shell

IT nurtured some of our broadcasting greats, from Terry Wogan and Tony Blackburn to Chris Moyles and Zoe Ball.

But now staff at BBC Radio 1 fear the station is crumbling beyond recognition.

This week it was announced that long-standing duo Melvin Odoom and Rickie Haywood-Williams will be departing, while DJs Dean McCullough, Nat O’Leary, James Cusack and Swarzy are also on their way out.

Meanwhile, social media stars GK Barry and Charley Marlowe are set to come in as part of a shake-up.

And lesser-known DJs Mylo & Rosie, as well as Emil Franchi, have landed bigger slots.

Insiders say tensions at the flagship youth station reached fever pitch after the comings and goings were announced on Wednesday, with some staffers claiming they only learnt of the changes when the BBC press office made them public.

“To say the handling of this feels like an absolute mess is an understatement,” one told The Sun.

“Some producers had no idea their talent was leaving. One of Melvin and Rickie’s team wasn’t told about the changes until they saw the email.

“They’d been on the station for seven years. So to see them suddenly off out of the back door was really upsetting. The atmosphere was chaotic and some staff were absolutely shellshocked.”

The changes have been met with hostility from listeners, many of whom took to social media to vent their anger.

One Radio 1 listener wrote on Instagram: “This is so disappointing.

“Both GK Barry and Charley Marlowe are incredibly talented at their craft but it’s so discouraging to see BBC Radio 1 providing these opportunities to host to already established presenters when there are so many people looking to break into the industry.”

Another was not happy with “clearing out DJs for social media ‘stars’,” while a third added: “Why is R1 on a self-sabotage mission by bringing in a load of social media ‘stars’ and godawful local radio DJs?”

An emotional staffer told us that a meeting, which was said to have included long-standing radio producers, was called to discuss the changes after the announcements were made.

They explained: “There is a weekly meeting on a Wednesday at Radio 1, but this week they called a second meeting where people were invited to speak up.

“A fair few people put their hands up to raise concerns.

“The main bone of contention was why Radio 1 appeared keen to say goodbye to established broadcasters and replace them with YouTubers and TikTokers.

“Much of the blame is being laid at the door of the big boss, Aled Haydn Jones. Some of the staff are so unhappy.”

Aled was a DJ on Radio 1 between 2009 and 2015 before he succeeded Ben Cooper as head of the station in 2020.

Insiders say he prides himself on championing new talent and is behind the raft of influencers joining the line-up, including GK, who came fifth in 2024’s I’m A Celeb.

Her arrival, alongside social media sensation Charley, has allegedly more than ruffled feathers.

“These influencers are lovely but they’re not radio geeks like most of the DJs who work at Radio 1,” one staffer explained.

“Working at Radio 1 is the dream job for any budding broadcaster who has put in the hard yards on student radio or local stations.

“It was held up as the pinnacle by so many people.

“But now it’s being eroded by this desperation to bring in ‘new’ talent that they think will bring in a new audience.

“The producers who work on these shows are so upset at what is happening.

“A couple have already decided to walk away. And it won’t be long before others start jumping ship.”

Another staffer added: “Aled seems to think social media is going to save Radio 1, but where’s the proof?

“Audience figures are down and they think the way to save it is by plugging the gap with people who are popular on the internet.

“That’s all well and good, but will their millions of followers start tuning into Radio 1 just to listen to them? It’s doubtful.

“Their fans already have access to their content at the touch of a button and that is a daily habit.

“Making them carve out a new habit of listening to them every day is incredibly difficult.”

Launched in 1967, Radio 1 was born out of the need to compete with the rise of pirate radio stations which had become hugely popular.

Legendary broadcaster Tony Blackburn was the first DJ to broadcast on the new station.

It grew into a juggernaut of the airwaves, commanding audiences of ten million for some shows and making huge stars out of presenters including Chris Evans, Simon Mayo and Sara Cox.

But as listening habits change, audiences across the BBC and commercial stations are decreasing.

Figures at the start of this year confirmed that the weekly audience reach across BBC radio stations is in steady decline.

In the final quarter of 2025, Radio 1’s weekly audience reach dropped by six per cent compared to the same period last year.

But bosses were keen to stress that their target market of 15 to 29-year-olds was consuming Radio 1 in different ways.

In that same final quarter, the station boasted more than 329million views on social media and Radio 1’s YouTube videos have had more than 6.1billion views.

But one BBC employee said: “It’s not just young people that listen to Radio 1.

“There is a decent percentage of listeners that are older.

“They have stuck with the station since they were young and they tune in to listen to DJs they have known and loved for years. Putting some influencers in their places, regardless of how well known they are, won’t translate as well.

“Many people working at Radio 1 think Aled is making a mistake if he carries on in this vein.”

The remaining jewel in the Radio 1 crown is Breakfast Show host Greg James.

Greg, 40, took over the coveted role from Nick Grimshaw in 2018 and pulls in more than four million listeners, making it the No1 Breakfast Show for young people across the country. But a well-placed insider revealed that BBC Radio 2 — the nation’s biggest station — was keen to bring him on board.

“Greg had meetings with Radio 2 and they were testing the water in a bid to poach him,” a source claimed.

“When Scott Mills left Radio 2’s Breakfast Show and Sara Cox took over, there was a lot of talk at Broadcasting House about whether Greg would make the move. But he’s definitely staying on board at Radio 1 for now.

“To lose Greg would have been horrendous because he is such a figurehead at Radio 1.

“Thankfully, he’s remaining in place.”

The Sun understands some staffers are now considering jumping ship with the departing talent.

And the blame is being solely laid at Aled’s door.

“Aled has been massacring the schedules and the method isn’t working,” one staffer said.

“The feeling is that he is ruining Radio 1 and it is heartbreaking.

“It feels like the craft of making radio isn’t being respected and the people behind the scenes who craft this magic for the audience aren’t being treated with the respect they deserve. Radio 1 used to be the best station to work at, with the most talented pool of people and the most incredible presenters.

“It’s like a shadow of what it once was.”

A BBC spokesman said: “Radio 1 is proud to be the number one station for young audiences and has a strong track record of supporting and developing young and emerging radio talent, with a huge majority of presenters having come through the station’s own initiatives and opportunities.

“Alongside Radio 1’s commitment to nurturing new voices, there will always be a home for DJs with specialist music knowledge and talent from a diverse range of backgrounds who we know resonate with our young audience.”

The inability of a munitions plant in Mesquite, Texas, to build a key part set back the U.S. Army’s plans for ramping up production of 155mm shells to 100,000 rounds per month, according to a scathing new report by the War Department’s Office of Inspector General (DOWIG). Despite receiving close to $500 million from the U.S. Army funded through supplemental spending bills from Fiscal Years 2022 and 2023, General Dynamics Ordnance and Tactical Systems (GD-OTS), failed to make a single subcomponent needed to produce the badly needed shells as of last March.

“Without the 30,000 additional projectile metal parts anticipated from the Mesquite facility, the Army will be unable to reach its monthly capability goal of 100,000 155-mm artillery rounds,” the report concluded. “As of March 2026, the CPE A&E [Capability Program Executive Ammunition & Energetics] officials have not developed a plan to produce the additional rounds that are supposed to be produced at the Mesquite facility.”

At present, the Army is only producing 36,000 rounds per month, inspectors revealed.

Through modernization efforts and two new facilities, the Army expects to exceed the 100,000-round-per-month goal significantly by the end of next year. The initial goal was established by Congress in the wake of the U.S. providing millions of rounds to Ukraine.

Still, the report highlights the challenges U.S. arms makers face in trying to meet tighter timelines to produce more weapons. This all comes as the U.S. is increasingly concerned about stockpiles of a wide array of munitions after heavy usage in past and current conflicts and donations to partners like Ukraine, as well as foreign military sales. These are issues that we raised long before and during the current war with Iran, but they have become major headlines in the aftermath of the initial stages of that conflict.

The plant at the center of this new report is the Universal Artillery Projectile Line owned and operated by General Dynamics Ordnance and Tactical Systems. It opened in May 2024 to great fanfare and high hopes.

According to the IG report, more than three million 155mm shells were donated to Ukraine, more than 111,000 rounds were used over the past four years on training and testing, and nearly 218,000 rounds were sold to foreign customers. Combined, U.S. stocks were depleted by more than 3.6 million rounds since the start of the war in Ukraine.

The Mesquite plant was opened to help replenish the supply. However, according to DOWIG, it failed to live up to expectations.

“The DoW increased its capability and capacity to produce 155-mm artillery ammunition but did not reach the 2025 National Defense Industrialization Strategy Implementation Plan goal of 100,000 rounds per month by October 2025,” the DOWIG report pointed out.

As of March 2026, “the Army had increased its monthly production from 14,000 to 36,000 rounds because of expansion and modernization efforts at both the projectile metal parts and the load, assemble, and pack facilities,” the IG report noted. “However, at a contractor-owned, contractor-operated facility in Mesquite, Texas, the contractor has been unable to produce any projectile metal parts that meet contract specifications.”

According to an Army news release about the plant opening, it was built to “feature high-volume production capabilities for large-caliber metal parts and is equipped with long-stroke, high-tonnage forging capabilities.”

“The facility’s 155mm metal parts production lines also meet Army modernization goals by incorporating high levels of automation, modern manufacturing practices, and digital-data-capture ability. It will offer the flexibility to produce a variety of metal parts ranging from 60mm to 155mm, with minimal changeover requirements,” the Army added.

The Army “planned for the Mesquite Texas facility to produce 30,000 rounds per month,” the report added. “With only three facilities producing the required projectile metal parts, the DoW will reach only 71,000 rounds per month, or 71 percent of its monthly production capacity goal for 155-mm artillery rounds.”

We’ve reached out to General Dynamics and the Army for comment and will update this story should the company respond.

The main issue inspectors found was that the plant adapted equipment used to make parts for M107 155mm shells to produce parts for M795 155‑mm shells. The latter is an upgraded version of the munition that is slightly heavier and longer, and has an extended range.

As a result of this adaptation, several factors came into play, according to DOWIG. Army officials knew that the concept of trying to produce the more advanced 155mm shells using equipment not designed for that was risky. However, officials felt that would pay off because that machinery was already available. In addition, the report stated that the existing Scranton plant’s past work with GD-OTS on ammunition production was a factor in deciding to take a chance on what turned out to be a flawed assumption.

The report states, in part:

• According to the Army’s CPE A&E, “ACC issued the contract and CPE A&E accepted the risk associated with the contractor’s plan to purchase and adapt M107 metal part production equipment to produce a newer variant of the 155-mm projectile metal parts at different specifications.”
• “According to CPE A&E officials, the Mesquite facility was a high-risk, high-reward opportunity, and CPE A&E is realizing some of that risk now because the facility has been unable to produce acceptable rounds.”
• “CPE A&E accepted the contractor’s proposal to acquire and adapt unique production equipment and an unproven production process because equipment was already available. According to the CPE A&E official, obtaining and adapting the available production line equipment was expected to be faster than obtaining new M795 production line equipment.”

• “The contractor has been working since the original contract task order was issued in November 2022 to produce the contracted 155-mm projectile metal parts. However, according to CPE A&E officials, acquiring the equipment and adapting it to produce M795 155-mm projectile metal parts resulted in significant challenges.” The report redacted specific examples.
• “In addition, according to CPE A&E officials, CPE A&E recommended the contractor for the Mesquite facility because the contractor has 20 years of experience producing 155-mm projectile metal parts at the Scranton Army Ammunition Plant.”
• “Scranton Army Ammunition Plant officials stated that despite the contractor’s years of experience, the Scranton facility encountered separate ongoing problems with the contractor in terms of responsiveness, equipment maintenance, and timeliness.”
• “Those officials expressed concern to the evaluation team that ACC did not open the contract for the Mesquite facility to competition from other contractors.”
• “In addition, according to ACC officials, the contract for the Mesquite facility was issued as a task order under the property management contract for the Scranton Ammunition facility and not as a separate contract.”

The Army did not dispute that the Mesquite factory was not producing the needed parts.

“The Capability Program Executive Ammunition & Energetics will correct issues identified in this report, and develop and implement a corrective action plan,” CPE A&E responded.

The “United States Army concurs with the report as written,” the Assistant Secretary of the Army, Acquisition, Logistics and Technology stated.

Army Contracting Command (ACC), however, took issue with how the relationship between the Scranton and Mesquite plants was characterized. In its response, ACC stated that no one reached out to them to question GD-OTS’s plan and that it had received sign off from higher authorities to execute the contract without Congressional approval. Moreover, ACC added that it did not need to open up competition for the new plant.

The ACC response says:

• “It is unclear what parties or organization are being referred to by ‘SCAAP officials,’ so it cannot confirm the accuracy of this information, however, ACC-RI would like to clarify that at no point did anyone question or raise concerns to ACC in terms of the acquisition strategy to award this effort to the contractor under the existing Scranton facility effort. Further, ACC-RI did document the contract file with a Determination of Contractor Responsibility in accordance with FAR 9.104 prior to award of these task orders.”
• “ACC-RI received concurrence and approval on the acquisition strategy to execute these efforts on a sole source basis under W52P1J-19-D-0075 from the requiring activity, the Deputy Assistant Secretary of the Army-Procurement, and the Office of General Counsel, with notification provided to Congress prior to execution.”
• “ACC-RI would like to clarify that while some might refer to W52P1J-19-D-0075 as the ‘Property Management contract for the Scranton Ammunition facility,’ the scope of the contract states that it covers operation, maintenance, and modernization; includes Production Based Support projects; and doesn’t require active operation at Scranton.” 
• “The contract states that ‘The Property Management of SCAAP can be accomplished either through active operation of the Government-Owned, Contractor-Operated facility or layaway maintenance’ and allows the contractor to operate the contract at a privately-owned facility. As such, ACC-RI already determined it in scope to execute the Universal Artillery Projectile Line requirement as separate task orders under W52P1J-19-D-0075 and documented such in-scope determinations in memorandums within the contract file.”

Problems with the plant were emerging even before the DOWIG released its report.

In February, Brent Ingraham, Assistant Secretary of the Army for Acquisition, Logistics, and Technology, complained to lawmakers about the inability of the plant to produce needed parts.

“First, let me start by saying I’m not happy with where we are at Mesquite either, right?” he testified. “So I’m in the same boat you are.” 

The Army was considering scrapping GD-OTS’s contract to manage the production lines in Mesquite, but Ingraham said the service ultimately did not go through with it, according to Breaking Defense. The Army is still in negotiations with the company, he said at the time.

“I anticipate you will see an investment from the company themselves, from the industry partner themselves, to ensure they can continue to build out that facility that would make rounds that would primarily be supported by the [foreign military sales],” Ingraham said. “But we are currently in negotiation [on] what that looks like, both from a line perspective, a quantity perspective, and hopefully we’ll have that wrapped up soon.”

A month ago, General Dynamics announced it would “invest $200 million of its own money and unwind a partnership with Turkish defense contractor Repkon in a bid to finally start producing 155mm artillery shells at a Texas plant that’s been beset by delays,” Bloomberg News reported, citing people familiar with the matter.

The factory “has joined a long list of US defense programs that have failed to meet the lofty goals set out for them,” the publication added.

Munitions manufacturing equipment provided by Repkon “had failed to meet required standards and will be replaced by hardware and management from Deterrence Defense, a privately-held company based in Fremont, Calif.,” Bloomberg added. “General Dynamics and the US Army ‘have reached an agreement on a path forward, which includes additional investment,’ the company said in a statement without disclosing the amount.”

As we noted earlier in this piece, despite the problems at the Mesquite plant, the Army projects that it will turn things around by next year.

“According to Army officials, the Army did not reach its goal for increased capability and capacity to load, assemble, and pack 155-mm artillery ammunition,” investigators found. “However, through the modernization of the Iowa Army Ammunition Plant and the addition of two new facilities in Kansas and Arkansas, the Army is on track to increase its capability and capacity to load, assemble, and pack 140,000 155-mm artillery rounds per month by December 2027. This exceeds the NDIS Implementation Plan goal by 40,000 rounds per month.”

Still, that’s more than a year away and, as we noted earlier in this story, about 14 months later than the Army was expecting to receive these shells. Whether it can meet these revised goals remains to be seen.

Contact the author: howard@twz.com

MADONNA is being lined up to make a superstar appearance at London Pride on Saturday.

She has long been a celebrated figure in the LGBTQ+ community, and kicked off Pride Month with a surprise showing in New York last month.

London Pride, which is expecting 1.8million people, will take place at locations across the centre of the capital, with acts including Beth Ditto and MNEK booked to play the main stage in Trafalgar Square.

And my music moles have told me that is where they are expecting Madge to pop up.

My insider explained: “Madonna is a passionate advocate for LGBTQ+ rights and has been a very vocal campaigner for decades.

“Pride means so much to her and the London event happens the day after Confessions II is released.

MUM MODE

Madonna speaks out on ‘rift’ with ‘standoffish’ daughter Lourdes Leon

AT LONG GLAST!

Madonna, 67, gives huge hint she’ll FINALLY perform at Glastonbury

“Organisers are playing it by ear in case of any last-minute changes but as it stands, Madonna is primed to come out on the main stage.

“She isn’t going to be performing like she did in New York. It’s more her coming out, speaking to the crowd and then heading off.

“They’re expecting absolute pandemonium if they pull it off.

“But it would be incredible for everyone going to the Pride event in London.”

Madge’s surprise 20-minute set in the Big Apple just weeks ago went down a storm with the crowds, who watched her sing Get Together live for the first time in two decades.

And fans don’t have long to wait until they can hear Confessions II, her latest album with producer Stuart Price.

Madonna has signed a huge new deal with TikTok, with the app streaming tracks from the record live tomorrow night from her VIP album launch party.

The hour-long broadcast will also see Madonna being interviewed about the making of the record, as well as playing a handful of her favourite songs from Confessions II.

It’s a big move for Madonna, after she revealed this week that she can’t stand social media, branding it “mesmerising and also soul-destroying”.

She told Vogue Italia: “Algorithms and artificial intelligence are the opposite of taking risks and to me that is the opposite of making art.”

Anything for us fans eh, Madge?

NICOLE’S PUSSYHAT DOLL

NICOLE SCHERZINGER is brimming with happiness in this sunhat as she celebrates her 48th birthday.

The Pussycat Dolls singer posed for a selfie at the beach on Monday.

Nicole is with her British fiancé Thom Evans in Hawaii, where she was born.

She said: “Last day at this age and she was feeling cute at sunset, back home at her fave beach.”

Nicole will begin rehearsals later this summer for the Pussycat Dolls reunion tour. UK arena shows start on September 29 in Birmingham.

BAD BUNNY COURTS OLD FLAME AT WIMBLEDON

BAD BUNNY has hopped back into his ex’s good books.

He has rekindled his romance with jewellery designer Gabriela Berlingeri, who was with him before fame arrived.

The Puerto Rican rapper played to more than 100,000 fans during two sell-out shows at London’s Tottenham Hotspur Stadium at the weekend.

There in support was Gabriela, who has quietly been accompanying him on tour.

She was also by his side at Wimbledon on Monday.

They met in 2017 and dated until 2022. She even appeared as a bride in the video to his 2022 single Titi Me Pregunto.

But he later got together with Kendall Jenner and they dated for 18 months.

Bad Bunny has had quite the glow-up in the past few years and he’s become one of the most-streamed acts in the world.

I’m sure Gabriela will now be the envy of millions.

BRITISH girl group Flo have found a superfan in K-Pop sensation Taemin.

Jorja Douglas, Stella Quaresma and Renee Downer met Taemin backstage at BST Hyde Park where they played on Sunday, after he requested an audience with them.

A source said: “Taemin absolutely loves FLO and thinks they’re brilliant. They talked about working on a collaboration together, which made Taemin’s day.

“They were laughing and joking around for ages before the girls offered to teach him the dance routine to their song, Leak It.”

LILY’S SITTING PRETTY

SULTRY Lily Allen actually has plenty to smile about despite her very public divorce from Stranger Things actor David Harbour.

The singer and actress wore satin lingerie and tiny black shorts when she brought her West End Girl tour to London’s O2 Arena at the weekend – and will return to the capital next week for a third gig at the venue.

Despite looking moody while sitting in a chair on stage, Lily found her smile again as she clutched a bouquet of flowers.

Lily has spent much of the year on the road and was back on stage in Dublin last night.

After a summer of festivals, she will fly to North America in September to play arenas there.

It’s clear Lily is chuffed with the show she has created, which sees her perform her West End Girl album in full.

She wrote on X: “Everyone on this tour is really working very hard to give people the best show we possibly can, and I’m extremely proud of it.”

SAM: I’M HOOKED ON FISH

SAM SMITH has revealed a yearning to be a fishmonger.

The Promises singer told the Dish from Waitrose podcast: “I’m still gutted I’m not a fishmonger. Honestly, I’m not just saying this.

“I was lucky as a kid. We used to go to Waitrose a lot – and the fish section, I just loved. I just like to handle fish. I don’t know, it felt very calming.”

Earlier this year I told that Sam had launched a TikTok account called Sam Served, which documents favourite meals.

And it’s all part of a ploy to get closer to the fish counter.

Sam said: “I was in San Francisco on tour and I was bored, so,I filmed myself eating and it’s just reignited the fishmonger in me.”

I’VE got a sneaky suspicion there may soon be a song featuring pop girls Zara Larsson and Jade Thirlwall.

The pair secretly had a studio session in Paris last week, after the Solidays Festival, where they were both set to perform, was cancelled due to bad weather. I have high hopes for whatever it is they come up with.

BOWIE TREASURE ON TOUR

DAVID BOWIE fans are in for a treat as the V&A Museum has announced today that his incredible archive of outfits, handwritten lyrics and photographs are going on tour for the first time.

David Bowie: On Tour opens at V&A Dundee in November, before heading to Blackpool, County Durham, Hull and Bristol, with more locations to follow.

The collection on Bowie features never-before-seen items including Polaroids for his make-up and costume fittings, a Ziggy Stardust-era acoustic guitar, unreleased projects, lyrics, performance notes and costumes from the singer’s final albums The Next Day and Blackstar.

WILL’S BRIEFS ENCOUNTER

SEEING Will Ferrell playing golf in his underpants wasn’t on my wish list.

But Kim Kardashian signed the actor to model her Skims men’s undies – and it has certainly got us all talking.

Will appears in blue briefs for the new ad campaign, though he was in character as golfer Lonnie Hawkins from his new Netflix comedy series, The Hawk, out July 16.

Kim said of Will: “His body says retired, his Skims say one more round. Built for men who still know they’ve got it.”

If you say so, Kim.

SHAGGY IS THE RIO DEAL

THEY say never meet your heroes, but Shaggy has spent a lifetime doing exactly that.

He has no shortage of famous fans and everyone from Nelson Mandela to Michael Jackson has sung his praises.

In a chat with showbiz reporter Freya Fraser at Rock In Rio Lisboa festival in Portugal, he said of meeting the former South African president: “We were at an award show in South Africa and we’re at the same table.

“He just kind of says, ‘You’re doing really great stuff’.

“We had a great conversation. I’ve met a lot of other people. Michael Jackson was also a super-big Shaggy fan.

“That’s documented on YouTube, everybody sees that. I have actually performed twice for Pope Francis. Queen Elizabeth, we performed for her Jubilee. I met all my heroes, to be honest with you.”

Shaggy is not modest when it comes to his achievements, and he is pretty flashy with his lifestyle too, even if he reckons he isn’t.

He said: “I’m a very practical person, so I’m not buying cars I don’t drive because I’m always on tour. I never drive anywhere, somebody’s always driving me around.

“I’m not buying homes I don’t live in. I have two homes. I’m not buying five of them, you know, I’ll rent them when I need them.”

But he is humble when it comes to his career, which has seen 16 Top 40 hits including four No1s.

He said: “I’m not a genius, God gave me those. If I wrote them, I’d be writing one every week.”

CAUGHT LIVE

Central Cee @ Rock In Rio Lisboa

★★★★☆

CENTRAL CEE ticked Lisbon off his bucket list as he took over the World Stage at Rock In Rio Lisboa before headliner 21 Savage.

On what was the most rap-focused line-up in the festival’s 22-year history, the Londoner tore through a mammoth 21-track set, including Loading, Doja, and Band4Band.

Cench proved he is an international star as thousands of Portuguese fans rapped every word back to him.

The atmosphere could not have been more different from the night before, when Sir Rod Stewart, Cyndi Lauper and Joss Stone had fans swaying along to their anthems.

Staying true to his nonchalant persona, Central Cee – real name Oakley Neil Caesar-Su – asked: “We’re not in a rush, are we?”

And as he worked the crowd and whizzed through high-profile collaborations such as Did It First with Ice Spice and Dave’s Sprinter, I was getting treated like an A-lister.

Rock In Rio Lisboa pulled out all the stops for its guests, with one of the biggest hospitality areas I have ever seen.

The UK may have provided a lot of the talent on this occasion, but we could learn a thing or two from Portugal’s festival scene.

FREYA FRASER