singer

Bonnie Tyler, the husky-voiced, powerhouse vocalist who performed memorable and dramatic pop rock songs including “Total Eclipse of the Heart” in the 1980s, has died.

The Welsh singer died in a Portugal hospital on Wednesday night, according to a statement on her official website and social media accounts Thursday morning. Prior to her death, Tyler was hospitalized and underwent emergency intestinal surgery in May 2026. She was placed in an induced coma to aid her recovery which she awoke from in mid-June but remained “very unwell,” her family said at the time. She was 75.

“Bonnie’s family and team are heartbroken to announce that Bonnie unexpectedly passed away last night in hospital in Portugal as a result of the illness that she was being treated for,” the statement read.

A three-time Grammy Award nominee, Tyler first rose to fame in the late 1970s. She was known for her raspy vocals, offering listeners an edgier sound that also melded rock and pop. Tyler released a total of 18 studio albums, beginning with her debut, “The World Starts Tonight,” in 1977. But she solidified her place in music with collaborations with songwriter-producer Jim Steinman, a hitmaker who worked with Meat Loaf, Air Supply and Celine Dion.

Tyler contributed her powerful voice to Steinman’s dramatic “Total Eclipse of the Heart,” which was released in 1983 ahead of her fifth studio album, “Faster Than the Speed of Night.” Steinman initially envisioned the power ballad as a core piece in a musical adaptation of “Nosferatu,” but with Tyler, the number took on a different life.

“Total Eclipse of the Heart” climbed music charts and earned Tyler a Grammy nomination for female pop vocal performance in 1984. In addition to its commercial and critical success, Tyler’s moody hit became a mainstay in pop culture, covered in the musical TV series “Glee” and finding new life in versions by One Direction, Kelly Clarkson and several other musical acts.

“When I first heard it, I couldn’t believe it had been given to me to record. I just cried at the intense emotion of it and was so happy to have that song,” Tyler told the Guardian in 2009. “Now when I go on stage and sing ‘Total Eclipse,’ everybody sings with me. So many people say they fell in love to it and it means a hell of a lot to them. It’s such an anthem, and such a wonderful feeling, I never get tired of singing it.”

“Total Eclipse of the Heart” wasn’t the only celebrated hit from Tyler.

A year later, she performed “Holding Out for a Hero,” produced by Steinman and co-written by Dean Pitchford, for the 1984 film classic “Footloose,” starring Kevin Bacon. The energetic anthem, which features Tyler’s thunderous voice over a racing beat, also climbed the Billboard Hot 100 (it peaked at No. 34) and went on to be featured in other screen projects, including a pivotal scene in the animated comedy “Shrek 2,” with Jennifer Saunders performing the hit.

Tyler, also known for “Bitterblue,” written and produced by Dieter Bohlen, continued releasing music throughout the ’90s and early aughts. Amid the process of creating her 16th album, “Rocks and Honey,” Tyler joined the Eurovision Song Contest in 2013 to represent the United Kingdom. Though she finished 19th, she said at the time she was glad she competed “because it was an incredible experience,” likening it to the Grammy Awards. She released “Rocks and Honey” that same year, her penultimate album, “Between the Earth and the Stars,” in 2019 and her final album, “The Best Is Yet to Come” in 2021.

In 2022, she was appointed a Member of the Order of the British Empire during Queen Elizabeth’s Platinum Jubilee, recognizing Tyler’s contributions to music.

Tyler was born Gaynor Hopkins on June 8, 1951, to homemaker Elsie and coal miner Glyndwr, and was one of seven children. She was raised Protestant and cared for by her grandparents in the small Welsh town of Skewen. Her passion for music could be traced to watching British charts program “Top of the Pops” with her father, writing down lyrics to the hits of the time and singing them herself. Tyler officially caught the singing bug after placing second at the talent show hosted by a local rugby club.

After the contest, the singer continued her artistic pursuit, performing with a handful of bands including Bobby Wayne & the Dixies and, later, Imagination. She was eventually scouted and traveled to London to record a few demos but did not immediately hear back. “After two years, someone called me out of the blue and told me I’d got a record deal on the same label as Elvis,” she recalled to the Guardian.

The singer underwent several name changes over the course of the career. First she pivoted to Sherene Davis to avoid confusion with fellow Welsh vocalist Mary Hopkin. Then once more, at the behest of RCA Records, to Bonnie Tyler — a name she conjured up by mixing and matching names she read in a local newspaper.

Now Bonnie Tyler, the singer released her debut single “My! My! Honeycomb!” in 1976 and her debut album the following year. However, she would not come into her signature sound until the spring of 1977. Tyler suffered nodules on her vocal cords and underwent surgery to remove them. She feared her career would end as a result, though that would be far from the case.

Tyler, after a brief recovery period, returned to the recording studio with a huskier, edgier voice. “It turned out losing my voice was not too treacherous for me,” she told the Guardian. She released “It’s a Heartache” in 1977 with her raspy voice front and center.

“I had my first hit in America with my new husky voice on ‘It’s a Heartache,’” she said. “Maybe my husky voice was what that song, and my career, needed.”

After her tenure with RCA Records, Tyler signed with CBS Records in 1982, leading to her memorable collaborations with Steinman. At the end of the ’90s, Tyler signed with Hansa/BMG Ariola and, eventually, with EastWest Records and continued to find success in continental Europe. In addition to her albums, Tyler embarked on several tours, most recently her Between the Earth and the Stars live tour in 2019. Her most recent release was “Together” in July 2025, produced by electronic music artist David Guetta, which samples the chorus of “Total Eclipse of the Heart.”

Tyler married former Olympic martial artist Robert Sullivan in 1973. The pair never had their own children — the singer suffered a miscarriage at age 39 — but experienced “no shortage of children,” she told the Guardian in 2012. Tyler had numerous godchildren, more than a dozen nieces and nephews and multiple great-nieces and great-nephews. With her fame, Tyler supported her family and purchased several properties including a home in Mumbles, Wales, and a home in Portugal.

When Tyler reflected on her decades-long career for the BBC in 2019, she said she had long exceeded her own expectations.

“I didn’t expect ever to be making records,” she said at the time. “I was just happy being in a band, singing.”

One Wednesday evening in May, at the boutique hotel Dream Hollywood — located just off the Walk of Fame — a young hotel staff member shuffled over to her co-worker to discuss a special guest on the top floor. Together they exchanged whispers about an artist’s unknown whereabouts and whether or not they would catch him on his descent to the first floor.

The name “Tito Double P” slipped out, referring to the Mexican corrido singer who happened to be in town promoting his latest album, “Acomodo.”

I met the 28-year-old on the top floor, where he opted for a warm, friendly hug in lieu of a firm business handshake. We were quickly rushed into a side room to conduct his last interview of the evening.

Those who’ve followed Tito Double P’s musical journey since 2023 would likely describe him as a chaotic force, with weathered vocals, off-the-cuff ad libs, riotous pelvic thrusts and suggestive tongue expressions.

Come Sunday, he’ll bring the ruckus when he headlines Belico Fest in L.A.’s BMO Stadium. But when we spoke about his second solo album, “Acomodo,” the Nayarit-born, Sinaloa-raised singer, whose real name is Jesús Roberto Laija García, arrived polished, perfumed and poised.

“After this LP, don’t be surprised if you see different things from me,” said Laija García.

Released on May 28, the LP contains 23 corridos, which see Laija García strike the commanding tone of brazen CEO. In its focus track, “Me Vale V,” the singer firmly declares he is manifesting his dreams and not paying anyone else mind. Its lyrics reveal it all: “Ya van tres días que no paro, pero bien trabado” (I’ve been going nonstop for three days now, but I’m totally locked in).

But listeners also get a more vulnerable side of the músicana mexicana singer, who agonizes over heartbreak in “La Fama” — while simultaneously voicing his vice for women and boozy escapades. Throughout the record, the singer sprinkles in the catchphrase, “Bélico pero no tanto, mija,” which translates to “warlike, but not too much, my dear” — striking a balance between his hard-shelled exterior and inner tenderness, namely in the yearning jazzy corrido “Pase y Pase,” in which he pleads for a late-night booty call.

Most notably, “Acomodo” boasts no features whatsoever, a rarity in an industry where artist collaborations play a key role in bringing in bigger audiences (and bigger payouts).

“Many people called me to ask why they weren’t going to be on [the record],” he said. But the solo move marked a milestone achievement for Laija García, who had no designs of becoming an international musical marvel.

“I was never the child who sang, who played the guitar in school festivities or at family parties,” said Laija García in a calm tone — occasionally referring to his stage name in the third person.

The singer still can’t fathom his own success. He cut his teeth by penning career-defining songs for his famous cousin, Peso Pluma — including anthemic corridos like “El Belicon,” “Siempre Pendientes” and “AMG.” These standout ballads touted a rugged lifestyle with elements of organized crime, which aided his primo’s ascent to the mainstream.

Tito Double P released his second solo album “Acomodo.”

(Adan Ornelas Anta)

In the process of composing his cousin’s Grammy-winning 2023 album, “Génesis,” Laija García asked him if he could also release his own material. “Let’s go!” he recalled Peso Pluma saying. “Your first song will be a duet with me.”

The plan was to debut Tito Double P with “La People,” a fiery narcocorrido that details the inner life of a cartel’s tactical security guard, who narrowly escapes a police raid.

But Laija García’s rollout plan took a detour when an unmastered version of his track was leaked to TikTok in spring 2023 — a bouncy tune he later renamed “Dembow Belico,” which is characterized by a Dominican-style boom-chi-boom-chick rhythm and raw, spitfire lyrics. This party track introduced audiences to a version of Tito Double P that radiated a lighthearted madness — fueled by Skyy vodka and Old Parr whiskey, as per the song’s lyrics.

“I liked it, it was something new,” said Luis R. Conriquez, who called up the new singer to be a collaborator. “What makes him special is his voice, his sound. He’s his own person.”

Together with Conriquez and Joel De La P, “Dembow Belico” was released on June 5, 2023, and became Tito Double P’s official debut in the music world — even giving life to one of the most viral clips of Mexican boxer Canelo Alvarez, who can be seen awkwardly dancing to it.

“From there on, Tito Double P was another persona,” said Laija García. Throughout his lively retelling of the story, he added a series of sound effects to move the story line — among them, wacha, pum, pum, pum, gol. “More than anything, Tito Double P came across as a character, because that guy was totally crazy, he didn’t give a damn.”

“More than anything, Tito Double P came across as a character, because that guy was totally crazy, he didn’t give a damn,” said Jesús Roberto Laija García, better known as Tito Double P.

(Adan Ornelas Anta)

In real life, Laija García considers himself a timid, camera-shy guy. That’s why he chose an illustration for the cover of his 2024 debut album “Incómodo,” rather than a real-life image of himself; the LP title directly translates to “discomfort.”

“I was going to be one of those artists that [only] releases songs, because [I thought,] ‘How embarrassing would it be if I got up on stage?’” he mused. “But now, I dominate the stage from head to toe. And I don’t want to come down.”

The debut record also served as an experimental project for Tito Double P, whose hard-won swagger elevated every sound he toyed with — whether it was on the brass-heavy banda song “La 701” with Luis R Conriquez, the techno thump of “La Bandolera,” the heavy-hitting urban track “Linda” with Neton Vega and the guitar-powered ballad “Los Cuadros” ft. Peso Pluma).

Featuring collaborations with established acts, such as Natanael Cano, Junior H and Grupo Frontera, the album peaked at No. 11 on the Billboard 200 chart and helped the rising star distinguish himself from his high-profile cousin — who he toppled from the No. 1 spot on the Top Latin Albums chart, five weeks after his debut release.

Although Laija García hasn’t shied away from embracing that familial tie either; in May, both Tito Double P and Peso Pluma concluded their “Dinastía” tour following their joint 2025 album of the same name.

“I still see comments on TikTok where people are surprised that we are cousins,” remarked Laija García.

Now with “Acomodo” — which debuted at the top of both Spotify Top Albums USA and Top Global Charts across all genres — Tito Double P affirmed his rightful place in música mexicana upper echelons.

“That’s why it’s called ‘Acomodo,’ because everything is aligning itself as it should be,” he said.

As Tito Double P made his way to the lobby, a member of the Dream Hollywood valet — who likely bore witness to Hollywood A-listers and other luminaries — asked if he could take a picture with the singer. “Tito, Tito, a photo please!” asked the employee.

Laija García flashed a friendly smile. Thankfully for the attendant, Tito Double P is always camera-ready.

Lauren Bennett, the British singer who told millennials to “put yo’ hands up” in LMFAO’s megahit “Party Rock Anthem,” and a member of pop group G.R.L., has died. She was 37.

G.R.L. members Emmalyn Estrada, Natasha Slayton and Paula van Oppen announced Bennett’s death on Monday via social media.

“It is with great sadness that we share the passing of our beloved Lauren,” G.R.L.’s statement read.

“Our hearts are broken, and we cannot begin to express how much she meant to us. We will forever cherish the love, laughter, and countless memories she gave us. Her beautiful spirit touched so many lives, and she will be deeply missed and forever loved. Rest peacefully, sweet Lauren. You will always be in our hearts.”

Bennett’s cause of death has not been revealed.

The British singer first splashed onto the music scene when she appeared on the U.K. “X Factor” in 2006. She was eliminated before the live show round of the series, but the following year she was recruited to join Paradiso Girls, a group launched by Pussycat Dolls founder Robin Antin. In 2009, they dropped “Patron Tequila,” featuring Lil Jon and Eve. The group disbanded in 2010 and their debut album was never released.

In 2011, Bennett joined forces with electronic dance duo LMFAO on “Party Rock Anthem.” The track spent six weeks topping Billboard’s Hot 100 chart and became wildly popular globally. Billboard ranked the megahit second on their official “Top Hot 100 Songs of the Decade” list for the 2010s, behind Mark Ronson and Bruno Mars’ “Uptown Funk.”

In 2012, she and Antin teamed up again, forming pop group G.R.L. (Girls Rock Life) with founding members including Bennett, Estrada, Slayton, van Oppen and Simone Battle. The group debuted on the “Smurfs 2” soundtrack with “Vacation” in July 2013 and, in early 2014, they were featured on Pitbull’s “Wild Wild Love.” In the summer of 2014, they dropped “Ugly Heart,” the lead single of their self-titled EP, but in September, founding member Battle died by suicide. G.R.L. split up the following year. By 2016, the group reformed as a trio with Bennett, Slayton and new member Jazzy Mejia.

Bennett welcomed her daughter, Harlow, with partner and “Footloose” star Kenny Wormald in 2019. Wormald often shared photos of Bennett on his Instagram with loving captions.

Longtime friend and music producer Josh Stevens, who co-wrote and engineered LMFAO’s sophomore album “Sorry for Party Rocking,” posted a tribute to Bennett on Monday, writing, “My friend [Lauren Bennett] we will deeply miss you. I was lucky enough to witness you change the world! We traveled the globe party rocking from night clubs to stadiums, a wild and crazy time. A true legend!

“Later on in life our children had the same birthday, I remember us texting each other while you were in labor and my wife was in labor on the same day, same time, both in the hospital. We were laughing and it somewhat seemed calming to know to each was going thru this at the same time.

“We will very much miss you.”

Lionel Richie appears to be on the mend from the unspecified health issue that prompted him to cancel a pair of concerts in June.

The 77-year-old Grammy-winning “Hello” and “All Night Long” singer on Sunday thanked fans for “every message, every kind word and for all your love” on Instagram, sharing photos from recent concerts. He also seemingly addressed his health, writing, “I’m doing well, and I’m grateful for all of you.”

In late June, Richie unexpectedly hit pause on his concert at the Grand Casino Arena in St. Paul, Minn., after taking a seat on stage multiple times while performing “Dancing on the Ceiling.” According to videos shared on social media, the singer told his audience that he felt “dizzy.” Later in the evening saxophonist Dino Soldo told concert attendees that Richie was “not feeling well” and would not continue the show.

TMZ reported at the time that the singer-songwriter was hospitalized after the health scare. Paramedics reportedly met the artist backstage and transported him to a nearby hospital out of precaution. Richie then postponed his following concerts at Chicago’s United Center and the Schottenstein Center in Columbus, Ohio. He returned to the stage June 30 for his show in Pittsburgh.

“Pittsburgh and Detroit were an absolute joy,” Richie said Sunday of his recent concerts. “The energy, the dancing, the faces in the crowd … we made real memories together.” The singer also performed in Toronto on Saturday and in Montreal on Sunday. He is next set to perform in Boston on Wednesday.

Live Nation unveiled Richie and Earth, Wind & Fire’s joint tour in January, revealing a 26-city lineup with concerts in Chicago, Orlando, Fla., San Francisco and Los Angeles. Richie and the group are scheduled to play Inglewood’s Intuit Dome on Aug. 9. The tour ends Aug. 14 with a show at the Moody Center in Austin, Texas.

THE Saturdays singer Una Healy stripped down to a VERY racy superhero costume, as she took a swipe at her famous exes.

The Irish star, 44, has endured very public heartbreak, and now she is embracing being a single lady.

Today the sexy singer, who shot to fame in the noughties girlband The Saturdays, showed off her stunning figure in a sizzling video.

Wearing a saucy superhero costume, Una was seen in the first slide appearing to throw up, as though she was sick to her stomach.

The star wrote over the top of it: “The thought of dating with what is left in the dating pool in your 40s.”

However, in the next clip Una was seen putting on a sexy dance and penned: “Never mind, I’m gonna slay single.”

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Una recently opened up to The Sun about the single life and insisted that she was “very happy on her own right now”.

“I’m enjoying being single, but I do have nights where I think: ‘Wouldn’t it be nice to have someone to cosy into?’” she told us.

“However, I know it sounds cliched and corny, but I have all I need at home with my family.”

Una’s decision to stay single comes after a string of very public heartbreak.

The singer’s six-year marriage to rugby star Ben Foden ended in 2018.

It came after the shattering discovery that he had cheated on a night out with rugby pals in February 2015, days after the birth of their son Tadhg, now ten.

The sports star then shocked fans when he wed his second wife Jackie, just TWO days after his divorce from Una was finalised.

After Ben, Una found herself at the centre of “throuple” rumours with David Haye.

The rumour mill went into overdrive when she was snapped in her bikini on holiday standing next to the boxer, with his wife Sian on the other side.

It was widely reported that the three had started a “throuple” romance, something which Una has STRONGLY denied.

However, the singer insisted she only dated David, not Sian, and said they had a “lovely relationship”.

In an interview with the My Therapist Ghosted Me podcast in May 2023, Una said: “I’m a monogamous person, hopefully I will settle down again one day with a nice monogamous man.”  

She also claimed that when she first met Haye on a dating app, he told her he didn’t “believe that traditional relationships exist anymore.”

She added: “He was honest that I wasn’t the only woman he was seeing. I was very aware that he was seeing other people.

“I was like, ‘I’m out. This isn’t for me. He can have whoever he wants’. One will never be enough for him.” 

The star has also dated jockey Aidan Coleman and Irish singer Darren Flynn.

Despite wanting to embrace single life, Una has dipped her toe into the dating app pool, and even signed up to the celebrity site, Raya.

“Sometimes I think I would like that person, but I’m not gonna settle for anyone,” she told us.

“I went on and off Raya a few times – it was like fishing in a swamp. I’m working hard on myself, I’m not looking at all. As my friend says, ‘I am gonna attract, not chase.’”

SINGER Lauren Bennett, who featured on the global smash hit Party Rock Anthem, has died aged 37.

The beloved Brit, formerly a member of American girl group G.R.L, was remembered as a “beautiful spirit” who “touched so many lives” by her old bandmates.

In a joint statement, they wrote: “It is with great sadness that we share the passing of our beloved Lauren.

“Our hearts are broken, and we cannot begin to express how much she meant to us.

“We will forever cherish the love, laughter, and countless memories she gave us.

“Her beautiful spirit touched so many lives, and she will be deeply missed and forever loved.”

“Rest peacefully, sweet Lauren. You will always be in our hearts. Your GRLS, Em, Tash, and P.”

Lauren shot to stardom as a member of The Paradiso Girls in 2007.

The group, a European spin-off of the Pussycat Dolls, disbanded in 2010 after their singles flopped in the charts.

But Lauren would go on to force a successful solo career, featuring on a remix of will.i.am’s I Got It from My Mama and later collaborating with CeeLo Green on Love Gun.

The highlight of her career came in 2011, when she featured on LMFAO’s worldwide No1 hit Party Rock Anthem, cementing herself as the next up-and-coming star.

More to follow… For the latest news on this story keep checking back at The Sun Online

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THIS is the moment Maroon 5 singer Adam Levine got emotional as he made his late manager’s dream come true at BST Hyde Park.

The pop rock band headlined the London festival on Friday night in front of 75,000 people and dedicated a performance of Memories to Jordan Feldstein, who died suddenly in 2017.

Adam told the crowd at BST Hyde Park, which is sponsored by Vodafone: “This band playing Hyde Park was one of his dreams for us. And we’re making it true now and it’s un-f***ing-believable.

“It’s bittersweet because he’s not here tonight. So, this of course goes out to Jordan, our friend. My friend since I was born.

“I think that some of these songs mean something different to every single person that appreciates them.

“I know that you’re all thinking of someone and all that energy, it kind of comes together, especially on a beautiful night.

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“Take a look around you guys, it’s unbelievable. Look at all this, it’s crazy.”

Jordan guided the band since its launch in 1994 until his sudden death from a pulmonary thromboembolism, a blood clot in the lungs, almost nine years ago.

Memories, which was released in 2019, includes the lyrics, “here’s to the ones that we got, cheers to the wish you were here, but you’re not” and “toast to the ones here today, toast to the ones that we lost on the way”.

Speaking previously about his childhood friend and long-time manager, Adam said: “It was a tragedy foisted upon us and far and away one of the saddest moments of our lives, and personally of mine.

“This is a kid I’ve known since we were in diapers. He was one of the most important people in my life from a very early age.”

He closed out the rendition of Memories by pointing to the sky in honour of Jordan.

Adam’s emotional speech on behalf of the six-piece band was met with cheers.

It was a fitting moment during the nostalgic evening, which saw Maroon 5 perform their greatest old-time hits including Sunday Morning and She Will Be Loved.

One Republic, Jess Glynne and Ella Eyre had earlier performed throughout the day.

Taylor Swift and Travis Kelce’s love story will reach new heights this week with a totally low-key two-day wedding bash at New York’s Madison Square Garden.

The billionaire pop titan and the NFL star, both 36, kicked off their wedding festivities Thursday afternoon with a rehearsal dinner at the famed sports arena. They have all but confirmed that they will then exchange their vows Friday in a grand MSG celebration with around 1,000 guests (including Swift’s celebrity friends and Kelce’s fellow sports stars) in attendance, at least according to numerous reports. The celebrity wedding will also reportedly feature heightened security around Madison Square Garden, performances by Stevie Nicks and Tim McGraw, and a red carpet outside the arena.

Representatives for Madison Square Garden, Swift and Kelce have not responded to The Times’ requests for comment.

Swift and Kelce’s relationship began nearly three years ago during the singer’s blockbuster Eras tour with a simple request and a friendship bracelet. Read on to revisit the roots of Swift and Kelce’s whirlwind romance turned generational love story, from the Kelce brothers’ “New Heights” podcast to a romantic garden engagement.

July 2023: Travis Kelce shoots his shot

Swift and Kelce’s romance can be traced back to summer 2023, when the Kansas City Chiefs tight end attended an Eras tour concert at Arrowhead Stadium, the Chiefs’ house. Kelce — a self-proclaimed Swiftie — told brother Jason Kelce in an episode of their “New Heights” podcast that he had a friendship bracelet with his phone number on it but didn’t get it to the singer. “I was a little … hurt I didn’t get to hand her one of the bracelets I made for her,” he said at the time. Eventually, the two got in touch.

September 2023: Taylor Swift shows up for her guy

Taylor Swift watches the Chiefs take on the Chicago Bears at Arrowhead Stadium in Kansas City, Mo., on Sept. 24, 2023.

(David Eulitt / Getty Images)

The then-rumored romance quickly became commentary fodder for NFL broadcasts (sometimes to sports fans’ chagrin) but took a turn when Swift seemingly accepted Kelce’s personal invitation to a home game. She was seen cheering for him in a private box alongside his mother, Donna Kelce. Soon enough, Swift became a staple in the Chiefs audience. In the following months, Swift and Kelce further solidified their relationship, making it paparazzi-official during an after-party for “Saturday Night Live” and on her Eras tour in November when the singer changed her “Karma” lyrics to reference her budding romance.

February 2024: Super Bowl LVIII (Taylor’s Version)

Chiefs tight end Travis Kelce and Taylor Swift smooch after Kansas City Chiefs defeated the San Francisco 49ers at the Super Bowl in Las Vegas in February 2024.

(John Locher / Associated Press)

Swift and Kelce’s love notably played out at Super Bowl LVIII, where the Chiefs faced the San Francisco 49ers. When the Chiefs won, the Grammy winner joined Kelce on the field, kissing and hugging him. A week before the big game, Swift announced her album, “Tortured Poets Department,” at the Grammy Awards. The album seemingly refers to Kelce in songs “The Alchemy” and “So High School.”

The pair continued going strong throughout 2024. As Swift‘s tour continued, Kelce joined his superstar girlfriend on stage in London. She also returned regularly to Arrowhead Stadium for Chiefs home games during the 2024-25 NFL season. Swift ended her Eras tour in December 2024 and hosted a private wrap party to celebrate her musical marathon. Of course, beau Kelce was in attendance.

August 2025: Baby, just say ‘yes!’

The following year was a relatively quieter one for the couple. Kelce and his Chiefs failed to beat the Philadelphia Eagles at Super Bowl LIX and Swift was in the midst of recovering from her tour and preparing for her newest album. But just when there seemed to be a lull in all things Taylor-Travis, the couple hit some major milestones.

First, Swift finally appeared on the Kelce brothers’ “New Heights” podcast. Remember, that’s where all of this started. The couple, of course, spoke about their whirlwind romance, but the main headline was that Swift would release her album “The Life of a Showgirl” later that fall. With songs “Redwood” and “Wish List,” it was pretty clear Kelce inspired Swift during the songwriting process.

Second, and more importantly, “Love Story” singer Swift announced on Instagram that she and Kelce were engaged. She shared photos from their dreamy garden proposal with the caption: “Your English teacher and your gym teacher are getting married.” Kelce popped the question with an elongated old mine cut cushion set within an engraved gold band. Speculation on the details of their nuptials, including date and location, were almost immediately underway.

Since their engagement, Kelce and Swift have appeared together at a handful of high-profile events including the iHeartRadio Music Awards in March, courtside at Rocket Arena in Cleveland during the 2026 NBA playoffs and the Songwriters Hall of Fame induction ceremony in June, which honored Swift.

For now, welcome to New York, soon-to-be Mr. and Mrs.

A-LIST stars from around the world will be crowding into Madison Square Garden today to see Taylor Swift’s marriage.

The extravagant event is set to welcome around 1,000 guests as the 14-time Grammy award winner ties the knot with Kansas City Chiefs tight end Travis Kelce. But who will perform at the wedding?

Which megastars are rumored to take to the MSG stage?

With the number of stars in attendance, there certainly isn’t a shortage of possibilities as to who might be performing at the wedding.

Unfortunately, the Hollywood couple have reportedly enforced a strict no phones policy and required guests to sign strict non-disclosure agreements (NDAs) to prevent word going around on the event.

But thanks to a handful of leaks, we aren’t left completely in the dark as to who may take the stage at MSG.

Country legend Tim McGraw is among the names widely believed to be performing, with the bride having named her debut 2006 single after him.

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Fleetwood Mac star Stevie Nicks is a confirmed guest for the wedding of the most-streamed female artist in history, but rumors will tell you that she’ll be more than just another attendee – but rather that the 78-year-old is set to perform.

Ed Sheeran is another name potentially playing some live tunes as Swift herself said in a radio interview: “It would be hard to keep him from it, I think! If there’s a stage, you know that he’ll be on it.”

Will the bride sing to Travis?

Fans have been keen to jump on social media websites like TikTok, Reddit, and X to leave their opinion on whether Taylor will perform for her newlywed.

And the general consensus seems to be that she most certainly will! With the main question being what song she will perform for him.

In fact, some Swifties believe that the ultimate wedding present would be a brand new song made especially for the occasion.

That of course, for someone with the talent of Taylor Swift, shouldn’t be too much of an issue.

There is logic behind the theory too, with fans pointing towards the fact the 36-year-old has written songs for nearly every major chapter of her life.

If not an entirely new, unreleased song, fans predict that she will perform a mashup of the songs she has already written about Kelce during the Eras Tour, for example; ‘Lover’, ‘The Alchemy’ and ‘So High School’.

Moving away from her husband though, supporters of the singer-songwriter also have suggested the possibility of Taylor dueting with Tim McGraw.

On Sunday, Mexico will take on England at Mexico City’s famed Estadio Azteca for a round of 16 World Cup match in one of the most hotly anticipated contests of the tournament so far.

But days before anything goes down on the pitch, Mexico and England fans have already started bickering with each other online — from cheeky jabs to heated debates about which country does beans on toast better.

Joining in on the soccer smack talk are two of the biggest rock stars from the countries — Liam Gallagher of Oasis fame and Maná frontman Fher Olvera.

The beef kicked off Wednesday morning when Gallagher replied to a fan question on X about the possibility of England playing Mexico on their home turf before the Three Lions sealed their win against DR Congo.

“Liam how do you feel about England being crushed at the azteca,” the X user @angelchilddemo asked.

Gallagher answered by writing, “I think we’ll beat Mexico 5-0.”

The “Wonderwall” singer’s prediction was so audacious that Olvera took it upon himself to publicly respond with an Instagram video Wednesday evening.

“The singer of Oasis said that Mexico will lose to England 5-0,” Olvera said in Spanish with a giant grin on his face while draped in a Mexican flag. “No way! Check yourself dude! 5 to 0? Calm down! We’ll see you Sunday to see how it goes, dude. Don’t play with me.”

By Thursday morning Gallagher amended his prediction for the match.

“[L]et me just clear someting up I was obv kidding when I said England will beat Mexico 5-0,” the English rocker wrote in an X post. “I reckon it’ll be more like 3-0 to England.”

While Olvera and Gallagher will be at odds over the next few days, the two singers shared parallel experiences as Maná was one of the bestselling Mexican rock bands of the ‘90s and Oasis was the bestselling British rock group of the ‘90s.

Maná already made its mark on this year’s World Cup when it played its 1992 hit “Oye Mi Amor” at the tournament’s opening ceremony in Mexico City ahead of the Mexico-South Africa match on June 11.

Sunday’s contest between England and Mexico also marks the first time the English side will play at Estadio Azteca since the 1986 World Cup when they lost to eventual-champions Argentina in a quarterfinal game infamous for Diego Maradona‘s “Hand of God” goal.

The last time Mexico and England squared off in a World Cup setting was during the 1966 World Cup in England where the Three Lions beat El Tri 2-0 in a group stage match at Wembley Stadium.

A civil jury says R&B star Chris Brown must face the music for the vicious dog attack that in 2020 left one of the two housekeepers working at his Tarzana home hospitalized with injuries to her face, arm and leg.

The Los Angeles jury on Tuesday found the 37-year-old Grammy winner liable in the years-long case and determined he must pay nearly $13 million to Maria Avila, whose sister Patricia Avila sued Brown and his Black Pyramid Co. in April 2021. Court documents reviewed by The Times on Wednesday show that Brown owes Maria Avila $12.9 million in damages including emotional distress and medical expenses. Brown must also pay $885,000 in damages to Patricia Avila, who was present during the dog attack on her sister, and $50,000 in damages to Maria’s husband.

Patricia Avila’s attorney Michael C. Murphy Jr. told The Times in a statement his team was “thrilled” by the outcome. “We are so happy for her and her family after everything they went through on that horrible day,” he said. “It was an honor to represent her.”

A legal representative for Brown did not immediately respond to The Times’ request for comment on Wednesday.

Patricia Avila filed her civil suit against Brown in Los Angeles County Superior Court five years ago, suing the singer for premises liability, negligent infliction of emotional distress and strict liability. At the time, she was seeking an unspecified amount of damages including loss of wages, medical expenses and legal fees.

Avila alleged in her lawsuit that she and sister Maria Avila were hired in November 2020 as housekeepers at Brown’s home in Tarzana. The suit says the sisters were aware the singer owned dogs at the property and understood he kept the pets locked up in a different part of the home. According to the complaint, the incident occurred in December 2020 when Maria went to the home’s backyard to empty out a vacuum. There, she encountered the singer’s Caucasian shepherd, which “proceeded to viciously attack Maria,” the lawsuit said.

“Plaintiff [Patricia] fully recognized that the screams were coming from her own sister, knew that her sister went outside to empty a vacuum, and could hear that a dog was violently attacking her sister,” the lawsuit said. “The screams were so bad that it caused Plaintiff to immediately run outside, where she found her sister covered in blood while she was screaming and crying for help. Mr. Brown proceeded to call 911.”

The lawsuit said the dog attacked Maria around her eye, her left arm and had bitten into her leg. Paramedics responded to Brown’s home and transported the woman to a hospital, where she remained for multiple days and underwent two surgeries. Patricia Avila said in the complaint that she suffered emotional distress and had been unable to work as a result of the incident.

The jury reached its decision after a two-week trial in Van Nuys.

As one legal saga appears to be coming to an end, another awaits Brown. The singer and his friend Omololu Akinlolu, a musician who performs as HoodyBaby), are set to stand trial in October for allegedly attacking music producer Amadou “Abe” Diaw in February 2023 at a London nightclub.
The singer, who notably assaulted ex-girlfriend and Fenty beauty mogul Rihanna the night before the 2009 Grammy Awards, pleaded not guilty last year in the Diaw case. He pleaded not guilty to one count of attempting to unlawfully and maliciously cause grievous bodily harm with intent, assault causing actual bodily harm and having an offensive weapon.

Brown is performing with Usher on their joint North American stadium tour. The singers will take over Inglewood’s SoFi Stadium on Sept. 25 and 26.

THE two nepo-baby sons of an iconic American pop star have made their modelling debut at Paris Fashion Week – can you guess who their mum is?

Her debut single skyrocketed her to fame in the late 1990s and at the time she was just 16-years-old.

The hitmaker, from Louisiana, bagged herself nine Billboard Music Awards, one Grammy and one American Music Award throughout the years she was actively performing and making new music.

She is best known for her tunes Toxic, Baby, One More Time, Oops!… I did It Again and Gimme More.

The princess of pop thrilled her millions of fans with her high-energy performances, memorable outfits and complex dance moves.

Her most unforgettable moment was perhaps when she danced to I’m A Slave 4 You at the VMAs with a huge yellow python.

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The legendary singer in question is of course Britney Spears.

Her two sons – Sean Preston and Jayden – made their official runway debut in Paris on Friday.

The 44-year-old shares her boys with her ex-husband Kevin Federline.

They married in 2004 but later divorced just three years later after Britney filed citing irreconcilable differences as the reason for their split.

Sean, 20, and Jayden, 19, looked unbelievably stylish as they walked for Vetements.

They donned the brands Y2K-leaning menswears Spring/Summer 2027 collection.

The Circus singers’ eldest son looked very chic wearing a pair of baggy blue jeans, an untucked black shirt, matching tie and a satin longline coat.

Meanwhile, Jayden’s outfit was much more rugged – he was dressed in a classic white vest top, a pair of light-wash denim jeans and some black boots.

He accessorised with a chunky brown belt, which had silver chains clipped to the side.

The nepo stars were seen strutting with confidence along the runway despite barely ever being seen publicly.

Britney was not present at the event but has been spending much more time with her boys recently after several years of public estrangement.

Sean and Jayden rallied around the music icon earlier this year after she was arrested for a DUI in California.

They flew straight to her side after finding out the news and just a month later they were spotted holidaying all together on a yacht.

Before her court date, Britney checked substance abuse and wellness treatment facility.

She successfully completed her stay and checked out right before her legal team finalised her plea deal.

At only 24, Samuel Kim Arredondo, better known as Samuel, has lived through nearly every iteration possible in a K-pop idol’s career.

As a child growing up in L.A.’s Koreatown, he attended Wilshire Park Elementary School — but by the fifth grade he had moved to South Korea with his mother, Kyung-ju, with dreams of K-pop stardom. There, he became a trainee under Pledis Entertainment.

Now a subsidiary label of Hybe — parent company of K-pop superstars BTS — Pledis was forming what became one of the most successful “third generation” K-pop groups of all time: Seventeen. Samuel, who was in the running to debut with the group, is even captured in early footage from their “Seventeen TV” variety show.

Though he didn’t make the cut, he remained close with the members and helped write lyrics for their 10-year anniversary album. Just last week, he filmed a dance challenge with singer-MC Mingyu for the reggaeton-infused pop number “Zigi Zigi Zigi” — the lead single off of his new EP, “Samuelito,” which dropped June 8.

After leaving Pledis, Samuel — who is fluent in both English and Korean — signed to a new agency, Brave Entertainment, then formed one half of a short-lived hip-hop duo, 1Punch. (He was Punch, the other kid was One.)

In 2017 he competed on the second season of Produce 101, a globally popular Korean competition franchise, where he made it to the penultimate episode before the debut of the group Wanna One. That same year, he released his first solo album, “Sixteen,” fully showcasing his outstanding dance ability, youthful swagger and velvety tenor.

Yet before he could finally make headway, he suffered a devastating loss.

Samuel’s father, José Arredondo, who came to the U.S. from Michoacán as a child, died tragically in a 2019 case that made national and local headlines. After having spent years apart from his father while living in Korea, Samuel spent quality time with him shortly before his death.

José was a pillar of his community; he rose from washing cars to owning his own car dealership, alongside other businesses in Bakersfield. A precocious young Samuel can still be found showing off his dance and Spanish skills in an old commercial for the dealership. (“Volkswagen me hace bailar,” he says before busting a move.)

The loss of his father was made more harrowing when the news went public, Samuel recalls over a Zoom interview from Seoul, where he is promoting his new album.

“The articles went out first,” he explains. “It was everywhere before I even wanted to talk about it, so I had no choice to keep it private … of course it’s definitely hard for me.”

In the aftermath, Samuel went under the radar — but after a year or two, he started to pave a way forward. After getting out of the contract with his former label, and with the support of his mother, he launched his own company, Samuel Music Group.

“If I kept on staying in the past, I think no one would like it — even my dad wouldn’t like it,” he says. “I learned a lot through that emotion as well. Always be grateful, always be thankful every time, and try to say ‘thank you’ always, especially to parents.”

Composed of three songs and one interlude, “Samuelito” takes its name from the childhood moniker some know him by today. As the follow-up to his 2024 EP, “Now,” it is his second record release since he became independent. It’s also his first record sung predominantly in Spanish — along with the occasional sprinkle of English and Korean. (Take the onomatopoeic “Ddook Ddak,” which is Korean slang for “just like that.”)

Singing in Spanish for the first time, he tells me, to music he created himself, made his “heart race.”

“Samuelito” is not so much an exploration of Mexican musical traditions, but of Latin-influenced rhythms and sounds filtered through his uniquely multicultural lens. In the future, he dreams of working with genre-spanning Latino pop artists who crossed over culturally, like Selena Gomez, Camila Cabello and Rauw Alejandro.

In an Instagram reel from earlier this year he described his efforts as “K-tone” — a Latin and reggaeton fusion, powered by K-pop discipline. The comments below were peppered with encouraging responses from fans in multiple languages.

Wrote Liz Zeledon, from Oceanside: “As a Korean-Nicaraguan who grew up with exposure to both cultures, I love hearing Latin influences in K-pop… Korean Latines are so underrepresented in the Korean music industry.”

Reached by phone, Zeledon is a K-pop fan who has kept tabs on Samuel since his Seventeen trainee days; she is also a child of immigrant parents.”Representation is so important, because existence and visibility are not the same thing,” she says.

In the lead-up to the album’s release, Samuel posted photos and videos of himself as a young child. In one, his dad holds him up as a baby, dressed in all-white with a tam hat. Though Samuel says the EP is not an on-the-nose tribute to the elder Arredondo, his spirit resonates through the lyrics of the poignant downtempo track, “Never Say Goodbye.”

“Gritos que yo sé/Que llegan hasta El Cielo/Gotitas en el suelo/Y se me cae el mundo entero,” he sings. (“Cries that I know/Reach all the way to Heaven/Little drops on the ground/And my whole world comes crashing down.”)

“I used to listen to a lot of Spanish music while I was growing up … I used to eat a lot of Mexican food too,” he says. “While I was in the studio last year, I had [this] big vision: [‘What if] I bring back my roots and just be the true me and call this album “Samuelito?”’ It just felt fresh.”

Samuel started songwriting and producing for himself in the making of “Now.” On his new album, only three writers are credited, including himself — which is somewhat of a rarity these days in K-pop. One of them is Canadian Mexican singer-songwriter Andrea Rocha.

From her new home in L.A., Rocha said the main goal was to seamlessly blend two distinct musical cultures. Although Samuel came to the studio with the structure for his songs already in place, they worked on melodies and writing in Spanish together, since this was his first time penning lyrics in the language.

Rocha says she was taken aback by Samuel’s professionalism. “I’d be like, ‘Oh, what about this melody?’ And then he would sing it perfectly,” she says. “I did ask him about his K-pop training, because it sounds really intense. I think it shows how hard he’s worked in those years because he’s got all the star qualities. Compared to a lot of newer artists that I work with, I’m like, ‘Ooh, they’ve [done] a lot of work to get to that level.’”

These days, Samuel splits his time between Seoul and Los Angeles — once again calling Koreatown his permanent home. He also continues to spend time with his dad’s side of the family in Bakersfield.

“I think the biggest thing that I am happy about is getting back to my roots, where I started,” says Samuel.

Barry Manilow has told the story behind his first big hit so many times that I had no intention of bringing up the half-century-old “Mandy” when I sat down with the singer on a recent afternoon at his home in Palm Springs. Among the questions I did ask was how he ended up recording the song that opens his new album, and the answer — as it’s so often been throughout Manilow’s career, beginning with that 1975 chart-topper — was Clive Davis.

“It was all Clive,” Manilow said of “Once Before I Go,” the Peter Allen/Dean Pitchford number that leads off his just-released “What a Time” LP. Davis, the star-making record executive with the so-called golden ears, had been urging him to record the song for years, Manilow told me, which inevitably brought him back to the well-rehearsed tale of “Mandy” — to Davis’ decision that Manilow’s debut for his Arista label lacked a breakout smash and to his suggestion that the singer cut a version of a modest hit called “Brandy” by Scott English.

“So I went in the studio and did it trying to sound like that guy,” Manilow recalled, stomping his foot to approximate a lumbering rock beat. “Clive came in and said, ‘That’s terrible.’ I said, ‘I know it’s terrible.’ But in order to learn the song, I’d slowed it down and changed the key — I found the love song hiding in ‘Brandy,’” Manilow continued. (He also changed the title to avoid any confusion with Looking Glass’ “Brandy,” which had recently reached No. 1.) Manilow played the tune in his more romantic style for the exec. “I’ll never forget it — Clive said, ‘Just do that.’ And that was the record.” He laughed.

“He’s a kind of a genius.”

Davis, who died Monday at age 94, didn’t sing or play an instrument. “I knew nothing about music,” he once said, looking back at his entry into the record business. Yet his instincts made him one of the surest spotters and nurturers of talent in pop history, with a long — and varied — line of success stories that included Manilow, Janis Joplin, Neil Diamond, Lou Reed, Patti Smith, Whitney Houston, Aretha Franklin, Dionne Warwick, Alicia Keys, Jennifer Hudson and Maroon 5, among many others. He even helped the Grateful Dead score a Top 10 single with “Touch of Grey” in 1987.

Davis, who got his start in Columbia Records’ legal department, could identify original voices and seemed to intuit which songs were likely to become hits. Sometimes the hits came from the voices themselves, as in the case of Bruce Springsteen, whom Davis cajoled into writing “Blinded by the Light” for his Columbia debut; sometimes the exec match-made performers and composers, as in the case of “Mandy” or “Freeway of Love,” a zippy Narada Michael Walden jam that launched Franklin’s comeback in the mid-1980s.

A natty dresser with a cosmopolitan air, Davis founded Arista in 1974 after he was fired from Columbia (where he’d ascended to the presidency) amid an embezzlement scandal of which he was later cleared. In 2000, he was ousted from Arista in a corporate shakeup — just months after the label won eight Grammy Awards with Carlos Santana’s 15-times-platinum “Supernatural” LP — then launched a new label, J Records, which scored an immediate blockbuster with Keys’ “Songs in A Minor.”

Clive Davis at the Beverly Hills Hotel in 2020.

(Christina House / Los Angeles Times)

Wherever he worked, Davis’ goal was shepherding hits that spanned formats and generations; he delighted in projects like “Smooth,” the inescapable Santana single pairing the rock guitarist and Rob Thomas of Matchbox Twenty, and a series of Great American Songbook albums by the once-scruffy Rod Stewart. He might also have been the music industry’s biggest believer in ballads, at least among suits: Between 1985 and 1992, Houston alone released almost a dozen of music’s all-timers, including “Saving All My Love for You,” “Didn’t We Almost Have It All” and — perhaps the greatest pop ballad ever recorded — her take on Dolly Parton’s “I Will Always Love You.” (It wasn’t a huge hit, but listen to Houston and Jermaine Jackson’s pedal-steel-drenched “Nobody Loves Me Like You Do,” from Houston’s debut, for an early instance of that crossover ambition.)

One of relatively few nonperformers inducted into the Rock & Roll Hall of Fame, Davis brought his flair for variety to the party he threw at the Beverly Hilton every year on the night before the Grammys — a famously hot ticket that drew A-list celebs from the worlds of music and Hollywood as well as business and politics. You could always count on the exec to have persuaded some number of the year’s splashiest new acts to perform; this year’s bash, in January, had Sombr, Olivia Dean and the women of “KPop Demon Hunters.” But my favorite part of the show was always seeing which veteran Davis had tapped to mix it up with the youngsters — Diamond or Manilow, for instance, or Johnny Mathis, who absolutely killed in 2015.

Davis horrified many in 2012 when he opted to proceed with his party just hours after Houston was found dead in a hotel room at the Beverly Hilton. In the years after the singer’s death, Davis drew criticism for taking too much credit for Houston’s artistic achievements; to some, he became a symbol of the music industry’s efforts to tone down Houston’s Blackness in order to reach white audiences. Five years ago, I asked Warwick, who was Houston’s cousin, whether she’d taken on any kind of consulting role on “I Wanna Dance With Somebody,” the 2022 Whitney biopic that Davis produced.

Bobby Brown, from left, Whitney Houston and Clive Davis in New York in 1998.

(Stuart Ramson / AP)

“Not one thing,” she told me. “I want them to let Whitney rest in peace. Leave her alone. Ten years [since she died] — it’s time to let her sleep.” (In a statement Monday, Warwick called Davis her “dear friend” and said she “can think of no other record man that seemed to have that magical ability to know a hit when he heard a song.”)

I spoke with Davis many times over the years and was always struck by his enthusiasm about music and about his recall of events from decades ago. In 2017, I interviewed the exec alongside Mathis and Kenneth “Babyface” Edmonds about a record the three made together that had Mathis singing newish pop songs like Adele’s “Hello” and Pharrell Williams’ “Happy” — a concept Manilow told me in March he and Davis had been talking about replicating. After my story ran, Davis emailed me and said he’d enjoyed the piece, which had a couple of lines about Davis’ tendency to go overboard hyping his projects.

“Yes, a few of your bites required a personal Band-Aid,” he wrote, “but I did appreciate your perspective of the Mathis album’s quality.”

He knew the music was good; Clive Davis always knew when the music was good.

Lil Nas X says he feels “less fear in my heart” as he opens up about receiving treatment for bipolar disorder and moving forward from the mental health episode that landed him in hot water with law officials last year.

The Grammy winner (real name Montero Lamar Hill) addressed last year’s events in a video Wednesday morning on Instagram. Lil Nas X, 27, informed fans that he has been in a rehab program “for a few months,” spending time with family in Atlanta and with friends in Los Angeles. Since last year’s incident, the singer said he has been focused on “trying to ground myself down to Earth and get out of my head.”

Lil Nas X was hospitalized and arrested in August after he was seen strolling in only his underwear and white boots through Studio City, eventually shedding those items as the night progressed. The singer received treatment at a nearby hospital for a possible overdose but was accused of assaulting police officers.

He was charged with four felony counts: three counts of battery with injury on a police officer and one count of resisting an executive officer. Police accused the singer of assaulting the officers who were trying to take him into custody. Lil Nas X pleaded not guilty to all those counts.

In Wednesday’s video, Lil Nas X explained that he has also started seeing a therapist and psychiatrist to help address his mental condition — one he initially refused to accept. The singer, smiling and standing against a blue sky in his video, told fans that he was hesitant to take medication that would help address his bipolar disorder and joked that living with mental illness would add more to his plate: “I mean I’m already Black and gay…I’m like already living life on extreme hard mode.”

According to the Depression and Bipolar Support Alliance, bipolar disorder is a treatable mental health condition marked by extreme changes in mood, thought, energy and behavior. Manic episodes, marked by elevated changes in mood or behavior, are a symptom of the condition. People with a bipolar disorder diagnosis more commonly experience depressive episodes.

Lil Nas X spoke candidly about his diagnosis months after a Los Angeles judge in April granted the “Industry Baby” and “Old Town Road” singer’s motion for diversion, ordering the musician to enter a two-year mental health program. TMZ reported at the time that the musician would be cleared of his four felony counts if he complies with treatment and commits no other crimes.

The singer assured fans on Wednesday: “I’m doing better, I’m feeling better, I’m creating freely and there’s less fear in my heart and I’m just like smelling the roses.”

He also reflected on his career thus far — he quickly ascended to fame in 2019 with his viral hit “Old Town Road” — and teased that new music is on the way. Lil Nas X concluded his video by thanking fans for their support and for “holding it down.”

“I love you, and all I wanna do is continue to try to make you proud and make myself proud,” he said. “Let’s go dreamboy, let’s go.”

Country singer Tyler Farr is recovering after he missed his weekend show.

The “Rednecks Like Me” singer was slated to perform at the Goshen Stampede in Goshen, Conn., on Saturday, but the festival announced just hours before gates opened that Farr had an accident on his Chapel Hill farm, about 45 minutes outside of Nashville.

“Due to a motor vehicle incident on his farm, Tyler Farr was taken to a local hospital and diagnosed with a severe concussion,” read the Instagram post. “Tyler Farr will no longer be able to perform at the Goshen Stampede on June 13, 2026. We appreciate everyone’s understanding and will share additional event information as it becomes available. We wish Tyler a speedy recovery.”

David Foster and the All Stars took Farr’s place in the lineup. The event featured two rodeos with bull riding and steer wrestling, monster trucks, carnival rides and country music. Farr shared Goshen Stampede’s post to his since-expired Instagram stories but hasn’t shared any further updates.

Representatives for the country musician did not immediately respond to The Times’ request for comment.

This isn’t the country music star’s first rodeo. Farr, who released “Quit Bein’ Country” last fall, stopped by Taste of Country’s podcast to promote his new EP and told the outlet that he got into a car wreck on the way there and said his truck was too high.

“There’s a big lift on it, and if it had been a normal vehicle, it’d probably been something you could have just buffed out, but the reinforced-steel, ultra off-road bumper I have broke a taillight and knocked the bumper off [the other vehicle],” he said, adding that his truck didn’t have a scratch. “Luckily the person was cool, cop was cool.”

Apparently the last time he was in an accident (before the one in December), his 2013 hit “Redneck Crazy” went to No. 1 on the charts.

The singer has also been candid about his love for country living and turkey hunting.

“When I moved to Nashville, it wasn’t to be in the Hall of Fame,” he told Land.com last year. “That wasn’t a goal … I’m a pretty simple person. My goal was literally to be on the Opry, have a hit song, little country house in the woods, some land, a tractor.”

Ariana Grande and Ethan Slater have reportedly ended their relationship after almost three years together.

According to multiple outlets, the former couple — who met on the set of the 2024 musical blockbuster “Wicked” — quietly called it quits several months ago.

“It’s amicable, they gave lots of time and careful consideration and decided to go their separate ways,” a source told People. “They are still friends and very supportive of one another. They have been quietly broken up for several months.”

The “Thank U, Next” singer, 32, and “SpongeBob SquarePants” actor, 34, had been linked since 2023. They made their relationship Instagram-official in 2024 in the lead-up to the release of “Wicked,” in which Grande starred as G(a)linda the Good while Slater portrayed Munchkin and future-Tin Man Boq.

Their dating rumors were scrutinized at the time because Grande and Slater both had highly publicized splits from former spouses around the same time. Grande was previously married to real estate agent Dalton Gomez, while Slater had been married to psychologist Lilly Jay, his high-school sweetheart with whom he shares a child.

In March, Slater wrapped the off-Broadway run of “Marcel on the Run.” In addition to co-writing the play with Marshall Pailet, Slater portrayed mime artist Marcel Marceau.

Grande, meanwhile, embarked on her Eternal Sunshine tour in Oakland on Saturday. This marks the “Hate That I Made You Love Me” singer’s first tour since 2019. Grande is slated for five shows in Los Angeles beginning June 13.

This might be the last time fans can catch Grande at a live concert — at least for a while. In November, she mentioned these shows might be her “last hurrah” as a touring pop star.

“I’m very excited to do this small tour, but I think it might not happen again for a long, long, long, long time,” she said on the “Good Hang With Amy Poehler” podcast. “So I’m going to give it my all, and it’s going to be beautiful, and I think that’s why I’m doing it, because it’s like, one last hurrah.”

Grande’s next album, “Petal,” will be released July 31.

Peabo Bryson, a Grammy-winning R&B singer known for his duets from Disney classics “Aladdin” and “Beauty and the Beast,” has died. He was 75.

His family confirmed to The Times that he died Tuesday in Marietta, Ga. The cause was complications from a stroke he suffered over the weekend.

“We are tremendously moved by the outpouring of love, prayers and support from fans, friends, and colleagues around the world,” the family shared. “While our hearts are broken, we find comfort in knowing how deeply Peabo was loved and how many lives were touched by his voice and his generous spirit. His legacy and music will live on for generations to come.”

Bryson was a fixture on the R&B scene for decades, scoring with such hits as “Tonight I Celebrate My Love” and “If Ever You’re in My Arms Again.”

Peabo Bryson, pictured performing in Washington, D.C., in 2016, won Grammy Awards in back-to-back years in 1993 and 1994.

(Teresa Kroeger / Getty Images)

In a career peak in 1992, the singer was featured on recordings that topped four separate charts: “A Whole New World,” a duet with Regina Belle from the Disney animated movie “Aladdin,” topped the Pop and Adult Contemporary charts; “The King and I” album, featuring Bryson, was No. 1 on the Classical Crossover charts, and Kenny G’s “Breathless” album, featuring Bryson on “By the Time the Night Is Over,” topped the Contemporary Jazz charts.

He nabbed two Grammy Awards back to back in 1993 and 1994 for his performance of “Beauty and the Beast” with Céline Dion, and his performance of “A Whole New World” with Regina Belle.

“I don’t think there’s anything I can’t do,” Bryson told The Times. “I see myself as a true Renaissance man. I don’t like one-dimensional concepts of myself.”

Robert Peapo Bryson was born on April 13, 1951, in Greenville, S.C. He grew up attending concerts his mother would bring the family to, and by the time he was in high school, he knew he wanted a career in music.

In 1978, he told David Nathan, an editor for Blues & Soul magazine, that his mother wasn’t thrilled about the prospect of him chasing his dreams in the rhythm-and-blues biz and worried he’d get into trouble.

“As far back as I can remember, I’ve always been into music,” Bryson said. “It’s all I ever wanted to really deal with. … I had to make that decision, when I was around 14, as to what I was going to get into, career-wise. Well, I’d thought about being a doctor or something like that, but I really felt that music was my thing.”

He cut his teeth as a backing vocalist in various groups, but none of his bandmates could properly pronounce “Peapo,” his French West Indian name, so he changed up the spelling to make it simpler. The stage name Peabo was born. In the late 1960s, he linked up with “My Elusive Dreams” hitmaker Moses Dillard. “I started out just singing, although I progressed into percussion, guitar and, much later, playing piano — that was basically when I started getting into songwriting,” he told Nathan.

In 1967, he signed his first record deal, with Bang Records, and in 1976, he made his solo debut with the single “Underground Music” and his eponymous album, “Peabo.” The next year, he hit it big time and signed with Capitol Records, where he put out back-to-back gold-selling albums: “Reaching for the Sky” in 1977 and “Crosswinds” in 1978.

Peabo Bryson performs at the Centennial Olympic Park’s Fourth of July Celebration in Atlanta.

(Robb D. Cohen / Invision / Associated Press)

By the ’90s, Bryson was at a career high, collected Grammy nominations and became the definitive voice of Disney duets. But the music scene was changing, and Bryson wasn’t keen on the new direction. He told The Times in 1994 that MTV had stopped considering talent as the criteria to be played on the music channel and that he thought mainstream music had taken a hostile and negative turn.

“I guess I [tick] people off because I don’t go away,” he said with a chuckle. “I’m like a tenacious forest fire — you snuff me out over here, and I’m still burning down the back 40 just when you think it’s over. I have a great faith in God, and because of my great faith in God, I have faith in the self.”

Fortunately for legions of fans of the soulful balladeer, Bryson was right and he wasn’t going anywhere for another couple of decades. The Grammy winner continued to grace stages with his flashy blazers and smooth baritone, and recently performed a concert with Jeffrey Osborne at Trilith Live in Fayetteville, Ga.

The event in early May was a standalone performance, apart from the crooner’s Golden Touch tour, which he announced last year, amid his celebration of 50 years in the music industry.

In recent years, Bryson said he had been hitting the gym and prioritizing his health after a scare seven years ago when the artist suffered a heart attack at his Georgia home. He told the Soul Train Cruise 2020 that he flat-lined for nearly 30 minutes, “long enough to make friends on the other side.”

“It turns out that dying is not that hard,” Bryson said. “Didn’t hurt that much. It’s the living afterwards that’s the really difficult part. I mean, why are you still here? You have to ask yourself those hard questions: Are you a good father? Are you a good husband? Are you a good friend? Are you a good brother? Are you a good human being?”

Bryson said he was able to answer yes.

“Then you have to ask yourself the question that makes the answer null and void — can you be better?”

Bryson is survived by his wife, Tanya Boniface Bryson; son Robert Bryson (who goes by Kit); daughter Linda Bryson; and three grandchildren.

Memorial arrangements will be announced at a later date.

R&B singer Peabo Bryson, well known for his duets from beloved Disney classics “Aladdin” and “Beauty and the Beast,” suffered a stroke over the weekend.

A representative for the artist told The Times that the singer is undergoing treatment but provided no details about his condition.

“Two-time Grammy Award-winning singer, songwriter and balladeer, Peabo Bryson — the voice behind the Oscar-winning Disney songs ‘Beauty and the Beast’ and ‘A Whole New World’ — has suffered a stroke and is currently under medical care,” the representative said in an emailed statement. “At this time, the family requests privacy as they navigate this deeply personal moment together. The thoughts, prayers and love of friends and fans are welcomed and deeply appreciated.”

Bryson recently performed a concert with Jeffrey Osborne at Trilith Live in Fayetteville, Ga., in early May. The event was a standalone performance, apart from the crooner’s Golden Touch tour, which he announced last year, amid his celebration of 50 years in the music industry. In April, the Grammy winner turned 75 and posted photos on Instagram from a birthday bash showing him surrounded by friends and family. In early May, he posted a video of his son, Kitt, performing a Michael Jackson dance routine, writing “Super proud Dad moment from last nights Gig in Atlanta.”

Soul and funk band Maze, which was fronted by the late Frankie Beverly, shared some love for Bryson on social media.

“The entire Maze The Music Forever family sends our heartfelt prayers, love, and support to Peabo Bryson during this time of healing,” read the post. “Peabo’s extraordinary voice, timeless artistry, and unwavering contributions to music have touched millions around the world. We pray for God’s healing hand, renewed strength, comfort, and a full recovery.”

Dua Lipa and Callum Turner are writing a new chapter in their romance, tying the knot two years after a meeting that would make most bookworms swoon.

The Grammy-winning “Levitating” pop diva, 30, and “Eternity” actor, 36, exchanged their vows Sunday morning at the historic Old Marylebone Town Hall in Westminster, London, officials confirmed to the Associated Press. The Daily Mail published photos of the newlyweds all smiles and hand-in-hand descending town hall steps. Callum was spotted wearing a navy suit as his bride donned a custom Schiaparelli skirt suit, white gloves and a wide-brimmed hat, according to the Daily Mail. The singer also wore white Louboutin heels and a serpentine necklace by Bulgari.

Lipa and “Masters of the Sky” star Turner began dating in January 2024, after numerous missed opportunities. Turner told the Times of London in October 2025 that he and his now-wife (“I just thought she was the most beautiful woman in the world”) first met in Los Angeles before a mutual friend’s birthday and struck up an instant connection. “We sat next to each other and realized we were reading the same book, which is crazy,” Turner said.

Lipa runs her own book club and blog, titled Service95, and announces the selected reads on Instagram. When they met, the bookworms-turned-lovebirds were each making their way through Hernán Díaz’s “Trust.”The novel won the Pulitzer Prize for fiction in 2023.

“I had just finished the first chapter and I told her and she looked at me and said, ‘I just finished the first chapter too.’ I said, ‘So we’re on the same page,’” he told the Times. “In the movie version of it I look up to the sky and I’m like, ‘I hear you. I understand. The signs are loud, don’t worry.’ And that was really the first [moment].”

Lipa hard-launched her romance with Turner on Instagram in July 2024, sharing photos from Glastonbury. Over the following years, the singer continued sharing photos of sweet moments between herself and Turner, who does not have an Instagram account, and the pair were spotted together at numerous public events including the 2025 Met Gala. In December 2024, Lipa posted photos featuring a diamond ring on her left ring finger, spurring engagement chatter. After months of flaunting the ring on social media posts, Lipa confirmed the engagement to British Vogue in June 2025.

“It’s very exciting … This decision to grow old together, to see a life and just, I don’t know, be best friends for ever — it’s a really special feeling,” she told the outlet at the time.

A HUGE British band has been forced to cancel their UK tour after one of the member’s revealed a devastating diagnosis.

Popular indie duo Seafret have scrapped the remainder of their current UK tour after the band’s lead guitarist Harry Draper was diagnosed with a debilitating eye disease that will eventually cause him to go blind.

The band, who consist of Harry alongside frontman Jack Sedman and first formed in 2011, shared the news in a statement on the band’s social media on Tuesday afternoon.

Harry explained he had been diagnosed with Stargardt, which is a rare genetic eye condition that causes progressive central vision loss.

The post read: “Hey everyone, I’m so sorry to have to do this, but I’m afraid I’m going to have to cancel the remainder of the tour.

“I’m going to be totally honest with you, I’m struggling. I’ve recently been diagnosed with an eye disease called Stargardt, which will sadly mean I’m going to go blind.”

OFF STAGE

Legendary UK band cancel Radio 1 event as member battles mystery illness

No Show

Mystery as huge UK band cancel two gigs just hours before they’re due on stage

The musician said he was going to take some time out but thanked his fans for their support and insisted “I won’t let this stop me”.

“It’s been so much to get my head around, and I’ve really struggled to see last few nights on stage,” the statement continued.

“I just need to take a bit of time out to get my head around all of this.

“I won’t let this stop me, but I do just need a little time.

“I know you’ll understand, you’re the best fans in the world. From the bottom of my heart, I’m so sorry. Harry xx.”

The band’s fans rushed to show their support for the musician following his statement regarding his diagnosis. 

The duo kicked off their huge UK and European tour last week and were due to visit a number of cities around the UK before heading over to Europe next month. 

The band first achieved chart success in 2016 when their debut album charted on the official album charts.

They then went on to release a number of singles and EPs. Their biggest success came in 2022, when a sped-up version of their song “Atlantis” went viral on TikTok.

Following this, they released an official version of the song, leading it to chart all across Europe and pass over 400 million streams on Spotify.

While their monthly listeners on the platform increased to over 13 million.

Ricky Martin had to stop his concert Thursday in Montenegro after someone in the audience “discharged tear gas toward the stage,” causing an “abrupt” interruption to the show as fans retreated and got any needed medical attention, the singer’s publicist said in a statement posted on Instagram.

The show did go on.

“As a precautionary measure, Ricky Martin and his entire team exited the stage while security personnel and local authorities worked to contain the situation and ensure the safety of those in attendance,” the statement said.

“We didn’t understand what was happening,” one shaken Montenegran concertgoer said on Instagram during the outdoor show. “Suddenly, people started pushing each other, and we smelled pepper spray. Many people quickly covered their mouths and left the area. I don’t know if there’s still anyone in the area right now. I didn’t see what the police did. I can hear that the concert has started again, but I left the area. I hope everyone is OK.”

Whether the substance was tear gas — which, incidentally, is a powder, not a gas — or pepper spray is unclear. Both substances have similarly irritating effects, despite different ingredients. Tear gas is typically employed by law enforcement for crowd control while pepper spray is often used by individuals for self-defense, according to hazmat and crime-scene cleanup company Bio Recovery, which operates mainly in the American south. Both substances can disperse widely in the air.

Martin, 54, decided to resume the show once authorities said everything was back under control even though “members of the artist’s team advised against continuing the performance,” the publicist’s statement explained.

The headlining performance, which was part of festivities marking the 20th anniversary of Montenegro’s restored independence following the breakup of the former Yugoslavia, came as the “Livin’ la Vida Loca” singer gets ready to embark on a European tour with dates in Italy, Switzerland, Germany, Czechia, Poland, Hungary, Istanbul and more from June into August.

Also Friday, Martin announced he would join the U.K.’s Heritage Live Festivals with a show Aug. 22 at the Royal Sandringham Estate in Norfolk with Sugababes, Olly Alexander and Sophie Castillo. It will be his only U.K. show in 2026. Other artists appearing in Heritage Live shows in July and August include UB40, Lionel Richie and Eric Clapton.

“The rise of Latin music as a global force has been phenomenal, and we’re thrilled to welcome one of the true pioneers who helped bring it to a massive international audience,” Giles Cooper of Heritage Live Festivals told the BBC. “It’s set to be an incredible party.”

Martin, who hails from Puerto Rico, joined Bad Bunny’s all-Spanish halftime show at Super Bowl LX in February with a 30-second cameo in a scene invoking the cover of the latter singer’s album “Debí Tirar Más Fotos.” Clad in all white, Martin sat in a white chair and dove into “Lo Que Le Pasó a Hawaii,” a ballad that implores Puerto Ricans, should the opportunity arise, to resist compromises that Hawaiians made when those islands became a U.S. state in 1959.