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“Today” co-anchor Savannah Guthrie will not head to Milan for NBC’s 2026 Winter Olympics coverage as she deals with the ongoing police investigation into the suspected abduction of her mother.

“Savannah will not be joining us at the Olympics as she focuses on being with her family during this difficult time,” an NBC News representative said Tuesday in a statement. “Our hearts are with her and the entire Guthrie family as the search continues for their mother.”

Guthrie was scheduled to co-host NBC’s telecast of the Friday opening ceremonies for the Milan Cortina Games alongside Terry Gannon of NBC Sports. The network representative said alternative plans will be announced shortly.

June 2023 photo of Savannah Guthrie and mother Nancy Guthrie. (Photo by: Nathan Congleton/NBC via Getty Images)

(Nathan Congleton/NBC via Getty Images)

Law enforcement officials believe Nancy Guthrie, 84, was last seen at her home outside of Tuscon, Ariz. on Saturday night. Police were called after relatives were told she missed the Sunday church service she regularly attends and did not find her at home.

Police found Nancy Guthrie’s cell phone, wallet, car and medication were left behind, indicating she did not leave voluntarily. She has no cognitive issues, but has limited physical mobility and could not walk far on her own, family members have told police.

On Tuesday, Lima County Sheriff Chris Nanos said at press briefing that authorities believe Nancy Guthrie was taken against her will. He also said the department is aware of “reports circulating about possible ransom note(s)” in the case. TMZ reported on the existence of an alleged ransom note Tuesday, but Nanos did not verify the account,

According to law enforcement sources not authorized to speak about the case publicly, there was blood at the scene and someone appeared to have forced their way inside.

Guthrie, a “Today” co-host since 2012, has been off the program since Monday. She was scheduled to head to Milan early this week.

Guthrie’s mother, who lived on her own, has been an occasional on-air guest at “Today.” Her appearances made her a favorite of Guthrie’s co-workers and staff at the program.

TODAY bosses have beefed up police and security presence at the NBC morning show’s NYC studio after co-anchor Savannah Guthrie’s mother was allegedly abducted from her home.

Multiple sources have exclusively told The U.S. Sun that the network made the decision for the health and safety of their Today talent and crew members out of an “abundance of caution.”

Beloved Today host Savannah‘s mother Nancy, 84, was reported missing from her Tucson, Arizona home on Sunday morning, February 1.

Local police said they believe she was abducted against her will, and have not revealed any suspects days later.

“Things are tense at the studio, and that as a result, NBC has stepped up security for on-air talent,” a source told The U.S. Sun, though it’s unclear if Savannah, 54, or any Today hosts were also targeted by the perpetrators.

“NBC has partnered with the NYPD to make sure their staff remains safe, out of an abundance of caution.”

A separate insider confirmed both cops and private security are stationed at the midtown studio and offices.

The U.S. Sun has reached out to the NYPD and NBC for comment.

Timeline of Nancy Guthrie’s disappearance

Nancy Guthrie, the 84-year-old mother of Today show co-anchor Savannah Guthrie, disappeared from her home on February 1, 2026.

Timeline:

• January 31: Family members dropped off Guthrie, 84, at her home in Tucson, Arizona, at around 9:45 pm.
• February 1: The Pima County Sheriff’s Office received a 911 missing person call at noon.
• Pima County Sheriff Christopher Nanos said the scene found at Guthrie’s home caused “grave concern.”
• February 2: Nanos said investigators are probing Guthrie’s case as a crime, adding that officials do not believe the 84-year-old voluntarily walked out of her home.
• The Pima County sheriff said Guthrie has “limited mobility” and is in dire need of her daily medication, which if she does not take could be “fatal.”
• Savannah Guthrie released a statement to her co-hosts at Today, saying, “On behalf of our family, I want to thank everyone for the thoughts, prayers and messages of support. Right now, our focus remains on the safe return of our dear mom.”
• Savannah missed the February 2 edition of Today as she flew to Arizona to assist in the search for her mother.

SAVANNAH’S SUPPORT TEAM

Savannah’s Today colleagues have been sending her love and prayers as they address the devastating case on air.

“Sending our love, my friend,” Sheinelle Jones said on Monday.

Craig Melvin called the story “deeply personal,” and delivered Savannah’s first message to fans about the tragedy.

“On behalf of our family, I want to thank everyone for the thoughts, prayers, and messages of support,” the statement read.

“Right now, our focus remains on he safe return of our dear mom.”

Jenna Bush Hager, Savannah’s longtime close friend, held back tears as she discussed the news on live TV.

“We are thinking of our dearest, dearest Savannah and her whole family this morning,” she said.

MYSTERY DEEPENS

The FBI has joined the search for Nancy, and addressed the public at a press conference on Tuesday.

Special Agent Jon Edwards insisted the FBI is doing “everything in their power to bring Nancy Guthrie home to her family.”

“We’re downloading and analyzing cellphones, obtaining cell tower information, conducting interviews, and providing any and all investigative support that the sheriff’s department needs,” he said.

Pima County Sheriff Chris Nanos then admitted “we’re stumped,” adding they do not currently have any strong leads in the case.

A possible ransom note was reported by TMZ, and cops said they are “taking all tips and leads very seriously.”

Though there were reportedly signs of forced entry at Nancy’s suburban Tucson home, police have said they don’t believe a robbery was behind the abduction.

“I wish somebody would call us and say, ‘Hey,’ because that’s what the family wants,” Sheriff Nanos told Us Weekly.

“They just want her back. ‘Hey, no questions asked, call us where to come and get her, and we’ll do that.”

Nancy reportedly left her iPhone, watch, car and wallet at home.

A splatter of blood belonging to Nancy was also found on the property.

‘BELIEVE IN PRAYER’

Savannah recently posted another statement to her Instagram, asking fans to continue their prayers.

“We believe in prayer. We believe in voices raised in unison, in love, in hope. we believe in goodness. we believe in humanity. above all, we believe in Him,” she said.

Savannah’s husband, Michael Feldman, also spoke out about the tragic case.

Michael told Page Six that he feels “mostly unhelpful” in the disappearance.

He thanked the media’s “thoughtfulness” in their coverage.

Members of the public with any information are urged to call 911 or the Pima County Sheriff’s Department at 520-351-4900.

A Love Actually actress looks worlds away from her iconic character in this ‘must watch’ thriller fans couldn’t get enough of

A Love Actually actress is completely unrecognisable in a “extraordinary” thriller that left fans on the edge of their seats.

German actress Heike Makatsch is best remembered for her portrayal of Mia, the flirtatious secretary who tempted her boss Harry (Alan Rickman) in the 2003 festive film.

Though the romcom is hugely iconic, its 65% Rotten Tomatoes score pales in comparison to Heike’s perfectly-rated 2024 show, Where’s Wanda?

Currently streaming on Apple TV+, the dark comedy follows desperate parents Dedo (Axel Stein) and Carlotta Klatt (Heike) as they search for their missing daughter Wanda, months after her disappearance.

Frustrated by the police’s inability to find her, the couple take matters into their own hands and begin spying on their neighbours to find answers.

Love Actually fans may take a minute to recognise Heike in the drama as she ditches her dark bob for long blonde hair.

The Apple TV drama quickly won over critics upon its debut, earning a stellar 100% score from seven reviews. Casual viewers were equally impressed, though they awarded it a less generous 68% rating.

One fan shared a glowing review, penning: “I was overwhelmingly pleased. It was genuinely funny, aesthetically gorgeous, stupendously well acted, and decidedly fresh, making a story that I don’t think has ever been told before. 11/10 well worth a watch.”

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A second agreed, praising: “This show is such a delight! I have never seen such an extraordinary mixture of genres that throws you from one corner of laughter to the other corner of crying and then also exciting puzzle-piecing. A must watch for armchair detectives!”

Someone else described it as a “fantastic,” while a fourth raved: “I really enjoyed the unexpected curveballs, dark humour and loveable characters to us unlike other shows. At times I was giggling my head off while other times I was at the edge of my seat.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website

“The end makes me hope that there will be a season 2. Don’t leave us hanging please!!”

Fortunately, the German drama has been renewed for a second season, which is set to feature another eight episodes.

Where’s Wanda? is streaming now on Apple TV+

Last Tuesday, Philip Glass withdrew the delayed premiere in June of his latest symphony, No. 15. Originally meant to celebrate the 50th anniversary of the John F. Kennedy Center for the Performing Arts in 2022, it is a portrait of Abraham Lincoln, but the composer decided the values of the current Kennedy Center were “in direct conflict to the message of the symphony,” which is inspired by Lincoln’s 1838 Lyceum Address.

In rebuke to Glass, Kennedy Center spokesperson Roma Daravi’s quick response was: “We have no place for politics in the arts.”

Two nights later, the chairman of the Kennedy Center board (who also happens to be president of the United States) hosted at the “no place for politics” center a bevy of Republican politicians and donors for the gala premiere of “Melania,” a documentary about and produced by his wife, the first lady.

Three days after that, the president, with no warning to Congress (which administers the Kennedy Center), center staff or the public, announced on his social media platform that he would close the facility July 4 for two years to undertake a major renovation. This may get the center off the hook for putting together a new season, what with all its departures (voluntary and not) of competent artistic directors, but it also means the center’s one remaining major institution, and its crown jewel, the National Symphony, is suddenly homeless.

The fact is, the Kennedy Center has always been political. The same goes for orchestras. And Lincoln’s seeming role as a symphonic football is nothing new, either.

But political doesn’t — or, at least, once didn’t — necessarily imply partisan. In March 1981, two months into his presidency, Ronald Reagan turned up at the Kennedy Center for the premiere of a new production of Lillian Hellman‘s “The Little Foxes,” and was photographed happily congratulating a smiling Elizabeth Taylor backstage. Also present was the gruff playwright.

Hellman, who had been a member of the Communist Party and was called up in front of the House Un-American Activities Committee in 1952, and Reagan, an avid anti-Communist, couldn’t have had much use for each other politically. But there they were, soaking up art and glamour (if maybe not in that order) together. It was also in 1952 and thanks to Sen. Joseph McCarthy’s Communist witch hunts that the first inklings of a national performing arts center in Washington, D.C. developed.

Aaron Copland’s “Lincoln Portrait,” for speaker and orchestra, written in 1942 in the wake of the Pearl Harbor attack, had been slated for a performance at Dwight D. Eisenhower’s inauguration in 1952. Complaints about Copland’s leftist leanings pressured Eisenhower to cancel the performance, but left inklings in Ike’s mind that the nation needed a performing arts center in Washington, D.C. In 1955, he instituted a District of Columbia Auditorium Commission and that led to the National Cultural Center Act of 1958.

Bipartisan support became a no-brainer. Kennedy was an enthusiast and, in his presidency, both First Lady Jacqueline Kennedy and former First Lady Mamie Eisenhower worked together to support the cultural center. In 1963, just days before his assassination, JFK hosted a White House fundraiser for the center. A year later, President Lyndon B. Johnson broke ground for what was to become “a living memorial to John F. Kennedy” with the gold-plated spade that President Taft had used for the Lincoln Memorial.

President Lyndon B. Johnson lifts a shovel full of dirt during ground-breaking ceremonies for the John F. Kennedy Center for the Performing Arts in 1964 while members of the Kennedy family look on.

(Bettmann Archive / Getty Images)

The Kennedy Center proved political from Day 1. Leonard Bernstein was commissioned to write a theatrical piece for the center’s opening in 1971, which turned out to be an irreverent “Mass” — musically, liturgically, culturally and, most assuredly, politically. Most of all it was an unmistakably protest against the Vietnam War. In his own protest, President Nixon stayed home.

“Mass” was ridiculed by critics and sophisticates. And so was the Kennedy Center in its monstrosity. But the composition ultimately came to be seen as a precursor of musical Postmodernism and possibly Bernstein’s greatest work, a monument in its own right. The Brutalist monumentalism of the Kennedy Center also grew over time to be loved, increasingly bringing cachet to a diverse nation’s artistic needs.

All of that has, however, been called into question by a new administration noisily remaking the center as partisan and politicizing even renovation and Lincoln.

You don’t take on renovation of a single concert hall overnight, let alone an entire performance center with several theaters, including a major concert hall and opera house. This requires architects and acousticians deeply schooled in theaters, and each has its own acoustical needs. You touch anything, and it will affect the sound. Both the opera house and concert hall could use acoustical work, but that is a very big deal. If this sudden renovation comes as a surprise to staff, that means there have been no consultations, no proposals, no models, no feedback. Best to add to the budget some hundreds of millions of dollars to fix mistakes.

Before even considering anything else, a space has to be found for the National Symphony. It is possible to create temporary structures or renovate existing buildings into acoustical wonders, as architect Frank Gehry and acoustician Yasuhisa Toyota have proved. In Munich, the temporary Isarphilharmonie, which has Toyota acoustics, is so successful that some are saying the city doesn’t need a new concert hall after all.

So, given the timing of this precipitous announcement, it is hard to believe that something isn’t also going on with attitudes toward Lincoln and Glass’ displeasure with the Kennedy Center administration. For what it’s worth, Presidents Ford, Carter, George H.W. Bush, Clinton and Obama have all narrated Copland’s “Lincoln Portrait.”

Lincoln has been central to Glass’ work for more than four decades. The composer first used Lincoln in Act V (known as “The Rome Section”) of Robert Wilson’s 12-hour opera, “the CIVIL warS: a tree is best measured when it is down” (a prescient title for current Kennedy Center thinking), which had been intended for the 1984 Olympic Arts Festival in L.A. but was never produced here for lack of funds.

Lincoln shows up in Glass’ 2007 opera, “Appomattox,” commissioned by San Francisco Opera and later revised and expanded for Washington National Opera in 2015. The opera offers a look at how the Civil War ended with high-minded statesmanship. The first act of Glass’ 2013 opera, “The Perfect American,” about the last days of Walt Disney, ends with a flashback of Walt, who idolized Lincoln, visiting Disneyland and getting into an argument about slavery with the animatronic Lincoln, which gets so worked up it attacks Walt.

Politics are rarely far away from orchestral or operatic life. At a recent appearance of the Chicago Symphony at the Soraya, Italian conductor Riccardo Muti followed an impressively grand performance of Brahms’ Fourth Symphony by telling the audience how the arts keep us honest and played as an encore the overture to Verdi’s “Nabucco,” as an example of how an opera could motivate public support for Garibaldi’s nationalist movement. Garibaldi also makes an appearance with Lincoln in the Glass/Wilson “Rome Section.”

A few days later at the Renée and Henry Segerstrom Concert Hall, the thrilling Orquesta Sinfónica de Minería from Mexico City revealed an inspiring model of Latin American cooperation. On the program was Cuban composer Paquito D’Rivera’s “Concerto Venezolano,” featuring the fearless improvising Venezuelan trumpet soloist Pacho Flores. The concerto also featured solos on the Venezuelan cuatro by Héctor Molina, but his name was only announced last minute, due to current travel uncertainty.

One of the greatest recordings of Shostakovich’s Fifth Symphony, his grab-you-by-the-gut answer to Stalin and celebration of Russia, is by the National Symphony under Mstislav Rostropovich, recorded in 1994 at the Kennedy Center. Stalin saw the symphony as his deification. Rostropovich exuded, in the Kennedy Center aura, the expression of an overwhelmingly triumphant celebration of the end of the Soviet repression. You can take the symphony and the opera out of the Kennedy Center, but you can’t take the essence of the Kennedy Center, the living memorial to the ideal of something larger than political ego, out of the symphony and opera.

HE has more than two decades of hits under his belt and worked with everyone from Amy Winehouse and Dua Lipa to Adele and Miley Cyrus.

Now I can exclusively reveal Mark Ronson will get his flowers at the Brit Awards later this month, as he will receive the Outstanding Contribution to Music award.

And, in even more good news for viewers, Mark will also take to the stage for a performance at the ceremony, being held at ­Manchester’s Co-op Live arena on February 28.

The superstar DJ, producer and songwriter said: “This is the most meaningful honour of my career.

“I think of the times I’ve watched artists I revere accept this same award.

“The idea that I’m now standing in that ­lineage feels impossible.

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“I left England as a kid, but this country runs through everything I’ve made.

“The UK artists I’ve worked with — their brilliance and refusal to compromise — shaped not just my work but how I understand what music should do.

“And more than anything, it’s the crowds here who’ve ­sustained and showed up for me.

“The fans, the festival crowds, the record buyers and streamers — the love has always been overwhelming. I’m beyond grateful for all of it.”

The gong is richly deserved for Mark, who has helped guide some of my favourite artists to superstardom.

It is a poignant year to receive the award, as it marks 20 years since Mark produced Amy’s Back To Black album, which is widely considered one of the greatest records of all time.

Details about his performance are being kept under lock and key, but I imagine he will be treating us to a medley of his hits including the Bruno Mars classic Uptown Funk and Miley Cyrus’ Nothing Breaks Like A Heart.

He joins a stellar list of performers, with Harry Styles, Olivia Dean and Wolf Alice already announced. In receiving the gong, Mark is following in the footsteps of other British favourites including Sir Paul McCartney, Robbie Williams and Blur.

Jack Whitehall is returning to host the biggest night in UK music for the sixth time.

And I am expecting my story about Maura Higgins’ kiss with married McFly singer Danny Jones at last year’s Universal Music after-party to feature heavily in his jokes.

Bring it on.

Nicole strikes a blue note

NICOLE SCHERZINGER looked belting in blue after performing at a charity concert.

She wore this stunning gown to the Love Life: West End Unites Against Cancer event at London’s Theatre Royal Drury Lane just as I revealed her ex Lewis Hamilton, who she dated from 2007 to 2015, is secretly seeing Kim Kardashian.

Nicole is now engaged to former rugby union player Thom Evans – but I won’t be surprised if this gives her a nudge to get on with her wedding planning.

Ben and Benson’s goalden gags

BEN STILLER and Benson Boone play brothers who can’t stop fighting in a new ad.

In the guise of an Eighties Europop duo, the pair argue after comedian Ben tries and fails to copy Benson’s famous backflips.

Then they lock horns over the Super Bowl, with Ben confusing American football with soccer.

He says: “We are excited to sing for you in this football game. Hopefully many, many goals.”

Singer Benson corrects him: “This is a different football – they touch down,” prompting yet more bickering.

Their double act is for online grocery service Instacart’s ad, which will air during the US sporting event on Sunday.

I feel like they need a whole film together.

Kooks show on Sail soon

THE KOOKS will play a huge show at the Old Royal Naval College in Greenwich, South East London, on July 31 to celebrate the 20th anniversary of their incredible album Inside In/Inside Out.

It comes as Luke Pritchard releases a live version of his brilliant 2014 tune See Me Now, which he wrote for his musician dad Bob, who died when he was three.

The new version was recorded at London’s O2 Arena last year, with Luke, telling me: “I didn’t think I would be able to finish the song.

“I just thought how much that this would blow my dad’s mind – that I played the song to that many people in London, you know.”

Bob, who once supported The Rolling Stones on tour, helped Luke first pick up a mic, with the star explaining: “My mum dropped off a load of tapes of me and my dad that I’d never seen.

“He was teaching me to use a microphone, play guitar, pose like a rock star, all when I was three.”

Tickets for the show go on sale at noon on Monday.

I’ll see you there.

Molotovs’ No1 battle

THE MOLOTOVS have thrown down the gauntlet to Lily Allen as they battle her for the No1 album spot this Friday, warning: “We’re coming for you.”

Punk rock siblings Matt and Issey Cartlidge, who make up one of the most exciting and disruptive new bands I’ve seen in years, are at No2 in the midweek charts with their debut record Wasted On Youth.

Meanwhile, Lily has shot up to the No1 spot with West End Girl, after she released physical copies of the record for the first time.

The race is tight, and in an exclusive chat, Matt told me: “Watch out silly Lily, we’re coming for you.

“We’d love to beat you. We wish you all the best but f***ing, come on! We’ll have you!”

Issey adds: “Battling with Lily Allen proves bands are coming back. People still have an appetite for our music.”

Lily, right, is more than happy to hand over the mantle and, on Monday night, issued a public statement to the siblings, writing on Instagram: “It’s all love baby, I hope you win the war.”

Matt and Issey have worked tirelessly to get their album heard and have played 600 live shows to date, while simultaneously championing grassroots venues.

Their campaigning, alongside the Sex Pistols and Frank Carter, helped save the iconic Bush Hall in West London, after a fundraising drive brought in £45,000.

Issey adds: “We’re now ambassadors for the Music Venue Trust too. The 30-date tour we’re on now has been in small, grassroots venues – we wanted to champion them.

“These venues and institutions are so important.”

The pair will support their pal Yungblud on his UK arena tour in April, before they embark on their own 13-date tour across the UK in September, taking in venues including London’s 2,300-capacity O2 Forum Kentish Town.

Matt said: “It’s a big step up. We’ve always had the same level of confidence, we’re just getting bigger.”

The Molotovs deserve a No1 for Wasted On Youth – it is fantastic.

CAUGHT LIVE

Suede @ Leas Cliff Hall, Folkestone

★★★★☆

SUEDE kicked off their sold-out UK tour in blistering form over the weekend, promoting latest album Antidepressants which topped The Sun’s album poll in December.

Brett Anderson teased us fans by inviting us into their world, before warning: “It’s not very nice and full of barbed wire.”

But in reality, the set is packed with new tunes and a sprinkling of classics from the Nineties, with Brett’s voice stronger than ever as he treats us to an off-mic a capella tear jerker among the thundering hits.

With 14 of the 21 songs coming from their post- 2010 comeback albums, it’s proof that being the self-dubbed “anti-nostalgia band” is a pretty perfect world after all.

THIS Sunday Bad Bunny will take to the stage for what I ­imagine will be an epic Super Bowl half-time show.

But before that, rapper Lil Wayne will also have his own half-time show . . . virtually, at least. The five-time Grammy winner is set to perform his 2008 hit A Milli on mobile game Clash Royale on Friday.

Lil Wayne said: “Music, sports, and gaming all in one place – y’all know how much I love being at the centre of the culture. I’m turning the Clash Royale Arena into the most lit concert of the week.

“Tap in on February 6 to see what we got in store for y’all.”

CHAPPELL ROAN has defended the “nipple ring” Thierry Mugler dress she wore to the Grammys on Sunday, insisting she had no idea it would cause controversy.

Sharing images on Instagram of the frock, which had fabric hanging from prosthetic pierced nipples, the singer wrote: “Giggling because I don’t even think this is THAT outrageous of an outfit.

“The look is actually so awesome and weird. I recommend just exercising your free will – it’s really fun and silly.”

I am pleased to see Chappell can laugh about it.

Every red carpet could do with a bit more silliness in these troubled times.

KATIE Price’s new husband Lee Andrews has been accused of wishing his ex dead in a vile email.

Alana Percival is self-proclaimed businessman Lee’s ex, whom he proposed to in exactly the same way as he did former glamour model Katie before they sensationally got wed in a whirlwind ceremony.

Fitness enthusiast Alana has been speaking out about her experience with Lee, with her now seemingly sharing a vile email he sent her ‘wishing her dead’.

Alana, 32, took to Instagram to share the correspondence she allegedly received from Lee.

In an Instagram post, Alana said: “Also anyone who knows me will know that I went through a really tough time with someone that was not only my partner but also my best friend that sadly took his own life when we were younger.

“This impacted me so massively I was in hospital for a whole of my life and had a huge impact on my mental state and health and still does,” she explained.

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Alana continued: “This is something I told Lee Andrews out of confidence about what I had been through and he sent me this email, along with many more, wishing me dead.”

In the screen grab of the email, Lee allegedly said: “Now go join Carl in the fucking ground where you both belong!”

Also on her Instagram page, Alana shared another slew of accusations.

She said: “It makes me so sad when I look at this all now and I realise how much Lee put me through and how many people I cut off and ignored when I should have listened!!”

Alana then proceeded to share an extensive list of “things I felt throughout” her relationship with Lee.

The list was long and included “financial abuse” as well as “controlling behaviour” and “constant lies to maintain dominance”.

Speaking to The Sun last week in an exclusive interview, Alana issued a stark warning to Lee’s new wife Katie.

Alana said: “Katie should run for the hills. Lee is a liar, a narcissist and I think he’s a manipulator. 

“Once I tried to leave him, he told me had a heart condition and was living on borrowed time. 

“Lee doesn’t know what’s fact and what’s fiction. 

“It’s worrying because I think he believes his own lies.” 

Also in the exclusive chat, Alana said Lee showered her with gifts, and she recognises the significance of Katie and Andrews’ matching 11:11 handtattoos.

She said: “I’ve never had someone basically tell me that they love me the way he does. 

“That 11:11 thing with Katie, that was our thing. He’d ring me at 11:11, he even bought a horse I called 11:11. He puts 100 per cent effort into you. He bought me Cartier bangles, Cartier rings, and clothes.

“He sent a Louis Vuitton handbag to my office. He would transfer me cash — £5,000, £2,000, it was a lot.” 

Legendary star Jeff Hordley admits that his latest dramatic storyline has been his “hardest ever” and has vowed to get a special blood test, checking for warning signals, for his own peace of mind.

Emmerdale’s Cain Dingle is told tomorrow night that he has prostate cancer. With 64000 new cases diagnosed in the UK predominantly in men over the age of 50, Jeff Hordley – who has played hardman Cain for 25 years – tells the Mirror: “This is the hardest story I have ever worked on throughout my time on Emmerdale because I want to make sure I get it right for the many men who are sadly affected.”

The most commonly diagnosed cancer in the UK, a family history of the disease also increases the risk of prostate cancer, which effects one in eight men – with the risk doubling for Black men. Often without symptoms in the early stages, a special PSA blood test, can, however, detect abnormalities that can lead to early diagnosis and a far better survival rate.

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Jeff, 55, explains: “Prostate cancer can have such an enormous effect on both the person diagnosed and their family. I feel fortunate because my family has not been affected by the disease and thankfully a health check I had a few years ago, that included my prostate, was fine.

“But filming this storyline has made me realise how sobering the disease can be and how it affects so many. It’s so important if you are in a higher risk category to get tested. As soon as I have my next day off, I am going to be making an appointment with my GP to have a PSA test.”

Unfortunately, Cain, 51, like so many men in real life, failed to take a test because he lacked symptoms. But in January during the explosive Corriedale special, the Dingle fan favourite was shocked to learn he had a mass on his prostate gland after being rushed to hospital when he was shot at by evil John Sugden. Scanning his wound, the tumour was detected and doctors ordered further tests.

Now after an agonising month-long wait, Cain will be told he has cancer. It is localised but aggressive and he will require urgent surgery. He is also warned there could be serious surgical side effects including incontinence and erectile dysfunction. It leaves the family man, whose wife, Moira, is currently locked up in prison charged with two murders she didn’t commit, terrified he won’t be able to protect those he loves the most if he tells them the truth.

“Cain is frightened of telling anyone,” says Jeff. “Everything is falling to pieces and he doesn’t deal with his diagnosis at all well. He has never found it easy to talk about his feelings anyway but after learning of his diagnosis, he snaps at everyone. He worries that if he tells anyone and with Moira in prison, nobody will be around to look after their children. He is terrified he is going to die.”

A very likeable actor who is worlds away from the hardman he plays on-screen, Jeff – happily married to fellow Emmerdale star Zoe Henry, 52, who has played Rhona Goskirk for 22 years – is keen to use his soap role to raise awareness. He says: “We’ve been working together with Prostate Cancer UK on Cain’s story and we are going to explore the enormous impact it has on everyone’s lives. Soaps can play a hugely powerful part in raising awareness and if it encourages one man to get tested and find out they have this illness before it is too late – then that has to be a positive thing.”

Secretly told about Cain’s cancer storyline last September, his first reaction was understandably to take a big gulp when he heard the word ‘cancer’. Fearing it might mean the end of his character’s time in the soap, he confesses: “When I had my meeting, our producer, Laura, told me Cain was going to get shot in Corriedale. I was like ‘oh gulp’. But she said: ‘it’s ok you will survive the shooting’. It was then she told me doctors would find a mass from a scan in the hospital and that it would be cancer. I had to do a double gulp.”

Reassured the storyline would pan out for quite some time, Jeff remains tight lipped about what lies ahead but teases: “Cain is told surgery could make him incontinent and/or he could have an erectile dysfunction afterwards. “For some men, this can be short term but for others, it is forever. What if Moira won’t want him? This will be a story about how ultimately their love for each other is so strong.”

He admits the surgical side effects were something he had no knowledge of before he started filming, adding: “I found them really sobering and I think it is important we do make men aware, so they do feel more knowledgeable.”

Working flat out on the huge storyline, it is the latest of many powerful plots he has been involved in during his stellar 25-year soap career including discovering Cain was the illegitimate son of Zak Dingle and being diagnosed with a brain injury in 2015.

Jeff confides it helps enormously that Zoe, who he has two grown-up children with, understands the pressures of filming a big storyline. To unwind, they enjoy country walks near the family’s home in Yorkshire. He says: “Zoe totally understands and I’m so lucky that if I have had a big day and she gets home before me, she will cook something nice. Walks with my dogs are also a good way to switch off too, as is watching a film. I also DJ a bit which I really enjoy.”

And as someone who abstains from drinking alcohol in January and February, he says a ‘clear head’ helps him cope too. Going on to praise the entire Emmerdale cast and crew, he feels ‘blessed’ to be working alongside Natalie J Robb, who plays Moira. He adds: “We have a great shorthand and it is easy to be in Cain and Moira’s world when you are acting alongside Nat. To work on the Corriedale special was also an honour and my one day on ‘the cobbles’ was like the best ‘work placement’ day ever. To see Bill Roache walking the Emmerdale corridors was surreal, he’s such a legend and a gent.”

While Jeff acknowledges he is lucky to not have cancer, he does, however, live with Crohn’s disease. As a result, he is very health conscious, grows his own vegetables on an allotment and cooks from scratch. Jeff, an ambassador for Crohn’s & Colitis UK, says: “It is a different debilitating disease to cancer. I had a big operation in my final year at drama school at the age of 26 and since then, I have mainly been ok. I have been able to navigate it with my diet thankfully.”

For now, Jeff hopes by giving a rare interview, it will help to save lives, adding: “I hope after watching Cain’s storyline, it will encourage men to get tested. It could save their life.”

*If you have been affected by the Cain storyline, help can be sought at prostatecanceruk.org

READ MORE: ‘I’ve had six months of secrecy’ – Andrew Scarborough delivers huge news about Graham’s explosive return to Emmerdale

One of Gogglebox’s former stars opened up about how far she’d come in a moving post on Instagram

Googlebox’s Amy Tapper has been supported by fans as she celebrated a weight loss milestone.

The 26-year-old star- who was an armchair critic on the Channel 4 series for five years – has been open with fans about struggling with her weight.

She has been on a fitness journey for some time and has now shared that she has shed more than eight stone.

Posting clips on Instagram showing her before her weight loss journey, as well as some of her working out now, Amy told her followers she had dropped 114 pounds.

“Looking back so I never forget how far I’ve come,” she wrote. “8 stone 2 pounds gone forever.”

Fans could not get over Amy’s new look, with many posting messages in the comments section saying that she looked “amazing” and dropping fire and heart emojis.

“Look how strong you’ve gotten,” one of the star’s followers said, as another remarked: “I love seeing people win, you’re looking fit and well Amy.”

“Wow well done gorgeous you was beautiful before and after,” said someone else, as another fan exclaimed: “Incredible! Hats off! Healthy and beautiful!”

Another fan admitted they had “no words” after seeing Amy’s transformation. “Proud of u darling, big love,” they wrote, with a string of kisses.

“You are so inspiring,” said another, as one fan chimed in to say: “BEAUTY GIRL! You are INSANE! So very very proud of everything you have achieved!”

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website

Someone else on the platform said that the star was “smashing it” and another person posted: “Wow girl you’re on fire.”

Amy rose to fame when she joined Channel 4’s Gogglebox along with her parents Nikki and Jonathan and her brother Josh.

The family signed up to share their thoughts on the latest TV offerings on the programme in 2013 and they became hugely popular with viewers. They remained on the programme as regular cast members until 2018, when they bowed out of the series.

Amy has gone on to appear on other television shows, including Celebs Go Dating.

Gogglebox episode are available to stream on the Channel 4 website

Walt Disney Co. named a new chief executive this week, tapping theme parks veteran Josh D’Amaro as its new leader.

D’Amaro succeeds Bob Iger, who is expected to retire on Dec. 31 when his contract expires after nearly two decades on the job.

The issue of corporate succession has been a fraught one at Disney — and the subject of intense speculation across Hollywood in recent years.

Here’s a look at key developments in the succession drama:

Bob Chapek Named Chief Executive Officer of The Walt Disney Company

(Business Wire)

Feb. 25, 2020: Chapek named CEO

Disney announces that Bob Chapek, a 27-year Disney veteran who led the company’s massively important parks and consumer products business, would succeed Iger.

Chapek, 60, was one of several top Disney executives who were potential successors, including Disney direct-to-consumer chairman Kevin Mayer, who oversaw the successful launch of streaming service Disney+.

But the announcement contained a wrinkle: Iger wasn’t leaving the company — at least not right away. He would assume the role of executive chairman, leading the company’s creative endeavors, while guiding the leadership transition until the end of his contract on Dec. 31. 2021.

In this Sept. 11, 2015, file photo, Chairman of Walt Disney Parks and Resorts Bob Chapek poses with Minnie Mouse during a ceremony at the Hong Kong Disneyland, as they celebrate the Hong Kong Disneyland’s 10th anniversary.

(ASSOCIATED PRESS)

Nov. 20, 2022: Chapek fired, Iger returns

Disney’s board fires Chapek after less than three years on the job and asks Iger to serve two additional years as chief executive, postponing his exit.

The stunning announcement came after a series of missteps and miscalculations by Chapek, Iger’s hand-picked successor, that raised questions about his leadership.

Directors were said to be increasingly impatient with the company’s shaky financial performance and organizational changes Chapek made at the Mouse House.

“The board came to the conclusion they were losing the heart and soul of the company,” one longtime Disney observer who was not authorized to comment publicly said at the time.

(Jim Cooke/Los Angeles Times; Photo by Vianney Le Caer/Invision/AP)

July 12, 2023: Board extends Iger’s contract amid challenges

Disney’s board decides to keep Iger in the top job through December 2026, once again delaying his retirement.

The decision is a recognition of the serious challenges facing the company. Among them: struggles in animated movies, steady subscriber losses at sports giant ESPN and political and cultural battles with conservatives in Florida.

Iger moves swiftly to cut costs and eliminates thousands of jobs across the company. He also directs the company to slow down production of films and TV shows to focus on quality.

James Gorman, then chairman and chief executive of Morgan Stanley, in Davos, Switzerland, on Thursday, Jan. 19, 2023.

(Bloomberg/Bloomberg via Getty Images)

Oct. 21, 2024: Board taps Gorman to lead succession

After the fiasco with Chapek, Disney turns to someone with a track record of successful succession planning at Morgan Stanley: James Gorman.

Gorman is named the new chairman of the company’s board of directors, replacing Nike Chief Executive Mark Parker, who leaves after nine years.

Facing pressure from critics such as the activist investor Nelson Peltz, Disney also announces it will pick Iger’s successor by early 2026.

Josh D’Amaro, who previously ran Disney’s theme parks division, was named Disney CEO.

(Paul Morse)

February 3, 2026: Disney picks Josh D’Amaro as new CEO

Disney selects Josh D’Amaro as its new leader. D’Amaro, 54, beat out three other internal candidates for the job and was a Wall Street favorite.

The charismatic 28-year Disney veteran had the edge because of his deep affinity with company’s corporate culture and his success in growing the all-important theme parks business, which is in the midst of an ambitious 10 year, $60-billion parks and cruise line expansion. He was also a Wall Street favorite, which didn’t hurt.

Disney Entertainment Co-Chair Dana Walden was named the company’s president and chief creative officer.

EMILY Atack has stripped off for her most sizzling underwear shoot yet.

The glam actress can be seen rocking an assortment of lacy lingerie sets and suspenders as part of a glam new shoot which sees her posing on a tractor.

Emily’s new shoot with underwear brand Agent Provocateur appears to have taken inspiration from her racy Disney+ series Rivals in which she stripped fully naked.

In the new snaps, Emily wowed in a lacy see-through black lingerie set as she stood by a bright green tractor.

In other shots, she could be seen posing in an assortment of garments in a luxury manor house.

Branding herself The Duchess, one of the racy images saw Emily straddling a sofa in one daring black set.

new look

Emily Atack flaunts slim frame in new selfie after drastic weight loss

EM’S NEW ‘DO

Emily Atack shows off new hair after sparking concern with weight loss snaps

She later posed up a storm on an old-fashioned chair as she showed off her enviably long legs.

The entire shoot would not have looked out of place in Jilly Cooper’s series Rivals with Emily paying tribute to classic aristocratic glam.

She was also a vision in red as she donned a bright number to playfully pose by a grand dining table.

Emily donned red gloves and clutched onto a flower as she emulated her most model-esque face for the sultry shoot.

Speaking about taking part in the empowering shoot, Emily said: “I’ve always loved Agent Provocateur as a brand, but had no idea there was such an incredible, creative team bringing it all to life.

“From our first lunch meeting to a brilliantly fun afternoon in Soho trying on lingerie to our shoot day at Camfield Place, I not only felt like I was part of that team but also felt entirely happy about trusting the process.

“From start to finish this has been one of the most special projects I’ve worked on, and one I feel truly empowered by.”

Emily began playing the role of Sarah Stratton in Rivals in 2024.

She is expected to return for its second series later this year.

Emily’s sizzling shoot comes weeks after she flaunted her new slimmer fame over the New Year.

The star’s followers were quick to notice she had slimmed down considerably in recent months – leading to widespread social media reaction.

How did a gay hockey romance made by a little-known Canadian streamer become a global cultural phenomenon?

The answer, as it turns out, was by leaning into female and queer audiences. Since the debut last November of “Heated Rivalry,” which chronicles the clandestine love story between two fierce hockey rivals, the drama series from Bell Media’s Crave has emerged as an unlikely success story, defying a broader industry trend of media consolidation and waning commitments to diversity in Hollywood.

The mastermind behind the show’s success is Jacob Tierney, who read author Rachel Reid’s “Game Changers” series during the COVID-19 pandemic and then optioned all of the books after reading a Washington Post story about the proliferation of romance novels. After writing a pilot on spec, he approached the executives at Crave — where he had previously produced “Letterkenny,” “Shoresy” and “Canada’s Drag Race” — about green-lighting a series. From the outset, the gay writer-producer had a clear idea of how he wanted to adapt the “smutty” story for TV, starting with casting relative newcomers Hudson Williams and Connor Storrie as Shane Hollander and Ilya Rozanov, respectively.

“Jacob was very open to our feedback, but his common [refrain] back to us was, ‘We need to be true to the source material because the built-in fan base will expect certain things from us, and that includes the appearances of these actors and their ages,’” says Justin Stockman, Bell Media’s VP of content development and programming. “He’s like, ‘We found them. These are the people from the book.’ And that’s where we had to trust him.”

Brendan Brady, Tierney’s producing partner through their Accent Aigu Entertainment banner, notes that the Canadian TV model diverges from the American one, in that the producer retains ownership of the IP while collecting a licensing fee from the broadcaster. To fund the series, Tierney and Brady reinvested their personal fees to cover about 10% of the budget, while another 30% was sourced from tax credits. This included the Canada Media Fund, a resource derived from government and industry contributions that national broadcasters can allocate at their discretion. The rest of the financing usually comes from third parties.

But Tierney recalls that the notes from potential financiers did not align with his creative vision. Some wanted to delay the graphic depictions of gay sex and expand the world to include more characters. Someone even suggested introducing Rose Landry (Sophie Nélisse) earlier and putting her in a love triangle with Shane and Ilya, because they believed “this show won’t work without a female entry point,” Tierney recalls. Ultimately, Bell Media opted against a co-financier, instead covering the remaining costs through its new distribution branch, Sphere Abacus. But, Brady says, the budget was still “far south” of CA$5 million (approximately $3.6 million) per episode. “It’s so much less than that, it’s almost silly,” Tierney adds.

Sean Cohan, an American executive who worked at A&E Network and Nielsen before being appointed president of Bell Media, does not think “Heated Rivalry” could have been made in the U.S. For starters, “green-lighting” stateside is a “slower” process; Tierney could have been stuck in development hell for years. The show also contains numerous Canadian references — cottage country, loons, McGill University — which would have not made sense outside of the Great White North.

From left, stars Connor Storrie and Hudson Williams, creator Jacob Tierney and executive producer Brendan Brady on the set of “Heated Rivalry.”

(Sabrina Lantos)

For his part, Tierney doesn’t believe that “Heated Rivalry” would have even been made at another Canadian network or streamer. “There’s lots of ways to put your fingers in and get them sticky and screw things up, and these executives wanted the same show that we wanted to make and they supported us 100%,” he says. Those executives were so confident in the show’s success that they decided to move up the premiere date from February to late November to take advantage of the increase in viewership around the holidays. The accelerated release schedule meant that Tierney delivered his cut of the Season 1 finale a week and a half before it aired.

At the time of our interview, Tierney was already trying to break the story for Season 2, which he and Brady say will not premiere until spring 2027. “As much as I appreciate how rabid and interested people are at this point, the first season worked because I trusted my gut with this, and I’m going to do that again,” Tierney says.

Like the audience, Bell Media executives are waiting with bated breath for the next chapter of “Heated Rivalry.” And given that Accent Aigu has optioned all of the “Game Changer” novels (including Reid’s forthcoming “Unrivaled”), everything is on the table — more episodes or seasons, one-off specials, maybe even a spin-off. “We’re open to anything that keeps the quality where it was, but also brings our show back as quickly as we can,” Stockman says. (HBO Max will not be involved financially and remains merely a distributor.)

Tierney declines to reveal whether he will split “The Long Game” into one or two seasons, but he volunteers that he does not see himself making more than six episodes per season. “I don’t need to do 10. I would always rather tighten the belt than get loosey-goosey,” says Tierney, who will have a co-writer for Season 2 but continue to direct all the episodes himself. “I would rather be like, ‘Let’s see how much story we can pack into these episodes.’”

“We want everybody to be left yearning,” Brady adds. “That’s what everybody loves about this show. Less is more!”

“Heated Rivalry” may center on Shane and Ilya, but there will “absolutely” be “diversions” to other characters in the canon. “Just like you can’t tell the story without Scott Hunter, you can’t really tell the story without Troy Barrett,” Tierney says, alluding to a character from Reid’s books who is yet to appear in the TV series. And while there may be a lot more incoming calls about higher-profile casting, he adds, “We need Canadian talent, and we love Canadian talent. It’s not a burden, but it’s also something we literally have to do to get our financing.”

For Cohan, “Heated Rivalry” is valuable proof of concept as he attempts to convince more Canadian creators to return to their roots, regardless of where they now live in the world. “It certainly helps to feel like we’ve got a dramatic illustration, a data point — a pretty good one too — to say, ‘Yeah, look, we Canadians, not just Bell, can make great, global and profitable [shows], and we can do it by being authentic,’” Cohan says.

They don’t make musicals like “Sweeney Todd: The Demon Barber of Fleet Street” anymore.

The ambition on display is awe-inspiring to an almost alarming degree. Consider the lyrical and orchestral complexity of Stephen Sondheim’s score, the way Hugh Wheeler’s book (from an adaptation by Christopher Bond) blends horror and comedy as if the two were natural bedmates and a production concept that views the material of a fiendish penny dreadful through a Brechtian lens.

Could the American theater ever again pull off such an outrageously brilliant musical experiment? Harold Prince’s 1979 Broadway premiere, starring Len Cariou and Angela Lansbury, seems like eons ago in terms of creative possibility.

This is the reason revivals, such as the solid one that opened Saturday at La Mirada Theatre for the Performing Arts under the direction of Jason Alexander, are so important. They remind us not only of the richness of our theatrical past but they also challenge our artists and producers to dream bigger in the future.

Will Swenson stars as “Sweeney Todd” at the La Mirada Theatre for the Performing Arts.

(Jason Niedle / TETHOS)

Alexander, the beloved “Seinfeld” star who made his Broadway debut in Sondheim and George Furth’s “Merrily We Roll Along” in 1981, knows a thing or two about American musicals, having served for a time as the artistic director of L.A.’s bygone Reprise Theatre Company. His direction has grown in sophistication and ease since he staged Sondheim and James Lapine’s “Sunday in the Park With George” for Reprise in 2007.

Alexander’s production of “Sweeney Todd” has breadth and heft, but also intimacy and lightness. The scenic design by Paul Tate dePOO III savors the show’s Grand Guignol flavors while leaving plenty of flexibility for antic comedy.

The barber chair, the locus of Sweeney’s revenge on the heartless cruelty of a Victorian London that wrecked his life, isn’t the elaborate contraption of other productions. His murder victims don’t fall down a chute after their throats are slit during their shave and a haircut. They have to be tilted into a dumpster that is moved into position, but Alexander makes the comic most of these clumsier stage mechanics.

Will Swenson, the accomplished Broadway actor, offers an unusually sympathetic yet never sentimentalized Sweeney. He understands that Sweeney is first and foremost a victim. The lust for vengeance eventually gets the better of him, but Swenson leads us step by step to depravity through sorrow, injustice and humiliation.

Andrew Polec, right, with the company of “Sweeney Todd” at the La Mirada Theatre for the Performing Arts.

(Jason Niedle / TETHOS)

He’s man-made rather than a natural monster. The same could be said of Lesli Margherita’s Mrs. Lovett, the proprietor of a filthy and failing Fleet Street pie shop, but it’s a shakier case. She’s the one who gets the bright idea of putting all those corpses Sweeney is intent on piling up into culinary use. Meat is in short supply, and the taboo of cannibalism is no deterrent to a woman who has taken to heart the jungle law of 19th-century British society: Eat or be eaten.

Swenson and Margherita are singing marvels, but Sweeney and Mrs. Lovett’s numbers set up Olympian challenges, vocally as well as lyrically. Their comically macabre Act 1 showstopper, “A Little Priest,” in which they gleefully imagine the variety of human pies, needs a little more time in the oven. Margherita, who played Mrs. Wormwood in “Matilda the Musical” on Broadway, is a deft clown. Swenson may be a step slower in this regard, but he plays it perfectly by accentuating the delight Sweeney takes in the merriment of Mrs. Lovett’s perverse rhyming game.

Swenson, who starred in the Broadway premiere of “A Beautiful Noise, the Neil Diamond Musical,” has a lush baritone. But Sweeney’s descent into an even lower range produces a sound that emerges from unimaginable depths. Finding the beauty in that hellish croak — something that Josh Groban was able to do in the last Broadway revival — can prove exceptionally difficult. It’s Swenson’s detailed character work as a singer that impresses most. His handling of “By the Sea,” the Act 2 duet with Margherita, forensically details Sweeney’s growing distaste for the conjugal fantasies of his partner in crime.

Allison Sheppard and Chris Hunter star in “Sweeney Todd: The Demon Barber of Fleet Street” at the La Mirada Theatre for the Performing Arts.

(Jason Niedle / TETHOS)

The romantic element of Sondheim’s score is best captured in the gorgeous singing of Chris Hunter’s Anthony Hope, whose crooning of “Johanna” provokes an epidemic of goosebumps throughout La Mirada Theatre. Allison Sheppard’s Johanna, Sweeney’s daughter under the lock and key of the wicked Judge Turpin (Norman Large), warbles as melodiously as the caged birds that mirror her plight.

Nicholas Mongiardo-Cooper’s Beadle Bamford, the judge’s henchman, has a malicious ebullience all his own. He’s not as unapologetically hammy as Andrew Polec’s Pirelli, the tonsorial con man who adopts a fake mustache and an even faker Italian accent, but he lends the musical a satiric gaiety.

Meghan Andrews’ Beggar Woman and Austyn Myers’ Tobias, giving voice to the downtrodden Dickensian masses, infuse the production with the charm of their singing. Myers makes the most of one of the musical’s most beloved numbers, “Not While I’m Around,” Tobias’ duet with Mrs. Lovett that both performers bring to poignant, demented life.

Austyn Myers, center, with the company of “Sweeney Todd: The Demon Barber of Fleet Street” at the La Mirada Theatre for the Performing Arts.

(Jason Niedle / TETHOS)

Alexander’s staging occasionally overdoes the comic exuberance. The ensemble-cum-chorus, burdened with overblown asylum imagery, is sometimes called upon to inject a circus-like atmosphere, complete with acrobatics. Lee Martino’s choreography, like the production as a whole, is at its best when observing decorous constraints.

If some of the more seductive colors of Sondheim’s score get lost in the acoustic shuffle, it may have more to do with the sound system than Darryl Archibald’s music direction. Unfortunately, the shattering beauty of the music is sometimes swallowed in the devilish din.

The stark visual panache of the production, however, is an impressive sight to behold. Jared A. Sayeg’s crepuscular lighting and Kate Bergh’s humanizing costumes lend contrast and texture to the world-building scenic design.

Hats off to this Southern California “Sweeney Todd” and to La Mirada Theatre for undertaking this Herculean feat. Sondheim and Wheeler’s haunted masterpiece doesn’t need perfection to live again.

MILLIE Mackintosh got in contact with her ex-husband Professor Green before splitting from Hugo Taylor, the rapper has revealed.

Yesterday, it was reported that Millie, 36, and her husband Hugo Taylor have split following seven years of marriage.

While it’s been a decade since their split, Professor Green – real name Stephen Manderson – admitted that the pair have recently been in contact.

Appearing on Jamie Laing’s Great Company podcast in October, he dubbed Millie “beautiful” while sharing that the pair have bonded over both being diagnosed with ADHD in recent years.

“It was really recently that we spoke actually about our mutual diagnosis and, you know, our kids,” said the music star, 42.

He added that the pair were toxic for one another at the time of their marriage, describing it as a “trauma bond”.

FORMER FLAMES

All the signs Millie Mackintosh and Hugo Taylor had split up

it’s over

Millie Mackintosh and Hugo Taylor SPLIT after seven years of marriage

Back in October, a source told The Sun that Millie and her ex were on good terms, sharing: “They have started speaking again, and they are on better terms than they have been in a decade.

“Both being parents has played a huge part, and they have both grown up a lot. They have also both given up booze, which was a huge issue when they were together.”

Millie shares two daughters with Hugo; Sienna and Aurelia.

Professor Green has been single since he split from fiancée Karima McAdams in 2024 after welcoming son Slimane three years prior.

The rapper is set to appear on this year’s Celebs Go Dating alongside the likes of Coleen Nolan and Love Island’s Gabby Allen.

Millie married Professor Green in 2013 after a failed relationship with Hugo.

But, following their divorce in 2016, Millie and Hugo got back together before tying the knot themselves two years later.

According to the Daily Mail, Millie and Hugo, 39, went their separate ways after a series of discussions in the New Year.

An insider told the publication: “Millie and Hugo are currently going through a separation and have sadly decided to split. 

“They have known each other for many years, and in recent weeks, have had serious conversations about their future, ultimately deciding it’s better for them both to part ways.

“Their main priority remains their children and family life, and separating is not something they ever hoped would happen.

“At present, they are considering what living apart might look like and how they plan to navigate co-parenting their young children.

“It’s been an incredibly difficult start to the year, and one they hope to continue managing in private.”

TV star Olivia Attwood has opened up on the surprising Love Islander she’d date after removing her wedding ring and telling pals she’s going to divorce Bradley Dack.

The 34-year-old recently revealed who she would pursue if she was on this season of Love Island All Stars.

Just last week, the presenter addressed her marriage breakdown saying she cries herself to sleep and wants both her and footballer Brad to be happy.

But now putting on a brave face Olivia sat down to chat with her pal Pete Wicks, 37, on their Sunday Roast podcast.

The duo then asked each other which islander they would pick out of the line up.

ITV‘s Olivia gobsmacked fans by opting for Curtis Pritchard.

Read more on Olivia Attwood

NO GOING DACK

Olivia Attwood ‘to divorce’ Bradley Dack and removes wedding ring

dog house

Olivia Attwood and ex Bradley Dack locked in battle over their dogs after split

She said: “I don’t know any of the boys names.”

And Pete replied: “Well you know one. Curtis. He’s a big lad, tall. I think you’d be a real power couple.”

Olivia surprisingly agreed, she said: “I would probably go for Curtis.”

Curtis found himself in the limelight after appearing on Love Island series five, but he didn’t stop there returning for Love Island games in 2023 and now this season of All Stars.

While Olivia picked the dancer, Pete was certain he would couple up with Belle Hassan.

Loose Women panellist Olivia also appeared on Love Island back in 2017 on series 3.

She finished in third place alongside Chris Hughes but they later split as she got back together with her long-time love Bradley Dack, 32.

The Sun previously revealed the split was down to what was called a “breach of trust” on his part.

A source close to the star told us: “Olivia is already talking about divorce because it is feeling very final and over for her.

“She’s worked too hard on her career to let it fall apart because of her relationship going south.”

Olivia was spotted last Friday on Loose Women without her £200,000 engagement ring meanwhile Bradley was snapped leaving football training still wearing his wedding band.

The couple are already locked in a tug of love over their dogs.

Carpathian/German shepherd mix Lola and rottweiler Stitch, both rescue dogs, are staying with Olivia in South London as they sort out their care.

Controversial director Brett Ratner, whose documentary “Melania,” about the first lady, premiered last week, found himself in the headlines once again over his alleged ties to Jeffrey Epstein.

A photograph, part of the trove of files released Friday in the Department of Justice’s investigation into Epstein, shows Ratner sitting on a couch with his arms wrapped around a woman, whose identity is concealed. She is sitting next to Epstein and a second woman, who is also redacted in the photo and is sitting at the far end of the couch next to the disgraced financier. It is unclear where the photo was taken or when.

The filmmaker is among several prominent individuals from the worlds of entertainment, technology, politics and business — including L.A. Olympics boss Casey Wasserman — who have turned up among the millions of files that the Justice Department has released.

Epstein died by suicide in 2019 in Manhattan Correctional Center while awaiting trial on sex trafficking charges.

Ratner’s name also surfaces in a number of emails contained in the released files in which Epstein discusses his attempts to connect with the director and descriptions in which their social circles overlap.

It is not the first time Ratner turned up in Epstein’s orbit. In December, his photo appeared in an earlier batch of files the department released.

In the undated photograph, Ratner is seen seated, hugging a shirtless Jean-Luc Brunel, a French modeling agent and an Epstein associate.

Brunel died of an apparent suicide in 2022 in a French prison while awaiting trial on charges that he had raped a minor.

Ratner has not been accused of any wrongdoing in connection with Epstein.

A spokesperson for the director did not immediately respond to a request for comment.

During a Monday appearance on “Piers Morgan Uncensored,” Ratner said that the recently released photograph was taken about 20 years ago. He said that the woman he is hugging was his then-fiancée, whom he declined to name, and that she had invited him to an event where the picture was taken.

“I’ve never been in contact with Jeffrey Epstein before that photo and never in contact with him after,” he said on the show.

Among the emails in which Ratner is mentioned, in December 2010, Epstein discusses a dinner he is having at “7:30” in which he says that he has invited Ratner but has not yet heard back.

In December 2010, it was widely reported that Epstein hosted a dinner at his Manhattan townhouse just months after he finished serving a prison sentence and house arrest for soliciting a minor for prostitution. The dinner was attended by a number of boldfaced names including Woody Allen and Andrew Mountbatten-Windsor, formerly Prince Andrew.

A year later, Epstein’s assistant appears to email Ratner saying, “Jeffrey would like to speak with you regarding [redacted] could you please give us a call.” It is unclear whether Ratner followed up.

In another heavily redacted email from 2018, Epstein writes to someone saying: “Hi I’m Jeffrey. brett Ratner thought we should meet.” He follows up with a second email asking whether Ratner had spoken to this person yet.

During the Cannes film festival in 2012, celebrity superpublicist and ubiquitous presence on the awards circuit Peggy Siegal emailed Epstein that she was sitting with Ratner about to watch a Roman Polanski documentary, adding that “Brett says ‘hi’ and he loves you!”

In other gossipy emails Siegal sent to Epstein, she cites Ratner in her listing of which power brokers and celebrities are in attendance at various parties and who is staying on whose yacht in St. Barts (Ratner, she wrote, was staying with his business partner, the Australian billionaire James Packer).

Siegal’s relationship with the convicted pedophile came under renewed scrutiny in 2019 after Epstein was arrested on sex trafficking charges, particularly as she helped facilitate his return to society following his prison sentence.

“Had I known that he had been accused of abusing underage girls, I would not have maintained a friendship with him,” she told the Hollywood Reporter.

Siegal could not be immediately reached for comment.

On Nov. 1, 2017 — the day The Times published its investigation in which six women accused Ratner of sexual misconduct — Epstein emailed lawyer Reid Weingarten: “brett ratner now oy.”

Ratner’s career was derailed nine years ago after The Times published detailed allegations against the director made by multiple women who accused him of harassment, groping and forced oral sex. Actor Olivia Munn claimed that Ratner masturbated in front of her when she delivered a meal to his trailer on the set of the 2004 film “After the Sunset.”

At the time, the director’s attorney Martin Singer rejected the women’s claims, saying that his client “vehemently denies the outrageous derogatory allegations that have been reported about him.”

Ratner’s agents at WME dropped him, as did his publicist, and projects were put on hold. Ratner parted ways with Warner Bros.

“I don’t want to have any possible negative impact to the studio until these personal issues are resolved,” he said in a statement.

In 2020, Ratner became embroiled in another Hollywood sex scandal, involving British actor Charlotte Kirk.

In a sworn court declaration, Kirk said she was victimized by then-Warner Bros. Chief Executive Kevin Tsujihara, Ratner, Packer and Millennium Films CEO Avi Lerner, stating that the men “coerced me into engaging in ‘commercial sex’ for them and their business associates.”

Singer, who represented the men, “categorically and vehemently” denied any wrongdoing on the part of his clients.

“Melania” is the first film Ratner has directed since he was largely exiled from Hollywood. The documentary has received harsh reviews from critics, who have also questioned the $75 million Amazon paid to distribute and market the movie. However, during its opening weekend, it grossed a better-than-expected $7.1 million at the box office.

Emmerdale actor Dominic Brunt has addressed his character Paddy Dingle’s turmoil, as he covers up his father Bear Wolf’s killer crime after he murdered Ray Walters

Emmerdale fans are used to seeing Paddy Dingle at the centre of comedic mishaps and the more heartfelt moments, but his latest plot sees him covering up a brutal murder.

For the first time in his 29 years on the soap, Paddy, played by actor Dominic Brunt, could face prison as the truth unravels. A recent flashback episode saw Paddy’s father Bear Wolf [Joshua Richards] confirmed as villain Ray Walters’ killer, with Paddy now determined to stop anyone from finding out.

Next week, Paddy realises his dad needs professional help as Bear continues to spiral. With teenager Dylan Penders, also covering up the crime, feeling the strain and ready to crack, Paddy’s left picking up the pieces to prevent the police from learning what really happened to Ray. Dominic, 55, is delighted about the killer twist though, as he teases his future in the village.

He says: “It’s such a good story. Paddy’s juggling everything at the moment, trying to keep everybody out of being done for murder and keeping the story straight. But it keeps unravelling and he keeps pulling all the strings back in, going: ‘Oh my God, we’ve got to stick to the story’.”

READ MORE: Soaps preview: Emmerdale Robert and Tracy’s big plan and Corrie Jodie under suspicionREAD MORE: Emmerdale and Coronation Street fans left furious as soaps pulled off air next week

While it could lead to an exit for Bear if his crime is discovered, Dominic says Paddy isn’t worried about his own fate. He explains: “He fears that his dad will go away again. He thought he was dead and he’s back. And now Bear might go down for murder. Paddy is trying to save his dad, and save the fact that Dylan would be implicated in it as well, because we all hid the body.”

Bear vanished from the village in July last year, claiming he was visiting a friend in Ireland as he secretly battled depression. By the time Paddy realised his father was missing, Bear had already been manipulated by villain Ray and his evil mum Celia Daniels, in the soap’s heartbreaking modern slavery storyline.

Bear was kept at their farm for months until he fled at the end of December, while viewers, and village residents, were led to believe Celia had killed him. His sudden return earlier this month saw him accidentally killing Ray to save his son, and Dominic says Paddy will go to any lengths necessary to protect him in return.

He tells us: “Bear’s not ready to go to the police. He keeps going: ‘Should I go to the police? Should I just come clean? Should I tell them the truth?’ His dad is all over the place, he’s very sick, withdrawing from whatever drugs he was given and he’s completely unstable.

“So Paddy is trying to hide him away for now and then maybe in the near future they’ll just say to the police: ‘Alright, there he is, come and get him, we did it’. But at the moment he’s just trying to save his dad from more psychological pain after what he’s just been through with Ray and Celia.”

Dominic did reveal that other characters will soon uncover the truth, including his best friend Marlon Dingle, played by Mark Charnock. Marlon has also been caught up in Ray and Celia’s dark world after they exploited his teenage daughter April Windsor [Amelia Flanagan] into selling drugs, alongside her boyfriend Dylan.

When Marlon vowed to go to the police he was ignored, leading to sinister threats and payment demands by Ray. Dominic says the close friends will open up to each other about what they’ve been hiding, while Paddy is also set to confide in his wife Mandy Dingle [Lisa Riley].

Dominic says: “He definitely confides in Mandy. I think there’s an episode coming up with me and Mark, just a two-hander, where we spill the beans to each other and we become bonded again, which is lovely because they’ve got a three-decade-long friendship.”

Paddy has been at the heart of some huge storylines since his debut in 1997, including his five weddings, and the devastating loss of his baby daughter Grace after she was diagnosed with Bilateral Renal Agenesis, a rare life-limiting congenital condition.

Paddy also suffered depression and suicidal thoughts in a wideley-praised storyline in 2023, with Dominic keen to revisit Paddy’s mental health as he struggles through his latest turmoil. While the future looks bleak for Bear, Dominic says Paddy is confident that the father and son, and Dylan, will find a way to make it through their traumatic start to the new year.

He shares: “I think he truly believes that they’ll get through this, it’ll go away and nobody will be blamed and it’ll just become a village secret. But soaps being soaps, there’s got to be a moral outcome. His worst fear is that it all unravels and of course I think it does.”

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Making his first major post-arrest television interview Monday on “Jimmy Kimmel Live!,” Don Lemon detailed the moments surrounding his incarceration and his experience as a journalist becoming the center of a news story.

“There’s a lot that I cannot say,” Lemon told Kimmel. “But what I will say is that I’m not a protester. I went there to be a journalist. I went there to chronicle and document and record what was happening … I do think that there is a difference between a protester and a journalist.”

The appearance arrived less than a week after the former CNN anchor — now an independent journalist who hosts a YouTube show — was arrested by federal agents in Los Angeles following his coverage of an anti-ICE protest at a Minnesota church earlier this month. Lemon, 59, was released without bond Friday and is expected to plead not guilty, according to his attorneys.

On Monday’s show, Kimmel began the conversation by asking Lemon how he was feeling: “I don’t know — that’s an honest answer,” Lemon said. “I’m OK. I’m not going to let them steal my joy, but this is very serious. These are federal criminal charges.”

Lemon was arrested — along with three others in attendance at the protest — at the direction of Atty. Gen. Pam Bondi, who said on X that it was in connection to what she described as a “coordinated attack” on the church, located in St. Paul. Lemon is charged with conspiracy to deprive the church congregants of their rights and interfering by force with someone’s First Amendment rights. Lemon has denied participating in the protest at the church — assembled to decry that an Immigration and Customs Enforcement field officer apparently serves as a pastor there — saying he was present in a journalistic capacity.

Playfully acknowledging that he hasn’t been a favorite of President Trump’s since his time on CNN, Lemon said he hadn’t been concerned about his possible arrest — even with a re-post by Trump calling for it — until it gained steam by members of Trump’s cabinet, including Bondi and Todd Blanche, the U.S. deputy attorney general. Lemon said that after retaining a lawyer and volunteering to turn himself in to handle the matter without fanfare, he “never heard back from them.”

“That is customary in a situation like this, that someone would be allowed to turn themselves in,” Lemon said. “People who are who are accused of much worse things than I am accused of doing, they are allowed the courtesy. I mean, Donald Trump was allowed the courtesy to turn himself in …”

Lemon went on to detail the moments leading up to his arrest Thursday, which came after a night of covering a Grammys event for the Black Music Collective and attending a post-party celebration.

“I got back to the hotel, I walked in with my swag bag from the thing … and I pressed the elevator button and all of a sudden I feel myself being jostled, people trying to grab me and put me in handcuffs,” he recounted. “And I said, ‘What are you doing here?’ And they said, ‘We came to arrest you.’ I said, ‘Who are you?’ Then finally they identified themselves. And I said, ‘If you are who you are, then where’s the warrant?’ And they didn’t have a warrant, so they had to wait for the someone from outside, an FBI guy, to come in to show me a warrant on a cell phone … They took me outside FBI guys were out there. It had to be maybe a dozen people, which is a waste, Jimmy, of resources … They want to embarrass you. They want to intimidate you. They want to instill fear.”

He said he hadn’t realized how much attention his arrest had generated until he saw CNN broadcasting the story on a TV monitor where he was being held.

“I could see ‘Former CNN anchor Don Lemon arrested in Los Angeles,’” he said. “I said to the guy, ‘Is that happening a lot?’ He goes, ‘You’ve been on all morning, yeah. And he says, ‘This is a big deal.’”

During the conversation, Kimmel criticized what he felt was a lack of attention to the recent search by FBI agents of the home of a Washington Post reporter who covers the federal government. Lemon, who parted ways with CNN in 2023, attributed it to a fear among the leaders of corporate press enterprises.

“Corporate media has been neutered right now. They are afraid, and that’s the reason I’m so happy with what I do, because I’m closer to the ground,” he said. “This is not time for folly. It’s not time for false equivalence, and putting people on television and on news programs, giving them a platform, who come on just to lie. …. Some things are objectively bad and I think its important in this time to point that out.”

Lemon hitting the late-night circuit intensifies its spotlight as a free-speech battleground. The Trump era has prompted more pointed and passionate takes from most of the major hosts that, in turn, have captured the attention and ire of the president, who has provoked threats against them and their broadcasters.

Last year, CBS announced it was canceling “The Late Show” after a three-decade run — a decision the company attributed to financial reasons and not, as many have speculated, because of host Stephen Colbert’s criticism of a settlement between the Trump administration and Paramount, the parent company of CBS, over a 2024 “60 Minutes” interview with then-Vice President Kamala Harris.

More recently, Kimmel faced a brief suspension last fall over comments regarding the killing of right-wing activist and influencer Charlie Kirk (ABC ultimately reinstated Kimmel following public backlash.) In fact, Lemon referenced that situation prior to his arrest, when a judge dismissed prosectors’ initial charging effort: “This is not a victory lap for me because it’s not over. They’re gonna try again,” Lemon told his followers on his YouTube show after the judge’s ruling. “Go ahead, make me into the new Jimmy Kimmel, if you want.”

Last Friday, addressing a crowd outside the courthouse upon his release, Lemon said, “There is no more important time than right now, this very moment, for a free and independent media that shines a light on the truth and holds those in power accountable. I will not stop now, I will not stop ever.”

JOE Swash and stepson Zach put on a dapper display as they posed for snaps before attending the TV Choice Awards tonight. 

Zach, 17 – the eldest child of 44-year-old Joe’s wife Stacey Solomon – scrubbed up in a navy suit, white shirt and striped tie. 

While the former EastEnders star opted for a black suit which he teamed with a low-cut black T-shirt. 

He captioned his upload: “Zach & Me off to represent the Solomon Swash’s tonight at the @tvchoicemagazine awards. 

“Proud to be your +1 Zachy. Love you boy.”

But eagle-eyed fans were quick to notice Joe was trying his best to minimize the height difference between him and Zach – by standing on his tip toes. 

FLYING SOLO

Inside Stacey Solomon’s plans to protect £7m fortune and strict rule for Joe

NO JOE-KE!

Stacey Solomon takes swipe at Joe Swash after admitting she ‘can’t look at him’

One wrote: “The tiptoes haha love your relationship with all the kids.”

Another said: “Joe on his tippy toes.”

Someone else wrote: “Joe on your tip toes is cracking me.”

And a fourth added: “Love how Joe is trying to be taller than Zach.”

Stacey is also mum to 13-year-old Leighton from a previous relationship while she and Joe share Rex, six, Rose, four, and Belle, two.

Joe is dad so son Harry, 18, from his relationship with ex Emma Sophocleous.

Last month The Sun told how Stacey is desperate to get fans back on side after a flood of negative backlash over her ‘out of touch’ posts.

A source revealed: “The bottom line is Stacey is no longer relatable. 

“People think she flaunts her wealth and moans all the time – now Stacey’s being advised to rein it in and shut her mouth or risk ruining everything she’s worked so hard for.

“The plan is for Stacey to go back to basics and remember who her audience is. No more bragging about expensive holidays and keeping in mind not everybody is in her position.”

I can’t believe it’s happening to us.

“The Kelly Clarkson Show,” the Daytime Emmy Award-winning series hosted by the Grammy-winning musician, is ending after a seven-season run. Kelly Clarkson announced Monday that she had decided to step away from hosting the daily talk show.

In a statement, Clarkson said she made her decision to prioritize spending time with her children. The former singer had two children, in 2014 and 2016, with ex-husband Brandon Blackstock, who died in August at age 48.

“I have been extremely fortunate to work with such an outstanding group of people at ‘The Kelly Clarkson Show,’ both in Los Angeles and New York,” Clarkson said in a statement. “This was not an easy decision, but this season will be my last hosting ‘The Kelly Clarkson Show.’ Stepping away from the daily schedule will allow me to prioritize my kids, which feels necessary and right for this next chapter of our lives.”

The syndicated talk show launched in September 2019 after Clarkson, who won over TV audiences as the first-ever winner of “American Idol,” in 2002, returned to the world of musical reality competitions as a coach on “The Voice” in 2018. “The Kelly Clarkson Show” showcased the “Since U Been Gone” singer’s affable, approachable charm in her sit-down interviews with celebrities and everyday heroes, as well as her talents in popular segments including “Kellyoke,” which saw Clarkson sing covers of other people’s songs.

“I am forever grateful and honored to have worked alongside the greatest band and crew you could hope for, all the talent and inspiring people who have shared their time and lives with us, all the fans who have supported our show and to NBC for always being such a supportive and incredible partner,” Clarkson added in her statement. “This isn’t goodbye. I’ll still be making music, playing shows here and there and you may catch me on ‘The Voice’ from time to time. … You never know where I might show up next. But for now, I want to thank y’all so much for allowing our show to be a part of your lives, and for believing in us and hanging with us for seven incredible years.”

The seventh season of “The Kelly Clarkson Show” kicked off in September and production will continue as planned. Clarkson will continue to host Season 7, with a few yet-to-be-announced guest hosts. The episodes for Season 7 will run through September.

Soap spoilers for next week have confirmed death twists, revenge plans and discoveries, as well as a huge return across Emmerdale, EastEnders, Coronation Street, Hollyoaks and Home and Away

It’s another big week for the soaps, with a huge return, secrets under threat and sinister plans in motion.

On Emmerdale, Aaron Dingle is concerned for Robert Sugden, while a discovery about the latter leaves someone stunned. Soon there’s an ultimatum, while some news about dead villain John Sugden sparks some guilt.

On Coronation Street, Daniel Osbourne makes a chilling discovery, while groomer Megan targets teen Sam Blakeman. David Platt is onto “strange” Jodie’s behaviour too.

As for EastEnders, there’s an epic return for Jake Moon, which could lead to another comeback. There’s concern for one teen, and Ravi Gulati is rocked by a discovery.

Over on Hollyoaks, Mercedes McQueen gets steamy with a newcomer, while Dodger Savage makes an alarming realisation. As for Home and Away, Leah continues to spark concern. Here’s all your new spoilers…

READ MORE: Soaps preview: Emmerdale Robert and Tracy’s big plan and Corrie Jodie under suspicionREAD MORE: Emmerdale and Coronation Street fans left furious as soaps pulled off air next week

Emmerdale

Dylan confesses to April that he was there when Ray was murdered and that Bear is his killer. Paddy is furious, and Bear begins to spiral. As April encourages Bear to open up he breaks down, with Paddy deciding he needs to see a counsellor.

As April, Dylan and Bear struggle to cope, it’s clear the impact of Ray’s actions is hard to overcome. Elsewhere, Victoria is horrified when she realises how far Robert has gone to protect her.

When John’s death is ruled a suicide she continues to feel guilty, and she considers coming clean to Cain about the plan to sell the farm to Joe. With Joe wanting to push the sale forward he threatens Robert, but Victoria overhears and realises Robert planted the evidence that led to Moira’s arrest.

Realising why he did it, she declares she’ll turn herself in to prevent Moira from being wrongfully imprisoned. Joe then threatens to release the video of her killing John unless she signs the contracts.

Soon there’s an ultimatum, and Victoria visits Moira in prison. Also next week, Aaron is concerned for Robert and Cain tries to force Bear to go to the police.

When he turns violent, Dylan steps in. Later, Sarah supports Cain at his appointment at the hospital where the consultant explains the treatment will be a radical prostatectomy.

Finally next week, Robert and Tracy are caught out as they head off with John’s ashes. Tracy prepares to pour John’s ashes down the toilet, convincing a reluctant Robert to let her just as Victoria and Aaron arrive.

Coronation Street

Shona, convinced Jodie is hiding something, follows her to a psychiatric hospital where Jodie tearfully introduces their confused, estranged father. Jodie explains how she was left to care for him after their mother fled.

When an exhausted Shona snaps at Lily, David tells her to take a break. Jodie soon manipulates her into a night out, before plying her sister with alcohol. David confides in Nick that there’s something very strange about Jodie.

Ryan recognises Mal, leading to Bernie begging him not to reveal all about the hotel incident. When Gemma finds out, she urges her mum to tell Dev before someone else does. Mal seems keen to stick around.

Todd panics when he sees some missed calls from Theo. When he joins James for brunch, Theo comments on him wasting money, before confronting him over a takeaway bag he’s found. Things take a turn when Todd collapses.

Debbie’s assigned an inmate to look after her in prison, but she’s not best pleased to discover it’s her former neighbour Lou. Later, Adam tells Carl that he hopes to use Debbie’s TIA to have her sentence reduced.

Sam finds out his essay was missing, and he realises Megan was behind it. Soon, he intently listens as Daniel discusses the misuse of ADHD medication for a study aid. Later in the week, Megan approaches Sam and tells him she’s concerned about his work and offers him extra help.

As for Daniel, he’s shocked when he meets the man, Colin, jailed for his attack only to realise he wasn’t his attacker after all. Ollie asks Lauren on a date, while Carla enlists Betsy’s help and asks her to get Lisa to come to the Chariot Square Hotel as she’s planning to surprise her. Finally, a clash between Ryan and Carl sees Ryan sacking him, and Carl, in a fit of rage, forms a sinister plan to set the hotel on fire.

EastEnders

Ravi meets Jack to give an update on his informant work, only to discover his new contact is Mark. But he’s in turmoil when Nugget suffers a seizure. Nugget is rushed to hospital where tests suggest he’s had an epileptic seizure.

Later, Mark is impressed by Ravi and he soon drops an admission, while there’s news from the hospital and Priya makes a discovery. Zoe comes face-to-face with Jake Moon, who has requested a prison visit. He explains that he and Chrissie have split over her revenge plan and begs for the truth about what happened at Christmas.

Kat encourages Jake to visit Alfie, with him believed dead for so many years. It leads to an emotional reunion. Soon Jake seeks out Phil, and he encourages Jake to lure Chrissie back to Walford. Callum is worried about Phil, while Billy asks Honey to beg for her job back, but Bea insists she should stand firm.

Soon Suki fires them both, while Bea lies to Vinny. Linda is worried that Ollie is being bullied again. Max offers to take Ollie and Annie to help Linda out and soon realises that Louie is the bully targeting Ollie.

As things escalate Max keeps it from Linda, only for the pair to grow closer. Linda moves in for a kiss, but will they reunite?

Hollyoaks

Sensing Rex is struggling with grief, Froggy plans to scatter Grace’s ashes with him. Before they set off, Ste proposes to Rex. Mercedes has chemistry with fellow rehab patient Jake, unaware it’s Jenson.

Meanwhile, Nikki advises Mercedes to work on her relationship with Warren. Prince apologises to John Paul for dragging him into a situation, but soon the pair are left panicking. Diane isn’t happy when Ro tells his family he’s decided he wants to be a mechanic.

Later, Ro arrives at the garage ready to start his new job, but Diane tells Ro that he has to go to university and that’s that. Gemma still has a soft spot for Warren, and Mercedes invites Warren to couples therapy, while she’s soon getting steamy with someone else.

Dodger is alarmed to find out who was behind the armed robbery. Elsewhere, Vicky comes up with an idea to buy the salon. When newcomer Miles finds Vicky and gives her his card, claiming he’s a talent scout, she’s unsure. At the Blakes, a guilty Tinhead has a confession to make to smitten Liberty.

Home and Away

Sonny tries to make sense of Leah’s accusation about Justin, and soon Remi is thrown. He lets Justin know what Leah’s been saying, and it’s clear is relationship with Leah is in real trouble.

Jo awkwardly admits she has plans, before walking off with Eddie, leaving Tane feeling discarded. Cash takes it upon himself to quiz David on Jo and Eddie, before he reveals all to Tane.

Lacey teases her sister Jo after a discovery, but soon she has questions. Soon, Jo debriefs with Lacey about the two men in her life, leading to some words of encouragement from Lacey. It’s Tane who’s left making a decision however. Also next week, Tane’s shocked and angered when he opens a letter from Harper’s solicitor outlining custody arrangements.

Home and Away is available to stream from 6am weekdays, with double bill episodes airing from 6pm on 5Star. Hollyoaks is available to stream on Channel 4’s streaming service now, while it also airs Mondays to Wednesdays on E4 at 7PM.

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer. Emmerdale airs weeknights at 8pm on ITV1 and ITVX.

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Time is running out to binge watch the addictive and highly rated series

Time is running out for Netflix fans to enjoy an ‘epic’ sci-fi adaptation.

The series was originally an exclusive on rival streamer Paramount+, with episodes released weekly beginning in 2022. That was until the live-action series based on the popular video game series Halo made its Netflix debut in March last year.

Finding a new home on the platform, it quickly surged up the charts of most watched titles among UK subscribers. However, it looks like the deal to bring the show over was only good for a year, as it is set to be removed a day before its 12 month anniversary.

The show, based on the much-loved Xbox-exclusive game franchise, follows super soldier Master Chief John-117 and his team of Spartans as they battle against the alien threat known as the Covenant.

Its first season scored a respectable 70% on Rotten Tomatoes, while the second series upped the ante with an impressive 90% rating. Pablo Schreiber, known for roles in Orange is the New Black, Den of Thieves and The Wire, took on the role of Master Chief.

Despite its eventual cancellation by Paramount, many viewers have expressed their admiration for the show. This includes many acknowledging the challenge of successfully adapting such a beloved series.

One fan, sharing their opinion online, posted: “The Halo show on Paramount+ is everything I could have hoped for and more. As a fan of the Halo series, I was thrilled by how they brought the universe to life.

“The visuals are stunning, capturing the gritty yet futuristic essence of the franchise. The action sequences are intense and cinematic, especially the battles with the Covenant, which felt ripped straight out of the games.”

Another added: “Epic! If you want action, violence and non stop battles, this is for you. Amazing cinematography. Brought to screen successfully, I’d say.”

They continued: “Heaps of effort and money went into producing this, obviously. Visually stunning. Whole cast excels in character very convincingly. If you are a Halo fan, this will keep you glued to the screen. Lots of twists and dilemmas to keep it gripping and interesting.”

However, its not just dedicated fans of the game series that have been able to enjoy the show. As one person claimed: “Production quality is outstanding, on par with Star Wars or Star Trek. I found the first season intelligent, enjoyable to watch and honestly, very addictive.”

While someone else suggested: “Pure fun, best sci fi since Expanse and The Mandalorian.” And one person commented: “Excellent! They have filmed and written the storyline perfectly and it has me hooked wanting more. Binge watched whole of season 1 in two days.”

Halo is streaming on Netflix until February 28 and on Paramount Plus.

A movie hailed as a ‘cinematic masterpiece’ by fans is now streaming on Prime Video

A period drama film, praised as a masterpiece by viewers who’ve been encouraging others to experience it, is now available on Prime Video.

This follows recent acclaim for other productions including a period crime drama, an adaptation from a “superb” author, and a programme dubbed Netflix’s greatest achievement, reports the Express.

One glowing 10/10 review of the picture stated: “One of the finest plays in history is turned into a cinematic masterpiece.”

The reviewer praised The Crucible for featuring an “absolutely brilliant and cathartically heartbreaking performance” from one of its leading actors. They continued, describing how the star “delivers one of the finest examples of acting genius I’ve ever had the privilege of experiencing”.

Another 8/10 assessment declared: “I am not someone to randomly give out a perfect score for a movie… And I also happen to be a very critical person of most films. With that being said, The Crucible completely blows me away with its virtually flawless cinematic achievements!”

One 9/10 critique called the picture “just fantastic” and rooted in “possibly the greatest play ever written”.

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A particular performance was labelled “outstanding”, whilst another cast member made an “indelible impression thanks to their “marvellous acting”. The critic concluded by calling the film a “work of cinematic genius”.Yet another viewer awarded maximum marks, writing: “Not just a dynamic character study, but a study of madness”. One enthusiastic 7/10 review praised the production as an “excellent adaptation”, adding: “There is nothing I like better than a good play for the stage, even when it is on screen. “.

Released in 1996, The Crucible draws from Arthur Miller’s acclaimed 1953 stage play of the same title.

Taking place during the Salem Witch Trials in Massachusetts Bay between 1692 and 1693, Miller crafted the work as a pointed commentary on the political persecution characteristic of McCarthyism in the mid-1950s.

The narrative centres on a community of Puritan settlers thrown into chaos following rumours of dark magic after local minister Samuel Parris (portrayed by Bruce Davison) discovers his daughter collapsed and unresponsive in the forest.

The incident follows her participation with several other young women in attempting to perform incantations alongside an enslaved woman.

As news of the events circulates, allegations of sorcery spread like wildfire throughout the settlement, prompting residents to turn against one another based on mere suspicion rather than proof.

The young women begin pointing fingers at fellow townspeople, resulting in numerous trials, including that of John Proctor (Daniel Day-Lewis), who previously engaged in an illicit relationship with Abigail Williams (Winona Ryder).

The production boasted a stellar ensemble, featuring Joan Allen, Paul Scofield, Peter Vaughn, Frances Conroy, and Jeffrey Jones amongst its ranks.

Upon its 1996 debut, the picture garnered multiple accolades, including a Best Actress recognition for Allen and a Best Adapted Screenplay acknowledgement for playwright Miller himself. Furthermore, the production earned nominations for BAFTAs, Golden Globes, Satellite Awards, and the Berlin Film Festival.

The Crucible (1996) is streaming on Prime Video and Apple TV for a fee now.

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