Shakespeare

“The Merry Wives of Windsor Cove,” a musical adaptation of Shakespeare’s “The Merry Wives of Windsor” at UC Irvine’s New Swan Shakespeare Festival, relocates the comedy to a Southern California beach town in the 1950s. The surf’s up, a chocolate-covered-banana stand is hopping and a washed-up Elvis-like rock star named Johnny Falstaff is trailing chaos.

Those merry wives aren’t actually all that merry about the state of their marriages. Margaret Page (Sonya Cooke) has lost all patience with her grinning, gadabout husband, George (Evan Lugo), who floats through life as though it were as lighthearted an affair as “Beach Blanket Bingo.” Margaret’s best friend, Alice Ford (Sarah Hentges), has more serious problems with her jealous husband, Frank (Abel Garcia), who suspects infidelity whenever she leaves the house.

When Falstaff (Wyn Moreno), motivated by avarice and a mania for cuckolding, comes a-wooing, sending identical letters to Margaret and Alice, the wives grow merrier as they set a trap for their shameless suitor, whose uncontrolled appetites make him an easy mark.

Margaret and Alice are the forerunners of Lucy and Ethel, and Shakespeare’s comedy, written expressly to entertain, gives us a sense of what an Elizabethan-era situation comedy might look like. The Falstaff of Shakespeare’s “The Merry Wives of Windsor” is not the complex figure of the “Henry IV” plays. (The late scholar Harold Bloom, a Falstaff fanboy, called this version of the character “pseudo-Falstaff, “ and considered “Merry Wives” to be, along with “The Two Gentlemen of Verona,” Shakespeare’s “slightest” comedies.)

Sonya Cooke (Margaret Page) and Sarah Hentges (Alice Ford) in “The Merry Wives of Windsor Cove.”

(Jesus Lopez Vargas)

Revivals of “Merry Wives” are not all that frequent. I’ve seen Verdi’s “Falstaff,” which heavily relies on Shakespeare’s plot for the opera, more times than I’ve seen the play. But Margaret and Alice’s quick-witted machinations provide the basis for a merry outing at the theater.

When the possessive and paranoid Frank Ford runs into Margaret as she’s scurrying to meet his wife, Alice, he pointedly remarks, “I think, if your husbands were dead, you two would marry.” To which she replies in savvy screwball fashion worthy of Carole Lombard: “Be sure of that — two other husbands.”

I have a soft spot for “The Merry Wives of Windsor.” The refreshing sight of the women teaming up against Falstaff never fails to amuse. And I appreciate the frank and forgiving light the play sheds on long-term marriage.

But swaths of the comedy are antiquated. And the language has a dashed off quality in places, suggesting there’s some truth to the legend that Shakespeare wrote the play at the request of Queen Elizabeth, who was said to be so charmed by Falstaff that she wanted a sequel depicting Sir John in love.

Falstaff isn’t exactly in love in Shakespeare’s comedy. And he definitely isn’t motivated by pure romance in this adaptation, written by New Swan founding artistic and producing director Eli Simon and Anna Fitzgerald, with music by Zachary Dietz. As in all things, Falstaff is led by his belly, a gargantuan metaphor for his gluttonous nature.

Megan January (Nym), Wyn Moreno (Johnny Falstaff) and Sam Schneider (Pistol) in “The Merry Wives of Windsor Cove.”

(Jesus Lopez Vargas)

The pastiche score, indebted to the pop charts of the 1950s, isn’t allowed to dominate. As modern musicals go, this is a low-key affair. The comedy is still the thing in this frolicsome outdoor production, which takes place in the charming ambiance of the festival’s portable, mini-Elizabethan venue.

The cast is principally composed of UC Irvine students, past and present, with a few guest artists in the mix. Under Simon’s direction, the presentation is smooth and professional, though the ensemble reflects different levels of experience.

My general note is particular to the genre: Comedy works best when exaggeration arises the way it does in nature, as a fact of personality rather than as a calculated theatrical effect.

Certain members of the cast push the humor a little too vociferously. How much funnier Shakespeare’s motley crew can be when we’re allowed to discover the variety of eccentricity and ludicrousness on display for ourselves.

Falstaff’s girth is worked into the comic mayhem, but the character should be more than a sight gag. Moreno tries to preserve a measure of dignity while wearing a jumpsuit from Elvis’ Las Vegas era. But the sight gag nature of the characterization is overworked.

Garcia’s Ford seems not just jealous but borderline apoplectic. (Garcia is more nuanced when Ford is operating in disguise to suss out Falstaff’s true intentions.) As Doctor Cayo, one of the risible suitors for Anne Page (Marilyn Alonzo), Heriberto Cruz Jr. delivers a flailing, full-body performance that practically holds the audience hostage for laughs.

Evan Lugo (George Page), top left, Sonya Cooke (Margaret Page), top right, Zane Caputo (Abraham Slender), from bottom left, Zach Trent (Skateboard Fenton) and Heriberto Cruz Jr. (Doctor Cayo) in “The Merry Wives of Windsor Cove.”

(Elijah Waller)

Robert Shallow (Greg Ungar) does what he can to promote Abraham Slender (Zane Caputo, appropriately zoned out), his socially inept nephew, as a prospective husband for Anne. But neither gentleman is what anyone would call efficacious. In truth, both performers seem more at home as members of the Banana Splits Band, the quirky onstage combo that ushers in the show’s retro beat.

In a nicely balanced performance, Alejandra Villanueva’s Mistress Quickly, the play’s go-between and overseer of mischief, embodies the free and easy spirit of Simon’s production. Lugo’s George has a simple affability that’s infectious. And Alonzo’s Anne and Zach Trent’s Skateboard Fenton, the young lovers swerving around parental obstacles, are a delightful throwback to those gaga California kids from the age of “Gidget.”

Cooke’s Margaret and Hentges’ Alice remain, as they should, defiantly in charge. The adaptation delves more into their marital melancholy, but I felt I understood them better in Shakespeare’s original, which recognizes the power of suggestion and interpretive restraint.

Yet “The Merry Wives of Windsor Cove” succeeds in extending a warm communal embrace to its audience, which is the ultimate aim of this mischievous and kind-hearted comedy.

Just 16 miles north of the California border, enchanting Ashland, Ore., has drawn theater fans for more than 90 years. The city owes its modern tourism economy in large part to William Shakespeare.

The Oregon Shakespeare Festival runs from spring to fall annually, attracting many of the 350,000 annual visitors to the city of 21,000 residents. Locals and travelers gather to watch live productions in venues like the Allen Elizabethan Theatre — modeled after a 1599 London playhouse, with a three-story Tudor facade — where for one magical evening, they’re transported to Shakespeare’s heyday.

While it’s hard to escape the Bard’s reach in the downtown core, Ashland and environs offer much more than theater. Its outdoor wonderland especially is well worth exploring. Or as Shakespeare once put it: “One touch of nature makes the whole world kin.”

Within a short drive await wineries, hiking, cycling and white-water rafting on the magnificent Rogue River. Crater Lake National Park is about a two-hour drive, and the destruction of dams on the Klamath River reopened scenic rafting there last year for the first time in more than a century. As a designated Tree City USA community, Ashland is steeped in greenery. Parks abound. Lovely Ashland Creek meanders through the town.

Founded as a farm town in the 1850s, Ashland incorporated as a city in 1885 after rapid growth fueled by the railroad’s arrival. Many buildings in the downtown historic district date to the turn of the 20th century. Today, Ashland is home to a variety of shops — a couple of favorites include Bloomsbury Books with its ecology rack right out front and Mountain Provisions for high-quality outdoor gear. And with more than 100 restaurants, Ashland’s food and beverage scene runs the gamut from casual (try the porkstrami at Sammich) to inventive (check out the unique Alsatian menu at Nous).

These days, a cautious optimism prevails throughout Ashland, which had been hit hard by the pandemic and simultaneous wildfires. At downtown’s Village Baker, the scent of baking bread hints at the 1,400 loaves produced daily. They start at 4 a.m. and deliver for miles around. That broad reach, co-owner Gerardo Gutierrez says, has helped them weather challenging times.

“We’re coming back from the ashes,” he said.

Anna Maxwell Martin takes on an intimidating new role that’s miles away from Motherland in this gripping Apple TV drama

The new Cold War thriller features some very recognisable names.

Apple TV’s highly anticipated For All Mankind spin-off Star City is finally here and has received rave reviews across the board.

Taking viewers back to the 1970s in this alternate version of history in which the Soviet Union won the space-race, the series picks up with the Russian politicians, engineers, cosmonauts, and KGB agents overseeing more missions to the Moon.

While the USSR is still basking in the victory of becoming the first nation to put a man on the Moon in 1969, tensions are running high as the threat of the US still looms large during the Cold War.

The series begins today (Friday, 29th May) with six more episodes coming each Friday until a riveting finale on 10th July.

But who is in the cast of Star City? From a major sitcom star to actors from some of the most acclaimed dramas of the past few years, let’s take a closer look at where you’ve seen them before.

Star City’s main cast

Rhys Ifans – Chief Designer

Welsh film and TV icon Rhys Ifans portrays the secretive figure at the head of the Star City program, known only as the chief designer.

You’ll have seen him recently as Otto Hightower in House of the Dragon, HBO’s popular Game of Thrones spin-off, as well as portraying Xenophilius Lovegood in the Harry Potter franchise and as Curt Connors/The Lizard in The Amazing Spider-Man, a role he reprised in Spider-Man: No Way Home.

His performance as comedy legend Peter Cook in Channel 4’s Not Only But Always won him a BAFTA TV award, and he is also well-known for his role as Spike in Notting Hill opposite Hugh Grant.

Anna Maxwell Martin – Lyudmilla Raskova

Anna Maxwell Martin plays the head of Star City’s KGB surveillance department, Lyudmilla Raskova, in a performance the Guardian has described as “terrifying”.

Martin has appeared in a huge range of popular British dramas, including Line of Duty, Ludwig, and ITV’s Until I Kill You, which won her an International Emmy Award.

She has also won BAFTA TV Awards for her roles in Bleak House and Poppy Shakespeare and is well-known among comedy fans for playing Julia Johnstone in the hit BBC sitcom Motherland.

Agnes O’Casey – Irina Morozova

Irina Morozova, a recent KGB recruit at Star City, is portrayed by English and Irish actress Agnes O’Casey.

O’Casey has landed supporting roles in major dramas in the 2020s, including Dangerous Liaisons, Wolf Hall: The Mirror and the Light, and Netflix’s Black Doves.

On the big screen she has appeared in Small Things Like These with Cillian Murphy and in The Miracle Club, Dame Maggie Smith’s final film.

Alice Englert – Anastasia Belikova

Anastasia Belikova is an untested female cosmonaut in the Soviet space program and portrayed by Australian actress Alice Englert.

Previously best known for her film roles, she has appeared in Ginger & Rosa with Elle Fanning, Beautiful Creatures with Alden Ehrenreich, and Netflix’s The Power of the Dog with Benedict Cumberbatch, which was directed by her mother Jane Campion.

Englert also appeared with O’Casey in Dangerous Liaisons, as well as BBC’s The Serpent and Jonathan Strange & Mr Norrell, and made her directorial debut with the 2023 film Bad Behaviour starring Jennifer Connelly.

Solly McLeod – Sasha Polivanov

Sasha Polivanov is described as “a reckless cosmonaut who has yet to live up to his potential” and is portrayed by Solly McLeod.

McLeod is a British actor known for playing the title role in ITV’s adaptation of Tom Jones, and has also played Ser Joffrey Lonmouth in two episode of House of the Dragon with Star City co-star Ifans.

He is also set to appear in the major upcoming films Practical Magic 2 and Anxious People, adapted from the bestselling novel by Fredrik Backman.

Adam Nagaitis – Valya Mironov

In contrast to Sasha, Valya is a respected cosmonaut in the Star City program brought to life by British actor Adam Nagaitis. Nagaitis previously portrayed a Russian firefighter in HBO’s acclaimed miniseries Chernobyl.

He has also appeared in the film The Last Duel with Matt Damon and Adam Driver, as well as TV series The Responder, The Agency and A Thousand Blows.

Ruby Ashbourne Serkis – Tanya Mironova

Ruby Ashbourne Serkis is the actress daughter of The Lord of the Rings star Andy Serkis and will be portraying Tanya, the wife of one of Star City’s cosmonauts.

She has previously appeared in TV series Shardlake and I, Jack Wright, as well as two recent Cillian Murphy films; Netflix’s Steve and the Peaky Blinders movie, The Immortal Man.

Josef Davies – Sergei Nikulov

Josef Davies portrays Sergei Nikulov, a young engineering prodigy working at Soviet Ground Control. Davies is best known as Sören in Young Wallander and he has also appeared in Andor, Grace, and Agatha Christie’s Seven Dials, as well as the hit WWI film 1917.

Supporting cast and guest stars

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Star City also features an extensive cast of supporting stars. They include:

• David Dencik (The Assassin) as Maxim Tarasov
• Eliot Salt (Rivals) as Vika Yegorova
• Ellie Piercy as Galina
• Robin Berry as Rem Balabanov
• Chris Leaney as Viktor
• Eadie Johnson as Zoya Morozova
• Aurelijus Pocius as Zhenya

There are also some major names and rising stars making guest appearances throughout the first season. They include:

• Niamh Algar (The Iris Affair) as Yana Akhmatova
• Jenny Walser (Heartstopper) as Leonova
• Sam Strike (Outer Range) as Pavel Fetisov
• Ian Drysdale as Doctor Borovsky
• Sam Wilkinson as Alexei Leonov
• Neringa Bulotaité as Natalia Ivanovna
• Sean Gilder as Vladimir Belikov
• Jamie de Courcey as Stanislav Kalinsky
• Fadily Camara as Celine
• Michael James as Galytzin
• Šarūnas Datenis as Arkady
• Priya Kansara (Bridgerton) as Lakshmi, a gifted scientist

Star City continues Fridays on Apple TV.

STAR Wars legend Michael Pennington has died aged 82.

The veteran stage and screen actor, who is best known for his role as Moff Jerjerrod in Return of the Jedi, is thought to have passed away, according to The Telegraph.

The cause of death is currently unknown.

Pennington’s other film credits include as Laertes in Hamlet (1969), alongside Anthony Hopkins, and as former Labour Party leader Michael Foot in The Iron Lady (2011), alongside Meryl Streep.

He also appeared in TV shows The Bill, The Tudors and Father Brown, as well as TV movie The Return of Sherlock Holmes.

His agent Lesley Duff told The Sun he had been living at Denville Hall, a care home for retired actors, in his later years.

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His good friend and fellow screen veteran Miriam Margolyes confirmed news of his passing in a post uploaded to her social media.

The Harry Potter actress emotionally penned: “Michael Pennington has died.

“An old friend, from Cambridge days, a very fine actor, brilliant, wise, clear. I am sad beyond measure.

“Bless your dear memory. Old chum.”

Replying to a comment underneath her post, the actress said: “It happened v recently at Denville Hall. I am sad to confirm.”

Tributes soon poured in following the sad news.

One devastated fan wrote: “May the force be with you brother.”

Another called the actor a “legend”, writing: “May he rest in peace.”

Pennington’s death comes just a year after his partner Author Prue Skene passed away aged 81.

As well as his screen work, Michael was an acclaimed figure in the theatre world, having appeared in scores of Shakespeare productions.

In 1986, Michael co-founded the English Shakespeare Company and was the joint artistic director until 1992.

He was also an associate artist of the Royal Shakespeare Company.

Pennington married actress Katharine Barker in 1964, and they welcomed a son, Mark, before they divorced in 1967.