Sabrina Carpenter.

The Life Of A Showgirl tells the brutal reality of life on the road chasing fame and fortune.

Taylor sings: “The more you play the more that you pay. You’re softer than a kitten so. You don’t know the life of a showgirl, babe

She continues: “I’m married to the hustle. And now I know the life of a showgirl, babe. And I’ll never know another. Pain hidden by the lipstick and lace.”

As a final nod to her record-breaking 24 months, the song —  and album —  fades out with live audio thanking fans as she takes her final bow on her Eras Tour.

CHARLI XCX

‘It’s sweet all the time you’ve spent on me‘

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THE most brutal track on the album is called Actually Romantic.

It appears to be a full take-down of Brit singer Charli XCX, who is friends with Taylor’s love rat ex Matty Healy.

Charli’s husband George Daniel is part of Matty’s band The 1975.

Taylor sings: “I heard you call me ‘Boring Barbie’ when the coke’s got you brave.

“High-fived my ex and then you said you’re glad he ghosted me.

“Wrote me a song saying it makes you sick to see my face. Some ­people might be offended. But it’s actually sweet, all the time you’ve spent on me.”

Charli has long been accused of glamorising drug use – even ­releasing a vinyl of her latest record Brat filled with white powder. Rather than being a flash-in-the-pan spat, the duo have a long ­history.

Charli supported Taylor on her 2018 Reputation Stadium Tour. But the Brit hated the experience.

She told Pitchfork mag in 2019: “I’m really grateful that Taylor asked me on that tour. But, as an artist, it kind of felt like I was getting up on stage and waving to five-year-olds.”

From then on things seemed to sour further – and Charli’s Brat album track Sympathy Is A Knife is believed to be about Taylor.

Charli sings: “This one girl taps my insecurities. Don’t know if it’s real or if I’m spiraling. Cause I couldn’t even be her if I tried.

“I’m opposite, I’m on the other side. I feel all these ­feelings I can’t control.”

SCOTT BORCHETTA

‘They don’t make loyalty like they used to’

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DESPITE plenty of floor fillers, Taylor’s new album is not all sweetness and light. As well as having a dig at Charli XCX, on Father Figure Taylor appears to round on Scott Borchetta.

He is the CEO of her first label Big Machine Records, who sold the rights to her first six albums in 2019.

The track features lines of George Michael’s 1987 single of the same name, as she seemingly talks about how Borchetta, right, boasted about being able to make her a star before stabbing her in the back.

“I’ll be your father figure, I drink that brown liquor. I can make a deal with the devil because my d’s bigger. This love is pure profit, just step into my office.”

She later adds: “They don’t make loyalty like they used to.”

Her reference to brown liquor is thought to be a nod to how Borchetta celebrated selling her masters to Scooter Braun over a glass of whisky.

In an open letter to fans about the sale, Taylor wrote: “These are two very rich, very powerful men.

“Then they’re standing in a wood-panel bar doing a tacky photoshoot, raising a glass of scotch to themselves.

“Because they pulled one over on me and got this done so sneakily that I didn’t even see it coming.”

Earlier this year, Taylor finally bought back her masters.

Hinting at her victory, she ends the track singing: “We drank that brown liquor. You made a deal with this devil. Turns out my d’s bigger. You want a fight, you found it.”

BIZARRE VERDICT

★★★★☆

THE Tortured Poets Department – for me the best Taylor album until now – was always going to be a hard act to follow.

But a drastic change of direction here has served the star well.

Lyrically, she continues at her best – with enough metaphors and coded literary references to keep fans speculating for ages.

Pop records are the hardest to perfect when it comes to both lyrics and melodies, but with producers Max Martin and Shellback by her side, Taylor has once again made magic.

With The Life Of A Showgirl, she proves yet again she’s the best in the business. Are there a couple of skips? Yes. But there’s also some of her best ever work.

Lead single The Fate Of Ophelia is an earworm of a track that’s perfect for both radio and dancefloors. It’s also possibly the most infectious Taylor lead single of all time.

Elizabeth Taylor, Ophalite and Cancelled! are also standouts.

Taylor’s reign atop the music industry is far from over.

Hayley Williams is happy to confirm that Morgan Wallen is the “racist country singer” she is referring to in her song “Ego Death at a Bachelorette Party.”

During a recent interview on the New York Times’ ”Popcast” to discuss her latest solo album, the Paramore lead singer was asked whether she would like to “name names” to reveal who she means when she sings about being “the biggest star / At this racist country singer’s bar” in the title track.

“It could be a couple but I’m always talking about Morgan Wallen,” Williams said. “I don’t give a s—. Find me at Whole Foods, b—, I don’t care.”

In 2021, Wallen was caught on video drunkenly using a racist slur. The Grammy-nominated country star’s This Bar and Tennessee Kitchen, named after one of his songs and paying homage to his upbringing, opened in Nashville last year.

(Video of Wallen’s 2024 arrest for reckless endangerment is making headlines again this week too. In police bodycam video obtained by the Associated Press, Wallen denies throwing a chair off a Nashville bar’s roof but apologizes for “caus[ing] problems.” He took a plea deal after being charged in the case and was sentenced to seven days’ incarceration at a DUI Education Center, two years’ probation, a $350 fine and payment of court fees.)

Williams, who was born in Mississippi, met her future Paramore bandmates after moving to Tennessee as a child. She has been open about her political beliefs and having to navigate her own upbringing as a white southern Christian. Some of her latest music addresses religious hypocrisy and the racial tensions and racist legacy of the South.

“I’m never not ready to scream at the top of my lungs about racial issues,” Williams said in her interview. “I don’t know why that became the thing that gets me the most angry. I think it’s because it’s so intersectional that it overlaps with everything from climate change to LGBTQIA+ issues.”

In addition to her years with Paramore and the inspiration behind her latest solo work, Williams spoke about how proud she is of the diversity of Paramore’s fan base and audience at shows.

“I’m very passionate in that we have a long way to go in making people feel like that they belong in the world,” she said. “The repercussions of people not feeling like they’re a part or they belong, we see it all the time in the news. I think music is not only the easiest but the beautiful way to tap into people’s hearts and their subconscious and change their minds.”

LITTLE ROCK, Ark. — Arkansas Gov. Bill Clinton and Jesse Jackson continued firing verbal shots at each other Friday, escalating a week-old battle that risks extending into next month’s Democratic National Convention.

Clinton, the presumptive Democratic presidential nominee, suggested that Jackson is using “for his own purposes” the controversy that followed Clinton’s condemnation of a black rapper during a Rainbow Coalition speech last Saturday.

Responding to questions during a televised appearance before a convention of radio talk-show hosts in Washington, Clinton said Jackson’s continuing anger over the incident is “a mystery to me,” especially considering the fact that Jackson seems more angry now than he did a week ago.

“Each day the temperature has been turned up,” Clinton said.

In an interview published Friday in the New York Times, Jackson was quoted as saying Clinton used the speech before his organization to “stage a well-planned sneak attack, without the courage to confront but with a calculation to embarrass.”

Jackson also said Clinton was using the rapper’s comments to advance his presidential campaign with white voters by “containing Jackson and isolating Jackson.” Such a racial appeal, he said, “again exposed a character flaw” in Clinton, a reference to questions about Clinton’s morality that the candidate has worked hard to erase in the minds of voters.

The interview was the latest in a series of efforts by Jackson to exclaim how offended and embarrassed he was by Clinton’s behavior.

In a telephone interview with the Los Angeles Times earlier this week, Jackson said Clinton failed to address his proposal for a $500-billion program to aid urban areas at the Rainbow meeting, but chose to engage in “a divisive political maneuver” aimed at him.

“Clinton has a ploy and I have a plan,” he said.

In his speech before Jackson’s organization, Clinton complained that rapper Sister Souljah urged blacks to kill whites instead of killing each other. He also chastised the coalition for recognizing Souljah at a convention which was honoring a white man who filmed the Rodney G. King beating and several blacks who risked their lives to rescue white riot victims.

“After I gave that speech, Jesse Jackson invited me to come back that night and play the saxophone,” Clinton told reporters here Friday. “He went back and had a very cordial meeting with me. So all these discoveries of things after the speech are for his own purposes.”

Clinton said he would “not back down” in his criticism of Souljah. “If Jesse Jackson wants to ally himself with that now and claim that’s the way he felt then, that’s his business,” Clinton said. He added: “Something has happened since the speech. This is not about the speech.”

If Jackson continues drawing attention to his dispute with Clinton, it risks becoming an issue at the July nominating convention, a prospect that Clinton forces had not anticipated.

Many key Democratic Party officials are former Jackson associates, including chairman Ronald H. Brown, but they were hoping for a harmonious meeting that could showcase Clinton. The dispute dominated discussions during convention planning sessions in New York on Friday, where Washington, D.C., Mayor Sharon Pratt Kelly was reportedly selected as a keynote speaker.

Some officials feared that Jackson would use delegates pledged to former California Gov. Edmund G. (Jerry) Brown Jr. to seek the vice presidential nomination, but Jackson denied he was interested.

Jackson is publicly flirting with the independent candidacy of Texas businessman Ross Perot. But Clinton said he does not believe the controversy with Jackson will cost him black votes. “I’ve got to stand for what I believe and say what I believe and voters either respond one way or the other,” Clinton said.

Times staff writer Geraldine Baum from New York contributed to this story.

Rihanna and ASAP Rocky have welcomed the latest addition to their growing family: their first baby girl.

The “Love on the Brain” singer announced the arrival of her daughter with the “Highest 2 Lowest” star on Wednesday, sharing a photo of her newest bundle of joy to Instagram. In the picture, Rihanna cradles her newborn, who is wearing a baby-pink jumpsuit.

“Rocki Irish Mayers,” she says in the Instagram caption, which also reveals the date of birth, Sept. 13.

Baby Rocki is the third child for the celebrity pair, who began dating in 2019. They also share sons RZA, born in May 2022, and Riot, who was born in August 2023. Rocki’s name is a twist on her father’s stage name, but it also continues the stars’ tradition of choosing names that begin with the letter “R.” Notably, Rihanna’s and ASAP Rocky’s birth names also begin with that letter: Robyn and Rakim.

The Fenty Beauty mogul shared the first public photos of her daughter months after her splashy pregnancy reveal at the 2025 Met Gala in May. At the event, the singer cradled her baby bump as she posed for photographers in a custom-made Marc Jacobs suit. She walked solo down the red carpet. ASAP Rocky, who was one of the co-chairs of the annual event, had arrived earlier in the evening. Even before hitting the carpet, the “Umbrella” and “Don’t Stop the Music” hitmaker publicized her pregnancy on social media.

“It feels amazing, you know,” ASAP Rocky told CBS News in May, confirming the pregnancy on the red carpet. “It’s time that we show the people what we was cooking up.”

For Rihanna, 37, and ASAP Rocky, 36, the arrival of their baby girl is the latest event in a busy year that also included a legal victory for the “Sundress” rapper and Hollywood projects for both.

In a 2024 cover story for Interview magazine, the singer expressed her desire for a large family, saying that having children with ASAP Rocky “was the best thing that ever happened to us.”

Rihanna also said at the time that she wanted as many kids as “God wants me to have.”

Police say singer is cooperating with authorities in the investigation.

The United States singer David Anthony Burke, known by his stage name d4vd, appears to have cancelled the remaining stops on his US and European tours amid the growing fallout from an investigation into a decomposing body of a missing teenager found in the boot of a car.

Ticketmaster, which issues tickets for artists worldwide, said: “There are no upcoming concerts in United States” for the artist, and his October tour in Europe was cancelled on Sunday.

D4vd, whose popularity initially grew on TikTok, has built a large following in recent years and is known for his melancholic and genre-blending music, drawing influences from indie, R&B and rock music.

Celeste Rivas Hernandez, 15, went missing last year, and her body was found in a Tesla that US media outlets said was registered to the singer. However, police have not said the car belonged to him.

His representatives did not respond to requests by The Associated Press news agency for comment.

The remains were found in the front boot of the car impounded at a tow yard in Hollywood, California, on September 8 after police were alerted to a strong odour coming from it.

On Wednesday, the Los Angeles Police Department said the remains were Rivas’s. She was from Lake Elsinore, California, outside Los Angeles and was believed to have been last seen in April 2024, according to a missing person flyer seen by US broadcaster CBS.

“She appears to have been deceased inside the vehicle for an extended period of time before being found,” the Los Angeles medical examiner’s office said.

Police searched a house in Hollywood Hills where Burke had been staying on Thursday, broadcaster ABC reported.

Police have not made a statement on the cause of her death or the singer’s connection, if any, with Rivas. The Los Angeles Times, quoting unnamed sources, reported that police were trying to piece together Rivas’s movements before her body was found and establish if there was a connection between them. Police have said Burke has been cooperating with their investigation.

Burke, 20, performed at Chicago’s Salt Shed just two days before Rivas’s body was found as part of his Withered tour to promote his debut album.

His upcoming scheduled performances in Los Angeles and San Francisco will not go ahead, however. His concerts in Europe, which would have seen him make about a dozen appearances beginning in Norway, also appeared as cancelled on Ticketmaster.

Later shows in Australia in November still appeared available for purchase.

The story, which has been in the headlines over the past few weeks across the US, has led to a surge in interest in his music. His 2022 song Romantic Homicide climbed to 29th on Spotify’s global list of the 50 most streamed songs.

LA VOIX has made history by becoming the first drag artist to sign up for the main series of Strictly Come Dancing.

Here’s everything you need to know about the trailblazing performer, whom The Sun exclusively revealed would be part of the Strictly 2025 line-up.  

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Who is La Voix?

La Voix, born Christopher Dennis, is a dynamic performer, presenter and vocalist.

She first rose to prominence in the entertainment world as a semi-finalist on Britain’s Got Talent in 2014.

La Voix later gained international acclaim through appearances on shows including Queen of the Universe and Queens For The Night.

In 2024, La Voix was a fan favourite and runner-up on the sixth series of RuPaul’s Drag Race UK, earning four RuPeter Badges for winning multiple challenges, including the Snatch Game and a musical Rusical performance.

Growing up in Stockton-on-Tees, La Voix moved to London aged 18 to study drama at Brunel University before training in musical theatre at the Urdang Academy.

Her career spans decades and includes performances worldwide on over 80 cruise ships and regular pantomime roles.

This is on top of La Voix’s live shows combining powerful vocals, comedy and celebrity impressions — she has the ability to channel legendary divas like Tina Turner, Cher and Judy Garland.

La Voix interviewed iconic personalities such as Dawn French and Joanna Lumley, and even performed for the Royal Family at its exclusive New Year’s Eve ball for two consecutive years.

The entertainer has also been involved in film, including a role in Absolutely Fabulous: The Movie.

La Voix’s participation in Strictly Come Dancing is historic as she is the first drag queen to compete in the main series of the show.

While drag performers have appeared in the program’s Christmas specials before, La Voix is breaking new ground by joining the main line-up.

Speaking with the BBC, La Voix said: “I’ve performed for royalty, RuPaul and Simon Cowell, but nothing fills me with more excitement, and quite a bit of terror, than the thought of dancing in front of millions on live Saturday night TV.

“Strictly is a national institution, and I can’t wait to get started.

“All that’s left to say is: good luck to my partner! Here’s hoping they can help me go from La Voix into La Danse.”

La Voix also told Radio 2’s Scott Mills: “I can’t dance, I’ve always said it’s not my thing.

“I’ve managed to get through 20 years of being on stage by standing in the centre and having dancers choreographed around me, now I can’t hide behind that any more.”

Who else is on Strictly this year?

The 2025 Strictly Come Dancing line-up includes a stacked cast of celebrities alongside La Voix:

• Harry Aikines-Aryeetey (Olympian and Gladiator)
• Dani Dyer (TV personality)
• Alex Kingston (Doctor Who actress)
• Jimmy Floyd Hasselbaink (former footballer)
• Balvinder Sopal (actress from EastEnders)
• Ellie Goldstein (model and the first contestant with Down syndrome on the full show)
• Karen Carney (Lioness legend)
• Kristian Nairn (Game of Thrones actor)
• Vicky Pattison (TV personality)
• Stefan Dennis (actor from Neighbours)
• Tom Skinner (former Apprentice star)
• Chris Robshaw (former Rugby Union star)
• Ross King (TV presenter)
• George Clarke (YouTube star)