Silent

Zoe Ball in shock at ‘terrifying’ story of ancestor jailed at two years old in silent prison with no light

The BBC star finds it ‘heart-breaking’ that her great x3 grandfather had such a difficult start in life – and was later declared ‘destitute’.

Zoe Ball was famously the top-earning presenter at the BBC, earning a high of £1.4million a year as host of the Radio 2 Breakfast show back in 2021. But in the new series of Who Do You Think You Are?, the radio star discovers that her great x3 grandfather James Temby, a Cornish miner, was deported from Guernsey as a young father for being “destitute”.

He and other members of the family, who had travelled there to start a new life with the promise of work in the granite quarries, were ordered out after two years. And this came after he’d already had a particularly tough start in life – spending six weeks in Bodmin jail as an illegitimate two-year-old after his single mother Julia was locked up for six weeks in 1851 for an “assault” an another woman.

On hearing how the pair of them would have spent time in the pitch black at the Cornish reform prison, which restricted access to light in order to encourage better behaviour from inmates, Zoe is horrified. “It’s heart-breaking isn’t it?” she says.

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Standing in the tiny, draughty cell – which could have been the very one where her ancestors were incarcerated – she also learns that the prison was silent, and so all speaking was banned, and that the inmates also had their heads shaved to prevent lice.

Zoe gasps: “That’s tough living isn’t it? It’s pretty devastating to think of a two-year old living in these conditions. Must have been terrifying for both of them.”

Jess Marlton, general manager of The Bodmin Jail which is now a hotel and museum, agrees: “Trying to keep a two-year-old quiet I should think was quite a challenge.” But she explained: “There was nowhere else for him to go and no other means to support him.”

Zoe stays the night in one of the converted cells and admits she had to “sleep with the light on”. Afterwards there is happier news when she discovers that James went on to marry her great x3 grandmother Mary Ann at the age of 19 and, despite the setback in Guernsey, he and his family fared better once they returned to England. They were initially sent to Plymouth in 1869 but by 1875 had moved 400 miles north to County Durham, which is where Zoe’s late mother Julia grew up.

James successfully secured work in the coal mines and they also ran a greengrocers shop. By the time he died 40 years later, at the age of 73, he was said to be held in the “highest esteem” by the local community. Shown a picture of the shop, based in Hunwick, Zoe says of Mary Ann: “There she is, she’s got her pinny on ready to work. It’s so wonderful to see their faces.” The couple had five children who all went on to marry.

Zoe – who’d speculated at the start of the film that she was descended from “a long line of wrong ’uns” – is thrilled to see that James was “respected in the end”. She admires the “strength and resilience” he showed in moving around to find work and support his family and feels she was actually “quite wrong” about the family history journey she’d expected to go on.

Zoe, 55, also tells the programme that she was brought up by her dad, former TV presenter Johnny Ball, from the age of two when her parents divorced, and didn’t have any contact with Julia for 14 years – which was “pretty tough”. Having fully reconciled with her mother in her later teenage years, she says that Julia’s death, in 2024, made her take a long hard look at her own life. “It really made me step back and reevaluate what’s important,” she explained. Speaking of her 15-year-old daughter, Nelly, she said “I really just want to be mum and be around for her, before she’s grown up and off into the big wide world like her brother.”

In the programme the former Radio 2 breakfast star also learns that her impoverished maternal grandmother was a serial fantasist who had “delusions of grandeur”and was sent to a mental hospital.

Margaret ‘Peggy’ Minto was committed for acute mania after being put on trial for shoplifting. Poor Peggy’s fantasies continued even while she was undergoing treatment, which included electroconvulsive therapy – an electric current passed through the brain.

Zoe’s only regret is that Julia did not live long enough to find out the fascinating details of their shared ancestry. “It’s been hard to do this without Mum,” she sighed. “I want to ring her up – I know she’d be really chuffed.”

– Zoe Ball’s episode of Who Do You Think You Are? airs on BBC1, May 26 at 9pm.

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‘Silent Friend’ review: A gingko with a mind of its own charms Tony Leung

It’s not merely trendy psychologizing to salute the qualities of a sturdy tree: a humbling reminder of time’s immensity, but also a living embodiment of shelter, change and growth. Leave it, then, to a massive gingko on the grounds of a medieval German town’s college to cosmically center the three-pronged, multi-generational character study “Silent Friend” from Hungarian filmmaker Ildikó Enyedi.

Enyedi, from her mesmeric, calling-card period lark “My Twentieth Century” to the eccentric love story “On Body and Soul,” has always been preoccupied with that realm in which the everyday meets the all-seeing and possibility is awakened. So it shouldn’t surprise anyone that she’d give a starring role to a 200-year-old tree, which just may inspire the needed answers. And why not? Our living, “breathing,” sky-reaching neighbors have considerable communication skills with each other.

Our entryway is a modern day neuroscientist played by Tony Leung Chiu-wai (and called Tony), who arrives at the University of Marburg as a visiting professor ready to further his groundbreaking research into the mysteries of infant brain development. The gig becomes a lonely endeavor, however, when the pandemic hits and he’s confined to a depopulated campus, sent unwillingly into a kind of monkhood.

It’s as if the nearby natural world, photographed by Gergely Pálos and edited by Károly Szalai, was just waiting for such a solitary moment to draw Tony’s undivided attention into the prospect of green intelligence.

In tandem, Enyedi transports us to 1908 to meet aspiring botanist Grete (Luna Wedler), the university’s first female student, subjected to cruelly patronizing treatment by smug male elders, yet driven to see plants anew when introduced to the light-capturing rigor of photography. The movie’s third woven-in protagonist is a wide-eyed, resourceful farm boy, Hannes (Enzo Brumm), in 1972. While his fellow students spark to the winds of political change and sexual freedom, he becomes fixated on what a lone geranium, imaginatively monitored on its windowsill, might have to convey if given the chance.

The fluid, idiosyncratic charm of “Silent Friend” — which never feels like two and a half hours — is in Enyedi’s heartfelt belief that curiosity is simply a garden that grows progress. It doesn’t hurt, of course, that this veteran dreamweaver’s key cast are entrancing, inviting specimens themselves, led by an inner glow of compassion in Leung that feels like its own natural energy source. When his character contacts Léa Seydoux’s French plant expert, it becomes almost too much rapturously intelligent star wattage for one quietly poetic movie, even if these god-tier actors are just zooming and talking shop.

Hardly anything is overdone here and, in one essential way, Enyedi is also making the case for movies themselves as phenomena to protect and treasure: ecosystems of light, texture, wonder and nourishment. Visually, the film toggles between intimate 35mm black-and-white, grainy 16mm color and multi-purpose digital cameras that visually represent distinct eras. Needless to say, that gingko tree is sublime and majestic in all of them.

‘Silent Friend’

In German and English, with subtitles

Not rated

Running time: 2 hours, 27 minutes

Playing: Opens Friday, May 15 at Laemmle Royal and AMC Burbank Town Center 8

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