show

Ardal O’Hanlon was a firm favourite on Death in Paradise as DI Jack Mooney before leaving in 2020

Death in Paradise star Ardal O’Hanlon has taken a savage swipe at the show, three years after his exit.

The actor portrayed DI Jack Mooney in the popular BBC crime drama, after joining in 2017. And during his stint, he became a firm favourite with fans, who often dubbed him the programme’s ‘best’ detective.

However, in 2020, Ardal left the cherished Caribbean-set show after three years. During his appearance on The One Show this week, the Irish star reflected on his time on the programme.

Revealing how filming Death in Paradise inspired his new book, A Plot to Die For, Ardal said: “I did 24 episodes. It must have been at least 30 murders. I didn’t even have to read the script, I knew who did it.”

Ardal went on: “When I was there I was always trying to dream up imaginative kind of murders.” Although he then said he “loves” the show, Ardal made a savage swipe at it’s storylines.

“But you would be thinking to yourself, ‘have we not done this plot before?’ You know, someone falling off a balcony again!” as his co-stars and show hosts laughed along with him.

Ardal was previously asked whether Jack Mooney leaving the show was a mutual decision. He told the Mirror: “From day one, it was always going to be like three series.

“As it turned out, I ended up doing part of a fourth series as well, before the handover to Ralf Little’s character [Neville Parker]. So to be honest with you, like you just wouldn’t be fit to do any more than that.”

He added: “It’s very gruelling, and you’re away from home for a very long time. So, you know, that was always the plan, and there was really very little that was going to change my mind about that.”

Ardal also went on to say that he believes the reason for the show’s success is the constant rotation of detectives. He stated: “I think the secret of the show’s success is constantly changing the lead detective, you know, before people get bored with them.”

What’s more, despite enduring “very harsh” weather conditions during filming of the show, Ardal branded the experience a “lovely job to do”.

Death in Paradise airs on BBC One and iPlayer

May 4 (UPI) — At least three people were killed and more than 38 others were injured during a monster truck show in the city of Popayán, southwestern Colombia, after one of the vehicles lost control and struck part of the audience, local authorities reported.

According to footage shared on social media and reports from Colombian outlets such as El Tiempo, the vehicle veered off the track following a maneuver, knocked down metal safety barriers and crashed into spectators.

Popayán Mayor Juan Carlos Muñoz confirmed the preliminary toll in a message posted on X.

“We deeply regret the accident …)which has, preliminarily, left more than 38 people injured and 3 dead,” he said.

Among those killed was reportedly a minor, according to local press reports. Several of the injured were also believed to be children.

Colonel Julián Castañeda, commander of the Popayán police, told El Tiempo that the crash was likely caused by a mechanical failure.

“It was a private event. There was a mechanical failure, it left the track. The vehicle accelerated, it could not be stopped,” he said. He added that the driver of the truck was injured but is in stable condition.

Local media identified the driver as Sonia Dilma Segura, who is reportedly the only woman in Latin America authorized to operate this type of vehicle.

Cauca Gov. Octavio Guzmán expressed condolences and said the injured were taken to public hospitals in the city. “We deeply regret the accident,” he said on X.

A local official cited by Colombian media said the event had the required permits, including liability insurance, and that the organizing company had experience in this type of show.

Skip Bayless is returning to ESPN’s “First Take” — but for a very limited time only.

Bayless will join Stephen A. Smith on Friday’s episode of the popular sports debate show in what the network describes as “a one-time reunion” between the two men who haven’t hosted the program together in nearly 10 years.

Bayless appeared on “First Take” from the show’s inception in 2007 until he left ESPN in 2016. Smith has remained on “First Take,” which he currently hosts with Shae Cornette.

It was Smith’s idea to bring back Bayless as a special guest, according to a person familiar with the situation but not authorized to discuss it publicly.

After leaving ESPN, Bayless joined Fox Sports, where he co-hosted similarly formatted show “Undisputed” — for much of the time with co-host Shannon Sharpe — from 2016- to 2024. He currently hosts a podcast, “The Skip Bayless Show,” and is a regular contributor on the digital sports show “The Arena: Gridiron,” starring Gilbert Arenas.

In 2024, Smith addressed rumors of Bayless possibly re-joining “First Take.”

“Skip Bayless and Stephen A. Smith, together as partners, working across from each other on a debate show, is over,” Smith said on his podcast. “It’s been over. And this is not the first time I’ve said it. There’s no negativity or shade being thrown on Skip Bayless. I have moved on.”

Distraught onlookers caught the moment a monster truck lost control at a car show and plowed into spectators in Colombia, killing at least three people, including a 10-year-old girl. Around 40 people were injured.

Wars and territorial disputes are rewriting the rules of global shipping.

From the Strait of Hormuz to the Panama Canal, and the Red Sea to the Black Sea, maritime traffic is under increasing threat.

Is shipping becoming the new global battleground? And why are the decades-old laws governing the seas failing?

Presenter: James Bays

Guests:

Rockford Weitz – director of the Fletcher Studies programme at Tufts University

George Theocharidis – professor of maritime law and policy at the World Maritime University

Stavros Karamperidis – associate professor in maritime economics at Plymouth University

The new ITV quiz show is fronted by Danny Dyer and Emily Atack

ITV has unveiled the first look at its new reality quiz show with a surprising twist.

Fronted by Danny Dyer and Emily Atack, Nobody’s Fool has been billed as a “unique reality event packed full of drama and deception.”

In this ruthless contest, participants’ survival depends not on their actual intelligence, but on how clever their rivals perceive them to be.

Throughout the series, ten competitors from across the UK will share a purpose-built “Smart House,” taking part in a game where perception, tactics and trickery matter just as much as brainpower.

With challenges completed behind closed doors, assumptions, biases and initial impressions will prove crucial, as hasty conclusions and deliberate misdirection keep both contestants and audiences second-guessing.

The show will feature daily individual quizzes testing various forms of intelligence, with correct answers contributing to a collective prize fund.

However, in a clever twist, only the participants themselves will know their actual performance – leaving them free to share as much or as little truth as they wish with their housemates.

As the series progresses, players must identify the weakest link among them and vote them out.

Discussing the programme, Danny Dyer enthused: “this is a blinder of a game show and unlike anything I’ve seen before. Emily and I had a brilliant time making it and much like the audience at home will be, we kept guessing right until the very end.”

Emily Atack added: “It’s so exciting to be part of something this new and fresh. The chance to work with Danny again was a no brainer for me. We had such a laugh. Can’t wait for everyone to watch, it’s an absolute must see.”

Sue Murphy, Director of Factual Entertainment at ITV, and Kate Teckman, Head of Development and Commissioning Editor at ITV, said: “Nobody’s Fool is an innovative reality/quiz crossover show that puts preconceptions, stereotypes and judgements to the test.”

They continued: “Danny and Emily are the perfect pairing to host this game of surprise and prejudice, that will no doubt have audiences on the edge of their seats.”

Meanwhile, Richard Cowles, MD, and Tom Gould, Director of Entertainment and Formats at Lifted Entertainment, added: “Nobody’s Fool takes a simple premise – How do you really determine how smart someone is?

He added: “Trust your preconceptions and judgement or what they tell you? – and turns that into a high stakes reality game show with up to £100k up for grabs.

“There is drama at every turn but with Danny and Emily on hosting duties, the fun and laughter is also never far away.”

Nobody’s Fool is coming to ITV soon

We are living in an era of dissent, but what does that mean in 2026? According to writer Gal Beckerman, to be a dissident is as much a way of being as it is an act of resistance. In his new book “How to Be a Dissident,” Beckerman, a staff writer for the Atlantic, unpacks dissent as a kind of rough art. His book is both an instruction guide and a primer.

In nine short, potent chapters, Beckerman lays out the essential traits of an effective dissident — loyalty, recklessness and watchfulness, among them — to illustrate how communities of resistance are built from the ground up. I recently chatted with Beckerman about playwright and former president of the Czech Republic Václav Havel, President Trump and AI.

✍️ Author Chat

You have written three books that deal with dissent — political, cultural and societal. It’s clearly a big issue with you.

I don’t think of myself as an activist; I don’t approach these topics with an activist’s fervor. I’m genuinely curious about how change happens in society. All four of my grandparents survived the Holocaust, and I think the notion of a society that can change that quickly and turn on you was always very shocking and interesting to me.

In reading your book, it’s really inspiring and extraordinary to read about individuals putting their lives on the line to make change happen.

They genuinely fascinate me as these bizarre human beings who are able to act in ways that I find really mysterious. There’s a mystery as to how people’s minds actually change, and how society can change.

You write about making moral choices, and doing something bold because of some strongly held belief. This is not the same thing as joining the crowd, which can be the path of least resistance.

I had this feeling during the first few months of the current Trump term (and I share this sentiment with a lot of people) that we were just bowled over by the degree to which people in elite places were acquiescing to the exercise of executive power and being willing to bend the knee in ways that felt shocking to me. This prompted me to wonder, what would I do in that situation? Would I say “no” and not succumb to the will of executive power? Would any of us do so? It’s a question we all have to ask ourselves.

You cite Iris Murdoch’s notion of “radical humanism” as a key trait of effective dissent.

Radical humanists are attuned to the messy and wonderful ways that beings just are. They are defending those conditions for human beings to have a normal life, whether that means being able to listen to whatever music you like, or to wear your hair in a certain way, or to take care of a neighbor that is being ill-treated. Václav Havel called it the “pre-political” way of thinking and acting. And we saw this recently in Minnesota, with people standing up to ICE, regardless of what their political affiliations might be. Something pre-political was going on.

Another important factor you cite is civic mindedness, which feels like a difficult goal given how our communities have been dissolved by our screen addictions.

The communication tools that we use are dehumanizing in many ways because they don’t allow us to really see each other. Instead we preconceive each other and just scream a lot. And we know this at a gut level even as we continue to use them. That’s why I do think it takes an almost dissident sort of energy to insist on thinking in a different way and scrambling the assumptions that our modes of communication have foisted upon us.

What about AI? It feels as if there is a lot of resistance to accepting AI into our lives just because technology companies are investing billions of dollars to make it so. You are seeing communities protesting against the construction of data farms in their neighborhoods, for example.

The money behind the ideology pushing AI is about letting us feel that the only way to have an efficient life is through AI. And I feel like the 20th century taught us that there are lots of ideologies that come around to promise this sort of thing. And so we need to learn from that. I think there are a lot of overwhelming powers that try to flatten us. But we have to take that wonderful human element, that radical humanism, to say no, maybe there’s a way to do it better.

📰 The Week(s) in Books

Monica Lewinsky as a saint offering solace to the lovelorn and abandoned? Julia Langbein’s wild conceit works beautifully in her novel “Dear Monica Lewinsky,” according to Julia M. Klein, who calls the book “smart, poignant and involving.”

Among the casualties of the Vietnam War were the Appalachian communities whose male populations were decimated on the frontlines. This is the subject of Pamela Steele’s “taut, lyrical” novel “In the Fields of Fatherless Children,” a book that delves into the “poverty, racism, environmental degradation and despair suffered in the Appalachian ‘holler’ during the Vietnam era,” writes Meredith Maran.

The Times’ Deputy Entertainment and Arts Editor Nate Jackson sat down with the rapper, actor and K-Town native Jonnie Park to discuss his memoir, “Spit: A Life in Battles.”

Finally, Maddie Connors answers the question, “why are novels getting shorter?” Welcome to the age of the Adderall novel.

📖 Bookstore Faves

The inside of Mystery Pier Books

(Mystery Pier Books)

Established in 1998, Mystery Pier Books is L.A.’s prime destination for rare books and signed editions across a wide range of genres and forms, including Shakespeare folios and vintage sci-fi paperbacks. Located right alongside its Sunset Strip neighbor Book Soup, Mystery Pier was established by character actor Harvey Jason and his son Louis, who continue to run the store together. I chatted with Harvey about the treasures to be found in his store.

What is the market like for rare books right now?

Very strong, in fact. We just sold a beautiful edition of J.R.R. Tolkien’s “Lord of the Rings” trilogy to a private collector for $55,000. And that is actually a reasonable price for those books. We have a long list of serious collectors all over the world that contact us for books, customers that have been coming to us for years. We also sold a first edition of “The Adventures of Huckleberry Finn” for $17,500.

Why should one own a rare book?

It’s a good investment. People who collect rare books are book lovers, first and foremost. And they are smart enough to know that the books they love can increase in value year by year. First editions never depreciate. They always become more valuable over time.

I’m interested in journalism books. Do you have any Tom Wolfe or Hunter Thompson in your store?

Hunter Thompson came in here years ago and signed all of his books, so, yes, we have his books signed by him.

Do you see young people looking to get into collecting books?

Yes. A lot of recent college graduates are building collections. It’s very heartening to see that. You can come into our store and find nice editions for $100. The front room of our store contains the first editions but our other rooms will have landmark titles for far less money. This is really a pursuit for everybody, not just wealthy collectors.

KIRSTEN O’Brien hung up her headphones at BBC Berkshire after revealing a new gig.

The kids’ TV presenter will be joining the BBC Radio 2 team for a very different role.

On her last day at the station, she was surprised by fellow 90s stars Dick and Dom.

She shared BBC Berkshire’s tweet, with a selfie of her and the boys and wrote: “Bit of news! Love that the lads surprised me today, I’m sad to be leaving BBC Berkshire as I’ve had a ball, but I can’t wait to get stuck in doing the traffic reports on BBC Radio 2 from Monday!”

Kirsten hosted the 10am-2pm slot on the Berkshire-based station and on her final show, she told listeners: “It’s eight years I’ve been here.

“I started at the old place at Caversham Park, doing a bit of covering, did the news, of course, some breakfast, and then the last two years doing brilliant things on this mid-morning show.

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“I’ve really, really enjoyed it. I’ve done all sorts while I’ve been here. I’ve visited everywhere from Reading Uni to the tip.

“I was thinking back about where I’ve been. My kids have grown up since when I first started, they weren’t sleeping.

“We were talking to sleep experts about helping me out. And now, of course, I just get them for stories.

“They provide endless content for me. Mark as well, whose life plays out on the radio, poor fella.

“So, I’ve always said I’ve come in here for a bit of a rest, a chat, to hear your stories as well and a bit of a laugh, and it’s been absolutely brilliant.”

Brigitte Tetta will be taking over Kirsten’s slot.

Kirsten was met with messages of support from listeners, with one writing: “Will be great to hear your voice on BBCRadio2. Always brings a bit of nostalgia from the CBBC and SMart days!”

A second added: “Heard you with Sara Cox a couple of weeks ago and you were great!”

“Congratulations Kirsten best wishes for the new adventures ahead,” echoed another.

“Wooooaahhhh, what?! I did not have this on my Bingo card for 2026! Fantastic, Kirst!! Huge congrats,” wrote a forth.

One said how they’d been impressed with her joining Trevor Nelson last week.

Another suggested there needed to be a SMart reboot.

Kirsten O’Brien became a familiar face of children’s television in the late 1990s and 2000s, where she started her career as a CBBC presenter.

She became known for her on-screen partnership with Otis the Aardvark.

In 1999, she landed the SMart gig, which saw her also take on SMarteenies and Smile.

Whilst she didn’t work with Dick and Dom (Richard McCourt and Dominic Wood), they were all part of the CBBC presenting gang and were close pals.

Zayn Malik, the former One Direction star turned solo artist, canceled all U.S. dates for his upcoming tour. The hitmaker was recently hospitalized for an undisclosed illness.

“To my fans: Thank you so much for all the support and love you’ve shown me on the album release and more importantly your love, prayers, and well wishes for my health,” Malik wrote Friday in an Instagram story. “I’ve felt it, and it’s meant the world. I’ve been at home recovering and I’m doing well and will be better and stronger than before.

“I’ve had to take another look at my schedule for the months ahead and have to reduce the number of shows on the KONNAKOL Tour,” he continued. “I want to make sure I still get out and see as many of you as I possibly can. I’m really looking forward to playing these shows for you, and I hope to see the rest of you around the world very soon. Big Love, Z”

While the “Side Effects” singer still has forthcoming shows in the United Kingdom and Mexico later this month, he nixed the U.S. leg of the tour, which was slated to kick off this July in Philadelphia. Other major stops included Pittsburgh, Milwaukee, Chicago, Indianapolis, Nashville, Phoenix, San Diego, Inglewood, Anaheim, San Francisco and Seattle, with the tour concluding in Miami on Nov. 20.

The announcement comes weeks after Malik, 33, revealed he was hospitalized. The singer didn’t disclose what condition he was suffering from, but on April 17 — the day his latest album “Konnakol” dropped — he shared a since-expired Instagram story that included selfies of the singer in a hospital bed hooked up to an IV.

“To my fans – Thank you to all of you for your love & support now & always – been a long week and am still unexpectedly recovering,” he wrote alongside the photo. “Heartbroken that I can’t see you all this week, I wouldn’t be in the place I am today without you guys and am so thankful for your understanding.”

The “Prayers” singer also thanked “all the incredible hospital staff of [doctors], nurses, cardiologist, management, admin and everyone who had helped along the way and continue to”.

Earlier this year, Malik performed his first ever seven-night residency in Las Vegas at Dolby Live at Park MGM.

The 61st Venice Biennale — the world’s most celebrated international exhibition of contemporary art — made headlines Thursday when its awards jury resigned amid a growing controversy over its April 23 decision to exclude countries charged with crimes against humanity by the International Criminal Court.

In the current moment, this specifically meant Israel and Russia, and an uproar ensued — particularly with regard to Israel. The Israel Foreign Ministry blasted the decision on social media, writing in an April 26 post that the boycott “is a contamination of the art world. The political jury has transformed the Biennale from an open artistic space of free, boundless ideas into a spectacle of false, anti-Israeli political indoctrination.”

The jury posted its brief statement of resignation online four days later “in acknowledgment” of its original decree, in which it wrote, “At this edition of the Biennale, we wish to set out our intention — to express our commitment to the defense of human rights,” before explaining it would not consider certain countries for awards.

The Biennale moved swiftly to reverse course after the jury’s resignation, issuing a news release that noted, “All National Participations included in the 61st Exhibition … are eligible … following the principle of inclusion and equal treatment among all participants. This is consistent with the founding spirit of La Biennale, based on openness, dialogue, and the rejection of any form of closure or censorship. La Biennale seeks to be — and must remain — a place of truce in the name of art, culture, and artistic freedom.”

To that end, the awards ceremony originally scheduled to take place on May 9 has been pushed to November 22 — the last day the exhibition is open to the public. There is precedent for “exceptional circumstances” delays, and the last one took place in 2021 as a result of the COVID-19 pandemic.

Without precedent, however, are the newly established awards, created to replace the coveted Golden Lion awards that the jury traditionally hands out to two winners each year. This year, instead of the Golden Lion for best national participation at the Biennale; and the Golden Lion for best participant in the Biennale’s central exhibition, the Biennale has established two Visitors’ Lions to be awarded in the same categories.

Instead of a jury deciding the winners this year, the honor will be left — as the new award name specifies — to the exhibition visitors.

“Visitors eligible to vote for the Visitors’ Lions are ticket holders who have visited both Exhibition venues,” the release reads.

“Visits to both venues will be verified through the ticketing system’s tracking. Each ticket holder may cast one vote for each of the two awards, in one single session.”

Whether Visitors’ Lions will become a Biennale mainstay remains to be seen — but I can imagine the democratic idea might keep its place when the Golden Lions make their return next year.

I’m Arts editor Jessica Gelt doing my best to tread water in difficult times. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Quentin Lee and Justin Lin on the set of their debut feature, “Shopping for Fangs.”

(Margin Films)

Celebrating 30 Years of Margin Films
Award-winning filmmaker Quentin Lee and his production company mark three decades in the business with a weeklong screening series. Lee’s breakout 1997 debut “Shopping for Fangs,” co-directed by Justin Lin, is the opening film. Also screening: “Ethan Mao,” Saturday; “The People I’ve Slept With,” Sunday; “The Unbidden,” Monday; “Rez Comedy,” Tuesday; “Last Summer of Nathan Lee,” Wednesday; and a sneak peak of three episodes of the Canadian TV series “Comedy InvAsian III,” Thursday. Selected screening includes a Q&A. Lee is also releasing a book, “Cinemasianamerica,” commemorating the occasion.
Each film screens one day, 1:30, 4:30 and 7:30 p.m., through Thursday. Laemmle Royal, 11523 Santa Monica Blvd., West L.A. laemmle.com

Dvořák and Korngold
Conductor Andrés Orozco-Estrada and the Los Angeles Philharmonic pay tribute to Michael Tilson Thomas, who died April 22, with his composition “Agnegram,” and perform Korngold’s “Concerto in D major for Violin and Orchestra” with violinist María Dueñas. The evening concludes with “Symphony No. 7 in D minor” by Dvořák.
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Anna Van Valin, from left, Elias Scoufaras and Bruce Nozick in “Warsaw” at International City Theatre.

(Jordan Gohara)

Warsaw
The world premiere of British playwright and “Selma” screenwriter Paul Webb’s drama about the fate of a woman whose life links two monumental historic moments, World War II and Sept. 11.
7:30 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through May 17. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org

SATURDAY

• • The Kronos Quartet, from left: Gabriela Díaz, David Harrington, Ayane Kozasa and Paul Wiancko.

(Danica Taylor)

Kronos Quartet
The West Coast premiere of the group’s latest large-scale multimedia project, “Three Bones,” which combines live performance, video, visual art, recordings and environmental sound to explore the histories of Indigenous, Gullah Geechee and Chinese American communities in the United States.
6 p.m. UC Santa Barbara campus, Campbell Hall. artsandlectures.ucsb.edu

Michael Caine, from left, Scarlett Johansson and Hugh Jackman in the “The Prestige,” screening Saturday at the Aero.

(Francois Duhamel / Touchstone & Warner Bros. Pictures)

The Prestige
Hugh Jackman and Christian Bale square off as rival magicians in a 20th anniversary 35mm screening of Christopher Nolan’s sci-fi thriller.
7:30 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com

The cast of “Carlota: Alhajero de Secretos,” opening Saturday at LATC.

(Teatro Alebrijes)

Carlota: Alhajero de Secretos
Writer-directors Rodrigo García and Ugho Badú reimagine Federico García Lorca’s tragedy “The House of Bernarda Alba.” The co-production between San José-based LGBTQ+ ensemble Teatro Alebrijes and L.A.’s Latino Theater Company is in Spanish with English supertitles.
8 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through May 24. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org

SUNDAY

Henri Lubatti in “Exit the King” at A Noise Within.

(Daniel Reichert)

Exit the King
Eugène Ionesco’s classic absurdist comedy about a desperate monarch who refuses to admit his time has come, translated by Donald Watson and directed by Michael Michetti.
Previews, 2 p.m. Sunday; 7:30 p.m. Wednesday, Thursday and May 8; opening night, 7:30 p.m. May 9; runs through May 31. A Noise Within, 3352 E. Foothill Blvd., Pasadena. anoisewithin.org

Organist Anna Lapwood performs at Walt Disney Concert Hall on Sunday.

(Gerald Matzka / Getty Images)

Anna Lapwood
The popular organist performs work from “The Da Vinci Code,” “The Hunchback of Notre Dame,” “The Lord of the Rings,” “Star Wars Episode I – The Phantom Menace,” “Flight” and “Pirates of the Caribbean,” as well as Olivia Belli’s organ solo “Limina Luminis,” in this recital.
7:30 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

TUESDAY

Willie Birch, “Uptown Memories (A Day in the Life of the Magnolia Project),” 1995. Painted papier-mâché and mixed media, 82 × 62 × 60 in. New Orleans Museum of Art.

(Roman Alokhin)

Willie Birch: Stories to Tell
This career retrospective details Birch’s exploration of the Black American experience since the 1960s, posing difficult questions along the way in his work as an artist, community organizer and “cultural provocateur.”
10 a.m. to 5 p.m. Tuesdays to Saturdays; 11 a.m. to 5 p.m. Sundays, through Oct. 21. California African American Museum, 600 State Drive, Exposition Park. caamuseum.org

Lucía performs Tuesday at the Carpenter Center in Long Beach.

(Shervin Lainez)

Jazz in Long Beach
Two jazz-influenced acts come to the Carpenter Center next week. Lucía brings her signature mix of traditional American jazz and Latin folk in a Spotlight Sessions concert on the Cabaret Stage. She’ll also be performing songs from her forthcoming album. “The Magic of Manhattan Starring Benny Benack III” is a tribute to the Big Apple and the songs and singers most associated with it, including Blossom Dearie, Frank Sinatra and Billy Joel.
Lucía, 8 p.m. Tuesday; Benny Benack III, 7 p.m. Wednesday and Thursday. Carpenter Center, 6200 E. Atherton St., Long Beach. carpenterarts.org

Smith, Cabezas & Childs
Molly Turner conducts the LA Phil New Music Group, with multi-instrumentalist and vocalist Gabriella Smith, cellist Gabriel Cabezas and jazz pianist Billy Childs in a program of eco-friendly music curated by Smith, including compositions by Smith, Childs, Michael Gordon, John Cage and Esa-Pekka Salonen.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

WEDNESDAY
Andrés Jaramillo: A Journey of Immigrants, Part II
The Colombian American pianist follows up on his January 2025 program with a celebration of the global cultural exchange created by immigrants, placing Latin American composers within the Romantic tradition. Featuring works by Chopin, Calvo, Mejía, Barber, Lecuona, Friedhoff-Calvo and Pinzón-Arroyo. Presented by Piano Spheres.
8 p.m. Wednesday. Thayer Hall at Colburn School, 200 S. Grand Ave., downtown L.A. pianospheres.org

Morgan Freeman, left, and Brad Pitt star in David Fincher’s 1995 film “Seven.”

(Robert Isenberg / New Line Cinema)

Seven
A 4k screening of David Fincher’s 1995 thriller about two cops on the trail of a serial killer. Appearances by production designer Arthur Max and set decorator Clay Griffith.
7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

THURSDAY

“Dancing with Bob: Rauschenberg, Brown & Cunningham Onstage” at the Wallis, May 7 to 9.

(The Wallis Annenberg Center for the Performing Arts)

Dancing With Bob: Rauschenberg, Brown & Cunningham Onstage
This kinetic retrospective captures the cross-disciplinary collaborations between vanguard artist Robert Rauschenberg and choreographers Trisha Brown (“Set and Reset,” with an electronic score by Laurie Anderson) and Merce Cunningham (“Travelogue,” created with John Cage).
7:30 p.m. Thursday and May 8; 2 p.m. May 9. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

The Physicists
Albert Einstein and Isaac Newton are residents of an insane asylum beset by murder, mayhem, espionage and questions about the morality and ethics of science in this 1962 German satire by Friedrich Dürrenmatt. Directed by Brent Hinkley.
8 p.m. Thursdays and Saturdays; 2 p.m. Sundays, through June 20. The Actors’ Gang Theater, 9070 Venice Blvd., Culver City. theactorsgang.com

Arts anywhere

New and recent releases of arts-related media.

The Adding Machine
Currently running at the Theater at St. Clement’s in Hell’s Kitchen, New York City, through May 17, this New Group production with a revised script by Thomas Bradshaw receives a one-time livestream next week. “[Elmer] Rice’s expressionist drama is known for being a tale of man vs. machine in an age of merciless efficiency, but inhumanity in a broader sense is its true core subject,” wrote Laura Collins-Hughes in a recent New York Times review. “The happy news about Scott Elliott’s handsome yet under-realized revival … is what a delight Daphne Rubin-Vega is to watch as Mr. Zero.” The cast also features Sarita Choudhury, Michael Cyril Creighton and Jennifer Tilly. The League of Live Stream Theater: 4 p.m. Tuesday. $40, includes 24-hour replay.

Art Work
Photographer and writer Sally Mann weighs in on the creative process with stories, advice and life lessons, all illustrated with photos, journal entries and letters, making for a compelling, often surprising journey. Abrams Books: 272 pages, $35

“Insomnia & Seven Steps to Grace” by Joy Harjo.

(Smithsonian Folkways Recordings)

Insomnia and Seven Steps to Grace
The new album by Joy Harjo, the first Native American to be named United States Poet Laureate, serving from 2019 to 2022, combines jazz, funk, rock and Native music sounds with her signature “vibration of love” as she boldly confronts injustice and draws inspiration from ancestral memory and the political turmoil of the moment. The double LP’s packaging features original art by Harjo and the poet’s extensive liner notes. Five-time Grammy winner Esperanza Spalding produced as well as contributed vocals and played bass on the project. Smithsonian Folkways: Double vinyl LP ($33), CD ($17), hi-res digital download ($13), digital download ($10).

— Kevin Crust

Culture news and the SoCal scene

Michael Tilson Thomas in 2018.

(Paul Marotta/Getty Images)

Times classical music critic Mark Swed wrote a lovely appreciation of conductor Michael Tilson Thomas, who died last week at the age of 81. Tilson Thomas, Swed wrote, “made music matter by making hope matter. He was, moreover, one of us. He achieved greatness though an epic amplification of a uniquely L.A. positivity in which grumpy became wistful.”

LA Opera music director James Conlon is preparing to step down after a record 20 seasons with the company, and in a recent story, Swed cataloged his impressive numbers: “More than 500 performances of 70 different operas at the Dorothy Chandler Pavilion and occasional neighboring venues, such as the Cathedral of Our Lady of the Angels.” Swed attended a recent farewell gala and noted some highlights, including excerpts from “The Marriage of Figaro.”

Times theater critic Charles McNulty spent a recent trip to New York almost entirely in various Broadway theaters, catching up on what he says is a “strange season by all accounts.” McNulty notes that Broadway is still the place acting powerhouses like Adrien Brody, John Lithgow and Laurie Metcalf go in search of the kind of depthy material increasingly unavailable onscreen. He looks at four such shows — and their epic leading actors — including “Death of a Salesman,” “Giant,” “The Fear of 13” and “Dog Day Afternoon.”

David Henry Hwang (book adapter, “Flower Drum Song”) and Alexandra Silber (book adapter, “Brigadoon”) at the James Irvine Japanese Garden in Little Tokyo.

(Jason Armond/Los Angeles Times)

Malia Mendez wrote a great piece about a trio of classic musicals running concurrently in L.A. She takes a closer look at “Flower Drum Song,” adapted for East West Players by David Henry Hwang; “Brigadoon,” adapted for Pasadena Playhouse by Alexandra Silber; and “The Sound of Music” at the Hollywood Pantages. All three were originally written by two of the 20th century’s most dynamic and celebrated writing duos: Rodgers and Hammerstein (“Flower Drum Song” and “The Sound of Music”) and Lerner and Loewe (“Brigadoon”). And all still resonate in modern times.

Mendez also wrote about a special event taking place this weekend called Night at the Library — held as part of the downtown Central Library’s centennial celebration. “The four-hour extravaganza Saturday will feature more than 200 artists and 25 to 30 activations peppered throughout the library campus, plus DJ sets and local food truck fare. Highlighted performers include Bob Baker Marionette Theater and Los Angeles Master Chorale,” Mendez writes.

Doug Chiang, Podrace Crash, production art for “Star Wars: Episode I – The Phantom Menace,” 1995-99.

(Lucas Museum of Narrative Art)

The Lucas Museum of Narrative Art unveiled its inaugural exhibitions this week — noting that all 20 were curated by George Lucas himself. The $1-billion museum will open to the public on the first day of fall and the exhibits will be shown in more than 30 galleries spread over 100,000 square feet of exhibition space. And, yes, “Star Wars” memorabilia will be part of the “cinema” exhibit with large-scale vehicle installations, production designs, props and costumes.

Lincoln Clauss, center, as the Emcee in Asolo Repertory Theatre’s “Cabaret,” at the Old Globe.

(Courtesy of Cliff Roles)

The board of directors of San Diego’s Old Globe named Trish Santini as the theater’s new managing director. Santini joins Artistic Director Barry Edelstein as a co-chief executive, and enters her new role on July 1. Among other arts leadership posts, Santini was the inaugural executive director of Little Island in New York City, and led the launch of the $250-million public park and performance venue.

— Jessica Gelt

And last but not least

The Times Food section calls to me yet again with this headline: “L.A.’s best rotisserie chicken may be at this former gas station in Pasadena.”

Banksy has unveiled a new sculpture of a man stepping off a stone base with his face obscured by a flag. The overnight installation in Waterloo Place, London, was revealed in a video shared by the artist, and has drawn fans of his politically charged works.

Carol Kirkwood’s career away from the cameras took her BBC co-star by surprise, following her recent exit from the corporation after 28 years

Carol Kirkwood has left her BBC co-star stunned by her career away from television. The former BBC Breakfast weather presenter bid farewell to the programme in April after 28 years at the corporation.

In a lengthy on-air statement at the time, the 63-year-old said: “Thank you for trusting me, be it telling you about heatwaves or snow, to the everyday question of, ‘Do I need to take a brolly?’. To my colleagues past and present, both in front and behind the camera, I owe you all so much. You’ve been my team, my safety net, and, very often, my family.

“We’ve shared breaking news, long shifts, plenty of laughter, bad hair days, and the occasional moment of pure chaos. And do you know what? I wouldn’t change a second of it.”

While she is best known for presenting the weather, Carol has also turned her hand to writing in recent years – much to the surprise of Carol Klein.

The Gardeners’ World host appeared taken aback when learning about Carol’s other career during an appearance on the Pottering with Tom Allen podcast.

After discussing the changing weather during the recording, she said: “That Carol Kirkwood, she’s lovely isn’t she, she’s a keen gardener.”

“She’s a great writer as well,” Tom chimed in, to which she appeared stun and questioned: “Is she?”. Tom went on to say: “She’s got a lot of novels out.”

“I haven’t read anything, I’ll have to,” the BBC star replied. Praising the books, Tom insisted they are a good read and “always set in lovely places”.

Recently speaking about her future after leaving the show, the weather presenter said she is looking forward to more freedom with her husband Steve Randall, who she married in 2023.

“The freedom of being able to get in the car, drive and go anywhere we want for as long as we want is really appealing,” she told the BBC.

She also revealed there was a more personal reason behind her decision. “I’m not getting any younger, I’m newly married and we’ve had some losses in our lives recently,” Carol added.

She went on to say those experiences had helped her realise that she needed to “get on with my retirement and that’s what I’m going to do”.

However, retirement doesn’t mean she’s stopped working altogether. Her sixth romance novel is set to be published in October, and she has reportedly already committed to writing at least two more books afterwards.

The television star has also said she would love to learn the guitar and adopt a couple of cats.

BBC Breakfast airs daily from around 6am on BBC One and the BBC News channel.

The BBC are to air a lost episode of The Morecambe and Wise Show, almost six decades after the initial broadcast, to coincide with Eric Morecambe’s 100th birthday

A long-lost episode of The Morecambe and Wise Show, first broadcast on the BBC in 1968, has been rediscovered and will be shown next month.

The episode, which first aired on September 16, 1968, will be re-shown decades later to coincide with when Eric Morecambe would have turned 100. BBC Four will also show a collection of sketches called The Perfect Morecambe and Wise to mark this moment.

The episode, which was thought to be lost forever, was discovered by Film Is Fabulous! – a charitable trust run by film collectors and television enthusiasts. It was found in the estate of a former television industry professional and has now been returned to the BBC.

This ‘lost’ programme is the third episode from Morecambe and Wise’s first series after returning to the BBC, following a period working with commercial television.

Noreen Adams, Director of BBC Archives, said: “Morecambe and Wise are one of the UK’s most loved comedy duos. Thanks to Film Is Fabulous! – We’re delighted to share this comedy gold that we thought was lost forever with viewers across the UK.”

The episode features sketches written by Sid Green and Dick Hills. Ann Hamilton appears as Pauline in a sketch set in a nudist colony, while Jenny Lee-Wright plays Eric’s niece, a balloon dancer. It also includes a musical performance from The Paper Dolls, who enjoyed hits in the 1960s.

Eric Morecambe’s daughter, Gail Morecambe, said: “What a lovely surprise this is, and I’m really looking forward to seeing it on a screen once again after so many years.

“It’s excellent to hear that skilled people are actively going through the Archives and discovering ‘lost’ programmes. Not just Morecambe and Wise, of course. I am especially thrilled that it coincides with my father’s centenary year. Really wonderful.”

Eric Morecambe’s son, Gary Morecambe added: “I’m so thrilled and surprised by the discovery of a Morecambe and Wise show that hasn’t been seen since 1968. I honestly didn’t think there was anything out there left to find, and when something like this comes out of nowhere, it’s really quite wonderful.

“Hats off to Professor Justin Smith and his team, whose dedication and hard work brought this gem back to us. I’m very excited about seeing it for the first time since I was twelve years of age.”

The Morecambe and Wise Show ran for nine series and became a regular fixture at Christmas on the BBC with a festive special, before moving to ITV for four series.

* The lost episode of The Morecambe and Wise Show will air on BBC Four and BBC iPlayer on Thursday May 14 from 8pm.

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RAPPER Megan Thee Stallion has QUIT her role on Broadway amid a very tumultuous period in her personal life.

The Hot Girl Summer hitmaker has been appearing in Moulin Rouge in New York but her stint has been plagued by a number of difficulties.

Now, it has been confirmed that Megan has pulled out of her role days after splitting from her boyfriend and suggesting he ‘cheated’ on her.

Megan had been scheduled to appear in the performance until May 17 but confirmed she would be exiting the role this week – leaving on May 1.

She had made history as the first ever female Zidler in the production.

Confirming her rather abrupt exit, Megan wrote on “Hotties, my last performance as Zidler in @moulinrougebway will be May 1.

Onstage tears

Megan Thee Stallion cries onstage amid split from boyfriend

‘WAKE-UP CALL’

Megan Thee Stallion reveals why she was rushed to hospital during show

“It’s been such an honor to be part of thee Moulin Rouge family and I’ve met so many amazing people in this theater!

“Y’all work so hard and I have so much respect for the dedication, the stamina, the work ethic, the time and the effort y’all put into the work!

“I’m so grateful for the cast and crew that made this experience so meaningful. And to all the Hotties that showed up or planned to attend, thank you for supporting me during this incredible journey!

“I love y’all! See you soon.”

Megan was previously seen in tears during the curtain call of the performance last week, sparking rumours the end was nigh.

Her emotional display came after Megan confirmed her split with NBA star, Klay Thompson.

In a statement, Megan confirmed the end of her romance, saying: ‘I’ve made the decision to end my relationship with Klay.

“Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path forward.

“I’m taking this time to prioritize myself and move ahead with peace and clarity.”

Megan has previously faced a hospital dash which had forced her to pull out of one of the performances.

The 31-year-old rap star managed to get through the opening scenes of the hit musical in New York before the show had to be halted so she could be checked over by a medic.

A representative of the Savage rapper told TMZ: “During Tuesday night’s production, Megan started feeling very ill and was promptly transported to a local hospital, where her symptoms are currently being evaluated.”

Megan later clarified that she had pushed herself to her limits and needed to reset.

The sports-themed panel show, A League of Their Own, is set to make a new comeback just one year after it was axed from TV after 20 seasons on Sky.

A year after the show was axed, A League of Their Own has announced that it will return in the form of a live arena tour, set to take place later in 2026 in the autumn.

It was announced that many of the famous faces from the show will be making an appearance again, with Jamie Redknapp and Jill Scott returning to the show. Jill will be the team captain for the blue team, while Tony will lead the red team.

Tom Davis, Patrice Evra, and Maisie Adam will also make guest appearances, with more A-listers set to be announced. The tour is set to hit major cities including Liverpool, Manchester, London, Newcastle, Birmingham and Glasgow, giving fans the chance to experience the action up close like never before.

As in the TV show, the live tour will include challenges in the studio, but this time performed live on stage in front of audiences.

Speaking about the tour announcement, Jamie Redknapp said: ‘‘I can’t wait to take A League Of Their Own on tour to some of the biggest and best venues in the UK. We’ve put together a top team of League legends, some very special guests, and every night promises to be different.

“It’s gonna be loud it’s gonna be chaotic and it’s probably gonna be full of Leatherman jokes at my expense. Hosting A League Of Their Own Live is a dream job, so come and join in the fun. See you there!”

The announcement that the series was coming to an end came in April 2025, with Sky revealing the series would be ending after the 20th season.

Phil Edgar-Jones, Executive Director of Original Unscripted at Sky, said: “Series 20 is the perfect opportunity to celebrate everything A League of Their Own has achieved and to give it the send-off it truly deserves.

“We’re incredibly proud of the show — it’s been a cornerstone of Sky’s entertainment line-up for fifteen years and has delivered endless laughter, heart, and unforgettable moments. Huge thanks to the brilliant team at CPL Productions and to our fantastic on-screen line-up — Romesh, Jamie, Jill and Micah — who continue to bring such energy and chemistry to the show.”

Tickets for A League of Their Own go on sale on Friday, May 1 on Ticketmaster.

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Nearly five years on from its premiere, every morsel of information about Mike White’s addictive HBO series is still met with feverish excitement. And its upcoming fourth season is no exception: After previous visits to Hawaii, Italy and Thailand, the Emmy-winning series is checking into digs on the French Riviera, with its backdrop none other than the Cannes Film Festival.

Just as closely watched has been the string of starry casting announcements — and one very high-profile departure, Helena Bonham Carter, who departed the show shortly after production began. According to an HBO spokesperson, “With filming just underway on Season 4 of ‘The White Lotus,’ it had become apparent that the character which Mike White created for Helena Bonham Carter did not align once on set. The role has subsequently been rethought, is being rewritten and will be recast in the coming weeks. HBO, the producers and Mike White are saddened that they won’t get to work with her, but remain ardent fans and very much hope to work with the legendary actress on another project soon.”

The road to a new “White Lotus” season is always a twisty one, as executive producer David Bernad recently told The Envelope. He also shared details on the season’s themes, other key cast members and how the production plans to maneuver around tourists. Here‘s what we gleaned from our chat.

A bad French hotel restaurant experience changed everything: Bernad and White spent a week scouting in France but weren’t sold until one fateful night. “Mike and I went to meet a friend for dinner at a hotel in the South, which will remain nameless. The maître d’ was so rude and they called security on us,” says Bernad. However, once inside, the staffer continued to be dismissive of them and the show. “The whole season crystallized in that moment, and as we were leaving, Mike’s like, ‘I know exactly what we’re going to do and we’re doing it in the South of France.’ It was the most productive dinner I’ve had,” he says.

Helena Bonham Carter, the first actor cast in Season 4, became the first to exit, HBO confirmed Friday. Her character will be reimagined and recast.

(Dave Benett / WireImage)

Other countries were in contention: Choosing each season’s swanky location is always a “conundrum,” says Bernad, who shared that he and White initially planned a multicountry European tour. “We were starting in France, then we were going to Spain, then Ireland. But once we had that moment in the South of France at that restaurant, Mike said, ‘I don’t want to see anymore.’ So the rest of the trip was canceled,” says Bernad.

Cannes and its history form the season’s backdrop: One of the show’s familiar sights during the first three seasons has been swelling waves dramatically crashing against rocks, but you’ll see something different in Season 4. “A lot of those shots will be replaced by Cannes, the city itself and the glamour of the festival,” says Bernad. Also, the focus won’t be confined to the present but also pay tribute to the past. “It’s also the storied history and glamour of the festival, and we’re going to be tipping our hat to French cinema throughout,” he adds.

Cast member Vincent Cassel at Cannes with “The Shrouds” in 2024.

(JB Lacroix / FilmMagic)

The season’s theme is “really intentional”: Bernad says he’s known the Season 4 theme since they realized the hit show would be ongoing. “We’ve always had an idea that this season would explore the arts and fame, celebrity and the spiritual journey of being an artist, so we focused on countries that had a long relationship with the arts,” he says. Fashion’s influence is also key as “Dior permeates through the entire season,” he says, adding that French designers and artists are doing pieces for the show that lean into “the painful, existential journey of what it means to be an artist.”

No Hollywood star cameos: With Cannes as the backdrop, you might think A-listers like George Clooney or Anne Hathaway will be wandering through a “White Lotus” scene. Nope. “The show lives in the universe of ‘White Lotus’ so we’re not doing cameos, we’re not doing celebrity,” says Bernad. “In that universe, there are references to real people, but everything is its own world.”

Kumail Nanjiani is among the Americans in the international cast.

(Michael Buckner / Variety via Getty Images)

The Season 4 cast is eclectic… and still evolving: Ironically, the exiting Bonham Carter was the first person cast for Year 4. “Mike always had her in mind as we started this process, and we built the cast around her,” says Bernad. While we wait for her revised character to be recast, an array of international artists are set to appear, including Brits (Steve Coogan and Dylan Ennis), Americans (Sandra Bernhard, Chris Messina, Kumail Nanjiani, Chloe Bennet, Ari Graynor, Heather Graham and Rosie Perez), French (Vincent Cassel, Corentin Fila, Nadia Tereszkiewicz and Laura Smet), Canadians (Alexander Ludwig), Norwegians (Tobias Santelmann), Swedes (Frida Gustavsson) and Australians (Caleb Jonte Edwards). It’s no surprise that multiple language interpreters will be on set, says Bernad.

One White Lotus hotel isn’t enough: “What’s cool and unique this season is there’s going to be two hotels so not everyone is staying at the same hotel,” says Bernad. In fact, while the White Lotus Cannes is a beautiful property — the Hotel Martinez in Cannes will be used for filming — the more coveted place to stay is the White Lotus du Cap, filmed at the Airelles Chateau de la Messardière in Saint-Tropez. “That starts to play into the theme and story about ego and narcissism and how we view ourselves as it relates to how the world views us,” explains Bernad, adding filming at Paris’ Mandarin Oriental Lutetia will also double for some of the Cannes action.

The Airelles Chateau de la Messardière in Saint-Tropez will stand in for the “White Lotus du Cap.”

(Jarry/Tripelon / Gamma-Rapho via Getty Images)

Filming in a high tourist area is a “Jenga tower”: Previous seasons were shot in more remote, secluded locations, but that’s not the case for the fourth season. “We’re shooting in the South of France during a very peak tourist time, and it has been the most challenging season so far,” says Bernad. “It’s like making a Jenga tower work with all the crazy dates in the South of France and things that are booked out.”

Production is the longest ever: Shooting at multiple hotels isn’t new for the show, but in previous seasons, “we would stay in a hotel and we would shoot it out and then we’d move on to the next hotel,” explains Bernad. This time, it’s more of a puzzle that will make Season 4 the longest production schedule ever for the show. “We’re going to be shooting, leaving and then returning [to properties]. We’ll shoot in the spring, and then we’re going to come back in the fall when high season’s over,” he says.

Besides a great hotel, another major factor exists in securing a location: Besides finding the perfect property that will look great on camera and lining up a variety of schedules, a “White Lotus” location “has to be a place we want to live for a year,” says Bernad. “Because it is a year and it is relentless work … I think Tanya [Jennifer Coolidge] says at one point, ‘At this age, you just want to feel comfortable,’ and that’s us.”

Another episode of the popular show is set to air tonight (April 27)

The BBC’s “best” programme that grips viewers will return to television screens, and it’s coming sooner than you think.

Scam Interceptors is a crime documentary series that first aired on BBC One in 2022, spanning across five series. Hosted by Rav Wilding, each instalment follows experts as they monitor and often intervene in real life fraud to prevent victims losing money.

Viewers will also be able to get their Scam Interceptors fix tonight (April 27) as a chilling episode will be airing at 8.30pm on BBC One. Despite being a repeat episode, the instalment, titled ‘I’ve been scammed 11 times’ will feature a “high octane chase” as well as calls against scammers that are “plaguing lives”.

An official synopsis reads: “Rav Wilding and Nick Stapleton are back, working with ethical hacker Jim Browning to call out the scammers plaguing our lives and prevent people from losing their money.

“In this episode, the team are in a high-octane chase to intercept scammers claiming to be from Sky broadband. They have full access to a woman’s mobile and are only seconds away from transferring her cash. But the scammers are on to us and want answers.”

With a focus on preventing members of the public from falling victim to scams and losing money, the series also aims to expose, intercept and stop scams in real time.

Over the years, the series has become a huge success with viewers as one IMDb user described it as being “Superb, Gripping Public Service Television.” Another said: “You cant beat this show”, adding: “The best show on tv hands down. Suspense and action.”

Over on Instagram, one viewer said: “I think this program is fab but it scares the bejesus out of me to watch it!” Another wrote: “Oh wow. Just got this on my IG page. I didn’t know there was a show doing this. I definitely am going to watch full episodes.”

A third commented: “Absolutely gripping television at its best. The very best by the BBC”, as a fourth added: “This was a great programme!”

Viewers on X also praised the programme as one person wrote: “This show stresses me out #scaminterceptors.” Another said: “Another heart-stopping episode. #ScamInterceptors.”